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#and i can't write to save me
egophiliac · 4 months
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happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!
thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!
I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)
I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!
also maybe he had some reflection on his hair's troubled past with three kids...
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...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.
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#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland episode 7 part 6 spoilers#twisted wonderland book 7 spoilers#twisted wonderland book 7 part 6 spoilers#this is my blog and i'm going to write a million words about lilia and you can't stop me#but anyway i do genuinely get the impression that he's using Pretending to Be a Teenager as a chance to be even sillier than usual#he's a very silly man he's just being EXTRA silly#supported by his recent birthday card where he says he was specifically trying to cast himself as an adorable little brother-type#because he wanted the other students to give him free shit and save him seats and things like that#it worked for about a week before he turned out to be way too good at stuff and everyone just kind of ended up in awe of him instead#and he was like DANGIT. I'VE RUINED IT FOR MYSELF.#(then he and epel went on to talk about their hypothetical vtubersonas because the birthday cards are INSANE but anyway)#i'm bad at headcanons :( sorry!#unless it's dumb things like...what pokemon they would have or whatever#(malleus would have some kind of special fancy-colored dragapult) (but i digress)#i have a hard time putting things into words. just know that i love the grampa bat and his weird kids very much.#my brain is also still kind of fried from the last couple of weeks#i am however starting 2024 off the way i intend to continue it: in deep contemplation of anime hair#(sorry if these look weirdly aliased) (i realized about 3/4 of the way through i was using the wrong brush and i didn't want to restart :U)
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lord-squiggletits · 2 months
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I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
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Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
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And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
#squiggposting#pharma apologism#i'm sure the doylist reason for the writing is just that pharma was a designated villain#so since he's a villain and 'crazy' it's fine for everyone even the good guys to treat him like complete trash#i just think from a watsonian perspective taking a sympathetic approach is way more interesting and logically consistent#what i mean is like. from a meta perspective one of the best ways to show that a character is super evil and not worth saving#is when even the good guy heroes. the ones who are supposed to be kind and compassionate and wise. see him as dirt#and this is also kind of a necessity in most plots bc TF is the kind of series that just needs action villains and long-term antagonists#so not every villain is written or has a plot to be made redeemable. and pharma is one of these bc he's not important or a legacy character#so from a doylist (meta) perspective you could read the autobots' disregard of pharma as a sign of#'this guy is not meant to have your sympathy as a reader. pay no attention to him'#but from a watsonian (in universe) perspective it paints a miserable picture of pharma being utterly forsaken by the ppl he served alongsid#and like yeah i'm super autistic about pharma so of course i view him with sympathy but like#the idea of being a loyal and good person for years only to be subjected to a Torment Nexus of#being blackmailed into breaking all of the oaths you held sacred. under threat of you and all your comrades dying horrible torturous deaths#then when your comrades find out about it they focus solely on the 'harvesting organs' and not on the 'blackmail' part#and then you get literally left for dead by your comrades and best friend hating your guts#and then you get rescued by a guy who uses you as a test subject for his evil machine#this is a fucking nightmare scenario like pharma could hardly be suffering more if the author TRIED to make him suffer#and for me it's like. the evil pharma did can't be decontextualized to what drove him to that. as well as the question of like#how easily ppl can write someone off as evil and turn a blind eye to (or even find satisfaction in) their suffering bc theyre evil#and either brought it on themselves or it's just karma paying a visit#like. i feel like if pharma WERE a shitty doctor and a terrible person his whole life then the delphi situation would feel like karma#but the way it's written and the lore retroactively put in makes it feel more pharma getting thrown in a torture carousel#and THEN becoming evil. but then being treated as if he was always evil or was some sort of bad apple#bc like i'm not opposed to LOLing when a villain gets a karmic torture/death related to the wrongs they committed#but in pharma's case it feels less like karma and more like endless torture + being abandoned by ppl who should have been more loyal
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koroa · 4 months
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"when I look beneath the mask I am forced to wear, I see only emptiness"
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turtleofdamascus · 2 months
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I thought I'd never see
Inspired by the breathtaking fic save the undone years by Whitherward @whatanybodygets which is an AU about Kaz and Inej during WW1 where Kaz is a soldier and Inej is a nurse. This moment that stuck with me:
“All this waiting, and his brother appears at his bedside like a ghost in the night. [...] [Captain Reitveld] simply drops onto the edge of Kaz’s mattress and yanks him forward by the shoulders, wrapping him into a tight hug.
She sees Kaz go tense for a moment, and then relax, bury his face into his brother’s shoulder.
And then he begins to sob."
-
Been working on this for a month. I can't put into words how beautiful of a writer she is. I am always in awe and must drop everything for it.
Bonus: process
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jangmi-latte · 1 year
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o-okay but rook with an injured arm while he's hunting so he's forced to wrap or tuck his arm away. even more so if it's his dominant arm but he's still in the middle of the woods so there's still danger lurking around. or if he's stranded in said woods so he needs to find food so he just holds his bow with his good arm but uses his TEETH while drawing the bow's string and the arrow back and shooting his prey with eyes deadset on the poor creature.
and it just hits bullseye???? all while his good arm is folded or in a make-shift arm sling. and he's bleeding or wounded but he doesn't care since this man trained for this since he was young so, at this point, it's just child's play.
"even if it's one arm, beware of bloodshed."
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abrielarnold · 4 months
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The room starts to spin and he’s glad he’s lying down. He shuts his eyes and turns his external imaging devices and motion sensors inward, cocooning himself in the darkness and warm hum of his machines.
The only part of himself that he allows himself to interface with is the blades in his shoulder copters turning slowly in time with the slight draft in the room. He drapes his mind around them, giving the spinning, dizzy feeling a place to exist that isn’t his stomach. His louvres flutter like gills, directing his exhaust-filled breaths away from his fuel lines and processors.
You Can't Save Everyone, But You Can Try by JustAnotherGuest.
watched generator rex for the body horror, stayed for the giant robots, decided that there could have been MORE body horror and giant robots, and here we are.
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chloecherrysip · 1 year
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We're going to save your brother.
#mario movie#mario movie spoilers#super mario bros#super mario bros movie#super mario bros movie spoilers#princess peach#mareach#cherrysip edits#I FEEL LIKE THIS MOMENT DID NOT GET THE ATTENTION AND APPRECIATION IT DESERVED ON HERE#man i could write you an essay about this#i do think that the 'i'm not afraid! i'll do anything for my brother' line actually ISN'T said during this scene - it's probably earlier#but that this line IS in the right place (peach's mouth movements match)#which means that scene is going to break me because it just seems like a very vulnerable sweet moment between them#where peach and mario get to talk about the situation they're in and their fears and how big the stakes are for both of them#peach fighting to protect her kingdom and her subjects - the immense pressure on her to stop bowser because of her role as a leader#and mario desperately trying to save his brother - not knowing if luigi is ok or not and not being able to keep him safe is so painful#i think that's why mario doesn't have his hat on - the adventure is starting to weigh on him and he opens up to peach for the first time#about him and luigi and their closeness and how he CAN'T lose his brother he CAN'T let him down when he needs him more than ever#and peach reassures him and it means the world. even in this quick clip there's something a little sad about his face#but also there's relief and gratefulness to her for saying that. they're the absolute sweetest :) :) :)#i could be off base but that really does seem like the vibe of this scene from what we've seen and i am ALL ABOUT IT
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skymantle · 7 days
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not shipping something subtextual? alright whatever
not shipping it because a wildly popular INACCURATE fan theory says the characters are related? annoying.
not shipping it because you believe (falsely) that they're related + claiming there's no subtext when the crux of the series is the relationship? DIE.
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kyouka-supremacy · 9 months
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So no sskk?
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bubacorn · 2 months
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hc: Vessel is bad at receiving compliments and being told that he is loved (hug inspired by this one, @ghxstly-death put it into words perfectly. thank you, Eden!🫂)
Thinking about Vessel who can't accept compliments, not because he doesn't believe them (that too), but because he'd heard them so many times in the past related to small, unimpressive things. Not 'I'm proud of you', just 'You did good', an automatic response to any and all achievements. He did good. He didn't know what 'good' meant, but apparently, he did that. He has no idea what was good about what he did, so he continues to push himself, to not be a disappointment. If he does good, then that should be enough, right?
He tries for great, for excellent, for something more, but he always gets 'good', unrelated to the effort and time he put into something. He knows he shouldn't wish for more specific compliments, or anything else, really. He should be grateful to be regarded. Everyone around him is so busy, they can't possibly have time to listen to him talk about how in reality, he has no idea what he's doing. How things sometimes just click but he can't tell if what he did is actually worth anything or it was just pure luck. How he doubts himself at every step but learned to hide it, because he has to be good. And good means coping and dealing with things by himself and quietly, because then he will be told that he did good and who wouldn't want to be good?
Vessel who hears 'I love you' for the first time (said with actual love behind it for the very first time) in a really long time from II. He wouldn't tell the other that, but it's clear from the surprise and the hopeful longing in Vessel's eyes. His friend told him he loves him and he doesn't know what to do with that, so he hesitantly steps to him and begins to lift his arms in question. II's heart squeezes at his shyness, after all, the other has spent months alone in the manor, so it's understandable that he would have grown unaccustomed to touch. But then II has to pull Vessel against him, because the man sort of hovers his arms around his frame as if he doesn't know how to approach a hug. Like he isn't sure what is expected of him and what is too much.
Vessel is surprised when II squeezes around his torso, when he brings one arm around his shoulder and the other to his neck, trying to bring Vessel down towards him, like he wants to protect and shelter him. That's strange, but Vessel finds that his arms want to stay wrapped loosely around II a bit longer and just as he starts to pull away, II again says "I love you, Vessel", and Vessel's brain freezes. II squeezes him tighter and Vessel feels so warm and strangely loose (he's afraid he will unravel if he stays too close for too long) and small even though he towers over his friend. His friend who is now holding him and who apparently loves him.
The only thing in his mind stumbles from his tongue in the form of a quiet "Why?". He didn't do anything exceptional. He was showing II an arrangement and said he wasn't sure if it was any good, letting his fingers dance over the keys, feeling like he was stumbling through music. He felt like it captured that familiar insecurity, and he liked it and hoped II would like it, too. Even if it didn't make it into a song. Then II said he did like it, that it feels like Vessel is unsure but it gives the melody a unique flavor, and that Vessel was great for translating that feeling into music.
"'Why?' ?" II's answering question is filled with such disbelief that Vessel wants to hide. He said something inappropriate, something secret that had previously only been dwelling in his mind, in a dark corner, and now he feels exposed. Why did he even open his mouth? Not good. Definitely bad.
Vessel is slumping against II a bit, like he doesn't know how to hold himself upright anymore, like he needs support. II must feel it, because he's still holding him, and it's been minutes and Vessel tries to squirm away, to save any dignity he might still possess, and II lets him slip out of the embrace, but his arms linger like he doesn't want to let go of his friend. His friend who just blurted out the worst response to a confession of gentle affection. Vessel looks so worried when he catches II's gaze and he immediately averts his eyes and takes a few small steps back, unconsciously gravitating towards his piano for protection, a sense of safety.
"You're my friend, Vessel," II tries approaching the man with soft words, "You're kind and considerate and a damn good musician," Vessel stops backing away when the back of his legs hit the edge of his piano bench, but he's still looking at the floor, "You pour your heart into writing and playing and it's amazing to see. You're committed, but patient and you help me every time I need. Even when I'm too embarrassed to ask," II tilts his head and steps a bit closer to try and catch Vessel's gaze, "I know you don't see it and I'm sorry that you can't because it's true. I would never lie to you about this, Ves. I love you, you're my best friend," Vessel presses his lips together, so II adds, "Not just because we live in the middle of bumfuck nowhere. You're the best friend I've ever had. And I'm glad Sleep led me to you."
Vessel gives him a look that shows he tries really hard to believe him, and adds in such a low voice it's almost a whisper, "I love you, too," as if he's embarrassed to admit it. But it's not embarrassment, II realizes, it's disbelief, it's some sort of deep shame about needing someone else, of relying on anyone else but himself at all times. And it makes sense, considering Vessel's nature, but II could never put it all together, since large chunks of Vessel's past were unfamiliar to him. He could have guessed based on how the man acted, but he didn't want to assume anything. It felt disrespectful. Vessel would share if he wanted.
"And I'm really glad you found me," just a beat of silence, before he adds, in an even quieter tone, if that's possible, "And that you stayed," Vessel risks a bashful glance towards II, and sees him blink rapidly, shocked by the implication of the other's words, before he shakes himself and steps closer to Vessel. He searches his face for apprehension, but doesn't find any, so he gently puts his hands on Vessel's upper arms and sits him down on his bench. Before Vessel can react, II has his arms wrapped around him, one around his shoulder, and the other's hand cupping the back of his head and cradling it to his front.
"You're important to me, Ves. You're special and precious and I love you," II's fingers caress the man's shoulder and card through his hair, "I want you to know that I'm here for you any time, okay?" Vessel is still stunned and he's sure he's going catch on fire if he gets any warmer. II twists a lock of hair around his finger, "Okay?" Words form and die in Vessel's throat so he just nods, rapidly, almost hurriedly, and II lets out a small chuckle. "You're amazing, you know that?" he nuzzles into Vessel's hair for a moment to murmur, "And adorable," II sways with the man in his arms a little and Vessel is sure he will combust. His face is flaming against II's shirt and he tries to suppress the half grimace-half grin on his face and feels unreal. "C'mon. Tea break?" II smiles down at him and offers a hand. Vessel can stand on his own, but doesn't reject the offer. He likes the warmth of II's hand and he can always use the stability and the reminder of the other's presence. II soon replaces his hand with a mug of tea, but it's considerably colder to Vessel. The contrast is especially palpable when II brushes his knuckles against Vessel's as he's handing him his tea. The mug is warm, but II's skin is burning against his. But it's not bad. It's a good burn. It makes Vessel feel alive. Seen. Loved?
Vessel learns that he doesn't have to prove himself to other people to receive love. Love is not something that has to be earned in their home. Love is not a reward, not something that Vessel has to work for, then be disappointed that in the end, it isn't actually given to him. He tried being good in the past, being silent and keeping his head down and being a good kid, but the warmth and the unconditional love didn't come. He still tried, though, he always tried his best, but apparently that wasn't enough. Or there wasn't actually love at the end of that tunnel. It was just a play of light. But that would have been cruel and Vessel would like to think that people in his past weren't intentionally unkind to him (he won't admit the truth to himself for a while).
II often tells Vessel that he's proud of him. For speaking up. For telling him when he's having a bad day. For asking for distance when he needs it and closeness when he feels like he will drift away. For admitting to messing up, when he falls back into bad habits of self-destruction and isolation. For doing a grocery run by himself even though he goes home almost shaking and has to spend the next hours under a blanket on the couch, because it was simply too much. For crying when he talks about memories that he tried his hardest to forget but he just can't. For asking for help and letting II help him, even though it's hard. It's really hard, and Vessel apologizes for it, for being fucked-up and broken and damaged goods. For wasting II's time and being a burden, a needy, greedy thing. Wretched. Minus human.
But II tells him he loves him and that he could never be a burden. That he will always be worth it, he always has been, and that he's sorry that people in Vessel's past couldn't see it. Couldn't see him for all that he is. For the friend who pays attention to little details so he can show his friend how much he values him. For the guy who bakes his friend a complicated cake for his birthday because he off-handedly told him he can't even remember what it tasted like, even though it used to be his favorite. For the amazing composer who can capture emotions one doesn't realize one has. For the hard-working, curious kid who thought that being obedient and not questioning authority was the way to earn praise and affection. For the little boy who thought something was wrong with him, that he did or didn't do something and that is why he couldn't feel loved. For the child who cried and cried, silent and under the cover of the night, hoping that no one would hear (and secretly hoping that somebody would and they would come and save him from the gaping emptiness that made its home in his chest, way too big and scary for a boy that little). For the boy and then the man who couldn't cry anymore but thought that that is more than alright, at least he can finally keep it all inside. For the partner who allowed himself to be vulnerable with someone he trusted. For the partner who made sure his other knew he was always welcome, even though his brain sometimes tried to tell him otherwise. For the partner who grew comfortable with expressing casual affection so much that terms like 'darling' became second nature to him (and for the way he blushed when II told him that). For the man who learned to accept that it's okay to admit to not being okay, to need someone, to want to not feel alone, to feel cherished, to have his feelings validated. For the man who can tell his partner anything and does, because he knows he can speak his mind and that there will be someone who listens.
II wanted to see Vessel. Vessel let him. Even before he showed the uglier and less than perfect parts of himself, II loved him all the same. It was never about being 'good' and silent and compliant. Vessel is good. Vessel is not good. He's amazing. He's perfect. He's wonderful. He's cherished. He's incredible. He's valued. He's seen. He's listened to. He's heard. He's finally, finally loved. Has been for longer than he dared to think. Will soon be by more people than he thought possible.
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lunarharp · 11 months
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into the deep end - 30k T orufrey fic, focusing on memory trauma, disability, and romance.
the sweet oblivion of the victim, the poisoned freedom of the other.
for one moment - it had felt like two parts returned - the needed reunion of two disparate halves. no more secrets, no more pain.
the moment you get to give back what you never wanted to take. that moment, under the night-blooming flowers, when they had both let out the same single broken sigh of relief.
but they were never whole to begin with, were they?
qifrey swore he wouldn't say 'sorry' to this man any more if he could help it - sorry is cheap now. he didn't want to be in a position ever again where you only have 'sorry' left. so he just looks down into the threads of his blanket, strains his eye until it hurts, feeling his insides - his throat, heart and head - burn with pain. he expects more, but olly says nothing.
olly says nothing.
#witch hat tag#orufrey#sorry i wanted to make a new post for my fic since the first illustration is new.#*stands in the middle of a desolate field in the pouring rain* Please Read My Tale...Blease..Oh god please..*collapses to the ground*#someone asked if there's spoilers in it. Um...yes. Sorry...it's about everything#maybe i should describe it more? it's about qifrey becoming more and more disabled - as i feel is his canon trajectory#and both of them processing the choices that have been made. it was necessary for me to explore this in order to fully understand orufrey#and for them to have the cathartic conclusion-that's why this is important to me for my witch hat fanwork making life. this connects it all#and having dived into qifrey's mind and lived through oru's feelings i was able to get to a place that is possible for them.#the hit/kudos ratio is so pathetic idek what happened. ppl opening it realising its long and saving it for later or just bailing lmfao#idek any more i hate advertising my writing i hate trying to get more ppl to read my long fics it's so hard 🥲#i'm so much prouder of this than my art...i was able to sink deeply into the orufrey feelings i had always wanted to fully explore#so. it's there lol.........i reread the date/kiss segment today after trying to forget about it thinking maybe the fic is just BAD lol#and like.....nope! i like it very much and this is what i was trying to get across. and it's always there to be read by anyone who wants to#and i will always remember the bliss i felt while writing when i was just lost in their world and living as them. dear GOD i love them.#i'm grateful to myself that i put in the work and love to make this so that i can always come back to it. i wanna illustrate scenes properly#but i'm never satisfied with drawing things i've written because i just can't capture the vivid experience in my mind. maybe one day.
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softpine · 2 months
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This might be juvenile, but do you have any tips on not comparing yourself to others? (Especially when it comes to note count or popularity.) I’ve been posting a story for over a year and it hardly gets any traction. It’s tough for me to see new creators post and get hundreds or even thousands of notes. I hate that I’m doing this but don’t know how to quit it!
this is not juvenile!! i struggle with this myself, especially knowing that i hit my peak years ago and i've been on the decline ever since – but only by numbers alone! i'm more proud of my story than i've ever been, i'm more attached to my characters, i'm putting more love and thought into everything, but i had to be realistic with myself and understand that i'll never pull even half the notes i did in 2020. gone are the days when i would wake up to 3 new anons about my story and dms from people every day (i can't believe i used to get overwhelmed by it...) and i would be lying if i said it didn't make me sad sometimes, because we're humans and our brains are practically wired to crave the hit of happy chemicals you get from seeing the stupid number go up 😭 it does feel demotivating. it makes me feel less urgency to post quicker if i convince myself that no one is waiting for me anyway, which means i post less, which means even less people stick around, which makes me post less, and on and on. it's a tough thing for me to come to terms with in all honesty.
but it helps to remember that i would be writing even if no one is reading. and i know that, because i have! i've written entire novel-length fics that i've never published, i've written countless short stories in the frozen pines universe that i'll never post, i've created alternate universes that will never be shown, etc. i do it because the idea is in my head and it needs to Get Out and i'm kinda just a conduit for that. that might not apply to you, and that's okay! everyone is different. the important thing is to really sit down and think about WHY you write and what you get out of it. which part of the process makes you happiest? what makes you feel a sense of fulfillment / satisfaction? play to your strengths. try not to spend your time doing things you think other people will enjoy and instead, spend more time on the things that make you happy. for me, i haaaaate editing and i always have, so lately i've been trying to speed through it a little bit quicker even if it means the final product won't be as appealing to others. (this is still a work in progress for me...) i have more fun when i experiment with different writing styles, which might not appeal to others because it takes longer and i don't really have a recognizable style, but i don't care anymore because i'm having fun! ask yourself what YOU want from your story, and then write for yourself and only yourself.
essentially what i'm saying is: there will ALWAYS be people more popular than you, and there's no guarantee that when you find the popularity you seek, you'll be able to keep it. so you need to find some sort of intrinsic motivation to continue or you'll just keep comparing yourself to others forever and you'll deny yourself the joy of creation! "comparison is the thief of joy" could not be more true!!
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beesinspades · 9 months
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if i'm late to post the next chapter of my canon divergence fic in which wolfwood finds eriks stuck in his creechur form, this is why :3
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six-white-venus · 2 months
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pick an object to your right and tell me about it
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obsessedwithsagau · 1 year
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holy shit i’m actually making a post???
anyways sagau au idea where the player used to be fucking cracked at the rhythm games and it transferred into the game (not that she knows) so she picks up an instrument out of curiosity and everyone is like “oh do you know how to play?” creator says “well i never really learned in my old world, but since i’m here i ought to try new things right?” and everyone is encouraging but also cringing to themselves thinking ‘well shit time to put on a smile because she’s totally gonna sound like garbo’ and then creator just proceeds to
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BTW FEEL FREE TO USE THIS IDEA AS INSPIRATION OR TO JUST STRAIGHT UP COPY IT i’d love to read it being written by someone else :)
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gay-mooshrooms · 7 months
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I fear to stain your clothes with blood/Stain them. I don't care
Chapter 1
Look.
Maybe Wilbur didn't love going to camp.
Maybe he would whine, and complain, and annoy the crap out of Phil and Techno on the 3-hour car ride.
But! 
That did not mean he hated it. 
Sure it was far from the most enjoyable experience in the world. 
But sue him, the kids gave him some small shred of hope for humanity that he was oh so desperately lacking. 
It also helped that Tommy adored Camp Essempi. He had practically grown up there, been tagging along every summer since he was 7 after Phil bought the place. 
So now Wilbur found himself in his dad's grey van, listening to The Artic Monkeys at a very unhealthy volume, while he could see Techno gesturing in the seat in front of him. 
If he had to guess, Tech was probably monologuing about some new book he read or what he was planning for the campers or something.
Wilbur didn't really care. 
Tommy was directly next to him, and his head was now resting on his shoulder, where it had been slowly creeping toward for the past hour, in spite of him claiming, "Fuck you Wil! I'm not tired at all bitch!"
They really needed to work on his swearing problem.
But that was for another day. 
Right now Wilbur had to worry about how to stay sane with 2 more hours left on this car trip.
He debated trying to read a book he brought but considering the last time he'd tried reading a book in the car they'd had to pull over so he could throw up, he decided not to risk it. 
Listen to Techno rant? Wilbur thinks he'd rather take the vomit at that point.
He eventually just decides to take the easy way out. 
Turning his music down slightly, he lays his head on top of Tommy's, stretching the blanket he'd been hogging across them both, and letting his eyes shut. 
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By the time he woke up, they were only 30 minutes away from camp, and Tommy was still dead to the world. 
Techno had fallen asleep at this point too, his head lolling so his long hair fell over the edge of the car seat.
How he lived with it that long Wilbur would never know. 
He removed one of his earbuds and was met with the soft sound of Here Comes the Sun drifting from the radio, Phil humming along quietly. 
A few seconds later, his dad looked up and saw him awake. 
"Oh Wil!" Phil said, smiling, "Didn't see that you were up. We stopped at McDonald's about 15 minutes ago and got some fries for you, figured you'd be hungry."
Wilbur immediately brightened and maybe grabby hands at his father. 
"Gimme food," he said, with all the eloquence of a toddler. 
Phil chuckled and handed over the brown paper bag. 
"Save some for Tommy, you know he'll be starving when he wakes up, and who knows what that will entail."
Wilbur nodded solemnly, suddenly reminded of the last long car trip they'd taken. 
A few minutes into starting on the fries, he felt Tommy stir beside him. 
"Ugh, do I smell food?" Tommy asked, his voice slightly hoarse. 
"Always hungry never satisfied," said Wilbur, which was not entirely inaccurate. Tommy ate like a fiend. 
"Ey!" Tommy blurted out, his head immediately shooting up and his hands raising. "Just cus you're as small as a twig doesn't mean I have to be. Plus I heard Niki's running some of the sports stuff and I am NOT doing that on an empty stomach."
Wilbur had to give him that, Niki, one of his old camp friends and now first-year counselor, was one of the nicest people he'd ever met, but also incredibly badass. 
She'd been one of Techno's favorite campers, and he, in turn, had been her favorite counselor, which meant she was an expert in most combat-based camp stuff. 
She terrified Wilbur and Tommy alike. 
Techno too, but he would only admit that to her.
"Fine fine gremlin child take your food," huffed Wilbur, handing over the bag.
Tommy grinned evilly up at him and began shoveling the food into his mouth like an animal, a raccoon perhaps. Or maybe a possum. 
Wilbur couldn't help but grimace and turn his attention back towards his older brother and father, who, now that Techno had woken up too, were discussing camp setup. 
"Listen, Phil," one of Techno's quirks, he almost never called Phil dad. "We have more campers this year, we're gonna need to buy some more stuff."
Phil shook his head, "It'll be fine Tech. And if not, we'll go out and get stuff. And anyway, it's not so much supplies I'm worried about but space. I think we'll have to raid some of the unused cabins for cots. The last thing I wanna do is force kids to sleep on the floor, "said Phil, chuckling. 
"It would be good for them, " Wilbur chimed in, "Builds character."
Phil laughed. 
"C'mon Wil, let's not give them scoliosis too early on in the summer."
"As I just stated, character building."
"Wilbur I swear to god."
The last 20 minutes of the drive were spent bickering about random topics or singing along to Hamilton.
The latter was, of course, Wilbur's request. 
But Tommy joined in too. 
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The sudden sound of crunching gravel alerted Wilbur to their imminent arrival at Essempi, a sound that bore equal parts joy and pain in his mind. 
It was at this point Tommy began bouncing off the walls, it was honestly a miracle he's lasted this long.
Usually about 2 hours in they had to stop for 15 minutes and just putter around a gas station.
Fortunately, Tommy had stayed up late last night with Wilbur, going over rules and his luggage over and over again to make sure he didn't forget anything. 
But once rested, Tommy's energy made a full recovery, and as soon as they had gotten their luggage out of the car he was full-on sprinting towards their cabin. 
Wilbur however, did not not follow so eagerly. 
Unlike Tommy, car trips didn't make him stir crazy, but rather tired, lethargic, and dead on his feet.
So, grumbling, he hoisted his backpack over his shoulders and grabbed his duffle, before trudging down the path behind his little brother. 
It didn't take long for his dad and Techno to catch up, his older brother giving him a small pat on his shoulder before moving past. 
Phil on the other hand, fell into stride alongside Wilbur and started humming Dear Theodosia, one of his favorites. 
"How are you feeling Wil?"
The words startled him, he hadn't exactly been expecting conversation. 
"Uh, fine?" he said, with a slight question in his tone. 
"I mean, a bit tired but nothing horrible."
Phil nodded, "OK. Just let us know if you need anything."
Wilbur couldn't help the small sigh that escaped him. 
He understood that his dad meant well. That he genuinely cared and wanted to help. But this was not what Wilbur needed. 
He never did well at the whole talking about your feelings thing. That was definitely Phil's department, and something he always encouraged in his kids. But somehow Wilbur never got the hand of that particular skill.
He didn't think any of them did really.
But he didn't say this, or anything remotely similar. 
Instead, he just nodded and said softly, "Alright, thanks dad."
Phil smiled, laid a hand on Wilbur's shoulder, gave a small squeeze, and then he was gone. 
Wilbur paused for a second, looking around at the slowly darkening sky, where the first glimpses of stars were visible.
He glanced at the trees, shaking in the slight breeze that was making him glad he wore a hoodie.
And finally, he looked back down the path, where beams of warm light could now be seen.
Wilbur took a deep inhale, readjusted his bag, and continued walking.
It was gonna be a long couple of months.
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