Escaped clone au
You know all those fics where Danny and Damian are twins but everyone first assumes Danny must be a clone? How about an au where Danny is Damian's clone who escaped the League after he was assumed dead. Damian could even have been the one to have "killed" him, back when Danny was a newly created, fully brainwashed clone minion and trying to kill Damian himself.
Danny gets adopted by the Fentons and canon goes on as normal, until Dan. Witnessing what would happen to the world should he turn evil really drove home to Danny how dangerous he is.
Even if he was confident he could be trusted with his absurd amount of power (which he isn't), what if the League of Assassins found out about him? Does he still have programming triggers from his evil assassin clone conditioning?
So, Danny does the responsible thing: he goes to Batman to turn himself in.
Cue Danny showing up on Bruce's doorstep with ghost hunting equipment, intel on the afterlife, and an almost unbelievable backstory. Somehow he still managed to be more well-adjusted than Damian.
More thoughts under the read more
Here's how I'm thinking Danny leaving the League went down:
After surviving his wounds but failing his mission, Danny (then an unnamed potential Damian replacement) knew there was no point in returning to the League. As a failure, he was meant to be disposed of. He even thought of simply allowing himself to perish, since that was what the League would do.
But he couldn't help but feel as though that would be a waste of a resource. Surely he could be of more use to the League alive than dead?
That tiny bit of rebellious logic is what caused Danny to go into hiding, only living on based on the off chance he would find opportunities to further the League's goals. Obviously, that mentality didn't last long after being exposed to the real world and meeting one Jazz Fenton.
Being adopted by the Fentons was the best cover Danny could have asked for, since any odd behavior he couldn't hide while he was learning how to be "normal" was totally overshadowed by the sheer bizarre eccentricity of his new parents. He was still the neighborhood weird kid, but even that was a major upgrade from disposable tool, so Danny considered it a win.
Anyway, if anyone likes this idea, please feel free to have at it! Interpret it as you please :)
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After recent events, I ended up going back to the beginning to check things, because my first reaction will always be "wtf, this is shit, why would you do this" and my second reaction will always be "okay maybe that was a bit much, maybe he's not THAT bad, maybe has a good reason-
Okay.. that doesn't rly mean anything, maybe she's just worried kaito found something he shouldn't-
Okay.. okay this looks, well maybe he's just leaving some recordings in case kaito found something he shouldn't! It's not like they can hide it forever! The room is part of the house! Kaito lives in the house-
Excuse me... What did .. what did you say...? Wha
What do you mean "designed"?
What??? What do you MEAN "designed to open after 8 years"???
I have been angry since April 12th and I've reached a point where I don't even know what to feel anymore I don't even know what to tell y'all.
Like, wow, omg, movie reveals. Other than family relations, the other thing isn't exactly anything new. We've all read Midnight Crow. We saw Kaitou Corbaeu. We've been in denial until finally reaching acceptance. For me at least. And then we spend a few years bargaining, bc surely there's a good reason kaitos not in the know. That kaito has to be KID. Surely there's a reason? Right?
Right???
At this point we don't even truly know if Jii is in the know and was acting as planned out by the parents or not. Or if he's just like kaito. Tricked, lied to, played for fools. At the very least ginzo doesn't know, so there's that. Not sure how much that would help kaito when he inevitably finds out. Because he will. The fact remains that it's quite suspicious that Jii just so happen to choose to don the KID outfit and become KID to draw out toichis murderers exactly 8 years after toichis death. EXACTLY the same amount of time that was set for that trap door portrait to open to kaito.
There's a lot of implications to think about
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Remember in episode 11 of Not Me when Black showed up in front of Todd and put a gun to his head, which caused them to fight, and Todd attempted to drown Black, only for him to stop and have a whole ass moment . . .
THINKING ABOUT BLACK SHOWING UP TO HIS PLACE INJURED!
Then, in that memory, Todd questioned Black's "new friends" but he said it in such a way that clearly showed he was jealous
And his demeanor only changed once Black confirmed that he didn't really get along with these "new friends"
So he got up, called Black "an aggressive dog" while patting him like one
ONLY TO LAY DOWN ON THE BED AFTER ROLLING OUT HIS NECK
Remember how Black looked back at Todd laying on the bed?
Why were these decisions made?!
Why were we shown this as if it was an implication that they usually had sex?!
And that only they could hurt each other because they really knew each other, so Todd would rather fight with Black for the rest of his life than have anyone else?
WHY?!
I WANT ANSWERS!
GMMTV, I am begging you to give them back to me! They were enemies AND lovers. They were everything to me, and I need them back! I know I'm not getting them in 2024, but could you think about it for 2025? We're gonna have marriage equality, and I need to see these two fighting it out because Todd is heavily invested in rainbow capitalism so people will overlook the shitty things his companies do with their profits, and Black is blowing up his factories or some shit.
GIVE THEM BACK TO ME!
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the AU where Prime Torino time-travels to the Advent of Quirks era (a time period he did not study for) and picks up two street babies after recognizing one as a miniature AfO
context: Sorahiko's been in the past for less than year. He's been preventing AfO from picking up new Quirks for maybe two weeks, and has dropped off food for the twins a couple of times.
wc: ~1.1k
//
The children stared at Sorahiko with wary eyes, eerily alike for all that they differed in stature and eye color. He didn’t let himself move, save for a tip of his head. The bigger child, the one Sorahiko thought was a young All for One, mimicked him; the smaller boy said in a faltering voice, “Who are you?”
“Call me Torino,” he said. “How about you?”
The smaller boy bit his lip and gave his brother a nervous side-eye. Chibi-AFO ignored him; he only had an unblinking stare for Sorahiko, and truth be told, it was getting irritating. Don’t raise your voice, he heard Shimura chide.
He sighed, then changed tack. “Did you like the food?” At the clear brightening of the smaller boy’s expression, Sorahiko lifted the plastic bag. The boys were younger than Kotarou, but he had vague memories of Shimura feeding her son soft foods before he turned a year old. Surely steamed vegetables and (slightly) overcooked rice was fine.
Chibi-AFO lurched forward without a sound, one hand outstretched, the other still holding tight to his brother’s wrist.
A curse slipped through Sorahiko’s filter; he dropped the bag and Jetted himself backwards, out of reach but not out of sight. The last thing he wanted was to be chased blindly by some murderous toddler.
The showing of his Quirk, however, sparked something in Chibi-AFO’s eyes. A different kind of hunger--one that apparently required both hands now, as he unceremoniously dropped his brother and doubled down on trying to grab Sorahiko. The smaller boy yelped as spikes burst from Chibi-AFO’s skin, and then showed an incredible lack of self-preservation by trying to intervene.
“No!” he cried. “No, don’t! He’s nice!”
Sorahiko dodged another lunge for his neck. Can I hit him now? he begged the Shimura on his shoulder. I’m justified in knocking him out for his own good, right? That’s how this works?
You can’t hit a baby! Shimura scolded. He doesn’t know any better!
Chibi-AFO, as if to refute Shimura’s sympathies, finally opened his mouth to screech, “GIVE!” He kept springing for Sorahiko with his tiny palms thrust outwards; the spikes on his body rushed unerringly for Sorahiko’s limbs. “GIVE IT!”
“Stop it! Stop!”
How much stamina could a toddler have? More importantly, how long did Sorahiko have until the civilians he’d ushered off the street rang the local police station? Sorahiko, out of sheer curiosity, started leading Chibi-AFO in a circle. It felt criminally easy to maintain a generous distance between himself and the toddler, even as Chibi-AFO grew more desperate and enraged at not having easy prey.
“IT’S MINE!” the toddler snarled, out of breath. “MINE! MINE!”
Because Sorahiko wasn’t above taunting a baby, he upped the speed on his Jet. Chibi-AFO’s reliance on his spikes to propel him was the toddler’s downfall; as the chase continued, the production output and quality of the spikes diminished, until it was pure spite that powered Chibi-AFO’s bare feet.
The smaller boy had collapsed long ago by the food, gasping, but he seemed like he registered that Sorahiko wasn’t about to die, because he was now spectating with awe-struck eyes.
“Are you done?” said Sorahiko mildly, continuing to deny the toddler any hope of closing the gap. The boy’s face was getting redder, and scrunched-up, and then the funniest thing happened: Chibi-AFO tripped on his makeshift robe, face-planting into the asphalt.
Don’t laugh, Shimura said, in a long ago memory about Kotarou colliding into a glass door.
Chibi-AFO was trembling, every limb shaking. The smaller boy had shot up, renewed concern pushing him to his brother’s side and babbling something unintelligible. Sorahiko stifled the bark of laughter as Chibi-AFO gingerly lifted his head and goggled at the ground, like he couldn’t believe he’d fallen.
“Be nice,” the smaller boy pleaded, frantically patting Chibi-AFO’s shoulders. “Don’t, don’t, be nice.”
A tiny, minuscule drop of pity collected at the pit of his stomach. Sorahiko made the executive decision to sacrifice his cape, unpinning it from his suit and dropping the heavy fabric onto the boys before going to fetch the food. They startled at the sudden weight, but the smaller boy could only squeak and Chibi-AFO, thoroughly exhausted, could only twitch.
“Let’s try this again,” said Sorahiko dryly. He popped the plastic lids of the styrofoam containers and stuck spoons into two of them, situated both in front of the children, and took his own seat a full meter away. “I’m Torino. How’s the food?”
Huddled under his cape, the smaller boy looked bewilderedly from him to the food, and back again. “Um…!”
“Not hungry,” said Chibi-AFO.
“... Alright. You two have names?”
“No,” said Chibi-AFO, sullen. “Go ‘way.”
As tempting as it was, Sorahiko took a measured breath and let out a controlled exhale. “No. You’re hurting people being out here, and I can help you. Food, and a place to sleep. Do you understand me?”
The smaller boy fiddled with a handful of Sorahiko’s cape. Tentatively, he asked, “Safe?”
Chibi-AFO repeated, in the same tone as before, “No.”
At some point, Sorahiko thought, you really couldn’t justify letting a toddler steer the conversation. He considered his options, and responded to the smaller boy first. “Yes, it’s safe. I won’t hurt you, or him. I just can’t let him hurt anyone else.”
A small hum, and then: “Okay. We go.”
“No!” Chibi-AFO protested, and finally pushed himself up, wincing. Tears pooled at the corners of his eyes, but Sorahiko would place a bet that they were purely reflexive. “No, I’m safe! He’s bad! He hurt me!”
“You hurt you,” the smaller boy sniffed.
The murderous intent flashed on Chibi-AFO’s face again, and Sorahiko hastily stepped in before more blood was shed. He snapped his fingers in front of the toddler. A malformed spike, sloppy in execution and sluggish in timing, tried to pierce Sorahiko’s hand and dissipated before he could even recoil. Exhaustion! Finally!
“Go ‘way,” the toddler demanded.
Sorahiko simply leaned his cheek against his fist, propping his elbow on his knee. Either Chibi-AFO would recover and try for a second time to steal Jet, or he would pass out. There wasn’t any point trying to reason with the brat.
The smaller boy patted Chibi-AFO’s shoulders, but he too went quiet. Eventually, Chibi-AFO slumped flat to the ground again, and his slurred orders dwindled to a faint burbling snore. That was Sorahiko’s cue to creak upright, crouch down, and ask the smaller boy in a serious tone, “Can I pick you up?”
The kid looked at the food.
“I have more at home.”
“... Okay,” he said softly, and in swift order, Sorahiko resituated his cape so it swaddled Chibi-AFO, took him up on one arm, and hoisted the smaller boy in his other arm. There was that squeak again, and a nervous clutching at his flight suit, but Sorahiko’s attention was on thinking about the route back to his apartment.
It would be easier on the kid’s nerves if he walked, but the Meta X gangs were too troublesome to bother with tonight.
“Hold tight,” Sorahiko muttered, and Jetted for the rooftops.
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excuse me i need to Muse on something for a moment
so in Wally's secret 'vinyl' audios, specifically the last few (if we're listening to em in chronological order), obviously he starts to sound more strained/distressed. his breathing is more labored, like it's taking all of his energy to make contact.
but the audio that really caught my attention was the "But i still can't see" one. cause he just said he has more eyes than he did before. he knows We draw them a lot, and it's thanks to that that he can see. but he still can't see?
so my question is: where is Wally physically? cause although he can (assumedly) see the WHRP goings on, he can see through the eyes We draw, that could all be on a, uh... more Intangible level of sight. like the spiral pit is forming an eye, and then there's the eye on the ceiling in the secret Staff Only section - could Wally be in the pit, that space between his reality and Ours, "watching" through the eyes? but unable to actually see with due to the pit being pitch black nothingness? is he somewhere else? is he stuck? he can see, but he can't... see.
(or is he trying to explain an abstract concept - he's not actually viewing anything, but he can sense it. like how he knows We're there, even if he can't see or hear Us. but he just doesn't have the words to describe it other than using physical senses - see, hear, look.)
and him saying "...that I can see. But it is still... I can't..." but it's still what, Wally? dark? something else that he doesn't have the words to describe, so he just says that he can't see?
i know that in the Livestream Trivia Document (compiled by @/the neighborhoodwatch) there was something said about Wally being in a box. my first thought reading that was "oh, so he's in storage? the physical puppet, i mean?" which would make sense - show's over, there's no more use for him. pack 'em up and put him away. but that paired with the "can't see" audio makes both seem a lil... connected.
Wally can't see > he's likely somewhere dark > the inside of closed boxes are dark > Wally's in a box. (or maybe the Neighborhood is the box? it's a stretch, i know, but the map is a box. television sets are often set up in "boxes". maybe it's less of a physical storage box and more of a 'boxed in' sort of thing...)
one question i've had since the Start of my interest in this incredible project is: how is Wally communicating? how has he connected to the site? how does he connect to our reality? the pit almost definitely has something to do with it - most likely acting as a bridge, or the deteriorating of the barrier between our two 'worlds' - but if Wally is in a box and Not the pit or even just in the puppet's reality... how is he reaching us beyond just seeing through the eyes he's given?
or is he in their reality, and he can contact through the pit or something, but he can't actually see the other side? Our side? he knows it's there - that We're there - but none of it is visible to him. maybe his apparent disassociation in the 14 bug audios is a demonstration of him contacting Us. we can see through him, but it's a one way street.
and speaking of the pit - i just had a thought. his whole thing with Us letting him in, opening... the pit on the neighborhood map is getting bigger and clearer. but the presumed Other Side, the one on the Staff Only ceiling, is small. it's the size of a ceiling panel. it seems to me that Wally is chipping away at his side of the pit or 'portal', trying to reach Our reality, but he needs Us to do the same thing on the other side. the QA can hear him calling, but there's no phone on their (Our) side of the pit. how do We call back???
there's a fundamental barrier & lack of understanding between Wally and the QA/Us. he's trying. he wants to be let in, but what does that mean, really? let him in where? open what? he's desperate. he wants us to understand. he's trying so so hard Without the right tools to clearly communicate what he wants. he can't see Us, We can see him, both know the other is there, but there's no way to connect. and the attempts are hurting all parties involved, however unintentionally
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