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#and i was just rewatching some awae and remembering the first time i watched i thought cole was a trans girl
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AWAE 3x3 rewatch: thoughts and reactions
So I made a ginormous pause in between these again. I just wasn’t feeling up to the task, I guess. But it’s the anniversary of the premiere of AWAE, so what better day to do the penultimate one of these... Let’s just dive in because it’s been literal years since I first saw this episode and I remember literally nothing from it.
Oh my, Bash is just the best. And those baby chicks... well, I know what is most likely to happen to chickens on a farm when they grow older but... can we just maybe not think of that yet? Plus, seeing Mary keeps reminding me that soon I won’t be seeing her anymore. It’s safe to say I have mixed feelings about this cold open. Let’s move on.
Gosh, now they’re leaving Matthew alone with Delly, who is two types of people he’s uncomfortable around - a baby and a girl. But it’s fine, it will be just ‘a couple of hours’...
It is such a shame to think that Mary might have been saved... if she were white. People can be so awful. A human being is a human being. At least there are people like Dr. Ward and our protagonists who know that and act accordingly.
Oh... there’s that cute scene of Matthew showing Delly around Green Gables that I’ve seen in so many gifs... I can’t comment much on it so I’ll just sit back and enjoy. But before I go - Matthew is the best, most gentle man I’ve ever seen. He might be awkward around women and children, but he knows how to treat them right better than most people who are not awkward around them.
Oh gosh, the nappy! That kind of made me laugh out of place but, well, I just wanted to say - thank gods for Jerry and his many siblings. My boy knows how to change nappies.
Oh, they’ve got the printing press! Now that’s exciting! I feel like excitement is a good word to describe this episode, at least so far. We’ll see how I feel by the end of it. All I know is this is making me smile and I’ve really been needing that.
My, my, Ruby... I keep forgetting when it was that she got over Gilbert. Apparently it was not before mid-season, since she’s still in it way too deep. 
Oh wait... is this when things began happening between her and Moody? I mean, the way he gives her his handkerchief, you’d think ever since he stopped trying to make Diana and her ‘very blue’ dress notice him, he’s been sitting back and watching Ruby from afar, hoping he can, somehow, compare to Gilbert. The best part is, in just a bit, he won’t need to. Boy, do I need a fourth season even if just to see these two develop... and for Diana and Jerry to make up, and just in general to see the kids being all grown up... now I feel like crying because we’ll very probably never get it... ok, moving on.
Anne: Sometimes life finds gifts in the darkest of places./ Marilla: Indeed. Wait, was this Marilla’s way of telling Anne she loves her? This is just the best. 
The contrast between scenes dealing with Mary and the rest of the episode is just so stark, it’s jarring. It’s like, you never know the darkness someone might be sinking into  while everybody else is bathing in the light. You know, everybody involved in making this episode, and the show in its entirety, made it so poetic, and yet it’s not. It’s absolutely devastating. And now Gilbert can’t even tell Mary that she’s got no more than two weeks left. This is the worst. 
You know, Anne is right. Caring deeply will always be the right thing. I mean, it’s natural for Gilbert to doubt himself at this time, especially since the tragedy is happening to his own found family. You know, there’s something my mum taught me to do when I’m watching something and I can’t bear the subject matter of it - focus on the acting. And right now I’m just blown away by the superb performance by these incredible young people. But I really can’t bear to focus on the plot right now. And the acting being that good doesn’t particularly help me to detach myself from the story.
You know, tragic as what’s happening to Mary certainly is, it’s somehow lucky she has Anne in her life now that she’s about to leave her own daughter to grow up motherless. Because if only Anne’s parents had an orphan tell them what an orphaned child needs most, Anne’s own experience might have been very different. Mary is a very smart woman for realising that and talking to Anne about it. Because life is not about lamenting what we didn’t have. It’s about making sure we do what is in our power to make it easier for others if we can.
Ah, yes. Racism and ‘White Man’s Burden’ mentality are still very much a thing present here. I guess this here is the first mention of that horrible prison of a school that Ka’kwet would be sent to. This is. The. Worst.
I just can’t bear to listen to this guy. ‘Heathens’ - you mean people with a rich culture and belief system beyond your privileged straight white male comprehension? ‘Teach them all things civilised’ - you mean erase their own, I repeat, rich culture, and replace it with your white man’s ideas of civilisation? What deity fell from the heavens and made you God? And the way Rachel totally agrees with this guy, it just makes me sick. As if that guy would hesitate to discriminate against you on the basis of you being a woman! I just can’t with this. Let’s move on.
‘Be sure you marry for love. Only for love.’ Don’t worry, Mary, he will. Not before a huge, long period of confusion, mind you. But he’ll come to his senses eventually. People do stupid things when they’re young. That’s how they know they’ve lived it to the fullest.
Rachel just baffles me, you know. And Marilla, too, isn’t quite faultless here. How can you be so accepting of one kind of POC, yet so cruel to another? Then I remember their initial reactions to meeting Bash. They were not the most accepting at first. Yet they can see how they’ve now grown to accept and care deeply about Bash and Mary and Delphine. Why can’t they give Ka’kwet’s people a chance like this?
‘You may well have saved some Indians today’... Saved them? From what? Being free to practice their own culture? You know, white people can be so very ignorant... and I say that as a very white person. I’m just ashamed of everything my ethnicity has done to literally every other ethnicity.
‘I don’t wanna die’... You know, sometimes I do, and right now that makes me feel so ashamed. I should really think of Mary and also every real person who had an untimely death whenever I’m having those thoughts again. We should all learn to appreciate life so much more.
So this is the one with Mary’s Easter... this is beautiful. I might have to rescind my ‘excitement’ statement from earlier, but there is still a theme of beauty, love and family throughout this. Well, technically throughout the entire series, but especially here. I love this. 
Delphine with a flower crown is the cutest thing ever...
Minnie May: She looks like a chocolate candy. I just... took notice of how the background music abruptly stopped. You know, coming from an older person, this would sound... not at all ok. But this 7-year-old didn’t mean any harm, and they realise it after a brief moment of panic in their eyes. Still... black people don’t call us, idk, butter or something. We should not compare their skin colour to chocolate.
Their singing is absolutely beautiful. But let’s be real - in a real-life situation, most of the people would be way off-key and those harmonies would be impossible to arrange. Still, for this beauty, I am willing to suspend my disbelief for miles. Also, that prayer at the end... well, I’m not Christian, but I am religious, and I know the power of a prayer as poetic as this one. However hard it must have been for Mary to know she wouldn’t live, it must have been a great consolation to know she would go in such a way, surrounded by so much beauty and love, and light. Well, that ending was bittersweet! But I absolutely loved this episode. Except for the racist parts that made me absolutely livid. It’s so frustrating to know there is still so much hate in the world based just on minor superficial differences between people. Yet it would have been even more frustrating if we didn’t have people in the world like our protagonists (and especially the protagonist, Anne). It is such an absolute shame that this show, and others like it, got cancelled over some trivial issues and wasn’t given the proper chance to develop its positive messages even further. But still, even with just the 27 episodes it was given, it was able to cover so much ground. I don’t know what to say. AWAE is just supreme.
Let’s sum up: the final weeks of Mary’s life; racial prejudice might have just cost this lovely woman, a wife and a mother, her life; Matthew showing Delly around Green Gables is the sweetest thing; the first press-printed issue of The Avonlea Gazette, with a significant typo; and thus, a ship was born; subtle ways of saying those three little words; ‘Caring deeply will always be the right thing.’; the legacy of a mother; ‘White Man’s Burden’ mentality is alive and dangerous; double standards regarding the acceptance of POC; Mary’s Easter; going surrounded by a loving community.
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nightshade-zoe · 4 years
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Thoughts while rewatching 3x07
Sorry for the long post
Also I’m incapable of rewatching up through the first scene with Josie but
-I am glad there’s no time jump. I understand why everyone would criticize Anne but I’m tired of her constantly being put down despite having the best of intentions. Also it bothers me the dynamic between Ms. Stacy and Gilbert was “why couldn’t you talk some sense into her” Though at the same time she knows they have a deep connection. ***I realize now she meant “you” as in the class.
-I appreciate that Anne stood her ground against Marilla. Also that Marilla had a moment where she considered what Anne was saying. It reminded me of Marilla when Anne first goes to school and she’s wishing she’d had choices.
-FUCK JOSIE’S PARENTS
-The character growth of Prissy was excellent. She was a beautiful combination of biting retorts and cool logic. You can see her words have an impact both on her mother and Billy so I’m looking forward to seeing how that plays out in later episodes.
-I am a bit confused on why Anne made Josie’s situation worse aside from embarrassing her further. Because Jane already said her reputation was ruined and the engagement was off last episode so it’s not like Anne’s article caused either of those two things. Yes, being used as a scapegoat would hurt, but the fact Gilbert attacked her for “ruining a girl’s life” seems like much. It was Billy who did that. I am still so incensed Gilbert never apologized even if he technically realizes it was Billy who started this.
-I appreciate that Diana and Anne’s friendship is where they can call each other out. It’s an interesting parallel though that when Diana is angry with Anne, Anne heeds her advice. Yet later, when Anne calls Diana out for her treatment of Jerry, Diana just defends herself.
-Josie has a right to be angry. I understand that it’s a realistic dynamic where two girls are sort of friends but one can be mean however it’s unacceptable to me people keep expecting Anne to make things right and be nice with Josie who apparently has been calling Anne trash still. It’s not okay and I’m not okay with how not even Diana has stopped this.
-It would’ve been more powerful if Anne had said “Gilbert, I did try to talk to everyone about it yesterday but you shut me down” instead of attacking him for believing in equality because that was his mistake. He also never actually admits this mistake. It’s an interesting point though about how him bartering for a parcel of land given we didn’t see Gilbert and Winnie interact at the fair really. We saw Winnie’s father offer Gilbert connections to the Sorbonne.
-“before this room spontaneously combusts” cough foreshadowing
-Okay I’m glad for this Ms. Stacy/Anne dynamic. It was a beautiful balance of commending and explaining where Anne went wrong. I did really think Anne was going to mention Josie called her trash though. Side note, I know Anne is banned from the paper and the press is gone but I have a suspicion we will see one more article from her that will actually be impactful.
-It was incredibly poignant to have Mrs. Lynde who most of the time never shuts up and who criticized Anne as soon as she saw the article begin to feel the impact and necessity of the words. Also they focused on the cigar so much like wow props to that foreshadowing.
-Good pop culture reference here with Frankenstein. Diana was rather cruel but it’s been foreshadowed in her initial recoil at the hay on Jerry’s jacket and how she used Jerry’s family, despite their poverty, as an adventure she could slip on for size. I don’t think she’s being malicious though just sighs Jerry’s face. I also think they’re trying to depict unintentional toxicity in relationships and/or being physically attracted to someone but not having feelings.
-YES MS. STACY GO OFF. Also Matthew is the most unproblematic male ever. Also I love how it’s being framed as a learning experience for Marilla too.
-also “what’s next? An ode to cigars?” Cough cough foreshadowing
-I’m super upset on Anne’s behalf but I’m also glad this screaming isn’t for anything as dire as was predicted. Also the poetic justice of her using something Billy destroyed to defend the voiceless. W.R.I.T.
-Um excuse me Moody. Also good on Gilbert for realizing who the actually villain in this story is. I appreciate how this scene is done, showing the importance of male allies while also giving the credit and words to Anne. Also that rather than looking at the article is a whole, Gilbert is taking bits of it that are easier for everyone to swallow and realize they don’t disagree with.
-It is frustrating though he won them over with well reasoned logic but the same couldn’t be said for Prissy.
-I love the parallel of the girls rushing up to Anne and Gilbert smiling. She totally knows he defended her. Also I stan Ruby saying she knows her mind best and also glaring at Moody to agree with jeez
-Ruby saying oh good/Anne having a plan reminds me of Ruby going but you’re NEVER out of plans and also Anne knowing how to save Ms. Stacy.
-Also the music while Gilbert is speaking is the same as when Ms. Stacy defended herself at the town hall.
-The barn scene clowned us butttt Gilbert you’ve got a paint can in front of you. Why do you have to lean over Anne ;)
-Anne said both parties must have feelings and Diana looks stressed hmmm I think they’re going for having physical attraction vs feelings towards someone
-Once again Josie calls Anne trash but this was very well said by Anne. It’s also interesting she says that only you can define your self worth when we saw her last episode question whether anyone could ever love her and this episode question whether her best friend looked down on her :-/
-Josie is totally going to the protest though.
-JERRY AND ANNE . . . Oh no. I love that Anne is really looking out for him. The dialogue is confusing because Anne’s like you have a girl?? And it’s not till later Jerry is like “wait she didn’t tell you”
-I love love love the parallel of Josie taking off her hair ribbons with last season when we first saw them.
-Billy is so abusive like he’s trying to frame this as I still like you despite what you did and just come back to me and everything will be okay. Good on Josie for rejecting him. He clearly took to heart what Prissy said about him having power but not that he’s the one at fault.
-I stan supportive Matthew always always always saying they should let Anne be happy and live a full life and reach her full potential
-Oof the Dianne fight. Once again objects have a lot power. “If you were my friend you would understand” feels like “if I could take it all back I would”
-I’m getting the feeling Diana is just very physically attracted to Jerry and is confused because she thinks that physical attraction and feelings should be the same but aren’t in her case which Anne doesn’t get because she thinks the same way. Anne was right to call her out on her behavior towards Jerry but also/probably will eventually hear Diana’s side of the story. Also yikes at her thinking Diana is going to ditch her.
-I feel like one of my issues with this season of AWAE is that they’re trying to present a ton of relatable teenage experiences but they all get colored by Anne’s past trauma and struggles with self-worth. Fighting with her mother isn’t just a small disagreement, it’s her struggling to remember/figure out if she was/is loved. Having a crush becomes, I just wanted to believe someone could love me that way. Fighting with her best friend is, I’m an orphan who will never be good enough for her. But the fact that her experiences are being tinted this way is never addressed by her or anyone on the show.
-On that note the way Diana says “here we go again Anne Shirley and her tragical tale of woe” bothers me. Has this been an issue before? Is Diana just upset because she feels she has valid problems too, which is very true? Does she not believe Anne? She says “a true story at last”. I never got the sense Anne talked much or at all about her childhood to Diana.
-This is too painful to watch but also they are both so dramatic both when blowing kisses goodbye and fighting that I wouldn’t be shocked if it blows over next episode. I absolutely fought with my best friend like this when I was sixteen only for both of us to call each other sobbing in apology two days later.
-Prissy ❤️❤️ You can see her mother is thinking about what she’s saying. Also I know Jane is under huge backlash right now but I think it’s important that this was included as it’s a perspective a lot of women, even in those that I know, that intelligence and feminism aren’t connected and sometimes those who are privileged can’t see why sexism is an issue
-Gilbert: “just a suggestion not telling you what to do” seemed like a growth in his understanding of Anne
-I loved the little moment between Prissy and Anne showing how they’ve evolved. It was Anne who originally started the scandal about Prissy but they’ve both matured so much and united and ahhh it’s perfect.
-Marilla waving the handkerchief is beautiful. Also the little glance Ruby and Tilly give each other when Anne mentions Diana won’t be joining them.
-THIS MUSIC IS MY FAVORITE MUSIC IN THE SERIES. It’s the hot air balloon music except layered with more instruments.
-I called the freedom of speech AHHHH Good on Josie for taking a stand. Anne smiling at Gilbert reminds me once again of the time they saved Ms. Stacy
-The minister only tries to take boards from the girls.
-That photograph is absolutely going to come back.
-I love the growth of Rachel and Marilla. Rachel crying because this has an impact on her. That proud look matthew gives Marilla for speaking up.
-Also like how did Gilbert rip that paper so perfectly it’s so hard.
-the last frame of this scene is the cigar smoking guy really why didn’t I see this coming the first time
-I love that they have Prissy and Josie talking.
-Also while I perpetually wish we’d seen more of Muriel/Anne that hug was everything.
-Ah I’d missed Gilbert staring longingly at Anne. While he clearly has feelings this season there haven’t been any moments of him just watching her in awe.
-where is this music on the porch from I’ve heard it before someone help
-the spelling. The throwback. The glances of longing. THE MOONLIGHT. The realization they work together well and care about each other deeply and have run out of “misunderstandings”
-Anne did nothing wrong here, as far as she knows, he’s dating Winnie. BUT I am glad we have finally visibly seen Gilbert looking conflicted about there being two girls. And he couldn’t drink his tea.
-They really stole the printing press. I guess the title was “a strong effort of the spirit of good” which fails both in Frankenstein and I guess now also here
-the music overlay is the same as when Anne comes back from Charlottetown terrified of the grifters and grabs marillas hand in 2x03
-really they burned the schoolhouse? Do we have time for this?
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AWAE 3x2 rewatch: thoughts and reaction
This is dedicated to the one and only Lucas Jade Zumann, who turns 20 today. Now, without further ado, let’s dive right into this episode.
When did Marilla become what TVtropes calls an Amazingly Embarrassing Parent? I mean, it was a matter of time, now that she’s a full-on mother to Anne. And Gilbert’s reactions are everything. Everything, I tell you.
How wonderful - Anne is going to town to learn about her past. I love how they incorporated this into her story in the series, it’s, as Anne herself would say, so much more ‘romantical’ than what the books gave her as a backstory. Also, there’s something about train rides that I love so much... maybe it’s because I don’t get to ride on a train very often, so it’s exciting for me... but let’s turn our attention away from me and back to Shirbert on the train again. 
‘Yes, I’ve taken notice of that.’ Wow, the wording. I bet he’s taken notice of something else, too. But with how Anne is treating him, Gilbert doesn’t seem in a hurry to confess any feelings just yet. Plus he seems not to know how... this is so perfect yet so frustrating at the same time.
Matthew’s awkwardness around women warms my heart. He’s just such a precious cinnamon roll and that’s that on that. 
This ride makes it, once again, so clear just how similar Anne and Miss Stacy are. True kindred spirits. Her incessant talking and unquenchable excitement over everything, combined with Matthew’s awkward struggle to find words, remind me so much of Anne’s first ride to Green Gables. 
Mary’s happiness over seeing her son, and his own cheerfulness compared to the last time we saw him are just everything. Everything - I’ve got a feeling I’ll be using this word a lot in this post. This episode is just that good, at least so far. I’ve allowed myself enough time and distance to forget what happens in it (or at least the details, I do remember some major stuff), so I can experience it almost as if for the first time. I love that about rewatches. 
Elijah is thinking about staying - what a lovely family they could be. But he’s quite... wary of Delphine, as if he’s jealous of the family his mother has built herself in his absence. I don’t really know the feeling, but I can tell it’s a horrid one. 
But look who it is - the man himself, Cole Mackenzie! I’ve been so excited to see him again, and now here he is, in flesh and blood. His friendship with Anne is just... you guessed it - everything!
I am so beyond happy to hear Cole talking excitedly about his new school and new friends, and his happy new life. This guy deserves the world - and he’s getting increasingly large portions of it now. So brilliant.
I see we’re being introduced to Winifred Rose here. She certainly seemed like a potential kindred spirit in her introducing scene - too bad her and Anne’s relationship to Gilbert wouldn’t allow this to happen. But who knows - maybe someday in the future... #renewannewithane
May I just say how much I agree with Miss Stacy on the matter of choosing to be single. No one should be forcing you to find a partner if that’s not what you want. I remember coming out to my high school ‘friends’ as aroace. Their immediate reaction was to try and find me a boy. Some people just don’t understand that not everyone needs romantic  (or otherwise) companionship to be a happy, functional human being. I admire Miss Stacy for standing her ground on the matter.
Anne’s traumatic past haunts her more than ever once she goes back to the orphanage she’s spent most of her life in. I think I’m getting traumatised just by watching, imagine what Anne has lived through. 
Poor Anne can’t even muster up the strength to speak, traumatised as she is. Thank gods for Cole, always there to help out. But I guess he must be realising now, just as I am for the second time, just as I was the first time around, how much Anne has really been through in her short life so far. She’s really lucky to have the Cuthberts now, and her friends, friends like Cole. But she’s still haunted by all the trauma. I’m crying. I don’t know if I can carry on with this rewatch. I might just stop right here. 
Seriously, thank gods for Cole. How can he always bring so much light into other people’s lives, even back when he didn’t have that much light in his own? And to be honest, Anne does the same for people. She’s done it so many times that she needed someone to do it for her for once. Thank gods for people Cole. 
‘If you’re having fun, you’re doing it wrong.’ That is a serious red flag. I know things were different back in time, but I really think that you can’t have fun with something unless you’re doing it wrong, it’s better not to do it at all. So Gilbert should pursue what makes him happy, not try to stick to formalities that, at best, bind him. But hey, he’ll have to figure that out for himself. I can’t possibly go in there and tell him. But gosh, how I wish I could...
‘The best part of knowing the rules is finding acceptable ways of breaking them.’ I feel like that’s an important message. Rules aren’t meant to be obeyed blindly. It is crucial to know when and how to a rule to make the world a little bit of a better place. I’m not sure that’s the message here in this situation, in fact I think it’s most likely not, but I’m taking what I can out of it, and I’m flying with it. Isn’t that what I always do? Twist any topic towards an aspect I can talk about - since I can’t really talk about a great many things. Well, whatever, let us try and focus on the episode at hand now. I really struggle with staying on track. But I still have half of this episode to rewatch, so let’s get back to where we were. 
Elijah is seriously out of line. Seriously. I get he’s bitter that Delphine is getting the family he didn’t quite have, but his mother is right about him needing to sober up. And Bash’s trying to understand him, but some people really need to meet the business end of things rather than the kind, understanding end. 
‘Catch a man. Is it like fishing?’ Gosh, Muriel Stacy, you crack me up. But she’s absolutely right, you know. Romance and courtship should not be like fishing or hunting. A partner is not an object to be obtained, not a prize to be won. They are a fellow human being with needs of their own. But if Muriel doesn’t want one, as I said somewhere above, she should in no way be forced to ‘catch’ a man.  
Anne needs proof that she was loved... well, look no further than the pair of lone siblings who accepted you in their home and in their hearts. Look no further than the Cuthberts. 
Gilbert is quite unusually cheerful today. I’m guessing that would be courtesy of Winifred. In another universe, maybe. Either way, there is a more serious issue at hand. Elijah again, who else. He’s stolen from John Blythe’s possessions, as if he has the rights to. 
‘Fraternising with savages’? Seriously, Marilla? After all the good things I said about you? Not that they weren’t true, mind you, but that doesn’t make the part about calling other people, fellow human beings, ‘savages’. No one deserves to be treated like that. 
Gosh, that was quite a way to say those three little words. Three heavy, meaningful little words. And sure, as far as I understand, for I am no mother nor do I want to be, worry is the biggest sign of a mother’s love. And despite all the things Marilla said about the Mi’kmaq, she is a good mother to Anne. 
Let’s sum up: Marilla is an amazingly embarrassing mother, but a mother nonetheless; Anne is so cold to Gilbert that he has to resort to awkwardly courting Winifred - why?; Anne’s quest for her own past; Cole returns - thank gods for Cole; Elijah is also back, but I can’t welcome him with open arms; Miss Stacy is a true kindred spirit who, however, does not need a man to be happy; Anne is haunted by her traumatic past; Elijah steals from a dead man; ‘fraternising with savages’ - have we forgotten Anne was also a person whom mothers didn’t want their children fraternising with?; Marilla says ‘I love you’.
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AWAE 2x9 rewatch: thoughts and reactions
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This review is dedicated to Dalila Bela, who turns 19 today. Happy birthday!
After a long wait, there she is at last - Muriel Stacy, decorating her new home with potato stamps. What a lovely way to show she is a kindred spirit. She’s basically like an older Anne. 
Marilla and Anne utter the same words upon passing Miss Stacy, who is cycling in the opposite direction at top speed - ‘My heavens!’ - except their intonations are so different. Marilla is shocked at the sight of the unconventional-looking stranger, while Anne is in awe of her, and especially the fact that she’s wearing trousers. I don’t think the women of Avonlea, be they progressive mothers or not, won’t be so fascinated with her, though.
And again, Miss Stacy acts exactly like an older Anne, going on and on about potatoes and tardiness and motorbikes before she’s even caught a breath. I can’t wait for Anne to finally meet her. And that concludes the cold open. 
I don’t care what Prissy and Josie, or their mothers, say about Miss Stacy- I’m with Anne on this one. They shouldn’t judge their new teacher before they’ve met her up close. She’ll warm her way into their hearts, I’m sure. I actually know it for a fact.
I simply cannot believe Billy brought a gun to school and is openly proclaiming he’s about to kill an animal, a living being, with it. And it’s not just any animal - it’s the fox, Anne’s fox. What has it done to him that he’s so personally violent towards it?
Again, Gilbert alone is the voice of reason (unlike season 3 Gilbert, who is the most confused individual I’ve ever seen and has the eyebrows to prove it). ‘There’s no fox here, so how about you put the gun away?’ It’s as if he speaks for me. 
Who does Billy think he is, calling his teacher ‘little lady’? He’s lucky she’s not Phillips, otherwise he wouldn’t get away with such disrespectful behaviour. 
Once again Anne uses the exact same words as someone else, but with a different intonation. Prim and proper Tillie’s ‘Oh my goodness!’ is one of disapproval (which she’s not to blame for, that’s probably just what her parents have taught her), while Anne’s is an expression of pure admiration and fascination. [Side note: Let’s put things into perspective, though - what would you think if your new teacher showed up to school with no bra on, on her first day at that? I don’t really know what to think of corsets anymore, so I’m not sure how to take this. You tell me.]
What, now Matthew and Jerry, two of my favourite AWAE men, want to catch the fox too? I understand it’s stealing people’s chickens, but hey, a fox must eat too, and it’s not like it can get its food in another way.
What’s happening to Bash? Is farm life not his speed? I’m worried about him, I hope he’s alright. 
For this next scene, the introductions, I’ll insert a note from when I first watched this episode. I notice I’ve been doing that a lot lately, but well, it seems I’ve got quite a lot of first impression notes on this season written down, so why not make them public now, here where it’s appropriate? Here goes:
And, just as I was fascinated, things got dramatically bad. Anne wouldn’t stop saying quite private things about everyone who spoke, and Miss Stacy reprimanded her for spreading gossip, resulting in her being unable to come up with words to describe herself (the method used for introductions was everyone would use words starting with their initials to describe themselves. I really wanted to know what Anne would have said about herself, as nobody else seemed to struggle much with the exercise (although I myself always do when asked to do it).
Alright, now I’d like to add something to this. When Ruby describes herself as ‘romantic’ and looked for a G word for ‘Gillis’, I could swear she thought of a certain young man right to her left - heck, she even looked at him before quickly blurting out ‘girl’. Well, yeah, she is a girl. But she’s also defining herself through Gilbert too much. I hope she knows how much potential she has beyond him. Besides, he only has eyes for Anne. I wish we’d got another season so we could see how far Ruby and Moody go. I liked them, but we saw too little of them together. #renewannewithane
Ok, but... it was like Miss Stacy just finished Anne’s sentence. ‘Ruby has a crush on...’ ‘Gilbert Blythe?’ Well, yes, but that’s not what we’re talking about. See, I’m noticing details I did not deem significant enough to note down the first time around. This is what rewatches are for. 
Rachel Lynde needs Marilla’s help. That’s a first. Oh, well, it’s rumours, what else. She’s against Miss Stacy. I really don’t like her right now. 
No, seriously, what is happening to Bash?
Of course, what the mothers of Avonlea fail to see is that, female or not, trousers or nor, corset or not, Miss Stacy is much more capable of teaching the young minds of Avonlea school than her predecessor. Or at least she’s much more willing to educate them properly. Of course she’ll tutor Gilbert. And Anne will soon find her way into her good graces. I hope. Nay, I know it. 
‘Appalling, stupid, clueless...’ this is what I hoped wouldn’t happen, but it happened anyway. Now Anne is beating herself up for the scrape she got into by complete accident. Gosh, I hope someone can fix this.
From my old notes:  And again, Cole knows how to fix things, and he does so, brilliantly I would say. Also, with the way he goes out into the nature, raises his hands and shouts out “Come to me, Muse!”, I can totally see him being a pagan... and who’s to say he’s not? I mean, Anne has the makings of one too, remember the Beltane ritual in season 3?
Rachel’s only job seems to be to stick her nose in other people’s business. She has no right to go around asking about Muriel’s marital status and whether she wants to be an old maid. But as anyone who’s watched the full series knows, this will be carried over into season 3.
Seriously, Rachel right now reminds me of Anne earlier with all the gossip, and I see now why she (Anne) made such a bad impression on Miss Stacy. Unfortunately, she (Miss Stacy) cannot assign Rachel Lynde an essay.
Anne’s mind is all taken over by the fox... so much that she’s fallen asleep over her papers... and now, disaster after disaster lead to a small fire, which grows into a bigger fire. If Anne’s essay burns in it, I’ll literally cry. I know a thing or two about lost work. Why, half of this very post I had to write a second time after my computer decided to restart the page with the unsaved draft open. But hey, this is not about me. 
So I guess they’ve figuratively and literally forced Miss Stacy into a corset. That’s sad. But I see she’s not giving up on her unique identity.
Oh, great, now the found brothers are fighting. I guess it turns out Bash’s problem is he’s inexperienced in farming and he needs help, but Gilbert is pursuing his own future now and doesn’t seem to care all that much. I feel bad for Bash. But we know Gilbert will stay at least another year and Bash will figure farming out by the time he has to leave. 
Ah, I see Anne is feigning sickness so as not to go back to Miss Stacy after yesterday’s fiasco. Well, I’d do the same if I were her, but I’m not quite sure that’s the best solution to the problem at hand. Marilla’s suggestion seems much better to me. Going together so Anne has someone to vouch for her... reasonable and concerned like a true mother.
I see Bash is trying to figure out horse-riding on his own. It looks tough. But he can manage it. 
It’s a shame Jerry won’t help Anne with the trap... but well, he was promised good money, and his large family is so poor... the ends sort of justify the means here. Still, Matthew is not in the right to plan on skinning the fox for money. 
Gosh, things are heating up between Shirbert. Anne seems to be all the more determined to find and develop her vocation now that Gilbert is working on his. And he doesn’t seem to care much about her feelings right now, being so busy studying and all. But I wonder how this whole thing really makes him feel. 
Hey, there are the potato light bulbs! The first science lessons Miss Stacy teaches the class. And they never forget it. How inspiring!
Hey, I just realised something. In her ramble in the cold open, Miss Stacy mentioned that you can use potatoes for a lot of purposes... well, here’s the second one she demonstrates in this episode. Stamps and... lighting a bulb.
Marilla, who took up Miss Stacy’s offer to stay and observe, seems to be a new supporter of the young teacher. See? If people only gave her a chance and saw what she does and how she does it, she might soon be a hit in town. But no, some choose to condemn her instead, as if she’s ever done them wrong. Just like the fox. Except the fox stole some chickens. Miss Stacy is perfectly innocent. 
And... poor clumsy Moody had to ruin everything just as Rachel and the ProgressiveTM mothers came in. Too bad. But hey, it’s him who recalled this very first lesson later on when they were graduating, isn’t it? 
Hey, Bash has gone to see Mary. Things are getting serious. I guess.
Alas, the mothers are not too pleased with how the lesson turned out. Luckily, Marilla was there to see the whole thing from beginning to end and can support Miss Stacy in front of the rest of the women. And it seems Gilbert and Anne are ready to step in and defend her as well. On their second day with her. That speaks volumes. 
Oh, so he’s visiting Mary to talk about Gilbert. But he also talks about himself and his idea to go deep into farming. His story is truly an inspiring one. And also, he’s staying with Mary for supper. As I said, things are getting serious. 
Anne decided to show Miss Stacy the story clubhouse... nice. But she’s made another blunder in doing so. She’s forgotten Cole is hiding there from his parents. And now they’ll force him into farming again... as my younger self said when I saw this for the first time, ‘this episode is one of the most devastatingly dramatic ones of this series – ever. What a way to lead up to the season finale’. I think that says it all. 
Ah, yes, nobody told Gilbert that Bash wouldn’t be home for supper this evening. Too bad... now he’ll think Bash has run away on him. Meanwhile, Bash is having a good time with Mary. But there’s no way for Gilbert to know that. How unfortunate. 
One shot, one gunshot and... wait, it seems the fox has not been killed yet. But the poor clubhouse... Billy is the worst person in this series, hands down. I can’t even. I’m crying. Real tears. Right now.
See, Anne’s blunder was not telling Miss Stacy about Cole. After all, she swore her to secrecy. But it was a blunder nonetheless because Miss Stacy takes her duty as a teacher more seriously than her promise to Anne. If only she’d known the full story... Cole might have been saved. 
Miss Stacy riding with Harmon Andrews... I wonder what Rachel, aka the Avonlea yellow pages, will make of that. 
‘Sometimes you just have to use your imagination.’ This is powerful because it comes from Marilla. Also, perhaps this is the hidden sense of humour that L.M.Montgomery talked about in the book, which I’m currently rereading. 
I can’t, I just can’t. Now Cole feels betrayed by Anne, and Anne is devastated about the clubhouse.... and the women of Avonlea are against Miss Stacy, and Matthew disappointed Anne... can nobody be happy in this episode? It’s truly tragical and devastating. I should not have opted for rewatching it right before going to bed, on a school night at that. How will I sleep now?
Gosh, Cole really has had it now. I’m not saying Billy Andrews did not deserve it (he did and he does), but violence is never the answer. Still, I guess it’s justified now. Too bad it will probably lead to even more trouble for Cole. See, even he’s scared of what he’s done. He surely didn’t mean for it to go that far. And to the creators - this is no way to end an episode.
Let’s sum up: we meet Miss Stacy; intonation matters; the fox is in danger; Billy the bully has a weapon now - how bad can things get?; Bash struggles with farming; Anne accidentally makes a bad impression on a kindred spirit; appalling, stupid, clueless; ‘Come to me, Muse!’; Rachel Lynde sticks her nose into things that are not her business - what else is new; potato light bulbs; Bash visits Mary; the clubhouse is destroyed; Anne accidentally betrays Cole, leading to dramatic consequences; a disastrous ending to a devastating episode.
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AWAE 2x2 rewatch: thoughts and reactions
I see work has been in full swing on the ship and our two honorary brothers have reached Trinidad, Bash’s homeland. I love Gilbert’s instant fascination with it and its smells. 
“I like potatoes”... Gilbert must be the whitest of white guys I’ve ever seen, and I can say that because I’m a white girl who also happens to love potatoes in any shape and form. Also, I haven’t tasted a hot pepper in my life either, and I don’t think of starting now. To each their own, I say. 
Gilbert is painfully uneducated about black slavery, but I’m glad to see he’s eager to learn and correct himself. 
Wait, was that the first ever cold open not to feature Avonlea at all? it seems it was. That was kind of weird.
Nate smokes, too? Well, that’s the least of his vices. Also, “don’t have an expert eye”? I bet there’s no gold at all in that sample. 
Marilla is once again the only sensible person here. She’s right for the wrong reasons, but he’s right anyway. 
Wait, Anne is getting a new slate just now? Wasn’t it over a year ago that she broke her old one? And “defending herself”- from whom? Gilbert? I’d much have preferred to see her smash something into Billy Andrews’ head. 
Well, leave it to Diana to remind Anne how much she really is worth. I believe she played a crucial part of making Anne the activist she became in season 3. 
I love Jerry’s smile so much and I absolutely hate seeing it fade away at the sight of Nate. This fraud must pay for all the harm he’s done and is going to do, both financial and emotional. 
Wait, is this... can it be... it is. It’s really Cole. I’m so glad to finally see him again. But is this a plot hole - how can Anne know him if he definitely wasn’t there last year?
Shut your filthy mouth, Billy! Name-calling is so immature, and he’s obviously jealous of Cole who doesn’t need to be rude to prove his worth. Billy fully deserves what Cole does to him later after he finally snaps. 
Billy is just a horrible, horrible person. And what does Philips want? First of all, what Cole is doing is too brilliant to be brought down to “doodling”, and second of all, I myself sometimes draw in class instead of taking  notes, and it hasn’t once affected my marks. In fact, it sort of helps me remember better. 
“Draw that.” I love how literally Cole takes the words literally. Also, excellent calligraphy. Bullet journalists have nothing on this guy. And Philips can only dream of having such perfect penmanship. Internalised homophobia is a [no swearing on main]... curse. He’s just jealous that Cole can be so unapologetically himself, while he won’t dare to and prefers to bully literal children instead. 
There she is... Hazel Lacroix in all of her matronly glory. It just breaks my heart how slavery has affected her mindset. And that boy looking like “a wet fowl” (love this simile, btw) - she’ll come to call him Mr. Blythe, and that breaks my heart, too. He’s a friend and a brother, not another white guy who will treat her like an object. 
No, Gilbert, slavery has sadly not ended yet, and in some places it’s very much a thing even today, in the 21st century. This is the painful reality and something must be done about it. Kudos to AWAE for raising awareness of this very real and important issue, among many others. #renewannewithane
Is this because of Nate’s stupid compliments? Marilla experimenting with her hairstyle, I mean. She’s falling into his trap, too, and I really don’t like it. 
It’s awkward that Josie should, as the girls suggest, have a thing for Cole, since she moves on to the polar opposite, Billy. But then again, so does Ruby, doesn’t she? 
I love seeing Jerry’s writing and reading progress. It’s like when I watched my little brother grow up in front of my eyes. And I’m so glad he’s making this effort for his own sake. Jerry is an icon and that’s that on that. 
In a brilliant adaptation of that beautifully frightening scene from the book that is a cautionary tale about letting your imagination get the best of you, Anne is battling her own fancies on her way through the woods. This is just as chilling as the book’s version, and even a bit more. 
Hey, there’s the fox. I don’t remember exactly why it was important, but I do remember Billy hunting it. We’ll have to wait and see.
Dunlop might not be the bad guy here, it’s likely just Nate. I mean, he wouldn’t just give her a fancy pen... wait, is it the pen? Things just got way too curious. 
Ok, now I want to be at this party. I usually run away from any gathering of more than 10 people, but this is lovely. And I’m in love with Diana and Dunlop’s performance.
Practically part of the family? Jerry, yes. Nate, big NO. I mean, nobody was talking about Jerry, but I am and that’s that. 
Minnie May always knows what’s up. Kicking Nate in the shins, what an eloquent and brilliant move. I loved seeing that. 
I mean, Marilla is right, but what’s not real isn’t always not good. And what’s real isn’t always good. That’s important to remember. Moderation is key. 
“Thomas Lynde never makes decisions without consulting Rachel.” I mean, he’s kind of under her thumb, but once again, moderation is key. 
“There’s this girl over in Avonlea”... someone’s in love, and Bash is about to become captain of the Shirbert ship. I love this. 
Aww, Cole is using the stains on his sketchbook to draw Anne’s freckles. i love it. I love it so much, but I can’t help feeling sorry for all the damage that ink did to the sketchbook. Pages upon pages wasted because of stupid Billy... and even though I find it charming, I also feel bad for the drawing of Camelot. 
And so the Shirbert written correspondence continues... with the pen this time. but alas... another ink stain. Those are such a nuisance. I’m glad we don’t need to worry about them so much anymore nowadays. 
To sum up: Gilbert gets to know Bash’s homeland and his mum, is very white, learns about black slavery; Nate is a scoundrel and a big jerk - what’s new?; Jerry’s literacy progress; Cole’s first appearance and a blatant case of internalised homophobia from Philips; Anne is a victim of her own imagination; the fox and the pen appear; Dunlop is not the bad guy; big gold rush party at the Barrys’, Dunlop and Diana make a lovely musical duet; Minnie May is God; ink stains and Shirbert’s written correspondence.
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AWAE 2x10 rewatch: thoughts and reactions
So this episode kicks off right where the last one ended - with Billy getting hurt after Cole has had too much to take. To be honest, this episode is already too much for me to take, too. Cole is heartbroken, I am heartbroken, pretty much everyone involved is. But then Anne speaks those wise words: ‘It’s not what the world holds for you. It’s what you bring to it. And you bring so much.’ I’m glad someone finally told Cole how much he means. He deserves all the good in this world. 
What is Rachel’s problem with Miss Stacy? So she’s a little unconventional. So what? We need people like her in the world. 
I see Bash is still with Mary, and he’s willing to let her ‘take advantage’ of him. And I guess it’s repairs season as everyone prepares for the spring. At least I think they’re preparing for the spring. I’m not quite certain of the seasons anymore with all the drama going on. But it was winter a couple of episodes ago, so I figure…
I seem to be empathising with everyone today. I’m just as broken over the story club having been destroyed as the girls are. It’s hard to get over the loss of something so important, something nearly sacred.  But I know they’ll get over it one day. 
I’m still quite depressed over this grey and black episode, but I can’t get over (in a sort of positive way, I guess) how Anne and Miss Stacy talk over each other in this scene and finish in unison with ‘If I could take it all back, I would.’ This scene is so well executed, I just love it so much. And then it’s all heartbreak and tears again as Miss Stacy tells Anne she’s on probation and will probably be let go.
I know Anne is supposed to, as Jerry said, be so happy about the fox trap being removed, but there’s been too much for her to handle and she just breaks down. I think I can’t possibly proceed with this review. This episode is too depressing. I’ll leave this post in my drafts and see how things go later on. Or maybe I should just let it go altogether, or I should just keep going until it’s over… but I can’t. So I’ll stop here for now. 
Alright, I’m back. It’s been a week and I think I’m ready to go on. I’m not quite sure, though, so it might just be another week before I can finish this. I’ve been putting it off long enough. 
Bash is still in the bog with Mary and things are getting serious. The way he looks at those children, I think he wants some of his own, With Mary. And he’ll have one. Too bad we couldn’t see her grow. #renewannewithane Is this battle lost?
Is Gilbert thinking of selling his house? I can’t even comment on that. But that substitute teacher... that I can talk about. Only Phillips is worse than that guy, and that’s because Phillips was a straight-up bully. But this man is absolutely the strictest, most boring teacher I’ve seen in this series. I didn’t even remember he was there at all. Of course, he’s only there for an episode and he’s got nothing memorable about him, so that must be why.
I think I mentioned it last time, or was it the time before, perhaps in my reaction to 2x8 - when Miss Stacy assigned Anne that essay on gossip, I thought it too bad that she couldn’t do the same with Rachel. And now Marilla agrees with me. Good thing she was there that day to see what a great teacher and person Miss Stacy really is. And now she’s really had it with Rachel. To be fair, Rachel deserves to be put in her place every once in a while. 
‘But we’re not heroes, Anne, we’re just girls!’ Oh, come on, Ruby, how can you say such a thing? Have you not been friends with Anne for a long enough time to know that... how did Diana put it now? ‘A hero is a person, and that person can be any person.’ Ever so eloquent. 
Moody wants to help the girls save Miss Stacy, but why am I sensing it’s just because he’s feeling guilty about dropping the light bulb? Either way, the light bulb gives Anne an idea, and thus Team Potato Light Bulbs is born. That’s what I like to call the four of them - and the rest of their classmates, once they join in. 
You know, Anne has taught Marilla a lot in this year that they’ve been a family. And now she has something to teach Miss Stacy too, even though Miss Stacy is supposed to be the teacher. Again, good thing Marilla was there to witness the class that day.
Cole has come to the Andrews’ house to apologise, even though Billy totally deserved what came upon him. And he confirms that last part by calling Cole ‘freak’ once again. But Cole is a man of honour and grace and he goes through with the apology and walks out of there as the bigger man.
Gosh, Bash is thinking about proposing, and I can’t even with how awkward he is. He’s fallen hard - but I already knew that. And then he sees Mary with a strange man (who is actually her son) and totally misinterprets things. Does this episode have to be so depressing? I hope the better part of it comes soon enough, or else I might not be in the right condition to finish this today. 
Alright, things seem to be taking a turn for the better... everyone is hurrying somewhere, and the town hall meeting will decide it all. I’m nervous and excited and that’s when I know what’s going to happen. Imagine how I felt when I first saw this episode? Well, you probably felt it too, so you don’t need to imagine anything. But doesn’t this part of the episode provide such scope for the imagination? Even the second time around.
That’s it. They’re on the train, and Gilbert has seen them, and he cannot believe his eyes, and now he’s joining them , for his own reasons, but still. And then there’s that iconic moment with Cole where he tells Anne ‘You know Gilbert has a crush on you, right?’ and she’s like ‘No, he doesn’t!’ and he so does... and Cole’s not being ridiculous, he’s being insightful. Or rather, he seems to be the only person around there who’s not totally blind.
Gosh, an actual power walk. I love this. This episode is finally getting better and I’m all in for it. 
Is that what Mary thinks of Bash? That he’d leave her if he knew she’d had a child out of wedlock? Who’s thinking less of whom now? Bash would never.
Of all the ways to propose Bash had thought of, this must have been the one he’d never even considered. And yet the question is out. And is that kiss enough of an answer?
When Gilbert asks Bash to sign the deed to the farm as his partner and his family, I am reminded of when Anne signed the Cuthbert family bible. This is an official document uniting them as family - making their bond as official as can be. And once Mary becomes Bash’s wife, she will be part of that too. And that will happen soon enough. This episode sure is taking the long-awaited turn for the better.
Aunt Josephine, always to the rescue. And she’ll help save more than Miss Stacy today. I feel like this episode is all about family - lost family, found family. Mostly the latter.
And Diana apologises for her narrow thinking. She’s changed. I knew it was inside her all this time. It’s just how she was raised that stopped her from releasing her full potential. This girl deserves the world and will get it. I have just one issue with her, but it belongs in season 3, not here. Not yet.
Sure, the kids are ready to speak for Miss Stacy, but she’s come to speak for herself. This is amazing. Potato light bulbs forever! AWAE teaches the important lessons. Too bad it had to end. 
Is that what I think it is? Is Rachel coming to apologise? Apparently everyone can change for the better. Well, not quite everyone (looking at you, Billy), but the world isn’t a perfect place. And yet even Billy left the fox alone after all. 
The wedding... I always cry at weddings. 
‘I wanna be with my family’ - yes, because he has one again. How beautiful.
‘Tragical romance and all...’ That one speaks for itself. 
Let’s sum up: things are so tragical that they make me stop watching before I’d hit the nine-minute mark; Bash and Mary’s relationship grows quickly; Marilla and Rachel have their greatest falling out over Miss Stacy, just to prove the impact she’s had on everyone and everything; girls can be heroes, and so can be clumsy, awkward boys; Cole is a bigger man than Billy - but then again, when has he not been?; Bash meets Elijah - the wrong way; Team Potato Light Bulbs play stowaways; Cole is insightful - if insightful means ‘not blind’, that is; a proposal goes not quite as planned; a new found family is made official; Aunt Jo to the rescue; Diana is more open-minded; potato light bulbs forever; everyone can change; a cry-worthy wedding adds a new member to Gilbert and Bash’s found family; ‘Remains to be seen’.
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AWAE 1x6 rewatch: thoughts and reactions
It’s been literal months since my last rewatch, and you guys were obviously not satisfied with my randomly dug-up first impression of the show that I posted a couple of days ago to make up for the lack of reviews, so here I am with another one. Today we’re delving into the penultimate episode of the first season. I have completely forgotten what to expect, so this will be almost like a first time watching. Here we go:
Oh, that’s right. I remember now. This is one of the parts that I loved most from the original book, and it’s a really important moment in the show as well, one of the parts that were satisfyingly closely adapted. It’s the time when Minnie May is ill and Anne is the only one who can help. A very dramatic scene, and a crucial one for DiAnne’s friendship after they were forbidden to fraternise in the previous episode. 
Wait, Aunt Josephine was there? This is the situation in which she appears first? I had forgotten and I honestly thought it would have been something different. Apparently I’ve forgotten that at first she didn’t act like the cool old lady we’ve since come to love.
I’ve always thought it was incredibly impressive how Anne immediately knew what was happening to Minnie May from just a vague description of the symptoms. Her difficult childhood experience comes in handy sometimes, I guess. That’s at least a slight silver lining to it. 
I love how fiery, passionate Anne transforms into a sound, sane, level-headed nurse when Minnie May needs to be taken care of. It just popped into my mind - does Gilbert know about this? And how come it was never brought up in later seasons?
In my commentaries on the third season, I've said more than once that Minnie May was like God - she often fixed whatever trouble and misunderstandings the older characters would get in. Now I see she’s doing it again, in a way - her illness and Anne helping her get over it is what convinced Diana’s parents that Anne is a very good person and a suitable friend for their daughter after all. I wonder where everyone would have been without this little one. 
“It’s a big world, son.” It is indeed, and Gilbert will see at least some of it - but at what cost, really, at what cost? Having never lost a parent, nor a loved one of another kind, I can’t possibly imagine the pain this boy would go through later in the series. Now, seeing John Blythe on his deathbed breaks my heart. 
It’s amazing how much some people need to forgive. Accidentally get her daughter drunk, and you’re the devil. Save her other daughter’s life, and you’re suddenly a saint. I was never a big fan of Eliza Barry, and, well, this case is not helping. I mean, it took so much for her to forgive Anne’s minor innocent mistake. I can’t help but wonder - how much would Jerry have had to do to get her approval, had things not turned out the way they did (I’m referring to both his eventual falling out with Diana and the unjust cancellation of the series here #renewannewithane)? How many favours would he have to do her family before she would have been able to forget his origin? I guess we’ll never find out now. Unless... #renewannewithane
Anne seemingly equating herself and Diana to Josephine and her “companion” makes me suddenly see why people ship them romantically, although I personally don’t. I mean, neither Anne nor Diana knew at the time what exactly Josephine’s relationship with her partner was like, but still, for me as a second-time viewer, the subtext is certainly there. 
Diana’s prospective future as the wife of some “wealthy, handsome gentleman” could very well have been foreshadowing to her eventual marriage to Fred Wright in the books, but it is a bit of an ironic statement in the series where she first went for Jerry, who, to quote Aunt Jo from earlier, is “one, but not the other”. But I’m getting carried away here. 
Listen, I dislike Mr. Philips as much as the next person, but he’s sort of (unwittingly?) acting as a matchmaker for Anne and Gilbert, like teachers sometimes do. By making none other than Anne go give him his school materials every day, he is making them interact even when Anne might otherwise have chosen not to. So that is one good thing he’s ever done. I’m keeping score from now on. 
Anne’s sudden realisation that when Gilbert comes back to school, he will likely be an orphan, reminds me of her reaction later when it happened. And it’s not so much later either. Having been an orphan all her life, she seems not to realise quite how much he’s going through. Gilbert has been forced to become an adult all of a sudden by his father’s death, but Anne still has a lot of growing up to do.
John Blythe’s funeral is an odd contrast to Mary’s Easter which would come later - both are people Gilbert loves dearly, both deaths make him grow as a person, both die of an illness - but while his father’s funeral and the days before it are gloomy, dark and achromatic, Mary goes with a smile on her face, surrounded by her big family, in the middle of a colourful festivity. I don’t know why I’m commenting on this right now, I just suddenly became aware of the parallel and simply had to point it out. 
The snowflake that thaws on Gilbert’s palm and slowly rolls down reminded me of a tear - a tear that didn’t roll from his eyes. It might as well have been meant to symbolise that precisely. If that’s the case, job well done.
The blue ribbon that Anne wears now - John Blythe gave it to Marilla... I wonder if Anne was ever made fully aware of what exactly went on between her adoptive mother and Gilbert’s father when they were young. I mean off-screen, of course. 
Much better off than you were? I don’t think so, Anne. I mean, of course she might be right to a degree, but right now Gilbert’s pain is something she can’t comprehend. She shouldn’t try to. She shouldn’t assume she does. Being an orphan is not something to pass on “extensive knowledge” about. It’s an experience that everyone goes through differently. Saying Gilbert is lucky was definitely not the right thing to do. Not right now at least. But I should stop saying how I think Anne should have reacted, or I might come off as hypocritical. I’ve never experienced what either of them has, after all. Moving on.
It seems Aunt Jo has become the cool old lady we know and love. Her conversation with Anne in the clubhouse reminds me so much of the one they had at the end of season 3. I think that one was, in a way, meant to parallel this one. Of course, I’m not going to try and reinvent the wheel here, I just think it’s beautiful how subtle this show is when it comes to foreshadowing and callbacks, even to a viewer who goes into it having read the books first. I’m glad I get to rediscover this now when I’m rewatching it, and my reactions get to be a mix of re-encountering forgotten details, judging earlier episodes with regard to what happens in later ones, and just overall basking in the magic of AWAE once again. 
Anne wanting to be a bride but not a wife is so novel yet so relatable all at once. I mean, don’t get me wrong - I don’t want to be a wife, nor a bride myself, but I can definitely see why a girl, especially in Anne’s time, but even today as well, would want to walk down the aisle wearing a white dress without being burdened with the conservative version of a wife’s duty. 
Anne’s first encounter with Aunt Jo happens in such a different way from the book, but it’s even better, the way I see it. 
Anne is so unapologetically feminist and I’m all in for it. This character is so important even today, and it was so horrific to see her story cut short over trivial issues. #renewannewithane
As both Anne and Ruby are rambling away and Diana is trying her best to say the proper things, I figure Gilbert must think, at least for a moment, about how weird and incomprehensible girls are. And with Anne’s especially apropos mention of the word “wife”... I can just see his eyebrows doing the confusion dance - you know, despite the pain he must be in. 
I just love how Gilbert never even remotely hides his great respect and admiration of Anne. And even though there are underlying feelings of a different kind here, I’m quite sure he would respect and admire just as much any other intelligent, independent young woman deserving of it. Meanwhile, Billy has shown that he’s just a misogynist of the worst kind, no matter if the girl is an “ugly” orphan or a conventionally attractive girl with both parents alive and a substantial wealth. I don’t mean to deem anyone incorrigibly bad, but I do think Billy might as well be. 
What about “Gilbert’s father just died and you’re still acting like the petty little misogynist you are” doesn’t Billy get? I know what Gilbert did was sinking to his level, but I believe he deserved every bit of it. 
I wonder - I might have forgotten - if Gilbert knew before this conversation with Marilla, about the kind of relationship she and his father had. I wonder how much of it he found out from this conversation.
Ah, here we go, the Shirbert written communication begins. And it doesn’t begin very smoothly - as if to foreshadow how many bumps on the road its future holds. 
See, Josephine would have liked very much to be married to Gertrude - only the times she lives in wouldn’t allow it. She is of the marrying kind - just not of the conventional wife kind. And that’s beautiful, and exactly what Anne aspires to be - and will be one day, of course. She has done a good, nay, brilliant job choosing a role model.
To sum up this episode: Minnie May’s illness brings DiAnne back together; Aunt Jo’s first appearance is a meaningful one, as expected; John Blythe’s last days and the aftermath of his death; an important detail of Marilla’s past; thoughts on what it is to be a wife; Shirbert’s written communication begins, very clumsily, of course. 
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AWAE 1x7 rewatch: thoughts and reactions
The time has come at last to rewatch the season 1 finale of Anne with an E. This one, as far as I can remember, was extraordinarily eventful, so we’re in for a long, bumpy ride. Let’s take off with no further rambling. 
I like the parallel between the two simultaneous conversations in the cold open - the girls on one side, and Anne and... Moody of all people on the other. Funnily enough, both conversations are about Anne, and yet they’re so substantially different. Anne tells Moody about Christmas (or the lack thereof, to be painfully precise) at the orphanage, and at the other table Josie is gossiping about the Cuthberts being poor now. Of course, Anne is not deaf, and is certainly not immune to hearing nasty things about her family, so she calls Josie out on it. 
“It’s only true, you’re poor.” Well, yes, but it’s not nice to state the truth in such a rude way. Josie is just being nasty. I know she gets at least a bit better at the very end of season 3, but this doesn’t excuse her behaviour right here and now. And fuelling Anne’s insecurity about whether the Cuthberts will keep her or not is just the cherry on top of her nasty sundae of gossiping and taunting. 
Being a choir kid myself, I really enjoy the beginning of this performance of Angels We Have Heard On High, and I chuckle to myself at the funny reality of Moody being the token boy in the choir of girls. This is more common than one might imagine.
The beautiful song can’t be enjoyed for too long, though, as Anne almost has a panic attack and runs off in the middle of the chorus, and Diana, good friend that she is, follows her out. 
I’m missing something here. What exactly happened to make the Cuthberts need a bank loan all of a sudden? I mean, the bank did show up at the end of last episode, but... what am I missing?
It’s heartwarming how Marilla is now more concerned about Anne’s future than anyone else’s. She’s a mother already. This is beautiful, even though it comes up amid a bad situation.
It is a rare occurrence that Matthew should raise his voice, and that makes it all the more effective at attracting the attention and making himself heard. But it’s kind of scary, too - you know, when the quiet person raises his voice, you know things are getting serious.
That was some ending to the cold open - believe me, with how bad the current reality is, I do not need Matthew collapsing to the ground. I mean, I know full well he will be fine, but it still makes my heart skip a couple beats.
There, Anne has raised the sensitive subject - and Marilla reassures her, just as Diana did earlier, that she’s a Cuthbert for life now. For richer or for poorer, in sickness and in health... ok, I’m turning into Anne here. This is not a marriage. But it’s a family, and they are going to get through this together.
This is one thing I like about Rachel Lynde - she can be a bit rude and insensitive at times, but she knows when it’s time to stop - for the most part, of course. But leave it to Marilla to let her pride turn away any offers of help, lest it should be perceived as charity. It’s ok to accept help, you know. 
“We can’t keep Jerry on”. See, this is the difference between Anne and Jerry, at the moment at least. She is a part of the family, someone to be provided for and looked after; he is still not. As much as I hate saying it, he is a farmhand who gets paid to do a certain job and when they can no longer pay him, they need to lay him off. But that will change, of course, I know it well. And soon enough.
Anne’s willingness to give her beautiful puff-sleeved dress says quite a lot considering how long she had dreamed of such a dress and the fact that it is the only valuable object she possesses. It almost just breaks my heart to see her and Marilla let go of so much. But that’s just me, I get attached to objects easily and it hurts me to see even people in fiction give away or break or lose their possessions in any way. That’s an issue for me to resolve, not to discuss here. 
Even though I know Marilla said they were going to lay Jerry off, the fact that he’s accompanying Anne to Charlottetown makes me think of something - this trip is exactly when their sibling-like bond was formed, and it’s extra special just for that reason. I have, of course, forgotten some (read: most) details, so it might be misinformed of me to assume, but I think after this journey Jerry would stay with the Cuthberts even if they can’t pay him anymore. 
When Jerry tells Anne that it’s ok to ask for help sometimes - just what I said about Marilla’s pride earlier - it dawns on me how similar Anne and Marilla actually are, even if it isn’t shown very explicitly. They both refuse to admit they need help, and in fact stubbornly refuse it. Like mother, like daughter, even though they’ve been a family only for a short time. 
If someone looked at Anne and Jerry right now, it wouldn’t be too far off to assume they are siblings - bickering, annoying each other partly-on-purpose... If anyone ever asks me to prove Jerry and Anne are honorary siblings, this trip to Charlottetown will be my supporting argument. This and the moment in season 3 where Jerry tells Anne about Diana.  
Jerry singing cheerfully while Anne is all like “This is an Important Journey™” makes me think this boy will teach Anne not to take herself so seriously all the time. Considering their relationship in later seasons, I can say that, at least the way I see it, he actually did teach her that by showing her an almost parallel- universe perspective of what her life could have been like. I mean, they’re perfect foils, those two - both kids with difficult childhoods who have had to grow up too fast and work from a young age, but so different in every other aspect: Anne is an only child and an orphan, Jerry comes from a large family that is still united and happy despite their poverty; Anne gets to receive an education and strive towards larger goals, Jerry is denied this opportunity because he needs to help support his family; Anne ends up with the Cuthberts by mistake, a girl instead of the boy they wanted, but gets to stay and be raised as the daughter they could never have had; Jerry could have easily been the boy the Cuthberts originally asked for (and judging by Matthew’s comments in the last episode of season 3, he goes on to become exactly that), hired to help with their farm work. I could go on and on, but this is not what we’re here for. Either way, I just wanted to say how very glad I am that Moira took this one-mention character from the book and made him into his own character, a foil for Anne and an important agent in the story. Anyone who has been following me for a while will know how important Jerry is for me - and I didn’t even remember his book counterpart existed at all. But now, let’s get on with the episode.
Anne selling her “if-these-were-ordinary” items is sure to be interesting... I remember it being so, but not the particulars, It’s been a while. Let’s hear.
Ah, sure, Anne uses her talent for storytelling to sell every single thing so well. She could be an excellent saleswoman. Also, is this the brooch that got Anne chased out of Green Gables on her first day? That’s an important one. 
I have to say all Cuthberts are lucky that Anne went on this trip alone with Jerry. Had Marilla been there, Anne would never have managed to pull all of this off.
“Everyone will be moved to generosity”, alright, but do you, Rachel, think Marilla will accept it? Charity, I mean. I don’t really think so.
What are these scoundrels doing to my precious Jerry? They almost just killed him for so little as they were able to take from him. Jerks. 
Ah, and who should appear out of nowhere but Gilbert Blythe... I remember this next part being interesting. 
I see Anne has realised she was insensitive about Gilbert’s father, and I see Gilbert is preparing to travel, just as his father wanted him to. This is nice. Meaningful. A more mature conversation than these two usually have. 
Wait, are those two... the same odious creatures who beat up my poor Jerry... they’re... Nate and- Dunlop, was it? Those two who live at Green Gables in season 2, with the gold rush and all that. I remember now. It had escaped me when I was watching season 2 for the first time that their debut was actually here, in the season 1 finale. See, this is what rewatches are for. Also, those two are dirty miscreants and I hate them. Just wanted to get that one out of my system.
T-R-U-C-E - an important word for Shirbert at this stage. But what is with the sudden mention of Moody out of nowhere? This is almost like that time in the third season when they were discussing the Take Notice board and Anne was like “Ruby...”, and I was like *facepalm*. Hey, Moody and Ruby... I see now. Or is there anything to see here?
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Maybe I’m overthinking it. Let’s move on now.
You know, I’ve always wondered why exactly Jerry reacted the way he did here... but now, thinking it over once again, I know why - he has just been beaten up and robbed in a ditch, how do you reckon he’s going to react when he sees Anne, whom he was specifically sent here to accompany and take care of (not that she needs to be taken care of, but she sure could use some help sometimes), talking to a guy he doesn’t know? For all he knew, something terrible might have been about to happen to her. I’m just impressed he was ready to throw down after what those... ugh, my vocabulary is failing me - did to him just minutes ago.
Poor thing, he won’t stop apologising even though he’s badly hurt. And of course he wouldn’t like the city after what happened to him. Who would.
I usually do not condone moment-wreckers, but this here was an awkward silence at best, and all Jerry did was break it - and make me smile in the process. And that makes up for everything.
Ruffians - that’s a good word, pretty much the one I was looking for a minute ago, thanks, Miss Josephine. That’s what they are, the wretched rogues... hey, my vocabulary of elegant insults is back. I hope I won’t need it much, though.
No, Matthew, I won’t have you talking like that either. What would some money be to Anne and Marilla if you are gone? No consolation, that’s for sure. See, this is one of very few reasons I’ve kind of made my peace with the show’s cancellation - that Matthew survived the whole show’s run safe and sound. And Ruby as well. But still, #renewannewithane
Yes, very well said, thank you, Marilla. Anne would never chose something material over Matthew.
Oh, this one - another moment of Anne and Jerry looking positively like siblings. And it’s golden, too. Poor dear Jerry can’t sleep in a bed of his own because, well, he’s never had one, so he crawls into Anne’s. My own little brother has only ever done something of the kind once and I will never forget that night. It was uncomfortable at first, since we, unlike Jerry, aren’t used to sharing a bed, but it was definitely lovely overall. This is beautiful.
Ah, of course, I’d forgotten this one - of course Aunt Jo fixes everything and will not take no for an answer. She pays for Jerry to keep on working at Green Gables - even though, remembering what those two... uh, hoodlums are going to keep doing to him in season 2, I might have preferred that he be away from there for a while. But then, you know, Anne couldn’t have taught him to read, and that’s important - both for him as a person and for the plot of season 3. 
No, Matthew, what do you think you are doing? It was a bad idea - for my own sake - to watch this at night. As someone who has had suicidal thoughts for my own reasons, I know how Matthew feels, and I want him to stop feeling that way. But of course, I know things will work out. Eventually.
I see Anne has learnt a lesson about accepting help, accepting love. And she talks Marilla into it. This is good. 
Of course, once again Anne’s rough childhood has given her a means to dealing with a situation. She’s selling her services now. And she’s happy to do it. And she’s realised that although they’re poor in money right now, they’re rich in something much more valuable now. 
I’m not going to lie, Angels We Have Heard On High brought a tear or two to my eyes. Things are looking up.
Although, if they knew who the boarders really are, they wouldn’t have been so happy. Not at all. But that’s another story for another time.
Oh, they’re there already... things are about to... get interesting, to say the least. I can’t wait to get into season 2 soon.
To sum up this last episode of season 1: the Cuthberts are poor; Matthew is ill; Green Gables is at stake; Anne and Jerry take off for Charlottetown to do their part in trying to save it; the Cuthberts do not accept charity; valuable lessons about accepting help and love; Jerry takes a hit from two... boarders at Green Gables, is that what we call them now?; Anne and Gilbert spell T-R-U-C-E; Anne and Jerry become siblings; Aunt Jo saves the day; Matthew thinks about taking his own life, gets over it just in time; the Cuthberts are rich, though not in money; things are looking up, but thugs are in the house.
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AWAE 2x6 rewatch: thoughts and reactions
I see this episode picks up right where the last one left off - all of Anne’s hair has just been cut off and now she refuses to go to school - what else? I feel like this cold open is going to be long and dramatic. 
I also see they’re building suspense for the reveal. And Diana is waiting for it along with us. And, good friend that she is, she gives Anne her ribbon, and thus Anne’s first hair evolution look of this season is completed. Now it’s finally time for us to see it. 
Oh, there’s Gilbert, too. Of course he’s back now and it’s a complete surprise. I want to see his reaction. Oh, but there’s no reaction at all, and I think this is the best possible reaction right now. I love this guy. 
So it wasn’t enough for Phillips to effeminate and humiliate Cole in front of everybody, but now he’s mocking Anne too? This dirt-bag has no place as a teacher. 
I told you this cold open would be dramatic. But it ended so abruptly...
Ooh, Marilla intends to give Josie’s mother a piece of her mind about how her daughter has been treating Anne. I love this. But I do wonder where it’s going to lead. Bullies aren’t easily stopped by talking to their parents.
So nobody knows yet about the new man in town. And he is certainly struggling with Canadian winter. Well, he will get used to the cold soon enough. For now I just wonder how he’ll be received in his new home by his new neighbours. 
Late John Blythe’s room is as sad as ever. And there’s something in the was Bash says ‘Mr. Blythe’ that reminds me of his mother’s attitude to Gilbert in season 3. Although there was a hint of irony, the bitter traces of black-as-opposed-to-white history are still there. This scene has three levels of sad - the grief over John Blythe’s death, the heartwarming feeling of Gilbert giving Bash something that was his father’s, and the aforementioned race segregation that is still there. #blacklivesmatter
Gosh, Diana looks so magnificent in her dress and tiara... and so would Anne, if only she wouldn’t refuse to try it on. Cole, on the other hand, is more than ready to do just that. I love that guy. I love how. at least around his friends, he is never ashamed to be 100% himself. The world needs more people like Cole Mackenzie. Also, Anne being the boy with Cole as the girl is a hilarious kind of heartwarming. Thanks, I love it. 
Awkward... Marilla’s reaction to the scene playing in Anne’s room was... what I expected and not what I expected at once - if that’s even possible. But I see it doesn’t faze the kids one bit. So that’s great. 
I love the parallel between Anne, Diana and Cole and the young children singing Twelve Days of Christmas. I love parallels, and, for a non-Christian, I love Christmas carols a bit too much. And watching the preparations for the pantomime in full swing when it’s not even quite autumn yet... it’s surreal. A beautiful, warm kind of surreal. 
I can’t bear Phillips - he asks for his line and then, when Prissy gives it to him, he says ‘Don’t tell me!’ And how dare he yell at her like that? Neither his position as her teacher nor that as her almost-future-husband gives him the right to treat her so badly. 
If poor Matthew went mad from all this noise, I wouldn’t blame him. Sure, it’s young children making the noise, but it’s still overwhelming. I got dizzy just by watching the scene. Of course he would run off ‘crying like a baby’, despite the rudeness of that description. 
‘Did you ever have any childhood?’ Whoa, that was rough. Sure, it comes from a place of pure curiosity, but hey, it’s not like Anne had much of a childhood herself before arriving in Green Gables. Still, it must have hurt Matthew a little to be asked that question. See, his childhood memories are strongly connected to Michael and it was with him that Matthew’s childhood was gone all at once. Heartbreaking. 
Great, now Anne is crying in Matthew’s spot. Heart-brea-king. And I see Anne has an idea. A brilliant one, no doubt. 
‘You’re the one talking about it, not me.’ See, Jerry couldn’t be more right. If Anne didn’t think everybody was staring at her hair and judging her, it would probably attract much less attention. See, Gilbert said nothing about it, even though he couldn’t not have noticed it. She should, you know... ‘Talk less. Smile more.’  Then maybe nobody would see any difference. 
This ought to be interesting. Marilla meets Bash for the first time and her reaction is just what I expected. ‘You must be...’ She must have thought Gilbert had brought back some help. And while Bash will be a great help to Gilbert in his otherwise lonely life, he is not, and will never be, the help. This interaction was so flipping awkward.  
Oh, so that is Anne’s plan - an experiment to see how people would treat her if she ware a boy. But it’s almost ruined when she sees her puff-sleeved dress in the window-shop. And Jeannie is the only one who recognised her. She knows her too well, and she’s not at all upset about her meddling in her and Matthew’s correspondence. I like that woman a lot.
The way Billy stares as the girls admire Cole’s talent... jealous much? Maybe if you weren’t such a dirt-bag, Billy, they would admire something in you too. Why do you think they’re all over Gilbert and Cole? It’s not just because of their looks. It’s because they act like real men - which you’re apparently not. I mean, no real man hurts another man on purpose just to assert dominance (which he can’t have in any other way). Pathetic. But now... poor Cole won’t even be able to finish his work of art. Thanks, I hate it. And by it I mean Billy. 
Awww... that is so heartwarming! And I bet Jerry is the only one Anne would forgive for missing the E in her name. She so obviously loves the card, I might just cry of happiness. 
But then there’s Cole. He’s so devastated about his unfinished piece... but he’s forgotten one thing - he’s got so many friends to count on, and they’re all going to help. I’d give anything to have friends like them. And I love how Moody takes initiative to paint first. 
I love how excited Anne is to meet Bash, and how happy she is at last despite her hair drama earlier in this episode. And let’s not forget how beautiful she looks in her dress, long hair or short. 
Anne, Anne, remember what we talked about: Talk less. Smile more.
Not to Gilbert, girl, you can talk to him. Nay, you really should.
I’m more of a Yule person myself, but I love this particular Christmas. Oh, and there’s the dictionary. I see the spelling contest has just begun. :)
Another person who assumes Bash is the help. I hate it when people assume things based on skin colour. Rachel makes for many  awkward situation. 
So this is how Anne becomes the boy... but there’s still no shovel. And here, as we know, is where Matthew steps in, whether he likes it or not. He’s a true hero. #inmatthewwetrust
Diana is so magnificently beautiful as the fairy queen... it makes me want to draw her like this... I might just do that once I’m finished with this rewatch.
I don’t know who looks more awkward on stage - Thomas Lynde or Matthew. Oh, well, I’ve got to say - both were actually magnificent in their own way. But you’re killing me - Phillps as the dashing hero? At least he’s got one of those roles everyone laughs at, like Billy as the owl. At least at the panto people get to show their true faces - however ironic that might sound.
Ah, now they’re going to blame Bash! I can’t. But at least Matthew is there to save the day. And he gets to live a part of his childhood he’s missed out on - being part of the Christmas panto, if only for a couple of minutes. Breathe, Matthew, breathe. There, he did it - for Anne, no doubt. I love this man. I love this family, and I love this episode. But I remember loving the next one a tiny bit more. We’ll see next week how it holds up. 
Let’s sum up this episode: Anne’s got the pixie cut of shame; Phillips is a dirtbag - but we already knew that; Gilbert is back and Bash is received awkwardly by the people of Avonlea; Matthew’s own childhood trauma; Jerry dishes out wisdom; Anne is a boy for a day; Billy is a dirt-bag, injures Cole out of pure pathetic jealousy; Jerry spells Anne without the E, but it’s fine because it’s him; preparations for the Christmas panto; Talk less. Smile more. (I might or might not have listened to The Room Where it Happens from Hamilton a few times too many before coming into this rewatch); the pocket dictionary; Bash is not the help!; in Matthew we trust; a magnificent Christmas panto with a magnificent fairy queen, a magnificent boy and a magnificent snowy owl (Matthew, not Billy).
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Disney Channel Tag (created by caitlovesdisney on YouTube)
I was really out of ideas for new content and my very hectic online ed schedule isn’t really leaving me with a lot of time for an AWAE rewatch, so I decided to do something different this time. This is a tag created by the amazing caitlovesdisney over on YouTube, and if you’re a Disney fan and haven’t seen any of her videos, you should go check her out now: 
https://www.youtube.com/watch?v=uc4JrxVE-t4
So here are my answers to her 30 questions:
Favourite Disney Channel show: This is a hard one. The Suite Life of Zack and Cody was my first favourite from the network, but Austin & Ally got me through some really tough times, and then there’s Girl Meets World... so I guess it’s those three. 
 Favourite Disney Channel movie: Another very hard one, probably Lemonade Mouth or Avalon High.
Favourite Disney Channel ship: Why are these so tough? I’m gonna go with Lutteo or Binuel. 
Favourite Disney Channel ship that never was: Riley and Farkle, definitely. No, wait,  Riley x Farkle x Maya as a poly relationship.
Favourite Disney Channel friendship: This will be an unusual answer, but – Austin and Ally. I recently rewatched 1x3 and came to appreciate them as friends so much more than as a couple. I still don’t ship them with anyone but each other, though. Although Dez and Austin would have made a lovely couple, too.
Favourite Disney Channel siblings: The Diaz family. I really like Coop and Cami Wrather from the more recent shows, too.
Favourite Disney Channel animated series: Nothing can beat Phineas and Ferb, that was a culture of its own.
Favourite Disney Channel show that is airing right now: International: BIA, hands down. American: Sydney to the Max. It’s unlike anything else.
Disney Channel show you wish had another season: Andi Mack. Also, Girl Meets World. Those were two of a kind and better than most shows on the network imo.
Favourite international Disney Channel Show: Soy Luna. I also really enjoyed Alex & Co.
Favourite Disney Channel theme song: Another tough one. The Suite Life on Deck and Pair of Kings themes are certified bops. But one theme that I really wish had a longer version is the theme to Mighty Med.
Favourite song from a Disney Channel movie: Currently, Flesh and Bone from Zombies 2.
Favourite Disney Channel character: How do I possibly pick just one? Going with my gut feeling, Farkle from Girl Meets World.
Favourite Disney Channel actor/ actress: Actress – Sabrina Carpenter, no question. Actor – I really don’t know, but Jackson Dollinger from Sydney to the Max reminds me of my little brother for some reason.
Favourite Disney Channel kiss: Lutteo’s kiss from 2x41, mostly because of the moment preceding it.
Favourite Disney Channel Movie dance number: I have a soft spot for the ending number from Teen Beach 2.
Favourite Disney Channel parents: It’s a three-way tie between Bob and Amy, Bex and Bowie and... Cory and Topanga. I also like the kind of dad that Max from Sydney to the Max is.
Favourite quote from a Disney Channel movie: “I wanted to remember this summer, but not like this, Troy.” This one has stuck with me since I was 10 and saw HSM2 for the first time.
Which Disney Channel school would you like to attend?: Seven Seas High, definitely.
Favourite Disney Channel Duet: “Nadie como tú” by the glorious duo of Matteo and Simón.
Disney Channel character you’d switch wardrobes with: Andi Mack.
Disney Channel song that makes you cry: “More than a band” from Lemonade Mouth.
Disney Channel Song that makes you want to dance: “Flesh and Bone” from Zombies 2.
What DCOM do you wish had a sequel?: None, actually. I might have said Teen Beach 2 at first, but even with that ending, I do think they work better as a pair. The ending just had to be better.
Favourite Disney Channel recording artist: Sabrina Carpenter. I’ve been following her since she was on that one episode of Austin and Ally.
Last Disney Channel show and movie you watched: Show – BIA. DCOM – Lemonade Mouth.
Name a Disney Channel character you ship yourself with: I’m aroace, so I don’t ship myself with people. But I’d really like Big Red from HSMTMTS as a best friend. Or Farkle from Girl Meets World.
Which DCOM have you seen at least ten times: The original HSM, for sure. If you could have any item from a show or DCOM, what would it be?: Either Luna’s sun & moon necklace or... Ally’s book. When I’m told not to touch something, I really want to see what it is.
Pitch a Disney Channel show or movie: I’ve had a sort of obsession with the thought of Voltage, but what about Sing it Loud? I’d love to see that.
I’m tagging: every single Disney fan who sees this! xx
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AWAE 1x4 rewatch: thoughts and reactions
By popular demand of no more and no less than 14 people (which is quite enough to convince me), I’m back with another AWAE rewatch - reaction. Today, we’re diving into 1x4, which I don’t really remember anymore so it should be interesting to return to it after all this time. Without further ado, let’s get started:
First of all, I will never stop wondering ( especially now that I’ve seen season 3) why the first season was so dull and grey in terms of lighting. I mean, it’s almost black and white. I think I’ve said it before but I’ll say it again anyway - it was probably because the first two seasons were filmed in winter and the third one in summer, but still - there’s editing to fix that, and some editing was probably done, so it must be a creative choice. It makes some sense considering how bad Anne’s past was and how unhappy the last few days have been, at least from her point of view, but I still find it rather depressing. 
Anne’s little song is so cute, and I love her singing - it’s simple and clear and it sounds just like the child Anne’s supposed to be, but it’s also kind of a reflection of what’s going through her mind - she’s still holding on to her imaginary self, Cordelia, but is now accepting herself for what she thinks she is - “strange and plain”. Well, she sure is strange, but there’s nothing wrong with that - it’s beautiful, and she’s certainly anything but plain. 
Anne means well, but we all know she’s easily distracted, so I wouldn’t make a promise I couldn’t guarantee if I were her. 
For once, Rachel is not really annoying me and she actually has good advice. The best part is, this is straight from the book, and I love me some accuracy to source material. Of course, it won’t be long before Anne’s back in school, and (almost) everything will have changed when she goes back. 
“How awful it would be to be in service of those who neglect you or treat you unkindly”... oh gosh, Anne’s dark past is creeping into her fantasies. I don’t like this, I don’t like it at all. She does need school to distract her from her trauma. 
The one time Rachel had good advice for Marilla, she isn’t going to follow it. Why do things have to be like this? This episode is depressing. I want Anne out of the house and back in school now. I don’t know why, but I do. It’s like I’m putting myself in her shoes, and, sure, what happened back at school was humiliating enough for her not to want to ever go back, but walking around a little room, stuck within its four walls, gets really depressing after some time, no matter how enjoyable it might be at first. 
Yes, Matthew is a kindred spirit, and yes, he knows better than to force Anne to go back to school before she’s ready, but I bet my life he’d never want her to miss out on her education when she has so much potential and has the chance to fulfil it. Especially because he didn’t have the chance to finish his own education and he obviously regrets it. 
Anne’s trauma as shown in this episode is too much for me. It should come with a trigger warning. But there is no trigger warning for Anne, and there is no escape. Not when she’s stuck at home, wallowing in her humiliation. She has to get out of there, and her imagination is just not enough anymore because it keeps going back to the worst moments of her life, and those are really bad. 
I honestly love Matthew so much. He is the first true kindred spirit. He understands. He understands the most important thing - Anne is not like the others. She needs to do things at her own pace. And right now she’s just not ready to face school again. But she does need company, otherwise she’ll drive herself crazy miserable, like she’s already started to in the scene where she calls out to her imaginary friend Katie Morris. And no, I don’t think Matthew is being too soft with her - I do think, however, that Marilla is being too hard on her. But she’ll get better. We know she does. 
As heartbreaking as it was to learn (in a later scene which I remembered just now from my first watch) that Anne hasn’t really been going back to school, I have to give it to her - she does a pretty good job of pretending she went and that she’s going there again. 
And there it goes - first, dear little Jerry realises Anne is staying late “at school”, and then who should come by but Diana and Ruby (who is still not on the friendliest terms with Anne, but she’ll come around as soon as Anne decides to try interacting with her again). I mean, Anne must really have thought that even Diana wouldn’t care about her at all, or else it would have been really foolish to believe she wouldn’t ask after her when she didn’t come back to school for so long. Having a caring new friend spoiled Anne’s pretty little plan, didn’t it? How ironic. But it just wasn’t healthy for Anne to isolate herself so completely. And this is coming from me, an introvert who would really have liked to homeschool herself and never see another person outside of family members again after a number of humiliating moments at school. I’m old enough now to realise how detrimental total isolation can be. But Anne is not yet and she’ll have to go through a couple more traumatising moments before she finds joy in school again. 
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Jerry fixing up his hat and jacket before greeting Diana and Ruby and then being all confident/ sassy/ might I say even slightly flirty with his simple “Hello, ladies”... the sight of it gives me life. The shipper in me would say this is the first tiny glimpse of Derry, but the protective older sister instinct in me, who has witnessed and will never forget the events of 3x8, can only see this as a glimpse of what Jerry has always really been like until Diana’s unjust treatment broke him. He was happy. He was confident. He never thought it was above him to speak to Diana before. He never thought of himself as unworthy of respect and love. What Diana did to him, even if she didn’t mean it, broke him and we’ll never get to see him fully recovered because of some stupid people who decided to cut the series short whenever they felt like it. It’s just unfair. If not to us viewers, then at the very least to Jerry. And that should be enough. #renewawae
“Anne’s too sensitive for this world” - Well, that certainly is true, but maybe it’s actually the other way around. Maybe the world is too insensitive to her. Honestly, why? 
Marilla has the face of a parent who has just found out  their child has been doing something behind their back... honestly, that face is so scary when you’re the kid, I don’t even want to think about it. Now Anne will definitely be going back to school, whether she likes it or not. 
Anne talking about Native names reminds me of her conversations with Ka’kwet in season 3. Yes, she might not be a Cordelia or anything fancy, but just plain Anne, but thanks to who she is, the name Anne now sounds so much more colourful and magical to me. It is not the name what makes you who you are, it is who you are that gives your name its meaning. I firmly believe in that, and I wish Anne would, too. I know she’ll realise that in due time, but it just pains me to watch her speak ill of herself because of what she’s been hearing so many awful people say throughout her life. 
Melkita’ulamun. A strong and brave heart. This is what your Native name would be, Anne dearest,  at least if Ka’kwet was an elder and had a say in it. And I fully agree with her. 
The minister’s visit, and his words that are less than respectful to women, just have to be enough to lead her back to school. So, you can say that, in a way, he did his job well even if he’s not the most admirable kind of person. 
And if the minister’s misogynist take on the Bible wasn’t enough to convince Anne that her place really is in school, then Jerry is sure to finish the job.  “Boys can do anything they want”, is that what you think, Anne? Well, this boy would much rather go to school than work his butt off to provide for his family, but he’s anything but “lucky” that way. I understand Anne is traumatised by her past, but the last few days that she’s spent outside of school she’s been thinking of nobody but herself, as much as it pains me to say it. She has a lot to learn, and not just from books. Has she never thought about why she could never get a proper education and had to work instead? Jerry’s situation is no better. Well, arguably, he’s a lot better off mentally and psychologically, but Anne is only a couple years behind her peers. Jerry never even had the chance to learn the alphabet. He’s forced to be illiterate in both languages he speaks, and that is so tragic, honestly. But it is about to  change, as soon as Anne realises how lucky she is and starts extending her fortune to him as her found little brother. 
“I never thought that a wife is what I would be” But you will be, Anne, and not only a wife, but also one that is her husband’s intellectual equal and also “the fond object of [his] affection and desire”. But you can never be that unless you go right back to school and get a proper education, not an education in propriety. Because you can. Jerry was spot on in saying that. 
Oh, great. Now Marilla has an identity crisis - an identity crisis at her age! I didn’t even know that was possible. But the minister’s words seem to have made a stronger impression on her than they have on Anne. I hope at least the conversation with Jerry, which is by far my favourite moment from this rather depressing episode, sweeps her in the right direction. 
My, is that the fire at Ruby’s house? Now that will definitely shake things up. I had forgotten this episode is the mid-season mark, and the fire happens, of course, around the middle of it. It’s like a new beginning.  A phoenix that will rise from the ashes of the Gillis house, changing everyone’s perception of Anne for the better, giving her her second best friend, changing Miss Gillis into the Ruby I know and love with all my heart, getting Anne to go back to school after Marilla, the minister, and Jerry didn’t quite succeed. This is a disaster, but one that was, in the grand scheme of things, for the better. 
Gosh, Anne, you’re going to give poor Diana a stroke. But you look like you know what you’re doing, and that’s important. 
For about a minute, the most intense minute in the lives of everybody present, everybody is worried about Anne to the point of insanity, but then she emerges from the burning house and tells everybody she’s ok - and as soon as she explains why she ran inside an empty burning house, Jerry makes sure everyone knows what Anne did and that she is a hero. 
Diana, for one, thinks Anne is marvellous and brave - and I agree with her. Ruby will learn soon enough. She might not have the best attitude right now, but she will learn. She will get better. 
Look at Ruby, crying like a baby about a dress, when Anne only has two of her own and is ready to lend one to a girl who doesn’t even want anything to do with her. Within a single episode, Anne has gone from the selfish one who needs to be taught a lesson in how lucky she is to have what she has, to the one who will teach the selfish one that same lesson. And I know Ruby will learn it soon, too. 
“I shall never be dissuaded from my low opinion of him”. Well, a lot of opinions changed after that night. This is one of them, only it will take a little longer than most other things. 
Very funny, Billy! Ruby has fallen on her face and all he can do is laugh at her dismay, even though she’s bringing him biscuits. And then we get several layers in this scene. We have Ruby, the damsel in distress, the traditional girly girl; Billy, the misogynistic, “boys are superior, girls belong in the kitchen” type of guy, perpetuating toxic masculinity; Anne, the feminist who could get the job done as well as any boy and better than some; and Gilbert, the gentleman, the embodiment of healthy masculinity. I can see why Ruby is in love with him. Who wouldn’t be? Oh, right, Anne. She’s going out of her way not to meet his eye while he’s doing his best to discreetly look at her without offending Ruby. I see the Shirbert tension is strong from the first episodes on.
“If you were a boy, it would have ended up in fisticuffs.” Oh, it will, soon enough. Billy can’t get away with his behaviour forever. There are, and always will be, enough boys who agree with Anne (not that she needs boys to fight her battles for her), and one day, one of them will snap. I can’t wait to get to that moment. I mean, I am very much an advocate for non-violence, but Billy Andrews deserves some righteous violence directed at him every once in a while. 
Oh, this is it! The founding of the Story Club! The beginning of something so beautiful, it’s almost like magic. What am I saying, “almost like”? It is magic. Too bad it, too, will meet its end, but let’s not get ahead of ourselves.
Oh, I see the minister’s words - possibly combined with Billy’s “stay in the kitchen” remarks - have finally reached Anne in the right way. She’s going back to school and the other kids are more than happy to see her. Well, most of them, anyway. I think she was right, though, and if she had gone back the day she was supposed to, she wouldn’t have been received quite so warmly. But what does it matter now? Things are looking up. 
To sum up what we saw in this episode: a miserable Anne staying home from school; Anne’s PTSD acting up when she has no education to take her mind off of her horrible past; Matthew is a true kindred spirit #InMatthewWeTrust; Anne homeschools herself away from home, the way education was done in ancient times - surrounded by nature; Jerry’s first on-screen interaction with Diana (and Ruby); some thoughts on Native North American names; a misogynist minister; the tragedy of Jerry having no chance of a proper education; a fire in the Gillis house; a literal fire-forged friendship; the alignment chart of misogynist vs. feminist; the founding of the Story Club; Anne goes back to school to a warm welcome.
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AWAE 1x1 rewatch: thoughts and reactions
After two months of laughing, crying and every emotion in between, but most of all massive clowning, season 3 is in the past. Now, instead of being all sad about the cancellation - which is temporary, mark my word - time to rewatch every episode starting from day one. 
A lot of my reactions to season 1 will probably be “omg [insert young character’s name] was so tiny”. If you don’t like that, you’re welcome to block the tag #jnk watches awae; otherwise, feel free to come with me on this trip down AWAE memory lane. 
Horse riding parallels were very much a thing in season 3, but now I see they go back all the way to season 1. The premiere episode starts with Matthew riding a horse I could not identify, and 3x1 starts with Anne riding Belle. They’re even riding in opposite directions - as if towards each other. What can I say, I love Anne and Matthew’s relationship and I just had to find something even from before Anne arrived. 
Just as I remember, this episode (and most of the first season, really) is much darker and greyer than the later seasons - especially compared to season 3, where a dark frame signified something really dark was about to happen. I cannot help thinking this was not just because the first two seasons were filmed in winter and season 3 in summer. I think the dull, dark colours were emphasised on purpose to reflect the dullness of life in Avonlea before Anne arrived, as well as Anne’s own dark and difficult past and her fear of being treated the same as before once again. Am I looking too much into this? Yes. But AWAE is the kind of show that rarely, if ever, does anything by accident. So I’m probably on the right track. 
The choice to start off the series with Marilla and Matthew inside their home instead of Rachel and her point of view, as the book did, is a nice foreshadowing of the series’ emphasis on family. I love it. 
And, as the colours of the frame brighten for a second before going back to grey dullness, we get our first glimpse of Anne. Her face was ever so thin. Poor child has been through so much already... the whole situation just makes me think that her past combined with what her future holds is way too much. Way, way too much. 
Seeing the terrible memory of the abusive environment she was only recently taken out of, I cannot properly express my gladness at the realisation that in season 3, the sound of a crying baby no longer triggers Anne. Yes, she’s been through an awful lot, but life in Avonlea as part of a loving family has done her good. You know, these observations and the knowledge of all the positive changes in future seasons make it easier for me to rewatch these very triggering scenes. 
“I like imagining better than remembering” After all you’ve been through, of course you would. Who could blame you for that?
“Why are the worst memories the most insistent?” I’ve been asking myself the same thing for a long time now. 
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Oh Anne, you have no idea... [image credit: kissthemgoodbye]
As if to confirm my theory, the colours are much brighter once Anne arrives at the train station. But now I have another theory: what if this brightening reflects  how Anne sees things? The hope, the potential for a better life in a new world...
“I can also imagine that I am already a disappointment to you” And she doesn’t even know they were expecting a boy... poor thing. This scene brings me to tears every time I think about it. And the whole period of time that Anne spends wondering if they’ll let her stay at Green Gables. I have no idea how I will endure watching that over again. But I set myself up for it and what got me through the first time is what will have to do it again this time - that is, the knowledge of what is to come. 
“You’re a sight for sore eyes, Mr. Cuthbert” I bet this is the first time Matthew has had these words said to him. Great, now I’ve made myself cry. Could it be that this is when he knew there was no way he was bringing her back to her old life? Those bright little eyes telling you how happy they are to see you... I am surprised Marilla took as much convincing as she did. 
“I’m so homely, nobody would ever want to marry me. Unless he was a foreign missionary.” First of all, no, you’re not. Second of all, I hereby give Gilbert Blythe his new nickname - the foreign missionary. It’s ironic to think that if post- season 3 Anne would remember saying that, she would definitely come to the same conclusion. I need a season 4 and a reference to this in it. #renewannewithane
Since this Rachel we see here is pre - 3x7 Rachel, I’m back to being annoyed at her every time she appears on screen. 
“... or some French ruffian.” I know full well Jerry is French- Canadian, not French-from-France, and yet I can’t help finding this extremely ironic. Like, thank heavens your new hired boy is not French... so what if he was?
“Well, we’re not getting a girl.” Oh yes you are, Marilla, and you will love her like she’s your own daughter, as much as you try not to. 
My theory is just confirming itself scene after scene. Both of my theories, really. When Anne and Matthew are riding along the White Way of Delight and past the Lake of Shining Waters, everything is bright and positively just as wonderful as Anne says it is. We’re seeing what Anne sees, the way she sees it. Also, at that point she’s thrilled at the prospect of living in Green Gables and she’s approaching it - so the scenery lights up. But it goes back to darkness as soon as she has another flashback of her past.
As Anne and Matthew enter Green Gables together for the first time, I’m having flashbacks of 3x9 - another Anne - Matthew parallel. I can’t help thinking of how vastly different the two situations are, especially with Anne wearing the very same clothes as Marilla (being an inalienable part of the family) and Matthew standing up to the people from the “White Man’s Burden” school (after years and years of barely speaking and never putting his foot down except for one thing - to keep Anne). 
Poor little Anne - she just wanted to be called Cordelia or Penelope for a couple of days before going back to her old miserable life... but I guess one can be satisfied with Anne with an E if Anne with an E has the chance to stay at Green Gables. Plus, I myself have always liked the name Anne.
“Girls can do anything a boy can do, and more” Why, Anne was just as much of a feminist back in the day as she is in recent episodes. She really is “ahead by a century”.
Why would anyone ever imagine they’re in the depths of despair? Besides, I don’t think anyone who has never felt that way would have the ability to imagine it, even if their imagination was as great as Anne’s. 
The Princess Cordelia scene reminds me an awful lot of the Beltane scene in season 3 and I’m not even sure why.
I cannot believe Marilla just threw that beautiful branch into the fire. I also cannot believe how much she has changed in the course of 3 seasons. I’m glad she has, but it pains me almost on a physical level to go back now. 
“You can’t make up family, only kin is kin.” In a show that goes on to have such a strong emphasis on found family. We have started from the very bottom, indeed.
Anne’s opinion of Matthew is my opinion of Matthew. I live and would die for that man. 
“Red-headed people can’t wear pink”? I have a few examples on my mind that prove otherwise. 
Anne saying she would never have a chance to be a child breaks my heart... it doesn’t mean just that she thinks she’ll never be someone’s child. It also means she’s spent all her childhood growing up too fast. This poor child deserves all the happiness in the world. 
I am terrified of dogs and this scene - the only one where we see a dog on screen, as far as I can remember, does not give me a single reason not to be. But I guess everyone in that scene is lucky that Anne’s nothing like me in that respect.
Even 1x1 Marilla is not cold-hearted enough to leave Anne with that awful woman and her poor babies. 
“I aught not to decide on anything without consulting him.” Well, that is new for certain. I see we’re improving already. 
Anne’s description of how she would pray makes me feel she’d make a very good pagan. The “come to me, Muse” in season 2 and the Belthane scene is season 3 are further proof of that for me. 
I’ve always loved that “Eggs!” scene... and the fact that Anne expected to be introduced to all the chickens had she not introduced herself to them... she really is a friend to all living beings.
Carrots... I had forgotten Rachel was the first to call Anne’s hair that. It sounds totally different coming from her than from Gilbert, that’s for sure.
Anne’s reaction to Rachel is my reaction to Rachel in this scene. She cannot be blamed for reacting that way, and yet she’ll be forced to apologise. It just so happens that this is not her last time apologising for telling the truth.  
Ah, I see we’re there. At that cliff, looking out at the great sea... in such terrible circumstances, though. There really are worse things than hurt feelings, and Anne has been through some of those, and yet she ends up in this place for the first time precisely because of hurt feelings. How poetic.
Anne’s apology has been a favourite of mine since I first read it in the book, and Amybeth’s delivery was absolutely splendid. But I have to say, Rachel did kind of redeem herself with that auburn hair story. 
Oh my, Jerry is there. Now Anne will really go off again.
I can’t, I just can’t even! Look at my baby, he is so tiny. Little did I know back when I saw him first that he would grow on me so much. His first interaction with Anne, though... once again, we’ve truly started from the bottom. And to think we almost went back there in 3x10...
That little tug at Anne’s sleeve... and the callback to it in 3x8... I just love Matthew and Anne’s relationship.
Mr. Barry is there. Oh my, oh my. I see the Barrys’ opinion of Anne used to be no different than their opinion on Jerry. I still cannot understand why accepting her, but not him, would ever be ok. 
I can’t even look. Those awful girls were... well, awful. I can’t even look at them.
My, Diana almost looks boring compared to her season 3 self. But it’s not her fault. 
I’m going to cry... I just witnessed, for the second time, the birth of DiAnne. 
The brooch storyline, however brief, is one of those that make me cry every time I even think of them... Marilla was way too harsh with Anne and she knows it now. 
The end of this episode is a perfect reflection of the beginning... except the beginning was hopeful and the end is desperate. I’m a sucker for framing devices, but not like this, no.
To sum up, in this episode we saw: the arrival of Anne literally lights up Green Gables; Matthew Cuthbert puts his foot down for once in his life; dreadful scenes of Anne’s past; Rachel sticks her nose in other people’s business - no surprises there; Anne is a feminist since day one; Anne’s opinion of Matthew and Rachel is most of the fandom’s opinion of Matthew and Rachel; Anne and Jerry are off to a bad start, which will change soon; Anne and Diana are off to a good start, which will, unfortunately, also change soon; a brilliant framing device, the first of many.
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AWAE 1x3 rewatch: thoughts and reactions
I took a completely unannounced break from posting my reactions to AWAE. How rude of me. But I hope whoever reads these can forgive me, as I’m sure you’d understand that university is no joke. I’m not going to be posting for a while because I simply haven’t got the time to rewatch and write a reaction post, but I’ll be back as soon as I can. For now, I’m leaving you with my thoughts on 1x3 in celebration of the Netflix release of season 3. 
I’m actually really excited to be rewatching this episode since I’ve forgotten quite a bit of its plot details. I do remember it marks the first appearance of Gilbert, all the kids, and the school setting. I’ve told myself many times before that if this show was just Anne and her friends going about their day-to-day life, I’d still watch it and love it. So let’s dive right in.
I’m so happy to actually see Anne smile from ear to ear while getting ready for her first day of school. She’s nervous, but excited, and she deserves something positive after being denied so many joys for so many years. True, it will not be easy at first, but I can’t help admiring her positive disposition even though she is several years behind and is still not exactly accepted into the society of Avonlea with open arms. 
Anne dropping and breaking that cup reminds me of myself on my first day of middle school - even up to the hope that it’s not a sign of how the rest of the day is going to go. However, unlike me, Anne keeps up the positive attitude and, as I already said, I admire her for it. 
As much as I understand why Anne feels the way she does about her looks (she’s only 13 and she’s probably spent all her life being told she was ugly because of her red hair and freckles, and she never found beautiful heroines in the books she read that had those features), I agree with Marilla on this - Anne should find a worthier overriding concern, or indeed feel lucky she doesn’t have to worry about anything bigger than that anymore. 
Matthew and Marilla have only had Anne for what, a couple of weeks? But they already look like typical parents sending their only child off to school. I love them so much as parents. I just love them in general, too. Now that was a beautiful cold open, of the type I call “gold open”.
Talking to the trees as if they were fine ladies and decorating her hat with flowers is such an Anne thing to do... society may find it odd, but I love her for it. What can I say, I love this girl and that’s that. 
As much as Diana wouldn’t admit it because she was raised by her mother, I believe she loved the way Anne looked with the flowers on her hat. I also believe that she would have very much wants to do the same, but would never be allowed to. Just saying that makes me go back to her awesome development throughout the majority of season 3... Anne has been a big influence on her, obviously. 
“It won’t be long until my parents accept you” - well, they did, but they were still very disapproving of Jerry and his family just because they’re poor - which is probably not their fault. And I know it took saving Minnie May’s life for them to accept Anne, while Jerry never did that... but didn’t his family take Diana in when she was (supposedly) so badly injured she couldn’t walk? Isn’t that a good thing? and instead of accepting the Baynards, the Barries were even more terrible to them afterwards. Double standards much? Ok, I got sidetracked. Let’s go back to 1x3. 
The whole scene of Anne meeting Moody and Charlie has me laughing out loud, from the “I’m Moody” - “I’m sorry” exchange, which makes me think that Moody’s name is dad joke material, to Diana’s “Don’t talk to the boys. They’re ridiculous.” And then she mentions Gilbert Blythe in a way that makes me think - am I correct in assuming she had some sort of feelings for him, too? Did every girl have a crush on him but repress it in favour of Ruby? What would Ruby say about that?
These girls have me in stitches, a much needed change from the tragedy and drama of the first two episodes. And then... there were many “started from the bottom” moments in this season, naturally, but I think Jane is an exception to the rule. She actually started out pretty well, standing up to her brother for a social outcast she just met, and then in season three she almost supports him in something much more terrible. She had potential. That’s such a glow-down. But hey, not everybody can be Prissy.
“Never let them know when you like them, either” Is that what you do with Gilbert, dear? Because I don’t think you’re very good at it. But it seems that Anne took that advice a bit too literally. That would explain a lot of her actions throughout the series. 
Wait, Mrs. Andrews was one of the ladies who invited Marilla into the Progressive Mothers? Seems like Prissy turned out to be more her mother’s daughter than her father’s, then. But it’s a bit of a mystery to me how a progressive woman married a man who takes his son’s side when he assaults a girl... Seriously, the whole Andrews family is a mystery to me. First we have Prissy and Billy, who grow up to be like their mother and their father respectively - while being raised by both parents; and then there’s Jane whose character development is in the wrong direction if it’s there at all. I can’t figure them out at all. 
Anne and Diana’s polar opposite reactions to long division is a perfect illustration of their vastly different backgrounds. While privileged Diana is long done with long division, Anne just realises how far behind she is because she’s spent her young life working in abusive households instead of getting the least bit of proper education. It just makes you wonder how she managed to become such an avid reader when she never seemed to have any proper formal education. But there is the case of Matilda Wormwood who taught herself to read even in the worst possible environment, so why not?
I’m glad the age difference between Mr. Phillips and Prissy is at least acknowledged by someone... while I wouldn’t quite describe him as “old”, he’s more than old enough to make a relationship with 16-year-old Prissy wildly inappropriate and an outright crime by today’s standards. I’m so glad things turned out the way they did for Prissy in the end. 
Wait, so people back then used to think that a simple touch between a male and a female meant intimate relations? No wonder the girls reacted the way they did when the time came to dance with boys in season 3. This, along with the entirety of 3x5, is solid proof how badly these young people need proper sex ed... unfortunately, they won’t be getting it. They’re pretty much on their own when it comes to that. 
I have no idea how i’m going to endure seeing Mr. Phillips for the rest of the season. And half of the second one.  He’s one of those people that just make you wonder how on earth they ever became teachers. Like, even if he was somehow convinced he wanted to become one when he was young, how did people responsible for his higher education let him proceed to that profession with a character like his? Internalised homophobia or whatever Freudian excuse people may think of for him is certainly no excuse for the way he’s treating Anne in this scene. But can I take a moment to share a weird observation I just made - it just so happens that Anne starts her acquaintance with both her teachers in the series by spreading rumours - although accidentally.
“Are they in love?” - “When it comes to intimate relations, I’m not sure it matters.” Anne just spoke a dark truth without realising it. Although her knowledge is vague and filled with unusual euphemisms, she seems to have realised something important - love and physical intimacy aren’t mutually required in a relationship - unfortunately. I don’t even want to talk about it. Maybe I’m just not the right person to discuss such matters. 
Talk about abusive household... even Anne, a very young girl with no sex ed, realised Mr. Hammond habitually raped his wife when he would get drunk... imagine the horrors the poor girl has endured in that family - and the horrors the members of the family themselves have had to go through on a daily basis... and now the girls are isolating Anne because of what she’s experienced... let’s skip ahead. 
“Feminism... what exactly does it mean”? Well, ask Anne Shirley- Cuthbert - I’m sure she can explain it to you. Because you ladies insist on calling yourselves progressive, but some of you seem to not understand that true feminism is about treating all, and that means absolutely all women as equal to each other and to men. 
“Especially for those who are unlikely to marry” - what exactly do you mean by that? Is a girl who doesn’t get married before 17 somehow less worthy of respect in your opinion? I don’t know exactly who that woman thinks she is, but I didn’t like the suggestion in her tone...
I’m just glad Anne plucked away the flowers from her hat before Marilla could see them... of course, she should be free to wear as many flowers on her hat and in her hair as her heart desires, but such is the situation that she can’t afford to do it right now. 
Is this the same Rachel Lynde who represented women in a council made up entirely of men? The one who insisted on adding three more women to it? The one who offered Marilla as one of those women? Well, of course you could argue she is not the same Rachel - she was later changed by Anne, like pretty much everyone else in Avonlea. And I’m glad that such a change took place. Because imagine where Avonlea, nay, where the world would be without Anne Shirley- Cuthbert. How dare whoever is responsible for the cancellation take her away from us?
“I reckon every new idea was modern once - until it wasn’t.” Matthew is just about the best man of them all since day one. In Matthew we trust. 
“You know, there’s a difference between having an opinion about something and pronouncing judgement” - Marilla just put Rachel in her place by pointing out the fine line between voicing your opinion and acting like your opinion is the only valid one. Good on you, Marilla!
Anne is so dedicated to catching up and advancing further in her education... no wonder she ended up tying with Gilbert for first place at the Queens exams. Speaking of Gilbert, I just can’t wait to see him for the first time again. Is that coming soon?
I just can’t help admiring Anne more and more with every scene... she’s so optimistic about each new day that it just gives me hope that the sun will, indeed, come out tomorrow. Oops, wrong optimistic red-headed orphan... anyways, if the sun doesn’t come out, there’s still Jerry’s refreshing sarcasm and snarky one-liners.
Billy has some nerve calling Anne out for saying “nasty stuff” about his sister - sure, what she said wasn’t the most innocent of things, but she certainly didn’t mean it that way. Besides, Billy himself will go on to do way nastier stuff to another poor girl - and never realise the dramatic irony. Because he’s the classic straight white entitled man, one of those people you just can’t like. No matter what they do. 
There he is... couldn’t arrive at a better time, could you, Gil? This is one of my top 5 favourite moments of his throughout the entire series. It’s literally the equivalent of seeing a girl being attacked by a guy and talking to him as if he’s a civilised person instead of taking up his own aggressive tone, and I love that they chose to introduce Gilbert in such a context of all possibilities. “Any dragons around here need slaying?” Gilbert Blythe is a true knight in shining armour and he knows it. 
“Miss? What’s your name? Miss?” And thus begins the story of the two most confused teenagers in Canada, the slowest of all slow burns, the love story to end them all. A shaky start, sure, but it’s a start. 
“You can’t talk to Gilbert Blythe. You can’t even look at him.” Can you believe they’ve come from here to the point where they unanimously decided Anne was the only one who could ask Gilbert how babies are made... isn’t it ironic? But, I mean, from this episode all the way to the end, she did a very good job of convincing every one of them, including herself, that she didn’t care a single bit about Gilbert.
I just can’t get over Anne’s reciting... she’s certainly managed to get all eyes on her - but mostly Gilbert’s, with the most expressive pair of eyebrows above them... once again, Anne has made a strong impression... one that some liked and some will surely condemn - but it’s their loss. 
There goes that scene... the notorious apple from the notorious Blythe orchard we never got to see Shirbert in. And I have to say, Anne might have made a good ventriloquist. Too bad she’s not supposed to talk to Gilbert because... girl code is a thing. They won’t accept her as one of their own, yet she must play by their rules. It just seems unfair. 
Do the people of Avonlea have no sense of relativity and context? A bad rumour shouldn’t be taken so dramatically when it is a prepubescent girl who’s spreading it. She should be forgiven on account that she just didn’t know better. Instead, the very same story was repeated years later with Josie, where, again, nobody cared to gauge the circumstances - Anne only intended to defend Josie, not tarnish her reputation. It’s just the skewed priorities of the time that caused things to turn out the way they did. 
And this is the little moment that most likely started the spark in Jerry’s mind about wanting an education - just a simple remark from Anne that happened to contain a word he didn’t understand. They do say that it takes just one spark to start a fire. This little boy of mine is going far. Not without Anne, though. The two of them took their time to warm up to each other, but who could stop them when they finally did?
Gilbert is positively going to waste all of his chalk if throwing it at Anne is how he intends to get her attention. I have to say pulling on her braid was a bit too childish for him based on how he was established, but hey, we all have our moments, and for Gilbert, this is one of the most iconic ones in the source material, so why would anyone change it? Anne’s story wouldn’t be authentic if she didn’t crack her slate over Gilbert’s head. This immortal Anne of Green Gables scene was impeccably delivered by the infinitely talented cast of AWAE. 
Taking away the E and the Cuthbert from Anne’s name was a cruel thing to do. I can’t tell you how I trembled when I read this scene in the book years ago, just because of the E and how it felt like salt in the cuts left by what had just transpired, but now, the Cuthbert, too - the one thing that is solid proof to Anne that she belongs there - that she belongs to someone who finally accepts, maybe even loves her as she is - that, I have to say, is an awfully terrible thing to do to a young orphan if we look at it through Anne’s eyes. And let’s admit it, we all did in that moment if not in any other. 
Storming off is what any sensitive young girl with a strong sense of justice like Anne would do in her place, and, to her credit, she did walk out in dignity at least up to the schoolhouse’s door. I have to say she handled the situation way, way better than I ever could have. 
I mean, I would have reacted the same way as Anne when she said she was never going back to school, but let’s think for a second. There’s a little boy in the barn who would gladly take her place. Because going to school, however challenging at times, is a privilege. She should take a moment to catch her breath and realise that. 
To sum up, in this episode we saw: Anne’s shaky first day of school; the introduction of all of Anne’s schoolmates; the accidental scandal concerning a supposed scandalous accident; the Andrews family never ceases to puzzle me; “progressive mothers” being not so progressive; Marilla and Anne face similar bad treatment from their respective peers; a shaky start to the slowest of slow burns; a spark is ignited in Jerry; a broken slate and more than one broken heart.
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AWAE 1x2 rewatch: thoughts and reactions
It has now been two weeks without new AWAE content, and the fate of the show is still uncertain, no matter what Moira might have said recently. She did say, however, that “you can return to it and it will always be here for you”, so let’s dive right into what I remember to be one of the darkest episodes in the whole series...
I said dark, and it’s dark, alright - even just in  terms of lighting. The cold open is almost black and white (with a lot more black than white), and fully deserving of the modifier “cold” (although that is just a technical term and there have been quite a few beautiful cold opens throughout the series). I’m not sure how I’m supposed to make it through this, but well, I made it once before, so why not?
I cannot imagine the intensity of the negative emotions Anne must have been taken over by in order to be rendered completely speechless. Not after she spoke some of her “25-cent words” even when she claimed to be in the depths of despair. Imagine how much worse she must be feeling now. Imagine that if you can, because it is beyond me. 
You know, one of the most horrific things about this episode in my memory of it was the man that claims to have been sent “by her family”. I mean, it is horrific to think what would have happened to Anne if she had gone with him, it is utterly horrific that there must be other kids out there who might fall prey to him, but something I hadn’t considered before is how horrific, though lucky at the time, it is that she doesn’t believe him because she has no family at the time. I mean, as much as I am... at odds with my family, to say the least, I couldn’t ever imagine a life without them. It must be so terrible, I don’t even have a word for it in my vocabulary of four languages. 
I don’t even want to think about what must be going through poor Matthew’s mind right now. The man has never been a parent in his life, thought he might become one to Anne for a little while, and now he seems to be losing her again. I do not want to watch my favourites suffer so much, and yet I will have to. I sent myself on this journey, and now I’ll have to go through with it. 
You know how much worse it feels to return to something bad after you’ve seen better? Anne might have survived the orphanage with at least half her sanity, but not after she’s seen Green Gables. We saw the way she viewed it and every single thing within it. Going back to that nightmarish place again after that...I don’t want to think about it. Gosh, even seeing her go back just to investigate her past in season 3 was so frightful, imagine how she must feel now that she thinks she’ll have to live there indefinitely... 
You have no idea how relieved I am to see this horrifying cold open is finally over. I might have to go back and watch the 3x5 cold open with Beekeeper Gilbert to fix me after this. Not that the rest of the episode promises to be much brighter... might as well focus on the intro.
As dark as this episode is, seeing my tiny boy Jerry for a minute brightens it a bit for me. See, this is what rewatching is for. When I was watching the episode for the first time, there was no way for me to know that Jerry would go on to become one of the little bright lights that this series would bring into my life. And now just seeing him in the middle of all the tragedy and drama of it all, just being there, not fazed by the whole situation... his neutral presence is kind of grounding for me. 
As Marilla delivers her worried speech, I’m getting flashbacks of 3x9, where she is in a similar situation - except she already saw Anne as her daughter at that point. Here, Anne still hasn’t quite grown on her, and yet she is so worried - but I mean, after all, it was Marilla who sent her away, only to realise her error immediately afterwards. That last one kind of reminds me of Anne in 3x10 ripping up Gilbert’s letter and then running down to put it back together. It’s kind of on a lower scale of importance than what is happening in this episode, but I can’t help seeing it as an Anne/ Marilla parallel. They really have much more in common than it might seem at first.
Sure, Rachel might be there to try and calm Marilla down and give her hope, but... “Boy!” He has a name, you know. Wouldn’t hurt to learn it, even if he’s just the hired boy (of course, he’s not “just” anything, he’s a honorary part of the family - even if he’s in no way there to replace Anne). Rachel has good intentions, but she annoys me most of the time. 
That one shot of Anne peeking through the leaves and branches... this episode might be dark, but it still has moments that are 100% my aesthetic. 
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[Image credit: kissthemgoodbye]
Mr. Avery? Isn’t he the one who unknowingly helped Ka’kwet escape in 3x8? I don’t know much about this man, but what I know is he’s given a ride to both Anne and Ka’kwet, this being one of many similarities between the two. Seriously, I need a season 4 in which Ka’kwet is saved from that school.
Seeing Matthew go through all this when he doesn’t even know for sure if he’ll ever find Anne... heartbreaking. He really does love her already. A true kindred spirit. But seriously, that girl didn’t look like her at all, even from the back. She did remind me of season 3 Anne, though.
Seeing Anne so cheerful and her usual talkative self brightens my day, except I don’t know how long it’s going to last, and at this point I’m completely lost as to what she’s planning to do. But that’s what rewatching is for. 
Poor Matthew went through more in a couple of days than he’s been through his whole long life... possibly. I certainly hope so. And Marilla can’t even bring herself to speak (which isn’t as striking as when it was Anne, but still), and she’s going out of her way to take care of Jerry, as if to make up for how she treated Anne. The girl really shook up their lives in just so little time, didn’t she?
I will never forget what I thought when I first watched Anne recite poems at the station. I could never do that, I thought. People frighten me. But there is Anne, who has been hurt, abused, neglected by so many, and yet she keeps that bright big smile on her face and goes on reciting with the truest passion I’ve ever seen. I have no words to describe my admiration for her.
I cannot to this day believe Anne was willing to turn her back on Matthew - all until she heard the word “daughter” - spoken with such sincerity that she must have felt it in the depths of her soul. Poor old Matthew, who went through all this trouble just to find her again... and she was going to turn her back on him because having a family seemed too good to be true. Because she had been hurt one time too many. But this little word changed it all. It warms my heart, you know - seeing Anne find family in the Cuthberts, then in other people around her. I’m not crying, you are.
At several points after Anne came back, I could see Marilla was trying to apologise for accusing her of stealing the brooch - but she just couldn’t bring herself to do it. Because she’s obviously still overwhelmed with guilt over what happened to Anne after that. And my, you could cut the tension between the two of them with a butter knife. Just resolve this quickly, will you? It’s obviously making Matthew feel very uncomfortable.
Jerry’s attitude to Anne is killing me... in a positive way. As in, it makes me laugh. These two are such typical siblings - they just don’t know it yet. There’s a heartbreaking moment to it, though, and it will always be there: after seeing him so destroyed, so insecure in 3x7, every instance of him just being a shameless little deadpan snarker will be a slap in the face reminding me of the one single time he wasn’t. I’m not even sure if an apology on Diana’s part would fix this completely, but it wouldn’t hurt to try, now would it? #renewannewithane
Speaking of Diana, there she is now. And she’s so openly happy to see Anne back... I say openly because Marilla flat out refuses to show any emotion about it, and Matthew isn’t exactly know for his eloquent expression. And Jerry was all like “leave me alone, I’m trying to sleep here, and I stayed up late because of you”. So yeah, it sure is nice to hear someone openly express joy about seeing her back.
And of course, the Barries just have to ruin it all, don’t they? It’s surprising how open-minded Diana is with parents like these. I mean, I wouldn’t be surprised if she had turned out like Josie. And yet she’s not. How do these things happen?
I see Billy Andrews did not start out much better than he ended up... in contrast to Prissy, who did start out at the very bottom - “Doesn’t she have awful red hair?” Well, to say it in Diana’s tone, she didn’t choose to have red hair, did she? And she’ll try to change it with disastrous results. But there’s time for that. And for Prissy’s great character development.
That scene where Marilla finally apologises to Anne... it was a glimmer of gold in the pitch black atmosphere of this episode. I think Jerry deserves an apology scene at least half as good as this one. And Diana deserves it too, as she didn’t mean to hurt him so bad. The season 3 finale did us dirty in pretending like nothing ever happened between them. But as I said a little while ago, Diana was raised by her parents, so it’s understandable why she acted the way she did. I just think she deserves her character development to be acknowledged by getting a good apology scene with Jerry. We must make that happen. #renewannewithane
Oh, I had forgotten this happened in this episode! But what a beautiful, bright end to a dark and frightful chapter it is... Anne becoming an official Cuthbert. And there are all those little details hinting at the future... the cordial, the pen... my heart is melting.
“Anne Shirley- Cuthbert of Green Gables, nee Halifax” Goodness, Anne, you’re not marrying Green Gables! Speaking of marrying, it’s such a pity we’ll probably never get to see Anne add Blythe to her list of last names. But when that happens, I believe she won’t drop the Shirley- Cuthbert. I mean, it’s so beautifully symbolic. Shirley, her past and origin; Cuthbert, her present and the first real family she’s had (just because her birth parents were robbed of the chance to raise her); and Blythe, her future, her soulmate. Three whole families that she belongs to - the girl who once didn’t have any family but herself. I think that’s beautiful.
To sum up, in this episode we saw: lots of impenetrable darkness, literal and figurative; Matthew nearly getting himself killed while looking for Anne; Marilla nearly falling ill from worrying for both of them; Anne keeping her head up and earning her wages by performing poems and stories at the train station; Matthew calling Anne his daughter for the first time; Jerry’s grounding semi-detached presence amid the drama; Marilla coming to terms with what she did and apologising beautifully; most people of Avonlea not being quite convinced about Anne yet; Anne becoming an official Cuthbert.
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