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#and i’m not sure why that is
codgod-moved · 2 years
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new icon pog !
oh yeah and like. vampire mumbo or whatever
hiiii ^-^
@veryfoolishgamers @minecraft-cow @empiressmp @the3rddenialist @moonlight22oa @rockydrago @funkily @renchanters @bugsprouts @popcornsalt @suurrii @thatonesheep @cabbagegunk @awkwardblob23 @scarianagrande
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alagaisia · 1 year
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Hey. Why isn’t the moon landing a national holiday in the US. Isn’t that fucked up? Does anyone else think that’s absurd?
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prima-donna-worm · 9 months
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heartstopper is so funny to me bc it’s like almost all young up-and-coming teen actors and then just. academy award winner olivia colman is there to have four lines a season
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unoreversecowgirl · 1 year
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ryan gosling was not picked as ken because he looks like ken, obvi lol. gosling was picked because of vibes, personality and what he represents: “all american”, conventionally attractive, generic but handsome, golden retriever, himbo. he’s not ken, he’s Ken-esque.
edit: and i like the casting :)
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pollyanna-nana · 1 month
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Thistle’s last act was to revive Marcille.
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Even while his desires were being fully consumed by the demon, he recognized the threat it posed and, in his final moments before ‘disappearing’, reached for Marcille’s hand. And in the process… seemingly revived her, given the winged lion’s reaction. Wagh…
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Incidentally… this is also part of why Marcille and Laios say this in the second to last chapter. She needed to be revived to revive the rest of the party + break the seal on the demon (which also caused problems… but it all worked out in the end.) Man.
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sabertoothwalrus · 2 months
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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my-autism-adhd-blog · 13 days
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Why I Prefer To Text Instead Of Talking
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I don't have to think about body language
It allows for information processing time
If I'm confused by language, I can fact check
If I'm feeling overwhelmed, I don't have to reply
I feel less judged for how I communicate
I can organise my thoughts more easily
I feel more in control of what I am trying to say
Littlepuddins.ie
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When Danny enters the Fenton portal for the very first time, he still trips and shocks himself but at the same time damages the inside of the portal enough that it can’t sustain itself past the point of changing Danny’s molecules.
The electricity and damage done to both Danny and the portal isn’t something Danny, Sam, and Tucker can cover up and his parents find out immediately. They’re more concerned about their son then the portal (they have the blueprints for the portal and can rebuild it later but can’t replace their son if something happened to him) and go through a lot of things emotions regarding the existence of ghost human hybrids.
Danny’s new biology could easily be passed as meta human traits. Unfortunately President Lex Luther had just recently passed laws against meta humans. Meaning they can’t risk people find out about Danny’s new powers, at all. The Fentons decide that Danny should live with one of Maddie or Jacks relatives off grid until he can control his new abilities better.
luckily Jacks sister, Martha, and her husband have experience with a super powered child and after their son moved to the city could probably use a hand on their farm. All Jack needed to do was call.
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communistkenobi · 1 month
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students in the social sciences can’t explain it either lol. “people in this country see no merit in studying any subject that cannot go on a resume” that’s because they go to school to get a job! I wonder what larger structural factors contribute to this widespread relationship people have to higher education. maybe this guy can use his big beautiful humanities degree to explain it to us
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puppetmaster13u · 4 months
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Prompt 162
“So,” Danny drawled from where he was sitting, legs kicking slightly. Really, what a fun reincarnation. A world with heroes and villains where he didn’t have to do shit in and could just vibe with Ellie. 
“So,” Tim responded from where he was typing on his computer, mostly in civilian clothes save for his gauntlets and boots. The Red Robin outfit was haphazardly dropped across the couch and his pole leaning against the end. 
“Technically there’s proper procedures for clones…” Danny motioned to both himself and Ellie from where they sat on the counter, snacking on a plateful of scones. From Alfred, he was certain. 
“Technically, yes… but do we want to actually do that?” 
All three of them smiled, something almost feral in the motion. Of course not. They all had the same memories after all, and Bruce had just returned from the past, from exactly where and when Tim had said he was. Despite no one believing him, hence why they were in his boathouse, and not in the apartment or manor. 
“Think we can pull it off?” Ellie took a sip of tea, mischief swirling in her eyes. 
“Of course we can.” Both Danny and Tim spoke at once, one pulling up a new doc and the other pulling the whiteboard out from under a curtain. 
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mabbbish · 11 months
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wonderful day to remember ninjago has a canon highschool au
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blebo-blorp · 6 months
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so i’m tryina watch youtube right. and i get this video recommended to me about some roblox horror game. so this guy is going off about how this game is about child abuse and murder and whatnot, but the whole time i can’t take it seriously bc the thumbnail. tje fuckeing thimbnail.
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ITS FUCKING JERMA.
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WHAT TJEB FUCKE.
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rubikor · 3 months
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would you hold my face softly and tell me it will be alright?
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deep-space-lines · 4 months
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I am inflicting, or perhaps bestowing, upon you: Garrus as various unnecessarily sexualized references that come up if you look up refs of women with guns :)
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(( @milkywayes i know we’ve like almost never interacted but the silly comment i left on your post would Not leave my brain. I need to show u what you inspired ))
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frownyalfred · 1 year
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Bruce trains with the League of Shadows, grows close with Talia and Ra’s, but — eventually — spurns their movement to return to Gotham and pursue his mission.
Years later, he shows up in the middle of the night at Talia’s door. There’s a body in his arms, wrapped in bloodstained sheets.
“The Pit,” he whispers, trembling, “is it true?”
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dissonantartist · 7 days
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trying is never enough.
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