Sometimes you just have one of those moments where the progress we've made as a culture get thrown into stark relief. You look at something and go "Holy shit, that would never have happened when I was a kid."
Today, I had one of those moments when I realized that the teenage boys I'm working with are just. genuinely, openly enthusiastic about going to Build-a-Bear for their outing.
These are sixteen and seventeen year old boys! They just had a whole conversation about what to name their "cute", mostly new squishmallows! They're genuinely excited that they're going to Build-a-Bear this weekend and asking other kids to pick up specific accessories for them!!
Holy shit, that never would've happened when I was 16. None of the boys would have dared to be visibly interested - and neither would most of the girls! There would have been a million gay jokes and "Haha, you're a girl" jokes and "What are you, a baby?" jokes. Teenagers weren't even supposed to care about anything back then!
Less than 15 years later, and I'm watching three 17 year old boys treat all that as not even worthy of comment.
So let's call that a reason for hope. Even when the kids aren't alright, in some ways apparently they are alright. Go Gen Z, honestly. It's so lovely to watch you guys just openly doing and saying stuff that, when I was a teen, would've been a social death sentence.
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Alastor, Vox, and Smiles
Sooo I noticed in Episode 2 when we're introduced to Vox's character for the first time he spends a considerable amount of time forcibly putting on a smile when around other people.
For the cameras
Then for Velvette
And then when trying to calm Valentino down
Now that we have confirmation that Vox and Alastor used to be friends* because of the torn photo, Alastor's speech to Charlie about smiling to put up a facade for various reasons just highlights the similarities between Alastor and Vox. Almost like they have the same philosophy and tactics when it comes to manipulating those around them, huh?
(*I say "friends" because you don't just have pictures taken with mere "acquaintances", tear the so-called acquaintance out of the picture when mad, and then keep the torn photo for years and years. Vox didn't even throw away the torn part, the whole point of tearing someone out of a picture is to get rid of them and he straight up kept Alastor's torn half of the picture lol. And I don't think they were ever business partners because Alastor said "no" to "joining Vox's team". Plus, I highly doubt Vox would be as vehemently pissed off at Alastor if they were just acquaintances... So I feel like they were at the very least friends. Maybe even more than friends...)
Alastor is undoubtedly better than Vox at maintaining the facade, but still... I just think it's interesting that they share such a similar philosophy for interacting with others. Add to it that Alastor clearly knows how to press Vox's buttons (heh) so well that he can send him into a blackout and it's just more and more evident that they used to be close at one point. Close enough for Alastor to teach Vox some of his tricks for manipulation or Vox to pick up the same habits.
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PERCEVAL THE UNHAPPY, THE MISERABLE, THE UNFORTUNATE, THE FISHER KING!
Perceval, de Troyes (trans. Burton Raffel)
ALRIGHT alright. so previously I did an illustration that explained the premise of all this, that it's inspired by the narrative choices that Bresson made in his film Lancelot du Lac etc
to dive in more into it (because this is something like derivative fiction. I'm putting concepts into a blender and seeing what comes out of it): the setting is haunted by the previously existing narratives that started cannibalizing each other until it regurgitates itself into the more well known narrative beats, and something else about the invasive rot of christianity and empire mythmaking into settings. it's an intertextual haunting, if you will! and this scene takes place during the grail quest narrative, but the temptation of Perceval plays out differently.
in both Chretien (and Wolfram's) Perceval narratives, what 'wakes' Perceval up (in more ways than one. desire and self actualization in one go!) is seeing knights, something his mother tried hard to keep him from. so instead of the temptation of lust & etc in the Morte narrative taking the form of a lady, it takes the form of a knight. the temptation to renounce one's faith to serve something else remains.
so Perceval still stabs himself, but instead of continuing on the grail quest in the shadow of Galahad, he becomes the narrative's Fisher King because his earlier state of being as a the grail quest hero is creeping back into his marrow. it was waiting for an opening, and stabbing yourself in the thigh is one hell of a parallel!!!
that wound isn't going to heal buddy, and the state of the setting will now be reflected on your body. sure hope that Arthur hasn't like. corrupted the justice of the land or anything. that sure would suck for your overall health.
all the red in this sequence is because in de Troyes' Perceval, Perceval takes the armor of the Red Knight and becomes known as the Knight in Red.
and now for the citations, which I will try to order in a way that makes sense!
Seeing Knights For The First Time
Perceval, de Troyes (trans. Burton Raffel)
The Temptation of Perceval
Le Morte Darthur, Mallory (modernized by Baines)
The Fisher King, and Perceval The Unfortunate
Perceval, de Troyes (trans. Burton Raffel)
On Perceval and Gender, etc.
Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey
On Wounds
Wounded Masculinity: Injury and Gender in Sir Thomas Malory's Le Morte Darthur, Kenneth Hodges
The Red Knight
Perceval, de Troyes (trans. Burton Raffel)
On Arthur and the Corruption of Justice
The Failure of Justice, the Failure of Arthur, L.K. Bedwell
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I'm about to throw stones but when people my age say "I don't like these Gen Z teenage tone indicators. How am I supposed to MEMORIZE all these new abbreviations? '/nm'? '/lh'? I hate it." it sounds utterly indistinguishable from our parents being like "I don't get this text speak. 'omg'? 'lol'? SAY what you mean! Don't abbreviate!" Like I dunno how to tell you that evolving language involves... learning the evolved parts of language.
I understand like 4 tone indicators and I'm frequently confused but I support it. It's honestly a good solution to tone lost over text imo. I'm ancient and my bones are full of dust but I'll figure it out.
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it feels like the show is nailing certain aspects about the characters but only at the completely wrong time because Percy saying "she met a pinecone's fate"... don't get me wrong, the moment feels very true to the part of Percy that is a little shit <3 and it is funny, but it just stands in such stark contrast of his canon kindness and sympathy when he first learned of Thalia's fate that I'm just sitting here like ???
Like when Percy learns about Thalia in the book, he's very moved by her fate:
So comparing this reaction to the onscreen portrayal, its just like wild that the writers thought this was a "faithful change" lmao. Even if the line is criticizing the gods, it feels as if it comes at the expense of Percy's sincere empathy. imo the pinecone line feels much better suited to a future season where there's active animosity between Percy and Thalia, not when Percy is learning about a girl who died saving her friends.
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some of the tags on my edit are making me think:
do you think random sinners who watched everything in stayed gone and never met alastor in person have like fan interpretations of how he looks like based on this one shitty drawing and his voice.
some draw him with a full body of fur. some draw him with a nose, some draw him without a nose. they come up with their own colour palettes too and they all look very different. there are some popular, agreed on interpretations of him too that are commonly drawn
some have interpreted the monocle to be a goofy mismatched eye so there are a lot of people who draw him like that too with one big eye and one small eye
vox has seen all of them and lost his mind about them because they're so WRONG AND INACCURATE (okay maybe he laughed at some of them, but how the hell is he going to enjoy sexy alastor art if they all draw him wrongly? and val doesn't care enough to draw him often) and he wonders if he should have just used the actual picture he had of him for his news broadcast instead so he wouldn't have to be subjected to these horrendously inaccurate interpretations of him. this is why he sent a proper reference when he commissioned luci--
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