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#and it’s shows his character development so well
pixelchills · 7 hours
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Chill's ramblings about the DCA fandom and personal feelings and issues towards TSAMS (both positive an negative):
(I'm writing this like an essay but treating it like a diary, so if I jump from subject to another, it is because I am just typing as the thoughts hit my head. Sorry for being so wordy.)
I simply feel like I need to write my thoughts down, so why not share them with you. Maybe you can validate my feelings or something, I don't know.
Intro:
So, oof, I got a fic rec from @thedenofravenpuff and I'm loving it so much I really wanna draw fan art for it...
But the problem is that it's a TSAMS fanfic and I've sworn to my name I'll never draw anything related to the show because that will make me engage with a part of the fandom I'm not comfortable with.
My biggest issue with TSAMS:
I have such complicated feelings towards the show and its fanbase and I do not wish to make my life and work more difficult because of it as it already is.
My own work and characters are already constantly being compared to TSAMS. When I first introduced Solar to my fic, he was constantly being referred to Eclipse from TSAMS. Now that the show had a character with THE SAME NAME, it has been even worse.
Dolldrop Moon has been compared to Lunar. Even though the dolldrops existed before the youtube channel was even created (and Lunar made his debut much later).
The biggest issue I've had has always been the fanbase, that takes the show as the canon for Sun and Moon from FNAF and uses it as an excuse to harass shippers like me because they think Sun and Moon are brothers.
I've first handedly seen the damage the fanbase has done to some of my friends who draw, or have previously drawn art for the show besides their own AUs and personal headcanons of Sun and Moon as lovers. I'm sorry to tag you, but @kriimhild and @fablekitty : I've seen how the immature side of the show's fans have treated you, I am so terribly sorry you've had to defend yourselves over and over again for things that were not meant to be mixed up.
I have posted some ideas of a possible Animutant Moon and Sun forming a polyamorous relationship with Solar in the future of "My Dear Daffodil" on my personal/adult Twitter account. Someone kept commenting on my posts that I was glorifying incest, because Sun and Moon were brothers and Solar was their cousin.
The post had "Animutant" in it. Not "TSAMS". These comments came from a person saying they were 19 in their profile. So it's not just kids who can't tell not every fanwork is about TSAMS. It's starting to be some adults too.
Vice versa I've had another person comment on my very clearly SFW Twitter how they're following me because I am an adult artist who draws TSAMS incest. I have never drawn TSAMS art. I ship Sun and Moon, but they're never related with family bond, because I love presenting them as lovers.
Why I ship Sun and Moon:
Because I am a hopeless romantic. I love romantic love. Every single story I write is always about love.
The only exception to this is the Poppy Playtime comic I am doing. But even then, I was originally planning for a romantic love between Dogday and the Player. Yet, I decided to leave it, and keep the relationship open for any type of representation the reader themselves will prefer.
I used to watch The Sun and Moon Show when it first started airing. I loved their playthroughs. I had a big distaste for them calling each other brothers, as well as some of the first "lore" videos they had. My biggest issue at the time was how Moon treated Sun, though. As someone who grew up with an abusive sibling, it sometimes just hit a bit too hard at home.
But it got better after Eclipse and Lunar appeared. Moon was more caring, and I started to really like his character development. There was one episode where Sun explained to Lunar that he and Moon had simply just "decided" to be brothers, despite not having a canonical relationship.
This actually made me really happy. Because the Old Moon was aroace, the love he felt was simply never meant to be romantic, but platonic. And by making Sun his brother by choice clearly indicated that Sun was always the one he loved the most - in a way that was suitable for aromantic person like him.
And it really made me enjoy the show for a while. Sun is my favourite character, and despite not always liking the way the show presents him, I always feel so much love for him, no matter the AU he is in. So I loved that Moon loved him more than anything, even if it was just platonic. Because I've always been under the impression that the canon Moon loves Sun, and is only under a virus to protect him. For me, the best part of any Sun and Moon AU is to know that Sun is the most important thing to Moon.
Why I stopped watching TSAMS:
And then that Moon I had really started to like, who loved Sun more than anyone else but just platonically, died.
It hurt so much I simply stopped watching the show. I've watched a few episodes here and there after that, but I am having a hard time liking the show the same as I did before.
Partially it's because of the fanbase. Partially it's because I don't find the lore very interesting and some of the stuff a bit repetitive. Partially it's because I am scared to see Sun eventually crumble up into madness, because he has been through so much.
I like the New Moon. He is funny and nice, what I've seen. His relationship with Solar has been interesting, and I genuinely hoped they would've been able to take the romantic route after Moon said he wasn't sure if he was aroace anymore. But as I said, I've only watched a few episodes after the old Moon died, so I don't know either of their characters that much to form any strong opinions about them. I just listen to the Monty and Puppet podcast once in a while and get a little inside to some of the lore that has been happening.
But hey, at least there's fanfics. Which is why I am rambling here today.
Fanfics:
It is a rare treat to find Sun x Moon fanfics that aren't simply just porn, or do not include reader inserts. So since my romance-filled brain needed something to fill the void, I've started reading some TSAMS fics with romance (that wasn't between Sun & Moon) and plot in them.
I know Solar was settled to be a "cousin" to the weird family tree of TSAMS. But I simply crave for Solar and New Moon to be at least queerplatonic. Solar is not from their dimension, no matter how much they decide they're 'cousins' it doesn't make him their real cousin or relative because they're not from the same world.
Sun and Moon are brothers but they technically gave birth to Eclipse, who then created Lunar so Eclipse is technically Lunar's parent and then brother and Lunar is Sun and Moon's brother and... do you see what I'm trying to say?
The family tree is so complicated that I don't think I'm a horrible person for shipping Moon and Solar and reading fics about them. Tell me if I am wrong though.
The FIC that is making me question everything:
So Puffy recommended this fic by @theinfamousdoctorf , "Eclipse Meets His Match".
I'm currently on chapter 40, and I am genuinely surprised how much I am liking this fic so far. It got everything; redemption and character growth, the representation of Sun as the good, glowing angel he is in my mind (for canon, and every AU. He is always perfect in my eyes I love him can you tell lol), slow-burn romance, drama, excitment, plot, jokes and funny moments... even if there are a lot of mentions of sex and sexual pleasure, it doesn't feel out of the place as there is so much more to it too.
Eclipse's redemption to become better and realising he is in love with Sun has been so interesting to follow. Sun deserves the love. I love when Sun is getting loved. I literally ship him with every other animatronic in the games and love it when people ship him with their self-inserts and OCs. Because I love him so much I want him to be loved in every possible universe he is in.
Even bigger bonus to this fic is the second pairing, Solar and Moon, which I already opened up about above. I don't know how much the fic is truthful to the canon lore of the show, but I wish to pretend this fic is the canon now /hj.
I love the characters and how they're written. I love the descriptions of their flaws and hopes and dreams. How vulnerable they can get. How closely they stick together. And as an appreciation for making me tearful and excited about fanfiction in such a long time, I would hope to be able to gift the author some fan art for their fic.
But I've sworn to not draw anything for the show. For my own good. I've got too many awful comments already from the fans of the show despite never doing any art for it. I am just scared it will turn things worse.
End words:
I don't know if creating a new alias would be the right choice. So my main name/account would be spared from the confusion that the show's fans seem to stirr into, where one tsams artwork turns all of the artist' work into tsams.
I don't care if the art style would be recognisible. The artist would be me, but not PixelChills. Just so I could gift something to the author of this fic that is currently saving me from the boredom of being unable to write my own.
Thank you.
(This text has been typed on my phone, so pardon for any typos).
-Chill
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forevermore05 · 2 days
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Zuko and his protectiveness over Katara backfired on the show
I think we're all quite aware of the fact that Zuko is canonically very protective over Katara
Exhibit A
When he saves Katara from falling rubble in the Western air temple.
Exhibit B
When he protects Katara from flames in that same episode when she is about to blood bend that fire nation soldier.
Exhibit C
The famous Agni Kai where he take lightning for Katara
Now why are these so significant? I think these are big gestures are to show Zuko's efforts to make amends after what he did to Katara. It could be argued these are very extreme ways of making it up to her because these came at the cost of his life. But this also goes to show his character development, as he is willing to protect Katara from danger. For me, one of the reasons why I ship them is because of his protectiveness. It's refreshing to see a character that has always been there to help and to be a support system to others be protected by someone else. I think it can be very fulfilling as a viewer. This effort that was made to write their relationship was so genuine, and it felt so heartfelt as the viewer, that it just made their dynamic one of the strongest in the show. Whether that be romantically or just platonically, their dynamic is probably one of the best in my opinion.
Now, with all that his protectiveness towards Katara immediately evaporate after the last Agni Kai which was pretty shocking, as they didn't get time to be able to talk about what happened. I feel like it removes a piece of genuineness from the show that the characters care for each other. And of course I know a reason why this could have happened is because, well, Kataang and Maiko exist. I think what made their dynamics so strong is because of their protectiveness for one another. Especially, Zuko's protectiveness over Katara. When it was removed in the comics, it felt like a bond had been destroyed because a big part of their dynamic was protecting each other and being there for each other, and having that level of communication. They were protecting each other through their communication and through their support for one another.
How I feel like it backfired on the show is that it created a bit of an emptiness in both of the characters. Especially when they interacted, it felt more distant in the comics, and it felt as if they were strangers. Zuko's writing, which leads to him being protective over her, is so poignant in their relationship that once it is removed it creates a hole in a way it makes his character feel more hollow in his relationship with Katara. It feels like an effort to create a divide and an erasure of their past and how significant his taking lightning for her was. A show that is built of meaningful character relationships took a piece of its own heart out and of its own show and stabbed it in front of all of us when it came to the erasure of Zutara. So they could push the canon ships. They were willing to remove that important element of character relationships for 2 poorly written couples.
I think it creates a level of ingenuity in this show. That is not shocking as many of Katara's other love interests met the same fate of ingenuity, whether that be Jet or Haru. Where she's never able to show her feelings about these people. Which I find quite strange seeing how the show aims to create depth and talk about feelings that actually provoke feelings in you. They don't actually go in-depth with what the leading lady's thoughts are about other people. For all the sake of keeping the focus on Kataang it costs the good writing for Katara to be able to feel complex emotions about the other male interests in her life. And it leads to a rough ending for a strong dynamic like Zuko and Katara that shows their desperation for Kataang at the cost of good writing especially for Katara.
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porcelainseashore · 2 days
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Into the Ether (3)
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(Chapter 1, Chapter 2, Chapter 3, ...)
Pairing: Vampire! Toreador! Leon Kennedy x Fem! Reader
Summary: At the all-night events cafe you run, you’ve become acquainted with an elusive patron, Leon, though you can never remember the last moments of your interactions together. After a harrowing encounter, a love-hate relationship develops between the two of you as you grapple with your newfound status in a world of darkness and investigate the reasons behind the untimely attacks.
Content & Warnings: 18+ Resident Evil x Vampire: The Masquerade crossover, horror, mystery, romance, slow burn, strangers to enemies to lovers, angst, fluff, eventual smut, swearing, smoking, non consensual blood drinking, blood bond, vampire turning, violence, injury, mild gore, torture, minor character death, RE characters (Chris, Claire, Ada, Wesker, Jill, Sherry, Hunnigan, Rebecca, Baker Family, Merchant, Patrick), VtM concepts (Camarilla, Anarch, Sabbat, Second Inquisition, Toreador, Ventrue, Brujah, Gangrel, Nosferatu, Malkavian, Tremere, Ghouls).
Authors' Note: Suggestive themes, violence and mild gore ahead.
Taglist: @admirxation @xoxostarlet @miss-oranje-disco-dancer ❤️‍🔥
AO3 Link
Chapter 3: Fires of Rebellion
“So, talk,” you demanded, crossing your arms as you kept yourself at a suitable distance from Leon. 
Both of you were currently walking up north along Good Street towards the City College. The plan had been to take a left at some point and head over to the park by Warren Street, where hopefully there would be some benches for you to relax on. It was still early enough in the night for your surroundings to be relatively bustling with people, so you weren’t too worried that the man beside you would try anything risky or stupid. In any case, you knew where you kept your pepper spray at hand if things went south.
“You’d already sensed it from the beginning,” he stated, swallowing thickly. How was it this hard to tell you who he really was? If he could sweat blood, he’d fill a whole bucket’s worth. Pig’s blood. A cop in pig’s blood. He knew plenty of people who’d pay to see him drenched in the vermillion fluid. “That I’m not exactly normal.” That was what he settled with.
“What, you mean like a serial killer or something?” you scoffed, shaking your head in mild vexation.
“No.” His voice was solemn but firm as he glanced at you briefly, making eye contact. “I didn’t… assault you, not in the way you think.” He pressed his lips together into a thin line. “I just- I do things… that aren’t exactly normal.”
Great, Leon. You just made yourself sound like a fucking magician. Sighing, he pinched the bridge of his nose between his fingers and paused his footsteps. “This is going well.”
You almost felt sorry for the guy. He seemed to be having such a difficult time articulating what he wanted to say. Was it some sort of kink he was talking about? The logical part of your mind berated you, insisting that this could go down far worse than you imagined, but you pushed it aside.
“Like what?” you asked, your morbid curiosity getting the better of you.
His jaw tightened as he shifted his weight uncomfortably from side to side.
Before he could respond, you took the initiative, positioning yourself in front of him as a form of challenge. “Show me,” you requested.
His head darted in every direction, scanning the area with an animalistic instinctiveness and you thought you saw his eyes illuminate in a different color. However, when you blinked a second later, it had returned to its original pale shade of blue. “Too many people,” he muttered. “I’ll do as you ask, but we need to head somewhere quieter.”
You should’ve ran off after he said that, but your legs stayed rooted to the ground. Your lack of self-preservation was alarming. “The park, then?” you suggested.
He nodded in compromise. “I could work with that.”
The rest of the walk there took place in awkward silence, as you dwelled on what he would do and whether you were walking into one big, fat trap. Well, at least Patrick had his business card. And PIs, they had a registered license, didn’t they? It was too late to back out now, you’d gone this far and you wanted to see it through.
When you had found a secluded bench at one of the shaded corners of the park, he spoke up again. “Do you remember the first night we met? When-”
“You offered me cigarettes in exchange for coffee,” you finished the sentence for him.
“Yes,” he said with a wistful smile, as if reminiscing about a day he’d cherished but had long since passed. “You felt it, didn’t you? Compelled to stay, but with no reason why.”
Despite your reluctance, you had to agree with him. That moment between standing by his table and sitting with him to share in a smoke had been like entering the twilight zone. You were you, but yet, at the same time, weren’t.
“I can do it again here, if you want,” he murmured, his eyes burning with an intensity that seemed to bore right into you.
It wasn’t the first time you had leaped before looking. You’d always been known to be a little more reckless than your peers, but it seemed like you never really learnt your lesson well. “Be my guest,” you gestured melodramatically, as your hand swept across in one grand motion.
“Now, you’re just mocking me,” he chided, though a ghost of a smile still lingered on his lips.
This time, there was a tingling sensation in your body, like an invisible warm light gradually enveloping you, except it seemed to exude from him. You were entranced by his stature, the minute details of his face, everything about what he was, to the point where you couldn’t tear yourself away from his gaze.
“Sit,” he directed gently, placing his hand along the back of the wooden bench.
You felt nothing but desire. Desire to do anything he wanted you to. Without a word, you sank onto the bench like a doll, still giving him that doe-eyed expression one would normally reserve for a celebrity they were starstruck by.
Taking his seat beside you, he urged, “Come closer.”
Obediently, you shuffled up along the bench towards him, except it wasn’t out of fear of punishment, but a strange, radiant love that emanated from within you. When you were just inches away from his face, he slowly revealed the tips of his canine teeth, which were pointier than usual, and seemed to grow with each passing minute. As his features eased up, you could feel the uncanny warmth dissipate from your core, and though you were still captivated by him, his face seemed to lack the same lustrous sheen it held moments ago. Like a wandering spirit, you had arrived back into your own body. You were you again.
His eyes latched onto you, waiting, watching, biding his time, to see what you would do. Though he remained poised and composed, the unsteadiness of his breathing and the flicker of trepidation across his irises gave him away. He was afraid that you would leave him, for good. And after what he had given to have the right to Embrace you, he wouldn’t know how he would live with himself if he were rejected.
It felt like hours had gone by until one of you spoke up. “Do you hate what you see?”
“No,” you answered, almost too quickly, cupping his cold cheek in the palm of your hand. He closed his eyes and sighed blissfully into it, releasing a breath he hadn't realized he'd been holding. It felt moist and heated against your skin.
You surprised yourself with how well you were taking all of this in. This shouldn’t have been possible and nothing about what he had shown you made sense. You blamed your tolerance on the late, sleepless nights and hanging around with the offbeat characters who frequented your cafe. 
What if monsters did exist? you humored. Maybe not in the literal sense of vampires, but someone who relished the flavor of blood, and who’d learnt a few tricks of hypnotism. You tried to rationalize it as much as you could, but there were still so many missing pieces you did not fully understand.
“How many times?” you asked. “Did you force me… each night?”
He lowered his gaze, marred by shame, while looking to his hands nestled in his lap. “It was just that once,” he whispered. “I wanted you to stay with me.” 
He pursed his lips. “The rest, later on… was you.”
“Did you-”
“Yes.” 
You didn’t even need to continue your sentence for him to know what you meant. Yes, he tasted your blood. Yes, he enjoyed it. Yes, he came back for more. And more.
“I’m sorry,” his voice cracked.
You didn’t acknowledge his apology, allowing even more time to slip through your fingers. A while later, you ran them along his cheek towards his lips, where his teeth which now looked more like fangs lurked. Right, how would you explain that away?
He didn’t stop you when you traced one of their edges, as if trying to figure out if they were real. He let you press the tip of your finger against its peak, purposely pricking yourself in some kind of deluded masochistic fantasy. The rush you felt from it was indescribable, like a spike of venom flowing into your veins, though it wasn’t as intense as the previous times to truly immobilize you. Grasping onto the back of the bench, you steadied yourself from the dizzying sensation.
A dark, ruby bead blossomed at the site of the puncture. His mouth lay open as he inhaled sharply, gripping the trousers on his thighs, and there was a wild look in his bloodshot eyes. However, he remained motionless, restraining himself somehow, as if awaiting your instruction.
“You like this?” A mixture of bewilderment and arousal seeped into your tone, as you brought your bleeding finger to rest just at the entrance of his mouth.
All at once, his veneer of calmness shattered. He swirled his tongue against your fingertip, causing you to gasp as it made hot laps around the miniscule droplet of blood you had to offer him. Dipping his head, he took the rest of your digit into his mouth, eventually sucking on it whole as he emitted a low groan in pleasure. When he finally let it go, a slick string of saliva connected to it from his lips, wet and hungry with need.
“I, um-” you shuddered, at a loss for words, as you retracted your finger, folding it into your hand.
Wiping his mouth with the back of his hand, he straightened up in his seat, adjusting his attire and hair, as if he had come back to his senses once again. “You don’t have to decide on this right now,” he assured you.
“Okay.” You nodded shakily, your mind spinning from all the events that had just transpired. “Could we take another short walk before I head home?” 
It would probably help to cool off a little, you thought.
“Anything you need,” he asserted, getting up as he took another glance around the park, before extending his hand to you.
You stared at it, contemplating further. “Just don’t-” you hesitated, pausing to rephrase your words. “I want to trust you, Leon.”
“I’ll earn it back,” he promised. “However long it takes.”
That was all you needed to hear from him. Perhaps you were naive to a fault, but you took his hand anyway, allowing him to lead you out of the park, and to whatever else fate had in store for you that night.
━━━━━━━━━━━
Over the course of the evening, a thin fog had developed, shrouding the sky and enveloping the moon and stars in a blurry veil, casting a muted light over the city. You and Leon had taken a short detour towards the more touristy part of town, where the landmark Saint Michael Clock Tower overlooked the grand waterway.
The ornate, Gothic structure loomed intimidatingly ahead, its roof cloaked in a wispy gray mist, though you could still make out the time on its huge clock face. Ten minutes past midnight. It was getting late, and although you were accustomed to working until the wee hours of the morning, you preferred to get some sleep on your nights off when possible. However, right now, a part of you wished that the night would last longer. 
There wasn’t such a wide distance between you and Leon as before. In fact, your fingers were nearly touching, but neither of you had taken it further to close the final gap. Even in complete silence, punctuated only by the sounds of the city’s buzzing nightlife, both of you had somehow agreed on which pathways to take, falling in sync with each other’s footsteps, pauses and turns, like an unspoken dance. It was nice like this, having no expectations of the other person, just walking and feeling the thread of connection that bound the two of you.
Every now and then, he peered at you inquisitively, and you wondered if he had something to say, but when you looked his way, he turned his gaze back to the street in front of him. Coming to the entrance of a tunnel arbor near the clocktower, you paused to admire the sight of the vines and flowers that were wound around the metallic arches, interspersed with marigold fairy lights. There were still a decent number of stragglers in the vicinity. Probably the remaining tourists for the day who didn’t quite want to wrap up yet, some of whom were posing for pictures near the picaresque arbors.
“Cat caught your tongue?” Always the instigator and taking the confrontational approach. That was what you were known for.
“Hm?” he deflected, yet smiled at you knowingly.
“Just looked like you had something to say.” You shrugged, placing your hands on your hips.
“Nothing escapes you, huh?”
He was teasing you again; you were certain of it. Though this appeared to be twofold, where the second part was meant as a misdirection to hide a secret from you. 
“It should be obvious that I like you,” he stated plainly.
Obvious to the point where he couldn’t afford to have one of those obnoxious Anarchs stake their claim over you, just for a bit of territory. You were worth so much more to him than that. Surely, it would be the lesser of two evils for him to be the one to Embrace you? It was all he could think about when he made that deal with Ada. Always justifying and compromising. That was what he was known for.
You couldn't fathom the sheer astonishment and joy that overcame him when Ada returned with the news a few weeks later:
“The Prince granted your wish,” she mentioned with an indifferent wave of her hand.
“How?” he choked in disbelief. “It usually takes years!”
“You underestimate me,” she scoffed. “Have you forgotten that I’m the voice of society?”
“No, of course not.” He hung his head in disgrace, as if he had just been told off by a parent.
“Anyway, I don’t have to tell you twice that you should thank him in person.” 
Lifting a bejeweled chalice to her lips, she tasted its contents, allowing it to linger on the palate before letting it wash down her throat. “And by ‘thank’, I mean ‘grovel’.”
“Yes, sire.” He bent down on his knee and kissed the back of her hand in respect.
A shadow of annoyance flickered across her face, morphing into a frown. “You do know this makes you look weak?” she questioned rhetorically. “Being unable to convince the Prince yourself?”
He knew better than to respond when Ada was in such a mood.
“Don’t embarrass me.” 
Her warning rang loud and clear in his ears.
“Who is it obvious to?” you challenged, pulling him out of his reverie. Maybe you had an undeniable urge to see him lose control over you again.
At this, he drew closer towards you, his eyes ablaze like a blue flame, as he snaked his arms around your waist. That was it - the thrill, the feeling you missed. It rippled through your body, leaving goosebumps in its wake. But before he could go any further, a sudden force tore him from his hold on you, hauling him violently backwards. He was flung in the air across a couple of yards, landing against the wall of a building with a sickening crack.
In the background, you heard screams coming from all directions, alongside whooshing sounds, followed by loud thuds. One soon popped up behind you and in an instant you found yourself smacked to the ground. There was a shrill ringing in your ears, your eyes watered, and your vision blurred as you started seeing double in front of you. You felt the back of your head. Wet. Sticky. Flowing. Your fingers were red and the concussion you suffered induced a dizzying spell.
A grizzly face appeared before you, but you couldn’t quite make out any distinguishable features, except for the familiar shape of long fangs that glistened under the arbor lights. There was no time to put up a fight or even cry out for help, as you began to sink deeper and deeper into unconsciousness.
Leon had watched the entire scene unfurl before him like a twisted snuff film coming to life. The attack had taken him by surprise, but he quickly got up from his fall, resetting his bones and shaking it off like nothing had happened. The whole place was awash in scarlet. Blood streaked the city streets, trickling into every gap and crack, as the victims were messily drained of their lifesource. Whoever was behind this wanted the world to know. And that was when he witnessed the first of them turn.
A Mass Embrace? These Kindred definitely reeked of the Sabbat, and if not, they weren’t anyone who had been presented before the Prince; he would know. There wasn’t a second left to spare - he had to find you immediately. In his line of sight, he saw one of the culprits feeding on you greedily, and the primal rage he felt within him almost caused his Beast to take over. He hunched over and growled ferociously. His features transformed into something monstrous and his eyes were crazed as globs of saliva dribbled down his mouth.
It was fanning the flames of a Frenzy, one where he would slaughter every being in his path regardless of who they were, tearing them from limb to limb, and eviscerating their carcasses for what they had done to you. But his concern for your well-being won him over. Mustering up his willpower, he resisted the Beast as much as he could, and though he was still enraged, he needed to think straight and prioritize getting you to safety. That was all that mattered.
In the bat of an eye, he zipped across, yanking the other vampire away from your limp body, as they traded rapid blows. Another aggressor joined in the fight, as Leon dodged their swift counterattacks with deceptive ease, before connecting his right fist to one of their jaws and dealing a precise uppercut with his left to the other’s ribs, catching both of them off-guard. 
Everything seemed to pass by in quicktime as he moved with an unnatural grace, spinning mid-air over one of their backs, only to grab the other from behind and slam him to the ground savagely. Gathering the rest of his strength, he took advantage of the momentum to stomp on the vampire’s head with the heel of his shoe. There was a nauseating crunch as his skull caved in from the blunt force trauma, splintering and sending blood splashing across the pavement, driving him straight into torpor. One down, one more to go.
The brutality of the violence he had displayed unnerved him, yet fuelled his excitement as adrenaline coursed through his veins. He attributed it to being partially influenced by the Beast the moment those bastards had put your life in danger. At least he had not fully succumbed to it. That was what he tried to tell himself while putting a lid on his unquenchable thirst for more. More violence. More bloodshed. They deserve it…
A cacophony of ghastly howls erupted from a distance, bringing him back to reality. Jill, it had to be, Leon realized. The Sheriff was coming to subdue this severe breach of the Masquerade. As the other vampire lunged at him, Leon’s reflexes took over, timing it such that he skirted the edge of the assault unscathed. Instead, he circled around, placing the attacker in an unyielding headlock. The vampire struggled vigorously, attempting to kick and claw his way out of Leon’s grip.
It was then that he heard Jill’s gruff yells in the vicinity, as the pack of dogs under her control barked and gnashed their teeth viciously at the remaining offenders, clamping down on their legs to prevent them from escaping. The Hound, a group of Kindred who reported to her, had arrived in tow, twirling wooden shafts in their hands, each sharpened at one end. Grinning menacingly, they struck at the assailants, staking them immobile before dragging them away.
“You need this one?” Leon called out. He might as well play by their rules where he got the chance, even if the Prince himself had decreed a perpetual Blood Hunt on the Sabbat. Anything to be in the former’s good graces. It was all for show, anyway.
Jill turned sharply, her mouth contorting into a wicked smirk, as she stalked towards him. “Leon… always at the right place, right time, huh?” Her voice was more akin to brutish snarl, but he knew when she meant her threats and when she didn’t. At this point, she was on his side.
“We have our hands full of the rebellious trash.” She jerked her thumb back to her crew, who were skulking around in the dark with their catch. “Kill this motherfucker.”
Without hesitation, Leon snapped the vampire’s neck clean, ripping his head off in the process as his lifeless body fell to the ground in a heap. Letting out a huff from the effort, he tossed the head aside, feeling nothing for the wretched being that lay at his feet. Or did he? He chose not to dwell on it any further, finding something else to distract himself with as he glanced down at his clothes, frowning when he noticed they were smeared with all sorts of fluids and innards. Dry cleaning was gonna be a bitch.
Jill signaled towards your body with her chin. “This one’s barely alive.”
“She’s mine.” A deep-seated possessiveness surged through him as he stepped between you and Jill, unwilling to let you be snatched away from his grasp again. Swooping down, he lifted you into his arms, ready to cart you off from this gruesome site. “Please, I don’t have much time.”
Narrowing her eyes, she tilted her head and a low rumble reverberated from her chest. “Alright, pretty boy. You’re answerable to the Prince though,” she warned.
“Understood,” he replied snippily, cringing at the nickname she often used to wind him up.
Directing her attention once again to her Hound, she commanded, “Torch the rest!”
The poor, newly created vampires never stood a chance, dealing with both the life-changing alterations to their bodies and the molotov cocktails now lobbed at them. They had no idea what was happening as they were set aflame in the towering bonfire, screeching and wailing until they were reduced to nothing but ashes. The smell of singed skin and flesh hung in the air.
Tightening his grip on you, Leon recoiled involuntarily in fear as he fled from the raging inferno. “Hang in there for me,” he whispered, praying to a long-forgotten god that he wouldn’t be too late this time. 
Racing like his life depended on it, he kept to the shadows, using the cover of darkness to navigate through the maze of Raccoon City towards his haven.
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flower-boi16 · 3 days
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Lily and Mikila saying that Hunter is bad for being an "overdone trope" is so weird to me because like. Aren't ALL character archetypes over done??? In fact, this same logic can be applied to other characters within the show itself. Luz Noceda is an overdone trope; she's the bubbly "quirky" female protagonist who is also very kind and empathetic.
Her character archetype is actually more over done than Hunter's when you really think about it, especially in terms of Disney protagonists in the 2010s and early 2020s. Amity Blight is also an overdone trope; a bully character who goes through a redemption arc and becomes one of the main characters. Also has abusive parents as a way to explain their behavior and earn them sympathy from the audience. Amity's archetype, like Luz's, is arguably more overdone than Hunter's in a lot of media even outside of Disney.
Of course, this isn't exactly a bad thing; tropes are tools after all, and you can make generic ideas work with the right execution. Luz and Amity execute their respective archetypes well due to them having real depth and development over the course of the show, and, guess what? Hunter also executes his archetype pretty well too.
Story tropes are not inherently good or bad, they exist in every story and can be used effectively to create a compelling narrative, so docking points from a character for being a "over done trope" feels like a very bad faith critique, since, again, this same logic can be applied to other characters within the show.
Lily's only problem is that Hunter is an archetype she doesn't like and therefore her critique is heavily biased.
....Also he's an "angsty white boy" and Luz and Amity aren't. Sorry, I almost forgot.
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audiblehush · 12 hours
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Listen, I’m on the “I’ll believe it when I see it” train with all these inconsistent S3 rumors because 1) LOL the fucking Sun, people, really?! and 2) “Well, the friend of my friend said… and they’re really reliable! Trust me!” 🙄
But even if it all ends up being true: I’ve already seen a handful of great posts talking about no, it’s NOT actually harming Colin’s character, thanks, and would make a lot of sense from what we know about where he’s at mentally so far - I’ll try not to rehash stuff they’ve already argued really well… and probably fail once i get going 😬
But I would also like to throw out that canonically… Book!Colin ALSO had experience prior to his relationship with Penelope?? Not to rakeish levels, but yeah, he had sexual encounters with women… That he then specifically mentions as meaning NOTHING once he compares it to what he has with Penelope because with her there is actual LOVE built over YEARS of INTIMACY.
And since Show!Colin is markedly younger than his book counterpart, it would make sense that this is something he is exploring, whether the initial choice is through coercion from his brother(s), or because he is curious, or… whatever he reason is?? It doesn’t matter??
He’s YOUNG. Being young means being curious about sex! It often means learning over time the difference between mere physicality vs intimacy. Learning about sex can be messy, confusing, wonderful, terrible, mediocre, not what you thought it’d be, etc etc etc.
Regardless of if we’re taking about Penelope OR Colin: Context is everything and WE. DON’T. HAVE. ANY. YET.
Penelope has her own coping mechanism for what she’s dealing with on her own throughout the show with LW; why is Colin any different, whether that’s drinking, tea, sex, etc? He’s clearly exploring different aspects of himself and finding what appeals or doesn’t appeal to him. And that’s normal!!
The IRONY of people claiming they’re furious at Colin treating women like sex toys… when that’s exactly how some people view Colin for Penelope. He is more than a prop for her! Their whole story is that they choose each other after years of self discovery and recognition of each others true selves… ALL of their past experiences included.
Even if the rumored second instance is true… 1) it would clearly be used as a way to prove that he’s miserable and NEEDS love and Pen and intimacy and 2) characters make mistakes... often ones they learn from. Pen has made her fair share of poor choices, too. Colin has and WILL make mistakes because that is what interesting, developing characters do, yet y’all act like he is unforgivable for being given his own plot scenes. He is NOT just there to have sex with Penelope!! He is a character outside of his romance with his own struggles to grapple with!
Also, please be real - this was SO NORMAL for men during this era, especially at his age! Why are MODERN DAY AUDIENCES acting so fucking scandalized?? One or two instances doesn’t even make him a real rake, ESPECIALLY if it’s being framed as him realizing it isn’t what he ultimately wants! Why are you even watching this show if something like this is so offensive to you?!
If all this ends up being accurate (which again, I doubt), I will admit I’ll probably be picky about how it’s handled… but I’ve always felt that way about this pairing in the short time I’ve been in the fandom.
But I NEED people to chill the fuck out until the season actually airs. You’re lambasting something you HAVEN’T EVEN SEEN YET.
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I've been crediting the way Chakotay dismisses B'Elanna's vision in “Barge of the Dead” mostly to the events of “The Fight” and how Chakotay was (understandably) afraid of the barrage of images from the depths of his mind, and how this fed into the fears he has about his grandfather's condition and his own predisposition to it. As a result, he is more diffident about helping other people assigning meaning to their visions, not trusting himself as he used to any longer. After rewatching “Mortal Coil” though I think Chakotay is, also understandably, very wary of validating anyone's mystical experiences (or lack thereof) surrounding death, because one such experience very nearly brought Neelix to suicide and Chakotay almost didn't realize it in time. The way B'Elanna's talks about her own vision can't not recall what Neelix went through, in Chakotay's mind; B'Elanna almost died, and now she feels like she needs to die again. Add to this the history B'Elanna has with self-harm and unnecessary risk-taking behavior from “Extreme Risk”, a history that Chakotay knows all too well, and his mind is made up. He cannot allow this to happen on his watch, especially not to B'Elanna, so he dismisses her recollection of the vision, he downplays it even if it comes across as him not accepting B'Elanna's culturally-informed perspective on her own experiences. In short, I think a mix of fear and guilt is what makes Chakotay unable to appreciate the difference between Neelix' nihilism and his loss of purpose and B'Elanna's longing for meaning and closure through ritual.
I don't think the Voyager writers thought this through as much as I am here, mind you. They likely just had Chakotay play the 'voice of reason' because they couldn't have Janeway doing it, or the parallelism between B'Elanna finding peace with (the memory of) her mother and B'Elanna's acceptance of Janeway's trust would have collapsed, making the episode less incisive. (We can also talk about how yet again the show paints Janeway as a mother figure, in my opinion the lowest-hanging fruit possible, but I digress.) That it sort of contradicts Chakotay's pre-established characterization and background was likely not a big consideration, which is unfortunate. However if we don't take the 'reset button' for granted, this behavior from Chakotay can be taken a sign of the way he changed throughout the show, even it's sort of negative character development. He's more afraid, and more rigid in his understanding of others than at the beginning of the journey, especially when it comes to B'Elanna. The years of survival on Voyager have taken a toll on him. I obviously still think he was wrong to dismiss B'Elanna and that the show needed to handle that conversation between them with a lot more care for both characters, but keeping “Mortal Coil” and “Extreme Risk” in mind definitely helps with lessening the sting of a scene that otherwise seems to come out of nowhere.
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firstkanaphans · 3 days
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genuinely what do you consider high heat then? boston and nick were fucking hard every episode, boston rode top to freedom in that car, etc etc. maybe you have a different definition of what that means
I wanted to wait to answer this until I had the results of that poll. 347 total people responded with the majority agreeing that they do not consider Only Friends high heat (54.2% said no, 32% said yes, and 13.8% selected “show results”). The biggest argument I saw in the notes for OF being high heat was some variation of “But Boston rode Top in front of both God and Mark Pakin. What more do you people want???” So I will attempt to answer that question here.
The problem, obviously, is that what someone considers high heat is entirely subjective, so I can only speak for myself, and for me, high heat isn’t just about the presence of sex in a narrative. It’s about how the narrative treats and frames those sex scenes.
The sex scenes in Only Friends are short, there’s little to no simulated nudity, and camera angles frequently come into play to lessen the audience’s presence in the scene. In higher heat BLs like LITA or KP, the sex scenes are intensely choreographed and often several minutes in length. They are given equal importance to any other scene. If the sex scene was not there or if it faded to black, you would lose plot and/or character development. Sex scenes in these shows are part of the narrative themselves.
There’s also just more realism in shows that I would consider high heat. For instance, in Only Friends, there are two separate scenes where Sand puts his hand down Ray’s pants and you are supposed to believe he is touching him. It is very obvious in both cases that he is not. And that’s fine! Maybe the actors weren’t comfortable doing more or maybe the network wasn’t comfortable showing more, but Porsche literally gave Kinn a foot job on camera, so…
I don’t have any hard and fast rules about what I consider high heat—it’s more about vibes than anything else—but considering Only Friends is able to be shown on YouTube uncut, it seems like someone out there agrees with me. To me, high heat would automatically earn an NC-17 rating. These are shows it would be inappropriate to show to young teenagers.
So while Only Friends is certainly high heat by GMMTV’s standards, I would not call it high heat in general. In fact, I don’t even think it’s the highest heat offering at GMMTV. The Warp Effect takes that one.
I’d love to hear other people’s thoughts because I’m sure someone probably has a more nuanced take than me, but I do wonder if maybe there’s a cultural aspect to this as well because some people seem absolutely appalled by the idea that anyone wouldn’t consider Only Friends high heat.
I would also just like to say that this is in no way meant to be a value judgment about whether high heat is better. I adored Only Friends. It’s just not the show I’m going to rewatch when I’m in the mood for something horny. Love in the Air takes that spot easily.
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Hi, first thanks for all the great meta and analysis❤️
So, I recently noticed this an increase of something that really annoys me: whenever the canyon stumbles upon an opinion they don’t agree with they’re acting like Con O’Neill is this helpless baby that needs protection from people criticising a character he played/his acting choices (because that obviously equals a personal attack🙄).
And as if he is this groundbreaking queer actor that has done more for the LGBTQIA+ community then David with OFMD. 
Don’t get me wrong, I absolutely respect Con O’Neill and I do believe him that he is queer (despite there having been some valid doubts in the past) but I honestly don’t see that he played Izzy as gay (again, not on him, he just went with the role of the antagonist that he was given and did that really well, and then the Izzy fans tried to make it something that it was not). And if he did try to play Izzy as gay within the limitations of that script, then ok….an old white cis gay man who also falls into that hurtful trope of queer coded villain…tell me how that is groundbreaking representation again?
The same goes for “all of the other queer roles” he played according to the canyon. There are two of that I think: 
1)Cliff Costello, Cucumber (another old white gay men in a show with some very backwards views about how you are only properly gay if you get fucked in the arse or fuck others in the arse. No, I’m serious, the whole premise of the show is how horrible it is that the protagonist dosnt like anal!)
2)Val Pearson, Uncle (a character that fits every horrible stereotype of how trans people look, Con O’Neill stans love to claim that aCtUaLlY Val is gender fluid, but that is purely a head canon and never established in the show! If you know how 2000s media classically portrayed trans women and always made them the butt of the joke, this role is exactly(!) reproducing all of that).
Both of these are just side character btw. 
And I’m not blaming Con O’Neill for taking on these very problematic roles, as queer people we often have to take whatever representation we are given. Still -especially as a queer person- we don’t live in the 80s anymore you are allowed to be more critical about the roles you take on.
And I don’t think /he/ was the problem with these roles, I actually watched Uncle and like the way he played that character but that dosnt change the fact that the character itself is written deeply transphobic.
So maybe we shouldn’t pretend that they’re great representation?
And maybe we shouldn’t act as if Con had specifically chosen to play queer characters?
Like two deeply offensive stereotypical LGBTQIA+ characters in 40 years acting career? -that’s not more then your regular straight actor has played.
He is a decent actor but it annoys me that the canyon tries to turn him into this activist or something!
Wow, this got longer then I expected, sry just had to vent a little after seeing some rather outlandish canyon takes in the wild😅
OK, before I answer, I want to remark that this is a very thorny issue. I am not trans, and I know that there are some trans people who saw themselves in Izzy's characterization especially in Season 2 or discovered their own gender identity through that character. That's absolutely valid, and no one should ever say that it isn't.
I have not seen Con O'Neill in anything other than OFMD. From what I've seen, he's a good actor and seems a lovely guy who strongly supports fans and the LGBTQ+ community. But I can't speak to the other roles he has played because I have not seen them.
I read Izzy as queer, yes, though that's less explicit in the first season. He's very much the "queer-coded villain" trope, which is a homophobic trope...but as with everything OFMD does with tropes, it's subverted because—surprise!—almost everyone is queer. Izzy is very much an archetype of toxic masculinity and I think part of the point of the character is to develop how queerness does not always equal liberation.
I think it's very easy to fall into stan culture and arguing that the actor is the role and vice versa (so a criticism of Izzy is somehow a criticism of Con O'Neill). We have an additional layer here that this is a very queer show watched by a lot of queer people who see themselves, some for the first time, on the screen, and so are naturally defensive of the show itself, the specific characters, and the actors who play them. And that can cause a lot of problems too, especially if you're invested in the character who is canonically The Antagonist. To complicate it further, he is representative of a very common trope that for a long time was the major way queer people were represented at all in mainstream media, and we have people reading him as though he is the sole queer character. Which he likely would be, in many other stories...but not here.
It's a complicated issue. I wish that we could all step back a bit from our emotional investment in these characters and actors and recognize that they are part of a TV show that wears its tropes on its sleeve, and that just because an actor is a lovely person in real life, he is not his character.
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HOW IS THE SHOW WITH MOST PORN WITH PLOT POTENTIAL ONE OF THE BEST SHOWS EVER??
Dude Deep Night has always been a journey about family, acceptance and love. Love towards others, live towards yourself, but THIS EPISODE.. it was just so beautiful. I think it might be a 10/10 seriously...
Just look
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See how far Khemtid has come as a character and as a person.. he went from being selfish and angry and jealous to crying our of EMPATHY for his boyfriends pain.
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To crying because he's worked to hard to get the club his mom loves so much back on track. This man cries because he's now feeling feelings in a much healthier way.
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And the throuple??? Not a kink thing??? But actual poly??? They're introducing this topic so carefully, it's developed so naturally... The looks, the enemies to helping each other, to these looks.. to feeling he's part of it as well and being concerned about it. He's part of their dynamic but they don't know how to put that into something real. Fuck when I tell you I felt so sad in these moments, because all three of them hurt.
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Also... Talking about age???? And how you're still allowed to love like a teen???? And that's valid???? The phrase she says cut me deep broool
"In all of that, there's no me"
Freya will have to learn to accept herself, because love is a vulnerable thing and she's supposed to be strong and a mother and a boss and a leader.. but what about the one she leans on when she's tired???
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And the way Khemtid just kNOWS
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We're also getting the quiet love, the hand holding, the hair brushing, the every day love. We have been losing that, and I'm so glad they're showing it.
He'll do ANYTHING for Wela.
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FUCK THERES SO MUCH I ALSO WANT TO TALK ABOUT
The way it's directed is masterful at creating tension and excitement and confusion and the rush of adrenaline when you like someone but you're too damn scared...
The third couple... "If you don't tell me, I won't know"
It's slow
It's good
I feel in love just watching it
I feel sad
I feel joy
I feel..
I feel.
This is what shows are supposed to be.
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My Buddie Theory:
So, I think from this point on that Buck is gonna be with Tommy and figure more out about himself, how to actually be with a man etc, Eddie will start becoming jealous, but have no idea why, when he hangs out with BuckTommy and seeing them be all ‘close’ seeing Buck being happy and touching/kissing another man he’ll be jealous and confused.
Eddie will continue down his catholic guilt route, we’ll see his relationship with Marisol fail and he’ll struggle to understand why he can’t hold a relationship or do what he thinks is right whilst being jealous of Tommy. I think that he knows he loves Buck just not that he is gay.
I think Tommy knows deep down there is something between Eddie and Buck and at some point will tell Buck that he doesn’t think they’ll work out for said reason and remain friends.
I think Eddie will have a realisation of “omg, I’m jealous of my best friends boyfriend” or will realise what he’s always wanted he has with Buck but he’ll realise and not say anything (especially if Buck seems really happy) like I said because I think he knew he loves him anyway but not the full extent of it. Buck will struggle when he realises and badly, he’ll think it’s unrequired because to him Eddie is straight and he doesn’t wanna lose two of the most important people in his life, his abandonment issues, I feel Buck will be the one to fight for it because I think Eddie will deal with the realisation slightly better than Buck will. Oliver said that the person Buck ends up with he’ll have to fight the hardest for and I think it’ll come down to Buck realising that he’s a bisexual man who knows his worth, can be loved and overcome his abandonment issues because…it’s Eddie and he would never abandon him no matter what, and Eddie will realise he needs to stop making other people happy and do what he wants with his life and not what others want and that’s the family he’s build with Chris and Buck. But they both end up realising what they have and always have had and how special it is whilst acknowledging that no matter what happens to them they love eachother so much that they’ll still be Best Friends first and foremost.
That would to me be the greatest gay love story ever told on a modern TV show. Well developed characters/relationship with years of history, seperate sexuality arcs, 2 fathers and a child family, bestfriends to lovers arc and if they keep hold of EVERYTHING, past references throughout the show and making connections with them no matter how big or small then WOW I will applaude them!
Oh great theory anon. I love it.
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Sanji black fire theory
I know a lot of people already were talking about it, but because the theories I saw tend to associate it with some demonic epithet, I have been very hesitant to adopt it. The theory I have is that his max power would have a godly/holy name (my theory/explanation here), so I had been very reserved about the black fire thing.
I have now somewhat changed my mind about it.
It occurs to me that if the black fire is the manifestation of conqueror haki, it can still have a "holy" epithet. For example, Shanks's haki attack is called Kamusari 神避, or translated as "Divine Departure".
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With that in mind I'm gonna revisit the "foxfire" idea I once mentioned, just with some slight tweaks.
"Foxfire" is kind of a fire ability that is not entirely explained. Back when Sanji said it in Thriller Bark, it was being portrayed as a joke. However, Kin'emon later uses "foxfire technique" that actually interacts with real fire. It produces fire, and also cuts fire.
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Unless I missed something, I cannot find explicit description of what exactly makes the fire, but it seems to be implied to have been Haki ability. Once again, until proven otherwise, based on this I will assume that somehow Haki can generate fire.
In which case, it's not impossible that Sanji's "foxfire" joke can later manifest as a full-fledged fire ability that allows him to actually fly (like Ace).
In the same Thriller Bark context we already had a joke manifesting into reality. Remember that when Usopp told Sanji about Absalom, he just went completely berserk, and Zoro told Usopp to stop lest he "henshin into something"?
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Well... further plot development shows that if Sanji get really angry, he can now indeed "henshin into something":
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Some people have also theorised that the black fire will be related with the Germa modifications because of this, since the name "Stealth Black" implies that a successful modification would've made Sanji's hair black.
I somewhat agree with it, though I don't subscribe to the idea that Sanji's hair will turn black if he unlocks the ability to use black fire.
Going back to Kin'emon's fire ability. Assuming that it's indeed haki, then it means that he makes the fire by channelling the haki into his sword. In which case, maybe that was the same with Sanji, except that it's channelled through his leg and not through a tool or weapon.
It may be possible that if Sanji manifests advanced Conqueror Haki, which can be infused in body parts or weapons, his fire legs will be black flames. It would also match his already existing epithet, "Black Leg".
This also fits my theory about Sanji being symbolised by "solar eclipse" in relation to Kamen Rider. I may have to re-explain it based on the new material I have, but the short of it is: I see Sora as representing "sun", while Germa is "moon". Solar eclipse is a phenomenon where the sun and moon lines up.
The Kamen Rider connection is that Kamen Rider Black, whose name and powers symbolise solar eclipse, has all the body modifications given to him (including an exoskeleton armour) by the evil organisation. However, due to still having human heart, he uses all that power for good. I strongly feel that sensei used this particular character as Sanji's reference.
Therefore, I feel that this means that Sanji will use "both the sun and moon together", not see the "moon" as a hindrance. He will "redeem" the exoskeleton and other Germa modifications that he has. Someone somehow will fix it later so that it will not affect his ability to empathise and be kind, and he will combine the exoskeleton (Germa science) with Armament Haki and Conqueror Haki (Sora's influence) to use the black flames.
Why is Haki "Sora's influence"? Because as we've seen with the other brothers, not having fear of death means that they also don't have a particularly strong will to push themselves to the limit. They do have some fighting spirit still, but it doesn't seem to be enough.
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Even if you argue that Perospero's candy is too strong to break, you don't see the Vinsmoke brothers bothering to even try. For example, until proven otherwise, Yonji's power was supposedly some kind of superstrength that is above Ichiji and Niji. Why is he talking about the weapons and not trying to break free?
Compare that to Luffy, who we know has very strong will, using all his power to try to pull himself free from the book pins that trapped him. Nami and Opera both told him it's no use, but he still tries anyway.
Haki is a power that comes from willpower. No strong will, no haki. Therefore, Sanji's ability to use haki is because of Sora's efforts to preserve his "heart".
Aside from the symbolism, we already saw that he needed to have the exoskeleton in order to use Ifrit Jambe. His normal body is not strong enough to withstand the heat. If black fire is even more powerful than Ifrit, he will need the exoskeleton even more than this.
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It would be really cool if the flying foxfire joke manifests as black fire wings, really. It would be a close allusion to the Lunarians, without actually making him one.
My personal favourite guesses for the "godly/holy" names Sanji might use for his max power are: Acala (Fudou Myou'ou is a god connected to solar eclipse), Garuda (Lunarians resemble Garuda), Archangel (as a counter to Seraphim)
I'm sort of reserved about Garuda, honestly, because Sanji knows that was Judge's name. The clones were saying it when the two fought. Sanji might not want to use it as his own power name, because he hates Judge, and even "redeeming" the Germa ability for good usage might not erase his distaste for the name.
Still, maybe it will turn out that Garuda has a much deeper significance in One Piece lore. A personal favourite theory of mine is that Germa in the past is actually a force of good, and Sanji will be the one to "reclaim" that good past somehow. Maybe Garuda is related to that, and so if the good outweighs the awful stuff Germa has become, maybe he'll be okay with it.
Secondary guesses that are still cool, but not my personal preference: Draco/Dragon (due to yin yang symbolism), Vulcan (fire god), Surya (sun), Ignis/Agni (also fire).
A rather unlikely option, but it would be funny if it's true: "Erasmus". St Elmo's fire is sort of the Western version of foxfire, and "Elmo" is the shortened form of "Erasmus". Funny because then we can make Hellmo memes about it.
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mostlyblues · 1 day
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In honour of his birthday, I'm going to rant about some of my favourite roles of the global treasure (yes, I'm promoting him from the ‘national’ status), David Tennant. Feel free to add your own.
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Fourteen Doctor: This might seem like an odd choice to start with when there are popular choices like the Tenth Doctor and Crowley, but this character holds a very special place in my heart. I've been a fan of DT for about 6 years now and it started with Doctor Who. I love Ten but Fourteen is just more dear to me. Mostly because he made me excited again for one of my favourite TV shows. As a character, he has all the trademark qualities of the Doctor - the genius level intellect, endless compassion, and love for new adventures. But he is somehow more mature and softer, and I loved this development. Also, that blue coat and that (1) button - you know what I'm talking about.
Phileas Fogg: Such an underrated TV show. The chemistry between the trio, the adventures, the title sequence music - there's so much to love about this. And Fogg is such a real character. So far from perfect, this man will often appear as aloof, vain, self-absorbed and even a coward. But I think Phileas is one of the best roles ever played by Tennant. Yes, he's flawed but he's also intelligent, so incredibly kind, and yes, even brave. If you haven't watched this show, I highly recommend it.
Alec Hardy: So different from most other charming roles of DI, Hardy is a sad wet cat. He's grumpy, not nice, and just really tired of the world (who can't relate though?). His reluctant friendship with Ellie is one of the best parts of the grim show. And the fanfic lover in me can't stop screaming about how whumpable he is.
Crowley: I was going for the top three kind of ranking but the thin dark duke slithered his way over. And how can you not love Anthony J. Crowley? From this pure delightful joy while creating stars and nebulae (I can't get over David's face and the happy noises he makes in this scene) to his reluctant and vast love for his Angel and the earth, Crowley is very easy to fall in love with (take notes, Aziraphale. I know you love him but please use your words. Crowley, at least, tried). 
I really wanted to add more characters, especially the Shakespearean ones (I love Hamlet, but Benedick has my heart), but the list won't simply ever end then. So, I'm just going to say name all the ones I love and end it here - Simon Yates (There She Goes), Dave Tyler (Single Father), Harry Watling aka The Sexy Vicar (Inside Man, this show was so freaking stressful but I loved David's character), every single Shakespearean character he ever played (even the ones I haven't or probably won't get the chance to see - cries in Macbeth), and, of course, Scrooge McDuck (DuckTales).
So, thank you DT for gifting the world with some of the best, most adorable, wholesome, gender-enviable characters to ever exist. (Except for the creeps, freaks, and ruthless murderers, which we kind of love as well). Happy Birthday!
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inkblackorchid · 2 days
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Hi! How do you feel about the Crashtown mini-arc?
Ahhh, Crashtown. Honestly, I’m extremely in two minds about the arc. See, here’s the thing. When I watch it, it’s a great deal of fun. It’s a very self-contained little story that has all the necessary setup and payoff built into itself, and the cowboy aesthetics in Crashtown’s unique setting, while technically still being part of 5Ds’ largely futuristic canon, are absolutely hilarious. Not to speak of the excellent dramatics, what with Kiryu being in his depressed bitch era and needing the Power of Friendship to remember why it’s nice to be alive. So, in isolation, I find Crashtown very funny and its self-contained story compelling.
However, sometimes, I get a little frustrated knowing how many episodes this arc takes up, because where the larger narrative is concerned, Crashtown accomplishes… Well, nothing, unfortunately. It doesn’t interact with the main plot in any way, doesn’t develop Yusei’s character in a particular way (because we already knew he’s a special kind of loyal-as-a-dog-devoted when it comes to Kiryu; if anything, Crashtown only shows us that he’s also a little more gullible than usual when Kiryu gets brought up), and while it does give Kiryu meaningful character progression, he’s sadly never relevant again after this point in the show (literally the only two times he shows up after this point is during the flashback of everyone cheering Yusei on during his duel with Z-ONE and in the epilogue as he loses to Jack). Worse yet, the whole arc begs the question of why only Kiryu and no other dark signer got this kind of tying-up-loose-ends treatment. (The answer, I believe, is that he’s specifically the dark signer who has the strongest ties to Yusei in particular, which awards him special treatment. That does nothing to justify why Carly, who I’d go as far as saying is at least equally important to Jack as Kiryu is to Yusei, doesn’t get anything like this, though, and is instead sidelined because she has amnesia. You know. Amnesia. Everyone’s favourite trope. Which Kiryu, curiously, also doesn’t have.) And considering how often I lament about the things I wish 5Ds canon had spent more time on, I don’t think it comes as a surprise that it leaves a slight, bitter aftertaste in my mouth that an arc like Crashtown that adds nothing to the larger plot or any character other than Kiryu gets so many episodes while many things I wish the show had addressed don’t get a single one.
So, Crashtown’s kind of a mixed bag for me. I think the best way to sum it up would be this: If you handed me the reins for a full 5Ds rewrite, one of two things would happen. Either the show would gain another twenty or so episodes where I’d try to give all the other dark signers similar treatment as Kiryu in Crashtown, developing both them and the main cast members they interact with more (and also try to make them at least show up one more time before the Ark Cradle arc, even if only to cheer Team 5Ds on during the WRGP), or Crashtown would be left on the cutting room floor entirely, because if the only way to improve the main cast and plot were to find time for all the necessary adjustments within the exact same episode count we already have, Crashtown (and all of the pre-WRGP arc’s pure filler episodes) would be the first thing to go.
Don’t get me wrong, the yeehaw arc has excellent aesthetics, excellent dramatics, and is great fun every time I rewatch it, so I don’t fault anyone for loving it to bits, I absolutely get it. My inner overanalyst/canon rewriter just can’t unsee how many episodes it took up that were desperately needed for other stuff sometimes.
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ofswordsandpens · 3 months
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I'm sincerely very happy for anyone who is enjoying the show but every time I see takes that the show has improved the book characterizations or that the book characters are underdeveloped in comparison to the show...
#our experiences are very different lmao#pjo show crit#sure the show isn't completely out yet#but id argue that the characters (namely the trio) seem way more developed and well-rounded in the book by this point in time (episode 4)#and look im not saying every change the show has made is bad#but by and far there has yet to be a change to characterization that feels like an IMPROVEMENT from the source material lmao#the closest contender I'd say is show Percy does seem a tad angrier than book Percy#but again I wouldn't call that an improvement... its just different and I think that /change/ works because it feels like the same essence#but even that has had some issues because I feel like the show has inadvertently cut down some of Percy's canon book empathy here and there#I think the show has nailed Annabeth's pride and intelligence and her warped worship of her mother#... but they've also made her hyper competent to the point that she's not making half of the mistakes she did in the book#which ISNT good because book annabeth is smart but she isn't infallible#its a big point that she has the theoretical intelligence but none of the real world experience/application#she gets tricked by medusa and goes to visit the Arch just cause she loves architecture and that's okay!! she's twelve and a nerd!#I also dont like that they've cut/toned down her little crush on Luke#actually they've not even showcased the familial bond between annabeth and Luke either in the show so like lmao#and then grover#by now grover's fear of failure and repeating this past mistakes and wanting a license has already been acknowledged in the books at least#in the show?? not so much#and his canon book suspicions and wariness of medusa... were given to annabeth#like medusa in the book was Grover's moment to shine cause his instincts were right!#and in the book fight he even very intentionally attacked medusa#but his highlights there were cut completely in the show#and finally sally#...idk who that is in the show but that's NOT my sally jackson#percy jackson#mine
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so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.
#jrwi fanart#jrwi show#jrwi prime defenders#jrwi prime defenders spoilers#jrwi pd spoilers#jrwi pd#william wisp#vyncent sol#THIS ONE IS FUUUUCKIN OOOOOLLDD RAAAHHHHH i made it like. a year ago. but didnt finish it for so so long bc i just wasnt happy w it.#BUT LIKE A CENTURY EGG the decades of being encased in salt n lime n ash have done WELL to bring out the flavores of this piece#i sorta recently cleaned it up and posted it onto twitty. didnt tag it bc it was SO OLD AND SCUFFED(i see so many MISTAKES NOW)#that i didnt want to expose it to the open air just like that#if i show smth to my small circles then it shall only be understood in those small circles.#open air and open interpretation from minds i cannot predict are NOT something i enjoy the thought of. usually. i am brave tho#BUT EVERYONE ON TWITTY WAS SO NICEEE i was like damn... i guess it IS good enough to be enjoyed by the masses...#lets work on being nicer to our art together. THAT BEING SAID. i really love my colors here HELL YEAHHHH#FIRST TIME IN A WHILE COLORIN THESE BOYS.... i dont use proper color enough..I ALSO RLY LIKE MY BACKGROUNDS HERE#i LOVE when the bg is hyperrealistic (i frankestiened stock photos) and when the subjects are all flat colored n cartoony#recently rewatched Making Fiends and they do that similar thing!! soft shading! lotsa details! almost painted? ill paint one day#ive already rambled so much abt the art im runnin out of ROOm to ramble about WWWIILLIAM GODDAMN WWIIIISP. its been a minute since i saw-#-this episode..but i DO remember the funny smoke trick that will did to his funny brother. EVERYTIME U GIVE AN ORDER. THAT BRINGS HARM-#-INDIRECTLY OR NOT. YOU WILL HEAR THOSE SCREAMS. YOU WILL FEEL THAT PAIN. OHHH WHAT A COOL PUNISHMENT THAT IS#its still an olive branch in a sense! a final chance for big bro bell to show that hes NOT an irrideemable piece o shit. and if not#well. to the wolves of psychosis with him!!! i really think william did the best he could here. if i was in his shoes i have no doubt i-#-woulda done the same. IM ALSO GLAD THAT VYN DECIDED TO STICK AROUND N SUPPORT HIM! thas character development baybe!!#i loooove prime defenders.. its been so long since i watched any eps of it but i KNOW it still has such a grip on my heart..GOTTA rewatch i
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willowcrowned · 2 years
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I think what really gets me about Maul post-TPM is that he’s the only Star Wars character with true agency. Because of the way the films were made, every character in the prequels is already predestined for a role—Obi-Wan must go to Tatooine, Anakin must become Vader, every person they care about must be lost to them, and every villain but Sidious must die. Maul isn’t constrained by the narrative because he’s already played his part. He killed Qui-Gon; his job is done. He was never meant to be anything more than a one-off villain, so when he’s brought back, he’s without a destiny in the way that so many other characters are not. He has nowhere he needs to end up, no one he needs to be. He alone has the power to escape from the narrative—but he doesn’t. He buys into the narrative, buys into the conflict between light and dark, buys into the idea that he has to participate in it. Maul dies to Obi-Wan on Tatooine because he makes the mistake of going back, of trying to put himself in a narrative that has no place for him anymore.
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