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#and it's great when writers explore different genres and you see another side to their writing
zainmalik · 1 month
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questions you would ask louis
another great question
as someone who’s been in the industry for years and has seen all sides of it, what’s something (or some things) you would change about it? what advice would you give to aspiring musicians who don’t know about how the industry works?
what’s your the step by step writing process? anything in particular you do that may be different to other writers? any rituals?
what’s one artist/writer (dead or alive) you’d love to collaborate with?
with the away from home festival and 28clothing, what’s another business endeavor you’d like to pursue?
at the beginning of your solo career you had a pop/mainstream sound, which slowly developed into the rock/punk/indie sound you have now (godbless). she is beauty, however, is more of a dancey psychedelic sound reminiscing of your early sound, which brings more flavor into the album. are there any other genres you’d be interested in exploring?
related to prev: i’m not sure if you’ve ever talked about it, but what made you go for a mainstream sound at the beginning? and how was the journey from that to finding your true sound?
speaking of, according to different interviews/tweets, you were working on an album around the back to you/just like you/miss you era. what happened to that album? what are your honest thoughts and feelings on it? how would have it sounded like? any songs from it (besides always you) that were reworked for walls and/or faith in the future?
you’ve said your favorite part of being a musician are the live shows. what is the main feeling you get when you’re up in stage? how does the energy level of the audience play into your feelings and overall performance? what is your favorite moment when you are performing? favorite fan projects?
louies louies louies. every night you express your gratitude and love for your fans, and something i’ve observed is how your relationship with fans and vice versa is quite different from any other musicians’ relationships with their fans. why do you think that is? what distinguishes it from others?
you wrote the majority of one direction songs and had more control of the band’s sound in the later albums. what motivated you to fight for more creative control? what challenges did you (guys) encounter? what was the label’s reaction if you’re comfortable sharing that? and how does it feel to know the band wouldn’t have reached the status it reached without you because you’re the heart of it you have the most writing credits?
how are them creative juices going? any new songs or ideas *eyes emoji*
(i think you’re one of the most influential artists of our time whether the public sees it or not. your music has helped us in many ways. your music came to me at a time where i needed it the most. i felt comforted by your words, knowing i’m not alone. you gave me a safe space to be myself, who i truly am, and feel nothing but pure joy. being at your show and seeing all those pride flags, being wrapped in my own flag, while listening to all this time, she is beauty and copy of a copy of a copy was an experience i will never forget. you’re the reason i met incredible people who i love with my entire life. i will always be grateful for that. thank you for sharing your art with us. you’re very talented and you deserve to shine as an artist after all the bullshit you had to deal with. i’m so proud of you and i’m happy to be here and be your fan) can i give you a hug?
send louis related asks because i miss him
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archived-kin · 3 years
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three names
note from kin: apparently that domestic diluc piece really did wonders for my writers block because i managed to churn this entire thing out within one night
anyway i know little to nothing about childe’s backstory so do be warned that i am only very loosely following the information we get from his story quest/voice lines/etc!
(also as a heads up childe is referred to as ajax throughout this piece! for those who don't know, ajax is his birth name)
fandom: genshin impact
character(s): gn!reader, childe, zhongli
pairing(s): childe/reader
warning(s): death (brief and not descriptive), mentions of blood
genre: angst i guess?? it isn’t SUPER heavy but this is very much Not A Happy Piece
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You’ve known Ajax for what feels like forever.
The two of you grow up together on the streets of Morepesok, spending the short hours of daylight chasing each other down icy streets and pelting each other with snowballs until your fingers are frozen solid under their mittens and you’re both lying exhausted under the trees. He’s still a somewhat skittish and shy young boy, always hiding behind you while you ask the local farmers for permission to play in their fields and leaving all of the decisions to you when it comes to your childish games.
You know exactly how to get those blue eyes of his to light up like no other, though. Ever since the two of you were tiny tots, Ajax has always been enchanted by stories of adventures, of heroes who journey far from home to conquer evils beyond his childish comprehension, fighting with both sword and mind to quell any hardships or troubles that come their way. He listens to his father tell him these stories with a sparkle in his eye like no other, and begs for a new chapter as soon as one is finished.
You take advantage of this love of adventure to coax him into playing with you - him, the hero and you, his trusty sidekick, braving fight after fight together until the great sea monster is defeated, or until the brainwashed former friend was released - until the world bows down at your feet. You stand beside him and smile as he cackles, foot set atop a stone and brandishing a stick to the sky like a sword.
While Ajax longs for battle and glory, however, you secretly prefer the stories about the fisherman who wins the favour of the sea gods by saving a seal from a net, about the fae who collects the treasures of the land in an attempt to preserve the remains of a race she has loved and lost, about the dragon who follows the rainbow far into the east to find a companion who has fallen under the control of an evil sorcerer. Where he finds interest in tales of clashing blades and rumbling cannons, you find interest in the warmth of a campfire, surrounded by laughing companions that have shared a long journey together. You don’t love these games for the fights and the victories like he does - you love the games because it means you can be with him.
You suppose that this difference of interests is the reason you stay behind when he leaves on his own ‘heroic journey’.
The two of you are only fourteen - still children, for Archons’ sake - and Ajax has long since lost interest in the mundanity of his daily life.
“All we do is eat and play,” He mutters with a pout, poking at the snow with a stick. “It’s boring.”
You tilt your head in confusion and trot up to stand beside him, face half-hidden behind a scarf wrapped like a vice around your neck. “What do you mean?”
He scoffs a little then, and offers you a boyish grin. “Don’t worry, [Name]. You’re an exception.”
You still don’t understand what he means, not exactly, but it still sends butterflies fluttering in your stomach.
The next day, he knocks on your door, dressed in an over-large coat and his favourite hat, a backpack strapped firmly to his back and a rusty shortsword in his hand. He beams at you as you open the door, and announces that he’s running away to find an adventure, and that he was wondering if you wanted to come with him.
You ask if this is another game he wants to play. He shakes his head and tells you that this is for real - that he’s going to explore far and wide, to seek out the quests that he’s heard so many stories about. He’s going to be a hero, and he wants you to be his sidekick, just like always.
But you have always been a little too timid, too afraid of going so far out into the snow, too aware of the dangers of a reckless jaunt like this. And so, bowing your head in shame, you answer that you can’t
He freezes for a moment then, disappointment clear on his face, but he replaces it with a a grin almost immediately. You don’t know it at the time, but this is the last time you’ll ever see him smile like this again.
“Don’t worry about it!” He reassures you. “I’ll bring back lots of souvenirs for you when I come back! Like a dragon head!”
“I don’t like heads.” You mumble. “Too much blood.”
He doesn’t falter. “A dragon claw, then!”
The two of you exchange brief goodbyes, neither of you aware of the magnitude of what Ajax is choosing to do, nor the consequences it will bring, and then he leaves. And you let him, watching his little figure disappear and melt into the blinding white of the snow.
It’s a mistake that continues to haunt you for the rest of your life.
He turns up again, two days later, lying unconscious on the outskirts of the forest by the village. A mere two days - but somehow, you’ve always felt as if he’d been away for much, much longer.
Ajax is never the same after that. He’s more distracted, more absent - he never wants to go out for walks in the fields with you anymore, nor does he have any interest in playing games or hearing stories. He still lets you follow him around and sit beside him, but he speaks less and less, and spends more and more time thinking.
You don’t give up on him, though. It doesn’t matter how much his blank gaze scares you sometimes, nor how unsettling the look on his face is after he shreds yet another hay training dummy to pieces. You hang around him anyway, talking about every little thing that comes to mind, and sometimes, he replies with the same silliness that he did when the two of you were younger.
It bothers you, the way that he swings so abruptly between the old him and the new him. Sometimes he’s just the boy you’d spent your childhood playing with, chasing you down the street only to stuff snow down the back of your jacket, then making you a hot drink afterwards as an apology when you declare that you hate him. But sometimes he isn’t.
His face stills, and his eyes go cold. He stares emptily at the snow beneath his feet, not responding when you call his name, and he returns to his garden sooner or later, to slaughter another line of training dummies. The way he gazes down at the wreckage, the way his hand clenches around the shaft of an arrow or the hilt of a blade, the way that he seems to hunger for more - it scares you.
Perhaps it is unsurprising that he joins the Fatui as soon as he turns seventeen.
He doesn’t tell you - he doesn’t tell anyone, not at first. He simply slips away and leaves, sometimes for days on end, and returns without a word as to his absence. You believe him when he tells you that it’s a series of job interviews in a different town, even congratulate him on the opportunity. You believe a lot of the lies he tells you.
It isn’t until you come upon him in the middle of one of his assignments that the wool is finally pulled away from your eyes.
You’re out in the city on a shopping trip by your mother’s request, carrying several baskets of fresh produce that just don’t grow quickly enough in your little seaside town, when you spot his auburn hair disappearing into a secluded alleyway. You follow quickly, opening your mouth to call out to him, only to snap it shut when you see what he’s doing.
A woman is lying beneath his foot, and he is crushing the breath out of her with the heel of his boot. There is a blade in his hand, glinting softly in the darkness of the alleyway.
The woman sobs breathlessly, begs for her life to be spared, her face contorted with fear and despair. But Ajax doesn’t flinch. In one, smooth movement, he points the blade to her neck and slashes.
You don’t know if the scream that echoes around the alleyway is yours or hers.
It’s only then that he finally turns around and sees you, and the mask covering the upper half of his face is all too familiar.
Your eyes fall upon the dead woman, her mouth still open in her final plea for mercy.
“Ajax,” You whisper, your voice trembling. “What have you done?”
The bloodstained blade in his hand clatters to the ground. “[Name]... what are you doing here?”
You don’t answer him. Your entire body feels numb. “You’re… you’re one of the Fatui.”
It isn’t a question.
He’s silent for a long time. Finally, he lets out a frustrated sigh, tearing the mask from his face and throwing it to the ground carelessly, and approaches you, hands held out as if comforting a frightened child.
“I didn’t want you to find out like this,” He says quietly.
“Were you ever going to let me find out?” You ask. Your eyes move back to the woman’s corpse despite everything in your brain screaming at you to look away, and your hands start shaking.
Ajax notices. He steps in front of the body, as if trying to shield it from your view. “Of course. I was just waiting for the right time to tell you, that’s all.”
“Why… why would you…?”
He meets your gaze. He shrugs. “I wanted to fight.”
There is blood staining the left side of his face. Your eyes are drawn to it in the same way they were to the corpse, and you feel a sudden burst of anger on her behalf. “How was this a fight? You trapped her in an alleyway - you didn’t even give her a chance to struggle!”
“This is different.” He states, as if it’s obvious, and his eyes go cold. “The woman was defying the will of the Tsaritsa. She needed to be disposed of.”
“Is that all you are now? A puppet of the Tsaritsa?!” You’re practically shouting now, tears threatening to start streaming down your face. You want to punch him, slap him, anything to make him realise what path he’s rapidly beginning to go down, but there isn’t any strength left in you. Not after what you just saw. “What happened to you?!”
“I changed,” He says simply, and his sea-blue eyes are frozen over completely. This isn’t the boy that you grew up and loved - and it occurs to you that he might not have been for a long, long time. “I grew up and I changed.”
“Ajax—” You begin, but he places a finger to your lips.
“It’s Tartaglia now.”
Perhaps if you look close enough, hope hard enough, you’ll be able to fool yourself into thinking there was some kind of emotion on his face - something, anything that proves that he still cares - but there is nothing but emptiness in his gaze.
You don’t sleep that night. You don’t sleep for a long, long time, unable to put a stop to the unrelenting march of thoughts streaming through your head like a gushing river, like the endless depths of the ocean, like the deep blue of his eyes...
You distract yourself as best you can. You move out of town while he’s out on another mission and take your parents with you, settling down in a small village at the base of a mountain. There, you busy yourself every hour of the day, taking solace in the ache of your muscles and the fatigue that weighs heavily on your limbs. The people of the village come to know you as the helping hand, the eager assistant, always raring to go when asked for a favour.
And yet, even as you sit around a table in the local bar, surrounded by warmth and chatter and familiar faces, you can’t help but feel an emptiness opening in your chest. Old Dmitri, manning the bar as usual, slides a tankard over to you with a sympathetic smile, and asks, “What’s wrong?”
You ask yourself that question more times than you can count, digging it deep into your skin, carving it into your mind, unable to help wondering, and yet... you never find an answer. What is wrong with you? Why does Ajax’s absence cut into you like a knife, keeping you awake deep into the night, plagued by dreams of cold, dead eyes and red blood pooling in the white snow? Why is it that, no matter how many times you remind yourself of the man in that alleyway and the body of the woman he’d just slaughtered, of the man that was not Ajax, of Tartaglia - you can only remember the grinning boy of your childhood?
Your parents don’t know why your eyes are always red-rimmed when you come down for breakfast in the morning, nor why you refuse to look at your surroundings when you go out into town, keeping your eyes focused determinedly on your dragging feet.  They don’t know how many hours you spend staring out into the deep sky, wondering if Ajax is watching the same stars as you are, whether he even thinks of you at all.
Everything around you seems to taunt you, and you realise something.
You have to leave. You have to run away, to find a home in a place where the streets don’t stir up memories of days long gone, where the crunch of the snow beneath your feet doesn’t remind you of the sound of tearing flesh, where you can just be without Ajax haunting you around every corner you turn.
And so you set off for Liyue. You journey to the land amidst monoliths, seeking golden soil warmed by the sun to escape the cold snow and icy rain. You do not stop moving until you reach the land where the mountains stretch high and the streets of the harbour are painted with red and yellow, where the people are unfamiliar, the buildings are unfamiliar - where everything is unfamiliar. You’re tired of dwelling on past memories, tired of putting yourself through the same pain.
You settle in quickly, taking up a job at Wanmin Restaurant and eventually saving up enough to afford more than the little hotel box room you first are resigned to stay in. You move in with a new friend of yours, an apparently refined gentleman who seems to have no shortage of money but still always forgets to bring it when he needs it, and you start to remember what living in peace feels like again.
You take a deep breath as you watch the bustle of the city from the open window of your bedroom. The cool evening breeze in Liyue Harbour is soothing, unlike the biting nightly winds of Snezhnaya. Perhaps you can finally let go of Ajax now, you think.
Somewhere in the heavens, Fate mocks your hopefulness.
Two years later, your friend, who has only become even worse at managing his money despite your constant nagging, invites you to a dinner with him and a new acquaintance he’d like to introduce you to. You agree, unsuspecting of the true identity of his so-called ‘friend’.
You take one step into the private room that Zhongli had booked and realise what a terrible mistake you’ve made when you see a familiar figure sitting at the table.
He doesn’t turn around at first, too occupied with trying to take a sip of his tea without burning his mouth. Zhongli smiles at you, painfully unaware of the amount of old trauma he’s inadvertently stirred up.
“I’m glad that you made it,” He says pleasantly, and gestures to the man sitting across from him. “This is the acquaintance I was telling you about. His name is Childe.”
There is a long silence. The initial shock of the moment wears off, only to be replaced by something resembling anger.
“So it’s Childe now, is it?” Ajax stiffens as he hears your voice come from behind him. “How many names does one man need?”
He turns around agonisingly slowly, failing to register the dangerous tilt of the teacup in his hands as it comes close to tipping its contents all over the table. You stare blankly back at him from the doorway.
How long has it been since he last saw you? He doesn’t know. Ever since the two of you had parted ways in that alleyway, you’d all but disappeared. The window to your bedroom had always been dark and empty when he stopped by your home, and neither you nor your parents were anywhere to be seen, no matter how thoroughly he’d searched the town. It had only been when Tonia had mentioned your absence in one of his letters that he’d realised that you weren’t just avoiding him. You’d left. Left the town where the two of you had grown up, left the home you’d lived in for so long, left behind all the friends you’d made over the years - just to run away from him.
There are new scars on your face, a new poise in the way you hold yourself. A sheathed dagger glitters at your belt, and even now you toy with its hilt in a way that tells him that you are familiar with it. You’ve changed so much, and he aches to think that he had been unable to see any of it.
He hadn’t wanted you to go, he never had. You’d always been his best friend, someone he looked up to, someone he enjoyed the company of, someone he cherished - someone he loved. But he’d had a duty to attend to, a new mistress to serve, a new title, a new responsibility. He couldn’t keep fooling himself into thinking he could keep the relationship he had with you forever.
That day in the alleyway - he’s never been able to forget the look on your face when you realised who he had become. It’s been burnt into his memory ever since then, flashing before his eyes just before he strikes, and even now, five years later, he still gets reprimanded by his fellow Harbingers for faltering just before he makes the kill. They always ask - how can Tartaglia, who takes pleasure in watching the life drain out of his opponent’s eyes after a battle well fought, hesitate like that?
He never has an answer for them.
Zhongli looks back and forth between the two of you, his brows knitting together slightly. “Do the two of you know each other already?”
“You could say that,” You reply, though your eyes don’t move even an inch from your old friend’s face. His expression is crumpled, almost vulnerable, a far cry from the stone-cold indifference he wore the last time you saw him.
“[Name],” He says finally, his voice barely above a whisper. “What… what are you doing here?”
You raise your eyebrows at him. “I’ve lived in Liyue Harbour for two years. Why wouldn’t I be here?”
Several seconds pass by with no response.
“It seems the two of you have much to talk about,” Zhongli observes, and gets to his feet. “I’ll leave you for now.”
He’s out of the room before either of you can object. Damn him and his perception.
You don’t sit down at the table. Instead, you move to the window, looking out over the city that you have come to love.
Ajax joins you. He hesitates as he approaches, as if debating whether or not to settle right beside you as he would have in the past. Eventually, though, he decides to keep his distance.
“Liyue is beautiful at night.” He says quietly. “Language is a nightmare to learn, though.”
That earns him a short laugh from you, and he can’t help the way his heart skips a beat as he hears it. “You can say that again. I don’t think I even have a proper grasp of it now.”
“You’re speaking pretty fluently,” He replies. “I’d say that’s a proper enough grasp.”
“It’s all just conversational, really.” You don’t look at him, instead choosing to look down at Xiangling, Xingqiu and Chongyun as they walk through the street below you together, exchanging jokes and nudges. “What about you?”
“I’d like to think I know it pretty well. I had to learn for—”
He cuts himself off, but you already know what he’d been about to say.
“For your Fatui duties here,” You finish for him, and though you don’t move, somehow he feels as if the gap between you has widened. “There’s no need for pretences, Childe.”
He freezes at the way you address him. It’s become familiar to him after using it as an alias for so long, but it sounds so wrong coming from you. It feels as if you’re distancing yourself from him, from the childhood you shared together. As if Ajax, your childhood friend, never existed - only Childe, the Fatui Harbinger.
“Don’t…” His voice breaks, and he forces himself to take a deep breath before continuing. “Don’t call me that.”
“Why not?” You sound so detached, so distant - and he hates it. “Would you prefer Tartaglia? That’s what you told me to call you last time we met.”
He feels as if you’ve stabbed him in the chest. It probably would’ve hurt less if you did, actually, but he knows he deserves it. “...no. I don’t want you to call me Tartaglia, either.”
You don’t respond, but he continues anyway. “I want… I want you to call me Ajax.”
Silence.
You finally turn to look at him, surprise painted on your features. “...what?”
Your eyes are just as he remembers them. He never wants to see them as they were on that day five years ago, filled with despair and tears that threatened to brim over.
He takes a deep breath and repeats, “I want you to call me Ajax.”
You stare at him for a long moment. Your face shifts, as if you can’t decide whether you want to be angry or sad or something else entirely. You open your mouth to say something, but at that moment the door opens again, and Zhongli pokes his head in.
“My apologies,” He says a little sheepishly, “But the attendant informed me that we should start ordering our dishes now if we don’t want to accidentally go over our time slot. That is - if you two are alright with having dinner with each other?”
You don’t respond immediately. Your eyes stay on the man gazing almost wistfully at you, your expression becoming thoughtful.
It’s been five years since you’ve last seen him. Five years of sleepless, tormented nights spent tossing and turning, of days spend exhausting yourself just so that you don’t think of him, of a journey filled with obstacles and monsters just to find a place to be at peace in, and just as you finally think you might be moving on, he shows up again.
Maybe you should be angry. Maybe you should be drawing your dagger and threatening him to stay the fuck away from your city and to take his Fatui agents with him. Maybe you should punch him right where it hurts most for all the pain he’s caused you.
But… you’re tired. You’re tired of hurting, tired of remembering. And maybe there’s a little part of you that hopes - a little part of you that still clings to the boy you played with on the streets of Morepesok, the boy that you lost the moment you let him leave on that journey.
And so you come to a conclusion.
“I’ll stay for dinner. What about you, Ajax?”
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rmmcdermott · 3 years
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Pre-Writing: Creating Your Character’s Overveiw
For more informational blogs follow me on my website @https://rmmcdermott.com/
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Congratulations! You’ve continued forward to the next step of creating your characters.
The next step we will take is creating a basic overview of your characters. We will talk about your character’s role, which side they are on, their name, and their gender.
Alright, let’s get to first step one of outlining your characters.
READY! SET! WRITE!
The primary tool that I use to create my characters:
The primary tool I use to keep all my world-building references together and straight is Notebook.ai.
Notebook.ai is a website that is a virtual writer’s notebook. It was created for writers by other writers. This virtual notebook acts as a continuously growing reference page with the information about your story that allows you to plug in information as you go along. They have pages for your characters, locations, magics, governments, and many others. You can use the limited version of the program for free or pay for the unlimited version which costs $84 yearly. This is personally my favorite tool.
I am not paid or compensated for mentioning them in this blog. Notebook.ai is just a tool that I have used for almost five years and love!
What is your character’s stance in your story?
Two things you must have in every story is a protagonist and an antagonist to create the conflict which your story will follow.
Protagonist:
The protagonist is the main character, often the hero of the story that your reader will follow throughout the book.
Antagonist:
The antagonist is someone who is going to be an opposing force against your protagonist. When looking at your antagonist, one thing to remember is that they are not necessarily villains in the comic book sense.
Side or Supporting Characters:
Once you know who your main protagonist and antagonist are, you will need to fill up your story with supporting characters.
Side characters will follow either the protagonist, or the antagonist along their journey through the book.
What is your character’s role in the story?
Characters Archetypes:
Archetypes are a grouping of characters’ behaviors that are readily identifiable to the readers as a specific type of character. For example – The hero, the best friend, the mentor, the teacher, etc.
It’s easier to have in mind what your character’s basic role in the story is and build on top of that to make a round, detailed character.
Note – You can mix multiple archetypes to make a multi-faceted character that encourages your reader to dig deeper into your characters to learn more.
The “Chosen One”
This archetype is the most common hero character in stories. Some wise one, item, or prophecies choose an individual out of everyone else and will be the only person who will break a curse or fight an evil.
The Explorer
This archetype is known for the characters that aren’t happy staying in one place, so they seek new worlds, experiences, and adventures.
These people are great travel companions to your main characters who will help guide them on their journey.
Another archetype that can be combined with this kind of character is a guide.
The Good Guy and/or Traditional Hero
This archetype is a hero that is the person who is going to fight evil with good and save the people from the villain.
Jester and/or Jokers.
This archetype is the character that acts as comic relief in your story. They are the characters that are the lighthearted, fun-loving characters that lighten a darker scene.
These characters might even be the ones that point out the other character’s flaws and insecurities.
The Leader
This character is the person that commands respect from the people around them and does their best to make decisions based on other’s best interests.
The Love Interest
This character stands beside another character with the hope of wooing the other character by the end of the story.
The Mentor
This character is an older character that acts as a person who teaches, inspires, and encourages the main character through their journey in the story.
Evil Incarnate
This archetype is one of the characters under the villain archetypes.
This kind of character is the kind of person that is an evil personification. This archetype has very little development or backstory that comes out through the story.
The Outcast
This character is the character that doesn’t seem to fit in anywhere in particular.
The interesting thing about this archetype is that they can be on the good, bad, or neutral side.
The Warrior
These characters are the fighters and protectors known for their strengths, skill, courage, and integrity.
The kind of character that can come from this archetype is a knight, soldier, etc.
These are sampling of the archetypes I love to use in my own stories, there are many others, and I’ll link to additional websites with lists of archetypes in the sources below.
Build onto Your Archetypes to Fit Your Story
Once you have a general idea of your character’s archetype or archetypes, build upon it in a way that connects their role into your personal story.
For example –
Archetypes: The Warrior
The Character’s Personal Role in the Story:
Rebert is a knight, one of the personal guards of the royal family, and is charged with protecting the king’s daughter, who is setting out on a journey to another kingdom to meet her new suitor.
This brief bio that you have created of your story can help you understand where your character may go throughout the story. It can also help you brainstorm the plot lines for your story that your characters will be a part of.
Your Character’s Name
Name them whatever you want. Please don’t listen to people who say that your names have to be easy or that it has to match your genre.
Just name your character.
If you want to name your character Sally, name her Sally.
If you want to name your character Azriel, name him Azriel.
If you want to use a cool-looking typo as a name, use the typo as a name (I speak from experience on this one).
You’re the writer; you get to create the final truth.
Choose Your Character’s Gender
It is your choice to decide what gender you want your main character to be; antagonist, protagonist, or side character.
Some genres prefer a particular gender for the main character.
Honestly, I have never paid much attention to what gender was more popular in a genre. I just write the character that will best do the story justice.
This Week’s Action Steps.
Decide which side your characters are on: Protagonist, Antagonist, Side Characters?
What is your character’s gender?
What archetypes does your character fall into? Here are some links that you can use to help you.
Create a bio for your characters based on the archetypes you have chosen for your characters.
Name your characters. Pinterest has a great list for that.
Good Luck, and I will see you next week.
Next Week… Breaking Down a Character’s Description
Sources
https://lonerwolf.com/archetypes-ultimate-guide/#h-what-is-an-archetype
https://self-publishingschool.com/character-archetypes/
https://industrialscripts.com/archetypes-of-characters/
https://blog.reedsy.com/12-common-character-archetypes-every-writer-should-already-know/
http://susannacarr.com/2019/08/28/hero-heroine-archetypes-the-best-friend/
https://www.masterclass.com/articles/how-to-write-different-types-of-villains#8-villain-archetypes
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purrincess-chat · 3 years
Text
I've had this discussion before with friends, but I wanted to delve into it more. In a meta mood today I guess, but I've been thinking while watching s4 (well, I've thought it for a while but it's glaringly obvious in s4), but ML has a huge pacing problem.
I know that s1 was more or less a pilot season. It introduced the concept and dynamics of the show, and they weren't exactly sure if it would get its feet off the ground yet, but seasons 2-4 so far have just had a lot of pacing issues.
And I'm going to preface this by saying that everyone who can't understand the difference between critical discussion and salt, feel free to leave. I don't care if you think the show is perfect the way it is. Go do that somewhere else. People can and should be able to look at the media they consume critically. It doesn't mean it's bad or that they hate it. They just fundamentally understand that it is flawed, and enjoy discussing the plot and its flaws on a deeper level. Refusing to see flaws where they exist isn't the positive power move you think it is.
Anyway, back to the pacing issues.
S2 and s3 had barely any plot. The plot we did get was trickled in. Crumbs. Now we got to s4 and Thomas has declared that every episode will have Chat Blanc levels of bombshells dropped as if that's a good thing. Don't get me wrong, s4 has been better than prior seasons, but I still leave every episode feeling like they rushed to cram in too much.
We all know how I feel about the love rivals, and setting aside personal feelings, the rivals from a writing standpoint were not necessary. At least not functioning as love rivals. Introduce Luka and Kagami, sure, but from a storytelling standpoint the purpose they served in s2 and 3 was just to be a cheap distraction. And they didn't have to be.
The big draw of this show is the love square and its subversion of the love triangle. Now people argue that it's realistic to explore other options before getting together, and while that might be true of real life, that isn't in line with the genre/style of this show. It wasn't a needed lesson, so to speak. They drew us in with the promise to subvert a specific trope in an interesting way, then immediately dragged out that very trope. And not even for any big reason. They just needed an excuse to keep the endgame ship split. And as we can see with how swiftly they dropped the rivals when they were no longer "necessary" as distractions, the writers were always using them as an excuse not to put the square together earlier. They knew the square's chemistry was too good and fans were going to be foaming at the mouth by s3 if they didn't do something. Then the second they have another excuse for the square not to get together, boom. Dropped the rivals.
You felt cheated because it was a cheap tactic, and honestly, it was so avoidable if they had just paced things better.
Honestly, I feel like Alya should have found out in s3. Granted, in order to do that they would have had to changed a lot. So this is what I personally (you are welcome to your opinions elsewhere if you disagree or enjoy canon the way it is) feel would have helped fix this pacing problem:
S1 was a bit unavoidable, and it works for what is is: a market tester.
S2 should have focused more extensively on the lore and Marinette's guardian training. We should have been introduced to Mayura earlier. They should have spent more time expanding Master Fu's story and the order's backstory. They could have created tension with the girls/Alya/Marinette's relationships by having her constantly sneaking around to either fight bad guys or train as a guardian which begins to harbor Alya's suspicion. They very well could have moved Master Fu passing his role onto Marinette to the s2 finale if they were more efficient with their time, leading into s3.
S3 could have had Alya finding out. Marinette becomes too overwhelmed with her new duties as guardian and being Ladybug just as she is in s4. S3 could have been her exploring her new role with her bff by her side for support while they begin to build up the Agreste plot more.
S4 then would have been free to expand the Agreste plot without having to crowd in so many other plotlines. Everything would have room to breathe. Marinette would have been busy enough in prior seasons to justify not dating anyone.
What the rivals effectively did was waste time that could have been utilized to develop the plot further in other areas. I get some people like them, but from an objective storytelling perspective, they were filler. When you write a story, like an honest to God professional story, everything has to serve a greater purpose for the plot and move it forward, and if you are experiencing pacing issues or a plot line isn't working, you have to make the executive decision to cut it or change it. I get that time constraints are a thing in TV. Executive meddling happens. Deadlines are tight, which doesn't always leave room for this kind of long game thinking. I also get that this is (I believe) the first time Thomas has been a head writer. Mistakes are bound to happen. It's how you learn and get better. I get that.
This post is more just me speculating what would have made things work better. For me. So backspace over your butthurt comments. Your precious canon is still untouched. I promise. This is just my opinion, shared on my own blog (and not even tagged). Go make your own meta post.
But that being said, I enjoy s4, but it still doesn't quite sit right with me because they are putting too many eggs in their basket now in an attempt to be epic and up the stakes, but in reality, it just leaves the show feeling really unbalanced. To me.
If you like ML the way it is, great. Go enjoy it, scamp. I wouldn't be here if I didn't glean some enjoyment from it too. I just like to think about things sometimes. And that's perfectly okay.
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maxwell-grant · 3 years
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Jumping off from my previous question/suggestion, might I please ask if there are any superheroes you think would make fine Pulp Villains and any Supervillains you think would make convincing Pulp Heroes?
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I'm gonna go ahead and remark that I'd personally suggest to anyone who's trying to create pulp characters inspired by superheroes (which would be probably about 90% of you who may want to do that sort of thing) to flip the script around a little. As in, don't try to create pulp analogues to the Justice League/Avengers upfront, but play around with some of the lesser-known icons and filter those through your idea of what “pulp” means (which is gonna be quite different than my own or anyone else’s). 
I’m not gonna really mention characters I’ve already talked about before like Vandal Savage or Namor, instead I’ll pick new ones and see what can be highlighted about them.
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Regarding “Superheroes who could make fine/convincing Pulp Villains”, even though he’s a character I've read basically nothing on, Martian Manhunter definitely leaped out to me as an obvious option. He’s a Sci-Fi Superman who takes the first half of the name to an extreme that borders on comical, except he’s not a square-jawed white man, he’s a 1.000 year old green alien from Mars with shapeshifting powers who can look as monstrous as the artist desires. He’s the product of an advanced civilization and genetic modification, and on top of the Flying Brick powerset and shapeshifting, he also has incredibly powerful and extensive telepathic abilities, he can become invisible, phaze through matter, use telekinesis and other weird abilities. A lot of pulp stories closer to sci-fi were based around the idea of taking one of these abilities and extrapolating horrific consequences for them, and J’onn has those by the dozens. He also has an extremely mundane weakness that would allow him to be beaten by Macready with a blowtorch if that’s where the story ended.
He was also a law enforcement officer from Mars who became a police detective and it’s even right there in his name, and again, I have never read anything he’s in (I should probably pick the Orlando mini), I know he’s for all intents and purposes a generally nice man who tends to job a lot in crossovers and cartoons, but the idea of taking all those great vast and horrifying alien powers, combining all of them into a single character who also happens to be the last survivor of a doomed planet (and one who actually lived through it’s collapse), and then making that character a former cop trying to resume his work on Earth? 
That is a Pulp Supervillain begging to happen, and a particularly horrifying one at that. And hey, speaking of The Thing-
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Now, Plastic Man’s potential for horror has already been explored quite a bit in some of the darker DC continuities like Injustice and DCeased, and it’s quite funny seeing a lot of these turn Plastic Man into The Thing because there were quite a handful of Wold Newton pages that ran with the idea that Macready from the original story was Doc Savage, and that the secret chemicals that Eel O’Brian was hit by that gave him his powers were actually samples of The Thing contained in one of Savage’s labs. Regardless, the idea of a former street crook suddenly gaining bizarre shapeshifting abilities that allow him to reign terror on his gangster associates could make for a great premise as a pulp crime story that veers into horror as the gangsters gradually figure out what is Eel O’Brian’s deal, and then the story can take a more tragic turn.
The thing about Jack Cole’s Plastic Man that modern takes on the character neglect is that, while Plas was a lively roguish anti-hero (arguably the first of it’s kind in comics), he’s still for intents and purposes “the straight man” (HA, right, Plastic Man being “straight”). He’s the relatively sane hero who plays off Woozy’s wackier misadventures and the imaginative madness that Jack Cole paints his adventures with, and it makes for an interesting contrast considering Plastic Man is already a weird character, having to ramp up the strangeness of the world around him so that he still remains the sane man. There are ways to twist this into something quite horrifying, even tragic for Plastic Man as he either struggles to maintain coherency, or embraces the shifting chaos the world’s spiraling into for better or worse (and definitely for the worse towards those on the receiving end of his vengeance, or even his humor).
Now, onto the flipside, regarding Supervillains that could become Pulp Heroes -
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Normally I’d not mention the Batman villains here, because I already have a lot to talk about in regards to them as is, they comprise some of my favorite comic characters, but I pretty much have to make an exception for Two-Face in this topic, as not only a pretty obvious option but one with even case studies to prove it, as not only do we have The Black Bat, a 1930s costumed pulp hero with an identical origin story and several other conceptual overlaps with Batman, as well as The Whisperer, a young hotshot police commissioner who dresses up as a disfigured vigilante to kill criminals without consequence (and who’s somehow less of a maniacal asshole in his secret identity than in his regular one), but it turns out that there actually was a 1910s pulp hero called The Two-Faced Man:
Crewe was created by “Varick Vanardy,” the pseudonym of Frederic van Rensselaer Dey (Nick Carter, Doctor Quartz), and appeared in three short stories and two novels and short story collections from 1914 to 1919, beginning with “That Man Crew” (The Cavalier, Jan. 24, 1914). 
Crewe is “The Two-Faced Man.” 
He is in his forties and has gray hair and a “sharply cut and handsome profile—until one caught a view of the other side of his face and saw the almost hideous blemish that nearly covered it, and which graduated in corrugated irregularity from a delicate pink to repulsive purple.” 
Crewe is two-faced in another way. Crewe is a saloon owner in below Washington Square. But he has another identity: Birge Moreau, portraitist and socialite hanger-on. Crewe uses both his identities to solve crimes as an amateur detective.
The only person to know about both of Crewe’s identities is a police inspector who is also Crewe’s friend and who Crewe helps in pressing cases - The Encyclopedia of Pulp Heores by Jess Nevins
And speaking of obvious picks for Supervillains turned Pulp Heroes,
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Assuming I even need to make a case for Kraven the Hunter other than just presenting this cropped panel from Squirrel Girl and in particular the art painted on the Kra-Van, or even just telling you to read Squirrel Girl and it’s take on “The Unhuntable Sergei” (I had no idea most of the people saying “Kraven’s arc in Squirrel Girl is as good if not better than Kraven’s Last Hunt” weren’t actually joking in the slightest and I speak as someone who has Kraven among their absolute favorite Marvel characters, it had no right being that good), I’m going to quote the brilliant Rogue’s Review from The Mindless Ones that lays down in painstaking detail why Kraven could make a killer protagonist in that horrifically over-the-top pulp fashion
One thing that strikes me writing this, is how well Kraven could hold his own comic. There’s always room for a book spotlighting a ruthless, hardcore, gentleman bastard, and Kraven’s raison d’etre makes him supremely versatile, so well suited to any genre, any environment. It’s odd that more writers haven’t jumped on the fact that in a universe where off-world travel is possible – indeed, common – a hunter like Kraven would have a field day. 
I can just imagine the opening scene – herds of weird cthuloid bat creatures grazing in the gloomy green nitrogen fields, bathed in lethal, bone splintering fog, when, suddenly, LIGHT! from above and an unholy bellowing: “CTHGRGN fthgrgnARAAAAAAAAAAAAAAAAAAHGN!”
They look up in fear and then they start to run – ploughing into and over each other, tentacles flailing, as from the space-ship’s docking bay Kraven silently plummets, barely dressed for the cold, a glowing knife smothered in elder signs jammed between his teeth. 
You should have seen him one night previous, sipping alien tokay around the Captain’s table with the other guests, discussing the morning’s hunt; and the way he insulted the Skrull dignitary by forgetting himself and accidentally sporting his favourite piece of formal wear: his boiling unstable dinner-jacket of many colours, fashioned from the hide of one of the Ambassador’s super kinsmen.
Whoops!
Midway through Kraven explaining how the best way to irreparably damage a symbiote is to wait until its bonded with you and then seriously maim yourself, the Skrull decided it might be a good idea to simmer down, while his beautiful Inhuman lover hung on every word.
The deeper I get into this the more convinced I am that the MU’s hunter-killer extraordinaire wouldn’t limit himself to bloody planet Earth. And neither would he limit himself to this dimension, or universe or timeline. The guy’d be just as at home leaping, sword raised, onto the back of a T-Rex in the Savage Land, as he would be ploughing through werewolves in the graveyards of Arkham or tracking a howling Demon across Mephistopheles’ realm. 
He’d work perfectly in all these environments because he has a damn good reason to be casting a bloody swathe through them: wherever there’s big game, you’ll find Kraven.
The next choice I guess is an oddball, but not that much of an oddball if you know already what is my main frame of reference towards Marvel
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I don’t think people appreciate enough that the main reason Shuma-Gorath has anything resembling a fanbase has nothing whatsoever to do with the comics he was in, but entirely because, when Capcom designers had a list of Marvel characters to pick from to work on Marvel Super Heroes, they took a look at the diet Cthulhu and went “gimme THAT one”, and then went all-in in giving the alien squid monster a funky personality along with a great stage and music and animations and all that great fighting game character stuff, and now he’s maybe the most popular Dr Strange villain along with Dormammu and Mordo, despite having ZERO film appearences or major showings in comic sagas.
Capcom's designers redefined Shuma-Gorath from a nebulous cosmic evil into a comically smug cartoon bastard who can rant about devouring all dimensions and souls horrifically while also cracking poses and zingers like “How do you expect to win a fight with only two arms?” and having dinners with Dhalsim or hosting Japanese game shows in his endings, and it kills me that none of this ever made it’s way into any depictions of the character outside of MvC. 
So that’s kinda what I’d go with. I’d take Capcom’s Shuma-Gorath, depower him a bit obviously from his canonical power, and run with the premise of his MvC3 ending where he decides that, well, if he's the unlikely savior of this pathetic planet and these wretched human dogs like him so much, and he’s clearly having a much better time here among them than he ever had drifting among the stars cealessly consuming life, then maybe he can take a break from all that eldritch business and keep up hosting the Super Monster Awesome Hour and maybe fight whatever PITIFUL villains think can take HIS planet. I mean, he’ll probably still end up destroying the planet by the end, but why not give this hero business a try?
Just until he gets his full powers back of course. 
I mean you can’t deny he DOES look pretty good in that bowtie, surely The Great Shuma-Gorath wouldn’t be so unmerciful as to deny these vile wastes of flesh something good to look at in their brief and miserable lives.
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eggrestes · 3 years
Text
ladrien fic recs!
there are SO MANY amazing ladrien fics i cant possibly cover them all but here are a few!
(all the ratings used are ao3 ratings)
((this is a very long post!))
FLUFF
Of Ivy and Sunlight by cyanise [ T, 1509 words, 1/1 ]
When Adrien takes to wandering the streets of Paris in ungodly hours, Ladybug has no choice but to keep an eye on him. Still, things are bound to get a little out of hand between two overloaded teenagers with a lot of love and not enough self-control. 
a lovely post-chat blanc fic :’) it has a great flow and is just soft and so sweet and it’s just perfect. gosh i cannot really say more other than read it!!! also almost all of their other stuff is also ladrien so do check it out!
This can't be happening by PlaPla [ T,  6,467 words, 1/2 ]
Ladybug is unsure whether accompanying Adrien to a gala as his not-date is the best or worst thing that has ever happened to her. But when their table mates turn out to be none other than her long time friends Alya and Nino and with Adrien acting weirder and weirder she finds herself with bigger worries than an unrequited crush.
a djwifi/ladrien double date? hit me up! i love identity shenanigans, ball dancing, ladrien, and djwifi and this is a perfect mix for me. i know it’s incomplete but it doesn’t end in a cliff-hanger really, the part 2 is just a promise of more so it doesn’t feel incomplete! PlaPla also has a short oneshot of ladrien going for a motorcycle ride.
Falling again by emsylcatac [ M,  4,506 words, 2 Works ]
They had been dancing around each other for a while now, and while fifteen year old Adrien would have been ecstatic at the idea of dating Ladybug in secret, twenty-two year old Adrien knew better. But Ladybug wasn’t making it easy. It was like… she, too, was falling for him. And that surprisingly enough, she didn’t mind.
* * *
Or Adrien trying (and failing) to keep things professional between him and Ladybug when the two of them partner up for a mission. Older AU
things are a little steamy~ here (don’t worry, it’s only implied it’s very mild and closer to a T rating than the M) but it’s a great mature take on their dynamics! emsy has more ladrien one-shots in her collection of one-shots!
i'd love to go on a date with you by sae_what  [ G,  6,480 words, 1/1 ]
Once it had been falsely announced throughout Paris that Adrien and Ladybug are in a relationship, Ladybug pays him a visit to turn him down gently.
Only, she doesn’t. And instead, she has a formal dinner date. With Adrien. At 8 pm. Tonight.
LADYBUG IN A SUIT!! aaaaaaaaaaaaaa. okay but for real it’s so sweet and also??? they are on a date!!! a rooftop date!! (too man exclamation marks oops)
Always Welcome by  chatonne-rousse [ T, 1,683 words, 1/1 ]
Ladybug knows that Adrien's window is always open for her to swing by and stop in, whether for video games or a chat or, like tonight, for soft kisses and sweet nothings.
He loves these visits. His girlfriend is always welcome. Always. (Especially for kisses.)
Written for Ladrien June, day 8: bluebell eyes.
established relationship, pre-reveal ladrien. there is something very home-y about this fic and it’s all about the comfort and quiet that i adore about it!
Five Times Gabriel Agreste Caught Ladybug in His Son’s Bedroom (and the One Time He Caught Chat Noir) by agrestenoir [ T,  1,923 words, 1/1]
Gabriel Agreste keeps finding Ladybug in his son's bedroom. As a super villain and father, this will not stand.
this crack fic is... honestly so hilarious. it’s all through gabrie-i-am-trying-to-parent-and-failing-a-lot-agreste’s POV so it is so much ridiculous! 
an uncurtain discovery by  Missnoodles [ T, 4,684 words, 1/1 ]
When he returns from school on Wednesday afternoon, Adrien discovers the darkness in his own home. He struggles to come to terms with it. To his utter mortification and delight, Ladybug is nearby to rescue him.
(He does not discover that his father is supervillain. That will happen on a different Wednesday.)
Adrien is being a cat and gets tangled in the curtains on his window and it’s utterly ridiculous. all the bug and the cat tendencies make it funnier and adrien’s inner monologue is just a cherry on top!
secret valentine by a_miiraculer [ T,  12,245 words, 1/1 ]
this is the moment that we will come alive brace yourself for love sweet love, secret love
If Adrien had known that getting himself stuck in a tree would end like this, he would've gotten himself stuck sooner.
A drabble series.
i just,,,, don’t have words for how much i love it! it’s ridiculous, it’s cute, it’s funny, it’s whole-some and just ladrien. the writer also has a M rated multi-chapter ladrien kissing (no the M is very much real here) and a heroic adrien and ladybug one-shot too! 
Those Benevolent Stars by peachcitt [ G,  23,696 words, 3/3 ]
“Will you come back?”
She looked up at the deep blue sky, as if she could somehow find the answer there. “I shouldn’t,” she said, shaking her head and looking back at him. But the stars were still there, caught in her eyes, and Adrien persisted.
“But will you?”
or
adrien meets his soulmate, a thief who calls herself ladybug. he falls for her, but she seems determined to maintain a space between them.
oh my god this au.... just no words!! it’s poetry and it’s tender and it’s about the yearning and just!!! perfect :’). Her current ongoing ladrien june fic is also akin to this (and the fic i linked before it) so do check it out too! (literally check out all of their works it’s so beautiful)
Flowers on the Window Sill by LNC [ G,  2,144 words, 1/1 ]
The first time Ladybug saw him, really saw him, the universe stopped.
this fic feels like poetry and it’s so lovely. LNC is always short and direct but it always hits right in the feels while also being hilarious. Her  other ladrien works are just as good and i highly recommend going through them because it fulfills all of the ladrien needs (along with Reiaji)
whatever a sun will always sing is you by komorebirei [ T,  32,980 words, 37/37 ]
“I didn't think you'd actually... do anything," Adrien admitted, cheeks prickling with warmth. "I-I mean, I never expected... I didn't know you watched my interviews.” That definitely wasn’t how he'd imagined confessing to Ladybug.
“Of course I do!” Ladybug squeaked. “Uhh, that is…” She looked down at her hands, nervously turning her yo-yo over, over and over. “Maybe you’re not the only one with a crush.”
(After an unexpected confession, Ladybug and Adrien start dating in secret. A progressive character- and relationship-study quilted from drabbles, with the intention of digging treasure out of the cove that is Ladrien. Written using kashimalin-fanfiction's kiss writing prompts from Tumblr.)
it does such an excellent job at exploring this dynamic along with the characters. it’s such a sweet fic, each chapter short and fun!
ANGST
whose woods these are (I think I know.) by  Reiaji [ T,  105,000 words, 25/25 ]
Four years after his future turns to cinders, Adrien is a servant in the house he was meant to inherit. Disowned by his father and abused by his stepmother, his days are filled with drudgery until he meets a masked huntress in the forest behind his father's chateau.
As his friendship with Ladybug turns to first love, he dreams of a future spent at her side.
Then, on the eve of the Princess's masquerade, he meets his guardian—and is granted a wish.
[Ladrien Cinderella AU]
Warnings: Child abuse, Graphic depiction of violence
this is absolutely gorgeous. it has so many troupes and so many amazing character arc and great build up and everything just flows so well. it left me in awe for weeks and i just. want to experience reading it for the first time again. look at this gorgeous art inspired by this! {and you have to read  leonard bernstein too because LETTERS and LADRIEN and YEARNING}
i would do it again (oh, a thousand times) by bugabisous [ T, 2,266 words, 1/1 ]
Knowing you can bring someone back doesn’t mean you’re free of the pain of seeing them disappear before your eyes. He can’t imagine he’ll be able to look at her directly without replaying every horrifying moment when he felt her slip away in a puff of smoke.
When it happens once again, he already knows he’ll be trying again. He just can’t give up.
it expands on adrien’s feelings in the episode desperada (my beloved <3) and it is just ouch. such great angst, such great potential. the kind of tragedy that it offers is unusual for ml (it gets only rivaled by chat blanc tbh). to rival this angst bugabisous also has a fluffy one-shot :)
when the world gets too heavy (put it on my back) by Taliax [ T, 4,720 words, 1/1 ]
Chat Noir isn't allowed to cry over his father. But even when he's just Adrien, Ladybug won't abandon him.
Hawkmoth reveal hurt/comfort + Ladrien
the plagg and adrien bond written is just perfect, and oh this hits right in the feels :’) it hurts all in the right way. tali also has so many other ladrien works in all genres too
By Your Side by omniousunflower [ T, 4,361 words, 1/1 ]
(Angry and alone, Adrien waits on top of the Eiffel Tower for his lady.)
“So, how did my kitty get stranded up here?” Ladybug asks.
Groaning, Adrien pulls his knees toward his chest and presses his face against them. “Because he’s stupid and impulsive.”
“Chasing pigeons, then?”
“No.” Shame burns in Adrien’s veins, white-hot now that Ladybug is here to witness his stupidity. “I threw my Miraculous, and Plagg wouldn’t get it for me.”
post-hawkmoth defeat, and adrien is not doing well at all. i am cheating because it is post reveal, pre relationship but it’s still ladrien. this fic is a roller coater of emotions, starting from a slightly crack scenario to a cute, awkward, hopeful ending.  More Than You Know is another of sunny’s angsty ladrien work!
Breaking The Rules (AKA The Ladrien Fistfight) by ThisKwamiNeeds_aNap [ T, 8,714 words, 1/1 ]
Marinette may or may not be dying, but she’s still going to do her best to fix every single problem in the world. She’s not expecting Adrien to be the one who tries to stop her. (Takes place immediately after Kwami Buster)
Warnings: panic attack, broken bones, PTSD. please read the tags!
*slaps this fic* this fic can fit in so much angst. it just?? left me in PAIN oof. it says ‘ladrien fistfight’ on the lid but nooo there is marinette is just having a freak out and it’s all so much??!! and it’s not just marinette there is adrien too and chloe and alya and- wow it’s amazing. love it so much it fills up my angst needs :’)
so that’s it for now! my personal commentary isn’t impressive nor does it do justice to the fic but i still hope you read a few of these!! happy reading!!
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fy-2pm · 3 years
Text
[Interview] 2PM's Taecyeon 1st Look Magazine
In "Vincenzo", going back and forth as the foolish intern lawyer and the cold-blooded sociopath, Ok Taecyeon has added tension. Another side of him begins.
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Q: It has been approximately one year since your last acting piece and you're back with the drama <VINCENZO>. Did you watch the first episode?
T: Of course, I really enjoyed watching it. Actually, I don't know much about the part without my appearance until I watched it on TV. So, it's like something new to me. Watching the first episode, I realized I am in a project that's much bigger than I thought.
Q: What's your reaction?
T: Overall, it was fun. However, there were many scenes with the comical elements came out stronger than I thought. As this is the work from scriptwriter, Park Jae-Beom, I expected some comical elements to some extent but most of them, I didn't even think about it.
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Q: Like you said, scriptwriter Park Jae-Beom is someone who will address the social issues in a comical way. What's it like to work with him?
T: While I was reading the script, I thought the writer has something he wanted to say. He wanted to bring out social criticism through his piece of work. Actually, the black comedy genre needs to be more comical so that it won't be too heavily weighted. It's not easy. The scriptwriter managed to solve this without placing too much weight on this. Personally, I am very impress.
Q: At the drama press conference, Director Kim Hee Won told us that she worked very hard on each character to the extent that it took her 6 months to do casting. Why do you think Ok Taecyeon became Jang Jun Woo?
T: I think the biggest reason is my good health. From Director Kim's perspective, bright and healthy image matches with Junwoo's character. She said I should be able to explore and express this character well.
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Q: Actually, I thought Jang Junwoo would be very different to the Ok Taecyeon that we know for a long time.
T: When I first received the script, I thought, "Should I be doing this?" because Jang Junwoo and I have a lot in common. The very first scene for Junwoo is riding an electric scooter, which made me feel if someone is hiding a camera to film my real life. I like to ride it all the time (laugh). However, as the story unfolds, it is more than just Junwoo's foolish out look. I'm going to show a different side of me, so I am paying a lot of attention in my acting.
Q: With a different side, what would that be?
T: I think Jang Junwoo is someone with many sides and shadings. It's character that goes back and forth between cold and hot bath. I keep thinking, "Can I express it like this?" I am thinking into each and single details. Personally, I have never acted like this before, so I'm expressing it in various different ways under the directions from the director. Viewers will be able to see this, I wonder how they will accept it.
Q: Personally, I think your "Tikitaka" with senior lawyer played by Jeon Yeo Bin was impressive. I'm looking forward to see the chemistry between you two. (T/N: "Tikitaka" means "the situation whereby someone does something and the other supports with efficient responses")
T: Actually I tried to get to know each other better. She's an actress who receives well and so, we are in sync when say our script lines.
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Q: Jang Junwoo is an intern who just took his first step into the society. What was Ok Taecyeon like when he first started? Let's talk about the old days.
T: When I first started working... It was already 15 years ago (laugh). Back then, to me, everything was fun. The very first time I earned my own money was when I did some modelling. At that time, I didn't have a manager, so I took the bus with heavy stage makeup. I also went to practice just like that. However, everything was really fun. At that time, my parents were in the US and I came back to Korea alone. One of the fun things is to tell them each and everything I did for work.
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Q: <VINCENZO> will be meeting global viewers via Netflix. Will the global viewers be able to relate to the story?
T: For sure, I don't think there's anything you can relate to it. This is because it is a black comedy where they are pointing out the current problems in Korean society. However, if you look at it at a wider scope, the definition of a dark hero is the same in any society. Viewers with their conventional thoughts and curiosity will have questions as to why things are not resolved by the law. I think this is where <VINCENZO> will attract the global viewers.
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Q: You have been an actor for more than 10 years. When was the first time, you are convinced about this?
T: I think it was at the time when I was filming the drama <WONDERFUL DAYS>. One day after shooting a scene, the writer praised me for doing well. While I was filming, I thought, "Am I doing it okay?". I didn't know I would get a good compliment. After the filming, I was able to feel the relief of my nervousness, which I have never felt before. For the first time, I thought, "Is this the charm of acting?"
Q: When you first dream of becoming an actor to now, is there any difference?
T: Well, I think we should use the expression "When I first started" rather than "When I first dreamed" about it. I think I really started not knowing what was really going on. With the thought that I am working with nice people, every time I go to work, I will think about how I can contribute to make it interesting and fun in the filming. I thought about how I can express more. I think it's about time for me to think about how to make my characters look new.
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Q: Actually, there is no right or wrong answer for acting. Sometimes, there are different opinions but what kind of choices do you have to make?
T: Personally, I will analyze the characters and prepare a lot of things. Sometimes, I will approach the director. Times like that, I will follow the director's instructions. Of course, there are also times when I have my own thoughts. However, no matter how I act, it doesn't mean much if it gets edited out later. I came across an actor who doesn't look at his acting at all on the monitor. If he sees his own acting, he would be forcing his acting without realizing it. So when he the director says it's okay, he is okay with it, too. After hearing that, I thought that was right too.
Q: What attracts you when you look at a piece of work?
T: Personally, I think how the story flows is important. Next is, what can I show with this character? I will look into it.
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Q: What's the joy living as an actor?
T: While you get to play different characters every time, you can also break down people's prejudice. I think this is the part with the most fun. So I think it's important to take on new challenges with something new. I am always thinking how to keep people's attentions and to what extend people can take when I do something outrageous.
Q: If so, what does actor Ok Taecyeon want to show with his acting?
T: Honestly, instead of showing a completely different side of me, I am trying to focus on what I already have and I'll increase all aspects little by little. I was watching my acting to look for the character's flow and what the character is missing all at once. I'm trying to do that (laugh).
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Q: By the way, at the end of last year, 2PM announced their group comeback at a live. How's the preparation going?
T: We're preparing but I'm not sure if we can make a comeback this year (laugh). We are planning but there are situations overlapping so we need to organize that.
Q: Since 2016, it's been 5 years since your last group album. Personally, anything you want to show us?
T: As all our members are composing songs, we all have different ideas. Like what music to use as our title song? We cannot make a start unless we find our direction. Actually, once the title song is decided, it will progress from then on, but members haven't come to a decision yet. Recently, our first round of gathering failed (laugh).
Q: Define Ok Taecyeon in a few words. What words are appropriate?
T: A lot of people said the words "healthy" or "vitamin C" (laugh). Personally, I like all of them. However, if I put them all together, I hope I can become the "Happy Virus." Doesn't matter where I go, I want to give happiness to many people. As a singer who is acting, if you watch me act and you can feel the comfort and happiness from my heart that would be great.
Q: I think you have achieved this. Everyone in the site here today is happy. Thanks to Taecyeon.
T: Really? Then, that's all. What. Hahaha...
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Trans @JLML718
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yurimother · 4 years
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Interview: Shilin Huang, Creator of Amongst Us and Carciphona
Shilin Huang ( @okolnir​​ )is a Canadian freelance artist and comic creator, known for her long-running series Carciphona. She has a Bachelor of Music in Performance from the University of Western Ontario. Carciphona is a long-form fantasy story set in a world where demon-magic is forbidden. The series follows a young sorceress named Veloce, and the mythical assassin assigned to kill her, Blackbird.
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Shilin’s newest book, Amongst Us, based on the webcomic of the same name, is an alternate universe comic that reimagines Veloce and Blackbird as musicians and girlfriends in the modern world. You can support the physical release for Amongst Us book 1 on Kickstarter today.
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The first book of Amongst Us is coming soon. How do you feel about the release?
Eager and relieved!! I had worked for so long to make the web format viable for print format, as well doing all the extra drawings that were necessary--like covers--that I had to keep under wraps, it felt great to know that that part is finally done and I can release my child into the wild. I was very worried too before the launch of the Kickstarter, because though I am the one who made this story, I am not quite a slice-of-life type of person myself, and it was hard for me to see value in this mundane, not-plot-driven kind of story as a printed book. But I was very lucky to have that worry dispelled!
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What drew you towards creating comics and artwork? Was it a dream of yours?
I’ve been drawing since before elementary school because I enjoyed it, and somewhere along the way, I wanted to create my own characters, and then I wanted stories for them. It was always just me doing what I felt like doing, more so than something that I aspired towards achieving consciously. If I had to analyze the allure myself, maybe it was because people and the world are so interesting, I’ve always loved thinking about their nature and circumstances, and art/storytelling was the best way for me to explore and share those thoughts.
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Could you briefly walk us through your creative process for making a page of Carciphona or an episode of Amongst Us?
Carciphona is a long, plot-driven story, and so the scale of preparation required before the page eclipses the actual drawing of the page itself. [A] small moment has some larger impact in the plot, character development, and accuracy of world-building. So I usually spend about half a year or more writing out an entire volume, read it over many times over the course of the years, before I do the same thing with sketching the entire volume on the computer, rearranging pages and panels and entire scenes for best delivery, before I finally commit to drawing out each page in detail on the computer. 
Where Carciphona is like an elaborate set course where I chop up and measure ingredients and time their cooking with a careful game plan so everything can be served as they should, Amongst Us is more like an omelette that I’m making to taste. There is still planning and writing ahead of time, but each episode is much more self-contained, and I do more of the planning of the episode within the episode itself, adding and taking away details as I see fit before I feel like it reads naturally enough for me to fine line, colour, and paint.
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You talk about being a self-taught artist, how did you learn to create artwork? What are some of your favorite educational resources?
While I did come across many tutorials, they were mostly short ones here and there made by my peers, so I don’t have any favourites in my mind that I can share ): . I learned by just looking at the art of my peers at the time and drawing a lot myself, thinking about what I could learn from each time I see something great, and what I could try next time to make the next drawing look better to me. When I had just started drawing digitally, the internet was quite new, drawing tablets expensive and uncommon, with no social media to share art or find resources. Over time, I did try to learn more properly by doing studies and seeking out professional tutorials, but I found that I hated it and decided that I’d rather learn and make mistakes at my own pace and be happy than to commit to effective and efficient learning and make myself dislike drawing.
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Amongst Us is, of course, an Alternate Universe comic featuring characters from Carciphona. What inspired you to put your characters into a GL slice of life work?
Back in 2006, when I started drawing Carciphona, I had no plans of this frenemies dynamic for the two main characters, Blackbird and Veloce, and when the thought had occurred to me as I continue to tweak the story, canon GL relationships were still rare and rarely accepted. I was even told on many occasions by readers that they hope the two do not end up with some couples dynamic, or they will no longer be interested in the story. Ultimately, Carciphona was a fantasy story about an entire world, and I wasn’t going to risk the story’s reception over a small detail like whether or not Blackbird and Veloce sleep together, so I just played with the ideas of their relationship on the side, in paintings of many different AUs. Eventually, all that did was make me become so attached to the idea that I decided to say, screw it, I need someplace where they could be together, and I’m drawing an AU for real.
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Where do you draw inspiration from for your work? Both Amongst Us and Carciphona.
I love a lot of things, feelings, aesthetics, and I eat up all of that and take it back out in the form of my stories. The inspiration is everywhere, from beautiful imagery I witness in pictures and in real life, to [the] lives of people that I hear about or experience firsthand, to the ethics and structures of professions from mechanics to medicine… In feelings, knowledge, and perspective, there’s an infinite amount of things that makes me think, and that thinking is what creates AU and Carciphona, whether or not that line of inspiration can be clearly drawn back to the root of the thought.
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What are some of your biggest challenges or fears creating Amongst Us? Was there any realization or advice that helped you overcome those difficulties?
My biggest fear is always in relatability because it’s a difference between me and the reader that I do not and cannot have a solution for because it involves another person. In such a relatable genre as slice of life/comedy/romance, where the readers have more experience and therefore more varied but stronger expectations of a version of life that is relatable to them, I know that even if somehow I become a master writer, I still would not be able [to] say whether I could story that others would get or would be interested in, especially because I am aware I am an oddball when it comes to how I think, how I live, and what I value. What helped me the most was simply seeing that there were readers who did enjoy the stories for what it was, and reminding myself that I’m telling the stories to find those who might enjoy it, not to avoid those who might not. It’s a different perspective, rather than a solution, so the worry constantly resurfaces, but I hope it becomes easier over time as I am proven wrong more often!
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Amongst Us readers have gotten to see Veloce and Blackbird as an established couple, and now we are witnessing flashbacks to how they first met. Where do you hope to take the series in the future?
I intend to tell both of these timelines concurrently, so as the couple timeline ended at episode 20, I intend to end the flashback at around episode 40, and then switch again at episode 60, and so on. While this kills the momentum for each arc, I made AU so that I can have the cake and eat it too--I want both their back story and a happy ending at the same time without having to wait 10-20 years for it, like I do with Carciphona’s plot haha!
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What is one dream or aspiration you would like to accomplish? Even if it is unrealistic.
My only dream right now is just to finish both Carciphona and AU before my time’s up! Funny how unrealistic is specified, it made me realize that I rarely consider unrealistic dreams/aspirations as worth thinking about as they are unlikely to happen when there are so many other things I want to do that are actually possible. Most of my unrealistic dreams actually revolve around music, a profession I had left behind with an aching heart. I dream to play a concerto with an orchestra someday, or even learn to conduct, but for now, drawing my dreams out feels enjoyable and fulfilling enough a compromise!
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What advice do you have for people wanting to create artwork and comics?
The true challenge these days I feel like is rarely in the work itself; there are so many readily available free resources that anyone who is capable of working hard and thinking critically will sooner or later be able to master skills they acquire to some degree. What is truly challenging is finding, and then accepting, what paths work for you. Someone might find great joy in working in a studio with a group on something big, while someone else might only enjoy drawing what they feel. Both, in this current climate, will be compelled to adhere to the standards of drawing what others want to see in order to gain recognition and financial stability, one will thrive, one will not. 
I think the most important thing to keep in mind is understanding what you want out of drawing/creating, and why. Understanding yourself is often not as straight-forward as it may seem, everyone has different circumstances that subtly motivates them to sometimes misdirect energy and misinterpret what it is they truly want. Some people need to be understood, some people want an excuse to execute, and some people want fame, money, recognition, validation. Whatever it is, and all valid, understanding and accepting your own motivations to create can tremendously help you find the path forward that is suitable for you, not anyone else, even if it might mean following an impractical path that no one else recommends.
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Finally, after the release of the first Amongst Us book, what is next for you? Anything special your fans can look forward to?
My game plan through the decades has always been to just keep going. I did choose long-form projects such as the comics that I draw, and the best thing I can do is to just keep it up and reach those exciting points of the story that I’ve always worked towards, no matter how uneventful that may make my work routine sound. However, I do have a little side thing with a(nother) recurring theme that I’ve been doing here and there for fun whenever I had time, people who keep up with my social media art posts may have noticed. If I ever accumulate enough material, maybe there will be some bonus snacks for my readers on the horizon!
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Read Carciphona and Amongst Us online now and be sure to support the physical release on Amongst Us book 1 on Kickstarter today. Also, be sure to follow Shilin on Twitter @Okolnir.
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concerningwolves · 3 years
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Hej, I actually have three questions: How do you handle plotbunnies? I currently have 14 - more or less fleshed out. But they are mere notes. Secondly: I'm in a bind with some of my pieces. The introduction is more or less there and I have a cornerstone (an important scene) but I don't know how to get there. Thirdly: Is there a tag or so for beat readers and how much research is good? I can sink week into research a single detail. Thanks.
(A note before I begin: as of 02.04.21, asks like this violate my ask guidelines. This isn’t a personal scolding, @quamatoc, but I just want to make you and readers aware that I won’t take multiple unrelated topics in a single ask anymore. More on this AG update here.)
Handling Plot Bunnies
Honestly, the most helpful thing I've learned is that it's okay to just... let your plot bunnies be. Leave them grazing on your metaphorical mental lawn. You don't have to do something with them straight away – in fact, managing which projects you work on and when, instead of chasing down every plot bunny you see, is an important skill to learn.
I like to keep an Evernote notebook for each plot bunny, so I can update it whenever I get a new idea but don't feel like I'm abandoning the ideas or like I have to work on them Right Now. You could keep a physical notebook, a file, a digital folder full of word documents – it doesn’t matter what you use, so long as it’s something you can access easily and keep relatively organised. Sometimes fresh inspiration will strike and I'll realise that an apparently unrelated plot bunny is actually really useful for a current project, or I'll get struck with a full plot for a previously fragmented idea. Either way, it’s been really liberating to realise that I can just keep plot bunnies safe somewhere for later on.
Getting from Point A to Point B (Building the Plot)
► PLOT STRUCTURES & GENERAL NOTES
To get from place to place in a story, you need to think about what makes it tick. You don’t need to write scenes in order, though! For me, figuring out a plot is really just me asking myself a very, very long series of questions. If I know what the Big Scene is, I’ll work backwards, asking myself things and seeing how the answers could get me from point A to B.
You don’t have to figure out a plot freehand, either. If you’re struggling, you might find it useful to use a pre-made plot structure outline such as the. There are loads available online. Print out several different ones and see which fits best, put your important scene where you think it goes and work backwards, write all over them, use a giant whiteboard, write on the wall – if it helps, use it. Here’s a blog article on different types of plot structure.
I also think it's important to actually write. It's so easy to get caught up in plotting that you don't put your thoughts to paper. Make sure you don’t fall into that trap! I'm a plantser, meaning I like to do a mixture of pre-plotting and flying through drafts by the seat of my pants. Even if you’re a rigid planner, be sure to see how your ideas look in action by drafting out scenes.
► “WHAT IF?” QUESTIONS
“What if character A and B discover a secret? What if they have different opinions on what to do about the secret? What if this becomes a friends to enemies to friends to lovers plot?? – wait, no, what if they’re already enemies and this secret forces them to work together? What if—”
Brainstorm  "what if...?" questions and explore various options. You don’t have to make any final decisions – that’s the beauty of drafting! The point is to put together subplots and main plots, and see which one works best in getting you to where you want to go.
► GOALS, WANTS & AMBITIONS
A character’s ambitions, wants and goals are very important to a story. They help hook the audience in by giving them something to root for. Knowing what a character wants and what lengths they would go to to get it is crucial to driving a plot forwards, especially if your story is character-driven.
What does a character want? → A character can have multiple desires, but it’s helpful to pick one key thing that undercuts most of their actions. Maybe they want to find out who killed their mother, or escape from somewhere. Perhaps they want to steal a pretty gem. Maybe they want to be king, or they want to escape from their responsibilities as a ruler.
What steps is a character willing to take? → Some characters are willing to do anything to achieve their goals. Maybe they commit a crime, end up in prison, get nudged towards more heinous actions, and find themself in a situation they never would have expected. Other characters are more cautious, but get pushed to breaking point – and then make a Bad Decision that bring about a major plot point. The steps a character makes are what puts them on the path of your plot.
Could anything change a character’s desires, or influence them to take different/more drastic measures? If so, what, and how would this change plot events? → Let’s say that your cornerstone scene is when character A steals from character B, but A starts the story unfailingly loyal to B and only wants to protect them. In order to get to that cornerstone, you’d need to work out what could happen to change A’s priorities. Change is invaluable in getting from plot point to plot point. If something happens that changes what a character wants – i.e., a betrayal, a sudden exile, or a change in fortunes – it can push them down paths they wouldn’t have otherwise considered.
► CONFLICT & OBSTACLES
Just as characters need to want something; plots need conflict and obstacles to make them interesting.
What could go wrong? How would the character(s) try to solve the problem? → “How can I create problems?” is probably the most valuable question an author can ask when building the plot; asking yourself how the characters try and solve said problem just pushes it even further, like this:
Does the attempted solution work? Whether it succeeds or fails, does it have any unexpected consequences? → Say that your Important Scene takes place in a different location to where your characters start out. So, the thing that goes wrong means your characters need to flee (the solution), and it works! They’ve escaped! Only now, they don’t have anywhere safe to go, and so they end up going into the place where Important Scene happens. Or maybe they don’t escape, and their attempt means that they’re transported to a more secure location, which in turn gives them an opportunity to get to Important Scene Location.
Do A’s goals conflict with another character’s goals? What would the other character do to protect their own interests? → If your cornerstone scene involves a clash of two armies, you need to think about what could ramp up the tension between the two sides, and conflicting interests is a great way to do this. Maybe your protagonist is trying to save the world from impending doom, but the queen of a neighbouring land is blinded by hunger for more land and riches. Or, the protagonist is a queen-in-exile trying to wrestle the throne back from the tyrannical relative who usurped her. Think about how each characters’ moves against the other could drive the plot.
The key is to think of it as building a structure out of bricks or slabs. You have your cornerstone – great! – now you need to work out what parts go where.
Research and Beta Readers
Research is something I wholeheartedly and unironically love. I will actually give myself research days a treat for reaching certain writing goals! So, naturally, I'm going to say that there's no limit on how much research one should do to create a story. That said, there is one caution to keep in mind: research is good, so long as you don't let it stop you from actually writing OR let it turn your writing into something akin to an instruction manual. In early drafts, try replacing any specific information you need with a code such as [ELEPHANT] or [KX] – basically, something you can find easily with the search function later on when you’ve researched it.
To find beta-readers, I recommend using the writeblr tag. It's where the bulk of the community puts their stuff. Make a post like "call for beta readers" with information about your project and use the buzzword tags like "writeblr" "writers on tumblr" "writers of tumblr" "beta readers" and whatever genre is applicable. Avoid external links in the post, otherwise it won't show up in the tags.
[ASK GUIDELINES | KO-FI]
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unioncolours · 3 years
Text
A 2nd Majsasaurus Year!
Today, 22nd of September 2021, it’s been two years since I officially joined the magical world of fandom. 22.9.2019 I uploaded the first chapter to my fic Shadows and Sand, and the rest is history.
I did a deep dive into my first year as a fic writer and active member of fandom last year, when it was my first anniversary. You can read it here!
In that meta discussion about my membership of fandom, I presented it as if walking on clouds. I was so, so happy and talked during all the discussion about my happiness in fandom.
Since that post was written, my life and also my perception of the fandom I am part of has changed. Change isn’t always bad, as I really had a honeymoon phase with fandom over a year ago, and the low after hit hard.
But let’s see what I’ve been up to and what I’ve been writing! The following year provided much change and fun things! Please keep reading 💜⬇
The first fic I wrote since 22.9.2020 was a Sakura x Ino fic. I had for a longer while been interested in writing a woman-loves-woman ship, which I had never done before, and as a wlw-person myself the urge to explore that part led to Promise me this is just a kiss. The pairing itself was chosen on rather random, it had to be two women and I like Ino, so I chose the most popular Ino-wlw ship for this for convenience.
I really liked writing the fic and it was well-received! It was the first time I had written a fic that was entirely centred around exploring feelings and having sex.
After this I jumped directly onto the next idea that had been boiling inside me for a longer while. Up to this point, all I had written, except the wlw-fic, had been set in the Naruto canonverse and I was itching to try to work with a multi-chaptered modern au! The pairing was of course my beloved Shikadai x Inojin.
It was during the creation of this fic I began to struggle. This was a new genre, as this was romance only and all my other works had been action and fantasy based, except the sex fic of course. I was maybe over critical and stressed, which resulted in me having a hard time writing it. But I made it. Was the sky always this beautiful? ended up being 35k long, and in hindsight, I freaking love, love, love how it turned out in the end and what it represented. I am very proud of this fic.
I “upgraded” as a fan by the end of October when I bought myself a digital drawing tablet. I began drawing fanart of Shikadai and Inojin and preferably them two together, haha! I still draw a few days a month and find it extremely fun as a side hobby beside the writing.
We are now in November 2020. By this time, I had completely finished my zine fic, Under the Scorching Sun, which I had written during September and October, for the Shikatema zine I was kindly accepted to. I was proud of what I had created and was eager for the rest of the contributors to wrap up theirs, so we’d have a wonderful zine for sale in 2021. It was lovely to write ShikaTema again. As the zine fic was about to be released in months from when I had at first finished it, I wanted of course to write something fans and friends could immediately take part of on the internet. I had hyped myself up to a state where I wanted to write a third and final story in my series To love and never let go, my epic series about Shikadai and Inojin.
Now, I should maybe have waited another month, but I was worried the readers would give up on me if I didn’t write it right away. In December, I began writing To find hope in the Universe, with my usual speed and love for the art.
What I by then didn’t realise or even recognise was that I was very slowly turning burned out. I ignored all the signs.
In December I wrote simultaneously as Hope in the Universe a fic that was part of the Shikatema server’s Secret Santa event. The fic’s name was The Ghost Stories of our Hearts, and it was ShikaTema, as the event’s name suggests. It was fun to write and despite the final big fic, Hope in the Universe, pressing down on me, I finished The Ghost Stories of our Hearts and was very happy with the result. Sadly, at this point the burnout began taking control over me, and I never managed to reply to the comments.
The 15th of January, I began uploading To find hope in the Universe. It was a lovely experience, even if it was tainted by negative feelings coming from my decreasing happiness and the fact that it didn’t do as well as To dance above the Stars, the second fic in the series. To deal with two very contradiction emotions, loving my work, the characters, how I have painted an entire world around the characters and how I knew some people honestly loved my hard work, and then the negative feelings coming from not feeling good enough and depressed, was a difficult thing to navigate and still is when I think back to that time. It didn’t help that during the process of uploading the fic I went through grief, and I chose distraction as my coping method. I kept writing and working, the only thing I ever knew.
Our pre-order of the Shikatema zine was in full motion by this time and it was a nerve-wracking time! Mostly because of excitement but also worry. I’m super happy for my friends who were part of the zine, with whom I could share all the excitement and nervousness with. The zine ended up making good sales, which made me happy among the uploading of the long fic.
To find hope in the Universe was completed 31st of March 2021. When I uploaded the final chapter, I felt nothing. It was so weird, so spooky, to have finished a long fic and a series on top of that and not feel anything. But deep down, beneath the layer of depression, I felt great pride.
That was the emotion that broke free once the burnout left me. Pride.
I had created this empire of Shikajin, a whole alternative timeline, an alternative canon from my own head and to this day, that is my internet legacy. I love Trial of the Heart, which I wrote in 2020, but if I have to choose between ToH and this series, I will choose To love and never let go in a heartbeat.
So, even if it felt depressing and hopeless in the moment, I look now back with pride and happiness. Never forget that. Never forget that I made that.
April was a curious time. I swore to not write anything, because I had by now recognised that I was burned out and needed to rest, yet managed to scrape together three smaller fics.
The first one was another wlw-smut fic, TemaSaku this time called Another Light. I wanted to explore that part once again. I wrote it in canonverse and honestly think the fic ended up extremely nice. Perfect amount of feels and sex. It didn’t feel hard to write at all, because the setting, characters and emotions were so different from the fics I had written the last five months.
Now more interesting things lay on the horizon! A new zine, the Ino-Shika-Cho zine called Beyond a Bond had an interest check during the spring, and later the contributor application. I urged in the interest check to please give us the next gen kids, Shikadai, Inojin and Chocho – my kids and babies, and when it turned out they were going to feature, I had to apply as a writer. For this application I wrote a one shot, called It’s just hair, and I loved this spunky little story featuring the best babies that I created.
I also edited one of my tumblr fics, And then I kissed him, into a longer, better version that I later in May uploaded onto AO3. It was once again a Shikajin, a sequel of Trial of the Heart, and it was a fun little project.
Now May came and I sent in the application for the zine early, which I now am relieved I did. I am happy that I did the work for the application in April instead of May, because in May I had a few breakdowns and another grieving period, which lead to complete creative paralysis. I didn’t write a single word during May, only uploaded the two one shots I had prepared in April.
What I did do in May was to read through the Shikatema zine I had contributed to! It arrived in the mail! I was so nervous; my whole body was shaking when I opened the package right outside the post office. The zine now resides on the parade place in my little zine shrine in the bookshelf. Thank you to the mods who made this a reality!
To my great happiness my zine adventures continued as I was accepted to the Ino-Shika-Cho zine as a writer and was assigned to write my favourite characters. I felt so relieved and overjoyed, mind blown by the sheer talent among the contributors.
On the other fandom front, June didn’t continue any brighter, with stress and mental pain still having a strong grip around me, despite the very happy news that I am still so grateful for. I wrote a Yamanaka family fic which to this day hasn’t seen the light of AO3, because of negative emotions surrounding it. I turned into a complete wreck compared to me in June 2020. In June 2020 I was flourishing, I loved what I did, I loved fandom and I loved the friends I had made through Discord servers. Now I could find myself crying my eyes out over a wip not going the way I wished it would. What had happened to Bex 2021?
I was so incredibly frustrated with myself, groaning in defeat when my hands just couldn’t write. I managed to push through 6k of what I called my “emo au” – more of that later – and finish the Yamanaka fic which is still buried, and on top of that I had the zine and another fandom event, The Naruto Photo Album, to create content for. Why couldn’t I do it? Why couldn’t I find happiness in something that once was my reason for happiness?
In the end, I managed to write 15k in June. My former monthly word count used to be 30k. One could think this would turn into the end of my fic writing career, or the beginning of a longer hiatus, but I am stubborn and want to meet the expectations of the people who love my content, so I didn’t want to give up. I wanted to try. I wanted to be whoever I was before.
Funnily enough, the healing came in the shape of the most self-indulgent fic I have ever, ever written, a fic I like possessed began writing July the 1st 2021. It was nothing less than a freaking fairy tale AU, namely a Shikadai x Inojin Peter Pan AU. I can hear you laugh at the silliness of it, but this whimsical AU gave me back my love for writing. I hyper-fixated on this story quite a bit and stopped writing on everything else, something I almost never do.
Only happy boys fly ended up being 21 000 words long! I knew it was a niched story, and true to my guesses, the story has to this day very low stats. Today, two months after it was published, it has just above 100 hits and 10 kudos, so for all I know, only ten people read and liked it. I try to not care too much, since I love the story and in some way, that story saved me from going batshit insane over my emotions about writing.
At this point I had begun writing my fic from the Ino-Shika-Cho zine, finding joy in silly scenes with my favourite characters and trying to heal. The writing process was frustratingly slow, but one word at a time I got forward and as of today, the draft is done. The pre-orders are in December. At the side of the zine fic I wrote a short fluffy Shikajin story, CLEAR, a story with almost no plot, because I knew how much self-indulgence could help me.
And then, I finally began writing for real on my emo au, A gang of fallen stars, which has the first few chapters up right now! I have for the first time in six months a longer fic (if we don’t count the Peter Pan story) and it feels… good. This fic is once again a modern au, but in darker tones than my other modern au from November 2020. I honestly like what I have so far, even if I during June and July almost planned to never finish it. I am so relieved I managed to begin the upload. In September the Photo Album was released and I could show my two fics I wrote for it.
It sounds like this year has been nothing but misery, and at times it felt like it. However, there are a few fandom friends who brought light to my life when I couldn’t see it. The first ones to mention are of course my partners in crime, @notquitejiraiya and @thespookymoth. Together we created a server dedicated to Ino-Shika-Cho during the spring and it has been tons of fun with the members there! Thank you two for listening to me and for being my friends during 2021.
I also have to mention Soverel, who carefully begun taking contact through comments and likes on my twitter, and later through direct messages, and it has been a fun ride ever since. We’ve had lovely discussions which are very dear to me and your support means a lot to me. Thank you for being you and for drawing so many wonderful artworks you’ve shared with me. Haha, and for making me play Genshin Impact, even though I do it like twice a month!
Another person who has made my days so much brighter is @sugarriene. Thank you for sending me that one dm that made us chat regularly, thank you for popping up and sharing panels and your wonderful drawings with me, and for vibing head canons with me. You are a lovely person, and you make me happy.
Finally, I want to give a shout out to @yoboseyokyu for listening to me when I had to yell into the void and for making me happy with your cute posts on both twitter and tumblr.
Since September 2020, I’ve written around 195 000 words and drawn close to 35 illustrations, most of them of Shikadai and Inojin. Almost 200 000 words of Majsasaurus. I’ve created a Discord server and I’ve been part of two zines as a writer, plus a free PDF-project.
It has been a wild year. A year filled with passion for my favourite characters and ship, with the excitement that came with being part of projects and hyping them. It was a year where I learned to draw digitally, and heck what fun it was.
This also a year where I learned people can be mean to me because of what I ship and that fandom friends won’t necessarily always stay to be your friend anymore and how much it can hurt. I also learned what my limits are, and what punishment I get if I don’t listen to my own mind and rest when I have to.
It was a year, guys.
Now, onto the third Majsasaurus Year. Cheers!
And those of you, who supported me when I needed it – thank you and I love you.
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willowistic22 · 3 years
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Famous!newsies
Ok so here are my famous!newsies headcanons from an a modern au i thought of if newsies were celebrities/famous yknow bcs I couldn’t get this idea out of my head and idk what to do with it other than making a headcanon list nabsnzbsvsnsbz anyways hope yall validate me after not posting any original content for like…. awhile now hehe
btw it got longer than expected. And I mean r e a l l y long. So if yall wanna read this better sit down and buckle up! 
Jack
He’s an artist on youtube
Like a modern day bob ross ig??
If yall know zhc on youtube just imagine that but not so rich (I don’t watch zhc btw but i do know that he does custom art on iphones and stuff and that is definitely not jack kelly)
Anyways Jack simply goes by Jack Kelly.
So jack does art challenges. Like does the weirdest requests from his fans left in his comment section and stuff
Or maybe challenging himself to make art from a specific theme or a specific media
Sometimes he vlogs too but his art videos are what his fans like the most
His merch is amazing because he designed the pattern/drawing/whatever yknow. It’s printed/sewed/whatever on the clothing and it’s good quality. It’s pretty lowkey for a youtuber’s merch bcs jack doesn’t like those merch that just smacks his logo on a hoodie
Davey
He’s a fantasy, YA, romance writer (he mixes it wisely ok?)
And goes by David Jacobs
Listen he’s a hopeless romantic and i’m pretty sure yall agree too
He wanted to stick to YA romance. The classic high school lovers yknow
But he wanted to challenge himself since he’s been writing about high school lovers since he was in high school
Thus the fantasy genre came in mind
So yeah he likes creating love in his own universe
Whether it’d be different worlds, universe, species, time periods, whatever.
He wanted to direct the movies based on his books, but he’s actually lowkey terrible at leading on his own. But he did stick to being the script writer and co-director (look idk how it works in the film industry i’m just making shit up)
Crutchie
He’s a solo jazz singer
Crutchie gives off Michael Buble and Jason Mraz vibes tho
And maybe a bit of frank sinatra? Yknow ‘cause he sings jazz
Also he riffs thank you very much :)
He goes by Crutchie Morris to everyone
He usually plays the acoustic guitar or piano on stage
Ok but he’s like really good with the piano
Makes the best jokes on stage too. Some are just sarcastic comments.
Crutchie asking through the microphone : “Oh, straight?”
A fan he’s talking to from the crowd : “Uhh… no, gay”
Crutchie : “no not you, the vodka”
Everyone at the concert : *laughs*
Crutchie, jokingly : “Oh, you’re drinking vodka! Straight? No gay”
(yes that was indeed inspired by that one video of Harry Styles and a fan in one of his concerts yall can’t stop me)
Kathrine
She’s a crime mystery writer
Think like the modern day Agatha Christie
Okok but she goes by Kathrine Plumber on her books :D
She chooses that genre bcs she’s a huge fan of Agatha Christie
Her favorite book from Agatha is Murder on the Orient Express
Oh and her books are sometime very gruesome alkjsfhakjsfb
Nobody check her browsing history, she’ll look like a murderer
Ok but I feel like she also has a youtube channel about books and stuff and sometimes like to vlog
She also has a writing tips series on her channel where she shares tips on some of the frequently asked questions about writing or her fans leave a specific question in the comment section and thought she could expand more to it in a full length video
Also she likes to vlog while she’s in a book convention
Her books are also turned into movies and she has done a great job directing it
Race
Yall would be lying to me if you don’t think this kid would end up being a twitch streamer and youtuber (like vlogging yknow. I feel like his gaming stuff would strictly be on twitch)
And ik it’s widely agreed by everyone in the fandom that he’s a dancer of some sort so yeah he’s also simultaneously a dancer
I don’t think I need to explain any further bcs it’s just so in character
He goes by Racetrack Higgins
Ok so he likes to vlog on his youtube channel
Sometimes does stupid challenges
Maybe he’d drag Albert to do a challenge which he always says no
“I’ll just be your cameraman dude, dw”
Race : *angery*
Since Al and Smalls are the skateboard peeps™ race is the rollerblade dude™ bcs I say so
He has three cats named Racecat Higgins, Spot Clawlon, and Romeow (i’ve mentioned it before and I will mention it again hehe) and his fans loves them endlessly
Albert
You don’t think this kid would also end up being a twitch streamer and youtuber like his bestie up there?? Lmao you thought wrong (again, gaming is strictly on his twitch)
He just goes by Albert DaSilva on the internet
And yes he’s also a dancer because I say so
On his Youtube channel he also vlogs
Half of his vlogs starts with him riding his skateboard
“Hey, guys! Welcome back to another vlog-” *falls off his skateboard for not paying attention to a curb*
It happens way more often than he’d like to admit let’s be real. His fans make a compilation of it and memes on reddit
Always wear a snapback
Snapbacks are an important element to him so his merch store is really boosting his snapbacks
And just for the wormsie discord server he has one with the word ranga on it after it being born from a stupid inside joke he, race, and both of their fanbases combined share (@ my wormsie fam thank me later)
Oh yeah, his youtube besties are Race and Smalls just so we’re clear here :) (I’ll get to Smalls in a bit)
So I always headcanon Albert having two big dobermans. So his fans always want to see a doggy update because Zara and Zoey are everything to them.
Doggo vlogs are fun. It’s usually Albert taking the two good girls to Central Park for playtime or teaching them new tricks
Spot
He’s a solo rock singer
Is an amazing singer like wow none of the newsies expected him to have that sort of pipes to reach high notes
And he does it amazingly with no sweat
Also his instrument is the electric guitar to go with his amazing singing ajsfhasjfhajhf
Anyways he goes by Spot Conlon still
And his songs are very lyrical. Like very.
A lot of metaphors. No one knows what most of his songs means.
So basically Taylor Swift songs if it switched genres to rock. And not even like songs from speak now or red. But like if evermore and folklore songs were to turn into rock songs with a little bit of reputation vibes sprinkled on top. And his concerts has the reputation era vibes but make it spot conlon (hey non swiftie fans reading this i’m so sorry i’m pretty sure yall don’t understand wtf i’m talking abt)
That is also the only way i know to describe his vibe i’m sorry but i don’t really listen to a lot of rock alkjhfasjk
Anyways it’s a known fact that he wears tank tops daily that it becomes his signature look. And also an inside joke among his fanbase
Now just picture the merch booth from one of his shows and there’s like endless tank top designs for his fans to pick and choose
He’s also crowned to be the King of Brooklyn bcs of obvious reasons
But the joke is he’s a pretty tough hardcore guy that’s a cat person
Sarah
She’s a badass female solo singer
Mostly does pop but the badass type of pop
Yes, she does go by Sarah Jacobs
Fans were really surprised Davey and Sarah are related
Because one is a hopeless romantic while the other is a total badass
Anyways she gives off Little mix, Ariana Grande, Taylor Swift, and Selena Gomez vibes
That is literally the only way I can describe it
She’s very lyrical, with a lot of metaphors
When she dances on stage, she d a n c e s
All while holding a mic to sing. And she hits all those high notes like it’s no ones business (a literal queen i tell you)
She and Spot are besties and has been known to have done a few collabs together
Their fans were hesitant about their collabs since their genre is pretty different from the other but they make it work and it slAPS
And among all her boppy songs with full choreography and backup singers, she always have a few songs she sings while only being accompanied by piano or guitar (Either electric or acoustic) which she plays on her own
Finch
He’s an indie pop artist with his trusted acoustic guitar by his side
Just think of music by Wallows and Lewis Capaldi were to be blended in together and Conan Gray for the cherry on top
But it has a little bit of Ed sheeran, Lorde, and Lauv vibes to it too
His concerts are simple but his songs are mostly very boppy so his fans still have fun either way
And it’s usually in small venues but there are times where he had a concert in a huge stadium
He goes by FINCH (yeah all caps btw)
Finches are a very on brand thing for him obviously
Has been known to collab with Crutchie and they actually make a very good team
Somehow was able to combined both genres to produce a few boppy songs
Ok ok but Finch and Crutchie have made a collaborative album (and maybe they went on tour????)
Specs 
He’s a history fiction writer
Yes this is inspired by the fact that he’s 100% a history nerd (no one change my mind i love this headcanon aight)
And he explores a lot of different histories from different parts of the world
He actually helps a lot of students understand history even further for school through his novels
Anyways he goes by Specs because I say so
No one knows why that’s his pseudonym and Specs isn’t interested in explaining either. No one other than the newsies need to know it was born from a stupid nickname the newsies gave him :)
His research mostly comes from history books because of his genre which wouldn’t be a problem since he has loads and will voluntarily buy more if needed
Also yeah he makes a great director for the movies taken from his books
Mush
He’s a chef on youtube
Goes by Mush Meyers
So think if Gordon Ramsey and his youtube channel but make it mush
Yeah that’s it really
Ok but Mush is a jolly and friendly person
Other than just food vlogging he does cooking challenges and cooking tips too
Sometimes he does the cooking challenges with a friend (mostly henry but i’ll get to him later on in the list)
But he also vlogs his life
Which isn’t really often but he likes to sometimes
He’s that big of a foodie he has a food blog too
And also a seafood restaurant so that’s cool :D
Henry
Like Mush, he’s a chef on youtube
Goes by Henry on the internet and in general
Ajkfhajfjska I’m thinking about how ppl would address him as Chef Henry kajhfkjlashfjklasfjklsf
He mostly does the same thing like Mush actually
Food vlogging and cooking challenges (they do it together so) sometimes cooking tips
But Henry vlogs his life a lot
And instead of a food instagram he has a food blog
He has a sandwich restaurant
Yeah it is inspired by his pastrami on rye with a sour pickle line from KONY get mad about it why don’t ya (well if i’m not mistaken henry was the one that said it but idk i have horrible memory) 
Blink
He’s a youtuber
Ok so I have a specific headcanon that Blink majored in psychology but didn’t end up being a psychologist
So instead he becomes a psychologist on youtube
Who often vlogs jhgasjlfhs
The guy looks like he could cut you but his sense of humor once you get him talking is just *chef’s kiss* amazing
Which is why he also has a podcast because he’s also secretly great at talking
He just thinks mental health is very important, okay?
Romeo
He’s an actor
Mostly on Broadway but has worked with Hollywood before
He’s usually a supporting character but has been known to understudy for main characters
Ok ik these bullet points are getting shorter and shorter but these are mostly bcs some of these stuff are pretty self explanatory since it’s very in character
Like are you telling me a kid named Romeo isn’t gonna be in some way very dramatic and end up turning that personality trait into his career?? Plus he’s very good at that?
Yeah you’re lying to me
Also he’s a pretty frequent vlogger on youtube
Look he’s a fun guy, what did you expect?
Just goes by Romeo on youtube
Elmer
He’s an actor
Has done his fair share in Broadway and Hollywood but started in Broadway
He can dance but thinks he’s pretty average in it yknow
Which his fans has no idea what he’s talking about because on stage he can do flips and turns like it’s no ones business yknow
But he can sing really good and takes pride in it
Elmer would play characters that is really far off from his own personality that fans couldn’t believe that Elmer played that character
He has done his fair share in main characters and supporting characters on Broadway
In Hollywood he usually does indie and rom-com movies
Buttons
He’s a fashion youtuber and basically an influencer 
Let’s be real this boy is a fashion icon
He’s not really a model but more like a fashion influencer and also kind of a fashion designer
His clothing line is very *chefs kiss* amazing
He designed it all and sometimes likes to design for his friends as well
He also does fashion tips on his youtube channel
His instagram game is god tier level (along with Tommy Boy and Sniper I’ll get to them in a bit) 
But yeah he also vlogs
And goes by Buttons Davenport
Jojo
He’s an actor
Mostly on Broadway but has done a few movies in Hollywood
He radiates main character energy and he does become the main character most of the time (on hollywood at least)
On Broadway he mostly enjoys being apart of the ensemble because this boy loves dancing
But he does play a few supporting characters
He has released one or two albums too because his singing is top tier
But isn’t interested in doing a lot of live concerts with his albums
Since no one has the time to say Josephino Jorgelino De La Guerra he turned it into Jojo De La Guerra (so much for ‘a special nickname only for friends and family’)
Mike and Ike
They’re a pop boy band and bcs of my lack of creativity it’s called Mike and Ike
At the start of their career :
“My name goes first because I’m older than you!” - Mike
“You’re only older than me by 13 minutes, holy shit!” - Ike
But Ike slowly accepts the fact that it’ll be like this yknow
Anyways they’re pretty great singers
They have one direction and new hope club vibes
Tho unlike one direction they can dance (i love the boys alright but i really think it’s funny that they can’t dancelkhjjlh)
They like to switch from the guitar (electric and/or acoustic) to the piano
The amount of times their name is confused by the candy is too many 
But they like it like that lol
Anyways i’ve mentioned a headcanon where Mike has tattoos (not like from head to toe but it’s fairly noticeable to everyone) and Ike has piercings
So the only way their fans tell them apart is by that
But there are times where Mike has his tattoos covered or Ike took his piercings off in public alone. A fan mistakens them for the other twin but they still respond to the other name because they don’t feel like there’s a need to correct them since they’re mostly known by Mike and Ike anyways. When the fan posts it on instagram and tags the twin they thought it was the twin that was tagged would comment “wrong twin but nice pic you two”
Happens wayyyyy too many times. Their fans are officially scared to approach one of the two in public alone without their differentiating indicators on which is which
And yes it is widely known that they argue a lot when it comes to writing songs
Nothing out of the ordinary sibling squabble yknow but it’s a lot
But they do end up finding a solution to the topic of their argument and make a good team at the end of the day
Hotshot
He’s an actor
On Broadway, he’s one of those actor’s that is mostly good in just the acting and singing
He can’t dance to save his life sjdfghaf
So Jeremy Jordan yknow asj;oghajshf
No not really. He can dance a little bit
So he’s mostly the main character
But he’s widely known for his works in Hollywood
He does a lot of drama. Think stuff like Elite and Designated Survivor. Yeah those kinds of heavy drama (well idk i think those two are pretty heavy)
He wants to release his own music because he’s a pretty good singer but he can’t write songs to save his life either jgnjafjasf
And all the demo songs he was suggested by producers isn’t his cup of tea
So he’s no singer ladies and gents ://
The name Hotshot is used to name his social media platforms. He always adds a description in his bio’s that Hotshot is a nickname his friends and family use so his fans and the media refer to him with his name
I headcanon Hotshot’s real name is Tyler or some sort. No don’t ask me what’s his last name is because idk either lol
Sniper
She’s a model, beauty and fashion youtuber (I’m pretty sure those are two different things tho idk i don’t watch youtube religiously anymore), and just an influencer in general
Instagram game on p o i n t
I know most beauty youtubers go by their names but uhh… i don’t think i’ve ever thought of a first name for Sniper but I really think she really would just go by Sniper Wah on the internet (Idk she seems like an Ashley in my head but feel free to recommend headcanon names to me)
Anyways she’s very fashionable
Tommy Boy (i’ll get to him just wait aight?) and Buttons are her fashion besties
The three of them pretty much appear in each other’s Youtube video not Tommy’s tho bcs he doesn’t have one lol
Sniper’s brand are huge sun hats
I have no idea how or why but that girl has sun hats vibes I can’t explain any further I’m sorry
Doesn’t have a clothing line but does have a make up brand of her own. She calls it Sniper. Yeah that’s it akjfhjf
Smalls
She’s a twitch streamer and youtuber like race and albert
They’re a youtube trio everyone loves it
And yes she does go by Smalls
Oh and she also dances like her two stupid besties thanks for asking
Bubblegum is her brand (idk how to explain she just has the vibe)
She is skateboard chick
I’m imagining a video collab of her and Al on a skatepark doing stupid challenges
It’s her most viewed video
Tommy Boy
Ok ok he’s a model, influencer, and dancer
So think a male version of Gigi Hadid that dances
No he doesn’t have a youtube channel but frequently has made an appearance on Buttons’ and Sniper’s videos
Yes his instagram feed is also very amazing
He goes by Tommy Boy
People genuinely thinking ‘Boy’ is actually his last name and kinda think it’s strange but doesn’t complain
Tommy literally didn’t think people would think it was his last name. But they did anyways
Les
Let’s just get straight to the point : he’s a famous tiktoker 
And yes, ppl are surprised at the fact that him, Davey, and Sarah are related to each other 
To the people that made it through this entire list. Congratulations and thank you for your validation. Have a wonderful evening and stay hydrated 
i will write at least one oneshot out of this au i promise!!
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radialarch · 3 years
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every once in a while on the internet we have another round of “is it good or bad for writers to want kudos” and i’m reminded that one time i answered this question for someone in way more depth than anyone wanted, and perhaps “after a months-long tumblr hiatus” is the best time to amnesty this into the void, who knows
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Q: I think because of social media, the Internet, the masses (or their reaction rather) become so easily available, their power is also amplified. Maintaining diversity can become a real problem (or is it the contrary?). What are your thoughts and response to this? for people who are just starting to write, kudos and comments could be addictive. When should one follow or change?.. or you should stick to what you believe in?
Okay, so this is an issue I think about a lot, and I should probably preface this by saying that all of what I'm gonna say can be really difficult to do, and, depending on the reasons you are in fandom, it might not be the "right" approach for someone to take anyway.
I said earlier that fanfiction feels to me like a fairly homogeneous genre, and I think this is at least in part because of the existence of very popular, very widely known fics that many people read, and then, either consciously or unconsciously, go on to imitate in their own works. This isn't necessarily a bad thing for individual writers -- I also said that a lot of my first attempts at writing were imitative, it's a process everyone will go through in the path to becoming better writers -- but collectively, it contributes to this communal pool of works that ends up having the same sort of... textual flavor, if you will.
This is a phenomenon that troubles me because I firmly believe that diversity of works and ideas in a fandom are a good thing. Fandom, to me, works best when anything seems possible, when many different ideas can be examined without constraint. I won't always like some of the avenues that are explored -- there are tropes and ideas that I dislike, and I might pass a fic by without clicking if I see it contains those things -- but the proliferation of ideas means that there's much more of a chance that fandom will kick up an idea I love but might never have thought of otherwise.
The thing is, fandom -- the audience that's reading, leaving kudos or comments, bookmarking and reccing -- does not always reward the efforts of writers who are trying to experiment with different things, and I think when you run into that situation you have to take a step back and think about what it is that you want to achieve by participating in fandom via fic writing.
Praise feels really good. Most people like praise. Look, I love getting comments on fic that tell me readers enjoyed it. I'm not gonna lie and say that you should just train yourself into a state where feedback doesn't matter. So if that's what you're in fandom for -- to be social, to connect with other people, to have a fun time where your works will be well-received -- then I think that's a valid approach. Like, if that's what you want out of this experience, then you should feel totally free to do that, that's not a "wrong" way to do fandom.
But if what you want from writing fic is to become a better writer, then first you have to be very honest with yourself. Becoming a better writer involves taking a lot of (textual) risks. Sometimes, you try something and fail; sometimes, you try something and succeed, but what you end up with isn't what people in fandom want to read. And this isn't rewarding in a way that a ton of fannish feedback might feel rewarding, but the process should be rewarding in its own right. For me, writing a story that stretches at the limits of my technical ability and succeeding in it feels fantastic. Comparing a story I wrote a while ago with something current and noting ways in which I might've gotten better is a great feeling. And conversely, I don't like feeling like I've stagnated, that I've settled too much into a comfort zone and stopped trying to do something more ambitious. It makes me miserable. And if that's the case for you, then you have to accept that sometimes, you won't get comments and praise on what you write, and that will make you feel terrible -- but maybe not writing that would have made you feel worse, as a writer.
So I think that's a calculation everyone has to make for themselves. And it's really hard! It stings to see something you've put a lot of effort and time and, sometimes, personal experience into be ignored by other people. I don't know whether that will ever go away. It can help to have friends you can discuss writing with, who will be supportive of what you're doing even if this big thing called "fandom" isn't. You can try to be realistic about what kind of feedback you can expect (writing in a very small fandom, or even nonexistent fandom, can be an interesting way to calibrate your expectations). And some days it will still feel terrible, and you just have to keep asking yourself if it's worth it. And hopefully it is.
On a different note, if you want to do anything to encourage the diversity of ideas in fandom, there are things people can do from the consumer/reader side! For one, I'm not particularly sold on this idea of kudos/comments/bookmarks as a metric of quality. I know a lot of people will like, go to AO3 after they've watched a movie or a show or read a book and sort by kudos and read from the top down; and this is certainly an easy way to choose fics to read, but there are fics that are brilliant and gorgeous and wonderful that will never make it there. I know a lot of people think that, you know, if a fic is good then it will of course get "discovered" and you'll find out about it, but like. Sometimes the person who discovers it has to be you. Be an active participant in the process of choosing what you read (something that applies both inside & outside fandom!) and look, you'll wade through a lot of terrible fic but there are also some great fics buried out there that you might never see otherwise.
And then, when you find something you love, engage with it! Kudos, comment, rec it to your friends. I used to be a terrible lurker until I started writing fic; I still don't leave like, the best comments, but I do it a lot more because it really does mean a lot. Encourage other people in fandom who might be going through the same process you are, trying to decide if this writing thing is worth it, and hopefully, you know, someone else will do it for you.
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sepublic · 3 years
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WandaVision Finale!
           Okay, that finale was AMAAAAAZING! Everything about it… Particularly, I love that with all of these references to American, black-and-white television shows, we got a bit straight out of what felt like The Twilight Zone! Let me tell you, when Dottie came up to Wanda and started begging to be with her daughter, bargaining, playing with the role and trying to appeal, even offering up her daughter for the antagonistic, demonized role of bully, just to be with her; That was INCREDIBLY messed-up and really shook me up, as did everyone else in that sequence! It was utterly wonderful, and really, the entire premise and set-up DOES seem like a Twilight Zone episode; Perhaps the final homage/allusion by this series?
           The Vision battle was great, some much-needed action and usage of Vision’s powers that we needed. I love how Vision manages to talk down the White counterpart with logic and existential thought… The philosophical, almost deconstructive way Vision deals with stuff and life isn’t cold, but rather appreciative, like someone taking apart a clock and marveling in how its put together; They don’t rage at the clock for no longer upholding the undefinable illusion it used to have… 
          And of course, the idea of ‘illusion’ I feel applies to Westview as well. The difference being that Westview’s mechanisms are inherently immoral, but the way Vision gets down to the basics and fundamentals of things in his almost wondrous, childlike curiosity- It’s great. He’s questioning everything, but in anticipation and acceptance of an answer, he does not view the world with cold disdain the way someone like Ultron would.
           The Theseus Ship paradox was a wonderful discussion, as was the suggested answer that either neither of them are the ship, or they both are! As is Vision’s constantly poetic talk of how the ship is more the experience and memories, so if they’re attached to either, then sure- They’re both the same! I love for a hypothetically cold android, this dude is so poetic and marveling at everything. He should be a writer, a poet… But that’s not happening anytime soon; But it doesn’t mean it won’t EVER happen, either! As Vision realized, they’ve said goodbye before, only to say hello again… I love his little way of looking through and exploring loopholes in apparent certainties, both at the end and with White Vision.
           Not gonna lie though, I half-expected/anticipated for White Vision to emerge with Ultron’s mind, once Vision reawakened those memories, and I have to wonder where he is. I was kind of hoping both Visions would merge together to complete a true one, given how both acknowledge that the other has something that they don’t. White Vision is still out and about though; And I like the clever usage of color, with blue representing the cold and mechanical Ultron side of him, and yellow being the Mind Stone, but most importantly Vision. And I LOVE the idea that Scarlet Witch has the last remainder of an Infinity Stone within her, preserved like her love for Vision; Some things you can’t truly eradicate, Thanos!
           That reference to the Darkhold from Agents of SHIELD was great, and I imagine it’ll come into play now that Wanda’s taken it from Agatha. How Agatha got it, I have to wonder; But that’s a story for another day, I presume. I guess she’s been brainwashed truly as Agnes and is doing her own thing in Westview, without anyone to realize she doesn’t quite belong; Or maybe they will? What a wonderfully poetic, vicious fate for her character- She faked it all, and now she gets to be real! The idea of playing a ‘part’ is just a fascinating motif in this show for me, and I’m sure there’s some philosophical stuff I could dredge up about that term, ‘stories’, from my Philosophy class.
           Wish we got some more resolution with Darcy, and Hayward kind of just left; But I do appreciate how we could’ve gotten a bit of an all-out brawl, with the SWORD agents targeting Agatha and how she alludes to the Salem Witch Trials! Also the allusion to the Sorcerer Supreme, AKA Doctor Strange, was great- And things are still complicated with how Wanda more maturely vouches to save those agents, even if they’re also against her… She knows that people’s dislike and hostility is pretty valid. It’ll be interesting how she’ll own up to the ‘role’ of Scarlet Witch now, as a lot of her vilification came from her own actions, admittedly. I imagine she’s going to try and it do it on her own terms, see what loopholes in the requirements she can exploit- Much like her husband Vision would! Also, Tommy and Billy having to dissipate when Vision at least understands and accepts IS messed up, so I can see why Wanda feels the need to rescue her children, who definitely don’t deserve this.
           I do have to wonder if that last scene is a hint that Wanda hasn’t fully moved on, or if she HAS, but of course Tommy and Billy don’t deserve to die just for her character development! Really that dilemma and sad ending was handled so well, I half-expected Wanda to isolate the Hex to just her house, or maybe focus all of the energy of the Hex into maintaining JUST Vision, Tommy, and Billy. Maybe she’s consulting her chapter in the Darkhold for info on that? Either way, I like how she’s prepared and kept all of her assets in place in case she ever needs them, such as Agatha, now Agnes! There’s a very spiteful and utilitarian way she handles herself now, reminiscent of a villain who keeps tabs on their friends and enemies; Wanda seems to be doing the typical steps of a villain, but hasn’t exactly committed to it; And maybe never will, again, it’ll be interesting how she exploits her role as Scarlet Witch. I love the callback to those runes, how a scene that could’ve been written off as magical world building foreshadowed and came back into play; Such a simple and obvious trick, but one I always fall for because I’m so invested and IN the world!
           Also, I think that lake Wanda lives by, might be the one where Sokovia’s remains landed? If so, then that’s incredibly fitting; A watery grave for her home and memories, huh? I wonder if Pietro, the real one, is buried here- It makes sense, Agatha alludes to Pietro not being buried in North America (nor South America if you want to get into technicalities), so of course their home country, or what’s left of it, is ideal! The site where he died, lowkey; Although that was arguably several miles above, but still. This third-world country that everyone dismissed and ignored has now had a major legacy that is felt across the world… It’s been heard, huh? I’m not sure why Wanda’s maintaining that illusion of herself, is she just practicing, maybe creating a front in case anyone notices activity, checks out, and then assumes it’s ‘just’ some random lady?
           I can only imagine how Doctor Strange will tie into this! Probably with the Nexus of All Realities and the Darkhold, and of course the Scarlet Witch’s role as a potential threat to the Sorcerer Supreme; And hopefully with what we’ve seen of Agatha making note of magic belonging to the ‘deserving’ and being able to take it from others… Baron Mordo, perhaps? Maybe he’ll make his return interrogating Agnes as he tries to track down the Scarlet Witch, seeing her as a threat… Dang, now Mordo’s reminding me of Emperor Belos from The Owl House, with the whole belief that after chaos and bloodshed, magic should instead be isolated to only the deserving who prove themselves, and whatnot! Now I’m even in MORE interested and hopeful for Mordo with this comparison!
           Likewise, the allusion to the Nexus in that commercial made me wonder if New Jersey would be the location for the Nexus of All Realities in the MCU, but now that Wanda’s left, it’s possible she’ll track down its location to Louisiana, just in the comics! Still hoping for Man-Thing in the MCU, maybe we’ll get a setup for him! I’m telling you Feige, this is your chance to make a Frankenstein/Iron Giant type of film, a misunderstood monster story to incorporate into the MCU, what with your exploration of new genres beginning particularly in Wandavision! Also iirc the Darkhold has a corrupting influence on those who read it… But the last people who did were regular humans, is Scarlet Witch above such things? Or will the Darkhold mess with her, too- An external force that disrupts her character development by corrupting her? I’m just in even more anticipation for Multiverse of Madness to be trippy and horrifying.
           Overall, what a WONDERFUL conclusion, and an incredibly satisfying finale to this series, while still paving the way for new stories! It seems Photon’s story has just begun, now that Nick Fury has sent a Skrull to invite her; Maybe for the Captain Marvel sequel? I’d assume the sequel deals with the fall of the Supreme Intelligence, which takes place before 2014; Nine years before Monica gets her powers! Something had to have happened to lead to the Kree’s peace treaties with everyone that angered Ronan…Well, we’ll see!
          And White Vision, we’ll see what happens with him, what existential crisis he’ll get into, poor dude; He’s arguably the original Vision, except traumatized and questioning himself! I’m surprised Wanda didn’t go after him, did she assume he was destroyed? Or has she just moved on, focusing on her sons? We’ll have to see… Vision did allude to him reuniting with Wanda, so perhaps Wanda can use her powers to gather the Mind Stone’s scattered atoms within the fragment she holds, and reform an Infinity Stone to truly resurrect Vision, from his white template! Perhaps that’s how the Nexus will come into play, as a place to draw together such cosmic power that was once scattered by the Mad Titan…
           Wish we got to see more of Darcy and Woo, as well as Fietro; Him being confirmed as Ralph was great, as was that little hilarious man-cave segment of his, fitting into what would’ve been his time period. I’m a bit disappointed he’s just some dude, but at least there’s the meta gag… I LOOOOVE Scarlet Witch’s new outfit, it’s such a stylish red dress/cape and crown, love how it’s repeatedly invoked as a symbol for her; Wanda finally gets to own her classic costume, her tiara! The bit where her ‘shirt’ meets the pants reminds me of fangs and the points on her tiara, I love that sharp and threatening visual cohesion! And with all that in mind, here’s hoping to The Falcon & Winter Soldier as our next installment into the MCU! And one day, we’ll finally get that Black Widow movie released… One day!
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A Mere Mortal - Chapter Two
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A/N: This story is based on the prompt : Vampires cannot enter a house without your permission, but what if your landlord’s a vampire? It’s his house, he’s just letting you live there. Part of the Landlord Vampire Fic Frenzy hosted by the amazing @just-the-hiddles. I’m super nervous about this one, so feedback’s most welcome!
Series Masterlist
Tags : @buckybarnesplumwhore​ @ladyacrasia​
Pairing: Vampire! Bucky Barnes x Vampire! Loki x Human! Reader
Word count: 1670
Warnings: Foul language. Smut in future chapters. 18+ content!
Taglists open! Let me know if you would like to be tagged in the future chapters.
...
Bucky’s POV
I noticed a car pull up in the square just as I was about to head back home. I stopped to see who I assumed was (Y/N) step out of that car. I was standing at the far end of Chapel Street, I knew she couldn’t see me.
My enhanced eyesight being an advantage, I hid behind a tree and watched her every move. She was beautiful in the most unconventional way. She looked around the town with a child-like curiosity. I suppose she’ll grow to love the town.
The breeze made her hair blow care free in the mid-morning sun. The whiff of her tea tree and lavender shampoo made its way to my nostrils. The scent made my head spin and I had to stop myself from approaching her right then and there and introduce myself. I decided to send her a ‘welcome to Dewsbury’ text instead, as I turned to return home once again. I’ll meet her soon. I have to.
Looks like a lot of luggage. You’ll be exhausted after all that moving. Why don’t I come over with a welcome drink? It’s about time we met (Y/N) – James B
As you read James’ text, you couldn’t help but feel a little weird. He seems to be aware of everything, very stalker-ish. But the rational side of your brain intervened, it’s a pretty small town, word must’ve gotten around about the moving trucks and the ‘new girl’, so you shrugged it off and got to work.
About two hours into unpacking, when you were just about done, you couldn’t help but wonder if he was coming over.
He said he’d come by didn’t he? Something must’ve come up, you defended his absence in your mind. Since when were you waiting around for a guy to show up? That too someone who you’d never actually seen in person. It was the damn voice. Okay maybe you were reading too much into it.
Shaking your head to derail your train of thoughts, you looked around your new house proudly. A low rumble in your stomach announced that you were famished. You figured you’d go to the grocery store that was a ten minute walk from the house and buy essentials.
So grabbing a warmer jacket, wallet and keys, you stepped out.
The walk to the store turned into a jog as the wind had turned brutal. The sky was painted in beautiful twilight colors and you couldn’t resist taking your phone out to get a picture.
You heard a shuffling sound coming from your right. You stopped and looked towards the woods, hoping to spot the source of the noise. You found nothing. As you turned back you swore you saw a shadow move through the woods from the corner of your eye.
Before you let panic set in, the rational part of your brain convinced you that it was your mind playing tricks on you. It might have been an animal of some sort.
You kept your gaze on the ground as you picked up the pace, but suddenly bumped into a tall figure.
“I’m sorry I didn’t see­-
Your head snapped up at the voice, recognizing it immediately. The same voice that you found oddly calming over the phone. The voice that made you dream about what the person behind it looks like. Now you had finally come face to face with your landlord.
“You must be (Y/N). We meet at last.” He replied offering you his hand as a warm smile played on his lips.
The initial shock evaporated as you had to mentally shake yourself from getting lost in his steel blue eyes.
He had a well chiseled face with a neatly trimmed beard adorning it, and light brown hair that looked way too fluffy. You found yourself wondering what it’d be like to run your fingers through them.
Your eyes trailed over his body, he wore a white button down shirt tucked neatly in black pants and he was wearing oxford shoes. What’s with the formal look, you thought.
“Uh y-yes I am. It’s nice to finally meet you Mr Barnes.” You clasped his hand in yours and immediately felt his freezing cold skin against your much warmer hand. He must’ve sensed that as he broke contact at that moment and shoved his hand back in his pockets.
“I was coming over to say hi. Are you going somewhere?”
“Yeah I’m actually headed to the grocery store. I figured I’d buy some stuff for the house and get stuff for dinner you know.” You replied, looking at the ground, hands buried deep in your jacket as well.
“Of course. Do you mind if I accompany you to the store? I could probably answer some questions you might have about the house. Unless you want to do it another time.”
He looked at you expectantly, waiting for your reply.
You agreed, surprised initially, and started walking down the road in silence.
You kept glancing at each other after every few minutes followed by an awkward smile. No this cannot turn into one of those horribly awkward meets, you decided you’d do something.
“You were gonna show up two hours earlier.”
“What?” James looked at you perplexed.
Of all things you could think of, you decided to come off as a desperate woman who was waiting around for some guy to show up. Great. You cringed internally.
“I mean, I got your text about two hours ago saying you’d be coming over and then you didn’t show up. Not that I was waiting or anything. Just you didn’t show up. Which is fine.” You continued to ramble trying to cover your embarrassment with some more.
He was amused looking at your flustered state, finding it quite endearing. He laughed before saying, “Oh right I did. I was about to leave the house when one of my old pals showed up. We got to talking and I completely forgot to call you to let you know I’d be late. Sorry about that.”
What he didn’t say, was the fact that Loki showed up at his house unannounced, like he always did. He had met you at the library earlier that day and was intrigued by your demeanor. He wouldn’t shut up about you and described you like an object of wonder which made James worry about you. He’d have to keep Loki away from you. If only it were easy. Loki was known to get his way once he set his eyes on something, or someone.
“Okay.” Was all you managed, not really sure why you spoke up in the first place. You decided to remain silent for the rest of the walk.
A worn out signboard of Fred’s Family Mart came into view after a while. It had a faulty light on the right side of it which was flickering constantly. The street was relatively empty except a few people walking in and out of the pubs. The wind making the leaves rustle gently with a distinct whooshing sound, made it look like a typical thriller scene setting.
You stepped in, James followed closely behind. The store wasn’t huge, but it was big enough and had practically everything you could possibly need.
“So (Y/N), tell me about yourself.” James asked as you picked a trolley and walked further into the store.
“Well, I’m a writer. I love to travel, that’s kinda obvious I guess. Not a lot of family, none that I’m close to anyway. My parents split up when I was twelve, and I chose to stay with my Dad. He runs a publishing house, so I was always surrounded by stories which slowly nudged me into writing.” You said while picking through cereal boxes, stopping every now and then to look at him.
“Wow a writer that’s fascinating. What do you write about?” he seemed genuinely interested.
“Mostly fiction. I’ve written a few thriller short stories. New places and towns like these always serve as an inspiration for me. I’ve always had a thing for horror though. The whole paranormal and mystical genre is my jam. I know it sounds weird right?”
He looked at you with a surprised expression as he grinned and added, “No no not at all. It’s good to know. I’m just used to girls saying they’re into romance or comedy at least. Never horror though.”
You were nothing like he imagined you to be. It just made him want to get to know you more.
“That’s such a cliché. I don’t blame you though. But I’m here to break the stereotype.” You said sending a wink his way as you picked out some veggies and fruit, feeling more comfortable around him now.
“Tell me about Dewsbury, Mr Barnes.”
The way you called him Mr Barnes made it difficult to not imagine you saying the same in a different scenario. A very different scenario. He wondered how much of that confident woman persona would differ in the bedroom, if it would. You seemed like someone who’d like to be in control of every situation. That’d be fun to explore, he thought. Perhaps he could teach you…Before his cock expressed interest in that subject, he shook those train of thoughts away and replied.
“Well there’s a lot that would be of interest to you here. This town’s full of rich history and myths. And please call me Bucky, Mr Barnes makes me sound like a sixty year old.” he replied, as you both made your way to the checkout counter. A tall man stood with a bored expression on his face, as you started unloading the trolley.
“Alright Bucky. Myths you say, that’s already got me hooked. What kind?” You asked him with excitement clearly visible in your eyes.
You missed the man and Bucky exchanging a knowing look, as you were busy picking out a flavor of gum that the side of the counter displayed.
“Dewsbury is notoriously famous for vampires (Y/N).”
Next Chapter
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uaklauslovesdave · 3 years
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Hi, thank you for sending me asks, I really appreciate it! :D Could you do 002 for klave, I always want to hear your thoughts about them <3
my buddy, my dude, it’s been roughly 17 years since you sent this ask, and i’m oh so sorry for taking this long to answer. it got to be one of those situations where i wanted to do it Properly, which of course brought the anxiety, which of course then brought the avoidance. But we’re here now! it’s a new era and i have a whole bunch of klave thoughts to dump on my unsuspecting followers. let us begin.
when i started shipping it:
Pretty much immediately! I remember first watching s1 and getting that slow confirmation that Klaus time traveled to the Vietnam War. We saw him on the bus with his fatigues and bloody hands and I was like ‘oh god oh no he went to Vietnam didn’t he.’ And then later we have Klaus experiencing flashbacks in the bathtub and there are echoes of the noises of war but also a strong and clear “Dave!” And in that moment my interest was piqued. Dave, he said? Who is this Dave? Is this someone he loved? Did he have a war-time romance with another soldier? And I was hopeful but I also didn’t want to get too ahead of myself because of Queer Baiting in Media reasons (like, I was in the marvel fandom, ok? I went through the whole stucky dance routine). But then, but then! We got more. We got roughly five minutes (or less?) of scenes of Klaus dropping down in front of a disoriented soldier, of this soldier introducing himself as Dave on a bus, of Klaus and Dave dancing in a bar, of Klaus and Dave sharing a kiss in a quiet corner, of Dave bleeding out and dying in the middle of combat as Klaus sobs above him. And it was quick and it was short but it was meaningful and it was tender and immediately I knew that I was gone for them. There was no turning back at this point. I was all in on the Klave Train.
my thoughts:
My thoughts? Where do I even start? I have many! Some are incoherent! Some are devastating! Some are sickeningly sweet! Some are raunchy! Stay tuned to find out!
what makes me happy about them/what makes me sad about them:
So I decided to combine these two questions because, well, I Do Not Know how to untie the happy and the sad when it comes to klave. I tried and I cannot do it. They’re two sides of the same coin with these two. Because their entire relationship is tinted by tragedy, you know? They only met each other because Klaus was tortured and then flung into a notoriously traumatizing war in the 1960s. And who knows what number tour Dave was on. Had he been there for just 2 months or was this second or third time around? I’m not sure which option is more painful, really. And it’s unclear, did Dave genuinely want to serve in the military? Did he truly subscribe to those values instilled by his family? I’d lean towards no, based on the conversation Klaus tries to have with the Younger Dave in the diner. But I think it took Dave some time to get there, as he grew older and came to better understand and accept himself and perhaps grew more and more disillusioned with the life he was pushed into. And then there’s Klaus, whose own experiences somewhat parallel Dave’s (they just happened on a different timeline). Klaus, who grew up under Reginald’s reign of terror, who was taught to be a soldier just like Dave was. But his own disillusionment was expedited and he was able to rebel and remove himself from that scene more easily than Dave could (but at the expense of losing shelter and security and stability). And we have some insights into what it was like for Klaus to grow up in that environment, constantly surrounded by death. When we first meet him he is a person who clearly does not do genuine attachment or sincerity, because that is far too vulnerable and far too dangerous in his experience. He looks out for himself and he does what he needs to do to get by, and he approaches things from a casual, crass (safe) distance. And then there’s Dave, who we learn a little bit about from his interactions with Klaus in 1963 Dallas. He appears earnest and kind, just a Really Good Kid. He seems somewhat confused by Klaus, but also intrigued. Pretty much every time we see Klaus interact with someone in the 1960’s who is not a member of Destiny’s Children they approach him with disdain (referring to him as “pretty boy,” kicking him out of the diner, etc.). But not Dave. Not until he is pressured into it by Uncle Homophobe. And after that Dave seeks him out and apologizes, says that’s not him. And he and Klaus talk, and we see that they really knew each other, they really had a relationship, but by the end of the conversation Dave has been pushed too far. He’s not quite ready to rebel yet, he’s not quite able to make that leap into living as his true self. Just like Klaus, Dave grew up trapped and restricted and surrounded by ghosts. Not literal ones, no, but the ghosts of dead war heroes who came before him, the ghosts of the Ideal Man and Good Son that he thought he had to be, that he thought he had to prove he could become. And it’s not quite clear how and when Dave finally got to that point where he could rebel, where he could finally push past the fear, knock down the walls of the box he had been shoved into. But by the time he and Klaus crossed paths in 1968 Vietnam he was ready. And Klaus was ready. And they brought that genuine, true, real love out in each other. Something both of them probably thought was never possible. Something both of them probably thought was just a myth. Just turning themselves inside out and sharing that with each other. Trusting the other to take care of it and hold and keep it safe. All in the middle of a deadly war. It’s beautiful and it’s painful and it’s why I love them.
things done in fanfic that annoy me:
Nothing really specific comes to mind. Generally if there’s something I don’t like in a fanfic I’ll stop reading and move on. There is, of course, the Fanon Klaus Problem that makes its way into klave fics, so I suppose that annoys me. Or stories where Dave is one-dimensional and seems to exist just to comfort and take care of Klaus. But really, I don’t wanna hate on anyone who writes fanfic in a particular way. You do you. If it appeals to me I’ll read it and if it doesn’t I’ll just pass it by. No big deal.
things i look for in fanfic:
It absolutely depends on the day and what I’m in the mood for in that particular moment. I’m a sucker for angst so I absolutely do not mind reading something terribly sad and tragic. I like hurt/comfort with an emphasis on the hurt. I’m a fan of the GhostDave Watches Over Klaus Through the Years genre. I like stories that explore their time together in Vietnam. I’m into AU’s that include AliveDave traveling back to 2019 with Klaus and they hang out in Klaus’ room in the academy and Dave meets the siblings and Diego gives him a shovel talk. Sometimes I just want that sweet, sweet smut. Mostly I look for something that is both lovely and sad, which is not hard to find because that is, essentially, their relationship. There’s lots of good stuff out there. All y’all writers are talented. I salute you.
my kinks:
Alright, I’m just gonna preface this by saying that I will try my best to be unapologetically open about this, but at my core I am both shy and repressed. My easy and safe answer to this is that my kink for klave is love, happiness, and tender intimacy. That’s what I really want for them. But also. But also! Let them be smutty! Let them find places to sneak away and fuck, Dave’s hand over Klaus’ mouth to stop him from making noise that will alert the other soldiers to their activities. Or maybe they’re sitting under a tarp in the pouring rain and Klaus sees how far he can take it, and Dave doesn’t back down, and it ends up with Klaus blowing Dave while some other guys are sitting just feet away, oblivious to what’s going on between Katz and Hargreeves just over there. And then there’s that time they get to take leave together, and they’re able to get a hotel room, just to themselves, with real walls and a door that locks and a bed and everything. And the digs aren’t great but it feels like a palace compared to what they’re used to, and they absolutely do not waste this opportunity. Dave fucks Klaus into the mattress, and Klaus gets to learn what it’s like to have someone take control because you actually want them to and you feel safe with them, and Dave gets to learn what it’s like to have someone trust you implicitly and be willing to be vulnerable with you. And it’s not perfect, of course, sometimes their histories and understandings of sex and intimacy bump heads, but they love each other, they really do, and they work through it. And they both cry during sex at some point. For Dave it’s the first time he’s done so, for Klaus it’s not (but this is nothing like those other times this is because he wants to be here this is because he’s overwhelmed with love this is a release this is being seen this is being cared for).
who i’d be comfortable with them ending up with if not each other:
Let me be real and say that I really, really, really want them to end up with each other, and I think that this is where the show is headed. But, if that is not the case, as long as they are happy I will be happy. Perhaps that is cliche, but oh well. Just let them experience love and support, whether that’s with each other, someone else, or just on their own.
my happily ever after for them:
I don’t know how and I don’t know when (like seriously, when in the timeline is a big question), but I want them to find a way to be together. Maybe it involves some time-traveling, maybe it involves some timeline-hopping, maybe it involves some Commission interference, maybe one or both of them will be dead, maybe (most likely) it involves something that has not even crossed my mind as a possibility. But, like I said, I think that somehow there WILL be a (perhaps nontraditional) happily ever after for them. It might take some time to get there and I don’t think it’s gonna be a smooth road, but I do think that’s the ultimate destination. And I’m looking forward to the whole process.
who is the big spoon/little spoon:
Good question! My first instinct was Klaus as little spoon. Because he is Klaus but also because of the Bar Kiss scene where Dave tenderly cradles his face and those Very Important blurry behind the scenes instagram photos of Klaus resting his head on Dave. But I also think it would be really nice for Dave to be the little spoon? Because Klaus gets to hold him and act as a Protector and maybe he can feel Dave’s heartbeat beneath his (hello) hand and he gets to wrap around him and hold on tight and he can let go when he wants to but he doesn’t want to, he wants to stay right here as long as Dave will have him. And Dave will have Klaus wrapped around him, holding on, as long as Klaus wants to stay. Dave gets to be held and cocooned in the arms of this beautiful person he loves. Dave doesn’t have to be strong right now, he doesn’t have to put on the face of the Good Soldier. All he has to do is fall into the space between them.
what is their favorite non-sexual activity:
I’m gonna say that they had a lot of time to sit together and talk while they were in Vietnam. Sure, they had their duties and sometimes they were in the shit but there was also a lot of down time, just sitting around and waiting for something to happen. And so they’d sit and they’d smoke and they would talk. About their interests, about where they come from, and eventually about the life they would build together after they got out of there. But here’s a specific image that I have: they’re sitting close together, maybe it’s dark, there’s no one nearby. Cigarette smoke lingers in the air, mingles with the fine mist. The conversation has turned to music, somehow. Conversations have a tendency to meander when Klaus is involved, and Dave follows him step for step, never tripping, never questioning how they got there. And Klaus asks Dave about his favorite song, and Dave hesitantly mentions “The Man Who Shot Liberty Valence,” like he’s embarrassed, but he’s loved it for years and he wants to be honest with Klaus. And Klaus hums and says he doesn’t know it, hasn’t heard of it, and he leans against Dave, lays his head against his chest. And Dave says, that’s ok, it doesn’t matter, it’s just a stupid old song anway. But Klaus says, no, you should sing it for me, I want to hear it, I want to know it. And Dave scoffs and laughs, but Klaus looks up at him, and then Dave looks away, and his mouth lifts into a smile, something small and fragile. He turns back to Klaus, looks him the eye, and softly, so softly, starts singing, “When Liberty Valence rode to town, the womenfolk would hide…” And Klaus drops his head and shifts closer to Dave and hears the words slip from Dave’s mouth and feels the words vibrate in Dave’s chest. He closes his eyes. There’s a war going on. It’s 1968 and he’s in Vietnam and his clothes are damp but he’s right where he wants to be. The song is not romantic, but it’s the most beautiful thing he’s ever heard. He never forgets the words.
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d6official · 4 years
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DAY6: ‘We’ve Always Wanted to Go to India’
The South Korean rock band open about their songwriting process, their aspirations for future records, the definition of authenticity in a world that often dismisses artistry in K-pop and India
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I caught up with DAY6 a few months ago via Skype–I’m told the quintet are in the middle of shooting new content for their fans and are dressed in their looks for a video, so it has to be an audio call. I can’t see them and they can’t see me, so of course there’s a lot of giggling, whispering, and moments of ominous silence that then have us all breaking into laughter together. It’s awkward, hilarious and everything you’d imagine a call with DAY6 to be. 
It’s towards the end of the year so there’s a lot going on in the band’s schedule, but they’re an unstoppable force, flying across the globe to complete performances in the U.S. and in Australia. It’s a pretty rare thing to have all five members be able to join in on a single call, so I’m happy to hear all their voices greet me. “We’ve just been on tour and we’re having a good tour so far,” says vocalist and guitarist Jae. “Everyone’s been really welcoming in their countries and really just turning up for us, so we’re happy.” 
DAY6 debuted in September 2015 with leader and guitarist Sungjin, bassist Young K, guitarist Jae, keyboardist Wonpil and drummer Dowoon. All members are trained vocalists, with Young K also doubling as main rapper, and every member contributes to songwriting and production. (The group did have a sixth member, a keyboardist named Junhyeok, but he left in 2016.) Young K also leads the songwriting process, with lyrical contribution in every single track on most of DAY6’s albums. 
The beauty of DAY6’s artistry lies in how versatile they are able to make each track within a single album–in one moment you’re listening to a stadium anthem that’s reminiscent of a young U2, and in the next there’s a segue into Killers-esque post-punk revival. If you’ve been a long-time fan, you probably already know this thanks to their genius ‘Every DAY6’ project through 2017, which saw the band release two songs on the sixth day of almost every month. The result? An expansive, experimentative discography which built two powerful albums– Sunrise and Moonrise–with B-sides that shine just as much as a lead single. Jae explains that there usually isn’t a set idea when they begin an album–a lot of the music is born through songwriting sessions with various producers, where each member gets to go explore any genre they want on their own. It’s a power they’re exercising more and more, especially all through the Book of Us series. “We didn’t really discuss a direction when we started,” Jae says. “Everyone just kind of did what we wanted, which is why the album is a jumble of this and that from everywhere.” In fact songs have a tendency to switch genres in between verses–a great example of this is DAY6’s 2017 single “I Wait.”
The group also credit the genius of JYP Entertainment producer Hong Jisang as a key factor in their creative process. “I think definitely one of our main influences is probably gonna be one of our main producers and that’s Hong Jisang,” says Jae when I ask the band about their musical influences. “He’s a writer that works with us very frequently. For most of our title tracks–actually all of them I think so far. But yeah, he’s definitely one of the main influences because he’s always been kind of our mentor since the beginning of our debut dates… even before that. So he’s been teaching us about songwriting, you know, tracking or melody writing. We have a little bit of a flow just because we’ve grown so close to him as a group.”
“Just one of the reasons why we try any kind of genre or any music is because people do have different tastes in music,” explains Young K. “So if they like at least one of them, then it’s a success for us. Another reason is because we do get to play almost all of them, almost all [their songs] at the concert. So, we do have a chance to show it to the MyDays and the crowd and you get a chance to have fun with it. And I guess it’s just what we aim for as a group.” They’ve stood strong and stuck to their guns when it comes to this process of songwriting and it’s the fuel that expands their creative process, ensuring they don’t stick to one particular sound or vibe.  
I remember back in 2016 when DAY6 began to get more popular, a lot of the attention around them was built of curiosity. As the first band under JYP Entertainment and the one of the first in the third generation of K-pop, both fans and industry professionals were curious to see where the Hallyu Wave would take them. The idea of an ‘idol rock band’ was new to the thousands of fans who had discovered K-pop after the 2016 boom of the genre, and DAY6 didn’t fit any existing stereotype–idol or band. They still don’t, and it’s a powerful statement.
This particular artistic evolution that we’ve seen with DAY6 isn’t easy to achieve in the K-pop idol-sphere of it all; our discussion about artistry in the glittering world of idol culture brings us to the topic of what it’s like to exist as what people believe to be a ‘traditional’ band in the middle of the ‘boy band narrative.’ I ask because it’s something I see often even in India–there’s this idea of authenticity always being tied to the more ‘conventional’ format of a band: artists with their instruments are deemed more ‘legit’ than pop acts. There is an unfortunate tendency among the general public to dismiss artistry created by pop stars and K-pop idols. DAY6 walk the line between the two worlds, and their path to finding that balance often demands a seesaw from one side to another. Have they ever faced a dismissal of their artistry because they’re idols who are also a band? 
“That’s a very deep question,” says Sungjin. There’s a long pause as he gathers his words and then continues, “I personally haven’t seen that big of a difference. We, as a team that emphasizes on writing songs and writing music to appeal to other people, feel that everyone who writes songs or does music has the same objective and goal, therefore [artistry] is the same thing [for every musician.] So we’re not trying to focus on those kinds of factors but just try to focus instead on our music and our creation process so that we could become more authentic artists that appeal to more people.” 
And what is DAY6’s definition of authenticity? 
“When the person who’s creating the music legitimately feels like it’s good music,” says Sungjin firmly.
Right now the authenticity in their songwriting comes from the ordinary. Lead lyricist Young K explains the members draw from everyday experiences and conversations to write songs that are relatable, raw and honest. “Lyrics wise, I could say, we got very cleaned up and very neat. During the times of Every DAY6 project, we were out of time all the time throughout the year,” he says with a laugh. “So, it gave me the lesson of like, always being prepared to write lyrics so that I could pick out a way to find motivation or inspiration. I don’t wait for that inspiration, I gotta always go look for it. For example during everyday conversation, if there’s something or if there’s a word if there’s a phrase that I like, I write it down on my phone.” He pauses for a moment and then sheepishly admits, “To be really honest, I haven’t been doing that for months now. I need to get back on it.” He also says rather than listening to new music, skimming through lyrics is always his go-to move when it comes to evolving his style of storytelling. “So I guess it’s just continuous experiences that helped me to grow and, like you said, evolve.”
I ask the band which of their songs they would recommend to a new listener to help them understand DAY6’s artistry, and there’s a collective hum as they contemplate. “That’s a really difficult question,” says Wonpil. “Maybe ‘You Were Beautiful?’” The rest of the band agree wholeheartedly, and feel the 2017 rock ballad does a great job of summing up who DAY6 are. It’s certainly a fantastic example of the band’s powerful songwriting and their uncanny ability to to delve into topics that are at times a little too real, a little too familiar. 
DAY6’s complex Book of Us series of albums have dealt mainly with the various levels of human interactions, emotions and relationships, each volume diving deeper into the complexities of what makes us who we are. The ‘Us’ in the titles can refer to DAY6 themselves, the relationship between them and their fandom MyDay as well as various other relationships the members might have in their lives. It’s also a general reference to the relationships we as human beings cultivate in our lives. The first album in the series The Book of Us: Gravity was one of their brightest releases, exploring youth and young love. The Book of Us: Entropy was a little heavier, a little more mature, exploring the beginning and end of relationships and how it changes a person. 
The band’s upcoming release of The Book of Us: The Demon is perhaps their most anticipated release yet. Set to drop tomorrow, May 11th, the eight-track EP already hints at a slightly darker route than its predecessors with its title, promising a deeper look into the core meaning of the series. The teaser for the lead single “Zombie” which dropped on May 8th shows the band wandering dazed through crowds while the track itself seems to build on angsty alt rock. DAY6 also dropped an album sampler that hints The Demon cruises through pop rock (“Day and Night”), blues (“Tick Tock”), post-punk revival (“Stop”), acoustic pop (“Afraid”) and more.
In true DAY6 style however, the tracks can change direction in-between, crossing genres from one verse to another. It’s all a surprise right up until we hear the record, which is one of the best things about listening to a new release from this band. While I’m not told any specifics, I’m assured that DAY6 plan to go bigger than ever before when it comes to future releases.  “We want to go to space!” exclaims Dowoon and the band agree enthusiastically. How does space translate sonically? “We want to go for a larger scale of music,” he explains. It’s about dreaming bigger and looking at ways to elevate DAY6’s musicianship. Jae adds, “Yeah, maybe going from just one acoustic guitar to like a full brass band or something.” We discuss possibilities of DAY6 working with an orchestra someday and it’s a pretty fantastic vision. 
Speaking of future plans, I decide to put them on the spot and ask about when we’re getting an India tour. “Whenever you guys call us, we are definitely there!” Jae assures me immediately. Young K and Wonpil explain they are familiar with Bollywood and eager to learn more about it. “I am aware it’s huge there. And recently Katy Perry did something with Bollywood?” asks Young K. We realize he’s referring to the pop diva’s massive November concert in Mumbai with Dua Lipa and he shares that it’s one of the reasons DAY6 are more eager to check out India’s concert scene. “Yeah, I actually heard it from my friend. They were telling me, ‘Yo, you should go to India’ and like wherever it is, we always want to go. If there are people who are willing to listen to us and enjoy with us at the concert, we want to go.” Jae adds, “You guys have a lot of people and for us it’s a new culture and we are always interested in going to different places and seeing new things, trying different foods… naturally the food! So yes, we’ve always wanted to go to India, so call us!” 
We spend the rest of our allotted time together talking planning a show in India for 2020 and although COVID-19 has postponed these plans for now, it’s something the band believe needs to happen. “We definitely wanna see you guys,” says Young K. “It’s always great to go to new places. Until the time that we meet, we want you guys to stay healthy and happy.”
By Riddhi Chakraborty
©️Rolling Stone India
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