I'm noticing more and more a certain pattern so I'm just going to put my cards on the table and be real with yall.
prioritizing and centering your hatred of and/or anger toward men - no matter how deeply justified those feelings are (and they sure fuckin are) - over your capacity/desire/actions of supporting and uplifting women... is still centering men. you're still focused on men. you're still giving the male sex the majority of your energy. it has its place, our pain and rage toward men, but when that goes unchecked to the point that you are no longer able to see your actions clearly or of applying yourself to the needs of women and girls, you have stopped contributing something impactful and meaningful to female liberation.
pain can be useful, but there is a crucial difference between pain that is infected, festering, untreated, and the measured pain of a slowly healing wound. I have known enough of both to tell you that only one of these can be a source of strength and building something new and better. the other can only necrotize and decay everything around it from within.
if you have not worked/do not continue to work on your own healing, coping, emotional regulation, etc., especially given that the wound is still taking damage outside your control as worldwide female oppression and our heightened awareness of it continues, it will, sooner or later, turn septic.
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^^ screenshot, not actually my post, I could never say such a thing ^^
I don't really get this take, it's not the first time I've seen it, and it's just... I don't even know.
green is the color of war for her house, but it's also just her house's color, and for a girl ripped up from her life as a hightower and made a Targaryen Queen of all things, she started wearing her house colors compared to her color (blue) or the Targaryen colors (red) probably to cling to some sense of normalcy and identity.
not only that, but from a costuming perspective the symbolism is right there, you're just missing it. it's not about war, that one dress had been war, that's why the comment is made. the color is Alicent no longer trying to be a Targaryen, no longer changing herself and ignoring the pain she's in, and instead being her own person despite her position. she starts wearing green instead of red, the two colors being opposites, when she stops trying to pander to her lost friend, stops trying to fit in and be this new person. she took a stand with that dress, she declared 'war' on this false identity and the fruitless effort she had put in to try and smooth the tensions in the family.
after that, the green is showing she remains herself, a Hightower. not a Targaryen.
I love her green, I love how she holds onto that piece of her, she doesn't let anyone take it or change it. she holds true to herself in this one simple way as to wear her house colors.
also how can you deem a character boring just based on the colors they wear... it's just such a boring and outlandish take.
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do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up
i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.
she's never corrected anybody whose called her an elf either.
never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-
i wish the half-elf thing was built upon more. also, underrated marcille line:
okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.
the first reaction we get from Marcille is this huge panel that takes up half of the page
she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later
so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions
"you'll live out your entire life [...] and die that way too"
"a hundred years from now, nobody will be there"
Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.
I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.
On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.
Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.
And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.
Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.
Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it
and look at how exasperated and resigned she looks
And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.
(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)
The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.
And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)
I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.
and one last very important panel, right after Mithrun tells her that all her desires would be devoured
In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.
(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)
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omg i literally love wheelbitten as a comic and ur art is amazing
random question but how long have u been drawing as an artist and do u have advice.............
thank uuuu and I've been drawin my ass off since I could hold a pencil and I'm 24 (25 next month) now so this shit wasn't overnight by any means lmfao idk the way i did it was have A Thing that you like drawing and just draw the fuck outa it and eventually you'll get better for sure whether it be the desire to get better at drawing said thing makes you do research and study something to become better at it or just literal muscle memory from drawing said thing so much. I had lil spouts of taking time to get better at specific things like anatomy, shading, ect. by studying it but overall i just subconsciously got better by mentally picking up new things everytime i draw and analyzing the world around me. Even recently i got to see that with drawing tactical gear (that ive never really drawn before and never wanted to draw in my life) soley bc i just REALLY fukkin love Ghost and Konig
i went from being terrified and intimidated of drawing tactical gear (even trying to put a gun in front of it as if that was any better lmfao) it used to be vague as hell and my brain would shut down just trying to look at the references(i remember having a ''shit man am i even gunna be able to draw these characters???'' moment of dread the first time i was drawing Konig pffft) to absolutely loving drawing tactical gear and seeing how much more detailed i can make it with every new drawing, so a complete 180 but that's bc im just totally obsessed with the characters and drawing is how i express that sO thats mainly what i mean by just have a thing that you love and want to draw and the rest should follow with time, patience, and practice. I think it's about training your brain and motivation to pick up on details or a certain way something looks in lighting (or lack thereof) bc my brain is probably wired a certain way after art being like a centerpiece of my development to the point to where drawing is just What I Do and at this point if i dont draw for even a few days i start getting vaguely antsy and fidgety it's crazy lmfao SO idk if this is worded like i need it to but yeah art and the act of drawing can be frustrating as hell but it should be enjoyable and rewarding above all else at the end of the day!
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