So is the reason for Tyren getting more unhinged the side effects of the devotion necklace, or was this a downward spiral he would have gone done regardless of the necklace? I remember you talking about how the necklaces have consequences, and I'm curious if this is one of them.
Yeah!
Tyren would have been an already overly-doting and even jealous character on his own without the loyalty necklace, (and had been due to his crush on the Lamb even before recieving it, and what happens when you reject followers in-game) but his spiral into a unhealthy obsession and idolization was aided by the loyalty necklace.
If it was given to perhaps a regular, less devoted follower, the effects maybe wouldn't have had such severity. But Lamb got the materials/necklace from the mystic seller and isn't fully aware of the effects it might have on their followers yet.
So, dog is unhinged a bit on his own, but amplified by the necklace. He's originally friendly, caring and sweet. But you take good traits, too much of a good thing, and they can turn bad
532 notes
·
View notes
this is sort of pathetic, but when you were younger, you were sort of puzzled by the cartoon representations of fathers: how a kid would be outside with a mitt, waiting to play catch.
it's not that your father never played catch with you, but you also didn't like when he did. something about a hard ball coming quickly towards your face doesn't seem exciting. not that you'd ever say you don't trust him. you trust him, right?
it's not like he never tried to teach you anything. or never tried to parent. on rare days, a strange person would walk in your father's skin. bright, happy, magnificent. this version of your father was so cheerful and charismatic that you would do anything to keep him. and this is the version of your father that would laugh and gently coax you try again. this is the version of your father that would break down the small elements of a problem and point them out so you have an easier time with them.
as a kid, those days happened more often. but somewhere around 11, you started being too much of a person, and he was often cross about it. when he'd try to sit you down to learn something, you spent the whole time with your shoulders around your ears, nervous, uncertain. terrified because you didn't immediately understand how to navigate something. worried you will run out of his goodwill and then you will have the Other Father back, and you will have ruined a good day for your entire family. something about you being visibly afraid - it just made him angry. he would accuse you of not wanting to learn and storm away.
on tv, it's not like there's a lot of versions of men-who-are-mostly-fathers. they can be good dads, but usually their stories are not told in the household. so it's normal that your father is there, but he's never around. you know he was in the house, somewhere, it's just not that you guys ever... "hung out". he just seemed to get kind of bored of you, annoyed you weren't made in his perfect image. frustrated with how much energy it took to raise a kid. over time, you kind of adopt a bittersweet band around your throat - he knows nothing about me. he says at least i never abandoned my family.
and it's technically - technically - true. he was there for you. sometimes he even made an effort and made it to the big moments; the graduations and the dance recitals. he grins and tells everyone that he taught you. it almost erases the days in between, where he complains because you need a ride to school. the weeks that go by where he doesn't actually ever speak to you. the times you say i am struggling and he says figure it out on your own. i can't help you.
and that's fine! that's all fine. you can call him if you are having a problem with your car. or if you need a ride to the hospital. he loves playing hero, he just doesn't like the actual work that comes with being a father. and you've kind of made your peace with that; because you had to, because you don't want to live your life like he does; the whole world at a managed distance, a little rotating and controlled orb he can witness and take credit for but never truly love.
as an adult, you are rewatching some dumb cartoon - and again, the child standing in the rain, with a mitt, waiting for their father to come play catch. as an adult, there's this strange creeping dread - this little thing? this little thing, and their dad can't even show up for that? oh god, holyshit, it's not about the mitt, is it. oh god, holyshit, your father spent most of your life leaving you hanging.
3K notes
·
View notes
Black Butler Drive Link
Compiled pretty much all of black butler into a handy little drive file for u all.
Contained within:
ANIME:
Season 1
Season 2
Season 3 (book of circus)
Book of Murder (parts 1 & 2)
Book of the Atlantic
Ova's
MANGA:
Chapters 1-204
LINK:
I would add the musicals but they take up too much space,, google drive only lets you have 15GB of data stored for free at any one time, however they can be found here:
(regarding the anime: All seasons are available in both English and Japanese Dub, with english subtitles available. These cannot be streamed through google drive, you have to download them and watch with VLC media player. To switch through the audio tracks or toggle subtitles, click on subtitle/audio and subtitle track/audio track respectively at the top of the vlc player screen)
If any of you narc i swear to god
298 notes
·
View notes
I don't think Willow and Hunter start dating immediately after the events of W&D. They know they're something and they're both open to exploring that when they're ready. But they also agree that it would be in their best interest to adjust to their new normal and do some soul searching before they make themselves an official item. They don't consider themselves dating but they don't consider themselves single either. And the way the two of them approach their feelings for each other in this murky limbo state is vastly different for both of them.
Like if somebody asks Willow if she's in love with Hunter, it's like
Willow: Am I in-...? Well, it's...complicated. It's a very complicated situation we're in and I don't want to make any bold decisions right away. Do I love him as a friend? Of course I do. Am I physically attracted to him? Yes, but hormones don't mean love. Am I also emotionally attracted to him? Yes, but a crush isn't love. Do all of these things at once equate to being in love? Well, that seems like the kind of question that would keep a very nervous very scared person lying awake all night. Good thing that's not me, haha. It's not like I'm scared to be in love and I'm subconsciously avoiding confronting the fact that I am. I just believe in staying rational and analyzing your emotions so you don't get too reckless and dive into things without thinking. You'll hurt yourself. I've heard that's it's really easy to hurt yourself when you're in love. You see it's...we...Hunter and I met at a really crazy time, when I was just starting to become the witch I want to be. And then everything got so much crazier and we were confused and scared and it was hard to think about who you wanted to be when you weren't where you wanted to be. So now we're home. And finally, we have the chance to figure ourselves out. And that's exactly what we're gonna do. I want to be with him...eventually. When we're ready. I like him and I want to kiss him but I'm not in love with him. I'm totally not.
Meanwhile, on the other side of Bonesborough
Del: Willow seems like a nice girl.
Hunter: Yeah. I'm in love with her.
223 notes
·
View notes
i've been thinking a lot about the word "representation" and what it means and how it's changed over the last few years, particularly when it comes to the writing/publishing landscape but also in movies and tv shows… and i really don't like it anymore. to be clear, of course i think it's important to have diversity in your work, i'm not saying i hate the concept of representation. but i do really dislike the way it's used now, and i really just hate the word itself
in a broader sense it's just become a marketing tool. i'm not impressed by any publisher or author who just describes their book by listing all of the minorities/identities the characters represent as if that should be enough. it feels very gross, very exploitative and disingenuous. it also really bothers me because it's always marginalized identities- which i understand Why, but it feels very othering to me (and again. Very exploitative as an advertisement). you would never list out "cishet able-bodied white man" as a character description to pat yourself on the back over. so why do it to everyone else? why insinuate that one is the "default" and the other one is "special"? (and when i say this i'm mainly talking about advertisements/marketing. i understand why people would specify about characters in descriptions with the plot, but i don't like to see an ad that's just "this book has gay people!" with nothing else)
which then leads me to my other point, which is that a lot of people treat "representation" as if it's "too hard." like "oh i don't know enough to write about that, i don't have that experience, etc" which is a fair way to feel! however… it's weird that people only say this about writing trans characters or characters of color. i'm writing a story right now with a character who is really into motorcycles. i personally do not know that much about motorcycles, so i researched what parts are what & what different kinds of models there are & what basic bike care looks like. i guarantee Most people will have to google something at some point in their writing process. so what's the problem? it also, again, feels very othering when authors treat certain groups of people as "impossible" to write, "too hard" to understand. they are just.. people. you write them as a person. and then you figure out the rest later.
and i think part of the refusal or fear to write something outside of your experience is because of the way representation is treated as So Special. these characters are So Special that they aren't allowed to be anything other than "representation." they're Not allowed to be characters with complex emotions and interesting motivations, they have to just be Trans or Gay or Disabled or whatever. they're not allowed to be people. which means, at the end of the day, we loop right back around to where we were at the start….
there is bad representation. there are depictions of certain marginalized people that are harmful and that are damaging, i'm not trying to minimize that or argue against it at all, in fact we should all be mindful of that while writing and reading. but i also think it's possible to swing too far in the opposite direction as well and put certain groups of people on a pedestal and not allow them to do anything at all but be Perfect Representation, if that makes sense.
269 notes
·
View notes
been followin slimes POV of the qsmp since it started but mMY GOOOODDDDD i never expected to fall so in love with it...
I LOVE THE TRADGEDY OF A COMEDIC CHARACTER! so funny so silly, who could ever take him seriously? when the reaction to grief can be so overblown and strange, its hard not to laugh! because wheres the line, really? we're just here to have fun!
i look forward to the day this guy snaps! its gonna be REALLY FUNNY i tell ya hwat!!!
(CREDIT TO A COMIC I REFERENCED UNDER THE CUT)
something about this comic makes me so so emotional, and its so well framed. to discover something by the end of a comic, to follow the same line of thought as a character within a drawing, to either come to the same conclusion, or the dramatic irony of figuring it out first.
it was made by the talented Lynda Barry, and she has a wonderful shop here https://drawnandquarterly.com/books/greatest-marlys/
63 notes
·
View notes