the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.
sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.
you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.
it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.
but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.
they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.
they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.
barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.
and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.
but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.
they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!
this horrible world they live in. disgusted and also obsessed.
28K notes
·
View notes
i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-
Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.
Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.
I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.
212 notes
·
View notes
i think that the major misinterpretation that people have with taco is that she didn't get attached to mic because of her sad face in the end wanted to show regret because "she hurted her friend". like. no, she wasn't sad because she regretted what she did. she was sad because she's alone again, but she knows very well at the end that she had it coming. the reason as to why taco was so desperate of wanting mic to tell her that she did gain something is because. she SAW pickle in mic, but of course their situation is very different. "Oh but Taco couldn't have done what she did to Mic to Pickle, Mic was fully aware" but she did do that. Mic herself says it. That is pretty much what II is telling you. Taco isn't a good friend, and is not exactly a good person either. Mic was aware that Taco was/is a bad person, but Mic's nature makes her believe in whoever acknowledges her. Taco made Mic feel like she needed her, just the way she made Pickle feel back in s1.
she didn't really change thanks to mic. her faces of "regret" aren't her actually lamenting all of the stuff she did to microphone, but rather just her realizing that she proved what everyone said about her as a result. i will give it to that she might've tried to change, but not because of mic. she wanted to win the prize so she could prove others wrong on her being a loser and a coward, by being a loser and a coward. if anything, mic made her realize that she hasn't changed. she pretty much just ruined everything for everyone who saw her as a friend, and for herself.
taco's whole arc is constantly just downgraded to questionable takes and listen. i do agree that she is heavily flawed as a character. she is morally gray, but ii doesn't portray her as a good person with good intentions, nor she should be really be treated as if she was. neither she had those good intentions with mic at all, i mean, their "friendship" pretty much started because of taco wanting the prize money, taking a part of microphone's prize if she made mic won, you know, an offer. she would get the prize and mic would get recognition. but everyone seems to forget that probably, the main reason as to why she's doing all of this, is because she does regret how she acted on s1. she doesn't exactly regret doing all of that to microphone, and even if she does, it's for the wrong reasons. (that's because she did the exact same thing to you know, pickle, her once best friend, the only person she truly ever cared about)
people do tend to forget that taco keeps sending letters to pickle, and that's often just used for pickle angst and making it his only character trait, but. it's not that. it's the fact that taco keeps on writing those letters, despite fully knowing that she did hurt pickle because of her actions. taco's biggest flaw is that she can't accept that she has ruined everything and wants so desperately to be back on pickle's life because she ended up caring about him deeply as a person. as a friend. but she was never there at all, either.
taco can't seem to understand that she has hurted people badly. sure, she seemed like a "friend" to microphone, and you can argue whatever you want but a fact is that taco IS smart, and she knew that the only way to possibly keep mic by her side is pretending to want to be better, you know, the same way she pretended to be just a odd fella so pickle and her could remain together and have an advance at the game. she played with both of them. because both pickle and mic believed in her but were just used by her for the game.
however, taco does seem to regret the way everything went during-post s1. you can see how she yearns for another chance and is saddened about not getting it, but that's not only for comedic purposes, but that's because the writing is telling you that she won't get a second chance. at least not here.
what i want people to understand is that, yes, taco is a complex character, however trying to sugarcoat what she did is pretty much missing the point of her writing as a whole. she isn't a good person neither was she a good friend. she hasn't grown because she was never able to let go of something that she thinks that she can fix with some words and a prize. she thinks that she can still fix her friendship with pickle, she thinks that she can clear her name (even if she was the one who tainted it), but she only ended up proving knife right. she proved everyone right. she hasn't changed. a morally gray character is that. they're not exactly fully bad or fully good, but it's taco's actions that speak a lot. words are cheap, and taco's title is "The Liar", and that says a lot, because she kept on lying to microphone and to pickle on both of their games. she won't heal unless she lets go.
and i want to be clear here: i do think that taco can go through redemption. i do think that taco can become a better person, but not in the way people portray her to do so. because it just pretty much goes against what her arc has settled in for us, and the other arcs that were involved in hers as well.
taco's arc is meant to be somewhat a parallel with nickel's in a way. hell, even with knife's arc if anything. she treats knife as a simple bully, but when she saw that he became smarter and way more emotionally aware than what she had expected, she felt attacked by that, because he was stable. he became a better person and he was rubbing that on her, and it made her feelings of anger way worse regarding him, but it is true. knife is pretty much everything that taco wants to be, but here's the thing that made them so different:
knife stayed. taco didn't stay.
knife is accepted by everyone in the hotel because meanwhile he hasn't explicitly said that he had a change of heart, he has shown it through actions and a big difference too is that he was there for pickle, even if they weren't close in s1, and taco is on the woods because deep down she is aware that she can't go back. not if she doesn't have something to offer as an direct apology, but here's the problem. whether or not she got the prize, she still wouldn't get forgiven by anyone due to what she said that day.
again. her problem is not being able to let go and to accept when she has messed up badly. she has been lying to everyone but she has also been lying to herself as a whole. she can't keep on doing this because it's just hurting everyone and herself. keeping grudges and holding onto past friendships that were doomed to fall is just hurting her. she is not on the state to keep on trying, she wasn't at all ever.
taco's arc most likely will have closure on a way that fits her character, and i feel like that would be with her letting go of inanimate insanity as a whole and of what she can't fix anymore. her trying to find herself after years of lying to everyone and to herself. she's not a good person. but she can become one. only if she knows what she did was wrong and that her second chance isn't there, and never will be, and if she recognizes that meanwhile she did that damage, she can still become a better person. just not there.
pickle and mic don't owe her anything, especially pickle. taco does owe them an apology, but they won't accept that. the least she could do is to accept their wishes, understand that she needs to leave them and grow to be a better person. maybe, if she does that, she would actually heal.
she doesn't need anyone to fix her. she needs to fix herself.
104 notes
·
View notes