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#and now i think i might really finish
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ruporas · 5 months
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feast (ID in alt)
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#tw blood#im posting this so late because october escaped me Suddenly.. hello....#i wanted to make it a photoset with this other vampire vw wip but i don't think i'm finishing it any time soon and the mood of it is#completely different anyway. also i don't think i ever shared anything about my vampire au on here !!! it's all old art by now so im shy lo#but maybe i'll do a photodump of it. long story short vash is a vampire since birth and ww is a human vampire hunter that turns during thei#travels together due to EoM experiments + getting vash to drink from him at some point.#humans turn once they get bitten but bc ww has been experimented on#& got bitten by a bunch of human turned vampires thruout his hunts he thought it wouldn't be a problem for vash to drink from him but alas.#theyre both ok though theyre traveling together definitely not hating themselves for what theyve become and feeling guilty for what theyve#done to each other. theyre completely normal about it. the biting part is really appealing to me in vampire aus so i draw it a lot but#in reality vash only drank from ww once and ww mightve done it twice under the realization he might actually die otherwise#since he wont drink from humans after being turned.... he's combatting the 5 stages of grief at all times#if this is all nonsense im sorry DMGKSDF I'M NOT good at explaining and this au came from nowhere in the depths of my mind its a mess#ruporas art
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jade-of-mourning · 5 months
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season 1 krew! hoping to rewatch lok really soon yay :>
i was genuinely finishing the lineart at 4a.m. last night and coloring in the car please forgive inconsistencies to the actual characters
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azaracyy · 3 months
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a lesson on good karma digimon survive week 2024 day 4: supporting characters
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mattodore · 3 months
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messing with hair strands again…
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skitskatdacat63 · 4 months
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Hey, do you remember that really homoerotic scene from Skyfall? No? That's okay, here's a Vettonso version of it :)
- explanation & w/o text:
Hi hello, finally my weird psychosexual relationship with Casino Royale has come to fruition. Yeah this is directly based off a scene from Skyfall, but I def envision the vibe as being more like Casino Royale hehe. I can't believe I made that inspo board for this AU almost 4 weeks ago, and then ended up drawing a four panel "comic" about it. Ahhhh proud of myself, a bit, a tad. I think this took 20+ hours across the span of a week? God. Anyways I digress! The AU!!
First of all, their Bond song would be "My Way of Life" by Frank Sinatra. It's so toxic, codependent and obsessive, I'm in love with it. And it really suits Fernando and his motivations and outlook in this AU. Basically, MI6(in the context of James Bond) in this AU is an analog for Ferrari. It picks theses guys up, tells them that they're Ferrari MI6's most special boy, chews them up, and then spits them out when they're finished extracting all their talent and skill and life force.
Much like with Ferrari, Seb in this AU replaces Fernando after Fernando loses favor and becomes undesirable. Now Seb is the new golden boy, and Fernando has turned to a life of crime! Fernando resents Seb for this of course, but also becomes obsessed with him and the idea of him , and how they are connected. It's weird to watch someone else basically go down your exact same path and unknowingly make all the same mistakes(buying into the mysticism of it all too much, being overly cocky, having naive beliefs and goals, etc.) He is caught between wanting to doom Seb even more but also wanting to "save" him, by corrupting him and convincing him to work together.
Basically: He's both a Bond girl and Bond villain.
Fernando is in such a weird place in this AU. I think he's just very dramatic. Seb is just casually living his best 007(005?) life, and Nando is watching him with binoculars, whispering to himself: "DOESN'T HE UNDERSTAND THAT WE ARE NARRATIVE FOILS!?" Yeah he hates Seb, but like the song lyrics say, their lives and dreams are inherently tied up together. He would feel lost without Seb, because Seb basically, unknowingly, destroyed and then took over his life. Maybe he'll feel satisifed if he manipulates Seb into going down the exact same path a bit better.
About the drawings themselves. Still can't believe this scene is a real thing that actually happened, insane to me. But in this AU, after the events of these drawings, Fernando definitely kicked all his henchman out of the room, and fucked Seb in the chair. And then against the wall. And then on the floor. Hey man, Seb is already looking mighty delicious with his unbuttoned attire and being tied up.
I think the general plot would be that Fernando keeps trying to seduce him to the dark side, and Seb keeps making him think it worked, only to escape at the end of the encounter. Leading Fernando to just come up with increasingly more violent and kinky traps. Seb goes along with it(read: enjoys it), leaving Fernando satisifed, only to somehow escape and wink and make kissy faces at Fernando in the process. (Fernando smoking cigarette in bed: "How do I make him stay. Sigh.")
I like to think though that Fernando does win in the end, by realizing, ah wait shit I do need to actually explain my motivations to Seb. And Seb is so worn down by his job, not Fernando, and how he's being treated, that he listens, really actually listens, and realizes Fernando does really have valid reasons. And then they become evil crime husbands yayyyy. Wow you thought this was a espionage AU? Well it is, but just not the outcome you'd expect.
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#ah well this was certainly a project....#rn i feel like im devolving into illness so im glad i could finish this up before it possibly gets worse#this is my magnum opus as of rn. just bcs ive not really drawn such a longform thing for them!! happy w it :)#i think i def like the first one the best#it made me suffer so bad but i think i soften on my own art after a few days#like i finish it and know its 'good' but cant help but critique every little thing#but ive had that one done for almost a week so now i look at it and really love it#i was originally just going to draw that one only but then realized i really like the full dialog so. might as well.#generally i liked this though bcs even if it ws difficult. it was nice to have really direct and clear reference#like ah ik where im going w this rather than it being an image in my head that i cant represent the way that I want#ah anyways all my vettonso aus tend to be just wanting to explore specific dynamics of theirs#and this one is basically how i feel about their mutual relationship to the institution of ferrari and how it affects their dynamic#basically: THEY'RE MIRRORS!!!#there's always something to be said abt nando being resentful abt seb bcs of 2010/2012/etc and then seb taking his seat at ferrari#but then witnessing seb basically go thru the same trials and tribulations and failures at ferrari#and realizing huh wait maybe he's not who i was villianizing him as. maybe hes at my level too. maybe he's not infallible. maybe hes like m#a very bitter nando who has to fight btwn his impulse to ruin seb further or to relate to him and start to like him#so yeah that's ^ basically what i want to portray in this au(just like all AUs tbh)#f1#formula 1#sebastian vettel#fernando alonso#catie.rambling.txt#catie.art.#vettonso#bond au
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art--harridan · 8 months
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[Image description: A digital drawing of Amanda Young from the Saw franchise. She's wearing her outfit from the third film, but has her hair from the first. She's wearing the reverse bear trap, which leaves only the top half of her face visible. Her eyes are open wide and staring directly at the viewer. Eyeliner runs down her cheeks. In one hand she holds overflowing needles which are falling from her loose grasp. In the other she has a tape recorder. Her arms are stiff, as if she's a posed mannequin. Bandages are wrapped around both of her wrists. These bandages, the tape recorder, the needles and the reverse bear trap are all coloured a bold light blue. Amanda is coloured bright white with grey shading, while the background is a darker grey. It also has a subtle spiral pattern to it.]
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commsroom · 1 year
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the "big picture" - whether that refers to some detached, calculated greater good; ruthless ambition and progress for the sake of progress; or even the dear listeners' cosmic indifference - as an antagonistic force in wolf 359 is so fascinating to me because of the way eiffel as a protagonist is set up to oppose it, just by nature of who he is. eiffel retains his humanity even under the most inhumane circumstances. his strength is in connection, and with that he's able to reach others who share his core values, but he's operating under a fundamentally different framework from the show's antagonists. he can never understand where they're coming from or be swayed by their points of view because, for better or worse, he can only see the world through a close personal lens.
it's an ideological conflict he has with all of them, but notably with hilbert: "you talk about helping people, but what about the real, live people around you? [...] that's your problem. you're so zoomed out." eiffel will never, ever see that "big picture" because he is so zoomed in. at his best, he puts things into perspective and grounds the people around him. at his worst, his perspective narrows so drastically inwards that he becomes blind to everyone and everything else. his failings are deeply, tragically human - they're personal, they're impulsive, they're self-destructive. they're selfish. no matter how much he might try to narrativize or escape from himself, he's still left with doug eiffel: "it's taken me this long to realize that running from everyone else means that you're alone with yourself." eiffel could never be convinced to harm others on purpose, but he has hurt people, and it's never been because he didn't care. the very fact that he cares so much, that he's incapable of reconciling the hurt he's caused with the things he values, is what keeps him from real growth for so long. where many of the other characters in wolf 359 will justify their cruelty in service of something they consider more important, eiffel is so caught up in vilifying himself and the fear that he's always going to harm the people he cares for without meaning to that he shuts himself off from the people who care about him and perpetuates his own self-fulfilling prophecy.
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greenerteacups · 6 days
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What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭
So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.
With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.
Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.
But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.
#greenteacup asks#sidebar: I know Minister “of” Magic is an Americanism but mea culpa#Someday I might actually bite it and pay someone to britpick Lionheart but I can't do it now#because I have a ban on editing published fic unless it's finished. Otherwise I'll never get around to writing the actual ending#I have a Process#is it the best process? likely not! but it makes the words go. so here we are.#I also think the fact that JKR is Gen X makes a difference here. careers worked differently in the 80s and 90s than they do now#i.e. we have the gig economy and a lot more mobility and EXPECTATION of mobility in your early life#that means career changes & professional pivots through your 20s and 30s are increasingly normal#and in fact have always been normal — but the image of the 'true' or 'ideal' career has changed#so we look at those careers and go hm. really? none of them changed?#none of them even went to uni? do wizards... just not?#but again. I believe the epilogue was written almost completely without consideration as to what happened between the BOH and then#I really believe that JKR did not know what happened to Harry except a wedding and 3 kids. because that was the whole point#I don't think she even knew what his career was when she wrote that scene#It existed to marry everyone off and do a quick munchkin headcount#because of the understandable temptation as an author to keep your hand on the wheel. but it didn't even matter!#the epilogue changed NOTHING! it was the most useless chapter in the series! I just — GOD#you can absolutely accuse me of being sour grapes about my ships getting nixed. I AM sour grapes. I AM a hater.#AND I have plot/theme/craft reasons for disliking it.#I'm not objective. I just want credit for being a sophisticated hater. my grapes may be sour but they're still artisinal.
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@dandorime hope you don't mind me pinging you but I thought making a post would be easier (plus it would open it up to further discussion with other people if they wanted).
I say 1967/68 because based on what we can find, there's nothing so far really strongly indicating one year or the other. Anyways the first one is in IEYTD 2 in Stage Fright:
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We see 1967 on the engravings under the table flap which allows you to get into the drawers. The second bit is in IEYTD 3 in Blind Spot:
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This is part of the car manual, and as you can see it says 1968. Because of Reggie's voice line about it before the level ("The crew back home built you a car...well it wasn't built for you."), I'm generally more inclined to think 1967 but honestly I have no clue. I'm inclined to put it down to preference but honestly I think everyone in this fandom has their own timeline of events since so much surrounding the games is headcanon that a lot of us just collectively accept a lot of the time (since we all take a little and make it a LOT)
But nyeah!! There ya go :3
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...because any moment may be our last. everything is more beautiful because we're doomed.
#looking through my drafts and seeing this post unfinished and knowing in my core I'll probably never actually finish it .#but strangley enough i don't hate the way it looks with only those 2 panels ? beauty in simplicity or something idk#woe unfinished post be upon ye#honestly probably wouldnt even bother posting it were it not for the fact i was hit by a sudden wave of sadness#by being reminded out of the blue that alex really does just . lose nigel that night#enough deep level analysis my brain is all out i think . but just the simple fact that nigel dies that night#and alex has to go on for the rest of his life post-ending carrying that grief and loss with him#i know we talk about how nigel isn't truly 'gone' in the sense that they're one now and jack is supposed to be an amalgamation of the two#a product of their union and 'consummation' that night at the yard#but he's still gone . no matter how much alex might try and follow in nigel's footsteps#no matter how hard alex tries to tread that same path nigel did to feel close to him#he's gone . they will never have that moment beneath the house ever again . and alex has to go on living with that#anyway . normal again . imagine dropping a song rec like i used to. aha . go listen to sick like me by in this moment.#like minds#murderous intent#nigel colbie#alex forbes#nigel colbie x alex forbes#edit : THEY'LL NEVER HAVE THE MOMENT UNDER THE HOUSE AGAIN !!!!!#thinking about the moment where nigel sits across from alex after he shoots john#and the contrast to the scene in the crawlspace . nigel is trying to connect he is trying to get alex to see to understand#but now alex is closed off. something may be irreparable broken between them#do you think it was the moment where nigel starts to despair . to plead . realise that he needs to find a way to make alex truly see#i need to get some sleep
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raveartts · 4 months
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just some sketchies
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ghosting-fox · 9 months
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you all know that audio from bladerunner? "you look lonely i can fix that"?? my brain wouldn't let me rest until i haven't drawn that with Sun n Moon
but jokes aside, really self-indulgent comic bc both Security Breach and Ruin came out when i was at a low point mentally and helped me greatly just be able to move forward and get through each day (and i won't even be getting into how much these 2 fictional robot jesters have helped me refind my passion for drawing)
i really hope that more people can relate to this :))
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httpiastri · 9 months
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“it could be cool to be a race engineer, but… you really need to be clever, and… 😅”
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streatfeild · 4 months
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purple james, purple james
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[ID: a digital illustration of Luz and Hunter from the owl house. Luz sits on the right with her hand on hunter's shoulder. Hunter sits on the left facing Luz. They're both in their designs from the end of Thanks to Them. Hunter has his eyes closed and is crying with a pained expression, while Luz looks on with tears in her eyes. The background is dark and the scene is dimly lit. The second image is a variation on the first image where a spectral version of flapjack sits on hunter's shoulder and Manny's hand in on Luz's shoulder. End ID]
Felt like posting something devious today. Do you think they'll ever talk about what they've lost? Bond over it? Mourn??? Grieve????
#the owl house#toh#hunter toh#luz noceda#hunter noceda#flapjack toh#(BARELY i did not put the effort into that bird that i should've)#manny noceda#(also barely but I feel like it's more obvious here)#i sketched this out months ago when TTT first aired but the lines were giving me trouble and i shelved it#until now when i really just wanted to finish something but wasn't happy with any of my sketches#it was inspired by the interview dana did where she said grief would be a major theme of season 3#both bc it scared me and also bc it made me start thinking ''hm okay. which characters are grieving rn and how might they interact?''#my money's still on darius if hunter does get to talk through some of his grief in the next few eps#(just to tie a nice bow on their relationship and maybe dicuss the previous gg a bit more and flesh darius' motives out)#but like. luz is his sister. grief is sooo central to her arc as well it's like. even if they don't get time in canon#(which is understandable. they do not have a lot of time rn for extended fanfic-esque character exploration conversations)#but that doesn't mean i can't rotate the idea in my mind at terminal velocity until i get sick#i would apologize for not posting festive art at this time of year rn BUT YKNOW WHAT. I'VE HAD A ROUGH COUPLE OF HOLIDAY SEASONS#THIS COUNTS AS FESTIVE FOR ME!#it's getting better this year though. slowly#anyway this piece isn't perfect and there's a few bits I'm not happy w/ that i could've spent more time on#but to my own credit i pushed myself to use reference and do a (albeit simple) pose I don't normally do!#so props to me in that sense#anyway happy holidays! think abt these devastatingly sad children with me please!
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