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#and probably tied up
ambrosiagourmet · 3 months
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I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
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But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
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This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
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And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
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Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
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Both of these kids deserved so much better from the world.
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panstarry · 19 days
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my final from last semester that i made into a zine. cooked this one up in a couple hours before the critique (the ink was still wet!), so it's very raw and kind of sloppy but the sentiment is there. i love you trans people of color. we are the backbone of this community 🌟
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journey-to-the-attic · 6 months
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approximation of an idea i had for how ik solves levi's ordeal whenever it's his turn for this weird demon puberty everyone in nb s2 is having
from this post
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katabay · 1 month
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desmond & friends modern day assassin sequences…..I miss you……..
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lesbiangiratina · 10 months
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Hi do you like images. I love images. Heres a little over 100 guilty gear trading cards from the early 2000s. Every character up to xx is accounted for… some more than others. For now. But the average is probably 4 or 5 cards per character. Nearly all of the art is original. Okay have fun :)
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dnd-smash-pass-vs · 2 months
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On the left, Yuan-ti Malison! These actually come in three flavors: Snake head, Snake arms, or Snake legs! That is having snakes instead of arms, for those curious. Outside that, basically just a person that can plant a suggestion in your head.
On the right, the first thing we ever polled, the birds that DMs fear, Aarakocra! Roughly 5 ft (1.5 m) tall with a 20 ft (6.1 m) wingspan and comes in all sorts of plumage! The males are also known to be notorious flirts!
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canisalbus · 3 months
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About the accents: if someone has a very "proper" Italian they are either foreigners or politicians/dignitaries/etc. So that fits perfectly for Machete, but I think it would be so funny if he sometimes slipped up and used a Nepalese word bc he forgot one in "proper" Italian lol
(Funny to me cause Naples has its own language in addition to accent, and most people don't actually know those words)
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A thing I really enjoy about RGU is how when producing the anime the crew was aware of the budget and limits that often come with TV shows at that time and created their own cinematographic language based on them.
The roses, the frames, the transformation sequences... Not only were they able to use them smartly but also make them reinforce the core themes of the show; that of repetition, circularity, a repeated movement, a revolution.
I personally greatly appreciate when narrative media is -meta- not in a direct way but in its semiotics. Utena creates this language based on repetition and is constantly seen subverting it, adding new "rules".
Episode 33 is cinematographicaly one of the episodes I find most interesting because they literally put the turning point of the story (I personally think of this episode as a turning point because we see Utena finally with her "prince"; except that, instead of the happy "ending" one would expect in traditional stories, it is here where everything comes into place and the grim reality is made perfectly aware. Were Utena a traditional princess story, episode 33 would mark a happy conclusion. Instead it is only the beggining of what lies inside the box and once opened it cannot be closed again) in an episode that is all about repetition. A recap.
Also, for as much as many people gloss over the Black Rose Arc I very much think it crucial to establish all of RGU's symbols. Because Utena doesn't tell us things, it wants us to learn them by noticing the patterns, by seeing the repetitions and where they are being broken, so that we ask ourselves why. The elevator sequence is one of such cases where we learn more of the characterization of these characters by seeing how they act inside of it. It's even a basic screenplay exercise: "how would your characters act trapped inside an elevator".
Mikage itself is a shadow, not just of himself but of Utena as well, an omen forever frozen in time.
Because that's another theme, shadows. And how in a way they are echoes, simplified and distorted repetitions of oneself.
And while shadows are cast in contrast, projections are cast forward. While one is a memory of something, projections are the reproduced illusion of it.
Utena works with parallels and repetitions and understanding their semantics and syntax allows us, the viewers, even subconsciously to feel their weight.
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shower-phantom-ideas · 7 months
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Another DPXDC post for the first time
Yall remember winged danny? Yea me too the good ol days lads
But imagine Danny in Gothem cause hes either on the run from his family or the GIW you decide boys on the run and probably alone.
He gets picked up by the Waynes at some point and eventually he goes to have the “im not normal talk” but they all know. He is a meta or something. They have been waiting for him to be ready to tell them, if ever. They would accept him no matter what.
Except the time comes and he just “I have wings” and like everyone is shocked™️ Danny gets the idea hes about to be rejected and starts to fold in on himself and someone better snap out of it before the kid cries. Alfred is the one to speak first probably.
Just everyone so shocked but I mean it’s more a shock that they missed this instead of that Danny has wings. After that they fully accept him and apologise. Someone says the “we thought you were about to tell us about your powers!” Danny just has his own little moment before shouting “YOU GUYS KNOW I HAVE GHOST POWERS!?!?!!!?”
Anyway they move on and Danny hardly brings the wings up again but he does get seen around with them every once in a while. But eventually they find out hes not taking care of them as he should. It’s probably Duke who sees Danny with his messy wings and offers to help him.
Let Danny get help with self care ok. The Bats would all go nuts learning how to take care of Danny if he ever asks.
Now imagine the reverse of this and they all know he has wings but not that hes the High Ghost King Phantom.
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nothorses · 6 months
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I saw your tags on the post about trick or treaters not speaking and I am v interested in hearing more of your thoughts on the concept of “developmental delays”! I‘ve seen the idea that disability is a construct, but I’m not as familiar with the idea that development is also a construct. You have really great takes as an educator and someone who like, actually GETS how kids work, so I am interested in your thoughts!
I also know that posting on this subject might be poking the bear, so it is 1000% cool if you would rather not comment 💜 Tysm!
Oh I'm happy to talk about it! I love talking about this stuff, thank you for asking me to 💙
This isn't exactly new ground; there's been plenty of research into and writing on the subject, and deconstructing "development" as a static concept was, ironically, a huge part of my most recent development class.
The idea is that our understanding of "benchmarks" of development, which informs the larger concept of development as a whole, is heavily rooted in the assumption that Western culture is The Standard. We prioritize walking, talking, reading, and writing, which means we cultivate these skills in our children from a young age, which means they develop those skills more quickly than they do others.
To use one of my favorite examples from Rogoff, 2003, Orienting Concepts and Ways of Understanding the Cultural Nature of Human Development:
Although U.S. middle-class adults often do not trust children below about age 5 with knives, among the Efe of the Democratic Republic of Congo, infants routinely use machetes safely (Wilkie, personal communication, 1989). Likewise, Fore (New Guinea) infants handle knives and fire safely by the time they are able to walk (Sorenson, 1979). Aka parents of Central Africa teach 8- to 10-month-old infants how to throw small spears and use small pointed digging sticks and miniature axes with sharp metal blades: "Training for autonomy begins in infancy. Infants are allowed to crawl or walk to whatever they want in camp and allowed to use knives, machetes, digging sticks, and clay pots around camp. Only if an infant begins to crawl into a fire or hits another child do parents or others interfere with the infant’s activity. It was not unusual, for instance, to see an eight month old with a six-inch knife chopping the branch frame of its family’s house. By three or four years of age children can cook themselves a meal on the fire, and by ten years of age Aka children know enough subsistence skills to live in the forest alone if need be. (Hewlett, 1991, p. 34)" (pg. 5)
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In the US we would view "letting an 8-month-old handle a knife" as a sign of severe neglect, but the emphasis here is placed on the fact that these children are taught to do these things safely. They don't learn out of necessity, or stumble into knives when nobody is watching; they learn with care, support, and safety in mind, just like children here learn. It makes me wonder if Aka parents would view our children's lack of basic survival skills with the same concern and disdain as USAmerican parents would view their children's inability to read.
Do we disallow our children from handling knives because it is objectively, fundamentally unsafe for a child of that age to do so- because even teaching them is developmentally impossible- or is that just a cultural assumption?
What other cultural assumptions do we have about child development?
Which ties in neatly with various social-based models of disability, particularly learning and, of course, developmental disabilities. If your culture doesn't value the things you are good at, and you happen to struggle with the things it does value, what kinds of assumptions is it likely to make about you? How will it pathologize you? What happens to that culture if it understands those values to be arbitrary, in order to accommodate your unique existence?
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whetstonefires · 6 months
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A fantastic thing about Wangxian is that they both have vast, bulletproof, towering edifices of self-esteem.
They know they're hot shit, they know almost nobody can compare; nothing changes their minds about this at any point. Even at their lowest they think highly of themselves; they're confident in their capabilities and judgments, and that they can outperform their peers.
They're arrogant, and they can back that shit up, and they have backed it up so often they're unshakeable on the subject of their own excellence.
This enormity of self-esteem is not at all incompatible with compromised self-worth, especially on Wei Wuxian's part, because the titanic self-destructive hubris that combination instills is the engine that drives his epic tragic backstory. But that's different! Thinking you're expendable and thinking you're inferior are separate judgements, that can certainly influence but don't force one another.
And one of the reasons this is cool is how the story holds them up against characters that are mostly pretty confident if not necessarily secure about their own value, but have very fragile self-esteem.
In varying ways, this is more or less what's up with Su She, Jiang Cheng, and Wen Chao.
Xue Yang also, but he's so weird about it it feels wrong to group him with those three.
Jin Guangyao is hard to place on this scale, because he shares wangxian's overweening sense of being better and more capable than other people as a rule, but he's not quite secure about it, and he shares Xue Yang and Su She's insane levels of conviction that he deserves to get what he feels is his due, at any cost to anybody.
But he definitely has a more complex relationship to that belief than either of them; su she's just like 'it's not fair!!!!!!!!!' about literally anything that doesn't go his way and xue yang is like 'obviously my finger is worth more than hundreds of lives because. it was mine.'
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satsuha · 20 days
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valerio for 60min challenge
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subunit-a · 6 months
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Been listening to malevolent and it really is like *slaps roof of malevolent* this bad boy can fit so many aromantics in it
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asleepinawell · 1 year
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there are waaaaay too many options for a tumblr poll, but I'm curious, which ffxiv zone is your absolute LEAST favorite? which zone fills you with blinding rage whenever you teleport there? which zone do you wish bahamut had blasted into non-existence?
and sure, why not, what's your favorite?
comments/replies/tags welcomed for responses!
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sheepalmighty · 10 months
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Some more of that Chai joins Vandelay for half a day AU. Or just a picture of a kinda OOC Kale chilling if you wanna gloss over those comics. I'm still not sure if the colours are too garish or not.
These were mostly done with the premise of treating Kale's office like the hideout. I also really like how mundane, or familiar, the interactions between Chai and Kale can be in the game so I wanted to draw some stuff exploring more like that. But also, there's the ulterior motive of shipping so I included an out of context scene because I can't bother drawing the rest of it (though it seems like a huge jump in their relationship as a result. I think they're so big headed that they get stuck in a feedback loop of stroking the other's ego if an excuse comes up to do so)
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smittenskitten · 1 year
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Your brother, Ye Qingyu was here.
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