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#and television and etc) when i feel IF (like RP and fanfiction) have a very unique position and perspective
electricea-archive · 2 years
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@queensconquest​​ sent - 11, 36, 55, 56 ! ( Mun Directed Questions - Accepting! )
11. Do you think you’ve gotten better at writing anything or any type of thing or situation since you started writing this character (or roleplaying in general)?
While I’m not sure if I can really say that I’ve gotten better, I will say that I have tried to do more action oriented threads which involve a bit more combat and exploration - any sort of heist or Phantom Thief related thread.  Admittedly, my experience in one on one fight threads is quite limited except for a pretty recent thread with a Ditto over at @wild-ditto-appeared​​ - which I think is going pretty well, honestly.  I try to read it over carefully and I think that on my end, the action feels alright and natural - maybe not the most enticing or amazing example of a one on one fight thread but every day I try to ease myself more into action and combat threads, so I would hope there’s a bit of improvement there, compared to when I first started.
36. Do you ever read RP threads you aren’t involved in? What type of thread does it usually have to be to interest you? 
I wouldn’t say that I avidly read and keep up with threads by other muns but if I’m scrolling through the dash and something looks interesting, I’ll stop to read - that usually comes down to maybe recognizing one of the muses, or if I think that the setting or plot seems interesting or even if it’s just a good friend of mine.  I always enjoy reading the writings and other ships of my friends and seeing what they’re up to.
55. What do you like to do as you reply to threads? Listen to music? Have TV on? Complete silence? Dark room? etc. 
Depends on the length of the thread - with longer threads, I do prefer complete silence and minimal distractions but for shorter, more casual replies or even if working on asks or starter calls, I can put on something in the background - usually a documentary, sometimes television.  Lately, I’ve been shifting between replying and playing Digimon Survive - the nice thing about that game is that it’s a visual novel so you can stop and pick up pretty much whenever.
56. How did you learn about roleplaying? How did you get started roleplaying yourself?
I remember looking up a ship that I liked many years ago - fanfiction for it, stuff like that and I sort of stumbled onto two people’s back and forth Tumblr RP - at the time I found it confusing because it seemed to be very much an ongoing back and forth whereas fanfiction usually involves one writer and a lot of fanfiction has chapters you can defer to and will usually be a complete start to finish thing that you can read through.
Later, when I realized Tumblr was more of a fandom website, I’d search for fandoms that I liked and stumble on a ton of promos for group roleplays - which were extremely huge at the time.  I decided to apply for one and that was the start of that.
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grapecaseschoices · 3 years
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Representation in IF (or the lack thereof)
In recent days, the topic of race and ethnicity - as well as treatment of marginalized communities within IFs and their fandoms - has been the premier point of conversation. It has become paramount for people of color, lately, to advocate for themselves in regards to issues of white washing, stereotypes, and white people (...and sadly, other people of color) feeling too comfortable using slurs.
Nothing new there.
As I saw someone recently point out, this is something that crops up every two months. And if you’ve been on tumblr for that length of time, in more than more than one fandom, this is likely something you’ve had to deal with several times within that space of time. It’s an unfortunate byproduct of being a fan of color. (And, often, any type of minority, period.)
We don’t get to escape within the internet into fantasy the same way the “majority” gets to do so. If it isn’t toxic people in the community, it is being disappointed by content creators - either through their comments (or lack thereof) or what they put out in their work.
I can’t speak for every black person or every person of color, however, my fandom experience is one of hyper vigilance. And I’ve noticed that sort of attitude in others.  We have to cut away from certain parts of the fandom. Or cut out work we used to love because of certain outlooks or behaviors.
It is a protective attitude that I’m unapologetic about. By curating my content consumption, it’s pushed me to find, and support, artists that care enough to see people like me as people.  Someone mentioned to me that “as marginalized communities, we have a right to be choosy about our representation in media.” And I agree. We do and we should never, ever feel guilty about it. 
That being said, it can feel kind of alienating.
As I mentioned before, there’s been a continued - one I am glad for - movement in the IF/VN community in calling out bad representation (and treatment of fans).  Fans have pushed for accountability and gotten it. However, I’ve noticed - or at least, I feel - the call for change is sort of limited. There’s a hesitance in our community to ask for that same change of ‘indie’/smaller creators as we do of companies or more established writers. And, honestly, this hesitance has left me with a feeling that the IF/VN community isn’t really one for people of color, particularly black people.
Now, I’m one who tries to give credit where credit is due. The creation of ~interact-if … is probably one of the best things I have ever seen in any community (and I’ve been in fandom/written rpg since HS). I’ve also noticed an increase of writers of color feeling comfortable in writing for their culture or having characters of their culture as well as white creators holding themselves accountable. All of that is what keeps me hopeful about improvement regarding IF works but motivates me to one day do my own. That being said, there is still a lot that needs to be addressed regarding the whiteness of IF work and the depiction of characters of color.
I am going to start off by saying something that may come off as kind of harsh. If you know me, you know what I’m going to say, so you can clock out. If you don’t, take a deep breath, feel frustrated, and then let it go to move on: I don’t think uncomfortability with writing about a marginalized group or unfamiliarity with said group is an excuse. I don’t think “well it’s my work, this is what I know/this is what I want to write” is an excuse. 
IF works in the year 2021 are uncomfortably, awkwardly white (and able-bodied, cis, thin, etc). And I do not think there is ANY excuse, ANY actual reason for it to be that way.
I am sure there are several excuses coming to mind (as I said, I’ve been in RP and fanfic for years, I’ve seen them all—heck, I’ve thought them all. I still do think them at times). However, I’ve always held to the belief that every work that is put out into the universe matters. Everything has an impact.  NO work is too small, nothing is too insignificant. Every art has an effect. And if you’re writing a story, telling a tale, something from your heart to share with others you’re trying to affect your environment in some way, you’re trying to say something.
I feel a lot of us—as I said, I include myself in this too—do not consider what we’re saying to our audience when we create works that are mostly white (or when we can’t have a single character or work with numerous characters that are disabled, fat, mentally ill, trans, I can go on). 
If you’re writing a story, I don’t think you can give yourself any pats on the back for having one or two characters of color. I think we’ve moved beyond that type of ‘diversity by numbers’ … especially when the numbers are often piss poor.  I’m seeing IFs where there are three characters of color to six white ROs. Not only is that ‘ratio’ (for lack of a better word) shitty on it’s own, people don’t consider that the actual dynamic is 1:1:1:6. People of color are not a monolith. I, as a black Haitian-American woman, may have similar experiences as an indigenous woman from Canada and a persian person from Iran …. But we are not the same. Yes, it is great to have a diversity of characters. I’m not saying you shouldn’t include people from different backgrounds in your works.
But please consider why it is never the case that there are two Japanese-Brazilians, three black people from Manchester, and a mixed-race Indigenous/Afro-Latina from Queens, and one white person. It is extremely rare to see multiple of one race or ethnicity in an IF if that race isn’t white.
I feel not only is that problem, I believe it is a conversation that needs to be had. Both as a community and as something writers discuss with themselves, as they review their work. 
And that is the tip of the iceberg. We need to have discussions on the tendency of characters of color to have light colored eyes, or the preference of East Asians (and light skinned ones at that) over any other Asian, or the ambiguously brownness of descriptors. We need to talk about white-washing in face claims that directly oppose established descriptions, or how Artbreeder being bad at black people is NOT an excuse for your black character looking similar to the one in three different other IFs (put the effort in). 
We as a community need to have several discussions or else I feel it will be another five years before we’re dragging our feet toward better representation. And that shouldn’t be the case. At all. 
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mannatea · 3 years
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Hi. I used to follow your old blog on a different account. Hope you're doing well. Do you have any tips on thinking up stories that are *not* dark and depressing due to subject material? The last story I was working on I had to quit because the backstory I was developing for my passive male character was super depressing. At times I enjoyed researching it, though what won out was the thought I was wasting my time looking into angsty things for something I wasn't even planning to publish. Now I want to write something a little happier. But I have the most experience in writing angst and cringe comedy 😅 thanks for any help you can give. Stay safe out there!
By the way, good on you for dropping that manga you used to follow. I was happy most of the characters lived, but other than that, it felt "meh" to me (granted, I didn't read all the way from the beginning). The author was probably going for a "people will always be fighting each other" theme, but some of the imagery of what happened after a time skip could definitely be taken as pro-fascist. And I was disappointed the protagonist basically said he wanted to bring about destruction! I'm glad I didn't spend any money to read it.
Wow, hi! I’m doing all right, thanks for asking. I hope you’re doing all right, too. :)
As far as “that manga” goes, I’ve kept tabs on it. I’ve been on the fringes for the last two-ish years; I dedicated something like four real life years to that fandom and mostly had a good time while I was there (made some friends I hope to keep for life), so it was one of those situations where I just had to find out how it ended. I realized at some point that I was in a very negative space in the fandom, and felt it was better to publicly drop the series and the blog associated with all of my meta/discussion than to play in what had become a toxic pool for me. I didn’t really want to drop the account after my time there, but I couldn’t have dealt with the nonstop questions/messages/etc that would have piled in over the years, and eh, when you’re done you’re done. I criticize Hallmark television for fun, now, instead. It’s a lot less stressful! And literally nothing is That Deep so there’s very few delusions, at least on the Tumblr side of things. (Reddit, however, is insane, but I don’t post in the fandom there.)
As far as writing advice goes, I am going to apologize in advance for muddled thoughts. I just got out of work and have been staring at numbers all day, so it’s hard for me to think lmaoo.
In my opinion, any sort of character or personality type/flaw/whatever could have developed via a negative OR positive influence/catalyst, so that’s something to consider. I also think people tend to reach for “sad” or “traumatic” pasts either as a way to cope with their own issues/pasts/whatevers, or because it’s the “easy explanation” for why a character is the way they are.
If you WANT to write things a certain way, it’s sometimes a matter of changing the lens through which you’re viewing life, the story, the characters, or character writing in general. This is never easy, especially when you find a genre you feel comfortable in, but it’s always possible. When I was in college and submitted an autobiographical piece (Rot Tooth) for a creative writing final, I received multiple comments from classmates and even the professor that my talent/skill was in writing comedy. COMEDY!!!! I don’t think anyone who has read my writing from the last decade would say that I was a comedy writer. I stopped labeling ‘fics as humor/romance so long ago I can’t even remember when it was. But boom. I had written a comedy piece.
I don’t think I can ignore that most of the comedic elements in Rot Tooth were brought about because humor is one of the ways in which I cope with things, but it was also a very conscious choice I made. I wanted people to be able to engage with the story without being grossed out, without getting bored, without feeling that it was a poor-pathetic-me story, and humor was the classiest way to do it. Here, read this long story that includes journal entries from Ye Olde Livejournal days, but it will make you laugh often enough that the depressing aspects of the story don’t weigh it down too much! It was probably the only way to make the subject matter widely palatable. 
As often as I joke about characters or scenes or moments that “just write themselves” the author does have control. I mostly write fanfiction, so let’s go with examples from that.
I’m (very slowly) working on a ‘fic called Three Years which features a character who, when last seen, was headed off to serve a prison sentence. They haven’t been on the show for three years and thus I assume they have been serving that sentence for the last three years. The story starts when this character is released from prison. They are a woman. This is a historical piece of fiction. Prisons were vile to women and yet...this is fiction. I have a choice. I get to choose. Does she get to start her life off carrying 25 bags of trauma or just 2? It would be unreasonable to expect that someone, especially a woman, who was imprisoned for 3 years in the early 1900s wouldn’t have some issues (at the very least, the isolation would have been awful), but it doesn’t really have to be much worse than that. It doesn’t.
I have the power to choose.
A character has anger issues. Sure, he could have had a traumatic past with an abusive parent who took his anger out on him or his mom or whatever...or maybe it is an inherited personality trait and the parent figure with the problem was never really That Bad about it, but seeing it normalized makes it harder for the character in question to realize it’s a huge problem and part of their character arc is realizing they need to get help, not because they don’t want to be like their dad, and not because they hate their dad, but because they just want to be a better person/they don’t want to let that struggle consume them.
Someone’s sweetheart goes off to war. Guess what? They don’t have to die there to force a traumatic past. They don’t have to come back a raging alcoholic either. Maybe the time apart, and the time fighting a war just puts a natural sort of crack in the relationship by making it clearer to each character what they want in life/what matters to them in their life.
A character is super passionate about their work/hobby. Maybe they have ADHD and it’s a hyperfixation. Maybe they’re autistic and it’s a Special Interest. It doesn’t have to be “their parents ignored them and forced them to be alone all the time and they used this thing to cope so it means everything to them because it’s always been there.”
Maybe you have a character whose greatest fear is losing the people they love. It doesn’t have to be because a pet died in their arms when they were four and it traumatized them. It doesn’t have to be because they only have one person they love in the whole world. It can just be a thing because that’s a valid fear literally anyone can reasonably have, and maybe it’s a bigger deal because they don’t have siblings or aren’t close to many people! (And the “aren’t close to many people” thing doesn’t have to stem from trauma, either. Most busy adults for example who get to choose their friends, are just like that.)
A perfectionist might just have the personality type; it doesn’t mean their parents criticized everything they ever did. A person with three failed marriages might hesitate to fall in love and try again but it doesn’t have to be because those three failed marriages were abusive. A quiet character may just be shy or introverted by nature. 
I think everyone carries some kind of trauma with them, so it’s never unreasonable to have some in a person’s past (you can’t write an ugly character without having to think about the fact that they carry some trauma from what it’s like to grow up ugly), but it doesn’t have to define them. It doesn’t have to overshadow everything else in their past.
You can always ask yourself, “Why am I reaching for angst every time I create a backstory?” Literally everyone has some kind of angst. Most kids were hurt by things said to them in school, for example, or made fun of for some reason. Most people did something extremely embarrassing as a kid and never got over it. There are a thousand little moments in our adult lives that go back to these little points—you might call them the tiny traumas. But they’re not defining. They’re not so heavy they also live in the present. Not all of them.
Why do you reach for the darkest corner? Why not for the light? Or a middle ground?
I encourage people to write basically whatever floats their boat, but it sounds like you’re at a point where you just feel weighed down by that sort of stuff, and that’s not a great way to feel, especially when it discourages you from working on a project entirely.
My final suggestion: look at some of your favorite characters from various types of media. Are they all traumatized? What are their defining characteristics? Black Beauty has some depressing stuff in it, but is ultimately a story with a happy ending. Pride and Prejudice has drama, but nobody’s past is filled with the darkest stuff imaginable. North and South has awful things to consider in it (cotton mills were sooo awful) but the characters are not wildly traumatized people.
What kind of story are you trying to tell? Do the characters need to be traumatized to tell it? Does the story have to be dark to get across the message you want to send? 
Way back in the day, when I was into “that manga” I made an RP blog for a one-off character that nobody gave a damn about. Like, he was so one-off that even back in those days nobody even remembered him having existed. It was sort of a joke RP blog that wasn’t supposed to be serious. The only canon information we had about this character was that he enjoyed drinking. I decided to make him a lighthearted character because the series was pretty dark and I wanted to send people hilarious starters instead of wading through the muck of depression with everyone else’s sad, abused characters. I decided his family was old money and he had a brother. Nothing super traumatizing in his past. Some family issues but not the sort of thing that would haunt anyone. He was not traumatized in his recent past any more than other characters were. Mostly just “a regular guy.” I really loved RPing him. He was fun! The story could get heavy but he didn’t have to be.
Anyway, dive head-first into the dark angst if you want, but if it’s not necessary to tell the story you want to tell, just remember you don’t have to go there. You have the choice.
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bethofbells · 7 years
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My relationship with fandom is weird. Bc for all intents and purposes I should be someone acquainted with “old” fandom, because of my age (by real world standards I’m not old, but this is Tumblr so…). But I grew up in a very rural area without internet and without television for the most part (we did get like the three main networks when the weather was good). And when I went to college (early aughts) I suddenly had access to internet and tv but I was completely unaware of fandom communities online. I basically only ever used yahoo chatrooms (and MySpace and xanga as they were dying), and then only by picking a random one and killing half an hour chatting with people I would never talk to again or writing shitty journal-like blog posts that no one interacted with. Facebook and YouTube were created when I was in college and it was all anyone around me ever talked about internet-wise, and YouTube itself was just this weird little community of online vloggers (who were largely very boring btw - I cannot BELIEVE Phillip defranco’s arc from sXephil to what he is now, it’s crazy) and aspiring film students who made shitty ten minute movies, and punk kids who did “jackass” style videos. The closest I ever got to an online community of fans was when a vlogger I liked (boh3m3) created his own site (a Reddit-like forum thingie) and it had a weird little chat room. But that fell apart within months. (Bee tee dubs a couple years ago I spent two hours getting into my old circa 2006 YouTube account so I could delete all the videos, and even though I didn’t have access to the email associated with it anymore or remember any of the passwords to anything I eventually did it :P)
So tumblr, circa 2012, was my first experience with fandom, and believe it or not it never even occurred to me that fanfiction was a thing until I clicked on someone’s ao3 link to their nick/jess New Girl fic. So a lot of fandom is still fairly mind boggling to me now, and it’s weird because I can’t quite relate to anyone in fandom. Because I can almost never figure out if what someone is talking about is from “old school” fandom or “new school” fandom. Like for instance, RP blogs were the most confusing thing on earth when I encountered them. I didn’t know etiquette about interacting with them, be it in messages or reblogs etc, so I just stayed away. It’s just weird feeling like an “old lady of fandom” because of my age, but not having any of the jargon or etiquette, and not wanting to interact a whole whole lot with suuuper young fans (Bc I mean, fandom is ageless sure, but I don’t have a lot in common with a 15 year old and I feel a little weird talking to super young people online) and not having the fandom “vocab” to talk to people who have been online doing this for years and years. So, even though I would love to fully immerse myself in some of the fandoms I like, I find myself carefully keeping them at arm’s length and I think sometimes that can either make me seem intimidating or standoffish or even snobbish. And I don’t want people to think that about me so I try to be really nice when others reach out, I just never feel comfortable being the one who reaches out to someone else.
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