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#and that's just the first verse
brown-spider · 10 months
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Hobie should have a little old lady who adores him
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William Afton into the FNAF-Verse is missing one more Afton...
(FNAF the Musical)
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EVERYWHERE I GO I SEE HIS FACE…
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nikoco11 · 6 months
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spider nico (spider bot…. sometime i call him circuit too) ((he’s like what if spiderman sucked ass))
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waymond-wang · 7 months
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SPIDER-MAN: ACROSS THE SPIDER-VERSE (2023) dir. Joaquim Dos Santos, Justin K. Thompson, & Kemp Powers ↳ Everyone keeps telling me how my story is supposed to go. ↳ INSP.
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whaliiwatching · 9 months
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kaleidoscopic crush
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stairset · 2 months
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I do feel like the way Kyoshi was written in the Avatar reboot was lowkey influenced by the fandom's perception of her. Cause like in the original show she's really just portrayed as a pragmatist who's willing to kill if necessary. Like Aang is conflicted about killing the Fire Lord and she's like "well if I were in your position I'd do it but that's just me. Good luck." And then people started making memes where she's like a murderous psychopath who thinks extreme violence is always the solution. And it was funny at first cause it was just exaggerating for comedy but now everyone thinks she was actually like that in the show when she really wasn't. And then in the remake her introductory scene is her angrily yelling at this 12 year old that he needs to stop being a little pussy and be a ruthless warrior or whatever and the only explanation I can think of is that someone in the writer's room maybe looked at a few too many of those memes.
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burythel1ght · 10 months
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thinking about ps5 miles and his backpack cat <3
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iwasbored777 · 8 months
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Love learning new things just like the other day someone said that, apparently, in order to lean on Miles' shoulder Gwen had to use extra strength and concentration cuz it's already hard to sit upside down and she made it even more difficult by balancing her weight enough to lean her upper body towards another person and it made me think of how she didn't hold hands with him which was way easier to do in that position but she felt so bad that she rejected him that she said "fuck gravity he needs to know that I care. I already fell for him I might as well fall down too"
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autisticlancemcclain · 4 months
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“Keith, I need a favour.”
Keith stops in his tracks. Slowly, he sets down the helmets he’s holding, freeing his hands, then holds the phone out in front of him. He ponders it carefully.
“I could throw you into the sea,” he says to it. He does some quick calculations. If he drives to the nearest seafront now, he will be approximately twenty-three hours late to his date with Lance by the time he gets back. However, if he skips the fanfare and drops his phone into the disgusting oil-filled puddle right next to him, he can proceed to his date on schedule.
“Decisions, decisions,” he muses. Fanfare is important. Dropping his phone into a puddle is whatever. It’s derivative. But dropping his phone into the North Atlantic…now that is revolutionary.
“Fucksake. Keith,” sighs the voice coming from the phone. “If you don’t answer me, I am going to change the Netflix password.”
Keith frowns. “Hey.”
“Thank you,” says Shiro emphatically, “you brat.”
“Netflix is sacred,” Keith protests. “You can’t joke about the Netflix. I am a delicate orphan, Shiro. What will happen to me if my primary care figure breaks his promises? I’ll regress and act out and end up in prison. Do you want me to end up in prison?”
“A little, honestly.”
“Gasp, Shiro. Gasp. How dare.”
“I think you should consider a degree in the dramatic arts.”
“I think you should eat my farts.” Keith snickers. “Hey, that rhymed.”
Shiro sighs, long and loud, and Keith can practically see the smile twitching on his face. “Where did I go wrong. Truly. To think I tried to raise an upstanding young man, respectful to his elders, happy to help when needed. Shame that you’re a gremlin and a changeling.”
Keith rolls his eyes. “Blah blah. Get to begging for my help. I have places to be, old man. A new jacket Adam bought me to wear in front of pretty people. Well, one pretty person. Anyways.”
“God, you’re whipped,” Shiro says, and Keith ignores that because if he doesn’t he’ll combust. “You and Lance going out?”
Keith tucks his phone between his ear and his shoulder, picking the helmets back up and continuing his walk to his bike. “Yep.”
“Where’re you going?”
“Dinner at Caribella. It’s an excuse for a ride, really. Maybe walk around downtown for a bit.”
“Sounds fun. How much more fun would it be with your little sister, huh?”
Keith stops for the second time. He can see Red maybe fifty metres away. He looks at her mournfully.
“So close,” he despairs quietly, then turns back to his phone. “Not super fun, Shiro. Since she’s, you know. A year old. And a date is something you traditionally do with your boyfriend. Alone.”
Shiro makes a weirdly strangled noise halfway between a laugh and a stressed croak. “Well! The thing is.”
Keith waits. No thing is listed.
“Shiro.”
“It’s no big deal! Really.”
“Oh? I guess I’ll just hang up, then —”
“It’s just that Adam and I are at his sister’s, right, and —”
“There we go.”
“And we have a sitter. Obviously. All is well. Except, you know. The storm forecast. And everything.”
“And you’re four hours away with a car that you haven’t put snow tires on yet,” Keith surmises. He looks forlornly at his bike, sitting all pretty in her parking spot, freshly polished red paint gleaming under the fluorescent lights of the parking garage. So, so close. “You dumbass.”
“The forecast was clear this morning!”
“You’re a dad! You’re supposed to know these things!”
“Well!”
“Can’t the sitter just — stay? Overnight, or something?”
He feels bad. Any other day, he’d be happy to have Hana over, or go stay over there. He does it all the time. Hana is the coolest. He has no idea how she’s the daughter of the two biggest goobers he knows. Hell, he’s already got plans to watch her this Thursday, so Adam and Shiro can go to their old person museum date thing.
But he has plans tonight.
Fuck.
“She’s sixteen, Keith,” Shiro explains, sighing. Keith envisions his brother slumped against a wall somewhere, rubbing over the scar on his nose. “She’s too young for that. She’s Adam’s friend’s daughter, and she’s a sweetheart, but she’s got school. She can’t be responsible for a baby overnight.”
“No, I — I figured.” He drags his free hand down his face. “You need me to go over there?”
“Yeah. Mara – the sitter – can’t drive yet. Her parents are coming to get her in an hour.”
Shiro’s voice is quiet, subdued. He sounds guilty. Keith hates when Shiro is guilty. He covers his hand over the phone so Shiro can’t hear, screams a little, breathes deeply, then forces a smile wide enough that it will bleed into his voice. Hopefully.
“It’s fine, Shiro. Seriously. Lance and I’ll reschedule, Hana and I will make sure to fuck up your Netflix profile. All is well.”
“Thank you, Keith. I owe you.”
It is a dire thing when Shiro doesn’t complain about Keith messing up his Netflix profile. Once, three years ago, Keith forgot to switch the TV in their living room and watched some Hallmark movie as he sketched, just to make noise in the background. Shiro made snide comments about his taste for three months, because he’s a pretentious indie loser who watches shit like Empire unironically.
“Yeah, yeah. I’ll start a tab.”
That, thankfully, makes Shiro snort. “Brat.” He brightens. Keith can almost hear the ding of a lightbulb going off in his head. “Hey, I know it’s dorky, but maybe you and Lance can still go on your date! Me and Adam used to when you were little, in the old apartment.”
Keith furrows his brows. “What, like when you marathoned Lord of the Rings on the shitty futon and ordered the greasiest pizza known to man? That’s not a date.”
“Is so! We enjoyed it, you had pizza so you weren’t having a tantrum, what else could we need?”
“You guys have been weird old people your whole entire life. Did you know that?”
“Only because you aged me. You pain. Anyways. Go pick up my daughter, or you can stay at our place. Minivan keys are where they always are. I gotta go. Love you, kiddo.”
“Ugh. Love you too.” He hangs up, blowing a raspberry at the phone. “Minivan keys are where they always are, he says. What a soccer mom.”
He stares, hands on his hips, at his bike.
What to do, what to do.
He really doesn’t want to cancel on Lance. It’s been a couple days since they���ve seen each other, because Lance’s job hates him. Plus, Hana isn’t very fussy. It’s kind of dweeby and embarrassing, but. Well. Lance likes kids. So it could be fine, honestly.
“Hana first,” Keith decides, nodding to himself. He lifts the seat compartment under the bike and shoves the extra blue helmet in, strapping on his own and starting Red up. To bring Lance to Shiro’s for an embarrassing old person date, or to cancel. That is the question.
Eh. He’ll decide on the ride.
— — —
He does not decide on the ride.
“What do you think,” he asks his sister, lips pursed. She gurgles happily at him from her high chair, shaking her soggy-Cheerio-covered fist at him. “I mean, you go to bed in a couple hours. So it’s not like it’s pure babysitting.”
“Abdalalala,” she says, which Keith translates to mean actually, now that I know you want me to sleep, I will spend tonight completely resistant to sleep, as karma. Enjoy.
“That’s rude,” he informs her.
You’re batshit, says the Pidge that lives in his brain. Also, quit procrastinating.
“Ugh,” he says, out loud. He pulls out his phone and hesitates over Lance’s contact.
to: lance <3
hey you like kids right
from: lance <3
oh my god
from: lance <3
keith, are you…
from: lance <3
pregnant??????
Keith laughs.
to: lance <3
you are not funny
from: lance <3
i’m hilarious actually it’s a tragedy
from: lance <3
i carry the burden of knowing i am solely responsible for my friends’ good humour
from: lance <3
heavy is the head that wears the crown. pensive face emoji solidarity fist emoji broken heart emoji
Keith refuses to dignify that with an answer. Also, he has been informed by Lance’s best friend that if he ignores the emoji bit it will go away eventually. So far it’s been going strong for three months, though, so Keith’s not certain. He can only hope Hunk is correct.
from: lance <3
anyways yah i like kids why
to: lance <3
how much cooler and charming would i be if i picked you up in a minivan. with my sister
from: lance <3
aw, keith!
from: lance <3
to be coolER and MORE charming you have to be cool and charming to begin with :)
from: lance <3
and you are a dweeb 💖
from: lance <3
sounds good tho
from: lance <3
Bring Forth The Child
from: lance <3
oh also bring forth burritos on ur way over
from: lance <3
i’m hungry
Hana yells and bangs on her tray. When Keith looks up, she lobs a Cheerio at him. It hits him squarely between the eyes.
“You’re right,” he says sagely, peeling it off and flicking it back at her. She shrieks in joy. “I cannot let this shit slide. I cannot simply allow myself to be roasted, Hana. I must have self respect.”
She blows a raspberry at him and bangs harder on her tray. Baby conversations are, honestly, riveting.
“Exactly, squirt. You get it. Let’s get cleaned up and go, hm?”
— — —
He picks up burritos on the drive.
Hana laughs at him.
— — —
He’s hardly pulled up in front of Lance’s apartment building when a blur streaks across the front walkway, yanking open the van’s side door.
“Oh, hell-o, precious darling!” gasps Keith’s boyfriend, tumbling into the backseat and slamming my the door shut behind him. “Hi, Hana! Hi hi hi! Aren’t you the bestest ever? You are!”
Hana, evidently pleased with the attention, babbles something incomprehensible and pats Lance’s cheek. He melts, babbling something so quickly it’s equally incomprehensible and shaking her hand. Keith watches, torn between endeared and affronted.
“Hello, boyfriend I have not seen in days,” he deadpans. “Yes, I missed you also. No, I don’t mind at all that you leave me to wither away, alone, in the front seat. Excellent chat.”
“You have a very very grumpy brother, don’t you, Hana,” Lance coos. His shoulders shake with held back laughter.
“Lance, get your ass in the front.”
“But I’m meeting the baby!”
“She is not going anywhere! Meet her at home! You turd!”
“Name-calling is not very nice,” retorts Lance primly, crawling over the console and finally settling in the passenger seat. “What kind of example are you setting, huh?”
He leans over the armrest once he’s buckled in and kisses Keith gently, cradling his hand against his jaw and tilting their heads together. He smells, as he always does, of flowers and sunshine, and Keith sighs as he sinks into the softness of him, the curve of his smile and nip of his teeth.
“Hi,” Keith murmurs, pressing a kiss to the corner of his mouth, his chin, and then squarely on the mouth again.
“Hi,” Lance responds, a little breathless, grinning widely. His hair is damp and curling at the edges. He’s left out his contacts for the night and the gold lenses match the gold flecks in his brown eyes. Everything he’s wearing is stolen right from Keith’s closet, except his socks, which are bright purple and covered in obnoxiously orange weiner dogs. Keith is so in love with him that the intensity of it embarrasses him, and he pulls away, face red, very interested suddenly in adjusting is rearview mirror.
Lance, knowing, only smiles.
“These are for you,” he says gruffly, shoving the paper takeout bag at Lance’s chest. Lance wastes no time digging through and shoving half of one in his face.
“Aw, baby,” he says, mouth completely full. “You’re literally the best. Sweet, attentive, manipulable, obsessed with me. Everything I intended when I did the love spell on you.”
Keith eyes Lance from his peripherals. He’s digging through his patched backpack, face completely serene. Keith is reminded of the actual sigil he has tattooed on his ankle. (He’s very familiar with it. It’s often right at eye level. Hard to miss, really.)
“…You’re a strange, strange man.”
“Anyways!” Lance continues, visibly gleeful. Keith reminds himself to focus on the goddamn road and remember his sister is watching with her giant wide eyes in the backseat, probably committing all his embarrassing actions to memory to report to Adam the second she is capable of speech. “I brought lots of movies. Mostly Jurassic Park, but also some educational stuff for the baby. Ghostbusters, High School Musical, you know. All that good stuff. And I stashed popcorn behind your microwave last time I slept over so we’re set for snacks.”
“Oh, we’re going to my brother’s place, actually, ‘cause Hana’s more comf— wait, behind the microwave? Why behind?”
“Wait, wait, hold on. We’re not going to your place?”
“No,” Keith says carefully. “I have some baby stuff in my apartment, but not a lot. Plus, Shiro has a better T.V. and also Adam just bought Moose Tracks. So.” He slows to a stop at a red light, noting Lance’s odd expression. “That okay?”
Lance screws up his face for a second, thinking. “I’m pretty sure? As long as there’s an extra toothbrush there. I have one at your place so I didn’t bother bringing one. And I guess I can survive a night without my face serum, but if I get one single wrinkle we’re beefing.”
“You’re not gonna get a stupid wrinkle,” Keith grouches. “And why would you get pissy if you get a wrinkle? We’re gonna get them eventually, and you —”
“‘We’?” Lance teases. “You gonna grow old with me? Gonna marry me someday, Kogane?”
“—can even use Shiro’s face stuff, anyway, I’m sure it’s the same.” Keith clears his throat. “And plus —”
His voice cracks horribly. Lance makes a valiant effort to keep his giggles to himself, but as Keith face continues to get hotter and hotter he loses control and laughs, head thrown back, adam’s apple bobbing with every hitched breath. His laughter sets Hana off, too, both of them encouraging each other’s ridiculousness until they’re as red as Keith is, gasping for breath.
“I hate it here,” Keith mutters darkly. “I’m turning around and bringing you back. You’re the worst. Why do I go out with you.”
Lance, barely recovered, makes kissy faces at him. “Because you want to maaaarrryyyyy meeeee, you think I’m seeeeexxxyyyyy, you want to kiiiiisssss meeeee —”
He cuffs Lance in the back of his head, pretending to check his blindspot and ignoring Lance’s cries of spousal abuse. “I actually just want you to watch Miss Congeniality twelve percent less often. For your own mental health.”
“Lies and slander! Peddling of falsehoods! Perjury and defamation!”
“I’m burning your thesaurus.”
“And now threats! Hana, you shall be my witness! I will testify against you in court! You will be jailed! I will visit you twice monthly!”
“That’s the second person today who wants me in jail,” Keith comments, pulling into Shiro’s driveway. “You’d visit me even if you put me in there?”
“Well, duh. Have to make sure you don’t go around kissing cute criminal boys or I will become a cute criminal boy.”
“Right, of course. I should have known.”
“You should have, yes.” Lance leans over and kisses him on the forehead with an exaggerated ‘mwah’ noise. “But it’s okay, I like ‘em a little dumb.”
“Help me get the diaper bag, goober,” Keith snorts, shoving him away. “I want to get inside so I can have a burrito before you eat them all.”
———
Lance was not kidding about High School Musical.
Obviously.
“Do you want her to grow up with no understanding of community, Keith,” he scolds, and pays no mind when Keith replies, “Well, she has a family, dude, so I’m not worried.”
They watch the stupid musical.
Keith is horribly endeared by Lance’s extensive knowledge of the choreography. Lance is horribly appalled at Keith’s ignorance. Hana is intrigued, mind body and soul, by every scene with Sharpay Evans. Keith assumes this will be a problem for Adam in the near future, and resolves to make that problem worse.
All this to say he’s having a very embarrassing night, in terms of mushy thoughts and feelings.
“I can’t wait to have kids of my own someday,” Lance sighs, a very sleepy Hana tucked into the crook of his arm. He watches her, soft, and Keith pauses with a DVD held loose in his hand, enraptured, because there’s a curve to Lance’s smile that he’s never seen before, and suddenly his left hand looks bare. “I know it’s supposed to be stressful and everything, but I used to force Hunk to play house with me when we were kids. Literally every day. And when my neice and nephew were born I hogged them all the time, even when they were screaming. I dunno. Being a parent sounds awesome. You get to…like…grow a person. It’s like growing a plant but a bajillion times better, probably.”
“Yeah,” says Keith, softly, and without meaning to he’s thinking of Shiro’s tired smile and the gentle hand Adam lays on the back of his neck, of their door that was always open for Keith’s nightmares, of Shiro’s clothes ruffling as he slid to the floor and sat for hours as Keith screamed himself hoarse and cried for a mother who left. Of Adam’s boiling pots and gentle hands as he guided Keith around a chopping knife. Of both Shiro’s choked-off sobs and Adam’s right embrace as Keith came back, thirteen, in the middle of the night, scared and no longer angry, and their quiet I’m so glad you’re safe. Thank you for coming back. “Yeah, family is important.”
Lance hums. He’s quiet long enough that Keith looks up, realising for the first time his gaze has been locked, unseeing, on the pictures on the wall, of Shiro and Adam and the two of them together and with Keith and with Hana and with Keith and Hana. Lance is watching him, quiet, dark eyes knowing, Hana finally asleep in his arms, beautiful and strong and everything Keith has ever wanted, suddenly, at once.
“I love you,” he blurts.
Lance smiles. “I’ve noticed.”
“Oh, you dickhead.”
“I’m saying it back!” Lance says, snickering, free hand held up in surrender. Keith walks over and slots their fingers together, squeezing slightly, leaning in and holding, a second, a hair’s breadth away from Lance’s mouth, watching his lips part, feeling the heat of his breath. His words are breathless, near silent, mouthed as much as spoken. “You changed my life, you know. I made you chase me because I thought it was funny, but — I made Hunk get me your number from Pidge the night I left the bar. I was going to text you if your brother’s tweet didn’t go viral and cement your dorkiness for eternity.”
“That’s a lotta words to say ‘I love you’, dorkbrain.”
“I know. You make me nervous.”
“You never get nervous.”
“I do with you.”
“Yeah?”
They’re so close now that their lips brush with every word, and Lance is grinning, eyes crinkled and lashes fluttering against Keith’s cheeks, and Keith has a hand careful on Hana’s head so he doesn’t crush her and is smiling just as wide. Cheesy, dorky, corny, and everything Keith wished for after every romance novel he’d steal, fooling no one, from Adam’s shelf and read long after bedtime.
“Yeah. ‘Cause I love you. Even though you’re a dweebus and a simp.”
He is, really, because he lets Lance get away with that, kissing him to shut him up, to feel his laughter right up close. It’s sparks flying and warmth spreading and heart slowing, and in the gentle darkness of the night.
It’s the promise of more to come.
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chocodile · 4 months
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Recently discovered your art and amaranthine setting! Really love the characters hyden and theo! And the shadow... that's some gnarly stuff! Which begs the question, would there be anyone unfettered (and perhaps foolish) enough to marvel at the shadow's potential as a weapon? Not-so-coincidentally, I've also been revisiting a lot of Starcraft 2 content out of nostalgia since I used to play it when I was in high school. It reminded me of the idea... of someone seeing an incredibly dangerous all-consuming force, and them trying to harness it for their own ends (and things inevitably going horribly right and/or wrong)
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Some say that's exactly what Hyden was doing. :)
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ryuusea · 4 months
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a new beginning, with you.
sherliam modern au comic
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I've been reading Exodus lately and I've just gotten to the portions where God gives the first commands to the people via Moses (twice), and then goes on to give detailed instructions about the tabernacle and how it should be built, and I'm just... we think art is unimportant?? we think things only mean as much as their functionality?? we so easily fall into the trap of believing that beauty means nothing, that it's cheap and only worth whatever mindless distraction it brings, that it's barely more than a cheap sensual thrill, that buildings should just be practical and plain and cheap, that everything should be functional but ultimately disposable, that paintings and dresses and mugs and curtains and carpets are just pretty but have no real value, that beauty is fleeting and vain and therefore shouldn't be thought about too much, if even looked for at all... we fall into these traps so easily, and we forget that there are chapters upon chapters of painstakingly detailed plans to build one portable worship tent, and those plans have been handed down through thousands of years of human history, because beauty and art and skill in craft is important
#I have to go get ready for work now but I will come back to this#and don't even get me started on the parts about God calling specific craftsmen *by name*#he called them!! by name!!! he said 'this man is good at his job. he creates beautiful work. he will build my temple and make it beautiful'#and even more--God inspired him!!!! it was a calling of GOD for him to create beautiful carvings and tapestries and candlesticks!!!#look even if you're not jewish or christian or religious at all you have GOT to see what it means that all these incredibly detailed plans#for building this tent-temple are extremely important#because even if you don't believe in God and don't think that this is all significant bc he personally gave the instructions#and then helped preserve this record of them so we could still read them today#you do have to see how important they were to the people of that time who first wrote them down#and the extreme care that was taken to record all of those detail#AND the fact that it's been preserved for so long and we can still read all the care that was put into creating this incredible piece#of artwork and worship they made#gurt says stuff#I just. gahhfhhfj. I'm feeling emotional about chapters of the Bible that I can't even fully force myself to pay attention to#bc there's so MUCH and I'm bad at visualizing this stuff and I tend to zone out while listening to it#but the fact that it IS that much!!! that there SO MUCH DETAIL and it goes on for SO LONG that I even struggle to pay attention!!!#that this was THAT IMPORTANT to the people who wrote it and to God!!! as an artist and someone who has always cared about art#this means so much to me ok#christianity#bible verse#bible thoughts#exodus#art#theology
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pycth · 6 months
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I will not be apologizing for the person I’ll become once Lasko’s love confession comes out
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formosusiniquis · 1 year
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Aging rockstar Eddie Munson who goes viral on tiktok after dueting a fancam of him and Stevie that is backed by the bi wife energy audio.
It's shaky, clearly a spur of the moment response, Eddie is obviously captivated for a second by a clip of Stevie that starts to play. He sighs and directs his attention back to the audience. "I love my beautiful wife, the sun to my moon, the light of my life."
You can just make out another voice from somewhere in the background call out, "Love you too!"
"But I did not survive being an openly gay teenager in the 1980s in rural Indiana to be called a heterosexual!" 
He zooms in closer to his face, it's unclear whether this was intentional, "I did not go through a sexuality crisis in the early 90s when she transitioned, to be called a heterosexual."
Stevie comes out from somewhere behind where Eddie is ranting to drape herself around his shoulders, "Oh that's a good picture of us." The original video is a step above thirst trap and the picture in question is a pap shot of Stevie and Eddie from a long past Halloween. Stevie is in the famous Farrah onepiece and Eddie is in first husband Lee Majors' Six Million Dollar Man red tracksuit.
"You just like it cause we actually ran into Farrah and she liked your hair."
"It was also-"
She isn't dislodged as Eddie fails, well practiced at staying on her perch. "I didn't cancel the back half of our 1995 tour because of morning sickness to get called a HETEROSEXUAL!"
Stevie's smile is indulgent and soft, it wrinkles the corners of her eyes in soft crows feet that betray her age. "You can be trans and straight."
"A fucking ally then!"
She's got a sage Mona Lisa smile as the video ticks to a close, "I love my husband, and he's actually bi."
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mewtwo24 · 8 months
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Sasaki and Hirano, Compare/Contrast Brainrot
Okay like I saw a post about Sasaki and Hirano’s friendship and I just. Started thinking about it and now I can’t stop. Especially after reading Hirano to Kagiura. 
I feel like they’re messed up (repressed is probably what I actually mean) in the same way but in opposite directions and that’s why they like…get along, but in the strangest manifestation of that phrasing? They care about each other almost from a periphery, from the vantage point of someone who understands, but, since they’re also still figuring it out, they don’t know quite how to interact with or guide the other?
And it’s killing me because--idk if it was just me--I kept going feral over every single time I was reading the manga and Hirano would go “oh yeah I do [insert fuckign batshit intimacy] with my roommate, this is a normal senpai/kouhai thing to do” and Sasaki literally always reacts with:
“.” (Huh. I don’t think that’s normal but who am I to judge these things. Let’s ask the local social barometer.)
“Hey Hanzawa, this [reiterates what Hirano said word-for-word] isn’t normal is it?” (Translation: “this would be inappropriate to do with Mya-chan even though I’m clawing at the walls just thinking about it”)
And Hanzawa, bless his heart, who is only a fraction more normal about social interaction than everyone else is just like:
“.” [W H A T]
“Sasaki, what. Of course you shouldn’t be doing that. W H Y ARE YOU ASKING ME THIS”
AND THIS HAPPENS MANY TIMES IN THE SPAN OF TWENTY CHAPTERS. I CANNOT EXPRESS ENOUGH THE HILARITY BUT ALSO CONCERN IT INSPIRES TO WATCH.
More detailed analysis under the cut, I just can’t stop laughing at the way the manga compares them:
Sasaki fascinates me because, as I take stock again, it feels like he’s got this dread when it comes to change (e.g. Ogasawara and his gf dating--thus changing his relationship with both of them, asking Miyano out--risking losing him, confessing that he’s dating a boy to his sister--risking her enduring and fervent disapproval). So much of his younger teenage angst was related to being reluctant to start or do things, and while it’s easy to assume laziness, I don’t think that’s the case? He says in the manga: “There’s nothing I can do, so how am I supposed to know what I want to do then…?” I get a sense that this trapped feeling contributes to his dissatisfaction and stasis more than a refusal to do anything at all. I don’t think he lacks capacity; he’s proven to be exceptionally clever and even studious when he feels motivated. 
Considering the lack of interest his parents had in his life (let alone his hobbies/skills) and his sister’s overbearing scrutiny, I feel like it makes sense he’s struggled so much with his self-actualization. I feel like he perceives it as being caught between hot and cold extremes constantly; like no matter what he does, he’ll either receive indifference or loud chastising. So why bother at all? It would explain why he likes Miyano’s temperament so much, considering the latter quite literally is defined by his normalcy and even keel. When Sasaki wants to move forward in their relationship, Miyano seriously considers both their feelings, and thoroughly weighs the realities of what it would mean to be together before replying. While Sasaki wants to be closer to him, I think so much of his willingness to wait was the fact that Miyano wasn’t evading him. Miyano was being honest and thorough about meeting him halfway, without insulting his feelings or flat out ignoring him.
(Side note: I fully agree that Sasaki’s sister is a positive influence in his life, in that she actually gave a damn when he was downspiraling and miserable, and pointed out that all kids need limits and guidance. But she is loud and forceful about her acknowledgement, and I feel like this is very grating to Sasaki. For better or worse, it’s clear he has a hard time with such a direct and intense approach about what he should think and feel, and about what he needs. Sasaki shows indications of a kind of mindset where he thinks he needs to shoulder all the tough and heavy things alone, so it makes sense to me that he would be uncomfortable with his sister proclaiming how he is lost or bereft of attention/discipline.)
I think there’s also the fact that Miyano witnessed Sasaki at his most vulnerable--and instead of lashing out--offered him help and sympathy, real warmth and patience. Sasaki has always meant a lot to me as a character, maybe because he resonates in such a poignant way. He’s somebody who has lived under such emotional extremes, and as a result deeply values a sense of normalcy. Where one could argue Miyano is unassuming and ordinary, I think that’s part of why Sasaki likes being with him.  With Miyano, he doesn't have to guess at the distance between them; Miyano is earnest and careful about those differences, and is very direct about addressing them with reciprocity.
Now then, Hirano. I know very little about Hirano’s home life other than his being an only child. But to be honest, that does tell us a bit--paired with his subtle social anxieties. I will never forget Sasaki saying to Miyano ‘that’s because Hirano plays favorites with his kouhais’ about the gap between his behavior towards his younger classmates versus everyone else. While Sasaki’s petulance is uproarious, there is something to that. (I also love how this exposes Sasaki, lowkey, because he’s basically saying that he’d only do that with his favorite people, aka Miyano. But otherwise he could never be bothered to care about a rando, and that’s hilarious.)
I think Hirano--because he doesn’t really have a sense of how he’s supposed to relate to other people--tends to follow the same strict guidelines you might see in a rule book (DISCIPLINE COMMITTEE COUGH COUGH). Supposing he was taught--or simply feels responsibility towards younger kids as a result of reflective parental neglect--it would explain why he feels this rigid need to treat kouhais like little siblings. At first glance, and honestly when you consider his general aloofness, it doesn’t make much sense that he has a mothering sensibility otherwise. 
Now then, because I realized this while writing and I have to inflict this on everyone else in rapid succession, this would explain his initial staunch discomfort with Kagiura’s affection. In the context of Hirano’s lifestyle/mindset:
Hirano → relationships with people? Don’t understand that, refer to following flowchart:
→ younger = responsibility, must protecc
→ same age = keep them in line
→ older = respect (but only if I feel like it HAIR DYE NOISES INTENSIFY)
Mind you, I don’t think this is limited to his platonic/friendship relations. I think this permeates into so many other aspects of his life, since sociality is inevitably a focal point for all human life. If he feels an uncharacteristic leniency and profound affection for Kagiura, then it must be because he's a kouhai he wants to protect, nothing more. He has no other reason or definition by which to ascribe to those feelings. Hirano doubly insisting he can’t be attracted to men is because he’s been so inundated in the widespread social signals, the social rule that has been long standing--and remains a pretty powerful message even now--that it’s unlikely (and that’s a gentle term) he’s attracted to another man. 
After all, He is So Good At Being A Normal Young Man. He’s in the discipline committee. He gets excellent grades. He’s a kind and helpful senpai. He keeps his classmates in line. Of Course He Likes Women, What Do You Mean Gay.
He’s basically that meme like: “'Men can be attracted to other men' actually statistical error. Average men only feel attraction for women. Sasamiya is an outlier and should not be counted."
Both Hirano and Sasaki hate change/unpredictability, but I really love how complex their differences are in regards to how they experience that and feel that. Sasaki hates change, but he’s not necessarily emotionally repressed? He’s able to express what he feels for Miyano because he feels it so strongly, and it comes naturally when he does. In fact, it’s so natural that he becomes impulsive--and that’s why he gets so anxious about moving too far or too fast by accident. He has the overthink override, where if the attraction is too strong he simply Can’t Shut Up About How Much He Loves Miyano or stop hugging/kissing him.
Hirano hates change in the sense that he’s so ensconced in this idea that This Is Normal Human Behavior, that he completely loses sight of how he actually feels about anything--because he rejects/suppresses anything he can’t coherently define in a scripted, linear way. And being asked to tread that unstable, unsteady ground is tantamount to throwing a cat in water with no warning. This is why it’s so sad but also HYSTERICALLY FUNNY to see him like “wym I have feelings for Kagiura. It's perfectly normal to start yelling with all the wounded rage of a scorned housewife over my kouhai not letting me wake him up for morning practice. That is what it means to be a senpai.” Because he has no blueprint for how he’s supposed to express a love that goes deeper than friendship (with a man no less), he defaults to these overly simplistic structures that can’t support the complexity/maturity of such adult human feeling and exchanges. They worked for him just fine before, so why won’t they work for him now?
Relegating Kagiura to the role of kouhai makes it easier for Hirano to conceptualize why he cares so much for him, but it also limits the scope of his view. He’s using it as an umbrella term in a sense: of course he doesn’t find every little thing about Kagiura infuriating/boring/troublesome. Being the older person means being responsible and chill about everything. But that’s the thing. He’s not indulging Kagiura the same way he indulges Miyano, despite him qualifying them the same way. With Miyano it’s super clear Hirano really does just see him as a baby duckling, someone to treat gently and usher around. His behavior around Kagiura is so astronomically different in comparison, it’s nearly comical to try to compare them:
It’s Kagiura’s birthday. Hirano, who probably hardly remembers people’s birthdays, deadass went around asking every person he was close to (like, 5 ppl) for advice. He agonized over it for days on end. He gets Kagiura tickets to a basketball game and an alarm clock, and spends the entire day with him. He asks Hanzawa if he can use party poppers to celebrate Kagiura on the day of, and to get around the rules when he’s told no he has everyone go hog wild with them at the Christmas party in a loophole maneuver to celebrate. Reminder to myself and everyone reading, this is BEFORE he even hears a word about Kagiura’s feelings.
THIS IS BEFORE EITHER OF THEM ARE IN ANY KIND OF INTIMATE RELATIONSHIP. HIRANO, WHO IS MR. “i only study or drag people to baby jail, what do you want,” SPENT ENTIRE DAYS PAINSTAKINGLY PLANNING ALL OF THIS. FOR KAGIURA’S BDAY. AFTER ONE OFFHAND COMMENT FROM KAGIURA OF LIKE mannnn having an xmas bday sucks ass, they just try to lump it tg with holiday presents booooo :///
That Hirano conceptualizes Kagiura as a kouhai has been established. But another angle that’s equally crucial is this equation:
Hirano → adore person? Devote Every Minute To Being Nice^TM
→ hate person? angry cat hissing sounds/smack with paper roll
→ mild dislike? Lowkey grousing/sarcasm/dismissal
→ neutral? (this is most people btw) refer to earlier chart for appropriate social etiquette
This is pretty much where Hirano gives himself away. Because even in his most inflexible rules for himself, we’ve never seen him convey so much feeling for anyone around him so helplessly. It can be argued that he might have in the past, but honestly, I doubt it. The feeling is so confusing and new to him that it leads me to believe so much of his difficulty accepting what he feels is related to its unfamiliarity. He can’t trust it as real precisely because he can’t control or neatly define it. (This made doubly disconcerting by the fact that he doesn’t have a typical social structure to work from either. If his parents, for instance, are anything like Hanzawa’s, it’s possible his conception of love between a couple is about devotion to remain together to fulfill a sense of status/purpose to create a new life. He would have zero concept of love that comes from the very depths of a person’s emotional being, a call and response that is as instinctive as it is fulfilling.)
Sasaki feels an intense desire to be close to Miyano, and thus acts accordingly because he trusts his feelings. On the other hand, he has trouble measuring the distance between himself and others. (e.g. he thinks he will lose his friends if they date, his sister acts like a parent but is also a kid and that makes it hard for him to know how to interact, he struggles to convey himself properly to Miyano when he brings up escalating to dating). Hirano, on the other hand, doesn’t realize the intensity of his affection and heartfelt proximity to Kagiura because he’s so busy tying himself up in knots over what he’s supposed to feel and think that he doesn’t trust his feelings. Rather, he is only given away by how obscenely his actions expose him. Comparatively, he has less trouble measuring the distance between himself and others when it comes to anyone but Kagiura.
(Perhaps obviously, Kagiura has Sasaki’s whole ‘if I don’t hug/kiss/bark at him I’ll die’ emotional expression and Miyano has the cautious measuring of distance between people and difficulty accepting gay like Hirano.)
God they’re both so quintessentially queer it hurts me. One can’t shut up about his love, and the other literally cannot open his mouth and express his feelings or he’ll die. 
NARRATIVE FOILS EVERYONE
(Also unsure if it’s me but wow. They are so. Autism. And that also kills me akhfjldghjgdsfhkdfjhg)
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whaliiwatching · 1 month
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other lives and dimensions and finally a love poem…
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