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#and the both of them are likely messing with timelines
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I think this fandom is too normal about Petronille. WHAT DO YOU MEAN SHE'S ONLY IN HER LATE TEENS/EARLY 20'S WHAT DO YOU MEAN?????
Like like!!!! We don't have a timeline on when Bonnie and Nille ran away from home, but it HAS to be when Bonnie was really young. Bonnie doesn't seem to remember their parents well at all, and the most we hear about them is that they were "mean". So like!!!! Depending on how old you see Bonnie (10-12ish) and how young you think the two ran away, that could range from 5 to 9 years give or take.
Thats!!!! A range!!! At the oldest Nille (say 24) she was 18 or 19 when the two ran away, which is an adult but still pretty young, but the youngest range????? Hello??? If Nille is 19 now, she could have been as young as 11 when she took Bonnie!!!! What!!!!
I don't think that's the case, but still??? If we take the average of those two, Nille would be 16!!! 16!!!!! And taking care of her sibling basically on her own!!! Nille is a kid who had to grow up too fast and take on the world to make sure Bonnie and her could survive!!! Nille's probably been fighting a good chunk of her life for their happiness and that doesn't even ACCOUNT for the abuse their parents messed her up with. And then after EVERYTHING basically sacrificed herself so Bonnie could have a chance to live from the King's Curse!!!!!
And after all that!!!! Suddenly, she's offered protection from 4 random adults who also adore her sibling and want to take care of the both of them??? What do you do with that??? Do you even BELIEVE that??? Can you even trust that someone else than you could be trusted with your baby sibling? That you can let someone else take that responsibility. The responsibility that you took on with your whole heart and soul to the point you made sure that even if you basically DIED for all that mattered, at least Bonnie would have a chance.
You've been asleep for months and woken up in a new reality where you're not your sibling's whole world anymore. They've changed. You weren't there for it. These people Iove Bonnie so much. But do they know them as much as you do??? They weren't there all this time!!! You should know your sibling better than anyone here!!!
And yet. Yet...
You don't know what to make of this. You're happy Bonnie's safe. You're terrified you don't recognize the new parts of them that have shown up without you being there.
Your sibling lives in a whole new world now. They love you. They would come back to it just being the two of you if you pushed it.
But if you do, you're not sure Bonnie would ever forgive you for it.
(Are you seeing my vision??? Do you understand why I'm not normal about Nille????)
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toomanythoughts2 · 21 hours
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Theory on Why Murderface and Toki don't practice.
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(Just a heads up, this is going to be a bit of a theory with a lot of analyzing but I'll put the gist above the cut away in case no one wants to read the long version. To keep things in order, I follow the Dethklok age range, oldest to youngest: Pickles, Skwisgaar, Nathan, Murderface, and Toki.)
GIST: Magnus' abrupt dismissal from the band and Dethklok being just signed on with Crystal Mountain Records put a lot of pressure on Nathan and Skwisgaar (both known perfectionists), thus resulting in Toki's (brand new member) and Murderface's (hard-headed bass player) parts being re-recorded by Skwisgaar in order to satisfy Nathan and Skwisgaar's perfectionism. This in the long run would further push Toki and Murderface being apathetic toward practicing.
Below is a more detailed description and timeline of this theory.
(I would like to point out that this theory is not to make Nathan and Skwisgaar the bad guy, but more to pinpoint how perfectionism can often times have negative effects on individuals who are just starting out, like Toki and Murderface.)
So this theory is based on a lot of information I can gather from the show about Nathan and Skwisgaar's perfectionism, Toki and Murderface's apathy and work ethic, and the theory timeline of how it started.
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Nathan's Perfectionism
As everyone knows, Nathan is a notorious perfectionist. Nathan is known to record, delete, re-record, delete, re-re-record, delete, over and over again until he is satisfied. It's a theme that is shown multiple times in the show. The very first album we see them make in "Dethwater" is because Nathan kept deleting the record.
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Nathan's perfectionism (along side his connection to the Whale Prophet) is a whole arch in Season 4, resulting in him destroying their master record in "Prankklok".
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In fact, it could be argued that Nathan's whole arch in Army of the Doomstar of trying to write the Song Of Salvation while still in a Death Metal Perfectionist Mindset was one the reasons why he wrote the wrong song in the first place. Nathan trying to figure out who he wants to talk to and what he would say to them that would also match his perfect Death Metal Image is why the lyrics came so hard to him, even before Murderface's possession interference.
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The idea of being the hand or the fist in Army of the Doomstar can also play into his perfectionism. It could resemble the idea of forcing oneself to be a certain way rather then letting oneself just be who they should be. (Peep the painted nails, LOVE!)
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Now, while we don't see Nathan "practice" like how Skwisgaar practices his guitar, it's safe to assume that he does have a lot of knowledge on how to sing. For his style, it would be important to know how to practice singing in order to maintain his signature growling voice, especially since that's not his normal voice. On top of practicing, we also know that Dethklok is Nathan's band. Not Skwisgaar's, not Pickles', not Murderface's, and not Magnus'. Nathan's band. That is a very proud fact of his that he has shown to not hesitate bringing up when other people try and mess with his band, including higher ups like Abigail. Dethklok is Nathan's baby, it's his first love, it's his literal everything. As the creator of Dethklok, the frontman, the "dad" of the band, Nathan has a LOT of pressure on his shoulders to make sure that the albums that come out are good albums.
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This is why Pickles' character is so important to Nathan because he balances him out. Pickles cares about Dethklok just as much as Nathan but he's been down this road before, and he knows how Nathan is. "Prankklok" and "Writersklok" are so important to bring up when discussing their relationship because it shows just how much Pickles knows about Nathan's perfectionism, temperament, and what that obsession can do to him. THAT'S WHY PICKLES IS SO DETERMINED FOR THEM TO GO ON THEIR FRIENDER BENDER, TO KEEP NATHAN AWAY FROM THE ALBUM AND LET LOOSE! Their fight in "Writersklok" wasn't just a funny "Mom and Dad are Fighting" bit, it was real argument with anger and frustration. It was about the album and about Nathan's lack of an apology or recognition to what he's done. (Look at how scared everyone looks around them while they're fighting. They are scared.)
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It's also important to note that Pickles and Nathan's problems revolving Abigail didn't really start until much later in the season, I wanna say "Going Downklok", AND Pickles was not aware of the Whale Prophet until the end of season 4, when even Nathan finally had to confront his own memory about that night and what the Whale Prophet told him. THAT IS WHY NATHAN'S APOLOGY IN CHURCH OF THE BLACKKLOK IS SO FUCKING MEANINGFUL AND GOOD! That despite the group now understanding that Nathan had to destroy the record, he still apologized to Pickles for doing it because he knows it harmed his relationship with him.
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The destruction of the album is equivalent to Nathan saying that everything that was put on it was not good enough, meaning it looks like a big "Fuck You" to Pickles when he's laying on the floor watching Nathan destroy the Master Recording.
Now remember: Nathan's perfectionism and destruction of the album harmed his relationship with Pickles in an almost life altering way. Nathan's inability to apologize almost split up Dethklok permanently.
Skwisgaar's Perfectionism
One of Skwisgaar's most famous characteristics is that he is always playing the guitar. It's a running joke in the show that he is always fretting, always practicing, and playing guitar is all he knows and does. He plays in the hot tub, he plays at meetings, he plays at the dinner table, he plays outside, he plays when he's stressed, he plays when he's bored, he plays in his sleep, and he plays when he's hurt in Army of the Doomstar. Skwisgaar is known to play his guitar and play it very well. So well in fact, Skwisgaar regularly records the parts for both Toki and Murderface for the albums, even when Toki and Murderface already have a recording. It's another running joke in the show that Skwisgaar will just go back to the studio and re-record whatever they have already done. However Skwisgaar has also been shown to listen, critic, and make Toki re-record his parts numerous times as if to find a good take for the record.
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He even offers to show Murderface how to play his bass parts in "Dethsiduals", despite prior viewer knowledge that Skwisgaar records his parts anyway.
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For me, Skwisgaar's perfectionism is in between "No one will ever be as good as me" and "Why isn't anyone as good as me?" He obviously wants Toki (and Murderface but he has more interactions with Toki and his guitar playing) to play to their full potential but his expectations are either never met, or they are met too close to "Good as or better than me" that he lashed out. In "Dethlessons" Skwisgaar lashes out at Toki when he gets a new guitar teacher and the band are being dicks to him, making him think Toki is getting better.
(This could also be read as jealousy for Toki's guitar teacher because Skwisgaar has been shown to be attached to Toki in their strange rival/BFF relationship in a way he is not attached to anyone else. I.E. "The Duel" in Doomstar Requiem and Skwisgaar's Nightmare that happens in "Dethlessons".
[If you want a really good analysis on Skwisgaar's Nightmare, check out this post by @dichromaticdyke. It's honestly one of my favorites.]
OR jealousy in the sense that someone ELSE was able to get Toki to start practicing in a way that is actually beneficial. No, Skwisgaar, dropping a bucket of blood on Toki during a guitar lesson is not good teaching.)
Something else to remember about Skwisgaar is that he has been playing and practicing since he was a child. "Fatherklok" shows us a glimpse of how Skwisgaar got his first guitar, and how attached he had become to that guitar, showing that he has been practicing for years and years and years. He has also been in countless bands before Dethklok like said in "Snakes n' Barrels", when they're naming off bands they have been in. Skwisgaar has discipline to the craft and an ego to match. He is known as a glowing guitar god. That's why "Skwisklok" is so important for the viewers to understand the amount of stress that title brings him. He knows he's the best but he also knows that everyone eventually falls, including himself. That's why he is so stressed about the show, because not only does he have to be good at playing guitar, he has to be good at teaching the guitar (which is shown in "Dethlessons" that Skwisgaar may not be completely talented in teaching guitar than he is playing. Granted, in the special features video that actually shows an episode of Skwisgaar teaching the guitar part to the Duncan Hills Coffee jingle, he is capable of teaching. It may not be his strong suit, but he can do it when need be. This also goes back to the idea that Skwisgaar's strong suit is guitar playing due to years of practicing)
In both episodes, "Dethlessons" and "Bookklok", the viewers see how stressed out Skwisgaar becomes when his title is compromised (Specifically by Toki but again, that's their own specific relationship) It can be implied that, without his guitar, Skwisgaar believes that he doesn't have a place in music (obviously "Fatherklok" showed us Skwisgaar can be a regular jackoff, but this is about his thought process, not his actual capabilities.) If he didn't believe that, he wouldn't be so freaked out and catatonic when his title is compromised by Toki.
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"Dethlessons" and "Bookklok" also show us a side of Skwisgaar where, despite his fears, he still cares deeply for Toki's abilities and wants him to play good, though this is usually shown when it's apparent that Toki isn't going to be able to top Skwisgaar's playing ability (which goes back to that ego of his of being the best.)
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It's also important to note that Skwisgaar writes all of the guitar and bass rifts for the band, meaning that anything he could play, they should be able to play, despite knowing he was always going to re-record their parts while knowing his bandmates limitations. I see it as Skwisgaar presenting them a challenge they could barely win in and then deciding at the last second that it's too difficult for them and yanking it away, destroying any possible effort, progress, or self esteem. In "Bookklok", Skwisgaar and Toki's interaction before the solo really shows how much importance Skwisgaar puts on practicing. But this episode also brings their relationship to a head, where Skwisgaar's constant negativity toward Toki's playing destroys their relationship, but it is not invalid. Skwisgaar has absolutely valid reasons for not letting Toki play the solo, especially if he had not been practicing, however, constant denial and bullying by Skwisgaar to Toki over years makes Toki's feelings also valid about being constantly snubbed.
How many solos has Toki been snubbed out of or destroyed by Skwisgaar due to his jealousy?
It's also important to note that Army of the Doomstar does have Skwisgaar genuinely teaching and complimenting Toki's guitar abilities, specifically about during a time when Toki practiced. That is an important detail because Skwisgaar does not compliment Toki's guitar playing in the show nor does he show any genuine interest in actually teaching Toki either (that doesn't end with Skwisgaar or Toki being upset.) This tiny interaction shows the viewers that Once Upon a Time, Skwisgaar did not have to worry about getting Toki (or Murderface) to practice and even liked it when they practiced.
Now remember: Skwisgaar regularly writes and re-records Toki's and Murderface's parts for the albums, despite making them record over and over in the first place. At one point, Toki did practice and Skwisgaar was aware of it, even saying it was good. This was most likely not a problem for Skwisgaar so he did not freak out.
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Toki's Apathy and Work Ethic
Toki (my love) is what I would call, gifted. I truly believe that Toki's character is suppose to represent the musically gifted or naturally talented. He has the type of talent that people could only dream of possessing. I say this because Toki's ability to shred like he does during "The Duel" makes to no sense without being gifted. Toki's childhood is isolated, desolated, physically and mentally abusive, neglected, and frowned upon. Toki was the outcast, he was the forsaken, the forgotten. He should be dead, but he isn't. He shouldn't have known about the village closest to his home but he did. He shouldn't have known Runke but he did. Toki is a story of perseverance and looking for the light in the dark and not letting it consume him. (He is VERY Cinderella coded.) Toki represents the raw talent of guitar playing. We are never shown nor is it talked about where Toki's love for guitar came from or how he first came upon it or for how long he had been playing for before meeting Dethklok, but it couldn't have been a long time.
The only clue he do get is that he was once friends with Runke, the owner of Drep Du Selv, a black metal record shop. With no other information, it's safe to say that Toki probably got his love for music and metal from that store, and probably from Runke personally. It can be inferred that Toki was probably sent out for errands in the village, came across the store, and fell in love with music. The topic of Toki being professionally taught by Runke or if he learned on his own is anyone's guess, especially when the wiki describes Runke as being slightly rude to Toki when he comes in. Toki has a hard time understanding what a "good" friend is suppose to be (E.I. Dr. Rockso, Magnus.) so what Toki remembered as a friend, was maybe more a begrudged acquaintance.
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So, with that being said, Toki is probably self taught with very minimal interactions with other guitarists or musicians to guide him in the right direction. Toki's home is very rustic. I can't recall if the house showed any signs of having electricity, but it wouldn't be out of the realm that they wouldn't. That means Toki probably couldn't actually hear his own electric guitar, since he has no amps, cords, or other electrical devices to help him. Toki either had to practice at Drep Du Selv or he practiced WITHOUT HEARING HIS GUITAR PROPERLY!
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The guitar he is seen playing in "The Duel" is also banged up and held together with duct tape, and is seen as being that way from the beginning. This means Toki was practicing guitar with no electricity on a busted and possibly broken guitar.
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Also remember, Toki can't read music, so it would be very hard for him to learn on his own without understanding sheet music while being at the level Toki was when he first met Skwisgaar.
Which takes us back to Toki's journey to meet Dethklok. We aren't shown how Toki is kicked out, but it's implied it's due to his passion for guitar. At this point. Toki is probably well within teaching himself cords and melodies. Granted, we do not know anybody's actual age, but I have always seen Toki in his teens when he is kicked out. Whatever time frame was between Toki being kicked out, his journey to America, and his life on the streets is up to interpretation, but a year doesn't sound too far off, in my opinion.
All of this in between time, all of this time when Toki is in the punishment hole before being kicked out, all of his precious free time, Toki was most likely filling it with practicing the guitar the best way he could. Toki has a wild imagination, as we see with the clown doll we see in the punishment hole or his spider-dad in "Dethzazz". What's to say he wasn't constantly imagining his life as a famous guitarist, playing on stage or people, where he is loved and adored and no one hurts him anymore.
With all that being said, TOKI PRACTICED! HE PRACTICED!
At "The Duel", Toki's raw talent mixed with his determination to play guitar despite his challenges, is the reason why Skwisgaar chose him above anyone else. He made Skwisgaar feel challenged, which is not something anyone has done before, because no one before him has ever been as dedicated to the craft as him.
Toki and Skwisgaar are both dedicated musicians in their own right, in their own obstacles, in their own influences.
And that's where the problem lies.
Where Skwisgaar could feel himself growing and changing and getting better, Toki couldn't because his mentor/friend/rival knew his potential and wanted Toki to reach him, but not so much Toki would surpass him due to his perfectionism, stress, and self esteem issues. Skwisgaar's instance for better guitar playing, Toki's back and forth relationship with Skwisgaar being friends and rivals, and Toki getting used to Nathan's methods of recording, caused a feeling of apathy to grow in Toki.
"Why does it matter if I practice or not when I'm constantly being scrutinized and then replaced?"
Over the years of being in the band, just like how Toki described his and Skwisgaar's relationship in "Bookklok", it was once very good then bit by bit, it began to crumble. No more compliments, no more comradery, no more genuine interest (at least to Toki's perspective). As time would go on, Toki's passion for practicing guitar would eventually die down until practicing just became a thing of the past, while his passion for other things, like videogames, went up.
It is also important to note that practicing for adult Toki is not completely gone. In "Tributeklok", Toki/Skwisgaar is fully capable of playing the lead guitarist in Thunderhorse with no hiccups or problems. "Dethlessons" where Toki seeks out guitar lessons from Skwisgaar and his guitar teacher, shows determination from Toki to get better at guitar. "Bookklok" also shows us that, with the right motivation (and a power trip), Toki is fully prepared and able to play a solo to a sold out crowd, completely confidant in his abilities, unlike in "Dethlessons" when he initially freaks out. "Bookklok" Toki shows us a Toki that has most definitely practiced for this show, with a costume and attitude to match.
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In Army of the Doomstar, we finally get a chance to see Skwisgaar genuinely teach Toki something about his guitar, and tell him he needs to practice "like when he was good". No buckets of blood, no yelling, no insults, no fighting. Just a genuine tip and a stern notion to practice with a compliment. And what does he do? HE PRACTICES!
So apathy has not completely destroyed Toki's ability to practice, but extreme circumstances have to happen for him to even want to do it again, which isn't viable.
Now remember: Toki represents raw talent with serious determination and discipline for guitar playing in horrible conditions. He did practice and can practice. Constant belittlement of his talents, especially by Skwisgaar, has rendered him to be apathetic toward practicing. However, Toki seems more inclined to practice when he is given a reason, such as a power trip or by positive reinforcement and lessons.
Murderface's Apathy and Work Ethic
Murderface (my other love) is what I would call, spiteful. We get almost 0 information on his background other than: his parents murder-suicide, growing up with his grandparents, he threatened his principal so he could graduated while only drinking, smoking, and playing bass, and that he is most likely Southern American based on his confederate flag boxers and pension for Early American wars.
From what can be gathered, Murderface is an angry boy that turned into an angry man. Murderface's parent's deaths most likely uprooted Stella and Thunderbolt's entire retirement plan (along with Thunderbolt's stroke) Seeing from how Stella dresses and how we see Thunderbolt for the first time, Murderface's childhood was probably one in poverty. Mixed with medical debt, new child debt, the loss of a son and daughter-in-law, and with a seemingly already angry outlook on life (and possible Southern Baptist Christian religious values) Stella most likely raised Murderface in a very angry and unsafe home.
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With how we see Stella talk and hit Murderface the few times she's on screen, their relationship as grandson and grandmother is probably very very strained, toxic, and hostile. I could imagine Stella being particularly cruel and hateful toward Murderface, crushing any kind of attempt to connect.
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It is canon that all Murderface wants is to be loved and love back. But how is one suppose to do that when they grow up in a home that hates him, blames him, tells him that he's nothing, that he can't do a damn thing right, that he's stupid, and that he isn't going to be anything?
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That's the difference between Toki and Murderface. Where Toki refused to be swallowed up by the hatred, Murderface embraced it, and it became his saving grace.
We see Murderface try to take credit for things he hasn't done or try to say he's an expert in something that he barely knows anything about. It's half assed attempts to get things for himself, but also, for people to admire him for something he is good at. Toki is known as a copy cat, but Murderface mimics a lot, especially intelligence for things that people often respect. I could imagine Murderface trying his best as child to make friends but his constant failure of "everything" ruining it for him. The things that made him him were not good enough. So he would start mimicking what got other people positive attention. Which would lead to him being caught and getting in trouble, but with his background of being an angry household, anger and violence was how he would react to being called out, making him more of an outcast.
This is also why we see Murderface wanting to constantly give his bandmates "advice", because it mimic's someone respected and someone that people want to listen to. It's not the best when he forces it, but at times, when he is being genuine, like when Murderface is consoling Nathan about his G.E.D. test, it does make him into someone that people want to listen to.
Now, while we have no timeline for Murderface at all, we can say that he was playing bass in high school, so a good 4 years of his teenage years were spent playing bass. So somewhere in his childhood, Murderface found the bass, he started drinking, and he starting smoking. He also completely gave up on his high school career to focus on the bass.
Why would he do that?
Because Murderface's passion for the bass didn't come naturally.
He found himself a niche he was good at and got him the tiniest bit of attention, and he ran with it. Why would he focus on something, like school, where he was probably bullied and teased by his peers, teachers, and family when he could focus all his time on something he was actually good at, like bass. Something important like bass got him attention and praise and the connection he longed for. So he practiced for years, day in and day out, in order to get a taste of admiration.
But not only did he practice with his hands, he practiced with his penis. Murderface has CALLUSUES on his DICK! You only get those when you practice over and over and over again! Murderface in Dethklok is known for his dick bass solos! It's what makes him very unique compared to any other bassists.
So, Murderface HAS A WORK ETHIC! HE HAS MOTIVATION! He wants to be admired and respected and he wants people to like him. So he practices. However, I don't think bass playing is his top passion, which makes him more suspectable to lazing about and not practicing.
During "Religionklok", Murderface keeps getting gifted basses from the band while in the hospital, even when he has a pile next to him just growing, and he doesn't look too excited to get them either.
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Now, in "Birthdayface", the band gifts Murderface the Kennedy car with Abe's chair and a car destruction lot, and he sheds a single blood tear.
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He shows more emotion toward the car than he does the bass, which makes me think that Murderface's passion for the bass is because it pulled him out of poverty and into the limelight and not because it's his greatest passion, where that would be history. (This is not to say that Murderface has no passion for bass, he obvious takes great pride in his dick playing and has never once decided to pick up another instrument.)
Murderface, for as lazy as he is, ABSOLUTLY HAS A WORK ETHIC AND CAN AND HAS PRACTICED HIS BASS BEFORE! He would not have been in Dethklok if he sucked. Nathan would not consider him the brutalist bass player if he sucked. Murderface sucks in a way where his playing can never really be beat by anyone else but he's not giving bass playing his full attention either. Murderface is the best bass player in the world, but the band is not acknowledging it, and is constantly the butt of jokes for his instrument.
He is responding to the bands bullying like how he responded with the kids at school. The one thing that made him liked in school, his bass playing, now made him a running joke in the band, so he's desperately trying to find something else to make them respect and admire him. That's why he is always trying to do something, like start his own band, "Planet Piss", be fire chief for the band, claim the title "band dad", claim writing credits but he knows he sucks at all of these things. Of course he does, he's self aware enough to know these things, but he still tries, because he's desperate for their attention and respect.
And when Murderface is looking to try something else, he isn't practicing, and when he's not practicing, he's not good at the one thing that got him in the band in the first place. This results in more bullying, more cutting of his takes, more desperate moves for attention, and more spitefulness.
Murderface only knows how to respond in spitefulness, so when faced with Skwisgaar and Nathan's perfectionism, he only grows more bitter and cold toward his playing and becomes completely apathetic to it, knowing that he could never truly please them anymore, and has to find something else.
Now remember: Murderface is an original member for Dethklok and has shown and talked about years of practicing. He craves loves and attention but is bullied by the band for the one thing he knows he is good at it. The bullying and perfectionism of those he desperately wants approval from makes Murderface branch out into other niches or ways to get that positive attention, which negatively effects his playing. Bass is most likely not his number one passion, and thus more likely to be pushed aside for other favored passions, like history.
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Magnus Hammersmith
Magnus is a very interesting character but I will keep this part short in reference to the theory.
Very limited knowledge is known about Magnus but just enough is known of his early involvement with Dethklok and why his removal brought the band so much stress.
Magnus most likely had industry experience but was never in a band, perse. From the clues in the show we get, Magnus is an OG member for Dethklok. He is so OG, that he is still known as an Ex-Member of Dethklok. You can see it on the flier for Rock-a-Roonie camp in Toki's room. This means that Magnus was a part of the band when they were actively giving out music. At least enough for people to see his name in the credits.
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Now, Doomstar gives us a look at Dethklok's old band manager, an unnamed man, but someone before Charles. However, in "Renovationklok", we see Charles is Dethklok's band manager when signing on to Crystal Mountain Records and Magnus is in the back. So it's safe to assume that Magnus was there in the very very beginning of the band. It's also safe to assume that, when Roy is talking to the band in "Breakupklok" about receiving a CD with a sharpie written name on the front called "Dethklok", we can assume he is not referring to Toki on this CD, but Magnus.
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We also get a glimpse of a Dethklok with Magnus in it where everyone looks happy, where they are all friends. I am assuming the picture was taken before being signed on, because Magnus leaving and Toki coming in, had to have happened AFTER they were signed onto the label, as Magnus was at the signing!
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The reason Magnus probably snapped at the band is because he too is a perfectionist. This was his first band and he didn't know quite how to handle the pressure that came with it. Everyone else in the group had a good handle of keeping themselves in line, except Magnus. Magnus, who is known only for being an Ex-member of Dethklok and nothing else. Magnus, who once put under a lot of pressure, attacked Nathan by stabbing him in the back. Magnus, who was kicked out the band after being signed on, thus creating a 5th member slot open.
The conversation between the band, Charles, and Crystal Mountain Records was probably not good, not at all. In fact, it probably brought the pressure up tenfold, seeing how a member was missing, an instrument would have to either be filled or deleted from their already created songs, and this would be their first real record as a band, which could make or break them.
With Magnus' departure, the pressure was on.
Thus, welcoming Toki, into a steaming kettle pot of stress.
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Timeline
This timeline describes the theory as it begins. The analysis describes how the boys are all suspectable for perfectionism/apathy and how that carried over with them through the career.
It goes as followed:
Pickles leaves Snakes n' Barrels
Nathan graduates HS
Skwisgaar comes to the US in search of another band
Murderface is entering high school, practicing bass, drinking, and smoking.
Toki is learning how to play in secret in Norway
Pickles meets Magnus at an industry party and discuss a partnership of sorts but nothing concrete happens
Nathan puts out fliers for a band "Dethklok", looking for musicians
Skwisgaar finds a flyer, auditions, and joins
Murderface continues to practice and threatens the principal to leave him be
Nathan and Skwisgaar struggle to find other members for the band, so have to go in and out of jackoff jobs for a few years
Pickles joins a few bands to fill his pocket with Magnus by his side, producing or engineering for a few years
Nathan and Skwisgaar wind up at an industry party, where they meet Pickles and Magnus. From here, they audition as musicians and get in. They get their first manager.
Murderface graduates HS and runs away from home to Florida, where he stumbles upon the flier and auditions for Dethklok, getting in.
Toki is found out by his parents and kicks out of the home, resulting in Toki being homeless
Dethklok produces a few songs with their old manager but decide to kick him out once they learn he was embezzling money from them
Dethklok meets Charles through an employment office, using the last of their money to hire a new manager who knows his shit.
Toki works his way through Europe until he can find a way across the ocean to America.
Charles is able to get a Dethklok CD to Roy Cornickelson, CEO of Crystal Mountain Records and he likes them. The band is signed on shortly after. They are given a year to produce a full album with a sign on bonus. They use the money to buy equipment and roadies, also known as "Klokateers".
Toki is able to get a boat ticket that will take him to Florida
The pressure of making the record begins to get to the band, specifically Magnus, which results in him insulting the band.
Toki is in Florida, living on the streets, and playing and going to any audition that was open, only for none of them to want him since he was a gross looking homeless boy
While practicing, Pickles changed the drum pattern that Magnus created, causing a fight to break out between Nathan and Magnus.
Magnus is kicked out the band.
Magnus destroys the apartment and the equipment, along with threatening the band and insulting Murderface.
The sign on bonus is dwindling quicker once new instruments had to be bought
Dethklok tells Charles what happens and he schedules a meeting with Roy. Roy is not happy. They had a decision to make. Either redo the whole album without a rhythm guitarist or find another member, and fast, as the deadline is virtually around the corner.
Dethklok decides to hold auditions for a rhythm guitarist, Skwisgaar decided to dual them all and if one can beat him, then they can join
Toki find the flier for the audition, gets lost on the way, and arrives late. Skwisgaar decided to let him duel, they duel, and Toki is let in the band.
With the deadline approaching, Nathan and Skwisgaar are very concerned about the album, and plus the introduction of a new member.
While recording Toki and Murderface's parts, Nathan and Skwisgaar are pushed to their limits at being perfectionists, nitpicking everything about their playing. Pickles ends up having to reel them in when Toki looks close to crying and Murderface looks close to murder
Toki and Murderface both manage to get their parts recorded, but are then deleted and redone by Skwisgaar in fear that the band will suffer and fail due to an inexperienced teenage guitarist and a hot-headed bass player.
Pickles finds out, and while also sharing their same fears, tells them that what they did was not cool. Skwisgaar and Nathan end up keeping a few of their original recordings in the songs that they don't care for so much as the other, EP style singles, as a way to appease Pickles and to make their "not guilt guilt" feeling go away
Toki and Murderface do find out from a drunk Pickles that a majority of their stuff was erased from the album upon completion and they are equally hurt by the revelation
Their hurt gets pushed to the side once the money starts coming in and Toki is still revealing in the fact that he has a family now and is no longer on the streets
Toki and Murderface decide to let it go and focus on the positive the album has brought them
Nathan and Skwisgaar secretly credit their re-recordings for the reason that the album did so well, and continue to do it, becoming less and less secretive as time went on
Toki becomes more and more hurt and confused as to why his once amazing guitar playing skills were being deleted and scrutinized by the same guy who wanted him
Murderface is hurt that the one thing he believed he was good at was now not enough, thus loosening his hold on his passion and seeing out other things to get their attention
Toki and Murderface become apathetic to practicing as their parts are always re-recorded, deleted, or never mixed in
Skwisgaar and Nathan believe they are doing the right thing for the band and get upset when Toki and Murderface don't practice
______________________________________________________________
Conclusion
The cycle of being deleted and bullied and being upset that their bandmates aren't doing their best end up creating some animosity in the band. It isn't until Army of the Doomstar that the band will be able to fix their wrongs, work toward being better toward each other, embrace each others own unique abilities and styles with their instruments, and apologize to one another. Toki and Murderface feel re-energized to practice once more and Nathan and Skwisgaar are instead working with the material they have instead of trying to force something out of a hundred+ takes.
It is also important to note that Dethalbum IV is said to have more rhythmic guitar and bass sounds than previous albums, thus concluding to a musical standpoint that Skwisgaar is writing and letting Toki and Murderface shine on this album rather than mixed out to hidden behind the lead guitarist. This development is incredible and backs up what
And THAT is why I think Toki and Murderface don't practice!
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emblazons · 2 days
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i’m about a month late to the ffvii rebirth fanfare but i saw your study/shot comparison for the ending while scrolling through some tags and was really curious to see if you had come up with any more conclusions since then! i just finished it a couple days ago and still reeling from it and have been enjoying hearing people’s thoughts about what the heck they think is going on. obvs cloud is not ok, but i’m still trying to decide just how much of what we’re seeing is due to his sanity going out the window and how much of it (if any) is aerith actually speaking to him and/or sephiroth messing with him. the way he tells the rest of the party to not look up at the sky though and none of them see what he sees, just clues them all in to the fact that he isn’t entirely all there anymore. a collective very concerned side-eye lol. somebody help him pls.
!!! oh friend, you're in a TON of luck: I actually started a few different commentaries on how I saw the ending on this weeks back, but didn't post them because I got distracted by other fandoms? I'm more than happy to share them though—not as developed as they could be, but some congealing of where my mind went upon finishing the game and rewatching the gameplay.
forewarning: FFVII ending spoilers + a long af post lmao
So I wrote this on my twitter (where I go to see things only on twt lol) the other day because of a bunch of concepts were clarified by the Ultimania + translators, which kinda sums up where my thoughts are:
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Which...yeah. As I see it: as of the ending, Aerith is in fact dead in our current world (the one of the player narrative). How I see it, she's died in our primary timeline—though likely "alive" in the same way Zack is in some other timeline, in addition to her connection to every "universe" through the power of her connection to the planet as the last Cetra.
The white whispers (which represent Aerith/the will of the planet) as well as the “confluence of world” colors we see with Sephiroth are all around when Cloud supposedly “sees her alive" during the classic death scene—
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—an indicator that the event itself was the "confluence" Sephiroth was trying to achieve, with Cloud experiencing several versions of it due to his own connection to Sephiroth/the lifestream/his fragmented mind. We see this both in what Sephiroth says around the event itself....and also the contrasting experiences of our party with what Cloud sees in the moment (+ through end of the game).
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As I see it, Cloud’s consciousness by the end of FFVII:R-II is fully fractured; throughout both Remake & Rebirth he is already seeing visions affected by Sephiroth’s influence on the planet (the black whispers, the way hooded men and thin air turn into Sephiroth before his eyes)—and now, during the “confluence of emotions / worlds / reunion” mentioned (Aerith's death), Cloud’s already broken mind is slipping further into seeing “the middle space” of the worlds joined and prepared for destruction by Sephiroth in real time, rather than following the timeline of events in the world we play—a la the post that inspired your ask. :)
All that said: the reason he’s seeing Aerith (not just sensing her the way Red does in his own Lifestream connection) is because she’s a Cetra, and now (in death) the embodiment of the positive!Will of Gaia across worlds—so because of Cloud's connection to that "middle space" / ability to traverse different versions of reality because of his connection to Sephiroth, Cloud is interacting with her presence…despite it not being there for anyone else.
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It’s also why he can see the sky split no one else can.
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ADDITIONALLY:
The Aerith we see fight alongside Cloud in the final battle and the one we see walking around everyone as Cid fixes the plane…that’s the spirit of her person (think the Aerith of Advent Children). Aerith didn’t live this game—her spirit can communicate because of Sephiroth's successful confluence, though she’s ALSO "alive" in the same way Zack and Biggs are to us: aka she died in the world she was in but still exists in others, which Sephiroth confirms/explains both when Aerith pulls Cloud into another “doomed” world—
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when he’s trying to manipulate Cloud in the Lifestream—
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and when you’re fighting Sephiroth alongside Aerith in the void during the final battle (after she’s died).
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Even so, Aerith “living on” as the last Cetra/the spirit of the planet + someone with access to multiple worlds through the "reunion" means she’s now as able to infiltrate Cloud's ongoing visions as Sephiroth is...and is likely trying to keep him even somewhat present despite his clearly fractured mind.
I think that’s implied repeatedly by through the hollow Holy Materia (implying both Aerith is no longer “there,” but still present + that cloud himself is now hollow)—
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—and why/how the Black Materia (Sephiroth) is still manipulating him and very much driving his fractured thoughts, visions and actions.
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As for the rest of the party: it's because no one but his “vessel-connected-to-Sephiroth” self (+ now dead-but-living-on-in-the-Lifestream Aerith) has any idea what he learned about worlds in the Lifestream that what’s happening to Cloud is lost on everyone (and why they look painfully concerned), and also why spirit!Aerith repeatedly gives him reminders to 1) not listen to Sephiroth and 2) focus on finding himself again.
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All that said: because Cloud’s actual self is already slipping away from our present game TL by the second half of the game, it will have to be retrieved and rearranged—which we know will happen in game 3 (assuming you know the original FF7 plot where Tifa rearranges him in the Lifesteam) but that has to be changed from “Cloud finds out about Zack and finally cracks" because Cloud already knows about Zack in some capacity by the middle of Rebirth.
I personally think this sets us up for a really interesting resolution in that Tifa is going to probably have spirit!Aerith’s help putting Cloud back together in the Lifestream in game 3—and that she will likely play a bigger part in helping Cloud “find himself” in his own world again because it’s been made more apparent that she’s a full consciousness in the Lifestream/able to affect multiple worlds now because of Sephiroth completing the first step in his plan. That's more just hopeful on my part going into the next game than something rooted in analysis though.
But yes! those are my thoughts! I hope this gives you (more than a little) something. Feel free to ask if something isn’t clear though lol this was like 4 different half-done drafts combined 😂 Regardless, ty so much for the ask / giving me a reason to post them!
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scopophobia-polaris · 8 months
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Arn seeing Timie on the street: aw what acute lil guy sure hope he isn't tormented!
Bro absolutely messed up, wanted to be a good boy and help someone because this mirrors shit that happened to him but instead found out that Timie is filled with 10thousand problems and somehow knows Arn to a weird degree withought ever really talking to him and he cant...figure out why..... can you really meet someone in a dream?
And now poor Arnold got a little guy that wants to cling onto him when they're sad
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roseverdict · 10 months
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i've fixated on the sticks for the past 7 months and i also just finished watching the first half of rottmnt s1 and also the movie, and i have come to the following conclusion:
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this venn diagram is almost completely just straight-up a circle
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lilnasxvevo · 3 months
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I usually headcanon most non-canon ships I like as childfree partially out of contrarianism (I hate when people ASSUME two people will have kids just because they’re in love) and partially because I don’t want kids and this is my house and I am here mainly to project onto fictional characters
But lawlu? Ohhhh they’re having kids. They’re HAVING kids. Law might not know it yet but they WILL be having multiple children
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caruliaa · 4 months
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personally i dont think karen using ziggs correct pronouns is like proof the chasitys r like so awesome and chill abt trans ppl like . legit feel like they arent like everyones entitled to their opinions on it yk ofc but imo it kinda takes away from the commentary of the harm of fundamentalist xtian views esp when they r canonically homophobic ones and ones clearly based in like. gender roles to act like transphobia isnt part of those harmful views yk but like i do have my own takes on those lines in hatchet town being. number 1 the kindaa boring one lol is that the songs in the show are non diagetic yk so its kinda like when ur telling a story abt ur friend whos nonbinary and like their mom or whoever is transphobic or theyre not out to her nd u have to mention smth their mom said abt them in the story but its not at all relevant to the story tht theyre closeted to her or she doenst respect their identity and like regardless u dont wanna deadname nd misgender ur friend so ur gonna say it like she was using the right name and pronouns assuming ur talking to someone theyre out to right. what im saying is the meta narrative (and also team starkid bc i suspect the real not in universe reason is they didnt wanna misgender both the character and their actor whos actually non binary which is like rly valid nd fair yk like esp in the instance of the simple hatchet town cameo irrelevent to any other hypothetical commentary i think itd feel less like an actual commentary on transphobia and more like. just pointless and somewhat transphobic in an of itself yk) is ziggs friend in this analogy and its not going misgender them even if it is repeating something karen said thank you very much ! and number 2 the less boring one is that ziggs nonbinary swag is so powerful tht the transphobes of hatchetfield dont know how to misgender them so theyre forced to respect their identity bc they dont know how to disrespect it lol
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aroaceleovaldez · 1 year
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I still do really like photokinetic Will I just. Don't like the book lmfao... even if they're leaning into the sun stuff for him (which isn't inherently bad)... there's definitely bad aspects to the sun; we saw it firsthand in TBM. Helios is called the "lifegiver" and "bringer of joy to mortals" but also "the destroyer". Apollo is the god of plague as well as healing, and sudden deaths/people dropping dead were attributed to him. So even if Will's portrayal here DIDN'T contradict all of the previous series? It still just wouldn't make sense, as an Apollo kid.
Exactly! I write photokinesis!Will too! But just like you said - the sun has so many elements to it and Apollo himself is the god of so much that it feels ridiculous that Will feels so unaware of it. He literally watched his dad cast a minor plague during a fight at Camp Half-Blood within like, the last year! What do you mean he's going "Even I... have a darkness within of me? :0????"
And he's a medic!!!! For demigods! And survived the Battle for Manhattan! What do you mean you're trying to tell me Will doesn't understand death?! Will's probably the guy to understand death the best at camp besides the literal chthonic demigods!! The book even mentions Michael Yew, local asshole Apollo kid, implying that Michael was very much a prominent big-brother figure to Will (maybe that explains why Will is characterized as such an ass randomly in this book). With that alone Will should be plenty aware that even his own divine heritage is not all sunshine and happiness.
The book did Will so dirty it's physically painful 😭
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cosmik-homo · 1 month
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I wrote about this on discord a bit back but I think a big part of the whole doctor-master complication is that it's the type of argument and the master is the kind of person where they'd rather die than do something that might make it seem like conceding they're wrong, regardless what they actually think, and that's why "where I stand is where I fall. Stand with me" that almost works on Missy: She has made her move here, she killed him- made so he's dead when the other shoe drops- and he knows and acknowledges that and can offer her a way of coming near him and being on the same side without it being her side losing, saving face that she can join him in this. And the speech very much highlights how to the doctor it's never been about winning, always about harm to people and help to people, but I don't think the master is as affected by that as by the 'if you want to hold my hand now I can make it so it doesn't make you seem the fool for your past actions'.
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i-bring-crack · 9 months
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Jinhae Exes AU not in the "ones of us cheated" or "it was all a big misunderstanding that separated us" kind of way.
But in the "one of us realized the world is significantly different than what we were thought to believe and now we are fighting in different sides of the war and I still love you but I think I'm right in this ideology game and just want the other to understand and come back please—"
#i just remembered i also had that idea before in a oneshot wip#never truly finished even though it was going to be hella fun#i also kinda made the fic be platonic in ao3 rather than romantic#i mean i like my jinhae#but#platonic AND soulmates AND m/f friendships are just 'MA HEART'#anyways the whole love wouldnt have been different.#like they still love each other minus the kissing and secc#Anyways the plot was about Haein recovering her memories of the past timeline and looking for jinwoo in order to help him defeat the#denizens of chaos aka beasts and their monarchs or just the monarch and their armies#Jinwoo wasnt looking for any help but was kinda lonely that he just kindof accepted the company from Haein and gave her a system on her own#so that she too could become just as strong as her. At this point they also like 'know'they both like each other bc they both did go on a#date but they never truly met one another so they do have a crush but they decide to take it slow and just become friends first. I mean they#have literally have 27 years in this world to spend so might as well try to know each other first.#Haein isnt quick to open up about her problems tho and neither is Jinwoo quick to say ALL that he suffered for the past 4 years as a hunter#including the system's mess#so they often explore more about the world and talk about the monsters than their problems first#That is until Haein is like 19. both have passed like 6 years toguether only trying to find where the monarchs are hi#hidding as well as destroying possible civilizations that could be useful inside the shadow army.#most of the beasts are agreesive towards them too so they kill them without any regards.#and then they finally get to find the first intelligent beings in this world. The demon race. Haein already from the name alone knows they#(also yes the demon race is still alive in this AU)#but jinwoo stops her and she is just huh? we arent killing these demons?#'nope we are killing all of them except this clan'#and Haein obeys but. like. is so confused.#hen when the radir family throws them a banquet. pretty things and events happen and Haein gets the chance to talk to Esil who in turn is#very chatty so she gets to hear a lot about the story of demons and their lives outside of it.#solo leveling#jinhae
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chiropteracupola · 3 months
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i would like to give u the word. Hoof :3
sort of a hoof, from the foth tam lin au:
It was then that he heard the rider on the road. Hoofbeats against gravel were a sound Keith Windham knew well, though at first, he thought them merely some imagining best blamed on a mind addled by injury.
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chisatowo · 2 years
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Mason <3 *throws them down a flight of stairs*
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smoreal · 1 year
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So many… games… I’m not even on the 2010s yet wtf
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yeetskeetstreet · 2 months
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Changing Perspectives
MV1 - Max Verstappen
max verstappen x reader
summary: in which it takes 7 instagrams posts from his long term partner to completely change the perspective of the reigning WDC. also known as the events of June 22.
the posts have rough dates, but in case I mess it up, it would be like scrolling down someone’s timeline, so post 1 occurs latest in terms of choroloigcal order, and 7 is the oldest post.
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When your account is public, your profile and posts can be seen by anyone, on or off instagram, even if they don’t have an instagram account.
Switch to public account?
YES/NO
instagram post 1
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y/n.jpg33: setting our forever into stone forever. the love i have for you grows stronger everyday. 🤍
tagged: maxverstappen1
comments:
maxverstappen1: wouldn’t want you anywhere else but right by my side. 🤍
danielricciardo: congratulations, guys! wishing you all the best!
landonorris: ENGAGED? CONGRATS GUYS!
christianhorner: Congratulations, Y/N and Max. Wishing you guys all the happiness offered in this new chapter.
comments on this post have been limited.
instagram post 2
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y/n.jpg33 - him 🤍
tagged: maxverstappen1
5 days ago • monaco, monaco
comments:
user: brb gonna go take a nap on a highway
user: damn.. twitter wasn’t lying
maxverstappen1: you 💛
y/n.jpg3: come home please
danielriccardo: about damn time.
instagram post 3
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y/n.jpg33 - ok, fine. you deserve your own post. you’ve come leaps and bounds, keep it up. thank you for keeping my boy company when i can’t be there. continue to carve your way into history. 🧡
tagged: landonorris, maxverstappen1
comments:
landonorris: thank you y/n, to both you and max, for everything you have done for me. 🧡
| maxverstappen1: of course, mate. anytime.
instagram post 4
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y/n.jpg33 - another to add to the collection. proud of you bub 💛
(thanks for the second landonorris)
tagged: maxverstappen1
29 March 2022 • jeddah, saudi arabia
comments:
maxverstappen1: all for you, my love. 🤍 • pinned
user: wish i had this
landonorris: soo… how many races do i have to win to get a cute post?
y/n.jpg33: win a WDC and i will
user: NOT MAX SCOLDING DANIEL LOL
danielricciardo: where’s my congratulations post?
maxverstappen1: you don’t get one. just for me. get your own
y/n.jpg33: max, don’t be mean. danny, one day, i promise :).
instagram post 5
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y/n.jpg33 - holiday time with the family
3rd January 2022 • home
instagram post 6
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y/n.jpg33 - happy birthday charles! thanks for always helping me fine my way when i’m lost at the paddock. max and i appreciate you!
tagged: charlesleclerc
16 October 2021 • monaco, monaco
comments:
charlesleclerc: thank you y/n! happy to help out whenever i can. see you and max soon.
maxverstappen1: happy birthday man!
y/n.jpg33: looking forward to it!
landonorris: HE GETS A POST? BEFORE ME? BUT BUT
y/n.jpg33: he comes to find me when i’m lost. you sent me a meme.
instagram post 7
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y/n.jpg33: you never cease to amaze me, baby. continue to prove them wrong, prove to everyone you deserve all you have worked for.
keep proving to yourself that you are enough, and worth the fight. i love you, max. 🤍
tagged: maxverstappen1
______________
my first ever F1 piece, (and my second piece ever!!) let me know what you think :)
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prncessrindou · 28 days
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you’re all i need. ♱ // repost from wakashawty
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♱ CONTENT WARNING . . fem!reader, bonten timeline, smut, unprotected sex, backshots, creampie, shower sex, oral ( m receiving ), marijuana use, use of pet names.
♱ PAIRING . . ran x reader, rindou x reader and sanzu x reader ( separately )
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RAN HAITANI. ♱
your pouty lips wobbled as ran’s hips slammed into your ass cheeks. his palm pressing against your spine as you arched your back so perfectly for him. he can’t help but to slow his strokes, lean down and kiss your spine. “so pretty.. fuck.” he mumbles between kisses.
your fist squeeze the sheets for dear life as his cock slowly drags against your spongy walls, your pussy clenching around him so tightly. “ran, you’re s’deep..” you whimpered into the mattress, you swear you can feel him in your throat.
suddenly ran grabs a fistful of your hair, raising you up against his tatted chest and kisses your jaw and neck while he’s giving you the deadliest slowest strokes. “mmph— ran, m’gonna cum! m’cummin!” you sobbed, falling apart completely against him.
it’s not regularly that ran gets to see you like this.. working for the largest organization in the country isn’t for the weak. he’s rarely home and when he is, you’re melting in his hands exactly like you are now. he really needed this, needed you.
“hm, yeah? that’s it..” ran coos, smashing his lips against yours like a sudden wave, “cum on what’s yours, baby.”
RINDOU HAITANI. ♱
you’re a mess, completely spent as rindou has you pinned up against the marble wall of your shared shower. “rinnn— mmh, fuck!” you moaned, your arms wrapped tightly around his neck as his strong arms hold your legs up.
squelching sounds along with the water drops from the shower are heard throughout the bathroom. rindou’s fat cock slides in and out of your sloppy wet pussy as luke warm water hits both of your bodies. your still so sensitive from your previous orgasms, but he just keeps going.. “shiiit— pretty.” rindou grunts in your ear, “yer’ fuckin’ pussy was made for me!” he says as his dick twitches, spraying his warm seed inside of your walls once more.
naked and wet.. fuck, you’re so beautiful like this and it’s all for him. he’d rather come home to see you like this every night because he knows he can bury his sins in you and you’ll accept them wholeheartedly.
you’re an angel sent from above just for him.
HARUCHIYO SANZU. ♱
“haru..” you whisper, stroking his hard length with your hands and giving his blushing tip subtle licks.
sanzu inhaled the smoke of his blunt.. looking at you with half lidded eyes as he lays back on your shared bed, watching your mouth get to work. he blows the smoke through his nostrils, “pretty ass lips, shit..” he mutters, putting the blunt back up against his lips.
your lips curled up into a smile before spitting on his dick and taking him whole. your head goes up and down while you massages his balls. sanzu puts his hand above your head, guiding you. “fuck, that’s it.. you’re taking me so well, babygirl.” he praises, throwing his head back against the headboard.
you released his cock with a pop, spit falling from your mouth and onto his cock, stroking it; giving off squelching sounds. you begin teasing the slit on his tip, you know it’s sensitive so your tongue swirls around it and over it. sanzu buckled his hips up, the sensation of your warm tongue getting too much for him.
“f-fuckk, baby.. shit!” he curses as he busts all on your pretty face. you happily lick it off around your lips with a smile, “you know, i could’ve swallowed it if you would’ve been a little more patient.” you said, your lashes batting up at him as you continue to stroke his dick with your hand.
he honestly doesn’t deserve you.. you’re too good for him, but he doesn’t know what he’d do without you. you are his high.. no marijuana or pills could ever get him as high as you do.
“fuck, babygirl.. you’re just so good to me.” he says as he takes another puff of his blunt.
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drchucktingle · 5 months
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work of jordan peele is BIG influence on chuck this is correct. there are quite a few similarities actually, especially when you consider both of us are coming to horror from place of comedy (i personally do not see tinglers as comedy but obviously this timeline has placed them there and i am perfectly okay with this trot).
we are both creating horror stories for our own historically marginalized groups and in particular, writing stories that are SPECIFIC to those groups.
for example when thinking about QUEER HORROR there is plenty of queer horror where the horror itself has nothing to do with queerness, or the queerness is subtext. for instance you could have a slasher where the main characters happen to be gay, but their queerness is not necessarily part of the fear.
on the other hand, CAMP DAMASCUS is directly commenting on a queer issue
BURY YOUR GAYS is directly commenting on a queer issue
by the same token GET OUT is directly commenting on a race issue
US is directly commenting on a class issue which is, of course, going to be wrapped up in topics of race and marginalization
it should be said that the other kinds of horror where issues of the marginalized groups is more in the SUBTEXT are not wrong. there is a time and a place for that. the book that will likely be chucks next horror novel is about bi erasure, but it is much more about the subtext and symbolism. there is a bi lead, but also a monster that does not seem to be about bi erasure AT FIRST. it is much less direct. so there is a time and a place for both kinds of approaches.
but i think the biggest thing that is similar about jordan and chucks approach (and what has been a big influence on me specifically) is that our goal is NOT: 'how HORRIFYING AND TRAUMATIC AND MESSED UP CAN WE MAKE THIS?'
we are doing something else
processing trauma by exposure can be a common goal for horror AND honestly i think it is also totally dang fine to make art like this. there are some incredible pieces where trauma and tragedy is the goal. however (and i will speak for myself here) when you are coming from a buckaroo community that has been through so much of this trauma in real life, i PERSONALLY find that goal to be a little too boring.
my goal is more like this: how can we use this genre of fear and tension that i love to comment and explore and say something new? how can i pull apart an issue and deconstruct it in a way that is cathartic and maybe even changes minds?
so i cannot speak for jordan but i feel like our approaches are similar in this way. i see a LOT of reviews that make comparisons between CAMP DAMASCUS and GET OUT and i am always very flattered
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