#and the worst part is that she will never understand that and i can never make her. because ive tried and it ended badly
Hopper’s talking to her, telling her to breathe, but all Nancy can focus on is Robin, dead, in front of her.
She barely registers when Steve stumbles in. Hopper’s moving before she processes it, trying to gently escort him out.
Steve’s a mess. Wild-eyed, his face streaked with tears, hair unkept.
“I need to say goodbye,” Steve begs, fighting against Hopper’s steady arms. “I need—I need to tell her I love her and that I’m sorry and—and I need to find the fuckers that did this—”
Steve knows about her ‘gift’. He looks directly at her, a plea on his face.
Nancy thinks of Barb, still and silent in her arms.
“Let him stay,” she croaks.
“Wheeler—” Hopper starts. She shakes her head.
“Let him stay.”
Hopper relents. Steve scrambles over, faltering when he sees Robin.
Nancy understands. It’s not a pretty sight.
At open-casket funerals, the deceased undergoes hours of careful preparation to make them look presentable. To make sure they look as close to how they did in life as possible.
That is not the case here. Robin’s skin is a sickly white, freckles stark in contrast. Ugly purple marks cover her throat and neck. Strangulation, from the looks of it. Nancy doesn’t want to imagine it.
Steve strokes Robin’s hair, the gentlest Nancy has ever seen him. Fresh tears have started running down his cheeks.
“Steve,” she starts, equally gentle, because how can she tell him this? How can she describe the sensation of having your whole world stopped, started, and stopped again?
“I know,” he says, not taking his eyes off Robin. “I’m ready.”
She wants to say, You can never be ready.
Instead, she nods, and taps one finger to Robin’s cheek.
The effect is instant. Robin gasps, eyes flying open, one hand automatically going to her throat.
Steve lets out a sob, pressing his forehead to hers. “I’m sorry, I’m sorry, I’m so sorry, I should’ve been there, I’m sorry—”
“Dingus,” Robin rasps, and she’s crying too. Nancy averts her eyes, a pang in her chest.
Hopper must decide to let them have their moment because nearly five minutes pass before he comes over. He asks Robin questions, the standard procedure, and Robin answers shakily, her hand held in Steve’s.
Robin didn’t fully see her attacker. It was a man, that much she knows. She’d managed to flee the initial attack but he’d caught up to her when she tried to lose him in the woods. She thinks he was less prepared because of it, but things are hazy. She remembers being pinned down, hands around her throat, and these cold, terrifying eyes. His face had been covered with only his eyes visible.
Hopper takes notes, frowning. Finally, the questioning comes to an end, Robin out of answers. His head slowly swivels to Nancy.
Steve’s still clutching Robin. They both look at her with a sad understanding on their faces.
“I’ll find him,” Steve says quietly, resting his forehead against the top of Robin’s head. “I’ll find whoever did this and I’ll kill him. I’ll kill him.”
Robin just smiles sadly. She murmurs something too quiet for Nancy to hear, but she doesn’t miss the devastation that flits across Steve’s face.
They look at her expectantly, both clearly trying hard not to cry. They’re still holding hands.
Nancy can’t do it.
“Wheeler,” Hopper says, low, a warning.
“I can’t,” Nancy whispers. She knows what will happen if she lets Robin live. The same thing that happened when she couldn’t let Will die again, when she couldn’t let Eddie die again.
The universe rights its wrongs in its own way. If it can’t have its death, it will take another. When she’d brought Will back and kept him alive, a well-loved local, Benny Hammond, had died. When she’d let Eddie live, Jonathan and Will’s stepfather Bob had a heart attack out of nowhere. There’d been seemingly nothing to cause either death.
If she lets Robin live, someone else will die in her place.
The worst part is that Nancy finds she doesn’t care.
She can’t let Steve lose his best friend the way she lost hers. She can’t let this be the end of Robin’s life.
Kind, funny Robin, who has always been so full of life, so loved by everyone around her. Nancy’s never gotten the chance to really get to know her, but she’s always wished she had.
“I can’t,” she repeats, her voice steadier now. “I won’t. It’s not fair.”
“Life isn’t fair.” Hopper’s voice is kind. She doesn’t deserve it.
“I won’t do it. Steve—”
Steve looks stunned, a hopeful expression dawning on his face. Hopper looks at him and sighs.
“I can’t force you. But… well, on your own head be it.” He shakes his head. “I’m going back to the station. You’re causing me a lot of paperwork.”
As he leaves, Steve turns to her. “Thank you. Thank you, thank you—”
“As far as you’re concerned, Robin survived the attack.” Nancy keeps her voice steady, avoiding eye contact with both of them. “Robin…”
Robin’s eyes are on her. Curious, focused, like they’re studying her. Nancy swallows hard.
“Robin, you should avoid going anywhere alone for a while. If your attacker thinks you could identify him he’ll try and finish the job. I won’t be able to do this twice.”
Robin gives a short nod. “I’ll lay low for a while.”
Her voice is soft, raspy. Steve, maybe afraid Nancy might suddenly change her mind, thanks her one last time before helping Robin up and ushering her out.
Nancy watches their retreating backs, a heavy weight in her chest.
In the nicest way possible, she hopes she never sees Robin again.
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Azula dealing with a teenage kid headcanons?
Hello, @supbro50000 !👋
Ohhhhh. Interesting.
- I do still think that, even though her kid is a teenager, Azula fears being like her parents. Even if the kid isn’t hers or something, she worries about Ozai’s lessons coming out too much and scaring the kid. Maybe even more so because this kid is around her age when she broke down.
- She’s a more comfortable around teenagers than little kids. She can handle being around both, some of her fondest memories are with her niece when she was a little girl, but with teenagers she has real conversations and they understand more.
- Azula is not equipped for when her kid starts dating. And it doesn’t matter if it’s her son or daughter because she knows both genders can be dangerous. When her kid goes on their first date out to eat or something, she is staked out on the roof next door watching the whole thing.
- Although she probably would never admit it, Azula wouldn’t want her kid to go far. By the time her kid is a teenager she’s gotten better with her abandonment issues but it also hurts a lot more than she realized it would to see her son or daughter leaving and she can’t go with them to make sure they’re safe.
- Azula has a good relationship with her teenage son or daughter because she really does understand the worst parts of being a teenager and what not to do. Ozai and kind of Ursa’s whole parenting method was basically a big “Don’t Do This” book when it came to parenting so Azula literally does the opposite of that and she and her child do have a really strong relationship.
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I get the feeling that Lilith will be a morally grey character at the end of the day. She genuinely lives Lucifer, Charlie, and potentially her people and wants to do right by them. However, I get the impression that Lilith is of the opinion that she's the only one who knows what's best for her loved ones and as such can be something of a control freak towards her family to keep them on the "right" path. We're getting these hints that Lilith may have deliberately kept Charlie and Lucifer from actually getting close to each other (assuming that it was actually Lilith and not Eve playing the part as others have theorized) to prevent Charlie from inheriting her father's "weakness". I also get the feeling that Lilith's manner of raising her daughter may have stunted her emotional growth and prevented her from understanding Sinners on a deeper level, contributing to Charlie's initial inexperience and naivete when pursuing her dreams. Her intentions are good, but her execution is flawed at best.
Hello again my friend,
I get the feeling that Lilith will be a morally grey character at the end of the day.
I agree. She probably the end justify the means type of gal. She may not agree or like the means but willing to sacrifice to achieve the desirable goal for maximal impact for what believe is good.
I'll be fine with her being a grey character. That's when characters are most interesting. Usually this type is my favorite character beside the anti hero or tragic villain.
She genuinely lives Lucifer, Charlie, and potentially her people and wants to do right by them.
I completely believe Lilith 100% love Lucifer and Charlie. I'm going to laugh my ass off when the fans who think she the worst and suddenly she becomes "best mom and wife" because of season 2. But I understand why fans think poorly of her. She is painted pretty terrible right now but I firmly believes its intentional for the fake out that she, in fact, loving. That her absence is her sacrifice to protect those she love. She may not win best mom and wife but I think she is doing her best with whatever circumstance they are in.
She must be warm and loving. Their are so many family portraits (including the pilot) of them being a happy loving family. Lucifer still wears his wedding band after Lilith been gone for years. Charlie still trying to contact her mom for advice. Charlie misses and wants Lilith back. Charlie willingly following her mother footsteps because she believes in her mother's dream that became hers in her own way. These are fond memories and feelings.
Granted these are not proof. It can be a facade, denial and depression. A desperate grasp to pretend the family is better then fine before accepting its not. But I don't think that's the case, its genuine. No one talks ill about Lilith at all in the show. I do find it odd, Lucifer never talked about her but his appearance is brief. I also think he knows exactly where she is and why she's gone. It was a necessity to ensure everyone safety,probably. As Charlie put it "something important" a greater cause. I know she delivered that line in a hopeful manner, to explain her mother absence. But I think its pretty on par. Charlie just been kept out in the dark about it.
I get the impression that Lilith is of the opinion that she's the only one who knows what's best for her loved ones and as such can be something of a control freak towards her family to keep them on the "right" path.
I get that. I can even see the reasoning for Lilith to be so if that's the case. We met Lucifer, oh, he so silly and loveable! Which, I'm sure Lilith adores about him. (me too) But...he not responsible. He pretty much ignores issues hoping they somehow solve themselves. *cough LocksHimselfAwayInHisPalaceMakingDucksForYearsNotDoingAnythingElseOrMakesAttempts cough* It already said that Lilith pretty much had to step up and take the active leading role of their kingdom. I think its safe to say, it also applied to their family.
I assume Lilith was the responsible one. Especially when it came to Charlie. Lilith was the one that kept Charlie somewhat on schedule with feeding, sleeping, bathing, the one that says no, etc. While Lucifer just was the fun parent, and made messes with her and play with her, share dreams and imagine together. Lucifer just being a big kid with a little playmate.
I can also envision why Lucifer and Lilith believe Lilith way of things may be correct. Lucifer was basically outcasted by Heaven for his creations, soon after, sent to Hell for the apple debacle. As far as Lucifer sees, his choices generally seem to be the incorrect one. Then eons, of seeing the worst product of his choices as they steadily fall into Hell. I can understand if he wants to wipe his hands clean and just let Lilith take the reigns of everything.
I can also understand why Lilith could be a control freak. She was made of the same materials as Adam yet instead of being treated as an equal, she was made to be subservient to Adam. I can see why she may want to be in control when she was pushed towards to not have any. Then she gained the role of queen to fulfill. I don't think she power hungry and wants to be in control, but is a product duty but also of fearing to be treated/becoming inferior when she should be equal or superior. But after being in control for so long, its hard to give up. A lesser version of its her way is the only way. She had things running relatively smoothly. She didn't want something to unbalance it. Especially after multiple thousands of years of effort to achieve it.
We're getting these hints that Lilith may have deliberately kept Charlie and Lucifer from actually getting close to each other (assuming that it was actually Lilith and not Eve playing the part as others have theorized) to prevent Charlie from inheriting her father's "weakness".
I honestly view that scene from "More than Anything" so differently from everyone that I'm sure I'm wrong. But my first take from that scene was...Lilith putting Charlie to bed . Charlies little heart and music note dress look like a nightgown to me. She was peeking at Lucifer to possibly say goodnight. Lucifer use his magic to tell a (bedtime) story and Lilith pulled Charlie away because Lucifer got carried away with his story telling and kept Charlie up longer by that.
But in rewatch it does look like Lilith was pulling Charlie away from a depressed Lucifer. Who knows, maybe there's more context to it because we haven't been given it yet. Maybe, just spitballing here without too much thoughts, Lucifer was depressed because he was weighed heavily by threats on Heaven? Anticipated or actually given already. Charlie looked young in the flashback. Maybe, Heaven had just learn, or inevitable will learn about Charlie existence despite the Morningstar best attempts to keep it quiet. Would Charlie be techanly the antichrist? A child of the devil? Does it matter if she a girl. This universe is only inspired not biblically accurate. Heaven, probably not to thrilled if that's the case learning about Lucifer having a child. Perhaps, even surprised he had one...can angels have children?
Maybe, there was a secret prophecy about Charlie and Lucifer was feeling conflicted about everything. Lilith needed to pull Charlie away from Lucifer so Lilith can raise her properly to fulfill it? Stop Heaven? Defeat Roo? Create a whole new balance between all realms? Lucifer afraid of this and wants Charlie no part of this while Lilith treated it as inevitable so she trying to get Charlie ready vs Lucifer denial about everything.
Who knows. I personally still view it as the innocent, Lilith getting Charlie away from daddy who was getting her excited, to bed :D
I also get the feeling that Lilith's manner of raising her daughter may have stunted her emotional growth and prevented her from understanding Sinners on a deeper level, contributing to Charlie's initial inexperience and naivete when pursuing her dreams. Her intentions are good, but her execution is flawed at best.
Charlie definitely been sheltered, but I think that's more Lucifer doing with his distaste of Sinners and their predicament of Hell. Charlie went to school which was only of hellborn I believe. I think Charlie interaction of Sinners was very minimal until she was old enough to be on her own. Lucifer was probably very protective about Charlie. Charlie isn't fortunate enough to be raised in Heaven or Earth...she get to be raised in Hell. One where she royalty and probably considered a target. Charlies social interactions were most likely very limited in general "for her own protection" and the ones she did take part of, was with families that Lucifer trusted.
Sinners to Charlie was probably how one wants to experience a culture that they admire. Something you can't really truely be a part of but want to dive into.
Her mother is consider a Sinner, and she loves her mom. Her mother wanted to do right of her people. Charlie wanted to follow suit. With Charlie minimal interactions of Sinners she probably figured they are all similar to her mother, who she loves. Charlie starting to be on her own, just simply doesn't know how hard life can be for most people.
I think all the Morningstars are like that. They just don't truly grasp how difficult life can be. They are all powerful with little to fear. They are the tippy top of the food chain. Lucifer can poof anything he want to existence. When Lilith was alive, there was no society. Just Adam then later Eve before being cast down to Hell. Lucifer shutting himself away from most of Hell. Mangling with Hellborne...and I assume thats with "high class" so the royalty and high class demonborn.
Lilith probably has a better understanding as she implied to be more charitable with causes and interacted with Sinners. She probably has some idea with talking and taking in the troubles of Hell as an active Queen. But she doesn't have the experience to know how terrible it is. Like someone saying they have a toothache but not understanding how much they hurt.
That's based on a true story btw. I had someone complain about a toothache but I assume it was a dull ache...but constant. As I never had one before and I thought he was being a big baby. Then I realized how incredibly crippling the pain is when I eventually experienced one. Boy, I got humbled when I reflected back at that moment when I dismissed the other pain.
Anyways, I'm rambling per usual. I think hopeful and dreamer Lucifer is responsible for most of Charlies stunted growth but Lilith also had a role. They both shelter her. Charlie just see mostly her parents who just act lovey dovey with each other and typically happy. So, Charlie really had to base society off of them. Lucifer probably trying to overcompensate by damning them to Hell and use his magic to literally sprout puppies and rainbows and sparkles for them. Lilith was probably more of a realist and down to Earth (Hell?) while probably sugarcoating lightly. Lilith has her own dreams but is probably more sensible and reasonable. Pair that with being warm and loving mother is why Charlie usually seeks her missing mother for advice over her father who not missing but absent.
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share with us some of your silly headcanons :)
hehe i got two asks about headcanons so im gonna make yours an OT1 post and the other one an OT2 post….
Ok for OT1 here’s a random list of
Alfyn is genuinely a very good artist, he’s spent a lot of time practicing (at first just trying to emulate drawings of medicinal plants working on his ability to understand and identity them) but it ended up just becoming a hobby of his, and he’s pretty good at drawing from life, he can just sit somewhere and draw the scene in front of him or a pretty accurate portrait. this contrasts with his completely illegible handwriting. (tressa specifically finds this baffling as a neat handwriting haver and a…. decent-ish artist. she mostly just likes to doodle. she’s like how can you draw that good and write that bad. tressa they’re different brain areas alright. they don’t translate to each other)
ok. nonbinary tressa. is so real to me. i feel like she’s nonbinary in the way where she doesn’t care about the way she’s gendered, like whatever cis passing she just doesn’t give a fuck, but inwardly she’s like. gender i hardly know her. doesn’t give a fuck kind of thing (ME PROJECTING ALERT) but as she gets older she starts to just have a tendency towards more masculine ways of dressing, keeping her hair shorter, etc. light androgyny. it kind of isn’t at the forefront of her mind tho.
Therion has like, a select few party-trickish skills that he basically never pulls out because they’re objectively useless in a fight or his work or whatever. and you know. he hasn’t really had the opportunity (or outward desire) to like. ever pull out the fact he can juggle or “is this your card” some shit. this is part of the two wolves inside therion (the nobody look at me wolf) vs (the show-off wolf) so even he’s like i don’t even know why the hell i bothered to learn to do this kind of crap. (it’s because he’s got a theatrical streak.)
ok and also i was also thinking abt this a while back from the worst poker game post, but here’s a ranking of how good i think everyone is
1. Therion (cheats, but even when he doesn’t he’s really good)
2. Olberic (experienced player)
3. H’aanit (really good poker face)
4. Ophilia (often underestimated opponent, and she knows it and uses this to her advantage.)
5. Primrose (good but not great)
6. Cyrus (understands all the strategies, but cannot execute and often isn’t able to read his opponents as well)
7. Alfyn (he’s better at reading other people, but unfortunately is basically incapable of looking neutral himself)
8. Tressa (though she, like cyrus, understands the game and what she should be doing, she lacks the experience to be deceptive, is easy to cheat against, etc. but give her some time and eventually she’ll figure it out and rise in the ranks. she can be molded into a champion eventually and win all the money. just not yet.
Here a bonus doodle for this one
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💭 harley quinn #32-37
it's time to process tini howard and sweeney boo's second story arc. unfortunately, harley is still hammering it out with the multiverse, but this time she is working with lady quark instead of against her. kinda.
now we have a new force to reckon with - the brother eyes.
howard is again enjoying throwing in dc deep cuts with the brother eyes (meaning I once again got to do a google deep dive). I do appreciate this true conceptualizing of harley in a broader, shared universe.
in howard's story, the brother eyes work for lady quark. on a craft level, this is an excellent setup for what howard's trying to do in this arc because so does harley. this creates a parallel within howard's tale that mirrors the overarching parallel howard bases her story reasoning upon.
because why are the brother eyes so interested in harley? in watching her and understanding her and mapping her? because she was once a sidekick who made something of herself. and they want to do that, too.
I like this idea. I like it a lot. it creates a unique story around one of the things that makes harley truly special. but I never said howard had bad ideas.
but before I get into the perils of howard's writing, I want to do a run down on some other important players in this arc.
in harley quinn #32, we get introduced to lux kirby, p.i. lux is a completely new character from this creative team, but I couldn't help feeling a sense of deja vu when they appeared. the "detective" seeking out a multiversal harley murderer felt a lot like something out of stephanie phillip's last arc. just sayin.
however, ultimately, I liked lux and what they brought to harley and this story. they were a fun catalyst and means to much of the action. I always vibe with a character like that. and they were a good friend. harley struggled a lot with her mental health and self-perception in these issues, and lux helped ground her.
speaking of friends, KEVIN'S BACK :DDD. and acting like kevin. god bless.
I was sososo pissed when howard essentially fucked kevin over at the beginning of her run. but she definitely put in the time here to make it up to us. that sequence where harley had to anticipate kevin's choices in order to locate him in the multiverse was genius.
there's also two groups of characters from the first arc that play an important role in this one - bud and lou and harley's college class.
y'all know I always love the babies. I appreciate that howard wanted to do something big and bold with them. I liked the twist where they were the suspected murderers. BUT a lot of their actions here were just convoluted to create conflict and drama. like... we can't tell harley the brother eyes are out to get her because... why???
and I thought it was fun having harley's class get dragged along in her adventures. but every time, it felt like howard got the concept but fumbled the execution. harley's class ends up on warworld? cool! but it feels too smooth and rushed and weird. harley's students get turned into omacs? oh no! except there was no emotional or consequential impact.
sadly, that's a common occurrence for howard's writing. howard has exciting ideas, but her writing is too surface level with bad transitions and flow. much of the time I feel like I'm reading her bulleted outline, not the final story.
she rushes pivotal moments. we end an issue with the brother eyes about to reveal harley's worst moments, but then we gloss over that at the beginning of the next one. she throws out plot threads and doesn't carry them through. we should be concerned that the warworld royal family has been turned into omacs, powerful weapons to be used against harley, but then we don't see them anything until they're healed.
that's not to say every single line or scene is bad. howard has said that harley's mental health is one of the most compelling parts of harley's character to her. we can see that reflected in the comics - in the storyline and themes but also in the moments that shine.
I thought the multiverse sequence in harley quinn #37 was the strongest part of this arc. (this does not count the framing narrative.) each scene portrayed harley's fears and doubts about her own capabilities and power in a creative way. what if she became the controlling one in her relationship? what if she was good but still so unstable she had to be locked up? what if she pushed everyone who cared about her away?
sweeney boo's art also had some great moments depicting harley's mental state from her spiraling to her negative self-talk.
however, as with everything in this run, the depiction of harley's mental health has its downsides. howard leans too much into sentiments like "oh no, everyone will think I'm bad!" "oh no, everyone's just putting up with me! "oh no, I'm such a screw up!" and "oh no, I'm going to get in trouble! better hide!" it reads too childish and infantilizing for a capable grown woman who has a PhD in psychology and a lifetime of living inside her own mind.
of course, I think harley's going to have worries, doubts, and fears as she navigates being a hero. exploring this is good since this is the story route we're taking. but howard often fails to strike the right balance.
unfortunately, this bleeds over into the depiction of harley and ivy's relationship. there's this idea that ivy has to handle or deal with harley. that harley's too loud and too much. that harley could disappoint ivy at any moment. harley shouldn't be a problem. harley should be a partner.
along those lines, when harley and ivy aren't fighting, ivy isn't doing... anything. she's just there. in a way that feels eerie. like we're still in knight terrors: poison ivy #1. you can see it in the facial expressions.
harley hides her shenanigans from ivy for most of howard's twelve issues because "oh no, ivy's going to be mad at me!" even when harley finally tells her what's going on, ivy sits it out. and it just... really sucks. ivy is harley's PARTNER IN CRIME. always has been. she should be IN ON THE SHENANIGANS.
I do acknowledge that this might be a broader dc editorial problem since ivy has her own ongoing and concurrent story, but STILL.
this second story arc was far from one of my favorite harley quinn tales, but at least now we can move on from this multiversal madness. (please gawd let us move on from this multiversal madness.)
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mmm essay about sally and kid gort in the tags (cw for child abuse, mentions of suicide, animal cruelty and a murder attempt. i always hope i don’t have to say this but just in case: i don’t excuse or condone any of her or gort’s behaviour at all.) this is literally not even touching upon everything i have to say because i hit the fucking tag limit lmao. NOBODY READ IT’S BAD BRAINSTORMING I JUST NEEDED TO GET IT OUT SOMEHOW
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I kind of want to just restart emrys so I can play her again more perfectly this time... kill even MORE fiends and such. but also I speedran grymforge a bit & the thing is that. emrys rolls up to moonrise towers already have a deep-seated and intense paladin-specific beef with ketheric. babygirl heard that he was 1. an evil paladin 2. broke his paladin vow to TWO gods prior 3. was like That and decided Actually, I'm going to project All of my own personal issues and insecurities onto you. And then I'm going to kill you. and then she still offered to spare him. so I need the buildup to that from grymforge. you see.
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im in love w him not only bc of who he is as a person nd how drawn i am to his personality, but also bc i feel like he's the only one who has ever wanted to see me. who i am, like deep down. he's the only one who i feel like i've ever connected with, in an easy nd genuine way. the only one who i feel has ever gotten me. he's the only one who's ever made me feel like we actually have a connection we're both in on, bc i havent had to pretend or put up a fake front for him bc he wanted the real image of me.
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Can't believe my current hyperfixation broke me out of my month long streak of being unable to write anything just to write a potentially long ass byler fic when I never write romance. I'm so fixated on the idea of will getting to have something good happen to him
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okay so im staying the night at my friend's in my Uni City on sunday bc my maths exam is monday morning and i dont have any accommodation there anymore (which is really stupid on the uni i feel? like they expect kids to be paying the train and accommodation fares AND navigate the current rail strikes AND revise during heatwaves when they could just very easily in this post-covid world put the exams online? baffling) and this is my one coursemate that's super super good for me in that she's VERY disciplined and WILL yell at me if im not working like i should be. she's also the econ student who asked me in the corruption lecture if tax evasion is legal but that's neither here nor there. anyway my point is she lives locally hence why im staying with her and i cannot stress enough how much she singlehandedly holds my academic life together. like i am going to show up on her doorstep with all my notes and just burst into tears im sure of it
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literally the only reason i am not in as bad a mental health place as i was in in december is bc i’m done w school now and i never have to go back or deal with being a student again if i don’t want to and also bc i know there is a high likelihood that there are some big important helpful highly desired changes on my horizon in the next few months and years. but i am really not doing good right now
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In alternative news: eyrie now has a fraternal twin <3
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hope your ex roommate gets jail time or charged for assault bc that's awful and I'm sorry that happened to you, absolutely disgusting on her part. hope you can look into reduced income housing so you can get some damn peace from nasty ass fuckos like her
First offense (on record) so no jail time. She'll have a court date, will likely have court-mandated counseling and community service, and so long as she doesn't get in trouble again, the record will be sealed and won't show up on background checks. My state protects first offenders, but if she gets arrested again she'll have two charges instead of just one.
I've looked into it, and unfortunately section 8 isn't accepting new applicants rn. But I did hit up my old landlord and I'm going to see the place this week. It's pricey, but if I budget Very Carefully, it's doable. And it's a 1 bedroom, so I won't have to worry about housemates.
Which is great bc I literally do not think i can mentally handle living with another person for a Very Very Very Long Time
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So ticked rn. Was at the playground, as usual, when I noticed the kids playing tag. At first it wasn't a big deal, until I realized that no matter how many times my sister tagged the other girls, SHE was always it. Some time later, when the younger girls were tired of running, they formed a group on the platform equipment. Once again, for whatever reason my sister wasn't in the group. Few minutes later all that little girls started calling my sister's name in a semi-mocking tone. When my sister went up to join them, they all began running away saying "no brown girls allowed." The worst part about it was the one who began the chant literally WAS a brown girl. No brown girls allowed coming from a lighter brown girl. None of them were white either. EVERYONE at that playground was anything but white. At that point I just told them all to shut up. I don't care that you're like 7, SHUT UP. We went home afterward, but I'm just pissed. How on EARTH are you going to have the audacity to say "no brown girls allowed" when you are a brown girl!?
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I have a VERY specific scene in mind of Morshid looking at some form of scripture or wall and realising he's been misinterpreting his mission all along, and that he was assigned to kill Marek, not to guide her, and him very slowly turning around to look at Marek and they lock eyes before Marek BOLTS away. Morshid doesn't try to run after him
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