This entire scene emotionally destroyed me but there's one part in particular that was like taking a knife to an already open wound.
So, Gon shuts down after the reveal that Kite was dead all along and his stunned and racing mind is disjointed and contradictory. Most of his statements fit into roughly three categories of desperate thoughts:
Vehement inability to process that Kite is dead. From the statement being repeated multiple times to the amount of "no"s everywhere on these pages.
Taking the blame for Kite's death, in a frankly horrifying show of self-hatred (especially given the context of what comes next).
Blaming Pitou and proclaiming that he "didn't do it" in an attempt to absolve the weight of his guilt.
Heartbreaking. But there's one thought here that's a bit different.
Throughout all of this, Gon has been adamant that Kite, and by extension the situation, can be "fixed" - after all, most every issue that's come up before on his adventures could be resolved nicely. But now, suddenly, it can't. Gon can't stand feeling powerless or helpless, and now he finds himself more helpless than he's ever been. And we get this.
"Somebody help me."
Gon is independent. Gon has a burning need to prove his worth through his own strength. Gon has a bad habit of equating "taking responsibility" with fixing things all by himself and rejecting help from others.
Gon has never pleaded for someone to save him before.
And it's just. Holy shit. Holy shit - he's a kid. He's just a kid. And in just a few pages, he's going to make a despair-fueled decision to throw away his life just to regain any semblance of power over a situation that was doomed to be unfixable from the start. He says, "Let it end. I don't care what happens to me now.", because this is the only way he can think of to make his pain and his guilt and Pitou all just stop, by losing himself to all of his power instead of his grief.
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Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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In a Week by Hozier ft. Karen Cowley
“The raven is death, obviously. When I die, I want a good tombstone—something right spooky. LT’s got something against the underground, though you’d think that would be just his kind of place. That’s alright. He needs to, he can cremate me. It’s not exactly Catholic, and Mam would turn in her grave, but God is a unicorn and no one is pure anymore, so. What’s all that got to do with me?”
Johnny “Soap” McTavish has a journal. Had. It is his no longer.
Simon “Ghost” Riley had dreams—awful ones, the kind that sank claws into his lungs, dragged him into sleep, and then sent him careening out of it. He still has dreams, but they’re different, now. Better. Johnny’s pages have folded themselves under his eyes and gotten into his head, brighter and more infectious than anything else has ever been. It’s more than the past, that rotting carcass behind him, and more than now. Now is nothing. Now is ash. It’s like, it’s like—blinding, is what it is. He’s a blind man.
It is biblical now. Ghost has read it backward and forward and sideways and inside out. When he runs out of things to read, he reads them again, and when that is not enough, he reads between the lines.
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Finished your latest chapter, and I was at rge ended if my seat from beginning to end. Amazing!
And at the end of the chapter I thought of an inquiry:
What if y/n is a hunter/fisherman instead of a photographer? How would they have met, and what would the dynamics be like? Would they bring each other kills to give to the other to show off? Or in Eclipse's case, courting gifts? Still would figure y/n wouldn't realize what Eclipse is actually doing.
Oh, man, I just flashbacked to Fisher Y/N from Deep Waves but for an AP fisher? They'd be a bit disgruntled and grumpy. Very hard working, set on the task and won't stop until it's done. They've got a shell that rivals crabs. Very gruff but has a heart hidden somewhere under all those brusque layers.
Of course, you're spooked when Eclipse pops his head up (he's a lot more terrifying, not trusting humans on their boats with their harpoons.) Still, once he sees that you're alone and also, well, pretty, he tones it back a bit to actually talk to you while still dangling you halfway off your boat above the icy cold of the sea. You manage to yell at the siren to put you back. While Eclipse does so, he promises to bring you fine fish, the best of the best. You wave him off like "Yeah, yeah, as long as you don't ruin my nets and don't kill me."
The next day, he's got a fat catch. You thought you got rid of him, but like a stray cat that's been fed once, he's back. If he can chat, he can help you push the nets onto your boat so the fish don't flop out and get away. You might pick one cod out (the best one but you would rather die before admitting so) and toss it to Eclipse for his lunch, as thanks, or something like that. Eclipse would beam at the exchange of gifts so soon but you're too busy trying to not slip on the half-frozen, half-wet deck to notice.
You know sirens are bad news, but you have the mindset of 'Eclipse hasn't killed me yet, and there's work to be done, so I better hop to it.' That kind of attitude, however, is what gets you into Eclipse's mandated cuddle sessions as he decides you've been working too long and require a break. Guess who is getting yanked across the deck, forcibly cradled, and persuaded to take a twenty-minute break by a large, touchy siren? You, of course!
It's unusual to endure this kind of attention (and maybe you thought no one would touch you like this, make you feel like you're not just a ghost on the sea.) You put your shoulder to the wheel and get the catch while navigating Eclipse's hands of avarice.
You learn quickly that there's no use trying to get out of his arms once he has you. You also learn that he likes seals, but you try to catch squid and even, once or twice, small sharks for him to snatch on. He returns the favor with a bounty of fish and even guides you to better fishing spots. He's always eager to hand you the fish he catches to you personally. You don't think too much of it when you take it in your gloved hands and his grin widens. (You think he looks infatuated whenever you stumble upon an old seashell or half-plucked feathers or shiny, chipped scales and figure he might think it's pretty, but you don't take it to heart—he probably just likes trinkets.)
One day, when the sea is calm and the fish are nowhere to be found, Eclipse decides you are due for a break. You both lounge on the deck of your smelly boat. You don't even push away Eclipse's hands while precious work minutes slip by, resting your head on his chest to his great pleasure. Eclipse manages to coax a few confesses from your lips with a few slippery musical notes in his voice. You really don't know why you start rambling like this, like a fool. You tell him you don't have anybody, but nobody has you. Sometimes, you don't feel like a person because the only time you talk to another human being is when business over the fish is conducted. You're so used to not having anyone to talk to that when you talk to Eclipse, your voice becomes hoarse and dry, but you don't mind. You don't mind at all, lately.
He tells you in that way of his that is as true as the sun and moon that he has you. You don't believe him, but you pull out a little... gift you've been quietly crafting for the past while you've known him.
Now is as good as ever to give him a simple piece of jewelry you made with a cord and yet another seashell that's so old and pale pink that no one will notice or care for it, but he takes it from you with awe. He ties it around his wrist and shows you how pretty it looks against his black and white markings. He says you need to strengthen your voice. You need to talk to him more. He will listen, and he will listen when you sing, too. The mere thought of you singing of all things jars you enough to finally pull you out of this fancy and get you back on your feet, scouring the sea for fish to catch.
Eclipse is still wearing the seashell when he drops back into the water, and he doesn't let you out of his sights on the sea. You're left to wonder if you're a fool for giving a siren a gift or for feeling pleased that he wears it so proudly.
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wait hang on 😭😭 are people seriously debating “he’s a complicated man” right now??
i agree that izzy’s an unreliable narrator, and i think that some of the things he’s said about ed aren’t necessarily true, much as many other things he’s said are also not necessarily true. he’s not really aware of the full picture the whole time, poor duck, as much as i adore him.
but like… besides the fact it really doesn’t have anything to do with wether or not you think izzy’s doing complex evil shit to ed on purpose, and people seem to be making it about that…
ed is VERY MUCH a complicated man. as someone who relates to ed probably more than stede or izzy… he’s absolutely a complicated man. ed can be violent, and suicidal, and he clearly experiences some form of emotional dysregulation, and he’s done things to people that weren’t justified. the crew was traumatised by ed’s behaviour and how much violence he placed them in a position to commit.
the way ed responds to rejection is so violent and out of proportion, his consecutive raids, his suicidal antagonism towards the crew… and for me and my personal issues, that’s extremely relatable… but it is NOT mentally well behaviour.
ed also exhibits patterns of disordered alcohol use, and his anger often causes him to lash out (yes, often at izzy who pushes his buttons, and yes, izzy’s behaviour is a factor in this. but it’s also worth noting ed has agency as a character and his violence is still violence, provoked or not) and one of his most integral traumas is how an act of violence saved him from the violent alcoholic who was his father.
there’s nothing about ed that’s not a complicated man. he’s done bad things that weren’t justified. that doesn’t make him a bad man. it makes him a complicated one. it’s very clear he knows how to be a better person. and that he can be. that the show left out a lot of that journey is really disappointing, but ed feels like he’s a monster and he does bad things to become the villain he thinks he deserves to be treated as, you know?
he is SUCH a complicated man. that doesn’t mean he’s irredeemable or bad, it doesn’t mean there’s a moral obligation to dislike him either. none of that’s the case. but izzy got it right when he called ed complicated. i think in some ways izzy had finally realised that he wasn’t always going to understand ed because ed wasn’t always going to think the way he did, but he was coming to accept that he didn’t need ed to be someone he could understand as long as ed was happy? does that make sense? i know that’s a sappy outlook on a canonically toxic relationship but i just cannot believe that there’s a genuinely widely accepted take going around which boils down to people thinking it’s wrong to call ed a complicated man. like, huh???? girl….
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