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#and then i think i forgot most of my idea
monzabee · 2 days
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partition - lh44 (+18)
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Summary: The one where you and Lewis are stuck in traffic in Paris, and decide to make the most of the situation.
Pairing: lewis hamilton x reader 
Word Count: 4.0k
Warnings: smut!! sex in a car, unprotected sex (because when have i written something with condoms lol), pwp, cringey ass nickname (blame beyoncé), manhandling, took me a long time to write it so it doesn’t make sense most part, minors dni!!
Author’s Note: hi, hey, hello!! this was a passion project for me and you have no idea how happy i am with the way it turned out. There’s only one slight issue and it is that i wanted lewis to call the reader something other than peaches, but it is in the song, therefore please if you don’t like it blame the mother, aka beyoncé. Also, i was very unsure of whether i wanted to drag it out, or leave it as it is, so any feedback is appreciated. i hope you guys enjoy! good morning, noon or night wherever you are, xoxobee
Please also note that all of my works are protected under copyright, and not available for reposting on other platforms. 
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It took you forty five minutes to get ready – Lewis knows this because he’s been keeping time on his phone since the moment you’ve went into the bedroom side of your hotel room to get ready for the party he’s taking you to. You’ve always like to joke that he takes longer getting ready whenever the two of you have to go somewhere, but now that he is staring the timer on his phone, maybe he should use it as an evidence that you’re, in fact, wrong the next time you tease him about it. Not that he actually would do that, he is a gentleman, after all.
He’s just about to call out to you to hurry up when you beat him to it, “Baby, I need help, please!”
The nickname manages to bring the smallest of smiles to his face as he, without shouting anything back in response, gets up from his place on the couch and makes his way towards the bedroom. And that’s when his eyes land on you, in front of the full-sized mirror struggling  to zip up your dress. In just a few more steps he’s right behind you, his fingers itching to dance against the smooth skin of your back. “I thought you were going to wear the suit you brought, Peaches,” his voice comes off muffled as he presses a few kisses to the expose skin on your shoulder.
“I forgot to bring the shirt that goes with it,” your voice comes off shaky as you feel his lips drag on your skin, and you can hear his soft chuckle. Craning your neck to give him a small smile, you join in his laughter, “Zip me?” With a yielding kiss, Lewis wordlessly grabs the small zipper between his fingers, and when the moves the zipper, it makes you shriek out another laugh, “Up, Lewis, zip me up please!”
“Alright, alright,” he chuckles, pulling the zipper upward with a swift motion. The dress seamlessly hugs your figure, and he makes a show of checking you out from the mirror in front of you before meeting your eyes. “There you go, all zipped up,” Lewis announces triumphantly, ignoring your disapproving headshake, giving you a gentle pat on the back. You turn around, facing him with a grateful smile, and he can't resist leaning in for a sweet kiss. The connection between your lips is brief but warm.
“You like my dress?” You ask him and his enthusiastic nod makes your smile widen in satisfaction, “You don’t think it’s too short?”
Instead of answering your question with words, instead Lewis tsks, letting his dissatisfaction with your question known. He gently takes one of your hands in his, threading his fingers through yours and prompts you to spin around to give him a better look of your dress. He wraps his arms around your middle, his hand still firmly intertwined with yours, and presses a kiss on your shoulder right where the strap of your dress meets your skin. “Wear any dress you want, Peaches, Miles and I can handle anyone who gives you trouble for it.”
Chucking at his protective, yet playful, response, you pat his arm around your middle with your free hand, “Speaking of the devil, we should probably get going if we don’t want him to kill us both for being late.” Lewis makes a sound of contest, burying his face in the crook of your neck as he pulls you closer to himself. “Lu,” you let out a faux-exasperated sigh, “there is being late, and fashionably late, and I’m afraid we are way past the latter.
“Oh, darling,” you hear his breathy voice whisper against your skin as he places a couple of open mouthed kisses onto your exposed skin, “maybe we should stay back, hm? I can show you just how much I like your dress.” With one of his hands splayed on your stomach and his lips greeting your skin ever so often, you gasp when his lips find that one sweet spot he knows that makes your knees week. “Imagine how much fun we can have on our own, here, in our room.”
Throwing your head back to rest on his chest, a breathy chuckle falls from your lips, but you give him a stern look. “As much as I would love to stay back with you, we promised all of our friends we’ll be there.” As you rise up to your toes to give him a soft peck on the lips, you manage to break free from his arms, leaving him with a perpetual pout on his face. “When we get back, Mister Hamilton, you can do whatever you want to me.”
With your offer, the look on his face changes from a pout to a smirk. “Is that a promise, Peaches?” He raises an eyebrow.
“Oh, darling,” you emphasise the word with an exaggerated version of his accent. “It’s a fact,” you return his look with a small smirk on your own as you add, “sir.”
Needless to say, the walk down to the lobby to get into your car is full of tension between the two of you. It’s not like Lewis can’t hold himself back, because he can. He has proven under many circumstances that he can withhold sex from you if he decides to do that. The most recent incident was when he caught you lurking around the Red Bull garage during the last race you’ve attended, which ended with you quite literally having to beg him to fuck you after a week of Lewis not even touching you. The walk down to the lobby is filled with stolen touches and knowing glances, with him trying to get you to kiss him every minute, not caring whether the people around you can hear him or not.
You give him a sideway look when the receptionist tells you that your limo for the night is waiting for you. “A limo?” You raise an eyebrow, looking at him for response.
He simply shrugs a shoulder, leaning down to mumble his response into your ear, “Miles was in charge of the car,” with his fingers giving your waist a firm squeeze, he manages to earn a silent shriek from you, “I’m sure we could do with the extra space, darling.”
“Behave, Lu.” You chastise him, but the corner of your mouth upturns nonetheless and you let Lewis guide you towards the car waiting for you.
Because he is the perfect gentleman he opens your door and helps you into the limo, pressing a lingering kiss on your hand before joining you. The inside of the limo is darker than you expected, but the city lights of Paris do a good enough job of illuminating the car. The condensation on the limo’s windows has your attention and Lewis watches and you trailing your finger along the glass, tracing the line a raindrop left behind. He contemplates, for a second, whether being jealous over a raindrop for commanding your attention could be considered weird or not, but he decides that he doesn’t really care.
He places a hand on your thigh, his touch is both reassuring and possessive, but when you turn your head towards him to look at him, the way he smiles at you and his thumb caresses your knee is incredibly sweet. He is a duality in himself, Lewis is. And you enjoy the way city lights illuminate his face, his smile soft as he leans over the middle of the seat to give you a sweet peck on your lips.
“What was that for?” you ask him, giggling as you place your hand over his on your thigh. He doesn’t answer, only shrugs his shoulders and grins as he pulls away from you, instantly making you seek him out again. You’re about to comment on his suddenly playful mood, when you realise the car is slowly coming to a stop, and you let out a breath of frustration when the driver informs you that you’ve hit traffic. And traffic in Paris on a Friday night? It’s safe to say that both of you know that you are not going anywhere fast.
The overall wait is not that bad, you think. Even though the traffic is crawling at a snail’s pace, you’re more than happy to be in the car where you can be with Lewis without the overwhelming sound of EDM music and sweaty bodies pushing you around in a crowded club. The same, however, cannot be said about your boyfriend.
As time passes and you’re, still, stuck in traffic, you can see Lewis getting more and more frustrated with the situation. You try not to comment on how annoyed he looks and let him have his silent moment of irritation. You gently squeeze his hand, offering a reassuring smile. “It's alright, Lewis. We'll get there eventually.”
He lets out a sigh, running a hand through his hair. “I know, I know. It's just... I hate being late.” He lets out another frustrated sigh as he gently pats the empty seat between the two of you. “Can you just come closer, please?”
“Why?” you ask, eyes narrowed down in suspicion as he somehow manages to pull you closer to himself, not that you would try to get out of the situation otherwise – with the amount of times you’ve found yourself suddenly sitting in Lewis’ lap, it’s almost as if you can’t get away from him when he’s next to you. “We can’t do anything,” you whisper in warning when you catch him giving you literal bedroom eyes.
Smirking at the anxious tone of your voice, he lets his hand wander down to your hip as he quickly manoeuvres you into his lap, despite all your warnings, and calls out to the driver loud enough for him to hear his voice, “Hey mate, can you pull up the partition, please?” You hear the sound of the partition going up as Lewis fiddles with the couple of the buttons on the door handle, and soon after you hear the faint sound of music playing in the car. He meets your eyes when you give him a funny look, silently asking him what he’s up to, but he responds with a faint smile as he rests his hand on your lower back.
Rolling your eyes at the antics of the driver sitting, literally, under you, you turn your attention back to the scenery outside the window. Going back to tracing the raindrops falling onto the glass window, you choose to focus on the outside view as best as you can, given the current position you’re in. Although you’ve warned him against it, Lewis’ hand on the lower of your back drawing circles into your skin gives you other ideas you would otherwise choose to ignore in a public setting.
“What are you up to, Lewis?” you ask, lips twitching in a need to smile as you do your best to supress it.  
He grins, his eyes gleaming with a mischievous spark as he gives you an innocent shrug of his shoulder. “Just making the most of the situation, darling.”
Letting out a resigning sigh, you try to focus back on the rain outside, but with Lewis’ hand getting bolder on your lower back and the fact that you find yourself shuffling in your seat with every subtle movement of the car makes it almost impossible to focus on anything but him. Deciding to find out just how much you can get away with, you  tilt your head back slightly, your lips hovering near his ear. “Are you trying to start a scandal, Mr. Hamilton?”
He chuckles, the vibrations from his laughter sending a delightful shiver down your spine. “I told you we'd make the most of it, didn't I?” Hid hand continues its teasing dance, eventually dipping lower and even under your dress, and you have to fight the urge to let out a moan at the feeling of his skin on yours. “We can make it into a challenge,” he offers, his voice low as he suggestively whispers on your skin, “see just how scandalous we can be in the back of a limo.”
“What if someone sees?” You mumble, biting the corner of your lip to stop yourself from smiling.
His lips graze the curve of your neck, sending another shiver down your spine. “I thought you liked being watched, Peaches.” You can feel his lips curling into a smirk and a gasp leaves your lips as his hand grabs your thigh, making you shuffle closer to him as a result. “Is that a yes?” Your eyes glance over at the closed up partition, but you nod your head nevertheless, though that doesn’t necessarily satisfy the man beside you. “Words, darling.”
“Yes, please.” The words escape your mouth and your hands slide down his body to work on the zipper of his dress pants. He gives you an amused look as you pull his zipper down, and kneel on the floor between his legs as elegantly as you can given the current situation you’re in. You hear him say your name in warning, giving you a way out, even though he was teasing you about your voyeuristic tendencies – and you might’ve considered taking it, if it weren’t for the fact that having him in your mouth is the only thing you can focus on at the moment. So, instead of pulling yourself up on Lewis’ lap and let him have his way with you, you carefully take his cock out, making sure to keep your eyes fixed on his during the whole process.
Giving him a few gentle strokes, you lean forward to lick the first few drops of precum that drips out of the head of his cock. The hiss he lets out when you take the head of his cock between your lips and suck on it gently makes you smirk, and so you swirl your tongue around the tip to get another reaction out of him. With the way his left hand grabs the door, you know Lewis is trying so hard not to just grab you by your hair and guide you the way he wants to. Humming at the taste of him, you widen your lips to fit more of him in your mouth and wrap both hands around his cock to pump the rest of his cock that you can’t fit into your mouth. As you slowly start bobbing your head up and down on his cock, the sounds leaving his mouth make you want to quicken up your pace, though you refrain from doing so. Maybe you shouldn’t be feeling so turned on by a mere sound of your boyfriend’s pleasure, but you can’t help yourself as you inadvertently rub your thigs together.
You continue the movements of your mouth, taking more of him every time you bob your head down, and Lewis gives in at some point, threading his hands through your hair and guiding you down until the tip of his cock hits the back of your throat. “Fuck, Peaches,” his low groan sends tingles down your spine, “just like that.” He looks so beautiful, you think, with his head thrown back and eyes closed.
Your hands work together with your mouth, picking up speed when you realise you have him at your mercy like this – it even makes you wetter, and you feel the wetness between your legs. Your eyes water as a sudden move from Lewis thrusting his hips causes your gag reflex to remind you both that it is there, causing you to pull back with a huff and send a glare his way. But he apologises by caressing the apple of your cheek and easing you back onto his cock.
Your power move, however, doesn’t last long, as Lewis lets out a groan, pulling your head off of him and leaning forward to lift you onto his lap. It’s not necessarily intentional when you grind yourself against his cock, causing both of you to moan simultaneously. Your head is thrown back when you feel his lips gliding on your feverish skin, and you even let out a breathy laugh when your head lulls to the side and you see the handprints he’s left in the mirror. “Lewis,” you whisper, trying to keep your voice low, suddenly very aware of the driver sitting in the front of the car, “if you don’t fuck me now, I think I might explode.”
“I got you, baby,” he murmurs, his hands on your hips lifting you up to position you over his cock. But you have other plans in mind. He lets out a breathy chuckle as you drag your lips over the skin of his neck, tracing his tattoos as you leave feverish kisses along the way. “What are you doing?” He asks, hands busying themselves to get you out of your underwear.
Nipping at his skin, which earns you Lewis squeezing your hip in warning in return, but you give him a pout as you pull back. “You didn’t let me finish you off, you impatient brute.”
“Brute?” He echoes, not able to stop himself from laughing at your choice of words, “Are you going to be a brat, hm?” He is more than happy to play along when you get into these moods, though he also knows how you can get when you don’t get something you want. So when you fix him with a glare of your own, he lets out a deep sigh as he wraps your hair around one of his hands and pull your head back to bare your neck to him. “And to think I thought you were going to be a good girl, I guess that’s my fault.”
The whine that leaves you would’ve been embarrassing if it weren’t for the fact that he has you in the in the palm of his hand. “It’s not fair,” another whine leaves you, and you attempt rolling your hips against his erection resting against you in between your legs, but before you can find a rhythm, he halts your movements by tugging on your hair again. Curling your fingers around his shirt, you huff a breath of annoyance, whining out his name. “I’ll be good,” you promise, and let out a relieved sigh when he lets go of your hair to give you more freedom to move; you thank him with a few kisses.
“I know you will.” Lewis mumbles, hands finding your underwear again, but he quickly becomes frustrated when he realises the position you’re in will make it hard for him to get you out of them. So, taking an executive decision, he decides to rip them off your body. He gives you a look when you whine at the loss of your favourite pair, and he tries to salve the situation with a promise of buying you another pair. When you feel him between your legs, without any barriers this time, he is not surprised to see your immediate reaction. Though Lewis enjoys when you take control, he is impatient as he raises your hips, despite all your protest, and positions you over his cock.
You only have a few moments to adjust when he eventually lowers you onto his cock, and the initial stretch has you gasping out his name. He gives you a few minutes to adjust before slowly starting to move your hips, each move making you take him deeper until he’s buried to the hilt in you. One of your hands is pressed to the window for support out of reflex, trying to keep still as he uses the grip he has on your hips to move you in the rhythm he wants. It matches the mood pretty well, you think, everything is rushed and the sounds of the traffic and the music playing surrounding you becomes muffled as the pleasure takes over your body. You have to physically stop yourself from screaming every time he slams you down on his cock, faster and harder each time, relentless as he watches your face contort with pleasure.
Trying your best to match his thrusts, you grind your clit on every down stroke, making him somehow go even deeper, and making you moan even louder. There is an arrogant smirk on his face that you would love to wipe off, but with the way he’s making you feel, you decide to get him away with it. Dragging your hands down his shirt, you suddenly feel offended by the fact that he is covering his chest, and decide to get him out of it. This plan would’ve worked better if it weren’t for the fact that you end up ripping the buttons rather than being gentler with it. Not that Lewis complains about it, since this is most definitely not the first time something like this has happened. Your hands work on their own as you glide them through the smooth skin, slightly damp due to the warm temperature of the car, but every contact with his skin seems to make you roll your hips faster and harder.
He has to close one of his hands over your mouth since the moans that leave you get considerably higher in volume with every waking second. His lips curl up in a smile as you silently beg him with your eyes, your movements becoming sloppier with every down stroke. “I’m going to remove my hand and help you come, but you’re going to be a good girl and keep quiet, okay?” His voice carries a warning tone, and you frantically nod, assuring him that you’ll follow his instructions.
Keeping true to his word Lewis takes away his hand, making you take a deep breath as he grabs your hips. His hold on your hips is bruising, and you’re certain you’ll have marks to remember tonight for a while – especially with the way he uses his hold to move you on his cock in a rhythm he wants to. It doesn’t take you a long time to feel the overwhelming pleasure starting to build up in your lower stomach. “Please,” you whine, nails biting into his skin as your other hand is splayed over the window for support, “I’m so close.”
“Come on,” Lewis encourages you, hands working you over his cock even faster to get you where you need to be, “give it to me, I got you.” And with him looking at you like that, using your body however he wants to? It doesn’t take long for you to feel yourself coming around him, head thrown back and lips parted in a silent scream. With a last thrust, you feel him also spill himself into you, the act being greatly intimate despite the current predicament you’re both in at that moment.
A sound of surprise leaves the back of your throat when he begins to move under you, positioning you to stand on all fours as he positions himself behind you. “Wha– What are you doing?” You ask, craning your neck to look at him with hazy eyes.
“Oh, Peaches,” he coos, one of his hands caressing your skin down your thighs and up towards your hip again, “did you think we were done? We still have a long way back to the hotel.”
“But, the club?” You find yourself asking, cheeks burning when he uses his finger to push the wetness dripping out of you back in.
“We were never going to make it to that club anyway,” Lewis drags his lips up your spine until he reaches your ear, pressing a gentle kiss to your neck before whispering, “what do you think? Should we make the most out of the way back?”
Your eyes slide towards the handprints left on the window, the Paris lights shining through the streaks both of your handprints have left behind. Maybe under different circumstances you would’ve insisted you go to the club to meet with your friends. But at that moment? You instinctively push your hips back onto his, and feel his smile on your skin as he runs his hands through your body, ready for another round simply because you two can’t keep away from each other.
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inkedbybarnes · 18 hours
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his baby
bucky barnes x fem!reader
summary: bucky won't call you by your name.
word count: 400+
warnings: 18+ minors dni. established relationship. tooth rotting fluff, or worse... allusions to smut. a whole lot of usage of petnames mainly being baby, bucky being obsessed with the reader (that's a warning, i say), lowercase writing.
i have no idea what this is (okay, maybe i do) but it happened. really cheesy, but i guess i'm into that sometimes. hope you like this one!
dividers by @cafekitsune!
comments, reblogs, and likes are highly appreciated. thank you! ♡
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“where's my baby?”
those three words kept echoing all throughout the compound this morning. most of the team were up and awake to welcome bucky, steve, and sam who just arrived home from their week long mission.
but his baby was missing.
“oh, god. here he goes again.” sam shook his head, fatigue written all over his face, but a bit of amusement from bucky's behaviour still shining through. he couldn't deny how admirable bucky's adoration for you was.
“calm down, punk." steve pat his shoulder reassuringly. “i'm sure she's here somewhere.”
“yeah, but where?” bucky asks again. “i haven't seen her for a week. i miss her.”
“you think he remembers her name?" clint jokingly asked.
“she has multiple names, remember?” tony answered. “baby, sweetheart, love, sweets, and.. what's the other one? i swear, there's another, or maybe two?”
before one of them could find the answer, bucky popped right in front of them to ask another question.
“is my baby okay?” his brows were all scrunched up, genuinely worried about you. “did you tell her i was coming home? i told her before we took off. why isn't she here? she's always—”
“okay, lover boy. your baby is alright, she's still sleeping in your room, i think.” tony answered him, finally calming him down. “and can you call her by her name when it's just us around? we're starting to think that you forgot what her actual name is."
“what? she's my only baby, it's not that hard to figure it out." bucky shrugged, causing at least three of the avengers to run their hands through their face at his answer. “and why is she still asleep? is she sick?"
natasha raised her hand, a guilty smile on her face. “i'm the reason for that. i made her stay up late with me last night to watch five seasons of a show we discovered accidentally,” she explained, a proud smile now replacing her guilty one. “she might be a little cranky from the lack of sleep, so you better have something for her when she wakes up.”
“oh, i do.” bucky grinned like he already knew what to give her and was prepared for it. “all of you might want to leave the tower for the entire day if you don't want to hear me giving it to her.”
what used to be the shouts of bucky looking for you were now replaced with the grunts and complaints of the team because of bucky's answer.
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if you have any requests for bucky, send them my way! 💌
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Note
yippee! apologies if my takes are horrendously bad
my personal take on the matter is that i definitely think the dark worlds can work as a metaphor for escapism without undermining the darkners' personhood. it can be more than one thing, yknow? the darkners are important, their lives matter. and the lightners do go to the dark world as an escape from the problems they face in their own life. but that's not the darkners' whole PURPOSE, yknow? i mean. according to the laws of the universe of deltarune yes darkners' "purpose" is to serve the lightners but like it's not their whole purpose in the STORY.
it's sort of like how, in UNDERTALE, LOVE represents how distant you've become, how easy it is for you to hurt people. but it also literally gives you the power to destroy the world.
i think the biggest reason i believe escapism is at least a part of deltarune's narrative is queen.
queen's whole speech in both of her fights is about how she intends to provide escapism for the lightners (so that they will worship her but also so that they will he happy). she wants to turn the whole world into a dark world, so that everyone can live in bliss and not have to worry about the woes of the light world. she mentions "Staring, Tapping, To Receive Joy. Staring, Tapping, To Avoid Pain." which is like pretty much the definition of escapism
she wants to help Noelle with the problems she faces in the light world ("Noelle. Who Will Be There To Help Her? Her Strange And Sad Searches" and "My One Idea To Help Noelle, Failed") by just... shoving it away for a blissful fantasy world ("Wake? No, She Has Already Awakened Too Much. Let Her Close Her Eyes And Sleep Away, Into A Darker, Darker Dream.")
...i forgot the rest of what i wanted to say!
well first off, thank you for your ask! I'm going to get extremely in depth in my answer, so bear with me here. sorry it took several weeks to write this. the escapism reading of deltarune is pretty deeply entrenched in fandom, and to refute it, I felt it required a full-length essay to completely explain my viewpoint.
yes, "the lightners desire escapism" does not automatically translate to that being the darkners' actual narrative purpose. escapism can be a theme without dehumanizing those who are used in order to escape - in fact, I've read a number of stories that use someone's desire to escape to HIGHLIGHT how they're hurting others in pursuit of that. I believe that toby fox is definitely capable of telling a story about kids having a valid desire to escape, and about them grappling with having inadvertently created a world of real, living people as a result.
(I'll reiterate again that this is not the story arc that most people who espouse that escapism is a theme believe will happen. most people seem to believe that the game will end in an omori-esque "growing out of" the dark worlds. it's why I have a huge dislike of the fanon escapism reading, given that the darkners are shown as people whose lack of agency parallels kris' own. it would feel cheap if the resolution to that plot was that the darkners were actually never meant to be agents in their own fates. but this is a digression.)
the reason why i DON'T believe that this is a story that toby fox is telling is because of the way the world, themes, and characters are written. put simply, it just doesn't come across as congruent with the story being told.
deltarune's main themes are agency, fate, identity, and control. this is a conflict that shows up in nearly every major character, is baked into the worldbuilding, and is the central struggle involving us, the player. the protagonist of deltarune is literally possessed by us against their will. the darkners are objects that have no choice but to serve and be discarded. over and over again, there is emphasis on roles that characters play - and crucially, roles that are imposed on them.
what would escapism mean, in this thematic context? in real life, escapism can represent any number of things, but in a story, a major narrative theme generally has to dovetail with other major narrative themes in the work. I would argue that escapism in deltarune would likely mean going to a place where characters are able to choose for themselves what roles they embody, or even to discard the notion of roles altogether. a fantasy of control is the only way to escape a reality where you have no agency. and honestly, it's hard to imagine that something could count as an escapist fantasy if you don't even get to choose whether or not you participate in it.
let's talk about kris.
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I see a lot of discussions around kris that say that kris goes into the dark worlds to escape. the dark worlds are posited as kris' fantasy of heroism. it's a world where they can seem heroic and cool, a world where they can have friends. what i find interesting about these discussions is that they seem to ignore the extremely basic fact that kris is being controlled in order to go into the dark worlds. and it is not a control that they appear to welcome.
if those worlds represent kris' fantasy, then why don't they get to choose what happens in those fantasies? why are they being controlled by an external force, one that they actively push back against? if it's really an escape, then why does everything about this world reflect their lack of agency? if they really think this world is just a pure fantasy, then why do they care if spamton falls when his strings are cut?
because they're being deliberately obscured to the player, it is hard to say how kris actually feels about many subjects... but I do seriously doubt that they view the dark worlds as an escape. they don't act in a way that is consistent with that. they resist their lack of agency, and what little we do see of their reactions to darkner characters doesn't suggest that they view those characters as part of a disposable fantasy, either. they seem to have complicated feelings on ralsei. and of course, one of their biggest emotional reactions in the game is to the spamton fight. I would argue that that suggests they have empathy for spamton, which is a hard emotional reaction to have if you believe he's just part of a fantasy. not impossible, mind you, but it seems unlikely that kris believes that all this is simply fantasy.
also, considering that snowgrave both actively discredits the idea that the dark worlds are mere fantasy and is actively traumatic for kris... I seriously doubt they'd open another dark world in chapter 3 on a snowgrave run if their motive was purely to escape. on that route, they've seen the damage we can cause in a dark world. they know that berdly has sustained lasting damage due to our actions, assuming he's not outright dead. why would they want to try and "escape" to a place like that again now that they know what can happen?
the only answer is that they have a motive that isn't escapist.
now, as for ralsei... what part does he have to play in all this?
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ralsei does play a lot to the fun, fantastical elements of the dark worlds. he delivers the prophecy that kickstarts the adventure. he flatters both kris and susie endlessly when they act appropriately heroic. he welcomes them into the castle and even makes nice rooms for them. he initially seems tailor-made to enable a fantastical experience where no real issues can ever complicate anything, and where the pain of reality can successfully be hidden from. but there's a lot of complications to the idea that he might represent an escapist fantasy.
the first, and what honestly seems the most important to me, is that he doesn't encourage kris and susie to remain in the dark worlds. he is welcoming and kind, but once the adventure is over, he prompts them to return to the light world. he wants them to deal with their more "real" problems like homework. that doesn't feel like he is trying to facilitate escapism in them. a real fantasy would encourage you to stay in it, wouldn't it?
and while ralsei is definitely invested in making sure the lightners are happy, there are always cracks that show. he isn't able to make kris ignore what happened in the spamton fight. he isn't able to convince susie to be peaceful and kind. and in his very essence, he represents a number of uncomfortable ideas. very importantly, he represents a number of uncomfortable ideas to kris.
this probably ain't your first fandom rodeo, so I'm not going to explain all the different ways that ralsei interacts with kris' personal issues. there's plenty of posts on it out there. what i will point out is, once again, it feels odd that a character who seems tailor made to bring up kris' most uncomfortable associations with their lack of agency and their outsider status in their own family would be part of a fantasy of escapism to them. you'd think that they'd prefer something that didn't have an inbuilt hierarchy, a prophecy that denied them autonomy, or especially a person that reminded them how little they fit into hometown.
that doesn't mean kris doesn't care about him at all - it seems very likely that they do. what I mean to say here is that he just seems ill-suited to an escapism reading, both behaviorally and on a conceptual level. it doesn't seem like that's at all part of his servitude towards the lightners.
of course, there is another non-lightner entity that ralsei seems diegetically engineered to serve. but I'll discuss that later.
now as for susie...
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yes, susie definitely views the dark worlds as more fun than the light world. and why wouldn't she? the light world sucks for her, and she doesn't seem very aware of the fact that the dark world can also suck. you could definitely make the argument that she views the dark worlds as a fantastical escape from reality... were it not for the fact that she treats her darkner friends with just as much importance as she does kris and noelle.
can someone treat components of an escapist fantasy as real and important? of course. but given deltarune's themes of agency and control, as well as the fact that darkners exist in servitude to the lightners, I feel like you'd have to make escapism tie into forcing others into a lack of agency if you wanted the theme to feel coherent with the rest of the work. this would require susie to be limiting the agency of the darkners around her. and obviously, she doesn't do that. her presence around them might be inherently limiting, just by simple virtue of being a lightner, but she isn't aware of it, and clearly is uncomfortable with the idea of limiting anyone's agency. she encourages ralsei to make choices. and she supports lancer in basically anything he wants to do. her treatment of lancer is integral to chapter 1's narrative, and it seems like that treatment of ralsei is integral to the ongoing narrative as well!
her preference for the dark world feels very rooted in her engagement with it as its own reality. rather than trying to avoid her real-life problems by engaging in a pretense, she seems to simply want to spend time with her friends in a place that isn't cruel to her. she isn't ignoring any of the dark world's problems in service of that, either. she notices when things don't line up. if she thought of it as a fantasy, wouldn't she be inclined to ignore issues that impede the fantasy?
and critically - like kris, she does not intentionally choose her imposed role in the prophecy at first. she steps into the role of bad guy to resist it, but that role is limiting too, and she eventually acquiesces to being a hero. it's never something she's completely on board with, though. she actively pushes back the limitations that the role places on her. I find this important to reiterate when we are discussing the notion of the characters viewing the dark worlds as fantasy.
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noelle has a complicated relationship to the dark worlds. susie tells her that it's a dream to make her accept the strange reality she finds herself in, which works well on her. she continues to think of it as a strange dream throughout the chapter. (though, like the others, it is not a 'dream' she entered of her own volition!)
it is also a markedly unpleasant 'dream' at times. she has her agency restricted, is kidnapped, has to evade a controlling monarch, and is even tied up in a weird evangelion cross thing on the hand of a giant robot. it's not purely fun. noelle does like scary things, and while it might be healthy for her to have an experience where she stands up to a controlling adult figure... again, the circumstances make it difficult for me to assume that this is a fantasy she would choose for herself. not impossible, mind you, but it's not the first reading of the situation that comes to mind.
and while she does say she wishes she could dream like this every day in the normal route, that does happen specifically because she was talking to the girl she likes. it makes sense she'd find that pleasant. I don't think that necessarily equates to her finding the dark worlds escapist.
and importantly, this isn't the sentiment that she expresses in every route.
again, there's a lot of analysis on snowgrave, so I won't bother regurgitating it much here. but it's nightmarish for both kris and noelle, and very likely fatal for berdly. noelle needs to believe that the event is a dream, for her own psychological safety, but one of the most important parts of snowgrave...
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...is that its events, and the world it took place in, are very, very real.
noelle wants to have the strength to face her problems, both in the regular route and in the snowgrave route. rather than escaping from them, she views the "dream" as a chance to practice dealing with her day-to-day issues. it's just that in the regular route she finds that strength authentically, and in the snowgrave route, that desire is manipulated and pushed until she is forced to kill berdly. she doesn't interpret snowgrave as an escape gone wrong. she views it as a dream that became a nightmare. and those are two extremely different things.
but i haven't even gotten to the biggest thing that undermines the concept that the dark worlds are a metaphor for escapism! which is: this fucking guy is dead wrong about everything.
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so full disclaimer - I really love berdly. I think he's slept on a lot in the fandom because he's annoying and weird. which is fair, I suppose, but I think ignoring him hinders a lot of people's understanding of deltarune's overall narrative. because berdly often illustrates a lot of concepts in the game, but his narrative framing as a joke (usually...) prevents the player from taking it completely seriously. he has things to say and ideas to show off, it's just that he's often very loud and kind of dumb in his expression of them. which is kind of the point!
ralsei brings up the idea that the darkners are meant to serve the lightners very seriously in chapter one. by extension, and by way of the literal mechanics involved in a dark world's creation, we can infer that this logic is probably something that also applies to the dark worlds themselves. they are allegedly worlds and characters that only are supposed to fulfill a dream of the lightners. but due to narrative framing and deltarune's themes, we know that that's not the full truth. however dark worlds and darkners are created, they deserve to have their own agency. they can't just exist to fulfill a higher being's wishes.
you know who else undermines that view of the dark worlds? berdly! berdly does!!!!
because berdly is the only lightner in the game so far who does take the dark worlds to be an escapist adventure! he wants to turn cyber world into smartopia. he views this as a chance to be a cool hero. he believes he's going to get the girl, he's going to shape this world to his own liking, and maybe also he's going to get queen to acknowledge him or something so he stops being a forgettable little bluebird. and not only does none of this happen, his steadfast belief that it will happen is continually a joke within the narrative!!
berdly's wishes for uncomplicated escapist fantasy are flat-out denied by the dark worlds themselves. as a lightner, those worlds should be serving him. he should have the power to do whatever he wants within the bounds of an escapist fantasy. these npcs should be singing his praises!
but he doesn't have the power. and this world doesn't sing his praise. because it just isn't an escapist fantasy. he isn't right to view it that way. his wishes for heroism are always going to be thwarted.
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so now that I've gotten all that out of the way, let's swing back over to the subject of your original ask. queen.
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because, like berdly, queen's entire character arc is about how she's completely wrong about what the lightners actually want.
queen would in fact like nothing more to place the lightners into an escapist fantasy. she believes that that's the best way to serve them and make them happy forever. as a darkner, queen has very much internalized the idea that a lack of control is what actually makes people happy. since darkners have no choice in their destinies and are supposed to be happy in it, and since she personally finds her role as a darkner fulfilling, she believes that that's true of all people everywhere. if you want to make people happy, you just have to remove that pesky personal agency!
so she spends the story trying to force the lightners and particularly noelle into situations where she controls them in order to make them ostensibly happier. she does genuinely believe that this is the right thing to do, but as she finds out eventually, she's just wrong. noelle doesn't want that. queen believes that escapism is why the lightners use the internet... but that's totally wrong too.
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while there are other searches mixed in, noelle is trying to use the internet to find her sister. instead of trying to hide from whatever happened, noelle wants to figure it out. queen's thesis about noelle and the lightners is proven wrong even before she personally encounters noelle in the dark world. it's just that queen doesn't realize it due to her limited perspective.
the concept of escapism being brought up with both queen and berdly is not there to say that the dark world is escapist. rather, it's there to say that it isn't. despite the dark worlds being a fantastical place, they are extremely real. to view them as a means of escape is foolhardy at best. you cannot act as though you are above consequences within them.
themes and ideas exist within the story for a sake of an audience. so let's get into the final character I need to discuss here. hopefully this will tie my thesis of deltarune together neatly.
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that character is of course us. the player.
when creating a piece of fiction, an astute author will often identify and anticipate an audience's reactions to certain things in their work, and write things in such a way that they elicit the desired reactions. in essence, a writer is directing the "character" of the audience. how we feel and how we are anticipated to react to things is an integral part of nearly every fiction.
that effect is far more overt when dealing with metanarrative fiction that diegetically involves the audience. since the fiction is saying a lot of things about the general 'you,' the audience in aggregate, your reactions to certain things in the story have to be finely cued and anticipated by the author, so that the author can thus commentate on the reactions that you have to the story. the "character" you are assumed to inhabit is posited by the author to have certain traits.
to explain what I mean in plainer terms, I'll use the player of undertale's no mercy route as an example. because undertale is commenting on the way rpgs generally work. the player's behaviors in no mercy are attributed by characters in the story to be the result of us acting like a typical gamer. we kill the characters in the game because we want exp. and more than that, it's because we want to see everything the game has to offer. the role we inhabit in this role-playing game is that of a completionist. you could say that that's assumed to be our "character" in no mercy.
deltarune also posits that certain things are true of its audience. by being written to evoke certain cultural ideas, rpg tropes, and references to undertale, it guarantees that its audience will probably have certain traits, and spends a large amount of its conceptual focus commenting on those traits. one of those traits is nostalgia, which is probably an idea that I'll expound upon in a further essay because it's quite integral to my reading of deltarune. but the main one I mean to discuss here, and why I went off on this tangent about how audiences are dealt with in metafiction, is that we are posited as someone who believes in the logic of certain narratives.
deltarune's writing evokes a lot of portal fantasy narratives. alice in wonderland, narnia, pretty much every story where it's revealed at the end to be all a dream... the story of deltarune superficially resembles a lot of those. this, I think, is responsible for the popularity of the escapism theory. because those stories are often at their end about a child learning to put away fantasy and grow up, people tend to believe that deltarune must be about the same thing. but I truly don't think that deltarune is trying to do anything with that aspect of portal fantasy narratives, at least not directly. its main characters aren't involved in that exact type of coming-of-age arc.
instead, deltarune is very concerned with what happens to characters in fantasy, and specifically fantasy rpgs. if your world is deemed to not matter because it's a dream, what does that mean for you, who has no choice but to live in it? if you are an npc whose role has been predetermined for you via script, then can you ever decide for yourself what you want? what if you want to matter? what if you want to be your own person?
as the major controlling force of deltarune, we are initially cued to believe that deltarune is like a dream. it superficially fulfills so much of what we want from undertale fanon. hometown seems like it's a perfect idyllic town, at least until you start noticing the obvious cracks. and remember what I said about ralsei earlier? he is so reminiscent of asriel, and extremely eager to help us. it's not a stretch to say that making us specifically view deltarune as dreamlike and idyllic is probably part of his purpose in the game.
I would not say that we are posited as escapist. but the idea of escapism as brought up with queen and berdly is meant to strike at the heart of a much deeper idea that deltarune is trying to deconstruct. because if we view deltarune as a dream, escapist or otherwise, then we are inclined to write the internal realities of the characters inside off. the dark world can disappear without it mattering. we can control kris without it mattering. if it's all a dream, what does it matter? why should we care to let its characters go free? aren't we supposed to be in control?
if deltarune is an rpg... what is the significance of us interacting with it?
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Hi! Sorry to bother you and I know you just posted but could we possibly get a side characters version of the forgetful mc? Like for Diavolo, Barbatos, Simeon, and maybe Solomon? Referring to this post https://www.tumblr.com/thegayestmferintown/746129008450748416/can-you-do-an-mc-that-cant-remember-anything-it?source=share
Yup! Sure can! I'm gonna add luke as well (platonic)!
This Takes Place In The Original Timeline
Warnings ;; None, just fluff!
Relationship ;; Romantic (Platonic for Luke)
Type ;; Headcanons
DIAVOLO ;; HEAD OF THE STUDENT COUNCIL
Diavolo is definitely at a loss. He's met many people as the future Devildom King, but he's never met someone as forgetful as you.
Even though he's at a loss, he'll definitely try to help you through your time in the Devildom.
He most definitely feels as though it's his fault. Not for your faulty memory, but for putting you through all of this.
After some time, you start to grow closer and he starts to help you even more, as much as he can.
He'll try to help you with schoolwork, if you can't remember something.
But if you forget an anniversary, he's alright with that, he'll definitely understand.
He won't do anything without your permission though, so don't expect a huge party right off the bat.
BARBATOS ;; THE LOYAL BUTLER
Congratulations! You've got Barbatos himself confused!
Now, on a serious note, it does throw him off.. a lot. He won't show that, of course. But your lack of remembrance is confusing and very odd to him.
Upon first meeting, that's all you'll get, confusion that you had no idea was there.
He'd introduce himself and that was that.
Later on, he'd be very sweet, helping you when necessary and telling you things you cannot remember.
If you forget an anniversary, he wouldn't be mad or upset (not that you could see it anyway) he would simply bake you a cake with the words "Happy Anniversary, My Dear" engraved on top.
SOLOMON ;; THE WITTY SORCERER
Solomon is all over you. He's asking you all sorts of questions. What is up with you? Why do you forget so easily?
He's so old he barely remembers how humans work, okay?
He'll always do things to make your forgetfulness worse.
By putting things on higher shelves when you wrote on a note that what you were looking for was on the third shelf, etc.
Later on, he wouldn't ask many questions but he would still mess with you.
If you happened to forget your anniversary, he wouldn't mind. Although, he would be slightly upset. So, he'd make you a meal to eat. Though, through your forgetfulness, you ate it. Farewell, soldier.
SIMEON ;; THE AFFECTIONATE ANGEL
Simeon is such a sweetheart he doesn't even do anything bad.
He'll talk to you and help you through your forgetfulness by telling you certain dates and whatnot.
He is confused at first, yes, but he'll immediately help you to the best of his ability.
Later on, he'll start to make you lunches or breakfasts if you forget, and he'll always leave a note with things you'll need to remember.
If you forget an anniversary, he won't be mad, but he will take you out to a Cafe. Possibly a quiet one where you can sit in the quiet corner and just talk.
LUKE ;; THE STRICT ANGEL
Poor baby Luke is so confused. Why did you just forget who he was? He walked away for maybe five seconds?
He will help you to the best of his tiny ability though.
Though I wouldn't expect too much, he tries very hard and I think that would be enough.
If you forgot a birthday, for example, he would walk to your room with a cake, no matter who's birthday it was, yours or his. He'll bring a cake to eat with you.
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annymation · 13 hours
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What things annoyed and infuriated you the most in Wish 2023 (or Canon!Wish)?
OOOOH BOY! You just gave me permission to open a whole can of worms! Let's gooo!
Okay so here's a list:
I don't like how weak the reveal of what Magnifico actually does is. Asha finds out that he doesn't grant all the wishes, awesome, that would be a cool reveal, except, it's not a reveal, she freakin KNEW THIS! Asha herself said to a kid "It could be you someday" COULD! Asha, you said COULD, as in, there's the POSSIBILITY he'll grant that kid's wish, not a certainty! Not to mention if he only grants ONE wish per month then OF FREAKING COURSE not all wishes are granted. Okay, case in point, there's no grand reveal that the king is doing something no one knew, Asha apparently just forgot how their kingdom works.
Now hear me out, I am NOT one of those people that says Magnifico is a hero and Asha is a villain, I wanna make this clear, because although I find people who legit think like that kinda funny and I reblog their takes from time to time, I also find it frustrating that Disney managed to make a STRAIGHT, WHITE, MAN, IN A POSITION OF POWER, MORE LIKABLE THAN THEIR SECOND BLACK PROTAGONIST! ARE YOU KIDDING ME??? IT'S SO EASY TO MAKE US HATE HIM!!!-ahem- But, although Magnifico is the most likable character in the movie, I do not see him as a hero, no no no, keeping the wishes away from the people of Rosas is bad, pretending that he'd grant Sabino's wish only to say SIKE was bad, saying he'd never grant Asha family's wishes was bad. So, am I saying Magnifico is a villain?... No. That's topic number 2, Magnifico wasn't a villain, he was a jerk. A jerk does not a villain make. I didn't feel threatened by that man for not a single minute, and that's including when he was possessed by the evil book, speaking of which.
That dang book both ruined and saved the movie honestly, because yeah, although it's a stupid way to make Magnifico an actual villain, but in a way that makes us sympathize with him since he's not in his right mind, and the last thing you want is for the audience to feel bad for your villain... Well, there's exceptions of course, but that's a whole other subject. But even though the book caused all this damage, it also gave us King unhinged, campy, straight up evil, fruity, voiced by Chris Pine having the time of his life Magnifico, and I loved every second of it, I ate possessed Magnifico up, I was living for every cringe cliche evil dialogue that came out of him, like hell yeah, that's what I've been waiting for, that's what it's all about WOOOOOO!!! I loved him so much I just copy pasted his personality into the Magnifico in my rewrite, although, my version is actually willing to kill teens, while Canon Mag seemed more hesitant for some reason, my headcanon is that Magnifico was fighting the curse deep down, and that's why his magic actually didn't hurt anyone, so... That's sad, hope he breaks out of the mirror and kills them all Idk
We're on topic 4 and this is not even half of my problems oh my... Anyway, Asha is boring. And I mean like, in a way that feels intentional, how did they do it? It's fascinating how she has nothing going for her, she doesn't stand out, doesn't have any internal conflicts at the start of the movie, something ALL Disney princesses have: Belle doesn't fit in with her village, Mulan struggles to make her family proud, Mirabel struggles to make her family proud x10.000, Moana wants to explore the sea but can't, Ariel wants to explore the land but can't, Jasmine wants to get out of the castle but can't, Cinderella is a victim of domestic abuse, ya'll get the idea, all these girls get their struggles that make them compelling, what's Asha's struggle that has been with her for most of her life?... Uh... Her grandpa, this dude we just met and seems pretty happy... Doesn't have his wish granted yet... Ok, what else? Oh yeah everyone in town seems to love her and dance along with her to show tourists how cool the kingdom is... Uhum... So yeah she has no compelling struggles that hook us with her from the start, and the conflict she DOES get, as I explained before, feels underwhelming.
The setting, oh the setting. Like, don't get me wrong, the architecture is pretty, but nothing about it screams SPAIN to me, where is the cultural food? Where are the bulls? Where's the stuff we associate with the Iberian Peninsula? They did such a good job in Encanto, what the heck happened? Oh and did I mention that most of the animals that appear in the forest are not even native to the Iberian Peninsula, there would be no racoons in a medieval setting there, considering they're an invasive species that was brought there from North America, something that, I assume, wouldn't be possible back then, as I don't think the americas were even discovered yet, but anyway, there they are, racoons hanging upside down from their tails, something they can't even do. Sorry for expecting biology accuracy from my disney movie guys, but you can't just make Encanto, that was freaking amazing with it's inclusion of so many gorgeous latin American animals, and then do whatever Wish is, like bruh where were the Lynxes??? They're an endangered species there, Disney could've raised awareness!!!
The music...
Valentino was absurdly annoying, and it would be SO EASY to make a baby goat cute! Baby. Goats. Are. Cute. SO WHY DID YOU MAKE HIM UNFUNNY GOAT THAT MAKES BUTT JOKES???
Characters were unmemorable, Asha's mom didn't do anything, Sabino, whose supposed to be the backbone of the story, is barely a character, and again, it's not like Disney hasn't made likable elderly people before, Moana's grandma, Mama Coco, but my guy Sabino was just... There.
Aaaand I probably could go on and on but I can't think of anything else, feel free to share your own problems with the movie yall.
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dead-dove-yandere · 14 hours
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I have another idea, but it would be a spoiled and clingy Princess with her dear childhood friend. I now have no way of elaborating on this idea, other than a Princess - 💙☺
Ooo, this is interesting because I have mentioned a few times about a Knight OC I never posted - maybe if I ever end up posting him, there could be some kind of crossover with him and the Princess? Idk lol Dead Dove Extended Universe confirmed
Anyway, I hope this is okay!! I really like historical stuff, especially Mediaeval and Victorian era my university dissertation was about Mediaeval monks and how their handwriting influenced modern letterforms and typography so this was very fun to write!!
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OC Intro - Her Royal Highness, The Princess Theophania
Royal Yandere
Female ♡ 24 ♡ Human ♡ Princess
TW: Stalking, obsession, abuse of power, implied murder, reader is gender neutral as far as I could manage but it was kind of difficult since nobility titles and servant titles were very much gendered in the middle ages
♡ - You were fortunate - your mother working as a chambermaid in the castle and you being born around the same time as the princess meant that unlike most people who weren’t nobility, you got to spend time with Theophania.
♡ - You were childhood friends. Whenever she had a spare moment not taken up by her education, she’d run down to find you, and you’d both play whatever games you could think of until some tutor or the Queen dragged her off again.
♡ - She’d always smile at you, and even as children, as you looked at each other, you couldn’t help but wonder - what was the difference between royalty and the common folk? Why were they kept so separate?
♡ - As time went on and you both grew older, however, you two were kept separate more and more, the King finding it unbecoming that the princess spent her time with a commoner. Eventually, it got to the point where you never saw her anymore as she was kept locked away, learning the responsibilities that came with royalty.
♡ - It wasn’t until you were grown, and took up working as a servant yourself, that you saw her again - a banquet, held in honour of her reaching the age were she was ready to be married. You were stunned by her beauty as she stepped into the grand hall, luminous before all the guests. You doubted that she even remembered you existed.
♡ - But Theophania never forgot - as her eyes scanned the hundreds of people looking at her, she recognised you almost immediately even though you’d changed so much since you were children. She never forgave anyone that she’d been torn from you, and now she had influence of her own as a fully fledged royal, she was determined to use it to get to you.
♡ - The King brought in many suitors for Theophania to court, each bringing lavish gifts of fine silks, gold, furs, jewels, rare spices and fruits from the East, myrrh from the Holy Land, or rare texts, all in hopes of winning Theophania over. Knights, nobles, princes and kings from other kingdoms all came to try their luck at being betrothed to Theophania, but all were rejected.
♡ - Theophania was determined her marriage shouldn’t be one of political convenience. She wanted a love match, and she wanted you, but she knew the King would never allow her to marry a commoner. So she had to get creative.
♡ - There was a great deal of controversy and outrage when, out of nowhere, she asked for you to serve as her chamberlain, getting rid of her old one. You could hardly believe it yourself - did she really remember you?
♡ - You struggled to get used to your new duties, helping her get dressed, stoking fires to keep her warm, bringing her things to eat, cleaning her chambers, yet she was very forgiving of you when you did make a mistake. She never mentioned the time you spent together as children, though, making you wonder if she really did recall.
♡ - More suitors tried for her hand in marriage, and the King was becoming impatient, ready to begin forcing her to marry one. But that’s when they began to mysteriously die.
♡ - Everytime a new suitor came, he was discovered the next morning, dead. No one could work out how they died, and rumours began to spread that the Princess was cursed.
♡ - The many gifts from her dead suitors stayed stashed in her room, and after spying you admiring them, she gave you a wicked smile, and offered them to you. You declined at first - it was illegal for a commoner to own such finery, and besides, you couldn’t have read any of the book anyway with no education of your own. But Theophania insisted.
♡ - She fed you sweetmeats and quinces and fruit dusted in beautiful spices the likes of which you’d never tasted. She draped you in furs when you were cold and silks when you were warm and demanded that anyone who objected leave you alone before they were executed. She patiently sat next to you, teaching you how to read and scribe with a quill, so that you could be educated.
♡ - Little by little, you began to look less like a servant and more like a noble - completely changing over the course of months.
♡ - Suddenly, the King mysteriously began to get ill, a terrible sickness worsening with each passing day. It looked as though he may die soon - but Theophania was oddly calm.
♡ - With no brothers to speak of, nor a husband, she’d be next to inherit the throne, and as the King became too weak to rule, she had to take on the mantle of Regent Queen, making her the most powerful in the Kingdom.
♡ - With no one left to challenge her, she turns to you, a saccharine smile on her face. “My beloved servant - Now I am Queen, how would you like to be gifted a Dukedom?”
♡ - After all, she couldn’t marry a commoner - but nobility was more than acceptable.
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Dividers Credit: See Pinned Post
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youcancallmemikuu · 2 days
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tw/cw;; got bored again and decided why not do some FNF content??maybe sum headcannons??? So erm, mentions of violence , gore , angst , fluff , sick beats , and a lotta beep bop Bo’s.
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bf [keith] with a tall partner actually makes me shed tears of utter happiness. Like yes give me a short king who is confident as hell. Also have a little headcannon that his hair is not naturally blue and is like blonde or summat , just damaged as fuck from all the hair dye. Also have a headcannon that he has nightmares about the lemon demon hurting and/or killing those close to him and the whole corruption thing happening again. Thunderstorms/ lighting immediately put him on edge because of the first encounter they had after skid & pump’s rap battle. Also the headcannon that he and pico had a precious relationship has me fucking kicking my feet ‘n giggling. Yes i love the enemies to lovers trope who the hell doesnt??? Just dont do the “oh bf is so preppy and bby” no his ass literally — in case you forgot — rap battled against fucking DEMONS so i dont wanna hear shi bout no sensitive and soft bf because his ass is a full on warrior and savage. I dont know bout y’all but i ain’t stepping near one with no damn mic in hand — gun maybe — but no fucking mic.
pico most definitely has a collection of guns in his house like it has to be somewhere in his home; his room , basement , kitchen , i dunno a fucking secret compartment — he’d be the type top have one of those — he most likely gets all his weapons from tankman , who’s like his father figure. He CRAVES attention and affection like c’mon give him some love he needs it. I have this little thought rummaging around in my head that whenever he’s near a school a sick and twisted grin will form and he definitely thinks of shooting the school up. Also, he most definitely is a playboy; has had off ‘n on relationships with his classmates you cannot tell me otherwise. Yes , he did partake in a school shooting , but he still has nightmares about being in one. Hey, it was the first one that made him this way. He just has something against redheads now, he hates ‘em. Have an idea that pico has shot himself once — not on purpose , hes not suicidal — but has shot himself accidentally while trying to reload a gun. His pain sensors are probably fucked up because of how much chaos and violence he’s involved in. Also you cannot tell me that bf doesnt like bothering and teasing pico about how he has shot himself like its just a go to just to piss him off. All out of love, though. All out of love.
gf [wiki i read calls her Amelia so ya-] most definitely has insecurities about her height. Have a headcannon that shes about 5’9–5’10 and it makes her feel like no one would want her for that but our homeboy Keith is into them tall ‘n thicc girls. Also another headcannon that amelia is plus sized its just making me giggle ‘n smile like yes we love thicc thighs and how they save lives — we have a motto here; to die by thigh is the way of a warrior. You know what they say; if you you can make her smile and giggle , you can make that ass clap and jiggle- im sorry I’ll stop. I think that she has like an obsession with speakers like she has a speaker in every room she can. You know youre real close with her when all the speakers she has in her house auto connects to your phone >>>> she most likely has thousands of pairs of headphones just for her, rare if she shares a pair. Shes just like me Fr she cant go a second without music, like who cant?? Dawg and whoever listens to fucking white noise i will find you-
skid ‘n’ pump are the sweetest little balls of chaos to ever roam this fucking planet. You cannot tell me that they’ve never committed felonies and atrocities that would make the devil sick. And they’re most definitely the type to listen to ICP (insane clown posse) and they wear Juggalo makeup you cannot tell me otherwise you CANNOT- they also like hello kitty because yeah ofc who doesnt. Whenever someone they care about is sad they’ll do le spooky dance. I feel like they’d be the super weird kids in school who wear onesies to school and have fucked up grades. Skid most likely is the more athletic one and pump would be the one who’s just all brawn and no brains. I dont know why, but imaging them as feral ADULTS ! ! ! Dawg like pump being a gigantic monstrosity who terrifies anyone he can and skid being the one who sits on his shoulder or climbs him like hes A fucking play set. I dont know why but the image of it makes me CRUMBLE.
tankman can respectfully get it. He can get it any day. Like yes , we love the sassy man apocalypse, give us that fine man. I don’t know bout y’all , but that man is MNNGMMNGMNN- idea that he — if he and reader are a thing — would allow only them to wear his helmet if they ask. And im imaging like a fucking DILF under that fuckin’ helmet. Im talkin stubble , cigar in mouth , tired eyes , the whole pack. Fuck the dad bod for now, he would be fucking ripped and i mean riiiippedd like jacked. Might be my obsession with dilfs bc of my daddy issues but him calling the reader fucking any petname HRRRNGGG- im foul for this man and i can go into heavy detail i can get real shameless. Hes the cocky and smug bastard we all need in our lives. He’d be the type to let you sit on his lap and decorate his mask/face or tactical gear in stickers. Just give him one lil kiss and hes all lovely dovey with you. And its so sos sos nos sos sos soo so canon he has a southern accent.
senpai is one envious and jealous motherfucker. Headcannons that he has ripped out a guy’s guts just because they talked to his crush. (ehem reader ehem). He most definitely has every perfume/cologne that the reader likes because he wants them to like him. He is most def a yandere and there’s no deterring me from said claim. If his crush likes something about him , it’s never changing ever again. He’d be the type to hide himself if something about him isnt perfect; say hes having a bad hair day and he’ll wear a beanie, if he didnt have anytime to do his skincare routine he simply will wear a medical mask. He feels like he wont attract your attention if hes not perfect, but hes always perfect because hes amazing like duhh. But he does have thousands of insecurities there’s no hiding it. In all reality hes just a little baby who needs reassurance.
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I can continue this type of stuff , just lemme know if you want more of my little drabbles n blurbs.
Should i do poppy playtime things too??
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amphibianaday · 6 months
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Hello I would like to request your favourite little freak(amphibian) for day 1432
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day 1432
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poorly-drawn-mdzs · 1 year
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Down To Fish with the boys!
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mae-i-scribble · 1 year
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tonight i was thinking about orv’s theme about how yjh as a character, and to a larger extent people, will in some ways always be unknowable. (orv spoilers following, read at your own risk)
i feel like i’ve seen a few posts on here that somewhat take this theme to an extreme, leaning *hard* into that “kdj doesn’t actually know yjh like at all” which while on the right track, i feel completely misses the point. Orv goes out of its way to showcase that kdj actually understands yjh to a scary degree, even once they’re out of the early scenarios and the gap between kdj’s knowledge and yjh’s personhood grows larger, there are still things about yjh that *only* kdj can fundamentally understand. And I don’t think that the novel does anything to discredit that understanding, only says that there is much more to yjh. In the same manner, even if you’ve known someone for years, spent all your time with them, there can and will always be new things for you to learn about them. The danger that orv speaks of is trusting in that assumption, that your understanding will be enough and you don’t have to keep an eye out for more developments. That the person you know will forever stay the same. And this isn’t a kdj problem either, fundamentally a lot of the big disagreements that happen between kdj and yjh in the latter half of the novel are born from both of them misconstruing what the other is thinking, trusting that their understanding of the other is deep enough to base their judgements off of. (Post first murim destruction, divorce arc, yjh thinking kdj scattered his soul on purpose, etc.)
As always with orv’s themes, we can view it in a meta sense as well. Kdj’s understanding of yjh as a character is so complete that it’s nearly flawless- until the story begins to deviate and a yjh grows outside the parameters that kdj’s judgements are based on. Even before then, there was always more to yjh- but as readers, we can only understand a character as much as we see them. What you come away with from a story is your complete understanding, there is no growth outside of those boundaries because then it wouldn’t be an understanding of *that* character, you would be putting your own ideas and such into it. But talk to another person, and suddenly the same character you understand so clearly becomes someone else. Talk to the author, and they say something completely different. And can one truly claim to understand a character when the story will never talk about them in every conceivable way? What does it take to truly understand such a thing? Learning that 1863rd round hsy wrote ways of survival with such limited resources and knowledge on who yjh even is, and yet despite it all, still manages to write a story that captures so much of his essence. As orv readers, we know it isn’t everything- it could never encapsulate all of yjh, but the idea that even when one knows nearly nothing, you can still put on a facade of understanding.
We can get into a chicken or the egg argument with this, as 1863!hsy dictates how yjh acts with her writing, and that yjh in the 1863rd round is the one she comes to know before ever starting this story, but when it comes to this theme of the unknowable in the people around us, I don’t think this sort of debate is worth much. We know that yjh exists outside the story written, and how much of him is determined by hsy’s writing is negligible because no matter what, he always grows beyond it. Whether as 1864 or secretive plotter, it all comes back to that same point of there is always more to see within a person.
I don’t know quite where I want to go with this, only that I wanted an outlet for some of these thoughts inside my head, but one of the best things about this theme for me is how it answers itself. When the people around you become unrecognizable, what should you do? And orv says to reach out. To try. To understand. Kdj loses access to omniscient reader several times but always, always gains it back in orv (as far as i remember), because at the end of the day, he is not someone who stays trapped in his idea of who he knows yjh to be. Yjh too, even at the end of orv, is trying to learn more and more about kdj. Only when you are willing to hear out the other person, to learn about them every day, does this unknowable aspect become something less daunting.
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countessqin · 2 months
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So, I was thinking, 'beauty' is such a vast notion, like we all have different understanding of 'beauty' and what each of us will consider as 'beautiful'.
And, if I remember correctly Argenti and other Knights of Beauty didn't 'meet' Idrila in person? But all of them believe that they are alive and some are even looking for them. So what if when Argenti first 'met' or 'saw' Idrila he felt something like peace and warmth (like you know, when you just feel happy, peacefull and are enjoying life? or something like that, or like peacefull ocean?) and during one of his adventures he meets [Name] and when they hang out and idk help people together, Argenti feels the same peace and joy? that he felt when he 'met' Idrila? Like [Name] is Idrila, but at the same time not? Like [Name] is his Idrila? (not necessary in romantic way) Again because we all have different definitions and understandings of 'beauty', we see 'beauty' in different things and Idrila is Aeon of beauty so...
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Encantober day 2: Strength
Redraw of this storyboard by Ryan Green. Supportive Luisa and Bruno doing his best.
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mars-is-me7 · 8 months
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man, i have so many thoughts about qfoolish. he's just a silly little goofy guy but then when you peel away the first layer that you see of him and realize that he's rather a complex character. I feel like he's such a different type of character than what is usually shown. (and honestly, it's something that brings me a lot of comfort as i relate quite heavily to his very laid back nature that people will sometimes take as being unserious or even uncaring) Warning, this gets long (like 2.2k long to be exact) lol and i ramble a lot- also, disclaimer for my own sanity: this is an analysis of the characters! i adore any of the creatures mentioned here so please don't take any of this as a negative view on them! :D
Foolish's motivations are just very different than what typically motivates a character forward and in some sense it's really easy to skew what you think about him. As in, it's really easy to misinterpret his character i think. He express himself in a different way than i think most people are used to. He laughs in serious situations and is constantly just joking around. I think this causes people to think he cant/wont ever be serious, but the thing is that he's perfectly capable of being serious when he needs to be. For example, if he thinks that he and Leo are going into a serious situation, then he tells her to put her armor on. Really, just anything involving Leo he makes sure to be serious if the situation calls for it. Or like, fighting in dungeons only if he deems it dangerous enough to take seriously. but like, if he doesn't think a situation calls for it, then he just continues to be his goofy self. And sometimes when the situation calls for it, he is just in between those two points in a way that others aren't. He's just not afraid to joke around even when the situation seems dire (cellbit's kidnapping and rescue comes to mind. like, he played such a large role with his symmetry wand, but despite all the serious moments going on,, he was still just a goofy guy).
And one thing about him being so silly all the time is that even the other members on the island sometimes get a misconstrued picture of what they think foolish's goal and wants are. I think in some sense it's true to say that what motivates his wants is what the value of something he perceives is. For example, the sunbird he only wanted because of how cool it sounded and how rare it was. The cloud he wants because its something unique and useful. He wants Cucurucho's friendship because that's something no one else has and Cucurucho has access to items and is powerful.
But these wants aren't the most necessarily the most important things to him. Their something he has interest in, yes, but they're not more important than say his friends and family. Which, i feel like some people might not recognize about him. After all, he is constantly talking about wanting a cloud or how he'd have no issue in killing Bad (and holy shit is landduo and their relation something i could go on about for a whole more hour cuz there's so much there)
Because one vital thing that's so *so* important to recognize is that Foolish is very possibly one of the most loyal people on the island. And despite all of his flaws, he would never really want to truly hurt those he cares about. He is loyal to the people he cares about to an absurd amount. I think it's very clear to see his devotion for Vegetta and his adoration for Leo, but his loyalty also applies to his friends on the island. He would never *intentionally* want to harm anyone he cares about. I don't think some people understand that Mr. Mustard fell under that category as someone he cared about. The entire reason Cucurucho was able to lure him into accepting the mission It gave him is because it brought Mr. Mustard's name into the mix. It told Foolish that Pac and Mike were the ones responsible, and with nothing better to do, Foolish set out to complete this task.
To talk more about the recent events with him arresting Tazercraft: he would never truly want to harm or hurt them. However, when you're looking at the grand scheme of how things went down, he was manipulated and really had no other choice. Sure, he seemed to enjoy arresting them at first, but the thing is I don't think he really processed or even thought about how this action would be received by others. To him, arresting Pac and Mike sounded like enough fun, and it was coming from Cucurucho (who he's wanting to be friends with for actual months now, and Cucurucho literally called him friend in the book it handed to him) and being arrested sounded like something he'd enjoy. Again, like something *he'd* enjoy and that he therefore thought Pac and Mike would enjoy.
You have to realize, Foolish doesn't have the same perspective on these serious situations as some others do. And the thing is that he judges how others react based on how he would react to them. So, in that sense, he views being kidnapped/arrested as a good and fun thing! he even said today on stream, "apparently when you arrest someone, others won't find it funny". it might have just been one line, but in my eyes this gives a really clear insight into his character. To him, arresting Pac and Mike was only a positive thing because it would help him find his friend and it could be a fun event for them. His friend that he was told, by cucurucho, that had disappeared because of Pac and Mike. Foolish doesn't hold any ill intent, but that doesn't necessarily come across in others view of him. Although it might not be clear, he cares about Pac and Mike. Today he even expressed worries about them and said that he still considers them his friends (even though he's aware that they might not share those feelings about him anymore). He doesn't know about their past traumas, to him this was just a fun little event that would be fun for both them and him. When first accepting Cucurucho's mission to him, I'd say he doesn't realize the consequences his actions would have. That by arresting Pac and Mike, it'd leave the other members of the server doubting him and mistrusting him. That others would be angry at him for something that he hadn't realized the gravity of.
(just random thing i want to say here: honestly, if Foolish had any malicious intent towards Tazercraft, he could have easily made their arrest go unnoticed for at least a few days. just think about it: if he had said that the surprise he had was just for the two of them. if Jaiden hadn't accompanied them as a witness. people wouldn't of known then what happened to them, but the thing is that he wasn't thinking in this way because he would never seriously want to harm them. he even wanted Jaiden there as a witness)
I think he realized the backlash of his actions in the Favela when everyone seemed to swarm him and then when he got interrogated. In which, he never really lied. All things considered, Foolish is a rather honest guy. I'd even say that he almost never lies. Like, if he's trying to hide the truth about something, he often times will find a way to skirt around the question without lying. Like, just looking at the mess that was the interrogation yesterday (/lh) you can see that he doesn't ever actually lie. He just blabbers a bunch of nonsense and skirts around the issue without ever revealing anything. The issue arises when you look at the lie he did tell.
for those that don't know, Foolish gave Jaiden a rundown of what happened before arresting Tazercraft. and in this he tells her that Cucurucho gave him the option to either 'arrest Pac and Mike' or to 'kill Richarlyson'. Not even going to lie, when he said this is took me (and i think all of stream) off guard. because Foolish practically never lies in that way and so blatantly. because this was just 100% untrue. However, it makes sense why he did it. At that point, he realized that people were going to keep badgering him on why he arrested Pac and Mike, but at the same time he knew they wouldn't take him telling the truth seriously. He may care about Mr. Mustard but the truth is that the other members don't hold those same thoughts towards most the Capybaras in general. Like, just look at Fit's interaction with him today. Foolish literally reiterated the truth of why he did it over and over again, but Fit didn't believe him even slightly. Foolish didn't lie once about his motivations and yet he was just not believed.
I think he realized at some point soon after arresting Pac and Mike that people weren't going to trust the truth. Not from his mouth at least. So he lied to Jaiden because it's a lie that people will easily understand. it's a choice they'd stop questioning him about. Again, he doesn't do this out of malicious intent but because it's something easier for people to understand and relate to. It's something they're not going to hound him about, not like they will when he tells them the truth. This lie is more easily digestible for the island members and it also brings Foolish less stress if they take this and believe it. Everyone is willing to make sacrifices in order to protect the eggs. And he had to of realized that Jaiden was going to tell other people. The islanders almost always spread these types of details to each other, that's just how it goes. Telling this lie to her in secret makes it all that more believable when she goes and tells some of the others about it later cuz it's something Foolish told her in confidentiality. To the other members, it paints foolish only in a good light. Of course he wouldn't have actually wanted to arrest Pac and Mike, he did it to protect Richas! and that's all it takes to stop them from getting angry at him. All things considered, it's a smart move to pull. Although, I do have to wonder how this will come to bite foolish in the butt. Because i can only imagine that it will be revealed eventually, some way or another.
From what i understood, Cellbit immediately dropped his anger on Foolish once he was told it was to protect Richarlyson. When Jaiden tells him this information he doesn't even thing to consider that Foolish could have lied. After all, why reason would anyone have to lie about that? In my mind, i can only imagine that the lie will protect him for now and in the short term, but once revealed that it's a lie, i think there will be some repercussions against Foolish for sure. Like, even Jaiden doesn't know that he's lied. Jaiden, whom he's been telling everything about. Jaiden who is only one (aside from Leo) who now knows of Foolish's secret detective role. Jaiden, whose the one he's told almost the entire truth to.
An interesting thing to note though, is that I think Foolish's decision to lie to Jaiden was still rather spontaneous. like, it's not something he thought too much about. it's a fib that makes his life a little bit easier (a little bit less lonely) and right now it doesn't seem to hold any repercussions. the interesting thing, though, is that he hasn't repeated the lie at any point in time. and like, he also hasn't done any lying to reinforce the lie he's told. it'd be so easy to paint a story that he's being blackmailed, but he just *doesn't* even though it's a lie he's made himself.
Foolish, all in all, is someone that just acts or speaks before really thinking too much about what he's doing. About the possible side affects of his actions. He just *does* them.
I think it also plays in very well with the idea that he's lived for thousands of years. the things that affect the typical mortal just don't phase him in the same way, not when he's viewing everything as an adventure or an element that is fun. i think that also taking into consideration that he's lived for such a long time, it's rather surprising how easy he is to manipulate. Because that is what Cucucrucho is doing, when looking at the whole picture. cucurucho holds a lot of power and we all know that it easily could have arrested Pac and Mike without the intervention of Foolish. So why make him do it anyways?
Well we don't know that for sure, but we can make some guesses. To sow distrust between the members. To see how far Foolish was actually able and willing to go for the Federation. To place blame on someone aside from itself. All possibilities.
Regardless, Foolish has played right into their hands. He's a silly guy that's gotten himself into a serious situation. One in which he might end up having to navigate alone because even though he has Jaiden he's still lied to her, and even though he has Leo, he would never want to put his daughter into harms way. He said something at the end of the stream about how this might just end up being a lonely road he's taking and i couldn't agree more.
Anyways, that's all i got for tonight as it's late and idk what im getting at here, i just think Foolish is really neat and wanted to attempt to put that into words. :D
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quinn-pop · 8 months
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sorry for the metadede flood lately um. anyway i think dedede officiates waddle weddings. if they even have them lol. it’d be funny and cute
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Takeomi, Self-Esteem and Denial (and more)
@raizelswitch, thank you for waiting!
TL;DR : I want a BD spin-off and I want it from Takeomi’s POV even though he’d be such an unreliable narrator (and like that we could also have a Akashi siblings spin-off, two birds, one stone). Takeomi has a lot of issues and making him raise children and naming him vice captain was a bad idea since it only made things worse. He had developed both an inferiority and superiority complex to cope. And we were robbed of any interaction between him and Inui, the other famous ‘can’t let go of Black Dragon even after x years’ character.
Who wants to read about 17,000 words about Takeomi (I didn’t expect to write this much, what the heck)? Clearly not Tumblr because I spent way too much time having to reorder this post, it mixed it all up everytime ! It also refused to post it for hours
The translations of Wakasa’s and Benkei’s ‘a day in his life’ as well as Takeomi’s failure story come from the Twitter user RanHaruchiyo
I feel like I made a few mistakes so there : English is not my native language, I apologize if some sentences don’t make sense. Sorry for any type of typos as well.
I referred to the past (beside the final timeline) as ‘canon-timeline’ several times because I had no clue how to name it. It’s not the futures, it’s not the original or final timeline, it’s… it’s the past until the final timeline comes in.
When you reach the top – the only way is down. (and up and down…)
Let’s get started with something very quick – Takeomi was created to be the exact opposite of Shinichiro. And when you’re the exact opposite of a character who’s perfectly good, loved by everyone (other characters and fans alike), then the writer uses you to be bad. Not necessarily evil - Takeomi isn’t evil - but ‘not good’.
And Wakui doesn’t shy away from that. I’m keeping the analysis of the kanji of the Akashi and Sano siblings’ names for the end, so I’ll just talk about the ‘shi’ of ‘Akashi’ here, to show what I mean.
司 (Akashi) means ‘administrator, official, a governor whom the emperor chose to carry on the imperial policies in provinces’. It fits Takeomi’s role pretty much, right ? He had a high rank in Black Dragon, but Shinichiro was above and that’s when it starts to be very interesting. 司 upside down gives 后. And it means ‘monarch, king, emperor, queen, empress’ – nice coincidence, isn’t it ?. It’s literally the same kanji upside down. Takeomi is Shinichiro upside down. Is that why he’s the rain bringer while Shinichiro, always being seen in a positive light, would be linked to the sun ? I already thought of Takeomi as a ‘teru teru bozu’ since they’re supposed to bring rain when hung upside down and it’s not stupid to think of Shinichiro, oh so perfect Shinichiro, as a ‘sun bringer’ – after all, like Mikey, he took over Japan, did he not ?
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Plus, the sun is their most famous goddess (Amaterasu)’s symbol, Japan’s symbol, and by such the emperor’s symbol.
And when you’re that. When you’re the mirror of such a perfect character, how can you not be made but only of flaws ? You’re made to be bad in everything he is good – and the opposite isn’t guaranteed to be true. What if making you good in things he’s bad in makes you good ? No, no, you’re supposed to be bad. Because he’s good, and you’re his polar opposite. He’s bad in excusable things. You’re bad in barely forgivable things. It’s not important for him to be a horrible fighter, even in a story centered around gang fights. It’s unforgivable for you to not know how to raise your siblings, in a story built on siblings' relationships.
And Shinichiro is great at raising Mikey and Emma, while Takeomi isn’t that much of a fighter. We see him fight a bit when he goes with Brahman to confront South about Draken’s death, but it’s not big important fights, Benkei and Wakasa, and later Senju, are the ones fighting. And Benkei and Wakasa were Black Dragon 1st generation’s main fighting power, as the guard and special attack unit captains.
(Heck, Shinichiro is listed n°1 best in bikes riders, Takeomi is n°3 worst - yet another thing he's either bad or average at. (Wakasa is n°3 best, we dont know where Benkei lies. Mikey is 2nd best, Takemichi and Senju are respectively 1st and 2nd worse))
Shinichiro is good, even when he kills. Takeomi is only ever bad or less-bad. Perhaps Wakui initially planned scenes where he was ‘good’, but they never came to be, so instead we’re stuck with a character who has a potential for a redemption arc and who never got it.
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(Look at this ! He became self aware! And finally stopped living in denial !)
(We never see him again after this btw. He never gets to talk to Sanzu.)
If there’s one thing Takeomi is good at, it’s strategy.
He is feared, he is called « God of War », he is named vice-captain…
By other people. By other delinquents. By Shinichiro.
He doesn’t think he’s the reason all of that happens. He isn’t those things, he receives them (use of passive voice). By such, if people don’t give him, then he’s left with nothing. No matter if he is good at something, if people aren’t there to tell him, then he doesn’t think he is. Takeomi thinks of his worth, his validity as a person by how others perceive him - they praise him ? He must be great ! They ignore him ? How pathetic has he become.
When do people say that ? When he’s Black Dragon Vice-Captain. When is he Black Dragon vice-captain ? When Shinichiro is on top. That’s why he panics in chapter 230 when Shinichiro tells him about disbanding the gang. If the gang gets disbanded, what does he have left ? If Shinichiro tells him to stop following him around (chapter 230: “I was always by Shin’s side”) what is he supposed to do ? He is but “an ordinary kid. Whether it be in sports, or studies, [...] just average. [...] a normal child, not special at all” (same chapter) whose childhood friend “had a mysterious charm that attracted people around him. Even with that charm, Shin never resorted to violence.[...]he was just very earnest and kind” (same chapter). Without Black Dragon he’s nothing. Without Shinichiro he’s nothing. Because he never learnt to let go of Shinichiro‘s hand, nor did he wish to. But Shinichiro just.. let go one day. We know how Shinichiro is. If he was aware of how much he is needed by Takeomi, he would have done things differently. And while he shouldn’t be responsible for Takeomi’s well-being, he is the reason whether Takeomi’s self-esteem is stable (or a bit too much over the top) or not. Takeomi made him responsible for it, and Shinichiro surely would’ve helped if he figured it out, (because Takeomi is a stranger to himself and wouldn’t have ever asked for help (he doesn’t know he needs help after all)), but Shinichiro didn’t. The same way Mikey didn’t notice why Baji acted the way he did during Valhalla arc until it was too late. It’s not because they’re childhood friends that they read each other like an open book.
Shinichiro, while he never intended to and we can’t blame him for this either, is the reason Takeomi turned out like he did. Takeomi followed him everywhere, he wouldn’t have entered delinquency if Shinichiro didn’t. Takeomi tried so hard to climb to Shinichiro’s level and kept comparing himself to him and it got worse when he was appointed the role of vice-president. His ego skyrocketed. And even if Shinichiro had noticed it, would he have figured out how to change that ? For sure, if he knew how to help he’d have helped – then again, would Takeomi accept this help ? He’s a professional when it comes to denial, he pushes everyone away. And denial is what he does best. From denying he would be nothing without the other Black Dragon founding members and hiding behind his God of War persona, to denying his involvement in Senju and Sanzu’s life. Even if Shinichiro, Wakasa and Benkei did try to help, you can’t help someone who doesn’t want to be helped, who refuses to believe there’s something wrong, and by doing so who refuses to talk about it. It’s all made to protect himself from the truth. Because the truth will hurt him, facing it will make him realize he’s not special and that will shatter his self-esteem. It will make him feel painful emotions he can’t deal with. So he runs away from it, and thus, dives deeper into misery. If you refuse to see the problem, then it will grow, and Takeomi’s problems, his mistakes, grow a lot. The world changes but he doesn’t, he keeps the same behaviors, and soon they turn against him. His fame turns into debts. Debts he can’t pay anymore, but he refuses to admit it. Because he would have been able to pay, if Black Dragon had remained. Takeomi likes to live in luxury (his dream is to be a multimillionaire), so he’d keep on denying the fact he can’t afford it anymore just to carry on living this way.
Maybe the reason him and Wakasa & Benkei aren’t close isn’t that they see him as ‘Shinichiro’s childhood friend we’re obligated to endure/tolerate even though he’s insufferable’ (when the BD founding members interact, Wakasa and Benkei always tease, laugh at Shinichiro, chapter 230, Benkei “Look at all your battle scars !” Shinichiro, “Quit it !” Wakasa, “A loser in both fights and love !” Shinichiro “Hey man, that's none of your business”; chapter 269: Benkei “You sure are dumb, Shinichiro !” Wakasa, “Haha. Well, that's shin-chan for ya.”) they’re never shown as friendly toward Takeomi) but more that, even if they did try, Takeomi, unconsciously, never let them know who he really was underneath it all. To be fair, Takeomi lied to himself so strongly he wasn’t aware he wasn’t this façade he had created. I’m not sure if Wakasa and Benkei succeeded in seeing through his lies, Takeomi himself surely didn’t. Shinichiro was left but whether it be the original timeline or not, he didn’t succeed to help Takeomi. Takeomi compares himself to others (him being an ordinary kid vs Shinichiro not being one), is sensitive to criticism and compliments alike (while he didn’t seem hurt when Kakucho uno-reversed him by asking him if he had forgotten about Shinichiro after Takeomi had asked him if he had forgotten about Izana, he did react, unlike Kakucho who remained unfazed; “Drunk in the praises of my name, I became arrogant”), seeks attention and validation, makes things about himself (“[...]He talks about the Brahman Senju created as if he created it. [...] I remember he used to brag about Shinichiro's achievements as if he himself had done them[...]”, Benkei’s ‘a day in his life’) and has troubles admitting his faults (even if he eventually apologizes in chapter 230 to Senju, he is fighting back tears while doing so). Those are all things inferiority and superiority complexes share (beside the low self-esteem). And while there are signs we can’t be 100% sure he has, reading about Takeomi echoes to those two complexes. First, inferiority complex. Feeling insecure, incomplete or unworthy → “not special at all”; “I was broke and powerless“; ”at the lowest of low. But they accepted me as I was”. Withdrawal → “I got news of Shin's death. But I was too busy in struggling for money.”, that ‘too busy with money’ (in good (“treated as a VIP [...] never got short on money” and in bad “my debts piling up”) seems like the perfect excuse to avoid your friends and family. All or nothing thinking, things are either good or bad → he’s either at the top of Japan and everything is doing great or he’s not and nothing’s working in his life. Insecurity in relationships → Benkei and Wakasa are his disliked/feared people because "they look down on me" (3rd guide book) (there is no proof of that but I’ll dig into that later). Feeling good when doing better than others → only felt at ease when he was the God of War. Finding fault in others, demeaning others as a way to transfer their feelings → will go back to it way later, but his relationship with Sanzu is basically that. Shutting down because of shame, guilt, embarrassment or an inward sense of defeat → once again, what he did after he started to be indebted.
For superiority complex there’s : hiding feelings of mediocrity and underlying or persistent low self-esteem or feelings of inferiority → hiding his “powerless”, “ordinary” and all behind his mask of second in command of Black Dragon and Brahman. High valuation of self-worth, a self-image of supremacy or authority, overarching belief that they are better than others → “the first generation Black Dragon once ruled the nation - with me as the vice captain. I was feared, since my decisions determined how any conflict would end. I was called the « God of War »” . Feelings of entitlements and boastful claims that aren’t backed up by reality → he brags about Senju and Shinichiro’s achievements, they aren’t his own (even though he must have some). Which goes with: need to be in control → he’s the one who’s in charge of making Brahman gain money (and he’s the one who decided of it, Senju is against his ways), Brahman listens to him when he says they’re attacking Rokuhara Tendai and not to Senju who tell them to stop, and is convinced Senju is only where she is thanks to him, Wakasa and Benkei being around and dealing with everything (chapter 229, Takeomi: “Senju got herself included in the ‘three deities’ only through first gen Black Dragon’s support. Senju can't take this fight alone !”).
There are also signs which I can’t find quotes or panels to say Takeomi has them but, knowing the character, it wouldn’t be surprising. These include : feelings of hostility, frustration, nervousness, or aggression (he does express those but given the context it's justifiable; he's impulsively decide to go against Rokuhara Tendai even though Senju tells him no because they aren't ready, Benkei says "It's no use, Takeomi has lost his cool". There's also his nicotine addiction which does not help). Highly competitive, perfectionist paired with an avoidance for any kind of competition where efforts might be compared with others’ ; don’t do something if there are risks one would fail (he dislikes efforts (3rd guide book), so that may mean he only does things when he’s sure of his own capacities and refuse to leave his comfort zone, he doesn’t participate/try if he’s not sure of succeeding). And : unwillingness to listen to others (if BD founding members tried to take his head out of the sand, it failed). Overcompensation to specific elements of life (perhaps linked to his childhood but we have no information about it). Mood swings, often made worse by contradiction from another person (→ him seemingly aloof, becoming mad very quickly at Sanzu when he or Senju do something wrong ? His whole reaction to Draken’s death; “I'm gonna destroy Rokuhara Tandai right now.[...] Assemble everyone in Brahman for an emergency meeting !!”, followed by South’s comment in chapter 225: “It's so rare to see Akashi getting all rowdy like this.” and Senju’s trying to calm him down (only making it worse). Takeomi’s interaction with Kakucho about Izana and Shinichiro in chapter 212 too maybe). Gets offended if there’s no positive feedback.
I will like to add that no official list of signs exist or if it does, I didn’t find it. But knowing how both of these complexes work, it was interesting to talk about it, in my opinion.
(By the way, Takeomi was listed number 1 worst at ‘who is needy when dating ?’ (whereas Sanzu and Wakasa were 1st and 2nd best). Except that in Takeomi’s case the reason he’s not needy is because he's straight-up avoidant which isn't better. As opposed to Senju and Draken (2nd and 3rd worst) who seem non-needy in a healthy way.)
Takeomi wants to stand at the top, Shinichiro knows how to go up there, so he just has to tag along, easy-peasy. But like for a jungle gym, you have to get down one day. Did Shinichiro want to become Japan's number 1 ? I’m not that sure. It may have been a goal, but not the main one. What he liked most was the journey, not the destination, if it was then he wouldn’t have disbanded Black Dragon. But Takeomi wants to go on top of the jungle gym. Takeomi wants to be Japan number 1. Forever. Takeomi wants to learn how you get up there and how to stay/keep standing still.
That’s one of the most tragic point with Takeomi in my opinion. He was the brain of Black Dragon, he was the brain of Braham (it may have been an excuse but Senju recruited him for his guidance, his wisdom), and he was, supposedly as Mikey’s advisor, the brain of Bonten. He knows how to get on top of Japan. He knows how to become influential, how to make money (Brahman’s B-1 fighting club), how to recruit people and make them stay, he knows which decision to take to assure victory or defeat.
He’s smart, insanely. And he. doesn’t. see. it. If he did, he could have managed to live without the gang.
For Takeomi, it’s not that he becomes number 1, it’s that there’s a number 1 by his side and he knows how to follow them (his special skill is ‘taking advantage of others’ (3rd guide book)). He is aware he was the lead actor as to why victory or defeat were but – Takeomi isn’t a fighter. Wakasa and Benkei are. Shinichiro sucked at it but he was still insanely strong.
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Takeomi doesn’t fight and that’s not his role. He likely knows how to pull out punches and other fight moves but as a ‘God Of War’ he’s mainly a strategist. He takes decisions, Shin agrees or not (and Shin is the one who has the last say), Wakasa and Benkei, and the rest of the gang, apply. (chapter 224, Benkei answering “yes, sir” to one of Takeomi’s command (even though Senju is clearly against it))
However, he’s not the one who brought them together. All of what he has. It’s thanks to Shinichiro. Wouldn’t be number 1 without him. Wouldn’t be friends with Wakasa and Benkei without him. Takeomi lives on what Shinichiro gave him. Him, an average, good-for-nothing kid. And when it’s time to say farewell to all of that – he doesn’t.
Shinichiro has his own shop. Wakasa and Benkei have their own gym.
Takeomi stays as if he was still on top. As if he wasn’t already falling, as if the impact on the ground wouldn’t damage him. As if Shinichiro, who decided climbing the jungle gym wasn’t fun anymore, didn’t stop stabilizing him.
He lives in denial. And it works at the beginning. People still think of them as number 1 so it’s not too hard. But then they realize they aren’t. But Takeomi is an average kid. In everything. He’s only good at what Shinichiro designed him as. And he didn’t think he'd be good at it. He isn’t good at anything else. He can’t do anything else. So it goes on.
The debts pill up.
Shinichiro dies.
And ? And repeat. Without the debts, this time.
Senju, joyous, cheerful, strong-willed Senju, asks him to join her gang. As her second in command. Even though he is “broke and powerless”. “At the lowest of low” (chapter 230). Even though Wakasa and Benkei are right there.
(Shinichiro asked him to be his vice captain. Even though Takeomi was average, good at nothing but following his childhood friend around. Even though Shinichiro had become friends with Wakasa and Benkei who were in this world since way longer.)
And so Brahman is created.
Their prestige comes back. They remember mannerisms days after days, they remember how you do it. Brahmam grows. They have hundreds of members, they make a lot of money with deals and underground fights. Whereas Wakasa and Benkei moved on (or, way more than Takeomi did), Takeomi didn’t and it shows even in their Brahman uniforms. If you look closely, they don’t have the same patterns on their sleeves – Wakasa and Benkei both got flowers, although different from the other’s (same thing for Senju) but Takeomi has a dragon. (Average Brahman members have the same thing they have on the back of their uniforms)
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Draken dies. Draken dies. He shouts it – It’s not a childish brawl (chapter 224). I find it hard to believe that during Black Dragon 1st Gen, they never lost anyone, but Draken’s death snaps him back to reality. It isn’t like it was with Shinichiro. There’s no fun. It’s war. Standing at the top isn’t like standing on a jungle gym. Draken is dead and so is Shinichiro. Why isn’t he ? (chapter 225, Takeomi: “Souuuuuuuth !! Why did you kill Draken !? He wasn't even a formal member of Brahman ! If you wanted to kill someone it should've been me !”)
Either Draken dies, or Senju does.
For what else would have Takeomi joined Bonten ? Actually, let me change that question ; where is and what does Senju do in Bad Toman and Manila timelines ?
Because Mikey goes down a dark path in all the timelines so, did she try to stop him ? If yes, is she dead ? The three deities battle might or not have happened (South wouldn’t have the same members if that’s the case – Tenjiku never came to be in Bad Toman and Izana is alive in Manila). And… And if that’s the case or not – why are Wakasa, Benkei and Takeomi nowhere to be seen ?
Wakasa and Benkei work in a way that opposes Takeomi. Not only with how they dealt with Black Dragon disbandment but how they dealt with Senju’s death. No matter how it happened, Takeomi joins Mikey after his sister’s death (Bonten), Wakasa and Benkei join Kanto Manji when Senju doesn’t (nowhere to be seen in Bonten).
Difference being, if Senju dies, Wakasa can’t witness Mikey’s dark impulses and can’t talk to him about it. And even if he witnessed it, if Senju is dead, would Wakasa care ? Wakasa must know there’s nothing against the dark impulses so why join Kanto Manji ? They love Senju, their princess, do they want to keep her safe ? Surely. Why take this option then?
It's never stated. So it's interpretation/theory time.
Wakasa would choose Shinichiro over Mikey. In chapter 270, he says "Honeslty speaking, I'm glad that Manjiro has passed. I was worried that you'd be first to die [...] Right now, you're just rotting away", now, Wakasa from the original timeline and from canon-timeline aren't the same. Original timeline Wakasa had the time to accept Shinichiro had lost his brother (and Mikey could perhaps regain consciousness one day, but the more day passes, the more the chances lower), but he couldn't see his friend rot away. His previously bright and charismatic friend was being devoured by sleep deprivation, helplessness and so much more. Hence, if Mikey dying would free Shinichiro from his suffering (although it would also add to it, he wouldn't have to work himself to the bone to take care of Mikey, and would finally have time to process all of what happened to him) then Wakasa is okay with it. Shinichiro is important to him, more than Mikey could ever be.
Wakasa, is the only person Shinichiro talked to about the original timeline. Out of the two people knowing about it, Wakasa is the one Shinichiro went to to tell him about it (Sanzu is the other and he came to Shinichiro asking about it). We don't know if Shinichiro planned to tell more people, and if yes, Wakasa was on the top of his list. Thus, this means Wakasa had heard Shinichiro telling him he killed a man and then himself. Because Mikey died. So that Mikey won't die. And he probably was murdered because of it later on too, because Shinichiro told him the homeless man's last words – because Shinichiro told him everything with every details.
So, when Wakasa finally sees Mikey again, sees the level of destruction he causes, sees that he kills like it's nothing, like he's enjoying it, this boy his friend killed for to keep alive... Well, Wakasa, dragging Benkei along, joined Kanto Manji to keep Mikey alive — because that's what Shinichiro sacrificed himself for, so, so many times. He can only stay near Mikey and try to not have him killed when they're in a world where being murdered is common. Mikey is strong, but he won't ever survive a bullet shot in the wrong place.
For Takeomi though, when he joins Bonten, his sister is dead. After his best friend. He failed the two people who meant the most to him and who appointed him as their second in command because they trusted him. He let them die. It’s not a child game anymore. South signed his death warrant.
And Takeomi hasn’t seen Mikey or Sanzu in years. (They’re the only ones left, he can’t leave them alone. He can’t stay alone.)
That’s the first theory. Second is, he crashes, he and Mikey end up meeting again, he gives him the role as his advisor. Rinse, repeat. The circle continues ; Bonten is at the top of Japan. Mikey is at the top of Japan – and that, even without Kisaki. 
Even without Kisaki.
Is Takeomi on the same level as Kisaki ? I don’t know. Kisaki is the moon to Mikey’s sun. But what was Takeomi to Shinichiro ? Perhaps his rain. And I'll keep going with the ��perhaps’, because we’re never shown what Takeomi is to Shinichiro, beside a friend. Every meaningful interaction they have is from Takeomi’s POV. In Shinichiro’s chapters, Takeomi is briefly mentioned once when Sanzu gets out of the juvenile center, then when Shinichiro time leaps, he is too focused on Mikey to give (me) us any useful interaction/thought about Takeomi. There’s only one case, “Takeomi…” in chapter 273 but without that ? The start of chapter 269 is shallow. It gives us information on Shinichiro’s relationship with Mikey and Takeomi’s own relationship with his siblings (“I'm like his father figure at this point. Its best from him to learn from his peers” /"What kind of parent would let their kids learn from gang rides ?”) and also a quick information on Black Dragon founding members but that information is basically ‘they’re good friends :)’.
Anyway, Shinichiro nicknamed Takeomi ‘Rain Bringer’. So what does rain symbolize in Japan and does it somewhat fit Takeomi ? Rain is strongly linked to death and rebirth (as water usually is in Japan), to becoming something, someone else. This makes a nice little link with his siblings as Senju’s flowers are sakura (and so is her image color, pink sakura) which also symbolize the cycle of death and rebirth, the fleeting nature of life, how short if is, but also renewal and optimism, and Sanzu got his name from Sanzu no kawa, the three-crossing river, who is a river souls have to cross to get to the afterlife and/or to resurrect.
Takeomi’s other nickname, which wasn’t given by Shinichiro, is God of war. Japan has two gods of war, either Hachiman from shintoism, or Bishamonten from buddhism (since it’s Japan we’re talking about, those two got mixed up a bit but). Hachiman is a god of war and agriculture and was said to determine a samurai’s fate in battle (chapter 230 : “[...] my decisions determined how any conflict would end”). Bishamonten is a god of war and warriors, a punisher of evildoers and the ruler of rain. Bishamonten also carries a chatra (a kind of umbrella that symbolizes kingship, sovereignty).
This, while it gives more tracks to analyze Takeomi, doesn’t answer the question ‘What was Takeomi to Shinichiro’. So, if the story refuses to give us the answer, we have to find some parallels with other characters and see if they fit.
Shinichiro’s...
...Baji
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That’s right ! Baji and Takeomi share the same role. For this topic, Sanzu (and Senju) is the anomaly between him, Baji and Mikey.(and although we could say Sanzu is Baji’s parallel, he’s mostly Kakucho’s.)
Let’s start with why Wakui decided to depict them that way.
For Mikey and Baji, it was mostly there to show how long they’ve known each other. Mikey had said they were childhood friends but that doesn’t give us a time indication as to when they met. Then, there is the ‘Baji is behind’ aspect. It isn’t a problem between them, that Baji never wins against Mikey, no matter the years. Baji is just after Mikey and can’t reach the top yet.
For Shinichiro and Takeomi, it’s the same. ‘They’ve known each other for how long?’ ‘Probably since then’. Takeomi is behind Shinichiro who is standing at the top. Takeomi wants to do so too, and Shinichiro helps him to. Takeomi can’t stand here unless Shinichiro holds him still.
Shinichiro doesn’t enjoy being Japan’s number 1 - standing at the top. He became a delinquent to form relationships, to have fun, to deal with his father’s death and his mother’s stay in the hospital. He wasn’t against becoming the strongest but it wasn’t his goal (chapter 142, Shinichiro, in a quick Inui’s flashback: “Is winning really that important ?”). After all, if there’s nobody above you, the only people left are below, and Shinichiro says it, it’s only bullying and that’s meaningless (chapter 230, “Now that there's no one better than us, at this point it's just gonna be bullying the people weaker than us, wouldn't it ?”)
However, the childhood friend dying changes. For Mikey and Baji, the one climbing dies ; for Shinichiro and Takeomi, the one at the top does. How can we interpret this ? We already did for Takeomi – that means the one climbing falls. But for the one already on top ? The person who (tried to) followed him there died on the way. He’s still on top, but now he’s alone. Mikey is never alone, but after Shinichiro, Baji’s death is one of the last indispensable nail on his coffin. A nail aggravating his isolation and loneliness.
Personality wise, Baji and Takeomi are awfully different. Takeomi is awfully different to all characters – he is one of the most flawed and most fans don’t find him any redeeming quality.
Baji does share one of Takeomi’s characteristics, and that’s what (ironically) led to Shinichiro’s death. As Kazutora says in chapter 44 while stealing the bike: “You might complain but you always go along with whatever I'm doing”, Baji follows people. He can do well on his own (Valhalla), but if it wasn’t for his stubbornness in pursuing Mikey around (chapter 39, Mikey: “We lived in the same neighborhood. It’s not like we got along that well. He was always picking fights with me”), they wouldn’t have become childhood friends. They are also younger than their childhood friends (Sanzu and Shinichiro are the oldest).
Baji is Shinichiro in one aspect though: he is the one to have created Toman and to have assigned every founding member their role in the gang. (Baji does it in a flashback of chapter 63, Shinichiro gave Takeomi his position as vice-captain so it won’t surprise me if he gave Wakasa and Benkei their). They both also challenge people stronger than them. (Shinichiro on a daily basis “He'd challenge guys way stronger than him to fights”, Baji with Mikey “He was always picking fights with me. And I handed him his ass every time.”).
If there are parallels between Shinichiro and Baji – are there parallels between Takeomi and Mikey ? The answer is yes. They both don’t know what to do after Shinichiro’s death (and Mikey is even more lost after Baji’s), so much that if you push them in the wrong path, they end up as the number 1 criminal organization of their country (Kisaki for Mikey (Bad toman, Manila) helped to speedrun the process — as we see with Bonten, Mikey’s circle in Bonten (Sanzu “There they are ! The dark impulses ! I've been waiting for this” Haruchiyo) helped too. And the one thing to do to get Takeomi back in his prime is to restore his self-confidence (Bonten, and what he was close to do with Brahman)), they both cope with their emotions the same way as well, ‘I’ll keep all my emotions right here. And then one day, I’ll die’ as one may say. They hide between smiles or blank faces. Little things matter as well, so.. chapter 123, Mikey “I wanna stand out” - they both do (even if Mikey is about 4 in this chapter).
...Kisaki
the fact takeomi is both baji and kisaki is hilarious pls. Those two hated each other so much. Well i wont be surprised if Wakui made it official that Takeomi hates himself
Yeah you read that right. Takeomi is Shinichiro’s Kisaki to the same extent he is Shinichiro’s Baji. Like with Baji, he fills Kisaki’s role while dealing with it differently – they don’t have the same personality so it’s not that surprising.
They’re both the gang’s ‘brain’. Whereas Takeomi was given the position, Kisaki approached Mikey with this exact idea in mind. Kisaki wanted to make Tenjiku Toman (chapter 126, “I'm going to make my own Toman”), and Takeomi was about to transform Brahman into (a much darker) Black Dragon (Chapter 219, Senju: “Brahman’s gotten bigger.. and Takeomi has changed. Now, instead of making brahman ‘stronger’ he thinks that making it ‘bigger’ is more important”  → all the more people to praise him). Both had the same goal too (to become number 1), and end up being criticized for it because of their way to attain it by Mikey (“in order to make Toman bigger I've ignored your underhanded methods until now. But that ends here [...] Your arbitrary decisions will screw up my dream”) and Senju ("I get that not all the jobs we take will be clean. However, thinking about dirtying Brahman for trash like that pisses me off”) when those two asked them are the one who asked them to guide them (chapter 265, Mikey: “there has been ‘something’ dark inside my heart. Sometimes that ‘something’ expands and drives me to destroy absolutely everything. Kisaki… I want you to stay by my side with that part of me. I want you to guide me, Kisaki” (and worse, when Kisaki asked him if he’s sure, even if Kisaki doesn’t guide him the way he wants, Mikey answered “yeah, I don’t care.” But then, it was before Takemichi waltzed in his life); chapter 230, Senju: “I want someone who I can trust ! Someone who can give some guidance to the team ! Will you fill that role, big bro ?”). They had different reasons, for sure, Kisaki wanted Hinata’s love, Takeomi wanted (to keep) that idolizing love other people had for him, but those different reasons have the same roots.
They never grew up from their child-mindset.
Kisaki kept that childish logic of ‘Hinata loves Takemichi. Takemichi wants to be Japan's number 1 delinquent. Hinata loves Japan's number 1 delinquent. If I’m Japan's number 1 delinquent, Hinata will love me.’ (and he wanted Hinata’s love because she was the only one interacting with him and being nice to him, she said “He’s a good kid” when everyone else doesn’t, even back in elementary school where he is described as “creepy”) and Takeomi kept that childhood wish of being important, needed, validated.
Now, they turned out differently because of a very essential point :
Chapter 182, first chapter of Kisaki’s flashback : “When I was in elementary school, they called me a child prodigy.”
Chapter 230, Takeomi’s chapter : “Whether it be in sports, or studies, I was just average. I was but a normal child, not special at all.”
Kisaki was made aware from an early age that he was smart. He is as arrogant as much his intelligence allows him to be (sure, it’s insufferable, but he is as smart as he says). He is well-assured of his capacities and is the one to make his life decisions, he is very independent from Mikey or anyone else. Kisaki has an actual self-esteem. He doesn’t under or overestimate himself. He knows what he does, he knows he is the one doing so. Takeomi is the opposite. He’s too arrogant, doesn’t know in what he is smart, but the others say so, so he must be, he makes his decisions while looking at Shinichiro – he got there thanks to Shinichiro. And Kisaki got there thanks to Takemichi, although in another way. Kisaki also followed Takemichi around. By stalking him, but still. And unlike Takeomi, Kisaki is very conscious of it when he lies, it is but another strategy to manipulate people.
Kisaki is Takeomi if people had noticed and talked about his capacities in his childhood. Takeomi is what Kisaki could’ve been if people never praised him, if he never finished number one at any national mock exam and if he became childhood friends with Takemichi (instead of stalking him).
Both of them corrupted Toman and Brahman (and Black Dragon if Shinichiro hadn’t been Shinichiro). “Brahman is closer to a group of adult gangsters than they are a motorcycle gang. Some nasty rumors follow them, too.” (chapter 215, Inui); “Money is power. How valuable do you think your ‘strength’ is !?” (chapter 229, Takeomi); but are also the reason why they became huge organizations. They are the reasons why Brahman (almost) and Toman fell into criminal organizations (although Toman would’ve anyway).
They also both first got into a gang when they were 13. (Black Dragon was created the 22nd February 1995 – Takeomi was born the 10th march 1981 (the year after Shinichiro’s own birth btw, Shinichiro who is the oldest Black Dragon founding member), so he was about to turn 14 BUT HE WASN'T, and in 2005 Kisaki is 13 since he was born the 20th january 1992 (two years younger than Mikey, one year younger than Takemichi))
...Draken.
Shinichiro and Mikey both have their “This is the breeze of a new era !”(chapter 230)/”I’m gonna seize this world” (chapter 223) speech that only Takeomi/Draken could hear ; and they’re both vice-captain/second in command.
When Black Dragon gets officially disbanded (their final garthering), Wakasa and Benkei shed a tear or two, Shinichiro being the crybaby he is, has a lot of tears running down his face, and Takeomi… too. Takeomi is the only one with his eyes close. He grins his teeth. He can’t accept this reality, can’t look at it. Even if Shinichiro talked about it with him beforehand. And… it’s the same with Draken. Not that Mikey informed him before saying Toman was over (and they didn’t have a second generation to lend the name too, as opposed to Black Dragon), but with how he reacted. On paper, he said he agreed with it (even after his “What ? What’re you goin’ on all of a sudden ?” in chapter 189 which is the same as Takeomi’s “Disband !? But why !? I mean, we just became Japan's number one !” in chapter 230, and Mikey also disbanded Toman after becoming Japan’s number 1), that since it was Mikey’s choice, he had “no objection to the leader's decision” (chapter 189), but in reality, not only do we learn it’s not true when they dug up the time capsule (chapter 198, Draken reading his letter : “I’m at a crossroads in my life right now. Toman disbanded. […] I actually regret it. Toman is everything to me. Im sure everyone in toman felt that way ? I’m worried… I cried”), but he also joins Brahman. There was nothing prior to that revelation pointing at it. In Bonten he has his shop, he says “I’m retired” and “I left everything i had back in Tokyo Manji” to South (chapter 211) in his letter he wrote “So, I'm leaving all of my regrets in here” and that’s what teenager Draken tried to do. But he joined Brahman instead. And we learn why after, when he says in a flashback to Mitsuya (chapter 238) : “Have you grown accustomed to living life without Toman ? Because I can't seem to move on from it. That’s why I think i’m gonna go back to the life of deliquent. I’ll continue following Mikey [...]”. Draken couldn’t leave Toman, his whole life behind. Then why did he in Bonten ? Because Senju died. Not only must it have affected him, but it affected Takeomi, Wakasa and Benkei. And, yes, we can say Senju died in Bonten regardless of the fact it’s never said. Why ? Bonten is a memorial for Izana, its symbol, its members’ tattoo come from Izana’s earrings and the (天) ten of Bonten 梵天 from Tenjiku 天竺, the (梵) bon of Bonten 梵天 comes from Brahman 梵. The executives, advisor, second and third in command, are either former Tenjiku member or Senju’s brother (or both for Sanzu but again, can we really say he was a Tenjiku member when it’s clear he was acting as a spy on Mikey’s unaware behalf..) - and its leader had a deep relationship with those two as well. There’s no need for Senju to have the same role as Izana in Bonten if she’s not dead. So, Senju’s death is the answer as to why Draken utterly left Toman (and Mikey) behind in Bonten timeline (he loves Mikey very much but he can't lose any more loved ones). But Draken’s wish to get back to Mikey until then, his refusal to abandon Toman, was what led him and Takeomi to understand each other. That’s what led to Takeomi recruiting Draken (because he must have been the one to come up with the idea, like he is the one to have thought about recruiting Takemichi). That’s what leads Takeomi to get this angry at his death. Not only is Takeomi is partially responsible for it, Draken is essential to bring back Mikey, and Takeomi is not. And so, “If you wanted to kill someone it should've been me !” (chapter 225). And also why he becomes even more angry when Mikey arrives (“Fuck off, Kanto gang ! You guys abandoned Draken !”). Takeomi takes his role as Senju’s second in command very seriously, she asked him to guide the team and he accepted, he swore to give his all for them (chapter 230). He is the one telling her to keep cool and not being driven by her emotions (chapter 218), which is ironic because he’s the one to act before thinking after Draken’s death whereas Senju tries to calm him down (and fails).
Kanto being “a three-way state of equilibrium between these three teams and has entered the three deities era” (Yamagishi, chapter 208) was not an innocent choice when it is also revealed in chapter 226 by Senju that “Benkei and Waka. Before the first generation of Black Dragon happened, these two divided the Kanto region. Kanto used to be divided into two parts”. South takes the role of Benkei, and Senju, who created Brahman for the only purpose of stopping Mikey the same way Kodo Rengo was formed to stop Ragnarok’s expansion, takes the role of Wakasa. This is also backed up by their fighting style and body type. Mikey takes Shinichiro’s role, but whereas Shinichiro ‘defeated’ Wakasa and Benkei and became their friends and leader which lead to them ruling over the region, Mikey crushed South/Rokuhara Tandai and made Senju disband Brahman, for the same result (Takemichi could’ve taken on Shinichiro’s role but the power of friendship can’t do everything). And Draken is in Takeomi’s role. Not Sanzu. (because Sanzu doesn’t care about Toman while Draken just wants it back.). Furthermore, I like the fact South, in the final timeline, “is a heavyweight champion of foreign martial arts. When he visits Japan, he hangs out at the Gojo gym” because not only does South finally have friends (like Senju, he is friendless in canon-timeline) but because Benkei’s dream is “to produce a MMA champion from Gojo gym”, which while not being exactly the same thing is still close enough for me.
A difference between them worth mentioning is that while Draken is the oldest of Toman founding members, Takeomi is the youngest of Black Dragon founding members.
(+ Inui, Kokonoi:
The other character introduced as refusing the end of Black Dragon is Inui. He's a character who is developed alongside Kokonoi who can't accept Akane's death.
But whereas Takeomi seemingly doesn't do anything by himself to get out of his vicious circle and debts, Inui actively tries to keep Black Dragon alive. He even takes Shinichiro’s shop as his hideout (with Kokonoi), although it has been abandoned. Nobody else came to keep that place alive – it reminds them of a too painful reality. And it could've with Inui too, but Inui has only good memories of this place (chapter 143, Inui: “All those senpai who’d stop by were so dazzling and awesome. [...] I heard so many stories in this bike shop from our senpai. They all had so much fun talking about their old leader [...] Even as an adult, he could still laugh about the dumb stuff he did years ago together with his friends.”). Not to say the others don’t; but Inui is able to see pass the pain of this happiness unable to come back.
Inui is the first out of the three to let it go. He finds Takemichi and realizes that.. maybe he could live without Black Dragon. It takes a bit but Bonten Inui has let it go completely, unlike Kokonoi and Takeomi, both going deeper and deeper into criminality ; both still running away from reality, refusing to look back and see what they loved isn't there anymore.
Inui heals in Bonten. He doesn't in Bad Toman, where he's with Hakkai who became BD 11th leader. He doesn't in Manila, where Izana who was the 8th BD leader and the first leader Inui worked under comes back. Always running after BD shadow. Manila Inui met Takemichi, but Manila Inui wasn't separated from Kokonoi, not for years, not for more than a decade, since Tenjiku merged with Toman. They probably didn't have their 'Akane is dead, I'm Seishu!' talk, and if they did, it clearly didn't change anything.
We don't know how Inuis family life is. We know his parents couldn't pay for his sister's surgery and she ended up dying. We know he had had to witness his best friend lose himself in the prospect to make money. We know somewhen, he met Shinichiro. Spent time with him at his shop. Perhaps to stay away from home ? Home who burnt him? Home who took away his sister ? Meeting Shinichiro did a lot to him accepting his sister's death, surely. A bit of positivity in his life. But nobody was there for him when Shinichiro himself died. When Izana disappeared nobody knew where and the Haitani Brothers left Black Dragon when it became to hard to deal with, leading it to fade away (chapter 105, Kokonoi: “They ended up in a tough spot when the Haitani brothers of Roppongi came to power… So they ditched the gang, and disappeared.”).
Inui learnt about it after getting out of juvie. He went to juvie for Black Dragon. For Izana. This can't be the end of it. So he makes Taiju the 10th leader. He's not loyal to him because he's Taiju, he's loyal to him because it's the Black Dragon leader (chapter 143, Inui: “That good old Black Dragon I used to know was no more. I panicked when Black Dragon died for a while. That’s when I sought help from Shiba Taiju.”). But the Christmas Showdown happens, and Inui witnesses the force of nature that is Takemichi Hanagaki. And he's like Shinichiro was.
He leaves Black Dragon behind when he puts on Toman uniform for the first time. Black Dragon won't ever leave him, but he can let it go and cherish the memories he has. He didn't get to be in Black Dragon when he wanted to (chapter 143, Inui: “I’ve always admired such a team. That’s why I joined Blakc Dragon. But by the time I joined Black Dragon it was the eightth generation. It was shit.”) and that changed him (as being in a gang changed Takeomi) (chapter 143: ”During the eighth and ninth generations.. our gang did extortion, robbed people, sold drugs, all sorts of heinoius stuff. There was no trace left of the gang’s original intentions. And before i knew it, the gang’s evil had an influence on me. I landed myself in juvie.”), but he can maybe experience a similar thing with Takemichi, or maybe it'll be completely different. It's okay, he has turned the page. Now, he has to bring back Kokonoi and make him turn the page as well. Except Inui had a slow and nice 'turn the page', while Kokonoi won't.
Kokonoi needs more time, Kokonoi can't let Akane go just yet, even if Inui yells at him to stop acting as if he was seeing his sister instead of himself. Inui practically slaps him up. He has failed during Tenjiku, but this failure planted a seed in Kokonoi's mind which finally bloomed during the battle with Kanto Manji. It's a more abrupt realization than Inui got, but it doesn't hurt him. Akane tells him to let go, that she's glad he did all of that for her but that he doesn't need to continue – she's dead. Seishu is not. And even if that's meaningless, even if he knows he's, they're, going to lose, he goes help Inui against Wakasa and Benkei.
Takeomi's realization of having done something wrong falls upon him all at once. A part of it. His realization concerning Brahman, about Senju and Sanzu is there ("I've failed Brahman principles"(chapter 230)/"But me going crazy and Haruchiyo going astray[...]"(chapter 241) and it hurt him. Acknowledging his mistakes to himself and to others, to Senju, made him cry.)
But where is his realization about Black Dragon and Shinichiro ?)
But not Shinichiro’s Takemichi.
Takeomi isn’t Shinichiro’s Takemichi because for starters, Takemichi is Shinichiro as it is constantly repeated throughout the story.
Takemichi changed Mikey’s life (if it wasn’t for him, he would’ve kept listening to Kisaki, kept thinking he only needed darkness, he would’ve killed Kazutora (chapter 265)). Takeomi didn’t change much Shinichiro’s. Not the same way Takemichi did at least. Mikey, like Takeomi, needed someone to guide him, to follow around, whether this person was Takemichi or Kisaki depends entirely on the timeline’s events. Shinichiro could guide himself, he didn’t need somebody to show him the way. So what ? Why does it matter? It matters because all the friendships in this story have an impact on the characters it concerns. Whether it be the Twin Dragons, Izana and Kakucho, Inui and Kokonoi, Mikey is changed by Pah (going to jail), Kazutora (Shinichiro’s death), Baji (him siding with Kazutora and his own death), Draken (“Draken is Mikey’s heart. He compensates for what he’s lacking”) (not Mitsuya though. Which is very sad. I want a concrete example of how Mìtsuya impacted Mikey's life!!)… And the Black Dragon are out of this rule. Especially Shinichiro. Takeomi, Wakasa and Benkei all changed because of him (in good for Wakasa & Benkei, in what could’ve been good but ended up bad for Takeomi) but the other way around isn’t shown to be true. Wakasa & Benkei became friends, really good friends since they own a gym together in several timelines, and Takeomi got something to fill his lack of self-esteem which then got taken away from him without him having learnt how to cope with it in the meantime.
And Wakasa & Benkei aren’t supposed to have a gym in canon-timeline. Wakasa is a gang leader in the original timeline – supposedly he only changed vocation because Shinichiro told him about the original timeline and he decided not to go down that path. But then, when did Shinichiro had the time, during his time in the past, to tell Wakasa about his time leap ? He barely stayed one day. So did Wakasa, in the original timeline, came back to the illegal world so he can produce/obtain money and help Shinichiro out ? We don’t know what Benkei does in the original timeline, but I’d find it hard to believe he’s not with Wakasa. As for Takeomi, his situation is most likely the same, he’s in debt (which would explain that brief “Takeomi…” from chapter 272 from Shinichiro before he has to focus on the date, and very much alive Mikey). Or, if we want to look at another option, since Shinichiro got into “shaddy stuffs” (as he says in chapter 270), they could’ve followed and got back into delinquency. If they did it fast enough, Takeomi probably didn't get to the point of having debts. If you add the “Join my gang, Shin. With you we'd be the top gang in the world” of Wakasa (same chapter)  to any of this option, and the lack of negative response from Shinichiro you end up with one terrifying timeline where Shinichiro could have become, actually, a bad guy (or kill himself anyway).
What did all three of them do to make Shinichiro grow, positively or not ? Nothing (concrete that is, his admired/respected people are ‘’the Black Dragon First Generation Members‘’). Shinichiro’s entire personality, and that’s one of the only if not the only character, is centered exclusively around his family, mostly but not only, Mikey. He is changed by his father’s death and his mother’s hospitalization and starts to be a delinquent, he is changed by Mikey’s accident, by Emma running away, by his grandfather dying, by Mikey’s death and is so broken he is ready to believe in time travel, maybe was he also changed by Izana’s reaction when he discovered they weren’t blood-related. Only Wakasa is here in his flashback. No Benkei, only a mention of Takeomi. That’s not right. They’re his friends, why aren’t they here ? Why do we have so little information ?
Shinichiro stays the same until Mikey has his accident. He isn’t shaped by anybody else, not even his childhood friend whom he has known for more than a decade.
Shinichiro didn’t need guidance like Mikey did, but he didn’t need to stagnate either.
– which beg the question : Why did Wakui decide to put the exact same kanji, pronounced the exact same way in both Takeomi (武臣) and Takemichi (武道)’s name ? As a writer, making this decision means something (most of the time), alas, i didn’t find what. (Takemichi like Takeomi has self-esteem problems at the beginning of the story because he got beaten up as an middle school student by Kiyomasa but other than that..)
What I did find was Wakasa, Benkei and Takeomi pages in the third guide book. There’s still not much about Shinichiro (he is listed as all three’s admired/respected person), but there’s a bit more about their relationship with Takeomi. First, the one thing that actually surprised me : Wakasa and Benkei are listed as Takeomi’s disliked/feared people. Then, Wakui was kind to explain since it’s followed by “(They look down on me )”. Now, to see if it’s true or not (if they do think that, or if it’s just Takeomi (who must be such an unreliable narrator)) we have to take a look at Wakasa and Benkei’s own page.
Takeomi is only mentioned once for Wakasa, in his ‘a day in his life’ :
“I had a one-week holiday, so I went on a quick trolling trip to Okinawa. I wanted to enjoy fishing alone, but Takeomi and Benkei came along. The aim was yellowfin tuna. Takeomi got tired of not being able to catch anything after 3 hours on the boat and said he wanted to go home, while Benkei was seasick and exhausted. I knew I shouldn't have brought them along.”
We learnt that Takeomi isn’t that patient (to be fair, fishing isn’t something he likes to do, unlike Wakasa) but not that much is said about how Wakasa really thinks about him and him alone. He is irritated by both of his friends, who ruined his holiday, equally. You can’t say if he looks down on Takeomi or not.
For Benkei, Takeomi is also mentioned once and it’s in his ‘a day in his life’ as well :
“The gym is closed today. Takeomi persistently invited me out for a drink. I usually don't go, but we went to an izakaya together. His drinking is long. At first its fun, but as we get deeper into it, he starts to brag. He talks about the Brahman Senju created as if he created it. He has always been like that. I remember he used to brag about Shinichiro's achievements as if he himself had done them. Shinichiro liked him, including such a bad part of him.”
It gives more than Wakasa’s did. First, Takeomi, although he dislikes/fears them, still tags along with both of them when he can. Second, not that much of a news, Takeomi brags and takes on Senju’s achievements, the same way he took on Shinichiro’s. Third, Shinichiro was aware of it and didn’t stop him ?
While we can say Benkei is probably irritated by it, like for Wakasa we can’t say he looks down on Takeomi.
It pains me that there’s not much interaction between them. You can say Wakasa and Benkei are friends – but do they consider Takeomi a friend ? I don’t think he’s still labeled ‘Shinichiro’s friend’ in their mind, but – especially with Takeomi’s fall – they aren’t close, have they ever been. They don’t have that kind of relationship like Toman’s founding members have for example. Perhaps they did once.
Takeomi’s page, in my opinion at least, is the one that gives the more information on the character it‘s about. He likes Akechi Mitsuhide because he has the same birthday as him (sure why not – Akechi Mitsuhide, to make it very short, a general in the Heian period who attempted to become Shogun, and whose reign as Shogun lasted thirteen days), he dislikes making efforts (makes sense, he makes others’ achievements his own, which also leads to:), his special talent is taking advantages of people, and his dream is to be a multimillionaire (he is also ranked number 1 best to ‘Who has a way with words ?’).
Except confirming what I was already thinking, it still doesn’t offer much (but i’m so glad it has been explecitely written). But his failure story, that’s, well, another story.
And all of that offers a great transition, but let me change the topic first –
Family - the first thing you learn to run away from
(You were probably waiting for it from the start, sorry it took so long for me to talk about it !)
Takeomi’s failure story goes like this :
“I was their father figure. My father was busy because we are a motherless family. I was strict with Haruchiyo because he’s a man. He cut my face with a knife one day and left the house. He’s a hell of a fucking brother. I vowed that one day I would let Senju punish him.”
Sanzu gave him the scar.
Worse, looking at the timeline, Takeomi doesn’t have the scar when Black Dragon is founded (in February 1995 Sanzu would have been 4 so, not that surprising) but he gained it along the way, before Black Dragon disbandment (in late spring, early summer 1999, so Sanzu was either 8 or 9 (Takeomi was 18 – they have a 9 years gap)). That’s… young. What could have pushed Sanzu to do this ? Did Takeomi really do such a poor job raising him, Sanzu decided that attacking him was the only way out or something like that ? Sanzu, who says to Senju, “I wish I knew how to talk back to big bro like how Mikey and Baji do…” (chapter 241), cut his brother’s face with a knife before the age of nine? (he was nine when he said that, so perhaps he did stand up for himself before but then he gradually stopped (or all at once, it depends on how Takeomi reacted to being cut i suppose.)).
This leads to a question : did any outsider of their family know about it ? Sanzu probably wasn’t running around yelling about what he did, but did Takeomi complain (to Shinichiro) or did he keep his mouth shut about how his scar came to be. Both ? Complained about how hard it is to raise Sanzu (who ran away after what he did) while saying his new scar is from a fight he has gotten into ?(of course he didn’t get his scar from a 4-9 years old. Who do you take him for, he wouldn't let anyone, let alone a child, scar him like that.) Since we know Sanzu doesn’t go home when he’s in Toman (chapter 206, Muto : “What's with that look in your eye ? You don't have anywhere you belong ?”), it may not be an unusual thing for him to run away. (Which begs the question: what does his grandmother and father think about it ? Are they even aware of it ?)
Looking again at the timeline, what did Mikey and Takemichi do during the final reset ? They came back in October 1998 (Sanzu 8, Takeomi 17), yet Takeomi has his scar during the wedding. So either Sanzu cut his face before (and be 8 years old at most), or Mikey and Takemichi failed to prevent it.
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this baby cut his brother’s face.
Talking about scars… We never got to see how Takeomi reacted when Sanzu got his. Did he blame him (he thought Sanzu was the one who broke the toy plane before Senju confesses she is in chapter 241) ? Did he just not do anything and left (oh sweet guilt) ? Did he decide to stay away from Mikey a bit ? Did he go to the hospital ?
For both Sanzu cutting Takeomi’s face and the toy plane incident, I pity Senju for having to witness it and feel guilty for not doing anything, but also because she knows sometimes she should be punished and not Sanzu. Her and Hakkai should get along well (once he stops freezing everytime girls talk to him).
But above all, I pity all of them for witnessing how the Sano family works. How, even though they also have absent parents, they’re healthy. How Mikey talks back to Shinichiro, how Emma loves her brother without feeling unwanted or lonely, how Shinichiro knows how to raise his siblings even with his family life, his parents' condition. And my heart ached the first time I read chapter 273 and Sanzu called Shinichiro ‘Shin-nii’ – thing Mikey never did. They addressed Takeomi as ‘Take-nii’ in their childhood, but they stopped. (Sanzu calls Shinichiro ‘Shinichiro-kun’ in the original timeline, which makes you wonder why, but I think he did since he was young and stopped because, for one, Shinichiro is too busy with his study and taking care of Mikey, and two, Sanzu went to juvie.) And Sanzu goes directly to Shinichiro after getting his memories back. He shares his confusion with Shinichiro, even if what he says seems unbelievable (even for himself) because he trusts him and knows he can share his worries with him. And Shinichiro answered to this 13 years old needing reassurance by telling him he killed a man.
I’d give a lot to see how the Akashi father is. I’d give a lot to see how Takeomi was raised. Because with Shinichiro it’s easy. Mama Sano and Papa Sano, for the little we’ve seen of them, seemed like good, stable people. They must have raised Shinichiro great until they couldn’t anymore. We don’t know when Mikey’s mother got to the hospital, but his father died when he was 3, so Shinichiro at least spent 13 years of his life with (guidance from) his father. Sure, it would’ve been better if it be longer, but it’s already more than.. Taiju (which, with some calculation, was 8 when his mother died). But we don’t know for the Akashi. We only know that Sanzu and Senju don’t call themselves Akashi. That Senju says “ We’re the mysterious siblings !” which is funny but makes me think about ‘let’s not talk about whatever’s going on in our family/at home’ which is not funny. Think of it, if the Akashi parents were the same as the Sano, they wouldn’t have turned out that way. It’s not fair to compare families or even people but to be fair they’re characters so they’re meant to be compared. And maybe the Sano siblings would have turned out like the Akashi siblings if their dad survived and their mom still died, who knows.
Takeomi didn’t take Senju and Sanzu to gang meetings, or anything gang-related whereas Shinichiro did. There could be two reasons (which can both be true at the same time) : 1, gang stuffs are dangerous, who would bring kids along, seriously, Shinichiro ? (chapter 269, Takeomi “are you stupid ? what kind of parents would let their kids learn from gang rides ?” after Shinichiro said “I'm like his father figure at this point. It's best from him to learn from his peers”) 2, it was the only thing he had that wasn’t family/home, where he could be himself and not have to care about his siblings (and be completely crushed under his responsibilities and doing a poor job because of it--). The fact he didn’t isn’t that important, Sanzu didn’t want to be part of a gang to start with (chapter 277 : “Nah! I don’t wanna be a delinquent!”), he only joined Toman after having his memories from the original timeline back and talking with Shinichiro about it (and Shinichiro dying). But Black Dragon, like for Shinichiro, was Takeomi’s life and by not bringing Sanzu and Senju in it, he didn’t interact with them much, he let them out of his life. Mikey and Emma “followed him [Shinichiro] everywhere” (chapter 109, Mikey), Takeomi needed his me-time, far away from his siblings. He couldn’t, unlike Shinichiro, put on the ‘perfect big brother’ role/façade.
Since he left his house often, Sanzu was left in charge (chapter 241, Takeomi “[...] you have to set a good example for her”; chapter 249, Sanzu (to Senju) “Did you forget who raised you [...]?”). If Takeomi had to take care on their father's role, it’s easy to understand that he delegated his big brother role to Sanzu. This was clearly not a good move, but Takeomi back then didn’t understand how strict he was with Sanzu, nor how unfair it was that he would blamed him for things Senju had done (following the rule of ‘you’re the older, you should have taught her better’) (perhaps Takeomi was so strict with Sanzu because he lashed out all of his self-anger/hatred on him; there's also the fact he may have recognized himself (his childhood self at least) in Sanzu – shitty move, but as a professional of denial, Takeomi might not have even been aware of it). But Takeomi wasn’t meant to be their father figure in the first place, and he could have failed his big brother role as well even if their life had been different, but he shouldn’t have had to endorse the responsibility of raising his siblings, had he been given the choice or not. It’s also somewhat ironic, that Takeomi did take on their father’s role the same way their father did – he left home for work and everything to the oldest child who stayed. Just like Shinichiro took on his father’s role. Not only because Shinichiro spent time with his siblings, which their father seems like he would have done, but also because, like his father, he gifts Mikey a toy, and tragedy soon follows (his father’s death in the car accident, Sanzu’s scars or Mikey’s accident). He was also a crybaby – although his father never cried in public (chapter 263, Mikey: “My father also cried easily ?”, his mom: “I wonder if he ever cried in public? That man was hopeless”). Mikey looked up to him, like he looks up to his father. I honestly think Mikey, who was also a crybaby as a child (chapter 263, Mikey’s mom: “[...] you too… used to be a crybaby when you were younger. All you did was cry and wail.”), started to stop crying (in public and in private alike) after his father’s death. Sure, he was very young when it happened, but children lack life experience not intelligence, sometimes they’re very capable of reading the room, and Mikey, who probably didn’t understand what was happening, knew that weeping wouldn’t help his already crying brother and mother. Mikey saw his father as this very strong, capable man who protected the family and decided to take on that role by being ‘strong’, by not crying and by beating people up (chapter 263, Mikey: “I am not going to cry. That's why, mom, I'm going to protect you, so come back home”; “I met that big guy from east elementary’s third grade. And I beat him up !”, his mom: “You're so strong, Manjiro. Just like your father.”). He has one memory of his father, where he hands him a superhero figurine – and what are fathers if not the superhero of their young children ? 
Sanzu was a better big brother than Takeomi was. Sanzu, like Takeomi in the past, doesn’t want Senju to be in a gang and much less a gang leader (chapter 216, Senju : “Haruchiyo doesn't like the fact I’m the head of Brahman. He doesn't like that I'm the strongest and that Takeomi endorses me.”). “Because of my mistakes, Takeomi got mad at Haruchiyo even so Haruchiyo was always nice to me” (Senju, chapter 241) ; he could have. He could have let out the anger he had on Senju since he couldn’t talk back to Takeomi. He didn’t, because Sanzu was a kind child, but also because seeing how Takeomi favored Senju (in his actions, this does not mean he loved her more) if he had learnt Sanzu got angry at her or even made her cry… Sanzu was already aware of how his brother acted when he got angry.
I refuse to believe “The curse Shinichiro created by killing the time leaper, that is what my ‘dark impulses’ are. It affected everyone around him” (chapter 274) as the reason behind Sanzu and Mikey’s behavior. Simply because, if it did, then why was Wakasa, Benkei, Emma, heck even Sano grandpa, not affected by it ? And why was Kazutora ? The only way I accept it is with ‘it affected Sanzu because he was Shinichiro’s trigger, so they shared the power and by such, Sanzu had to carry a bit of the curse’ (im not going to talk about mikey’s case here but i also came up with a more complex reason as to why he was affected, that is not just ‘he was close to him’). However, we don’t know what the curse does. The homeless man only said ‘’curse you’’ (chapter 271), any explanation from a character who isn’t the homeless man can’t be taken as the perfect truth. Anyway, all of that to say that behind Sanzu (and Mikey’s) actions, there was a bit of genuinity. The curse pushed them to act, but a part of them wanted to act, the curse made them unable to stop (and think of alternative solutions), worse, the curse made them like it. (okay, it’s theory time heck it. the curse feeds on tragedy, the more tragedy, the more it grows, the more it grows, the more hungry it gets, the more it wants tragedy, the more it triggers tragedy. And by feeding on tragedy i mean all the negative feelings that go hand-in-hand with. Sadness, despair, helplessness, rage, regrets, guilt… It clings to someone who already has a tragic life (Mikey, Sanzu, … Kazutora,…) and it worsens it. End of theory time.) ANYWAY. All of that to say that, this ?
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Was something Sanzu would (without the curse) regret, but did anyway because he couldn’t stop it (because of the curse) because a part of him wanted to (not necessarily, hit Senju with a pipe, but get a pay-back from what he had had to go through as a child. Who knows what he would have done to Takeomi if Wakui decided to not drop our ‘God of War’ by the road before the last fight of the story). And he says things her ‘always nice to her’ brother wouldn’t have said (especially) to her such as “fighting all flamboyantly like that.. you buzzing disgusts the hell out of me. You disgusting fly !” (chapter 248)
Sanzu knows Senju isn't responsible for Mikey's curse, but he learnt about it when he was 13; not before (i'm not saying that's why he hit her, that’s not my best transition). Who knows, maybe somewhere in his mind he did blame Senju before memories of the original timeline flew back to him and he realized whether the toy had broken or not, Mikey would've turned up like that either way. This also begs the question : what did Sanzu think about the accident, before Shinichiro admitted what really happened on that day, before he got his memories from the original timeline back ? What did he think about staying friends with the one who scarred him for life ? Did he really wholeheartedly agree to stay friends for life with Mikey to Shinichiro?
Speaking of the original timeline, Takeomi is said to be on “non-speaking terms” with Sanzu. But let’s put everything back into context : Sanzu “used a damn katana and slashed all of his friends” (Baji ; chapter 270) (which also doesn't support the 'it's because of the curse' explanation or the "You can't erase the curse! [...] I've been following Mikey as if I was in a trance [...]"(chapter 275) of Sanzu. Because there wasn't a curse in the original timeline to 'explain' Sanzu's behavior), and Baji himself says to Shinichiro “Why do you give a fuck about somebody like him ?”(same chapter). Whether Takeomi blames himself for how Sanzu turned out or not, Sanzu at best hurt his friends, at worst killed them. And in this timeline, Takeomi still has Senju to look after – hence, he can’t let Sanzu interact with her, and he refuses to talk with him after what he did (whereas in Bonten, Senju is dead and Takeomi came back in the game and ends up accepting murder as part of his, their, life) Takeomi is also against Mikey killing (South), as he says “Are you even human!? There’s no reason for you to go that far, y’know?!”(chapter 233) which Mikey kindly answers to by kicking Takeomi in the chin and saying “you're better off dead, too.”(same chapter). Shinichiro, like Sanzu, justifies it ; “He just attacked them because they were talking shit about Manjiro. Isn’t that how Haruchiyo is ?”. Would Shinichiro have justified it in another timeline, though ? If Mikey was okay, if Emma was there, if his grandfather didn’t die… Would he have accepted Sanzu’s actions ? Shinichiro in the original timeline, is in deep, deep denial about his entire life collapsing around him.
One second he’s working at a job he likes and wants to do, the other he is a university student, a nurse and his brother’s main and only caregiver. One second, he lives with what is left of his family, the other his brother is his only family left, and he can’t leave the hospital. Not only did his life go downhill after Mikey’s accident, he must blame himself for it too. Why did Mikey have his accident ? Because he didn’t want to lend the Concorde to Baji and the rest. Who bought the Concorde as a gift for him ? Shinichiro. He guided his brother, the boy he raised, to his death, and the girl he raised is nowhere to be seen (which might have been in part his fault since he was too busy studying for Mikey to pay attention to her), even though he had promised to his father to look after the both of them (chapter 269, “Father [...] I’ll take care of both Manjiro and Emma for you.”). His parents, his grandparents, he had nothing left. But Mikey is still alive. So he keeps on focusing on that, only that. Mikey can’t interact with people, nobody knows if he is aware of his surroundings, but he is alive and that fact alone is the only thing keeping Shinichiro from facing reality, from realizing that at this point, he is his family on his own, it’s the only thing keeping him going. He has to keep Mikey alive, to the price of his health (chapter 270, Baji: “In order to get the qualifications to be a caregiver he had to study while working in the hospital. I’m sure he doesn't even have time to sleep, his life is a total mess”; Wakasa: “I was worried that you'd be the first to die [...] Right now you're just rotting away”), his money, his morals (same chapter, Shinichiro: “I've gotten involved in many shady businesses. So I could help Manjiro in whatever he needed. I've done whatever therapies and even paid a lot for those suspicious religious groups”) anything, anything for Mikey. So of course, Haruchiyo was justified in his actions, no matter what Baji or Takeomi might say (plus, Baji says all kinds of things (“He isn't right in the head.”) but he still tags along and interact with Haruchiyo, he doesn’t fool many people. Then again, does Baji have any friends ? If “there’s nothing great about middle school”, he can’t meet Chifuyu, and who knows if he met any other founding members, if he met Kazutora at least.) because killing for Mikey is exactly what Shinichiro does.
The homeless man tells him to gain the power he killed his predecessor, and for a man who has lost everything, killing isn’t much. Except it doesn’t work. Shinichiro doesn’t go back to the past instantly after killing this man. His last hope is gone. And it wasn’t even one – he helplessly believed in the idea of time leaping because it was the only thing left he could believe in. So he kills himself. There’s nothing left anyway. Wakasa, Benkei, Takeomi, Haruchiyo, Baji ? Not enough. And then it works. He’s back. He saves Mikey. Then when he unexpectedly goes back to his present (2003) and goes look for the homeless man, he doesn’t find him. Probably to talk, to thank him. But the thing is, he killed this man. But not once is he seen feeling guilt about this. Denial ? Maybe. Or maybe it’s because he finds it justifiable. He killed for Mikey, for his baby brother, for his own sanity. One doesn’t mean the other isn’t true – he could justify it to stay in denial. He dies too soon after for him to learn to cope with what he did anyway.
There’s also the fact that out of everyone, he goes to Wakasa to tell him about the original timeline. Not Takeomi (who isn’t doing well in any point anyway), and not Benkei (who… we don’t know), but Wakasa. And he confesses his murder to him (as we’re told by Mikey, chapter 268 : “I was informed by Wakasa” ; chapter 274 : “the curse Shinichiro created by killing the time leaper… that is what my dark impulses are.”), the same way he confessed what he did in his previous timeline and what he thought of doing (“In these four years, I've gotten involved in many shady businesses [...] Maybe I should kill them all for deceiving me.” (chapter 270)).
So, while in the original timeline, Takeomi focuses on Senju even if that means neglecting Sanzu, Shinichiro focuses on Mikey which leads to Emma running away (to where, we don’t know). And those two little sisters fit their role differently. While Emma cooks (she is seen several time cooking; and to Draken after he asked her if she was housekeeping “well, gramps is old and…” (chapter 263)), likes cute things (the teddy bear she wanted and Draken got for her birthday), isn’t a fighter and in the final timeline becomes a housewife, Senju chases Mikey, Baji, and Sanzu around, wants to play with their toys (Mikey’s concorde), trains at Wakasa and Benkei’s gym and is a gang member. Takemichi refrains her to buy punk clothes and even though she still buys a lot of items, she prefers Brahman’s uniform and she goes shopping because Takeomi tells her to (“We’re shopping in Harajuku because Takeomi told me to ‘do some girly stuff sometimes.’ This is his card.”) and gives her his credit card (whose money comes from Brahman’s activities, so as to whether it’s his or Senju’s decisions leading to him being rich..). They’re both feminine, but Senju is a bit more of a tomboy in what she likes. Emma doesn’t feel lonely (“Since then, I've never felt lonely. Not even once”)(she has friends her age, such as Hinata), Senju clings to Takemichi the moment he joins Brahman (“Brahman’s full of old guys, so I’m glad people my age are joining”(chapter 216);”So can i think of us as friends now ?”(chapter 219))(seemingly, her only friends remain Mikey and Baji, whom she likely hasn't seen in years, even before Valhalla arc). They are also the only girls Takemichi saw in bra (chapter 9/chapter 216) but uh.. I don't want to know if that was made on purpose or not. But it joins the feminine/tomboy dichotomy – when Emma undressed, she had something else in mind (which, fortunately, didn't happen) and she has lace underwear, whereas Senju is very uninhibited (“Oh, it's fine. It's just sports bra”, chapter 216) and is wearing a sports bra like she says. They were raised the same way (Emma taking care of/helping her grandfather with chores ; Senju being forbidden to use ‘ore’ by Takeomi because it’s not ‘girlish’, making her go shopping for her to ‘do some girlish stuffs’; both being surrounded by men/boys (who are gang members, or former)) so it’s not because of outside influences they came to have different personalities and behaviors – Senju doesn’t fight or is tomboy-ish because she was raised among men (heck, she lives/lived at her grandmother’s while Emma had no woman/girl family members), she simply likes what society deems ‘for boys’ because she is herself and likes those things ; same for Emma, she doesn’t force herself to be someone she isn’t.
The Akashi are a motherless family but we don’t know why. If the Sano parents are dead (beside Karen, Emma’s mom) then I have two theories coming to mind. Either, the Akashi parents are alive or, they are indeed dead and the father in charge of raising them is Senju and Sanzu’s but not Takeomi's (or a mix of both, who knows). There are various details pointing to Takeomi being half-siblings with Senju and Sanzu.
First, it would be another obvious parallel with the Sano → Emma is Shinichiro and Mikey’s half-sister, but make it a twist by making the half-sibling the oldest instead of the youngest. Second, Manjiro (万次郎) and Shinichiro (真一郎) share a kanji and so do Haruchiyo (春千夜) and Senju (千咒)– if their parents wanted to give them names with a same kanji why don’t they all share it ? I get it with Emma (her mom probably named her and we don’t know how involved her father was in her life, plus, 郎 is a kanji that literally means ‘son/boy’, but she could have have a name ending with 子(ko) meaning ‘child’ and who’s only used in feminine names), but Takeomi ? If they wanted to do that, even if Sanzu and Senju came after, couldn’t they choose 武 or 臣 ? Both feminine and masculine names with those kanji seem to exist (and even if they didn’t, it’s the Japanese name system, they could very much invent it – that’s what they did for Senju!(can’t find information on this name like Wakui decided to write it)). And third, the Sano brothers look a lot alike (Mikey did get his hair color from his father but beside that, they both look a lot like their mother) while Emma looks like her mom (they don’t realize straight away she’s their sister “Isn’t she a foreigner ?”, chapter 123 and Takemichi, Hinata and Naoto don’t realize it either and think she’s dating Mikey for a brief moment in chapter 66 (although Takemichi ends up saying “They do have some sorta resemblance actually” after being told, but Mikey asks him “Really ?”), Sanzu and Senju both look extremely alike while Takeomi doesn’t (different hair color, eye shape, eyelashes, eyebrows - perhaps same eye color).
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If we go along with this theory, which also makes their mother the parent they share and not their father like the Sano do (like they stay at their grandmother’s but the Sano stay at their grandfather’s), then the answer as to when Takeomi stopped living with his biological dad and moved in with his step-father would be important. Which one is responsible for how he raises his siblings, or perhaps they are both at fault ? When did their mom leave/die? Did someone ever tell Sanzu and Senju Takeomi was their half-brother ? If Takeomi’s step-father’s family name is Akashi, then Takeomi doesn’t use his birth family name either. And since Takeomi’s mom left him, does he feel the same way Emma feels about it ? (not saying his mother left for the same reason/the same way)
Or they could share the same father and have a different mother like the Sano. Either way, I’m craving for more information about them. They better not stay the “mysterious siblings” forever. Wakui pls
The Sano siblings are 4, we all know that. Izana is a Sano. So what if he throws the parallels off-balance ? He doesn’t. If you’re as delusional as I am, Muto is the Akashi’s Izana.
While Izana knew Shinichiro and Emma, and never got to know Mikey before dying in Tenjiku, Muto knew Sanzu and never got to know Takeomi and Senju. When they met, Mikey had lost Shinichiro and Emma, Sanzu left his home (and most likely stopped interacting with his siblings - although the “Haruchiyo doesn't like the fact im the head of Brahman. He doesn't like that I'm the strongest and that Takeomi endorses me” of Senju in chapter 216 means that he made his disapproval known). Izana knew of Mikey (Shinichiro kept talking about him), Muto didn’t know of Sanzu’s siblings. Muto also has the same age gap with Sanzu (and Senju) that Izana has with Mikey (and Emma). Izana was meant to parallel Mikey, Muto was meant to… parallel Takeomi. He parallels Sanzu too, in some points (staying loyal to their first ‘king’, being very harsh on betrayers/spies, having nowhere to go, Muto to Sanzu, chapter 206, “You don't have anywhere you belong ? You and I are pretty alike.”) but Sanzu said “I would've loved to have a big brother like you”(chapter 206) and so… either Wakui came up with Mucho or Takeomi first. Maybe he didn't even intend to narratively tie them in the first place. But they're still shaped in a way to be opposite. Sanzu took Mucho as his big brother figure first because he’s the opposite of the big brother Sanzu got and who failed him. Mucho’s betrayal against Mikey leaves him to die by Sanzu’s hands anyway, however, by betraying Mikey, he also betrayed Sanzu’s trust. His big brother failed him, again. A brother who told him “it's fine to be devoted to the king, but take care of yourself, too.”(chapter 206), not only validating his actions but saying he’s important as well, a brother who gave him his jacket, a brother who is the reason behind his favorite food (Sanzu’s favorite food is cheesecake for Cozy Corner and Mucho’s failure/heroic story explains why : “to make Haruchiyo Sanzu open up, Mucho bought him cheesecake from his favorite shop, Cozy Corner. The atmosphere was awkward and Mucho asked if something was wrong, to which Sanzu replied that he hated cheese, but would give it a try. There was no conversation after that.”), a brother who tried to make him open up, who tried to understand him, a brother who thought handing him a mask was a good idea because he was “missing out because of those scars” (chapter 206). Another perhaps useful information is that Sanzu dislikes “smothering people”, which was probably what Takeomi was to him (we already know Takeomi likes, has to be in control).
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We only have one example of a moment the Akashi siblings spent together, only the three of them. And that’s Senju’s “it's super sparkly ! I haven't been [in an amusement park] since second grade of elementary school !” (chapter 219) and her hidden volume cover (which happened the same year Sanzu got his scars so between April 1st and July 30th 1999).
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(Takeomi is the only character, on a (hidden or not) volume cover, we can’t see the face of. Most of them look directly at the reader, and if they don’t we can still see a bit of their face (just like Sanzu and Senju here).)
Final Timeline
It’s not a rant about the entire ending, that’s not the purpose of this post so I’ll only stick with Takeomi.
He’s the only one I have a problem with in this ending. Not him in particular, but his role, his job. Mikey and Takemichi fixed everything (the best they could), including the Akashi siblings’ relationship. All three of them work together.
I won’t say it’s bad for Takeomi’s development, it depends how it’s done and since it’s a happy ending for everyone, it shouldn’t impact anyone badly, But. Was him being the ‘self-proclaimed producer’ necessary ? I’m not against it, especially not if he has another (official) job on the side (and we know he’s smart enough to have one, and one who pays lots, which would also explain how he succeeds to ‘produce’ Senju & Haruchiyo). The only small problem I have with this is – he still lives by being someone important, needed, for somebody else, living on somebody else’s success. And it can be healthy ! But why is it ‘self-proclaimed’. Yuzuha isn’t Hakkai’s ‘self proclaimed’ manager. She is. Takeomi could very much be Haruchiyo and Senju’s producer. Sure they’re youtubers and I don't know if they can have official producers, but why? Takeomi, especially final timeline Takeomi, doesn’t need to brag about others’ achievements as if it was his own, he needs to brag about what he can and what he does by himself, without the need of anybody else.
And I don't say it’s what happens in the final timeline. But it still leaves a bitter taste in my mouth. I hope he has another job where he constantly realizes he is the only reason why it succeeds. Because I don't need him to say ‘I raised them’ or ‘I produce them’ when someone praises Senju and Haruchiyo, as if he was the reason they became famous. I don’t need him to get Haruchiyo and Senju under the spotlight to steal it from them. I need him to be their producer because he can, because he wants to help and bond with them, without taking what they did for himself. I need him to have an individual job, to have built his career without anyone’s help, to see that he can succeed alone. And unfortunately, that’s not what this last chapter made me feel was happening.
Still, it is (and that’s why we’re here for, not me rumbling about how Takeomi’s job is the only one to piss me off because he’s the only character who ends up with a job that can screw up his development). First, I'm so glad the Akashi actually get to be siblings. There are still some issues they had had to fix (with Mikey and Takemichi’s help-), Takeomi and Haruchiyo’s relationship was already pretty bad (Takeomi has his scar on his face) but it got fixed ! Second, Takeomi deserves to feel needed (and to be), which he is by being their producer and i wish, if both sides do take advantages of the other, that it’s in the most healthy way (if that makes sense) – that “the money [...] spent out of Takeomi’s pocket” was his idea and Haruchiyo and Senju accepted (with perhaps the intention of paying Takeomi back later, maybe not with money, since Takeomi doesn’t seem to need it, but still, to do something to show Takeomi it was appreciated) and that Haruchiyo and Senju thanks him publicly, without his ego feasting on it.
I hope he got his self-esteem restored. Which of course that’s what happened, we’re in the final timeline and everything’s good. But. I really hope he did.
And I choose to believe that the “same old Takeomi.” from Shinichiro means Takeomi the same as he was when they were kids. Maybe not exactly, because Black Dragon 1st generation and Takeomi’s superiority complex happened, but that Shinichiro recognizes his childhood friend is doing well, that he’s still here somewhere and got healed.
+ What’s in a name ?
(I'm gonna do something I didn't do for the Shiba (there wasn't much to say about it for them))
Writers are careful with how they name their characters (I'm making generalities here) – and it's especially true with Japanese and Chinese Writers whose characters' name change meaning depending on how they decide to write it
So it's been odd to me, when I realized the ‘Take’ in both Takeomi and Takemichi were the same. Why would Wakui do that? It can't be a coincidence, right ? And indeed. The Akashi siblings' names hold meaning.
Let's start with 明司 (Akashi). 明 (aka) means light, bright and is made of the Kanji used for sun (日) and the one used for moon (月). Then, 司 (shi) means official, director, administrator and was once used to design governors the Emperor had appointed to carry out the imperial policies in provinces. So 司 is for people in power, but not at the top. As said before, 司 seems to come from 后 which is the same kanji upside down and which means ‘emperor, king, monarch..’.
武 from both Takeomi and Takemichi means ‘military, war’. Takemichi's name is actually made of the exact Kanji as Budō (武道, way of war/way of the martial arts). 臣 (Omi) means ‘retainer, subject’ and could be used as a ‘I’ when addressing one's master. Ah, and it can be pronounced ‘Shin’ by itself. Because of course it does.
Takeomi is either: the warrior retainer or the war/military retainer. But he can also be in some way, the director of the light (and so can be Sanzu and Senju.)
I've got more to say about Sanzu than Senju so I'll start with her. Search "Senju Japanese name" into a search bar, you won't end up finding it written like Wakui decided to write it. Not that it means it doesn’t exist, but it's not popular. And for cause, Wakui chose to write Senju: 千咒 – A thousand curses.
Now, who would name their child "curse", I don't know. Perhaps it's one of those names where they're supposed to be degrading so as to push bad spirits/ghosts away? I have two theories for this but they’re without any real basis. One of them is ; the person who named her was really angry at her birth and since we don’t know where is/what happened to their mother.. Yeah (either she died giving birth or for some reasons she named Senju that way before leaving/disappearing). Or it could be one of those ‘Kira Kira names’ (names outside of the norm parents decided were cool). Anyway, Senju thinks she is the reason why both Mikey and Sanzu (+Baji) turned up that way, which isn't true as we're being told after, but Senju thought she was the reason behind Mikey's curse – without knowing it was a curse.
I didn't find any real concrete stuff about Kawaragi. Which is sad. 瓦 means roof tile and 城 means castle. When put together with the Kanji 礫, 瓦礫 means rubbish, wreckage, debris. With the Kanji 解, it becomes 瓦解; collapse, downfall. Normally I won't dare to talk about things who seem to be a bit too coincidental. But 土崩瓦解 doesn't feel coincidental. It can either mean 'complete collapse' or, '(something) going to pieces', meaning 'broke beyond repair'. Which she did. Or rather, thinks she did (not only the toy plane, but “Ever since that day, they all changed… mikey, baji and Haruchiyo. They all changed, and it's because of me” (chapter 241, Senju)). Also, 瓦 is 万 but backward and 万 is the first Kanji of ‘Manjiro’ (万次郎). Which makes a lot more sense. I guess ? For 城; there's 成, meaning 'promoted' it's notably used in Shogi where some pieces can be, well, promoted.
I like to think Sanzu started calling himself such because Mikey and Baji decided to find themselves different names (even if Baji is never even once referred as Ed or Edward). But whatever the reason, Sanzu is one hell of a name. Quite literally, hell. If you look up "Sanzu'' and ignore the Tokyo Revengers-related things, you'd scramble upon: 三途の川 – Sanzu no Kawa. River of the three crossings. A place the deads have to cross after their deaths, and which leads them either to heaven, to hell, or to resurrection. Souls get punished there. Every sin gets met with a trial.
(Plus, it's interesting to know that those you get drag to Jigoku, "hell", fall in the water/river where a bunch of snakes await them. Whereas people who get a pass to Tengoku, heaven walk over a bridge. Sanzu is never called ‘sanzu’ in the original timeline. But you know how Shinichiro died the first time ? Yeah, you do. He isn’t called Sanzu once in the original timeline, and even if he is in the final timeline, I decide to believe it’s because Mikey and Takemichi are too used to calling him that way to realize it and he just picked it up.)
春千夜 (Haruchiyo), is the only name among the Akashi who don't have any kind of negativity in it. Senju has curses, Takeomi has retainer (which isn't a negative thing in itself, but we've already established that Takeomi wants to be so much more than to be at someone's else service), Haruchiyo means "Spring of a thousand nights". Just like Senju, he has 千, ‘a thousand’ in his name.
Remember the 武 from Takeomi and Takemichi ? Yeah ? Well I'm a bit of a liar. Rather than a liar, I didn't say everything. There's a third character with 武 in his name. But it isn't pronounced 'Take' for one, and for two, it's in his family name, not his first
武藤  泰宏
Muto Yasuhiro
(I can't imagine the pain he has to go through every time he writes his name down. 藤 is one hell of a kanji.)
Ah... Mucho. Sanzu's big brother figure. Better than the other. But who did the only thing Sanzu would kill anyone for: betray Mikey. But that's not the point here, we're here to talk about his name. Beside the obvious 武 meant to add to the fact he's Sanzu's big brother, like Takeomi but reversed, 藤 means wisteria. 泰宏(Yasuhiro) means "peaceful' and 'broad' which describes Mucho's personality accurately but, but, but. In 泰 there's 𡗗 just like in 春 ;) (it actually doesnt mean much because taiju also has it in one of his kanji but shh). Or, just like Sanzu shares a kanji with his sister, he shares half one with his not related by blood brother. And ⺢ is a variant of 水, water, just like Sanzu is a river.
朕 is also in there. It's the royal ‘I’, ‘we’ – completely opposite of the servant 臣, ‘I’. More globally, wisterias represent the imperial family in Japan; thanks to the Fujiwara who impacted Japan by a lot when they were the ones ruling the country. And I’ll stop there with Mucho because I may be going too deep here and at some point digging further is meaningless.
Shinichiro and Mikey’s names are… It made me chuckle, not gonna lie. Not because of what the kanji means, but because those are extremely common kanji found in names. 一郎 in 真一郎(Shinichiro) means ‘first’ and ‘boy/son’. 次郎 in 万次郎(Manjiro) means ‘next’ and ‘boy/son’. These (reading ‘Ichiro’ and ‘Jiro’ by themselves) were rather common names for children from not-upper class families. It’s much less common nowadays. Then there’s 真 who means ‘real, sincere, genuine, truth’ and 万  who means ‘ten thousand’. And I didn't quite understand why their parents would choose that kanji, but if you add 全 to it then it gives 万全 or, ‘perfection, flawlessness’, and suddenly it makes my heart melt and also more sense. (it also seems to come from his grandfather’s name Mansaku (万作))
Sano 佐野 too, is a rather common name. Or at least half a common name. since 佐 may make you think of 佐藤 (Sato) which is the most common Japanese family name. However, the 藤 comes from the Fujiwara clan, since the Sano don’t have this kanji (unlike Muto) we can say they don’t have samurai ancestors (or if they do, it got lost along the way). It seems like family name with two out of three of the following kanji : 田, 中 or 村 are reasonably common. And 野 (Sano) has both 田 and 村. (although unlike Tanaka(田中), Nakamura(中村) and others they are stuck inside one kanji).
Unlike Akashi which describes someone of the upper-class, the Sano are everyday average people (Sano means ‘to help’ and ‘field, plain’ but also a prefix meaning ‘wild, lacking a political post’). Except they aren’t. But Wakui must find himself funny for this.
EDIT: 'Sano' is a city in the Tochigi Prefecture in Kanto, which economy revolves around agriculture and light manifacturing. It was also once the name of a clan.
(By the way, the -no of Terano (寺野) is the same kanji. As in, Terano South. And there are some parallels between Mikey and him.. (ill mother, no father, a parent who's a foreigner – but Mikey was born and raised in Japan while South had Brazil), person who raised him showed him the world of delinquency (but they had clearly different view of it), go live with their grandparent(s), person who raised them died when they were 12 (Shin died before Mikey had turned 13) because of ‘dark impulses’ (South himself; Kazutora), they both have ‘dark impulses’ (although we might never know why/how/if they are really the same dark impulses for South), they are both known by a English name rather than their official Japanese one (but Mikey chose his while Dino named South)… We don’t have enough about South and I don't like it.)
(Even worse, because if you’re as delusional as I am, you would notice that if you take out two strokes of 南(South) you end up with the kanji 幸. And since Mikey loved his mother very much, and she loved him very much, and South loved his mother very much… Then his mother must have loved him very much as well (even if she was incapable of fully taking care of him). And 幸 means ‘happiness, luck, blessing fortune’. But then it’s a girl name. But perhaps that’s what his mother wanted her child to be named if it was a daughter ? It’s still hidden in the ‘’Minami’’(南) Anyway, as I said, I’m being delusional and 南 is not an unusual name in Japan. Leave me and my headcanons alone. There's also the possibility it was his father who was Japanese, of course. After all South’s name is Japanese, but then, we don't know a thing about his father so we can't say if him and South’s mom were married. But no matter which one was his Japanese parent, he either had no vocabulary in Japanese or only the basis and had had to learn everything when he was sent to live with his grandparents in Japan – who probably don't speak a word of Portuguese so it didn’t help South having very violent habits. They couldn't communicate.)
I didn’t find something that caught my attention with Baji’s kanji. Sad. But Edward means ‘guardian, protector’ so at least he chose a name that does describe him well. Micheal means ‘who is like god ?’ and of course reminds you of Michael the Archangel and knowing his mother called him ‘my angel’, well my heart is currently aching. I mean… Baji is made of a kanji meaning ‘place’ and another meaning ‘ground’ (the kanji for Keisuke means ‘jewels/corner’ and ‘meditation’ and i really have no idea for those) – Michael is one of the most famous angel name and Sanzu is linked to the afterlife so.. perhaps Baji is the ‘human’ of them three ?
(Baji Keisuke is written 圭介場地. Out of all these kanji there's only 圭 I perhaps found something interesting about. In Shogi, there's a piece called 成桂; 'promoted Katsura' and its abrevation is 圭. Btw, in Shogi, the 'king' is 玉将 or 王将 (if you're a lower rank player or a challenger VS if you're a higher rank player or a reigning champion) notice the dot ? It's 瓦 from 'Kawaragi' vs 万 from 'Manjiro' again)
Emma and Izana's can't be analyzed this much. I didn't find anything for Izana (If i go on Behind the name, in japanese the name Izana (rare and only used in pop culture) comes from the verb izanau ; to invite, to ask someone to do, to call for, to tempt, to lure, to entice ; but honestly, searching for the etymology of this name doesn’t give you a lot of answer (not enough sites say the same thing for me to believe it)) and Emma is "universal, whole" when it comes of German etymology and "all containing" when it comes of Hebrew etymology.
Also it’s interesting how Sanzu and Senju decided to change their family name and not their first like Mikey and Baji. Plus, Baji gets called by his family name every time so it didn���t serve much – like Senju who changed her family name but is never addressed by it in the story (even Brahman members yell ‘’Senju’’). But then Mikey changed his first name and gets called by it and Sanzu changed his family name and gets called by it. One option for each possibility, so it could be in/Wakui’s purpose! The one who didn’t use their other name as much as their real one are the ones to die, whereas the one who, to overstate the point, changed their identity by identifying with something that wasn’t initially them, actually got those selves erased. It’s more clear for Sanzu. Sanzu came up with ‘Sanzu’ and ‘Akashi Haruchiyo’ wasn’t anymore. Mikey came up with this name for another reason but it was still to get rid of ‘Manjiro’. And he didn’t get rid of ‘Manjiro’ until his brother, the only person left to call him that, died. Mikey’s flashback (chapter 264-265: “I.. really like ‘strong’ people [...] Until that day [Shinichiro’s death] [...] I was looking for ‘something’ other than strength [...] All the guys in Toman are good. They're so good but there's something I can't figure out. I wonder how long… there has been ‘something’ dark inside my heart [...] ‘strong’ alone is not enough [...] After all, all I need is ‘darkness’.”) tells us he was already starting to follow his Dark Impulses ; after his brother’s death. He confesses it to Kisaki (“I wonder how long… there has been ‘something’ dark inside my heart. Sometimes that ‘something’ expands and drives me to destroy absolutely everything”). Manjiro Sano died with his brother. Other people may still call him that way, like his grandfather, but Mikey is Mikey. And this innocent name he once chose to make his sister feel less lonely became a metaphor for his incoming loss of sense of self.
We can also add that Shinichiro may have not changed the way he called Mikey because since his brother, 'Manjiro', was the only thing left from his life before it went downhill, calling him 'Mikey' instead of 'Manjiro' would have created even more of a distance between Shinichiro and his past 'normal' life from his childhood.
Baji and Mikey chose their name (Micheal & Edward) to try to make Emma open up. To get closer to her (especially Mikey). And Emma gets her birth name (Kurokawa) changed as Sano, which makes her even closer to her two brothers (and less from Izana). Sanzu and Senju chose their name to separate themself from Takeomi (and each other).
Of course, they aren't the only characters being best-known as a name they chose themselves of have been given by others. Draken for example, doesn't show any kind of resentment or even neutrality against his name; Ken is still present in Draken. We also know he chose it as a child (like the others), but (unlike the others) a reason is never given - he most likely thought it was cool; just like Mitsuya's dragon and his new tattoo were. Same with Benkei. It is written in katakana in the manga, but with kanji Benkei and Keizo have the same 'Kei'. Benkei is one of the most famous historical figure in Japan, by the way. (He is the servant of Minamoto no Yoshitsune, born Ushiwakamaru. Birth name which shares a lot of kanji with 'Imaushi Wakasa'. Both were great fighters). South, is another example of a name given to change one's identity – but South didn't name himself 'South'; Dino did, after making him kill someone, or giving him a bloody baptism if you prefer. And 'Minami' means 'South' but Minami never grew up enough for us or himself to know who he was.
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mikey baji sanzu and senju are four and so are bd 1st gen doesn’t feel like a coincidence. But i cant think of something that makes it very interesting. Wakasa and sanzu both know about the og timeline, baji and takeomi are used as parallels at least once, senju has some commons traits with Shinichiro, but mikey does too (and more), senju and benkei.. both like MMA ? And their favorite catchers are rivals ? Thats not much for me to talk about ngl)
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sherlock-is-ace · 1 month
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the imposter syndrome i feel every time i even slightly think i might be autistic is insane, specially for a person who highly relates to the lived experiences of people who are professionally diagnosed.
Like I was just watching this one youtuber, and she was talking about very specific examples in her life and childhood where she saw autistic traits that made her realize she was autistic and then seek a diagnosis and then get one, and everything she was saying was like she was describing my life! But yeah no, I can't be autistic tho
#and one thing that has been filling me with dread (as if it was relevant lol) is the idea of seeking a diagnosis and#either not geting it because it's already so hard to find a diagnosis for '''''''women''''''' (afabs)#and that will make me doubt myself even more! but most importantly those around me who already don't believe me#but also i'm very scared about this one thing in particular which is the talking to your parents portion of the diagnosis#where the therapist will want to talk to people who knew me as a child... and that person will have to be my mom#and i'm pretty sure she will dismiss most signs. like she would either not bring them up because ''they're normal''#or play them as less important than they were#or maybe she didn't even notice them! because most of my struggles are internal!#things like being bullied or having no friends or liking a routine#idk if she'll be able to talk about all those#because my bullying wasn't violent it was mostly dismissive#my ''friends'' weren't really friends like i didn't CARE for them as maybe someone would have#and also they would leave me for no reason at all out of the blue... so i don't think even THEY considered ME a friend#and liking routine i guess she could say i prefered it but she doesn't know to the extent i hated going off it#i'm sure she forgot about the time i cried (as a 10 year old so not THAT young) because they made us change classroom#and i didn't know that was gonna happen... it was added to the anxiety that i thought my mother wouldn't be able to find me#but like the unknown classroom traumatized me (to this day i get anxious just thinking about that)#like... all those things i don't think she would bring up (if she could even) and i fear that will make me not get a diagnosis#not that this is a thing that's gonna happen cause as i established i cannot afford a therapist nor i'll ever get a diagnosis i don't think#so like it's not relevant#but i am anxious about it nonetheless#angel talks#personal#idk what's my point with this post btw i'm just venting and creaming to the void#dkfjhgdfg
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