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#and then if you point out that a lot of things generally considered That Good share that same quality
darcydoesfuckall · 2 days
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Why you should write that AO3 comment:
Hello! I am an AO3 author and professional fandom dipshit. This is an "essay" on why you should leave that comment on the fanfic you just read.
Table of Contents:
"Commenting is too much effort!"
"I don't know what to write!"
Do you want more fanfic?
Fan creators are human beings, not AI content generators.
You can count it as charity work on your metaphysical taxes.
"Commenting is too much effort!"
Yes, writing a comment takes energy. I'm an introvert, I get that. I have two counter arguments to this point.
AO3 comments are not the SAT:
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This is a comment from my latest fic, Quantum Entangled.
Three words and a heart. It requires zero consideration, it isn't specific to the fic, it's something you could copy-paste, even. A comment like this is better than nothing. I'll let my reply from AO3 explain why:
"You know what, I appreciate this way more than you'd probably expect. The temptation to lurk is a strong one, both for social anxiety reasons and internet content-consumption culture reasons. But when people lurk, I can't tell that they've enjoyed the story. The more people that lurk instead of interacting, the more I assume that my work wasn't good enough, irrespective of the reader's actual feelings. So this was a very welcome comment to read. Thank you for indicating your enjoyment. I will endeavour to write more stuff for you to lurk on in the future. :)"
A comment like this, one that is as thoughtless and low effort as possible, is still a comment. Something that denotes a reader's interest. Because, and I can't be clear enough about this, I HAVE NO OTHER WAY OF KNOWING THAT YOU LIKED IT. Kudos and comments are my only window into the reader's experience.
Sure, I'd love more detailed and thorough comments on my work, but, if that expectation is the thing that's going to stop you from commenting at all, I'd prefer the bland copy-paste appreciation.
Onto my second argument.
Do you know what also takes effort? WRITING THE DAMN FIC:
You do not get to complain about being forced to type a congratulatory handful of words after reading that 200k slow-burn fantasy au. Do you know how many hours went into that thing? Do you? Because I can guarantee that it was A LOT. All that writers are asking for is a single emoji. A kudos, at the very least. Consider the effort that went into the creation that you've just experienced and give just a thimble full of it back.
Authors lay out a feast for you to devour. They're only requesting a "thank you".
"I don't know what to write!"
Like in the previous example, an AO3 comment can be as simple as three words saying that you appreciated it. Just an acknowledgement that you were there. It doesn't have to be fancy.
But if you want fancy...?
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Here's one of my comments, from Tishae's Better Together.
Let me break it down for you.
"Stunning. This au is so well developed. I love how you managed to maintain tension after the point that they discover that their feelings are requited. This was brilliantly paced, and the action (esp the ending) was so engaging."
The comment opens with appreciation. (Think of it as a sandwich with love as the bread. It starts and ends with my enjoyment.)
There are specific details about what I liked.
"If I may ask, what was the crime that the Metatron committed? Maybe I'm bad at reading between the lines or maybe I missed something, but I'm really curious as to what dirt they have on him. Victimless? Bad enough for imprisonment, but not so morally reprehensible as to make Anathema reveal it? Did he embezzle? That's all I can really think of."
Continues with a specific question about the story and plot.
Shows that I was critically engaged and actively considering the story.
You don't have to have questions about every fic that you read, but don't be afraid to ask them if you do. I love it when people ask me about my work.
"Thank you for the delicious food. I honestly thought that you were going to have Crowley's final look be something in grey (black and white being the theme of the show, metaphorically representing separation/binary, so Aziraphale was uncomfortable with it due to the implications. Grey, symbolising unity/shades of grey as an idiom, would then be the biggest middle finger to the Metatron) but I do really like what you came up with."
Gratitude.
Thoughts about how I read the plot. (This is something I particularly love to read as an author. Please tell me what's going on in that funky lil' brain of yours!!)
"I'm hoping this comment provides plenty of dopamine. If the task activation and instant gratification parts of your brain light up, you might be more likely to write GO content again. Love your work, thanks for sharing it. I hope you gain 3 inches of metaphorical dick length. Please keep writing."
Encouragement to keep writing. (This is the best way to ensure that creators remain in the fandom)
A funny comment to sign off.
Now that you know what to comment, let's start on the real reasons why you should.
Do you want more fanfic?
Fun fact! Fanfictious Authoria are a species that sustain themselves entirely on a diet of brain worms, unfinished WIPs, and kudos. As one of the three fundamental food groups, removing kudos from the fandom ecosystem causes a complete collapse of the natural order. In times of unprecedented scarcity, entire populations of Fanfictious Authoria can die out completely. This means that the production of fanfiction, in that particular region of fandom, stops entirely, often causing major ecological damage, and the subsequent deaths of fan species in the same genus. (Like the Fanfictious Artia, or the Fanfictious Editour, both of which subsist on fanfiction based diets to survive.)
In conservation efforts, experts are imploring readers to donate kudos and comments toward any fandom region that they want to stay alive.
But I digress.
When I want more content, I tell the author. Ask and you shall receive; it's the best way to convince an author/artist to make more.
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My comment on @mrghostrat's And They Were Streamers
You liked it? Then COMMENT! Not for the author's sake, but for your own. You want to see the ending of a WIP? Well, it'd be a terrible shame if the author gave up on it because they thought no one was reading... They don't know that you enjoy their work until you TELL THEM. They're not psychic, you have to help them hear you. Commenting on the things you like influences the creators of said things to attribute the act of making content (and, notably, making the type of content that specifically appeals to you) with the dopamine hit of reading your reaction. Treat them like Pavlov's dogs. Ring the kudos-bell.
Fan creators are human beings, not AI content generators.
They have real human feelings and real human egos. The contemporary attitude towards media engagement is skewed towards algorithmic, instant, and uncritical consumption. This is pumping straight gasoline into the beautiful lakes of our fandom ecosystem. Fandom cannot afford to treat its creators like mechanical text generators. We are not an unfeeling assembly line, only there to produce content. We are enthusiasts, engaging in our hobby. No fan creator has to show you anything. They are fully within their rights to keep their works hidden in their computer files, never to see the light of day. Every fanfic on AO3 is only there because someone had the grace to share it with you. You are not entitled to an author's work, just as they are not entitled to your kudos. We have a mutually beneficial arrangement. Do not forget your part in this symbiosis.
It's a problem that extends beyond AO3. Tumblr is a less enthusiastic place than it used to be. Fandom as a whole is drifting towards a consumption mindset. I, for one, am sick of it. Reblog things, like them, share them. Make fanart of fanart. Who gives a shit? Do the cringy thing. You don't have to cultivate your blog aesthetic. Be who you are, like what you like, and have enthusiasm about all of it. Fandom should be an expression of radical self acceptance. Embrace it. Leave essays about fics that you liked. Reblog the essays of other's when you see them. Exist in the mutual joy of seeing and being seen. You are not just an external observer, absorbing content from a distance. You are here too. Wave back at us. Say 'hi.'
You can count it as charity work on your metaphysical taxes.
My final appeal is a moral one.
Commenting on AO3 is just a kind thing to do.
You are your actions. Are you the kind of person who does the kind thing when no one is watching? When no one will care?
Fanfiction is a hobby, and I'm not here to guilt you about how you spend your leisure time. I'm only here to say that there is a kindness you could be giving the world.
If you are one of the people that performs this kindness, I thank you.
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you know, Christians follow me and this isn’t a joke or me making fun of them. I genuinely think that part of being in an inclusive community is well being inclusive. I miss my interactions with Christian followers. Being a Christian and being part of the LGBTQ+ community at large is not a contradictory thing. While yes certain denominations make the link of our flag 🏳️‍🌈 to the seven deadly sins (ie pride is sinful) most denominations don’t tend to share that sentiment. I feel like Christians get a bad rap. no I’m not joking okay listen there’s a difference between Joel Olsteen and things like the Southern Baptist church vs like a Protestant denomination such as Methodism. The Methodist church is actually surprisingly inclusive of the LGBTQ+ community. Now while I’m far from religious (have a lot of trauma related to that) I don’t hate these people. The people I hate are what most consider false Christian’s anyway. Things like non actively practicing baptists who will spout bs and cut you off in traffic while using the lord’s name in vain. people who force their beliefs on others or try to convert.
Genuinely think it’s upsetting on multiple levels. First the thing is, if you make being part of this community contradictory to things like Christianity you’re just gonna end up with a bunch of people who repress that side of them and who harm themselves because they stick to following religion. This does not help ease things like older people who don’t understand, this in fact harms us far more because if we’re outwardly hostile to them? Guess what the church can go "this is proof that the lgbtq+ community is satan". I mean this in like, the people on the fence not the southern baptists those people are far too gone lol. it’s hard for LGBTQ+ youth specifically who are religious to embrace that part of themselves. I should fucking know right I was baptized and went to church. Very much understand that nuance. You shouldn’t shun or be hostile towards people like youth pastors who are accepting of the lgbtq+ community. Most people know this yes but when you get angry at Christianity as a whole instead of towards specific things like well let’s say the Vatican City, those same people who are out there trying to help make the view being part of LGBTQ+ is not contradictory to religious teachings get their progress reversed.
Second, when you have lgbtq+ individuals who are well aware of what I typed out before… who are genuinely scared to talk about their beliefs because they feel they’ll be lashed out at… that’s not exactly a good thing either. The post circulating about my struggles accepting I was trans because I thought it was a fetish? Well in the notes actually I had this amazing discussion with a Christian regarding that and we shared our experiences. It still is a fond memory of mine because that person had the courage to approach this blog out of all the blogs and talk about their experience. Think about that, a hard kink blog primarily focused around shitposting and being obscenely horny on the internet having an in depth discussion with someone on the other end of the spectrum. Connected purely because we share the same experience regarding our discovery of our gender identity.
All this to say, please don’t be discriminatory towards the people in our community who practice religion. I don’t care what religion it is, this post was written around Christianity since well I mean if it isn’t obvious I used to be a Christian at some point. This is a lot broader of a topic, I’ve seen Rabbis who do the same thing with trying to stand in solidarity with the community. There’s a lot of nuance to religion that gets swept away when people sit there using broad generalizations and stereotypes. It’s almost as if those things are bad and we should all fucking know it in $CURRENT_YEAR. This is not a post about religious persecution, do not interpret it that way. This is a post regarding being mindful of the people around us who while we may not share the same beliefs are still very much a voice in our community and who we need to remain in solidarity with in order to have a big voice. To stand up as a group. K thanks bye
#:3
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apple-and-berry · 20 hours
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My point of view on Carlos Sainz vs Charles Leclerc discourse.
This is my first season of formula 1 and I have watched the races of previous 6 years and have good knowledge of the sport therefore I am commenting on this. This however doesn't perpetuate any hate towards any of the people mentioned.
Charles Leclerc is someone from whom there are a lot of expectations and he is held on a pedestal so high up that love and scrutiny comes hand in hand. He is a tremendously talented driver presented on the grid with WDC potential. When you are someone who is burdened with such pressure, you need to understand that people will more critical then appreciative. Sure you will be celebrated when you succeed but it would be awful when you fail because you are expected to perform well everytime. Fictionalizing situations and decisions taken by him or his team is a disrespect to both. Charles is not weak person as the social media and his fandom paints him out to be, he is someone who is strong and has generational talent.
On other hand, we have Carlos Sainz who is an exceptional driver as well. He is someone who is definitely underrated and doesn't show all of his tricks that he has hidden up on his sleeves. He has a distinctive driving style that can be defined as calculated. His performance this season is truly commendable according to me. He is talented no matter what people say but is he a WDC material? That's debatable. There are way too many factors that would need to be considered.
So now coming to the noise that is surrounding both drivers and what I am about to say can be considered for other drivers as well. These two drivers are amongst the 20 best drivers around the whole world and the fact that they are on the grid makes them talented enough. There is always a fine line between criticism and hate. If you remove the social media aspect from the driver and the racing you'll see that there is nothing to hate about any of them. They are there to drive and have healthy competition. That's it.
The people who are spreading hate and constantly criticising any of the driver for reasons except racing are just miserable people who hide behind a screen. They feel superior and validated when they do so. Disliking a driver is one thing but disrespecting him and his skills and achievements is a low. You can love and support one driver without bringing down other. It's possible wish good for your favourite driver without wishing bad luck on the other. They are humans not robots.
Why spread hate when you can spread kindness. Does being mean to someone and hating someone makes you happy? Will it count in your life?
I am sure years from now you are going to look back on these moments and think it wasn't worth it because it's truly not. Enjoy this sport of 20 cars going round and round and live your "real world" life. Fill it with love, fun and positivity.
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tenpintsof-sundrop · 5 hours
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Hii !! From the smut prompts (stop rolling your eyes, I know Im predicatable!) could I request "Accidentally Sending Nudes", "Sexting" and... a secret third thing (the choice is yours, go hogwild) for Jason x Fat Fem Reader? I'm leaning more towards sub!reader but shes def a little shit about it :3
Thank you in advance if you write it !! 🌼
See, this is why it pays to send in a request with me, because even if I don't answer it right away, I keep requests in my inbox for months and come back to them later!!! (This is from December 2023)
(Also this request is just plain fun) (because Star knows exactly what buttons to push to get me lmao)
DC Titans Requests - OPEN
How would Jason react to you accidentally sending him a nude?
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(Jason Todd x Fem!Thick!Reader)
Warnings: set specifically in the Titans!verse - set during season 3/mentions of season 3 plot points; spoilers for major plot points of Titans (including character deaths on the show); this is kind of enemies to lovers? (enemies to fwb, I guess); the reader uses she/her pronouns and has a vagina; the reader is described as being fat/plus sized; passing mentions of Gar x reader (I couldn't help myself); dubious consent - because of the nature of the trope, Jason sees the reader naked without her explicit consent, and he decides to keep the picture without her consent - but it does spark a consensual sexual relationship between them; passing mention of using nudes for blackmail (that does not happen); this isn't really proofread; (generally, I consider this post to be a fucking mess because it was written in Tumblr but I was still trying to have fun with it lmao.)
...
Jason is minding his own business when it happens.
(For once in life, he is fully, completely, minding his own business.)
He's back in Gotham and he hasn't seen you in months - and if asked, he would say that he hasn't thought about you. He doesn't have time to think about you because he's been too busy with this therapy bullshit, training, trying to get back his title of Robin. Trying to get back in the cape. (And trying to get back in Bruce's good graces.)
But that's not exactly true. He's thought about you a lot.
(Most of those times have been with his hand around his cock, but again - he won't admit that.)
There is an occasional time that you cross his mind and it's because he's wondering genuinely how you're doing - wondering if you're well, how your training is going, wondering if you're doing okay under the Dickhead's reign. But he can't ever pluck up the courage to text you and simply ask. Because that would be admitting that he cares, and that would make him look like a weak little prick.
And that's why he's so damn surprised when you text him first.
He hasn't heard from you since he left the Tower (well, since he stormed away from Donna's funeral in what you called a 'toddler fit' - something that ended in a rather vicious text argument between the two of you). In fact, the last thing in the text history between the two of you is you calling him a 'giant, petty, whiny baby who can't deal with his own emotions'.
(You had no clue what had happened between him and Rose, so that did inform a lot of your opinion on the matter.) (And that was probably the reason why Rose still had all of her teeth after you had seen her at the funeral.)
But all of that was aside from the point.
The point being - Jason found himself smiling when your contact name popped up on his phone.
He has you in his phone as 'Pretty Girl' - along with a contact picture of you sticking your tongue out at him in response to having his phone shoved in your face with the knowledge that he was taking a picture of you. (That tongue always makes him think certain things, so even though you intended for it to be some rude thing to ruin the picture, it makes it so much better for him.)
(1) new photo
That instantly catches Jason's attention.
Perhaps you were sending him a picture just to flip him off, or sending him a picture of a dumpster to ask him if it reminded him of home - a common joke you used to make when he still lived at the Tower.
Jason grabbed his phone and opened the message, expecting another tired joke, and-
Holy fuck.
The last thing he was expecting - your naked body. Your gorgeous naked body.
(He likely would have expected a nuclear blast or for the Joker to clean up his act and actually become a decent, sane citizen before he expected this to happen.)
Jason brought his phone closer to his face, making the picture full screen in order to examine it better - he needed to make sure that he wasn't hallucinating, or that this wasn't some weird dream. But fuck, he definitely wouldn't be able to dream up this.
You were so perfect - so fucking perfect in a way that was so very real.
The picture was a fucking stunning side profile of your body - rolling curves, lacy underwear that could clearly barely contain your impressive hips with sweet little stretch marks jutting out from the fabric (jagged little marks across the softness of your skin that made Jason want to act up) - soft fat for him to grab onto, and the perfect teardrop shape of your breast, now bared to his eye in a way that he had only dreamt of before. Something that he had stared at through the oversized tee shirts you wore to bed without a bra, just wondering what you looked like underneath.
And fuck, this was so much better than anything he could have dreamt up.
Jason's cock began to harden almost instantly, and laying in bed, he reached over to his nightstand for some lube, ready to milk that picture for all it was worth, when-
His phone buzzed again.
Pretty Girl: 'Delete that.'
Jason hadn't even considered that you had sent it to him by mistake. He had been far too busy enjoying to even consider the intention or the psychology behind it.
So, he took his hand off the waistband of his sweats and texted back the first thing that came to mind.
'No.'
(He didn't hear your annoyed growl on the other end, frustrated at his downright typical Jason behaviour.)
'It's not my fault you made a dumbass mistake. Besides, it's the least I get after all the nagging from you.'
Then, something else came to mind as the bubbles popped up, meaning you were busy formulating a reply - an annoyed one, no doubt.
'Who did you mean to send it to anyway? Who are you fucking whose name starts with J that's not me?'
(You hesitated.)
Pretty Girl: 'I didn't type in J.'
'???'
Pretty Girl: 'I typed in G. And it turns out the first contact that popped up was Giant Baby. That's you.'
Jason felt annoyed and insulted on all levels. The fact that you were going to Tiger Boy for dick instead of him, and the fact that you had used such a mocking contact name for him. But when he realised that such a pathetic string of events had caused him to accidentally see you naked, he couldn't be too upset.
'I'm still keeping the picture 😈'
Pretty Girl: 'You're such an asshole' Pretty Girl: ... Pretty Girl: 'You owe me one'
'Fine, I'll owe you one'
Jason shrugged it off, thinking he had won, until -
Pretty Girl: 'No, you owe me a cock.'
This made Jason's stomach jump. You couldn't possibly mean-?
Pretty Girl: ... Pretty Girl: 'You owe me a picture of your dick. You know - an eye for an eye type stuff.'
Jason wanted to ask questions - what did you plan to do with the picture? Should he shave his balls first? Did you want more than one?
But his cock got even harder at you asking for a picture, at you demanding to see his cock, and he couldn't properly think - he couldn't even reason that you might later blackmail him with the picture.
No, instead, he found himself ripping down his pants and turning on the bedside lamp for good lighting, pumping himself up to peak rigid hardness and grasping the base of his cock in hand. And then, without hesitation, he snapped a picture for you. He made sure to get his abs in the photo - a collection of his best assets, with his pants pulled down to mid-thigh, showing off his tight stomach, the deep V leading down to his dick, and his thick seven inch cock in hand surrounded by some well-kept dark pubic hair.
(He was proud of it - and that ego was one of the things that annoyed you most about him.)
He sent it without hesitation and then you began typing several times and stopped once again. Jason's stomach churned with nerves until -
Pretty Girl: 'Fuck you' Pretty Girl: 'I thought it would be smaller'
Jason had no clue how to respond to that, and he was busy racking his brain for some clever reply, when -
Oh. Oh fuck.
(1) new photo
You had sent him another picture. And this time it was definitely on purpose.
It was a view between the plump, beautiful thickness of your thighs - your hand was inside the pretty lace of those panties, and your fingers were visible working on your clit while your needy hole dripped wetness onto the fabric.
So you had liked what you had seen.
Pretty Girl: 'What would you do if you were here right now?'
Jason's brain short-circuited then. He thought of so many things - eating your pussy until you screamed, flipping you onto your stomach and fucking you until you begged him to stop, gripping onto those gorgeous thighs, pinning them to your chest and pounding into your cunt until you finally surrendered and said that you had liked him all along, fucking your smart little mouth to finally shut you up-
Pretty Girl: 'Come on, Jay. Don't disappoint me.'
Oh, he won't.
(Another thing Jason won't admit - he came back to the Tower just for you.)
...
DC Titans Masterlist
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matan4il · 2 days
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It seems like there are a lot of good reasons to dislike the security council’s resolution but I disagree somewhat with the sssertion that “it’s bad because Hamas likes it” mainly because that’s kind of operating on the same the logic of antisemitic leftists
I.E “if bad people like it that means it’s bad”
The US military and Republican Party supported Israel up until recently that doesn’t mean the state is inherently evil at its core or needs to be destroyed.
This ask is in relation to my update post about the anti-Israel UN resolution allowed to pass the other day.
Anon, beyond my general impression, that the US military does not support any country independent of US foreign policy, and that the Republican Party is not a hivemind any more than the Democratic Party is, I also wouldn't think that either body deserves to be compared to a genocidal, antisemitic, Islamist terrorist organization, responsible for the biggest massacre of Jews since the Holocaust, which is also likely the second deadliest terrorist attack ever.
Don't get me wrong, I'm not attacking this ask, I do agree that normally, "person I have reservations about likes thing X, therefore X is bad" isn't a good criterion, but Hamas is truly so much worse than most "bad guys" you can think of. As a Jew and granddaughter of Holocaust survivors, I think today, Hamas is probably closer to the legacy of the Nazis than even most neo-Nazi groups, because while the latter more closely adopted the genocidal ideology of Hitler, Hamas are the ones actually carrying out regular terrorist and rocket attacks, and perpetrated a massacre, that are driven by their desire to kill every single Jew there is. So, when the closest thing we have today to the Nazis likes something, I think that carries far more weight than what the average "bad guys" like (not even getting into the fact that in many cases, "bad guys" is a pretty subjective term).
But more than that, I wasn't bringing Hamas' joy up as a way of generally basing my assessment, of whether the resolution is good or bad, on who supports it (though I obviously think this does add to everything else I pointed out in my post), I'm saying the fact that a genocidal, antisemitic, Islamist terrorist organization was so encouraged by the resolution, that its leader was standing the following day in Teheran in front of cameras without any fear, announcing that this is proof Israel can't even achieve its diplomatic goals, let alone its military and strategic ones, THAT is hella worrying. Especially if you consider that other Islamist terrorist organizations are watching and learning from what Hamas is getting away with. That's why I didn't say, "this should concern anyone supporting Israel." It should concern all of us who do not wish to see terrorist organizations, which have no regard for the value of human life, learn from and be motivated by Hamas' perceived success.
I hope that helps brings across my point better!
(for all of my updates and ask replies regarding Israel, click here)
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painted-bees · 2 days
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You said Magritte's dad is an undiagnosed ADHD who spent his whole life raised thinking he was neurotypical though he's probably never even heard that word before like everybody else, right?
Ik this is just wishful thinking for the most part but.. do you think he ever does find out at some point? Maybe in his elderly years when Mag finally tells her parents (once she accepts) that she has it when they all thought for years that she didn't?
Also! Are there any particular traits that he shares with Mag or her sister? Maybe stuff that his wife recognised or gets annoyed by but always brushed off or never gave much thought to?
Sorry if my way of phrasing any of this sounds weird but I am genuinely curious about this. (been pondering it for months now).
If he was ever gonna reflect on/consider his own potential of having ADHD, he prolly would have sat with those thoughts already. But it is likely that there's a bit of that ol' boomer generation pride/egotism that gets in the way of him admitting that anything he's gone through has been any greater of a struggle than what "normal"/neurotypical folks experience.
Like Margie, he hyperfixates/focuses on the things that interest him. Unlike Margie, the things that interest him are all very practical and acceptable as avenues to dump all your time and energy into; maths, sciences, business/budgeting/saving. He likes making and managing his finances. he likes the mind of work he gained employment in. He did well in the classes that "mattered" [english, lit, the arts--were all his weakest subjects.]
His wife definately wishes that he spent a little more time being present with her, and doing the things she likes with her--instead of only ever participating in the kinds of activities he enjoys. I think she just assumes it's cuz he's a man, and men are just Like That.
I think he didn't really entertain the idea that he had ADHD largely because Margie's sister was so hyperactive--and neither he nor Margie suffered that symptom to that same degree. Margie's sister struggled with hyperactivity and disruptive behaviour a -lot- growing up.
Funnily enough, I think even his kids would be resistant to the idea that their dad has ADHD--because he's done so well at work, and seems to have no trouble with learning courses and the like. He's always harped on a lot about hard work and discipline...the most important thing he wanted to instill in his kids was a good work ethic and having a sense of pride in whatever tasks they performed.
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quirkle2 · 2 days
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the angst in your zombie au bREAKS MY HEART INTO PIECES (I LOVE IT VERY MUCH)
okay, okay, so!! if the kagebros got separated from reigen and teru when mob is still fine, i imagine that their reunion would be hEARTWRENCHING also, i'm a bit curious, would mob still be able to recognize teru and reigen? or would he thought about them as strangers?
(tbh, following your lore, i imagine mob would act a similarly like nezuko from demon slayer? but instead of little hums, his zombie sounds would more like babbling and incoherent mumbles :"D)
the reunion is fuckin AWFUL man it's SO gut-wrenching. both reigen and teru feared this for Months while looking for the brothers; pretty much the worst case scenario was that mob or ritsu or Both turned—a lot of humans prefer death over being a zombie any day, so the idea of ritsu or mob having to go through that and wander around aimlessly until starvation or smth else gets them,,,
it hurts them so much to think about. teru forces himself not to dwell on it and he's pretty good at that but reigen thinks abt it a lot and he's honestly not sure what scenario is worse. best case is that they're both alive and unturned, obviously, but what's the worst case? you'd think it's both of them getting killed, or turning, but reigen also knows that if One of them got killed/turned, the other would probably lose their mind, especially if they had to watch. the fact that they're kids makes this all three times worse and reigen has to act like he's Not worrying himself sick over the brothers while he tries to keep teru in high spirits
the reunion itself is rly fuckin gut-wrenching for them. they see mob from afar, wandered off just a bit from ritsu and tome who are just around the bend looting a place, and they book it bc ofc they do, it's mob!! but then they see how pale he is, and when he turns around they don't see that light in his eyes that's usually there and the red is dulled and dead looking,, teru almost moves in for a hug before he realizes mob looks vastly different when he Rly takes him in, and mob doesn't rly react too much besides staring at them blankly. the obvious answer is almost too horrifying to even consider, so it takes them a minute to rly,,realize what's going on
tome comes around the bend and shouts, cuz when humans and zombies mix it's usually guns pointed at zombie heads. ritsu comes running out after her and when he sees reigen and teru his thoughts go, in order: holy shit is that reigen and tero ohmygod oh my god they're alive they're alive ohmy god i could fucking cry, and ohmy god they see shige ohno oh no oh no
ritsu sounds like a lunatic when he pulls mob away from them on instinct and says that he's safe to be around and that he's "still him" and he's "not gone" and he's very aware of that. he's very, intimately aware that he sounds fuckin crazy, bc ofc he does, this is what all the crazy people in zombie movies sound like. but he doesn't care, he doesn't care if reigen or teru dismiss him as nuts—he has to make them understand that his brother is still in there somewhere
and yeah, they both kinda think that ritsu's lost his marbles a little bit, but while teru is focused on that and the fact that mob doesn't look like he's rly tuned into Anything that's happening rn, reigen is a bit more focused on the fact that both ritsu and mob look awful? they're both very skinny and very dirty, obviously barely scraping by. they're cut up and ritsu's jacket is basically blood and dirt with a little bit of green fabric mixed in. and just by the look in ritsu's eyes, reigen can tell, man ... reigen can tell ritsu is like.not okay at this point he's kinda lost it.
i think the most painful thing about this whole reunion in general is that later that night, when reigen and teru r finally like ok we get it he's,, he's still mob. we believe you (they want to believe him... [they Do believe him, later, wholeheartedly]) and they settle down someplace safe, teru asks how long mob's been like this. and ritsu has to answer "since we got separated" and they both have that to stew over while everybody else sleeps
they realize that ritsu likely watched mob turn, watched the entire process, and that process takes a long time. it's at least a week of deteriorating motor functions and cognitive skill, and the fact that ritsu stayed for that to keep mob company is .ough. and it doesn't end there bc ritsu obviously stayed after that too
given how these things usually go, ritsu probably did think about killing mob. it probably did cross his mind, bc that's basically what everybody's been told to do. kill them before they have a chance to do any more damage. and it's obvious that ritsu did not have it in him
ritsu not only did not have it in him to kill him, he didn't even have it in him to leave him there. the kid fucking took him with him. a zombie. and he's somehow made it work, for months. and the next few days are filled with watching him still treat mob like a brother and take care of him and gently steer him away from a bird he tries to follow down the wrong street.ritsu is as gentle and kind as he's ever been with his brother. and even tho they're both hungry and tired and barely making it, ritsu is doing a rly good job taking care of mob with what he's been given
the kid obviously wholeheartedly believes in a cure and that mob is still There. he's gone through the trouble to take care of him, and the grief of continuously seeing a loved one that many would consider effectively dead, to get him that cure. to get him his brother back. and mob doesn't seem to be in any pain or distress, so reigen and teru think that this path ritsu has followed is probably infinitely kinder than the mercy kill method they've been taught to do
i think they have a new respect for ritsu, after that reunion
#qktalks#anon#zombie au#and also yes!! mob Would indeed recognize them and not attack them#i've never seen demon slayer but im assuming ur talking abt the main character's ??little sister?? smth like that#but yes i adore the idea of mob saying rly weird incoherent sentences that Almost sound like real words but like slightly to the left#bein a zombie rewires ur brain completely man .his mind is struggling a lot to say what it wants to say#it takes mob a moment to rly catch onto who's in front of him during the reunion but when he does realize there Is recognition in his eyes#fun fact; if u hug zombie mob muscle memory kicks in and he hugs back!#reigen and teru don't find this out until a few days later. they're a bit.. scared of him snapping at them for a while#but once they see that mob never once snaps at ritsu Or tome they're a little more willing to get near him and touch him#teru finally hugs mob and mob hugs back and it makes teru cry VGEAYEAV#(ritsu has hugged zombie mob enough to where now mob leans into his hugs.just giving u smth to sob over)#still related to the reunion but focusing more on ritsu:#after they reunite reigen notices that ritsu has a lot more..authority in his tone. he's a lot more comfortable taking charge#but he also notices that ritsu looks Exhausted and for a while he has trouble relinquishing the lead role to reigen aka the only adult#and it's entirely bc ritsu is just so used to doing things on his own now that he Forgets he has people to lean on#so it takes a bit for him to remember he has an adult to take care of him now#bro definitely overworks himself a lot in his haste to take care of mob :(#ritsu eventually lets himself lean on reigen when he's tired#poor kid melts into that kind of care after so long of not having that and being the sole provider for him and mob#when tome came around it got easier. but that also meant it was another mouth to feed so.only a little bit easier </3
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transmaskmetaknight · 1 month
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and btw im in my hater arc rn. as time goes on the more i find a lot of 'fandom' stuff insufferable (i like art n stuff. just the way that fandom refits every media to fit a single mold and set of boring archetypes is exhausting.)
i just get really easily annoyed lately. and have been unfollowing people on a whim a lot. its not personal i promise
#fandom culture has made me actively dislike shit i was fixated on a year ago. looking at your ninja turtles#its not even like what they were doing were particularly offensive it was just exhaustingly boring#im sorry i just really dont care about ur 2 million fics about leo being a sadboy. or one million seperated aus.#theres definetly a part of the whole situation in general which has been me coming to terms with my own internalized misogny#actively re-examining my tendencys to gravity towards male characters#idk maybe its making me dislike art more. but idk. ive always analyzed why i react certain ways to certain things. this isnt new for me#anywaays. i had been following a bunch of ninja turtle blogs and they sorta kept messing around with shows like ninjago too#and at some point i was just like. i dont know if these shows are actually that good guys. i think youjust like shows for little boys#and fandoms tend to shaft female chars so it sure helps that their casts are 98% male .#maybe theyre not your blorbo maybe theyre just Guy McAverageMan. thats not inherently bad but you have to consider it.#guys rottmnt is isnt even that good . its not that good ok. its alright/pretty good. and the movie does a few neat things#i feel like ive become one of those people that turn 18 and then immediately go 'minors dni'. im not there yet but i just.#we're watching kids shows. its ok . you can say it.#you may have noticed ive been reblogging a lot of dungeon meshi stuff. i read it all over the past week.#but here's the thing. i thought it was mid/good for like 70% of it.#i think its got some really really cool worldbuilding ideas and stuff#but i think a lot of the writing was sorta. uninteresting to me.#my discord friends have been raving over izutsumi for months.#but i found her presence in the story to be weird and underdeveloped. she felt out of place and her introduction felt clumsy#i felt when the story was ramping up the manga got a lot better. because again theres some rlly cool ideas at play#all the shit with the lion? incredible. the way all the infighting led to more problems bc the elves refuse to explain anything? rlly good.#marcille landing in power? reallly good shit. (i still thought it was a lil undercooked still tho)#i cant stop thinking about laios in that climax scene. i think he shouldve been feral a lot more often#uhh. i got distracted. fandom bad and annoying.#saw a post talking about marcille realizing izutsumi is only 17 and then describing how 'omg shes a mom now' and i wanted to throw up#im done. i swear. im done talking for real. aagh#text
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mntcoronet · 2 years
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*pause moment* hey why the fuck did I just realise that during high school, I felt like a fair number of my peers (from outside my friends group) treated me somewhat more "softly" or like a child than they would've done with other people. and why was that
#maggles ramblings#like idk if they were actually doing that or if that's just what i Felt was happening#but. when they'd have to talk to me for things; like short 'do this in pairs' stuff; i def felt like they treated me differently#like I'd point out something in the thing we were looking at and they'd go 'oh wow good observation!!' as if we weren't the same age#maybe they just acted differently cos they didn't wanna be doing it. which like sure. but man u could at least try to discuss the topic#or did i seem like too much of a shy little creature that only just learned human speech that they forgot i was competent enough to get A's#but hhh man idk. i never know how people perceive me that's the real issue here#i can sorta make estimations based on how they talk to me; i can tell well enough if someone just doesn't wanna keep talking to me#but that doesn't mean i can figure out WHY. but i do know that sometimes it feels like.. they pick up on something about me#like i can roughly tell whether the person talking to me still considers me Just A Normal Guy or if they've realised like 'hey...#this person doesn't quite Get It with regards to social/conversation stuff'. bc of the way they talk. but i still never know why!!#like sure every time i go have conversations with new people i feel like I'm just pretending to be A Normal Person yknow#and when other people who seem very socially competent Keep talking to me i just think oh wow you haven't figured it out yet that's wild#figured what out? idk that I'm just pretending i guess. about what? uh good question just pretending in general#pretending like i know what to say; that it feels completely Natural to talk like that; like I'm not mentally rating each of my actions#but then sometimes there's people i just feel like i don't have to do that around nearly as much. i swear i gravitate towards those ppl#but yeah it's just. it def feels like they know I'm Not Getting something when i talk to a lot of people. like they Know i missed a memo#and i don't even know what the memo is about; or whether I've gotten any of the previous memos or just absorbed the knowledge#by observing things. ya#ok im done with that train of thought i need to go and work on that au i accidentally stayed up till 2am last night thinking of ideas for
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mollyrealized · 1 month
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How Michael Met Neil
original direct link [MP3]
(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)
DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.
MICHAEL SHEEN: So this is what has brought us together.
DAVID: Yes.
MICHAEL: To the new love story for the 21st century.
DAVID: Exactly.
MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”
And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.
DAVID: The kids who'd grown up reading comic books were now making comic books
MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.
And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”
And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.
So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.
And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”
And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.
Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.
It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.
DAVID: You'd never met him?
MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …
And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."
I said, “All right.”
He said, "Do you want to go somewhere posh, or somewhere interesting?”
I said, "Let's go somewhere interesting."
He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.
I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 
And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."
So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”
And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.
And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"
"Right, okay. We'll ask for the bill in a minute."
And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.
And me and Neil are like, "What on Earth is going on?"
And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*
[* - delivered in a perfect American ‘serious law agent’ accent/impression]
And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  
We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.
DAVID: But you're assuming it's the mystery dish.
MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.
So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.
Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.
We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.
And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.
DAVID: That’s extraordinary.
MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"
"No, I haven't heard anything."
And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.
DAVID: And that was your first meeting with Neil Gaiman.
MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"
I said, "What are you talking about?" It's such a Neil Gaiman thing to say.
DAVID: Isn't it?
MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.
DAVID: Was there anything inside it?
MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...
DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.
MICHAEL: That's how it began. Yeah.
DAVID: And then he came to offer you the part in Good Omens.
MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...
DAVID: Were you involved at that point?
MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.
DAVID: Right.
MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.
And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.
But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.
DAVID: Of course you can [play Crowley?].
MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.
DAVID: Sure, sure.
MICHAEL: I can do this.
DAVID: Yeah.
MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”
But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."
And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.
And then all these extraordinary people started to join in. And then, and then off we went.
DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?
MICHAEL: “I emailed Jon Hamm.”
DAVID: Yeah.
MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.
DAVID: Yes.
MICHAEL: And had never been turned into anything.
DAVID: Yeah.
MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”
DAVID: Yes.
MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”
DAVID: Yeah.
MICHAEL: So I feel that responsibility as well.
DAVID: But we have Neil on site.
MICHAEL: Yes. Well, Neil being the showrunner …
DAVID: Yeah. I think it takes the curse off.
MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.
DAVID: Well, we think. Not that the world has seen it yet.
MICHAEL (grimly): No, I know.
DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.
MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.
This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.
DAVID: Yeah.
MICHAEL: The two of us.
DAVID: Yes.
MICHAEL: Like they, what I do is defined by what you do.
DAVID: Yeah.
MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.
DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.
MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.
And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.
You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.
And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 
Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.
DAVID: That's lovely. Michael, thank you so much.
MICHAEL: Thank you.
DAVID: For talking today and for being here.
MICHAEL: Oh, it's a pleasure. Thank you.
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bigfatbimbo · 2 months
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ohmygod i have no idea how you manage to write about those characters so well fehjebhjeb i guess i'm riding the finale wave of excitement about lucifer so i wanted to ask if you're willing to write some nsfw headcanons about him? I absolutely agree he's way more submissive than he lets on and i loved your view on him being really vocal (curse u for opening my mind to the possibilities). How open do you think he would be about being pegged or having a general very praising dom loving his whimpering sounds of pleasure and just wanting to hear even more of them and what would get him to completely lose it
a/n — oh my gosh it’s funny you ask because i’ve actually already done smut headcanons
this request made me heavily consider just doing a fic where the reader pegs him but the people have decided on more nsfw hcs
i’ll still do that pegging fic tho..
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˚ ʚ♡ɞ˚ This has been said before but it doesn’t take much to get him worked up.
˚ʚ♡ɞ˚ So coaxing those pretty noises out of him would be easy.
˚ʚ♡ɞ˚ Especially if you bring up how noisy he is. He would be all flustered and embarrassed about it but then proof your point more by whining.
˚ʚ♡ɞ˚ About having a very praising dom— he absolutely loves it. 
˚ʚ♡ɞ˚ He hasn’t been loved in so long that even if you guys aren’t fucking and you praise him he’d probably get really needy.
˚ʚ♡ɞ˚ If you degrade him too much I genuinely think he would cry because he literally tries so hard to please you it’s sad.
˚ʚ♡ɞ˚ He will be so pathetic about it too and beg you to be nice again.
˚ʚ♡ɞ˚ Edging would literally end him. Like I said he hasn’t gotten laid in a while so he definitely cums super fast.
˚ʚ♡ɞ˚ I had an anon once say that he probably would before his clothes were even off and that’s so true because he is desperate.
˚ʚ♡ɞ˚ He would be so embarrassed after that and probably ask you if you wanted to leave because he’s literally so ashamed oh my god.
˚ʚ♡ɞ˚ But of course you don’t leave and you give him all the love and praise he deserves in bed.
˚ʚ♡ɞ˚ I don’t know if this is just a me thing but he needs love so bad I feel the need to give him 100% princess treatment in bed.
˚ʚ♡ɞ˚ He really would want to please you and give back to you but maybe you just tie his hands together and tell him tonight was all about his needs.
˚ʚ♡ɞ˚ Fuck him and praise him so that he wouldn’t even have to lift a finger— he would literally die under all the attention.
˚ʚ♡ɞ˚ He whimpers A LOT like that’s probably the main noise he makes. 
˚ʚ♡ɞ˚ I think it would take a second for him to say anything but he is really into being pegged by you.
˚ʚ♡ɞ˚ He would like to be on his back with his legs wrapped around your torso so he could see you while you fuck him.
˚ʚ♡ɞ˚ He’s a little guy so it would be so easy to manhandle him. Which is good because that literally turns him on so much.
˚ʚ♡ɞ˚ Like you could probably hoist him up by his thighs and fuck him against the wall as he clings to your neck.
˚ʚ♡ɞ˚ Oh. My. God. He’s done for. He’s so incredibly touch starved that being held like that while being treated by your strap or dick would literally send him reeling.
˚ʚ♡ɞ˚ After really hard days with his depression I think it would also be really comforting for him to be treated like that.
˚ʚ♡ɞ˚ But make sure it’s gentle and loving because if it’s too rough he’ll worry you’re mad at him.
˚ʚ♡ɞ˚ I wonder sometimes if he’d even sit on your lap while you fuck up into him. I mean I hope so because I highkey wanna breed this guy on my plastic dick.
˚ʚ♡ɞ˚ He also loves when you sit on your face. He could literally just die between your legs it’s so crazy.
˚ʚ♡ɞ˚ He could eat you out for literally hours especially if you’re moaning out praises while he does it because he really cares about making you feel good.
˚ʚ♡ɞ˚ I think he’s the type of guy to moan while he eats you out because just the idea of pleasuring you is enough to make him cum untouched.
˚ʚ♡ɞ˚ He’s a pussy eater, what can I say? You saw that one shot of him in the finale… with the two fingers? Yeah, you know what i’m talking about.
˚ʚ♡ɞ˚ Also he moans like a bitch when you suck his dick. Loves the feeling of your warm, wet mouth on him.
˚ʚ♡ɞ˚ He’ll start praising you while you do it but can literally only speak for like two minutes before he’s completely incoherent.
˚ʚ♡ɞ˚ Mark him up well and noticeably because he loves silently letting people know that he’s lucky enough to get fucked by you.
˚ʚ♡ɞ˚ He also can be incredibly smug. This guys KNOWS he’s adorable and he uses it.
˚ʚ♡ɞ˚ Maybe you’re telling him off for not taking care of himself one day and he’s just gazing up at you with big innocent ‘fuck me’ eyes.
˚ʚ♡ɞ˚ Oh, but he knows what he’s doing and he knows it gets under your skin.
˚ʚ♡ɞ˚ You get fed up with it and end up pushing him down on whatever surface is nearest and fucking the life out of him. 
˚ʚ♡ɞ˚ Definitely edge him too for being such a fucking tease.
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a/n — The lucifor brainrot is killing me. Anyways expect the pegging fic later today because I need him so bad <3
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traceybrakes · 5 months
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Let's Talk About Un-ironicizing Art!
In light of a lot of the conversations i've seen surrounding Death Grips and recent events concerning them, I want to take the time to point out that this is a good time to start thinking about how we engage with art on the whole!
For a long time, the irony poisoned method of consumption went unchecked in all facets of internet culture. As an internet musician in current day, I have noticed a sharp disconnect between artists and enthusiasts/casual listeners when it comes to attitudes surrounding music specifically, though I've witnessed it permeate all forms of art in some way.
I see people who have grown scared to engage on deeper levels, intentionally severing any resonant connections or knowledge learned from a piece of media before it has the chance to take root. In short, dare to be vulnerable! Dare to enjoy something on the basis that you yourself resonate with it, and not for any other nebulous reasoning. When masses of people relegate art to a spectacle, not only do artists become more likely to be disenchanted with the passions that fuel their work, but the consumer base ultimately suffers as well. All art at that point becomes less an extension of ourselves, less a vehicle to explore our identities, and is rendered a meaningless hulking sludge, or worse, the opponent to an already shrinking and narrow worldview.
Be not afraid to be unabashedly in love with the work that inspires you. Be not afraid to have the things you love misunderstood by by some. When you engage with work new and old, make sure to do it for yourself. Making and consuming art is inherently selfish, but being selfish is not inherently misguided. Allow yourself to learn, grow, discover, and repeat that cycle until the day you die.
To speak more candidly about my own experience, throughout the course of my life, there has been art that I've held near and dear to my identity, and own journey of self discovery that I seldom find others who hold the same sentiments to. I've always found this exciting. Exciting to hold something close to my chest as something so personal, and even more exciting when I can ease up on that grip when I find someone who I can share that with. However, I've also been through the throws of how the internet tends to chew up and spit out art that generally isn't understood by the many. I've fallen victim myself to the hive mind mentality that circles some artists and the cult of non-identity around them. This off-color ouroboros of knowing all about an artist's work and simultaneously upholding this facade of vapid complacency. I've come to the conclusion that if being openly supportive and connected to an artist's work or a particular piece of work automatically renders a person uninteresting and unambiguous at the very least, then I will live happily as an uninteresting open book. At the worst times, we see this line of thinking contribute to Death Grips being mocked and belittled en masse by people who are unwilling to engage with their art before they even get that far. It's heartbreaking, to me at least to see people put so much effort, emotion, and passion into transforming culture for the better to be rewarded with a crowd that's plugging their ears.
I realize I run the risk of sounding pretentious, self indulgent, or even patronizing to an extent; I apologize because that isn't my intention, I'm hoping to see gears shift at least on a micro level surrounding attitudes towards art appreciation. Remember to dare to be in love holistically with the art you engage with! Speak of the things you love in a way that makes that clear to others, and consider your peers to do the same! You and the people around you can only be better off for it.
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secretwritingspot · 4 months
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Thighs
Pairing: OPLA Sanji x Reader
Hihihi!!! Welcome to my first post, lovelies!
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Rating/Content Warnings: somewhere between PG-13 and R? Like there's definitely a L O T of sexual themes, but no actual doing of the do. Mostly just a lot of Sanji oggling the reader and trying so hard failing not to be a creep.
Summary: I love the idea of teasing Sanji in general because he's such a man whore (affectionate) but there's something especially funny to me about doing it completely on accident, so here's approx. 2k words of Sanji having a full on breakdown because reader wore a short skirt with long socks literally once.
Disclaimer(s): okay this is for all my fellow thick thighed bitches because I just KNOW, K N O W Sanji would go crazy for that shit. Do not ask me why. it came to me in a dream. it was revealed to me in visions. he told me himself. That being said, because of that and story reasons there are a few specific physical traits mentioned (thick thighs and being too short to reach a shelf) and the reader is wearing a skirt, so keep that in mind!
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Sanji considers himself a man of tremendous patience.
He might not seem it with how often he finds himself oggling the women on the crew, flirting with any woman he sees, what have you- but really, all of it's tame in comparison to his thoughts. His desires. The warmth that floods his chest when he sees a particularly attractive woman walk by.
He's as chivalrous as possible with his crewmates, trying not to be too distracted by their beauty, flits of the eyes, flicks of the hair. He prides himself on his ability not to react. And then...well, then today happens. Then, he sees you - the most recent crewmember - in a tiny, swishy little skirt.
It makes sense, he supposes, for you to wear something so short. It's sweltering out.
Still, ever since he first saw you in the morning, he hasn't been able to get the sight of your plush thighs out of his head. Hence his early start on cooking dinner, attempting to clear his head the only way he knows how.
He's sweating a bit from the heat himself, but he tries to focus on the food and the cooking, not thinking about you. He just wants to get the food done and be finished with this day-long distraction. The sooner he finishes cooking the sooner they can have dinner and the sooner he can retire to his room, wrap his fist around his cock, finish himself off, go to sleep, and forget about all of this.
He reassures himself that it can't be too long before he's able to lock his door and unwind when there's a gentle, rhythmic knock at the open doorframe, alerting him of someone else's presence.
"Hey Sanj!"
You. Of course. As if his life weren't hard enough already.
"Whatcha making?"
You ask curiously, short skirt swishing with your movements as you walk in and hop up on one of the counters he isn't using, watching him with rapt attention. He looks up at you for a moment and smiles before looking back at his cooking, trying to avoid stolen glances at your legs.
"Just cooking up dinner. Nothing exciting."
It makes sense, he supposes. You were by far his closest friend on the crew, so of course you'd be the liaison for the rest of the crew (read: Luffy) to send to spy when they wanted to know what was for dinner.
Still, doesn't make you any less distracting.
"Disagree. Watching you cook is fascinating," you counter softly with a fond smile, thankfully oblivious to his staring.
Your words go straight to his ego, before moving down to his...nevermind. The point is, your admiration makes him happy. He's always been a sucker for compliments to his cooking. You're a good audience, too- quiet and curious and good company, mostly either doing your own thing (reading, mending old clothes, drawing - though you've never let him see your sketchbook, he's asked) or watching intently as he works.
Still, his mind is drifting elsewhere. He can't help but imagine how soft your thighs would be in his hands, how warm one would feel pressed against the skin of his cheek with your legs wrapped around his head-
Sanji freezes for a second at that thought and then quickly tries to focus back on the food cooking.
"You think so?" He asks with a calm smile, trying to keep his composure, "I'm sure I'm not too special to watch."
"You sell yourself short," you respond with a click of your tongue and a fond shake of the head. You really do enjoy watching him cook, eyes scanning across his hands while he works, admiring his skill and technique with soft eyes. "It's...relaxing. Watching you work, I mean."
Sanji chuckles nervously, looking down at his hands with a slight blush and pointedly avoiding your eyes.
"Oh please. I'm sure it's perfectly enjoyable to watch anyone cook."
You hum softly in consideration and there's a comfortable pause, the galley going silent again, save for the sounds of utensils scraping and the sizzling of oil in a pan.
It's no surprise to him that he's been so distracted all day, unfortunate though it is. Everyone knows he really, really likes women, it's common knowledge. But in particular, Sanji's always had a weakness for thighs. (Anything soft, honestly, he's always been one for soft.) But thighs in particular have always been a surefire way to raise his blood pressure (among other things).
He tries to avoid looking at you while he cooks, but he can't help himself at times. You really do have lovely thighs and he wants to feel them for himself, wants to know if you're truly as soft and warm as you look, wants to know how quickly they'd bruise in the shape of his fingers or his teeth. He really does try not to look, but it's taking its toll on him and he finally turns back to you in curiosity.
"Is that really comfortable?"
You cock your head at him in confusion for a moment before realizing what he's talking about, laughing softly at the question and looking down at the skirt on yourself with a shrug.
"I mean, it's like a bajillion degrees out. If I wore something else, I think I might've melted."
You hop off the counter gently, smooth and coordinated on your feet as always as you stand before doing a little twirl to show off the outfit to him.
"Plus, it's actually super practical, since it has the shorts built in."
He's used to you showing off to him like this any time an outfit you've picked out is unexpectedly practical - dresses with pockets, hidden weapon holsters, shockingly soft fabrics and the like - and he usually finds your excitement quite cute.
This time, though, is different. Your twirl makes the skirt flare up and he swears his heart explodes in his chest. There are built in shorts, but calling them that is more of a stretch than the average fighting move from your captain. They must be at least 3 or 4 inches shorter than the skirt itself, made of some sort of legging material. The action only flashes him a better view of your thighs and he knows it's not on purpose, but good god.
Sanji gulps a bit, his eyes caught on that wonderful sight you inadvertantly just showed him. He tries so hard to not stare, to be respectful, to focus on the food.
"Practical indeed!"
His voice cracks on the forced, over-enthusiastic response, begging himself just to be normal for one second, let the moment pass by naturally.
But he's never been good with self-control. And his mouth has always been much faster than his brain.
"You know, you really do look amazing in that, sweetheart. You should wear that style more often."
As soon as the words come out, he's kicking himself over them. He'd tried desperately just to look you up and down quickly and say you look amazing, a simple, averagely flirtatious comment that no one would look twice at. But he knows the main reason he likes how you're dressed so much, and his traitorous mind is caught between telling himself to get it together and begging you to let him feel you.
"Aww, thanks!" You chirp happily at the compliment, doing another cute little spin. It would be precious if it weren't making it so hard for him to think, but he thinks the soft blush his words put on your cheeks is worth showing his hand a bit-
"Maybe I should, I do like it."
-he might've doomed himself to never being able to focus again, though.
Sanji is trying so hard not to stare. He tries to look at anything else- the kitchen, the walls, the food, anything at all. It's like a scene from a cartoon with a heart-eyed schmuck trying to look anywhere but at a woman's cleavage. He takes a breath and tries his best to settle back into his usual, teasing demeanor.
"Yep, I really think you should. You make for a lovely view."
He succeeds, for the most part, you biting your lip with a soft smile and mumbling a flustered little "thank you" in response, and goes back to his cooking, mind still on you.
Still, it's a respite, and he manages to distract himself well enough by focusing on the food.
It's silent for another few, calm moments before he tastes the sauce he's making and finds it missing something, sighing softly. He calls to you without thinking, since you're already there, and always quite eager to help him in the kitchen any way you can when he'll let you.
"Could you fetch me the coriander, love?"
He doesn't think it through, he must've done it a million times before, but this time...
Of course you go to get it, angel that you are. It was never in doubt that you'd be willing to lend a helping hand, especially when he'd asked in that soft, quiet voice that seemed reserved for you and you only.
The problem is that you can't quite reach the shelves, hopping up on your tip-toes, the bottle less than a fraction of an inch from your fingertips. But the view it gives him, the angle- christ, he can see fully up your skirt, the fabric riding up in your attempt to reach for the jar and barely covering your ass.
"Oh god," Sanji mumbles to himself under his breath, now very distracted by the view. You look so cute. Your thighs look so good in that skirt, and the angle he has gives him a full view up it. He almost walks over and gets the bottle for you on instinct, used to grabbing things for you when you can't reach.
But...he doesn't.
It's complete sin, but he doesn't. He feels guilty about letting you struggle to reach the bottle of spice rather than just getting it down himself, but he can't resist the opportunity to oggle you in this position a little longer. So he doesn't say anything, do anything, ashamed of his thoughts and his own inaction. He knew he could be a touch desperate at times, but he promised himself that he would never be...he wasn't the type of man to do this. Christ, he can't believe he's actually doing this now.
Eventually, you hop to reach it, finally able to grab the container with a satisfied little 'ha!'
He only has a few seconds to stare at how good that little jump makes you look - gravity doing the work and making your thighs, your ass, your tits bounce for a moment when you land - before he has to school his reaction back to normal. Look professional. It only makes him feel worse how proudly you hand him the spice jar after turning around, completely unaware of the show you just gave him.
"...thank you, love."
You nod happily in response, walking back out from behind the galley so as not to get in his way, the act guilt-inducingly thoughtful.
"I'll tell them it'll be a few more minutes, yeah?" You ask, flashing him that dazzling smile and he can't do much else but nod as you leave the room to tell the rest of the crew the ETA on dinner, skirt swishing around your hips. He puts his head in his hands, elbows on the counter, and groans.
This is gonna be a long fucking night.
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wombywoo · 5 months
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Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~
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Please enjoy this little step-by-step 💁‍♀️
First things first--references!
Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃
As such, your web browser should look like this at any given point:
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Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅
Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️
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(I will end up not using half of these, alas :'D)
Another reference search for background material, and getting to showcase our models of choice for this occasion~
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When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:
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Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️
Now that we've spent countless hours googling, it's time to start with a rough sketch:
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It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.
The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.
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Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.
It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️
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Next step is just blocking in the figures. Standard. No fuss 👍
Now onto the background!
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It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙
I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️
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Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..
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Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.
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Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏
And now--rendering!
I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪
I've decided to show a brief process of rendering our dear Johnny's face here:
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Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.
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This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪
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A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️
I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~
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Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚
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They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can
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Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~
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The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍
And the final step is adjusting the color and adding some text:
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Tada!! It's done!
All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️
I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~
As a bonus, here is a cute (cursed) image of Johnny without his mustache:
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A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭
Anyway! peace out ✌️
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anundyingfidelity · 5 months
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FOR ALL TIME, ALWAYS – Loki x female reader
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Summary: Loki escapes the TVA for a moment. Desperate and brokenhearted, he looks for you, his wife, in the Sacred Timeline. Even if you saw him die ten years ago.
Word count: 3.9k.
Warnings: LOTS of angst, some fluff, spoilers of Loki series in general. Language. Maybe I'm not getting how the branches work oops. This is right after the end of 2x02 and before 2x03. My English is also a warning, just in case.
Notes: while looking on the tags I checked a post of someone asking for a TVA Loki fic where he finds the reader but her Loki died in IW (not canon in my head btw). So I wrote it because is such a great idea, but I can't find the original post... ;-; anyway hope you like this!
GEN MASTERLIST!
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It's harder to stay...
Wasn't this situation hard enough? Sylvie was right. She had a point. But Loki wanted to do the right thing. Maybe he would find a chance... Again, right? Probably he would make the proper decisions this time.
The TVA was already fucked up, and with it, the thousands of timelines and lives in danger within them. Sometimes, it looked like it didn't matter. In the end, they were trying to fix something that was already broken.
Loki let out a deep breath he didn't realise was holding and walked to talk directly to his partner, Mobius.
"I need a favor," Loki mumbled, so the grey-haired man would be the only person to hear his voice.
Mobius met his eyes. He knew that gaze, it meant he was up to something. "What kind of favor?"
The god motioned Mobius to step away from the newly acknowledged variants and far away from what B-15 was witnessing. The branches were pruned from the whole existence; thousands and millions of lifes lost to the void in just the blink of an eye. Loki knew he had to do something before it got worst. Something for himself.
"I need to go the Sacred Timeline," Loki announced.
"Are you nuts?" Mobius scolded, in the same low voice tone Loki had used.
"Is just- listen, it's something I have to do. I really need to go back there. Need to see someone, make sure everything is okay," Loki insisted.
During all the times Loki showed he was desperate, Mobius was sure this was the peak of all of them. He wasn't explaning more than necessary, he looked serious, and his voice was crisp. Loki knew what he wanted at that moment. Mobius sighed, his hands finding the pockets of his pants, unsure of Loki's request.
"So it's personal..."
"A little, yeah," Loki nodded.
"Promise it'll be quick," Mobius said, taking off the TemPad from his pocket and his hand stopped in the air before the object could lay in the god's grip. "Don't make me regret this."
"I won't."
2029, Sacred Timeline
When Loki arrived to his destination, the nerves got the best from him. New York looked no different from the last time he was there. Shifting his usual clothes he wore at the TVA, he chose a plain suit to go undercover, or at least decided he would try to, considering he was a criminal once in Midgard.
But as he walked through the halls of the familiar building he met decades ago, he didn't really care. He longed for something else. Better say, someone. And it was you.
You, who met him in the past right after Thor's banishment, and even helped him to find the Teseract, only to give up to SHIELD and those idiots that people called 'The Avengers'. Of course his heart hurted for a long time, but Loki tried to deny the feelings blooming inside and instead, he just decided to walk away from you, even if that meant hurting you. It was the best.
At least that was what he believed until he checked further his file; the file that Mobius had prepared for him. His life. Even after what he did to your people and planet, you still held no grudges. And Thor was good enough to seek for yours and the sorcerer's, Stephen Strange, help once Hela appeared in their lives.
Loki would never forget the loving look in your beautiful eyes when you saw him again, after years of parting ways. He really paid attention to you while watching his file, and he found there was only love, protection, and care in you. All for him. Someone who didn't deserve it, he thought.
He felt grateful at least he had the pleasure to enjoy happiness for a moment. Even if that meant Asgard was destroyed. Loki already lost his mother, his father, and he almost lost his brother. He couldn't stand losing you either. The simple idea of living without you - even if he didn't know you further than your Loki did - was unbearable pain.
So while in the ship on the way to Midgard with the asgardians and survivors of the Ragnarok, you held a cozy, small wedding when he asked you to marry him. This was one of the parts Loki would replay again and again from his file, with disbelief that he was actually happy and joyful, enjoying a good time with you, his brother, and all the asgardians who survived. Loki felt full of hope after your wedding, thinking fate had better things to come with you as an oficial part of his life.
Unfortunately, it didn't last long, thanks to the Mad Titan. As his steps got near your door, the memory of his brother and your figure mourning on his lifeless body appeared on his mind. It was an image he couldn't erase that easily. Probably, he would never forget that was his original destiny all the way. That was meant to be. And for now, he could not change it.
Loki stopped outside your apartment. He took a deep breath and raised his shaking hand to reach the doorbell. He waited for a moment, not knowing if seconds or minutes went by, it felt eternal. Until the door opened and he saw you.
The bright smile you had on your lips faded away. Your eyes flooded with tears, your forehead was furrowed, and still, Loki thought you were the most beautiful creature in all the Nine Realms.
"Hi..." Loki barely whispered, his eyes were glossy and a single tear also ran down his pale cheek.
You were clearly in shock. You wanted to get closer and finally touch him, to feel him physically. But even if you wanted to move to take his hand to confirm it wasn't a trick of your ruined mind, your body was stiff and your feet were glued to the ground.
"Is this an illusion?" you trembled.
All Loki could do was shaking his head, before muttering. "No..."
"Loki, I saw you die..."
Tears ran down your face, denying to yourself that this was real. That this was really happening to you. And your mind started to wonder all the possible scenarios and reasons on why him, the god of mischief, the only person you loved dearly with all your mind, body and soul, was standing right in front of your door even if he was gone for you... Long gone now. And that couldn't be undone.
"I know you did, my love."
You tried to smile, even a little bit, as he pronounced those words so dearly. Loki came closer to your figure, carefully placing a trembling hand on your cheek, feeling the tears flowing on your skin. You leaned into his touch, with a simpering smile. Such was the effect you had on him, that a silly smile he also had on his lips.
And you realized Loki was so real... His touch, his heat, his smile, his scent, the way he would hold you... Everything about him was exactly as you remembered. You felt his lips brushing softly against yours, gentle and hesitant, and instantly, you melted into a slow kiss, sure knowing that Loki would taste the salt of your tears running down your face. Leaning in closer as the space between would allow you, you savoured each second your breaths allowed, longing to remain right there for eternity. For all time. Always.
"But now I am here... and I can explain," he whispered once you separated your lips from his in the sweetest way.
You let out a soft chuckle. "Mind to enlighten me, oh, god of mischief?"
Finally you guided him inside your apartment. That old apartment Loki saw his other self visiting a couple of times before you were something. It still had your vibe around it and he loved it. He felt like he was at home after a very long time. Once you closed the door, his arms wrapped around your figure, and you let yourself cry, pressing against his chest and with a tight grip of your hands on his coat.
"You don't have any idea of how much I have missed you all these years," you sobbed and his heart shrank on his chest. "I kept wishing every night and every day to be me instead of you."
"My love," he said softly, separating a little and cupping your cheeks with his warm hands. His eyes were red now because of the tears he was holding back again. "Don't say that... It was supposed to happen."
"What?" you mumbled.
Your hands found his wrists and you pulled his palms away from your cheeks. However you kept the contact with him, you just needed to touch him, to feel he was in the flesh. He was alive right now, wasn't he?
"Look, I am not your Loki. I know what you did, what the Avengers did after Thanos-" his voice broke just a bit but he continued. "I know everything. I just couldn't resist knowing there was someone for me, out there in the Nine Realms, capable to love me for who I am," Loki explained as he watched your face. Was it disappointment? Confusion? He didn't know, but he had to tell you the truth.
Your voice came out as a barely audible whisper. "So... you are saying... you're another Loki? Another him?"
He nodded softly. "I am." Loki thought for a moment on how to explain everything, but he just went for what his heart felt it was right. "It's a little complicated. I did something that wasn't supposed to be, and perhaps will sound like I'm insane, but thanks to that I am kind of trapped in time. With an organization that is not what everyone thought it was, hence a multiverse was created. Sponsored by another me, by the way. You are in what is called the Secret Timeline, where things flow as how they were supposed to since forever. And I just needed to see you after I found out you were the love of my life."
You took a moment to understand everything he said, wishing that his fate would have been different from what originally happened. Loki gave his best, even in the last worst moments, he was changing for good. For you. For Thor... It wasn't fair.
"Your death was supposed to be then?"
"Yes, it was."
"Oh, Loki," you cried. "You know what, I don't care what's happened. I'm just- I feel happy seeing you here... Please tell me everything you've been through. I want to hear your voice again, to know you're with me right now, to feel you near... I'm not crazy, am I?" you chuckled between tears and Loki curved his lips in a smile, wiping your tears from your face with his thumbs.
Loki granted your wish and explained everything, answering every question you had about the lies of the TVA; the files he found out were his whole life; about Sylvie, Mobius and his variants. He spilled all you wanted to hear, asking like a child, until you understood what was happening. You noticed he truly had changed, just like your Loki did when he reunited with Thor before the Ragnarok took over Asgard. It was a bittersweet feeling however, thinking how much they they seemed to each other. They were the same person after all, but this Loki didn't had the chance to continue his path as it was supposed to.
Taking his hand into yours, you leaned towards him and laid down your head on his shoulder while you both sat comfortable in the couch, just enjoying each others company. Your eyes were dry at this point after crying for what it felt were hours, but his voice helped to soothe you enough.
"I'm glad knowing you have someone like Mobius by your side," you said after a quiet moment. "He sounds like a very good friend," you looked at him, waiting for an answer. "Because that's what he is to you, right?"
"He is a great friend, I'm not alone if that is what is troubling you," Loki affirmed.
You let out a sigh. "That is totally a relief to me."
Loki chuckled softly, leaning to leave a kiss on your hair. "Now you've heard everything about me, would I hear something from you?"
"I'm just a mortal, Loki," you smiled. "Doing the normal shit, not the superhero stuff anymore. I am hating my pretty much normal office job every day; I feed the birds when I go outside at the park, also thinking about adopting a cat or a dog... Maybe a dog."
"Or you could do both."
"Yeah, I might. But my place isn't that big for pets. Sometimes I feel like I'm too alone, very much alone... I would love to have a big farm, or a cabin in the mountains with lots of plants, pets and animals to take care of." The idea did sound good for Loki. Hopefuly you could find peace that way. "Do you remember Pepper?" you said, straighting up on the couch to look at him. He nodded. "Well, after Tony died I still visit her and their daughter, Morgan. She is ten years old, could you believe it?" Loki noticed the sorrow and pain you still carried after all those years of losing your friends, your people... "And I've been missing you and mourning you for ten years as well."
"It's not your fault."
"I know, Loki."
"Do whatever is the best for you, my dear... I would have loved to be here with you now, as the Loki from the Sacred Timeline."
You smiled, but it was a sad smile. "Well, either way, you're here now. It's all that matters to me."
Once again, you shared a loving kiss and took his hand to walk to the kitchen, asking him to take a seat in your breakfast bar, glad he decided to search for you in one of your free days. Otherwise, you would have surely missed his visit. But he was looking for you. Probably Loki would have found you anywhere at this point.
You talked some more while you had some tea and ate some cookies that you saved for special days on the shelfs. The afternoon was pleasant, and this was your turn to speak. Loki, coat long gone, was catching up with you and he asked every single thing about your life now. He smiled more than ever, laughed more than you have ever seen, and it was certainly something you could get used to from now on. Knowing you never continued your life with another person made his heart ache though. However, Loki was no one to blame. He would have done the same thing. No other was like you, no one would have replaced you.
"It's my decision," you finally said, reading his face like an open book. "I have loved you, I love you now and I will love you forever."
He took your hand, lacing your fingers with his. "I know..."
"The day we married you gave me a ring. I always have it with me, today I'm not working, but I use this necklace with your ring," you searched for the necklace hiding inside your shirt and taking it off, you showed him the precious jewel hanging on a fine golden chain. The ring he recognized once was from his mother. "I want you to have it."
"No,I can't-"
"But this is what I want. I know I would have to forget, because you will make me forget about this. About you, coming here, risking everything just to see me. So please, take it."
Loki knew you had made a decision, but then if he left, taking your memories away about this day, what was left for you? He had nothing, and it was okay. He would still know he came to the Sacred Timeline; that he kissed you, that you shared a moment together, that you still loved him. But you will have none of that. And you, as human as you were, would die without the memories and without the ring. You would have nothing and he was sure couldn't bear it.
"Perhaps I can have something else to remember you, I want you to keep this ring as a promise," he closed your hand around the necklace. "My promise that I still love you and I will do it. Forever."
And you sighed, taking the necklace back with a smile. Always so stubborn. "Give me a moment."
Loki saw you leave the kitchen for some minutes. While he was alone, he noticed the sunset through the windows, as it was almost ending to welcome the dark sky around the city. He knew he had to go soon. As much as he didn't want to and the simple thought of runing away was starting to hurt him deep inside.
When you arrived, you stood by his seat on the breakfast bar, putting a small photograph, perfect for a passport, on the surface. It was all in black and white, and you looked what you thought it was nice. Loki took it between his hands, lovingly and with a proud smile on his face.
"I used that when I was taking my Master's degree. Looks pretty decent," you joked.
Loki laughed, tears right at the corner of his eyes. "It's more than that. It's perfect."
His smile faded, knowing this meant he had to leave you again. Loki wasn't supposed to have a happy ending, was he? How he wished to stay there by your side.
You kissed his cheek as a sort of goodbye and comfort at the same time, noticing the sudden change on his face and whispered softly. "So you don't search for me on those files."
"Thank you, love."
Loki got on his feet to put his coat on, like some sort of mental preparation before leaving your apartment and the Sacred Timeline. He saved your photograph on his pocket securely along with Mobius' TemPad, pretending to be strong and swallowing all the pain he was feeling right at that moment. You took his hand, lacing your fingers together one last time and walked until you stood there, in the middle of your living room. He looked at you with loving eyes, trying to save your face and your figure before returning to where he was supposed to be now. And it seemed like time had stopped, as everything Loki could see and feel was you and only you.
"I guess is time now," you began, interrupting his mind.
"I guess it is," Loki nodded, expecting an answer from you. Anything. But it never came. You were also trying to save the moment as much as you could.
So he cupped your cheeks, feeling for the last time your warm, soft skin against his palms. He didn't want to talk, because if he would have said something, it meant you were really saying goodbye forever. What Loki didn't know is that you felt the same thing.
Was there something good to say to your lover, whose destiny was just to bring the best from other people with his cruelty and chaos? To the man who had learn to make things better and, in the end, died trying to protect his people and his wife? Was there anything out there that would bring the god of mischief the happiness and love you always knew he deserved? With these branches and multiverse thing, you hoped deep in your heart there was a universe where he found what he longed for so long. This was just one of many of them. Probably he was happy and living in peace in some others.
"I love you, Loki," you mumbled. He caressed your skin with his thumbs and wiped the small tears that were running on your cheeks.
"I love you too."
Loki leaned to kiss you one last time. You welcomed the kiss with shut eyes, savouring his lips and the taste of your tears, mixing now with his own.
The pain started to bloom; every heartbeat felt like a sledgehammer pounding against his chest. He was not ready to let you go, so this was all he could do. The seidr flowed from his fingers, the green lights covering your body with the help of the spell he casted for you was made to protect you from anything that could get out of hand in the Sacred Timeline, particularly from his own hands, the hands of the TVA, or any other danger that could chase you. Because if something would happen to you due to his stubborn decision, Loki knew he wouldn't forgive himself. What he was sure about though, was that he would still look for you until the end of time.
So when the kiss ended, you fell asleep in seconds. He had to take your sleeping figure with his arms to your bedroom, where he carefully laid you down on the bed. Making sure you were comfortable in your sleep, fixing the pillows and the blankets, Loki remained there, just to take in the serenity emanating from you. It was something you had, the ease and calm your aura projected to everyone in the room. This was the last thing Loki wanted to save from you.
He kissed your forehead and dried the tears on your face before standing up. Once you were to wake up in some hours, you would not be able to know everything was real. Loki made sure you thought it was a dream. So that is what you would have in your head. Something you wished for so long that will only be nothing but thoughts, scenes and emotions that felt absolutely true. As real as life could be.
Loki took the TemPad and opened the timedoor to go back to the TVA, where he knew Mobius would be waiting already since he left for hours. Without looking back to your room, he stepped in and forced to compose himself just in case he would bump into someone else. He sighed, observing through the halls of the headquaters as he made his way back to the room that was assigned to him.
At his door, a worried Mobius was already waiting for him, walking in circles.
"God, Loki I thought you were gone for a second," the analyst breathed out. Loki just handed the TemPad and Mobius took it back. He noticed his weary demeanor and teary eyes. "Thank you. Sorry I doubted you for a second."
"It's fine," Loki shrugged it off, looking for something on his pocket. The photograph slipped from his fingers and fell down to the floor. Mobius was quick enough to pick it up for him, but as he gave it back to his owner he observed it thoroughly.
"So this was the personal thing you did," Mobius said, looking the photograph resting on Loki's hand. He remembered that face from his files.
"Yeah... I guess all set now," Loki sighed.
"Good, I hope you're ready for another trip to the Sacred Timeline." Mobius turned to walk away, deciding it was better to give him some time, but he turned back to Loki before doing so. "And if you're feeling like talking about this any day, only between us, just let me know."
And with that, he walked away. Loki smiled, standing alone outside his door.
You were right. Mobius was a good friend.
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cassandraclare · 2 months
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*sighs a bit* Okay. Guys. I have been asked this question a lot, and answered it a lot. I don't know how to give a better answer — Dru & Ty&Kit share significance as main characters — so I guess I'll talk a little about comparison and structures.
First, all series have different structures. I don't think it's super useful or predictive to try to map an upcoming, unknown book series onto an existing series. In TLH the main character was Cordelia, everyone else was secondary to her, and people's roles and the significance of them altered from book to book. It was a big ensemble cast and they mostly stayed put in London especially in book 1.
TWP focuses on a smaller group of people. It also has a very different structure. In book one, Dru is not with Kit and Ty. They are in different places, both of which have their own stories that are significant to the plot. There is no way to see Place One without following Dru. There is no way to see Place Two without following Kit and Ty.
I know that TWP is a long way off. I know there are people who are very angry with me that there's such a gap, but there isn't anything currently I can do about that, or about the fact that I don't yet have the schedule for my upcoming books. That rests in the hands of several different publishers who must coordinate the release times and production schedules for four different series. I am not withholding any information about when these books come out. I simply don't know it yet.
I understand that TWP being a long way off makes for anxiety, and that those who are worried Kit and Ty will somehow be secondary are looking for tiny clues in microscopic details — micro-reading the of placement of the word "and" in my newsletter and such — that are meaningless, but I get that it all comes from anxiety. (FTR, those worried Dru will be secondary are equally anxious.)
I think there is only so much I can say. Because there's a big gap between TLH and TWP everything I do say or every image or hint about it is freighted with a weight of assumption it can't really support. Anxiety is always going to trump reassurance. And truly, at the end of the day, if you only care about Kit and Ty and find the idea of a Dru story tiresome, you will feel like they got shafted because when you absolutely hate a plotline, you will always feel like it's taking up way too much space. That's just how our minds work.
I've been doing this long enough that I know no book can survive a hostile reading. I know that Book Three of a trilogy is the one people hate until they don't. (When Clockwork Princess came out people hated it so much I considered quitting writing!) I know that it's wonderful to love a character but can also be a problem for people when I put out books that aren't about that particular character or dynamic. I know that for a lot of people, Sword Catcher and Ragpicker King are just tiresome things that have no business on my schedule because they're not Shadowhunter books. And I get it. But I also have to block it out, because I've been writing a long time, and I've gotten to a point where I know that I have to write the thing I want to be writing, because if I don't, if I sit down and try to force myself to write something I'm not feeling like writing at that time, I'll be making myself physically and mentally sick. And that's no good for anyone, really.
I suppose the positive thing is that, while this would not have been true five years ago, I am at the place where I want very much to be writing Wicked Powers. I missed these characters and am glad to be back with them. I consider this a story in which there are three main characters. And that is all I can say right now because it's all that I know.
(And this was much more of a general response to a lot of things than a specific response to this question, but I did feel like it was stuff that I needed to say. Creators are at the end of the day, just people. Sometimes we are powerless to reassure. Sometimes we are tired. Sometimes we are wrong. Sometimes we try things and they don't work. Sometimes we can't explain to you what our story is going to make you feel, because only reading it is going to tell you that. This may be one of those times.)
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