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#and then let it sit in my inbox
shootingstarrfish · 16 days
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request: simeon ending a phone call with "Amen" bc itd be so so silly
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carmyboobear · 1 month
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Speak your mind about sub Carmy 🎤
*taps mic*
HELLO thank you all for gathering here tonight. I’m here to talk about a topic that has gone wildly and widely undiscussed. and that is: SUBMISSIVE CARMY BERZATTO!!!!!! *uproarious applause*
Not all of us want to dominate men. That’s okay. But I hope by the end of this Ted Talk YOU TOO can see the beauty of a submissive man
ok do lock in because I have a lot to say. Also goes without saying but we’re gonna get nasty so 🔞
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tags include: handjobs, edging, overstimulation, coming early, praise kink, sub carmy
Carmy carries the weight of the world on his shoulders. His head is racing at a million miles an hour. He’s so hard on himself all the time, pushing himself past his limits, often if not always for his detriment. Imagine how good it would feel for him to be able to turn that all off, to just relax for once.
He crumples under praise, folds immediately with soft affection. He’s eager to please and willing to follow orders. If anything, he WANTS to follow orders, and he wants to do it perfectly. He’d do anything you ask of him, endlessly sacrificial at heart, often for no greater good.
And okay look. Maybe I wanna make Carmy whimper and whine! Is that such a crime! He’s had so little sexual experience, and for someone to take the reins for him here… like I’m just imagining giving him a handjob and you’re edging him, telling him not to come yet, and he’s so turned on and worked up it hurts. (Also basically I saw this video of this dude getting edged and he whined “sorry” when he accidentally finished and it’s haunted me ever since. Sorry for all that)
“You’re doing so good for me, Carmy,” you’d say as you slowly pump his shaft. Your hand, covered in slick, glides fluidly up and down. His cock is rigid and flushed a deep red. You’ve been keeping him at the edge for a while now, stopping when you know he’s about to come.
He’s the prettiest like this, too. His pretty baby blues, half lidded eyes glossy with tears. His pink cheeks, flushed with heat and embarrassment. His bitten lips, parted and whining. His muscles tighten as he winds up, sweaty abs and pecs clenching. He’s a sight for sore eyes like this.
“Don’t come,” you remind him quietly, slowing the touch of your curled hand. He’s a whining mess, dribbling pre cum down his slit.
“I—I wanna come,” he whimpers, almost sobs. “Please, please—“
“I said you can’t come.” Your hand rests at his base, holding it tight. He throws his head back, chest heaving. “Be a good boy, Carmy. I thought you said you were going to be good.”
“S-Stop, I’m gonna—mm—!” Carmy’s body tightens, and he cries as he comes all over your hand. He’s so worked up he can’t stop himself, not when you keep talking to him like this. “Fffuck—Ohh—“
“Carmy,” you say disapprovingly.
“I’m s-sorry,” he whines pathetically, cum shooting excessively from his tip. You sigh in disapproval and start quickly tugging on his twitching cock again.
You drag him through the rest of his orgasm, keeping your fingers tight on his wet cock. He apologizes over and over as he’s coming, thrusting helplessly into your hand. You keep touching even when his cock goes soft and sensitive, and he lets out little pinched, wounded noises.
So…yeah. Submissive Carmy.
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blamebonk · 4 months
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I understand that the brothers are rich for convenience and they probably have human world currency but I think it'd be funny if like, Barbatos calls MC to the local burger king because Diavolo tried paying for his food in cursed gold coins and the cashier thinks he's bullshitting them.
I also think diavolo would be obsessed with those cardboard crowns they hand out too.
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Diavolo puts a lot of research into humans I think he would show up with money but like waaaayyy too much lol
I kinda forgot what I was supposed to be drawing sorrysorrrryyyyy any excuse to draw him like this
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poorly-drawn-mdzs · 6 months
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I hope the statuesque head empty goddess and her dirt gremlin girlfriend are having a nice day
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They are living their best life B*)
(original pose)
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realjrwiquotes · 1 month
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day 59
Charlie: When you said we weren’t going to like what happened today, I thought you meant Niklaus was going to show up and call himself daddy again
Riptide #109: Fates Worse Than Death - 11:44 submitted by me
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comradekatara · 2 days
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The Awakening is one of the most underrated episodes in the series.. this episode was such a turning point for aang
Aang first ran away in a storm to avoid his duty, and now he’s running away in a storm to do his duty. Poetic!
Love also Roku and Yue in this episode
yes! the way this episode establishes so many of the central tensions for the final season and parallels basically every character so deftly is perfect. the chiastic storm symbolism, the storm inside aang of crushing responsibility and guilt and grief and rage…. and in both cases, whether it’s to run away or to attempt to face his problems head on, leaving behind his loved ones (like he tried to do in the crystal catacombs) is always the wrong choice, he needs to rely on his friends. and his friends need him too. katara’s speech about how aang thinks he has to do everything alone kind of seems out of left field considering aang has always valued and cherished forming deep bonds, especially with katara. but then you remember that katara’s last memory of aang, that has been haunting her for the past however many weeks she’s been on that boat desperately trying to save him, was aang (unintentionally) martyring himself. and that would be traumatizing for anyone to witness, their best friend literally dying in their arms, but it’s especially triggering for katara because it’s happened before. kya died for her. hakoda left her. sokka emotionally abandoned her in his promise to die for her.
being a waterbender, the last waterbender, is such a complicated role for katara, because on hand she must feel immense guilt over the way her entire family and tribe prioritizes her life, and is especially motivated to become the world’s greatest waterbender specifically to prove that her mother’s sacrifice was not in vain. but it’s also that drive to be the best that awarded her the spirit water, that gave her the ability to heal aang when history repeated itself. katara couldn’t save kya, she couldn’t make hakoda stay, she couldn’t heal jet, but she can with aang. she literally brings the avatar, struck by lightning while in the avatar state (thus effectively ending the line of avatars were he truly dead) back to life. katara revived him as the inciting incident of the entire narrative, and then she revived him again in their darkest moment. because katara will continue to bring back hope to the world, resoundingly, through sheer force of will, with nothing but her bare hands and overflowing heart.
i do love aang’s arc in this episode, the narrative parallelism, the tragedy of him burning his glider, his last physical relic of his past and his people. i love the way he is so determined to perform the duty he has shied away from for so long due to the shame and humiliation of actually trying, and failing. of course aang was already motivated to perform his duties to the world, because guilt is a hell of a motivator, but the existential terror of actually being killed adds tenfold motivation. instead of running away from his problems, aang is now running towards them, equally as thoughtlessly and hastily. because he is too ashamed to care about tact, he just wants to rectify his devastating mistake. and that’s why he says that he needs to regain his honor. scarred and humiliated and lost, he finally understands how zuko feels.
zuko acts as the third side of a prism through which he, aang, and katara, are all refracted and reflected in one another. this episode makes use of that parallelism both in the contrast between zuko “finally regaining his honor” (illusory, of course, but he gets to come home and see his father again, and that’s all he’s wanted all along) while aang has lost it, and zuko confronting his father for the first time in three years, just like katara does. katara is angry at hakoda, her anger exacerbated by her grief over aang. she’s angry that hakoda left them, even if logically she doesn’t blame him for it. and she doesn’t mask her anger (i don’t think she’s even capable), and hakoda, for his part, receives it, listens to her, treats her with love and affection, holds her, acknowledges his own pain. it’s an incredibly beautiful scene; the episode is excellent if only for that scene.
it’s also immediately followed up with its opposite. zuko walks into ozai’s chamber, no anger only fear, kneels before his throne while ozai circles him like a predator (a move that both zuko and azula picked up from him). even a few episodes later, in “the beach” when azula asks, “are you angry at dad?” zuko’s face falls open and vulnerable, almost afraid at the accusation, and goes, “what?? no!!” even though it’s a perfectly fair question. ozai banished zuko for three years when he was still a child, whereas hakoda left katara for three years when she was still a child. katara resents hakoda for leaving against his will whereas zuko doesn’t even feel like he’s allowed to resent ozai for anything. ozai never once actually touches zuko, but zuko still flinches. zuko kneeling on the ground while ozai circles him like a hawk. hakoda and katara holding each other, both in tears, both open and vulnerable. zuko katara parallels always make me go crazy, of course, but this is one of the most insane juxtapositions in the entire show to me. i just love the katara hakoda reconciliation scene, and all the more for its narrative impact as it precedes zuko and ozai’s.
the ozai face reveal is also pretty incredible imo. for the past two seasons, ozai’s face as been obscured by shadow, framed only at angles that made him unknowable to the viewer. he is a larger than life villain, to both aang and zuko, not simply a man but something far greater and more terrifying. except no. he is just a man. zuko returns home, and immediately sees that. the ozai of looming shadow from zuko’s faulty memory is in fact just some guy. a uniquely powerful guy, of course, but he’s not gargantuan, too great to be comprehended by mortal eyes. zuko was just a child when he left, but he has since grown, in many ways. and while ozai still terrifies him to his core, because how could he not, we see, as zuko sees, that he is just a man.
as the image of aang’s goals becomes clearer in his eyes, he too, learns to see ozai as just a man. in the following episode he even crafts his likeness out of noodles (“impressive, i admit”). ozai is not some fantastical godlike being. no, aang is the fantastical godlike being in question, and it’s his literal god-given right to humble that man playing god who claims that aang has no place in his world. to obscure ozai’s face is to illustrate the sheer magnitude and terror of the power he wields. and to show ozai’s face, and then over the course of a season, continually undermine him and mock that face and depict it as noodles, or pantsless, is to take away some of his power, his cultivated, dictated, arbitrary power.
the awakening is a fantastic episode as it sets up the central internal conflicts for book 3, especially for aang and zuko, but also for katara, acknowledging the weight of her grief as it culminates in “the southern raiders.” (also her waterbending progress as it’s demonstrated in that one scene is incredible, i guess being at sea helps in one’s waterbending, who’d have thunk!) it’s basically a microcosmic encapsulation of the entire season, appropriately ending on a loving gaang hug as they promise to help one another through this. the heart of the show lies in that hug. it’s a fantastic episode.
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theriverbeyond · 7 months
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Thinking about Ianthe, rejecting her arm, "cries at night", gave herself the last name Naberius, and now we find out that Babs was basically her brother- she won't cop to murdering him in cold blood, she won't say why she wouldn't have killed Corona. They say they don't care about him, but they're saying it so loud and if they really didn't care why would she tell Palamedes so insistently as she gives a performance on stage in her mind palace? Her entire life is performance! She removed Harrow's horrible, life-ruining grief through gross lyctoral flesh magic and then Harrow removes her arm that won't work through gross lyctoral bone magic! Anyway all of this to say that Ianthe does care about Naberius a lot, actually, she'll just never admit to it. The horrors of love!
I AGREE 100%!!!
Ianthe says she doesn't regret killing Babs and she SAYS she doesn't feel any grief but she is also, always, playing nth dimension chess. she would never admit to it but you can't live with someone for so long and be so entangled for your whole lives and then not be affected when they die, much less when you KILL them. not even mentioning how Naberius' soul is bleeding out onto hers now. Ianthe is being impacted not only by HER unwilling grief but also Naberius' own. JUICY!!!
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swordfright · 6 days
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Tell me about how the structure of the medium impacts the story 🔫
My brother in Christ, prepare yourself for the most boring essay you could possibly imagine. I'm going to over-simplify a few things here for the sake of Getting To The Point, so bear with me.
I think a good starting place is that DSMP is an example of New Media. The go-to definition most folks use is this one: that New Media are stories told via "communication technologies that enable or enhance interaction between users as well as interaction between users and content." In other words, NM is basically this category of stories made up of convergent elements, which satisfy a multimedia requirement, and are heavily reliant on both participatory fan culture and recent advances in technology that allow creators/audiences to communicate with one another instantly.
There's a couple ways you can understand DSMP as a New Media, but as far as I'm concerned, one of the most interesting is prosumption. The term "prosumption" describes a creative situation where a piece of art is being produced (at least in part) by the same people that consume it; they're both audience and creator. DSMP is a really great example of this phenomenon, because A) it's serial and therefore the CCs had ample opportunity to respond to and engage with the audience's reception of their story; and B) because the chat feature allows CCs to interact directly with their audience during roleplay rather than after the fact. These features, among others, kinda set the stage for DSMP to function as a highly prosumptive piece of media.
In particular, the stuff that interests me is the stuff to do with storytelling convention (genre, perspective, etc) and how prosumption turns all that on its head. There are a number of altercations in DSMP canon where the course of the story is altered because of real-time interactions between the CCs and their chat - particularly times when a CC's chat warns them about events happening at the same time elsewhere in the server. In this kind of scenario, the CCs are static, they can't really leave their own stream. Their viewers, on the other hand, are able to jump between streams and talk to each other to figure out what's happening in the overarching story. When this happens, viewers have choices to make: are they going to tell a CC what's going down on the other side of the server? If so, how are viewers going to communicate those events? Viewers are biased, they directly inform CCs, and the information they divulge (as well as how they divulge that info) goes on to influence CCs' actions and thus the events of the story, to some degree. In my opinion, this is a pretty new and exciting way to prosumptively construct a narrative! Media has always been interactive to some extent (especially serial works), but the interaction being live and in real-time is pretty significant in my view because it can exert unique pressures on a narrative.
Speaking of audience choice, that brings me to the next thing I want to yap about: ergodic storytelling, a term that refers to stories “negotiated by processes of choice, discernment, and decision-making.” For reference, a good non-MCYT example of this would be hypertext fiction, because it's generally characterized by the ability of the interactant (that's the reader, in this hypothetical example) to explore material provided by someone else, either as a kind of conceptual landscape (think setting in a video game), or as puzzle pieces that must be put together in order to give the interaction the "big picture" of the story. Basically, with hypertext fiction, there is a core text (the main document that forms the skeleton of the story) and there are multiple hypertexts branching off of the core text - and whether the reader ends up reading those branches, and in what order, inevitably shapes that reader's perception of the whole story.
So here's where it gets tricky. In the case of DSMP, where is the core text located? Is there any one identifiable core text at all? Or is it more appropriate to consider each individual stream or VOD as its own singular core text, with the related Twitch channels and Youtube recommended in the sidebar being "branches"? Alternatively, if the streams and recordings distributed on the server members’ official channels are the central text in the grand hypertext fiction that is DSMP, then can adjacent spaces where audiences do the work of creating and archiving lore be considered their own story branches? I don't have answers to these questions. No one does. That's part of what makes DSMP exciting.
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To translate the above quote out of Academia Hellspeak: in an ergodic story, the audience has agency, but the agency enabled and allowed by the text varies in its intensity and mode. Yes, stories told ergodically necessitate choice — and therefore enable agency, turning the reader or viewer into interactant — but that element of choice doesn't always look the same. Some hypertexts are more choice-reliant than others, or are choice-reliant in different ways. So, rather than being a choose-your-own-adventure story, DSMP is more closely analogous to a story where the audience chooses the perspective through which they view plot developments, in addition to having some influence over how plot developments unfold.
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(☝️From a 2021 Polygon article, if you think I sound crazy☝️)
The web of choices DSMP presents to viewers is very complex, even compared to other forms of choose-your-own-adventure game. Because each CC approaches the task of story-creation from their own angle (bringing their own narrative baggage to the writers’ room, so to speak), those shifts in perspective this Polygon article describes often also constitute shifts in genre. For instance, cc!Wilbur brought his music production experience and interest in musical theater to the server, cited operas and stage musicals as some of his main inspirations; and accordingly, much of c!Wilbur's most crucial arcs observably draw from those sources. When you watch a c!Wilbur stream, you’re watching a story about statecraft, about revolution, about the triumphs and tragedies of ego that play out during the process of nation-building. On the other hand, cc!Quackity has repeatedly identified Breaking Bad and Better Call Saul as his primary influences; accordingly, his RP character’s story is closer to a piece of gritty prestige television in some places (especially LN series). Unlike with c!Wilbur, a lot of c!Quackity's tension does not revolve around a romanticized fantasy of revolution but around more personal conflicts: securing your place in a new regime, navigating exploitation as both exploited and exploiter, etc. In terms of both plot beats and character arcs, Wilbur and Quackity’s respective storylines embody many of the genre conventions the content creators are working within.
Moreover, a shift in genre often entails a shift in style or mode. Because cc!Wilbur was heavily inspired by musical theater, the presentation style of his character’s storyline is correspondingly both theatrical (i.e. only loosely scripted, nearly always televised live, and improv-heavy) and musical (featuring multiple instances of Wilbur singing in-character ballads and anthems.) On the flipside, Quackity’s streams (especially the later ones, since I'm mostly focusing on Las Nevadas era here) demonstrably mimic the prestige TV shows the CC draws his inspiration from, with lore sessions being pre-recorded rather than televised live, featuring distinctive sonic and visual aesthetics popularized by neo-Western thriller dramas. So, where a piece of media like DSMP is concerned, shifts in perspective entail shifts in genre, which in turn entail pronounced shifts in style. I don't think it's an exaggeration to say it's an entirely new story depending on which character the viewer decides to follow. In that regard, what initially appears to be a single choice (whose perspective to watch a plot event through) has the power to determine a wide array of other elements, as viewers’ responses to the options presented to them will decide the overall tone of the section of the story they're about to watch.
While I think the genre-switching is genuinely super cool, lately I'm a lot more interested in perspective-switching and how it's related to viewer empathy. One side-effect of DSMP being televised live is that yes, you can watch a plot event from 30+ different POVs, but you can't watch every POV live. Typically, you either have to switch between multiple streams, or you need to pick one streamer to watch live and maybe later you'll watch other characters' POVs as you see fit. This has an impact on your perception of how that plot point went down because watching something live feels very different from watching something after-the-fact. I haven't done study on this, so what I'm about to say is mostly conjecture, but I wouldn't be surprised if viewers felt greater empathy for (and greater degrees of kinship with) characters whose POVs they watched live.
The choice of which character to follow also has observable impacts on other kinds of narrative conventions (who is the main character of DSMP? the boring answer is c!Dream because the server's named after him, but the real answer is the protagonist is whoever's POV you watched most of the major plot events through) but to be honest, those questions don't interest me as much.
So, going back to perspective and empathy. I think viewers' reactions to Exile are a really solid way of exemplifying the thing I'm trying to say, so this is the part of the yapping where we gotta bring up the dreaded Exile discourse.
Even though the Exile VODs are available and new viewers can go back and watch them, those viewers experience the Exile arc in a way that is fundamentally different from the experience had by viewers who had to wait in between updates as the videos were being streamed serially in real-time. I would argue that viewers who were “present” during the whole arc noticeably felt the brutality of c!Tommy’s treatment to a greater degree, because the audience was effectively forced to sit in exile alongside Tommy’s character - stewing in anxiety, looking forward to the possibility of appearances from other characters, and living in fear of Dream’s next visit, etc etc. Obviously you could also make this point using c!Dream's time in Pandora as an example, but I'm using Exile here because I've actually seen a lot of fans bring this up when discussing the arc: "people who didn't watch live Don't Get It," "the reason newer fans don't see Exile as scary is because they didn't have to watch it live," that sort of thing. And while I have certain qualms with some of the implications here, I do think these are really fascinating responses! These sorts of responses show that viewers consciously perceive their viewing experience as having been fundamentally different from others' based on a temporal element that's unique to serial fiction!
This instance of a divergence in collective fan experience is an example of choice being rendered unavailable to viewers by virtue of the story’s structure and means of distribution; audience members who happen to accidentally miss streams or who begin following the story after major events have occurred will never be able to engage with and witness those events as LIVE viewers, merely as retrospective ones. They don’t get to make that choice, but they do get to make choices about which perspective (and therefore genre) they get to experience the story through. So it follows that each aspect of DSMP, a semi-ergodic story, can be categorized as either ergodic or non-ergodic, and whether a particular storytelling element is ergodic can change depending on WHEN the viewer began tuning in to the story.
I have a lot more shit to say (shocker) but I'm gonna cap it here for now. Though I do want to add that this is kinda why I have a lot of patience for the crazy diversity of interpretation you tend to get in DSMP fandom. If you took a random sample of fans and asked them what they think of various arcs, characters, and plot events, chances are they would all have fairly different things to say. To me, that's a feature, not a bug. Obviously I have my own opinions, and obviously I do think it's possible for a given interpretation to be "bad," i.e. not grounded in the text - but I have a lot more patience for it here, in a fandom where agreeing on what "the text" EVEN IS presents a challenge. We can't all agree on who the main character is, so I don't ever expect us to agree on more nuanced questions of theme and conflict resolution in the narrative. Again, that's a feature, not a bug. I don't think it was ever possible to reach a consensus with a piece of media like DSMP because of how inextricable the audience is from the story.
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silvergyus · 27 days
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i was thinking about what type of person txt would be in a relationship with lol and yeonjun with a nerd is just making me 😵‍💫😵‍💫 like someone who is just a loser and never stops yapping but he’s just like “yeah tell me more 🥰”
yeonjun with a nerd 😭
I can see the relationship similar to his relationship with taehyun (but obviously more ~romantic~ lol) in the way that he just adores you and wants to hear your yapping. when tyun starts talking about science with his big sparkly eyes and the other members look at him fondly? that, but it's your sweet boyfie jjunie and you're curled up in his bed together just rambling about the universe
bonus points if you're a nerd about music stuff. mention his vinyl collection and how vinyl records work + how they're made vs cds and streaming and sound quality and specific hookups. he's staring at you smiling and soaking it in. and then, what do you know, he's upgrading his set up based on what you said.
but also like, imagine you're really into biology or nature and similar fields. going to the zoo together and yeonjun is so excited bc he absolutely adores pandas and you're excited about conservation efforts and the two of you just absolutely geeking out at the panda exhibit
or, I feel like he would just ask you silly questions all the time. your phone would just buzz with a text from him and it would be like "why do we have fingernails" and he'd be delighted when you knew the answer (I actually don't know the answer lol)
and he would absolutely brag about you to the other members. imagine he's on a quiz show or a trivia episode of todo and he gets a question right because he remembers you getting really animated talking about it and he's so so happy he maybe even lets slip that he learned it from his partner but definitely gives you lots of kisses all over your face when he gets home with his prize since you're his lucky charm and smartie pants nerd who taught him everything
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devotion-disorder · 7 months
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I completely fell in love with Noel, I would like to know what would be the perfect date that noel would like to have with mc?
-🦉
when it comes to romance Noel is actually all for the basic fluffy stuff. Nothing too showy or extravagant. Just something simple like going to a cat cafe, a movie date or going to the fun fair. Then when you get home, he imagines the two of you cuddling together under a big blanket in front of the television, falling asleep leaning against each other.
yknow. basic domestic stuff like that
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avnj0gia · 8 months
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Top 10 Nico Greetham
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Ask my top 5/10 anything
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ftmcutiepie · 3 months
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Just A Girl January Day 26
I wore a red thong and matching bralette under my boy clothes to class today and when I got home I stripped down to my underwear, changed into more comfortable red panties and put on a skirt, nothing over it, just the bralette like a crop top.
I felt sooo cute and feminine🥺💕💕💕
It was still too cold to wear that outfit for long though, so I put on pants and a black mesh top and jacket over the bralette and 😳😳😳 not to be a tease bc I won't post pics but I looked so fucking hot??? Undeniably like a woman, too.
It felt sooo good and right and I was sooo horny🥰🥰🥰
This kink is making me enjoy being a woman in ways I haven't really before transitioning.
I don't really know what my point is tbh. (More rambly, less sexy thoughts under the cut)
Full disclosure, I'm very much still a guy. Kinda like a femboy, I guess? I really like the term ftm girl for me bc it's like yeah. I'm ftm and a "girl". But not in a cis way, in an explicitly transmasc way.
I don't feel like the term "non-binary" really fits, though.
I'm not gonna detransition for the kink although the idea is ridiculously hot. Hell, I'm not even really questioning my gender. Like I said, still a guy.
I just. Kinda wish I had someone I could "be a girl with" IRL. Someone who misgenders me and I can dress femme around and treats me like a girl.
I can't wait for summer and hope I'll have opportunities to dress femme around trusted friends and/or in public where no one knows me.
I kindaaa wanna tell someone I'm questioning my gender and wanna try out they/she pronouns but I don't wanna lieee and I won't involve unconsenting people in what is mostly a kink. Like, there's some enjoyment I get out of "womanhood" that's not explicitly sexual, kinda like gender euphoria, but in a femboy way? lol. But like 99% of my enjoyment is kinky so🤷‍♂️
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tripleyeeet · 5 months
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Can you please update Lover’s Folly instead of other stuff we’re dying over here Yeet
hey google cast lvl 6 fireball
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victarin · 8 months
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wait why does entity sun give people fish-
Tbh i made it up on the Spot at first but
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remember this guy from fnaf world & UCN ?
there’s another ask ive been meaning to respond to abt the origins of entity dca but naturally it all revolves around Afton :) the fish represent Old Man Consequences in a way & the more positive reactions you get from entity dca/the more correct choices you make then the more progress you make in counteracting whatever shit afton did (reversing the consequences) . but to them (entity dca) it’s like giving out a gold star!
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gatorlovebot · 4 months
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Both puppy and werewolf soap are the type to be so horny they fuck you sore to the point you need to ice your pussy. They of course, want to be good boys and help, so they hold the ice pack for your still-pleasure-wrecked mind, only to get horny thinking about the fact that the ice pack is right against your pussy, so they grind it against you until to cum again, while they whine and whimper and beg to see it just one more time.
Definitely licks your cum off it too.
-🐶
anon, you are so right, as always. they’re horny disasters, but they’re your horny disasters. they’re hardwired to want to make you cum as many times as possibles because they simply want to be good boys. they also love the way you sound and feel when you cum around their cocks. it’s hard for them to differentiate your whimpers of pelasure and whinpers of pain when everything starts to fee too much but eventually you’re able to push them off.
you have to assure them that yes they did a good job and made you feel good but maybe a little too good. they hold the ice pack against your cunt and its still so slick and it smells so good they can’t help themselves when they start to move it against your clit. they just want to watch your pussy cum again :( and as your body shakes from overstimulation they lap up your cum being the helpful good boys they are.
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doom-dreaming · 6 months
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\ . O . / I see you are doing the word prompts as well! These have been such a wonderful treat to read. May I put the word "Dirt" into your hat, for Halo?
There's dirt under his fingernails. He can feel it. It shouldn't be there, not unless the seals on his gauntlets are compromised—
He clenches his fists. He hated waiting. They all did, to some extent. They hadn't been made to wait, they'd been made to move. And waiting meant he wasn't moving and when he wasn't moving, he was thinking. It was always worst when he was waiting. When he wanted to think, he couldn't, and when he didn't want to, that's all he seemed able to do. Trains of thought ran on circular tracks in his brain; he could divert them well enough, distract himself, but they never really stopped. More often than not they collided, tangling into fiery knots of combined worries.
With a huff, he reaches for one of his wrists. What would it hurt to check the seals, get the dirt out from under his nails? Nothing had happened in the last two hours, what were the odds that would change if he did some armor maintenance?
The familiar routine of removing his gauntlets calms him momentarily, long enough to ease the coiled-spring feeling in his chest. The seal on his right hand does seem a little soft when he disengages it, just the slightest change from the usual release of pressure. Maybe he wasn't going crazy.
He sets the armored gloves to the side with a quiet sigh and reaches for the smallest of his knives, slipping it from its sheath on his thigh. Carefully, but with obvious habitual ease, he slides the tip of the blade under each fingernail, scraping out the microscopic bits of grit that'd been bothering him, knowing just how to angle the blade to avoid cutting himself.
It was funny, how the things he couldn't see tended to eat at him the worst. Dirt under his nails. An enemy in hiding. A squadmate separated from the group. Spiraling thoughts about contingencies and "what-ifs" and worst-case scenarios.
He sends out a wordless request for a status report over TEAMCOM. A trio of green lights flash back a few seconds later. He knows holding this position is important. He knows Linda is watching, eagle-eyed, from her nearby perch. He knows John and Kelly are more than capable of defending themselves and each other. He still hates being apart from them.
With another sigh, he stows the knife and begins the process of troubleshooting the finicky gauntlet seal. At least it would give him something to focus on until the rest of his family returned.
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