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#and this is also about the content creators that with all the right in the world reblog and do posts about this situation but then
ellecdc · 14 hours
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Poly moonwater or marauders (up to you! I can see both being cute, though marauders would be interesting since theyre all gryffindors) x a partner who thinks snakes are the cutest, and has a really big python of her own? And she often takes it on “walks” (walking outside while the snake is lounging on her arms to get some sun) or chills in her room with the snake just resting on or beneath her robes (calmer snakes in my experience love to slither up sleeves and wrap around abdomens and collars)? My snake loves doing that, and sometimes it gives people a fright haha. My snake is quite large, but just the cutest and most curious thing, she’s helped many of my friends get over a minor phobia before. She also contracts her muscles (not enough to hurt) when wrapped around a hand, which feels like a little hug. LOL sorry for rambling, I love my sweet baby (5 foot long apex predator) so much. Bonus points if reader is very sweet and smiley, just the last person you’d expect to have a big “scary” snake.
this was such a cute and funny request. and, funnily enough, almost immediately after I received it I started seeing this creator with her snake on TikTok and was like "this is perfect!!!"
poly!marauders x whimsical!reader who apparently has a pet snake that her boyfriends didn't know about
CW: fem!reader, reader has hair she can put up in a bun, best friend Barty being a fucking menace, snakes?
Remus let out a breath of relief when he finally made out your form sitting contently under a tree on the castle grounds with your face shoved in a book.
He couldn’t help but worry about you a little bit; he worried about James and Sirius too, mind you, but something about you struck him as a little too pure, a little too lovely to be navigating this scary world on your own.
He knew you could, he just didn’t think you should have to.
It appeared Sirius and James were just as grateful at locating you when Sirius took off in a run to join your little makeshift picnic.
Remus almost felt bad for the interruption of what was likely a very peaceful sanctuary you had built for yourself. But knowing you, you’d be just as happy to have them join you.
Your smile at Sirius’ form as he made it to your blanket let Remus know he was quite right in his prediction.
“Hi Siri!” You greeted tranquilly, causing James to let out a small breath of awe as he all but dragged Remus the rest of the way over to you. 
“Hey Angel!” James called to you as Remus offered you an apologetic smile turned grimace. 
“Do you mind if we join you?” Remus had the grace to ask.
“Of course not; I’d love it if you did.” You responded quickly, shifting over to make room for them all on your blanket.
“Of course you’d be so gracious; our sweet girl.” Sirius cooed at you, but as he went to pull you towards him by your shoulders, he let out an embarrassing shriek as he launched himself away from you. 
“Godric’s saggy balls, Pads; what is the problem?” James asked bemusedly as he took over Sirius’ now vacated spot beside you.
“She’s got a sodding snake in her hair!” Sirius screeched as he pointed at you.
James’ head whipped back towards you to see that, sure enough, there was a medium sized snake seemingly almost curled up in your messy bun.
“Don’t move, Angel.” James said seriously as he stood carefully and brandished his wand. “I’ll get it off of you.”
“Oh, there’s no need, James. She’s very docile.” You said simply as if you hadn’t just scared the living daylights out of your boyfriends.
“Docile!?” Sirius bellowed at the same time as James questioned “she?” 
Remus smirked at his boyfriends’ theatrics, though felt momentarily ashamed he hadn’t realised you owned a snake, or…had a snake friend.
“Is she your pet, dove?” He asked finally, fighting the urge to grimace as the snake curled further around your bun and moved its head to sit at your temple. 
“Yes; her name is Tinkerbell.”
“Tinkerbell?!” James and Sirius chorused.
Remus chuckled at the boys letting their Pureblood show. “Like the fairy from Peter Pan?”
He was rewarded with a pleased smile as you moved your eyes back towards him. “Exactly.”
“How long have you been living with a snake?” Sirius asked severely, causing Remus to nudge him with his knee warningly.
“Barty got her for me for my birthday.” You responded simply.
“You’ve had that thing for months?” James asked, finally earning a swat from Remus.
“She’s not a thing, Jamie.” You gently chided, offering the snake your finger who wrapped her head around it reminding Remus of a cat rubbing up against their owner's leg. “I’m surprised you haven’t seen her before; she’s almost always with me.”
Sirius just let out another horrified squawk as Remus fought the urge to let out a full body shiver.
“You carry… Tinkerbell around with you often?” He queried carefully.
You hummed in acknowledgement as your hand fell back to your book. “She usually wraps around my elbow under my robes, but lately she’s enjoyed nesting in my hair. I think maybe now that it’s getting warmer, she likes to sit in the sun.”
“We really need to talk to Junior about gifting our Angel with dangerous animals.” James muttered quietly to Remus and Sirius as your attention turned towards the devil your best friend himself.
“Hi Treasure! Hi Tink!” Barty called you you; his voice raising an octave when greeting your reptilian friend.
Remus winced when he noticed a slightly larger snake hung casually over Juniors shoulders that seemed to be considering the group as they approached.
“Introducing your sweet girl to the boys?” He asked as he sat beside you on the blanket; speaking about your three boyfriends as if they weren’t there.
“Yes. I don’t think it’s gone particularly well, admittedly.” You responded serenely, reaching out to gently boop Barty’s snake’s nose with your finger. 
“It’s going fine.” Sirius argued; never willing to show signs of weakness in front of a Slytherin. 
Unfortunately for Sirius, Barty seemed to call his bluff. “You’re not afraid of a little old snake, are you Black?”
Sirius scoffed derisively. “I go to school with enough of them, don’t I?”
“Okay, why don’t you pet Mr. Smee here then?” Barty taunted, holding out his large reptilian friend to Sirius. “He won’t bite.” He promised with a Cheshire cat smile.
Sirius looked at Barty sceptically before his eyes nervously darted towards you. 
“Mr. Smee is very friendly, Siri.” You encouraged.
Sirius tried to smile at you before he returned his stormy eyes to Barty. “I don’t make it a habit of petting slimy animals, Junior.”
Barty scoffed as he rolled his eyes. “He’s not slimy, Black; he’s scaley.”
Seemingly pacified, Sirius reached out a cautious hand towards Mr. Smee.
Sirius made a garbled heaving sound as he slowly pulled his hand away from the snake's body where strings of slime connected his fingers to the reptile.
“He is slimy!”
“That’s because I soaked him in slime!” Barty cackled. “You’re so easy, Black. Gods, I should spend more time with the lot of you; this was fun.”
And with that, Barty stood from the blanket, kissed Tinkerbell on the head and then pressed one to your head as well before he skipped off.
“He’s a real menace.” James grumbled as Sirius transfigured a piece of paper into a paper towel and wiped at the slime on his fingers.
“I thought that was very brave of you, Sirius.” You praised him, and almost all of the contempt colouring Sirius’ face faded away as he looked at you lovingly.
“Thanks dolly.”
Thankfully, Tinkerbell remained content in your hair, and the boys remained content pretending there wasn’t a snake on their girlfriend’s head for the rest of the afternoon.
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forbidden-sunlight · 10 hours
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yandere!ceo with villainess!reader scenario [part two]
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warnings: implied infidelity, implication of obsessive thoughts or love, workplace toxicity, non consensual surveillance.
There might be potential triggers in this piece. If you do not feel comfortable with reading it, please hit the 'back' button on your phone or laptop and find something much more pleasant to read than a potential series of unfortunate events.
You are responsible for your Internet consumption.
Reblog to support content creators! ❤️
Hey guys, and welcome to part two of my new original yandere oc x series, featuring the good-looking prick and CEO of his family's conglomerate, Yeo Jung-Hwa.
This is a collaboration between me and the incredibly talented @deathmetalunicorn1. Special thanks to @pinkgoldweebgirl for their honest feedback on the earlier drafts of this project and @impeakcharacterdesign for being my beta-reader for the final draft.
I definitely was not expecting such positive feedback on the first part in less than a week, so thank you all for reblogging, liking, and commenting your thoughts on it, they really made some of my more stressful days in the medical field a little brighter :)
Also, if the lofi vibes nor are the clothes written in here aren’t your thing, feel free to insert whatever is your preferred interior theme and fashion/clothing style.
So with that being said, sit back, relax, and enjoy the drama being unfolded on the stage.
Part one
Yeo Jung-Hwa was unhappy with the series of events that had occurred at the office. Hyueng Mun-Hee had bursted into his office with tears streaming down her bright red face, sobbing about how she cannot stand being bullied by the team manager of her department any longer. Who was the team manager?
You. His fiancee. The woman he must marry. A promise between his father and yours that would be beneficial to everyone involved - everyone except him. Wasn’t he entitled to experience pure joy of being loved and in love? To be with someone who wasn’t tiresome and annoyed him all the time? 
Meeting Hyeung Mun-Hee had felt like seeking the sky for the first time. She was a breath of fresh air to his stifling world. Hearing your most recent act of cruelty towards her had been the final straw. And like any self-respecting CEO, he texted the CFO to look into it before all hell had broken loose. He was receiving emails from the managers of all the other departments left and right, all with the same attachment. Botched up documents. And the one who had sent it was none other than Hyeung Mun-Hee. 
But he didn’t believe it at first.
 He truly thought it was another underhanded trick you had created to get Hyeung Mun-Hee fired because that’s exactly the sort of person you are to him; a dishonest, greedy, arrogant woman whose saving grace as a human being is an excellent work ethic. Once he had calmed his darling, drying her tears with his handkerchief, he marched into the Finance Department and demanded answers from you as soon as he got off of the phone with his panicked CFO. Instead of apologizing for what you did, you explained how Hyeung Mun-Hee made mistakes and you gave her a chance to fix them, but she did not correct them. She completed the required training. She knows how to calculate and make spreadsheets, so why is she pushing her work onto others? 
More importantly, you fixed her mistakes and sent out the correct ones to the other departments. Everything has been resolved, but you wanted Hyeung Mun-Hee to attend the company’s financial seminars to ensure that this embarrassing incident does not happen again. As much as he despised you, every point you made was correct…especially after he retreated to his office and compared the budget allocations on his monitors; Hyeung Mun-Hee’s on the left and yours on the right. The numbers in his darling’s work were completely off, and they could have cost the company hundreds of thousands if the situation hadn’t been resolved. 
He was certain that it was sheer dumb luck. 
Just because you had prevented a major internal disaster from occurring doesn’t mean he would ever look at you as he looked at Hyeung Mun-Hee. In a cesspool filled with hypocrites and liars, his darling is a breath of fresh air. Pure, kind-hearted, committed. Loving. So many qualities you lacked. Yet is it all that it seems? He thought, sitting alone in his home office late at night. If Hyeung Mun-Hee made these mistakes, why didn’t she just admit it instead of coming to me? 
He wanted to believe she was telling the truth, yet the proof is right there on his computer. Like his predecessors, he needed to take on the responsibility of a leader and make sure that the conglomerate’s integrity remained intact. However, he also desired to shelter his darling from the world’s cruelty. Remove her from the department and secretly marry her so that they could be together at last. He is selfish, but he has the right to bask in his own happiness. Unlike some people.
Well, if he can’t outright get the truth from you…then he’ll just have to call in a favor from a certain someone in the underworld. The person in question could set up cameras in your bedroom by slipping in and out of your estate as a groundskeeper or pest control and no one would be the wiser. He could do it for a price and make sure that nothing could be traced back to him. The last thing Yeo Jung-Hwa wanted is to be arrested for illegally filming someone without their consent.
Not when this is an opportunity to sever ties with you completely, once and for all. 
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Two days later, he received an email and an attachment. When he clicked on it, four camera angles appeared on his desktop. All of them were in your room. But is this really your room? He expected it to be clean with sleek, wooden floors covered by monochrome carpeting and a walk-in closet filled to the brim with extravagant clothes, shoes, purses that she wouldn’t wear twice in her life. The uninspiring minimalist bougie interior design that is being coveted amongst the upper classes. Your taste was much more comforting. It appeared cozy, with soft lighting and warm blankets. 
Strings of fairy lights strung up across the ceiling.  A full bookshelf was near the bed. The floor was decorated with knitted ottomans and candles.  You lit them all back up as soon as you returned from the company, much later in the evening and when he was in his home office, cradling a cup of black coffee. 
You disappeared into the back for a moment, returning in a two-piece fleece loungewear with mushrooms and plants on them. Something he had expected to see Hyeung Mun-Hee dressed in, but not you. Were you trying to copy his lover’s tastes so he would pay attention to you? How shameless!
When he flipped the audio on the cameras, he expected to hear snide remarks about Hyeung Mun-Hee or see you talking to someone on the phone about sabotaging the new project coming up soon so that you would take all the credit. Instead, you were…shopping on a furniture site?
“I don’t need another bookcase, or it’ll look too cluttered. I can’t get any more potted plants either. I’ve already done enough renovations here to make it cozy and relaxing. What about…a salt thingy? What’s it called?” You typed a few words in the search engine, [Eye Color] irises brightening in realization. “Oh right, Himalayan salt lamp! That’s not a terrible price for this one! And yarn. I need more yarn to complete that gift for Caretaker Lee’s birthday. Speaking of which, I could work on that tonight. Give my eyes a break from staring at screens all damned day.” You scooted over to the edge of the bed, pulling one drawer outward. You then reached inside, removing knitting needles, yarn and dark red clumps of something. You put on headphones and began to knit.  
You, the proud and arrogant Park Seo-yun, was knitting. 
You didn’t move from that spot at all, completely focused on your project when a knock came from the bedroom door. A fleeting, fearful look appeared on your face before you frantically shoved all of your materials back in the drawer, sputtering to wait one moment that you weren’t decent before putting on a bored expression, scrolling through your phone and reclining back like a lazy cat. You told them to come in, and an elderly woman in an apron walked in with a wooden tray filled with assorted foodstuff, carefully setting it down on one of the ottomans. 
“Thank you for preparing my midnight snack, Caretaker Lee. I’m sorry it’s been such an inconvenience while I’m reviewing these documents for tomorrow.” You said with a smile. Caretaker Lee shook her head, walking over to your bed. You scooted over so she wouldn’t fall over the edge (presumably, because this entire situation is bizarre to Yeo Jung-Hwa), and she sat down. She smiled down at you, stroking the top of your head.
“This humble one is honored to serve the Park family, especially the hard-working young miss. It cannot be easy, with the current circumstances. Young miss…please forgive me for speaking outright…but are you certain about going through with this engagement? It seems that you have never spent any time with him outside of working at his conglomerate, and any time he has is spent with someone else.”
Yeo Jung-Hwa expected you to hit her, to punish Caretaker Lee for speaking out of turn and to mind her own business. Instead, you stared at her for a long moment, wide-eyed and mouth  slightly parted…before your lips curled into a melancholy smile, eyes softening. 
“I thank you for your concern, Caretaker Lee. But this is an engagement between my father and the conglomerate’s predecessor. It’s not something that can be broken off so easily with benefits for both parties.” You said. “This is the price to be part of the elite. To sacrifice your happiness for the sake of business.” You then leaned forward, pulling Caretaker Lee into a hug. “It’ll be okay, really. I’m Park Seo-yun. I can take care of myself. And you should be in bed. You’ve got a long drive to see your grandchildren tomorrow morning. Enjoy the weekend, and I’ll see you on Monday.” 
“But-”
“I’ll bring the tray down the kitchen when I’m finished.”
“Miss-”
“Nope.” 
You then shooed her out of the room, telling Caretaker Lee to send your mother a text as soon as she got to her destination. The old woman smiled sheepishly, wishing you good night and asked you to not stay up too late. Once she was out of the room and the door was closed, you walked back to the bed, shoulders sagging and suddenly looking incredibly tired before you fell face first onto the blankets, legs dangling from the edge. You remained like that for a moment, then picked yourself up and curled up your lower body, grabbing one of the blankets and putting it over your legs. You retrieved your hidden supplies, resuming your knitting, taking five minute breaks in between to eat from the tray. Three more hours passed until you decided to call it a night, blowing out the candles and switching the fairy lights to a lower setting before disappearing into the bathroom. You came back out, grabbed the tray, and vanished. 
This isn’t real. It can’t be real. You are a haughty, greedy woman who could care less about commoners, much less servants. You love shopping at boutiques and only want the best of the best in anything. Even in an arranged marriage. He could never be happy with someone like you. 
But is all of that true? A nasty little voice in the back of Yeo Jung-Hwa’s mind hissed. Those were rumors created by other women who weren’t pleased that they weren’t good enough to marry you. Park Seo-yun is a stranger to you. You never bothered to know nor care to. Why would you when you have someone you love, Hyeung Mun-Hee?
He didn’t need to, and the fact that he wanted to know the truth about you of all people terrified him. He’s not supposed to care, not to be curious or even concerned about your well-being.  This was a strategic engagement, not one born out of mutual affection. He has a role to play in this world after all. 
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Three weeks had passed since he had the cameras installed, and all Yeo Jung-Hwa had discovered or even learned is that you were a completely different person in your home than at the office. 
You work Monday through Fridays, always on time and never staying late unless it was necessary. You returned to your family estate late on Tuesday, Wednesday, and Thursdays because there was a spinning class at the company gym after your shift on those days. Friday evenings were spent in either your room, holed up and completely focused on knitting or doing something else that helped relax you. If you were staying up late, the servants would provide a midnight snack for you. The portions increased on the days you were at the gym, alluding that you possessed an enormous appetite due to a high metabolism instead of being a glutton as Hyeung Mun-Hee has told him time and time again.  You talked to yourself when you were alone, or at least your thoughts before making a decision on something. When he remotely hacked into your laptop to see if he could find any evidence of foul play there, he saw your browsing history contained only decoration aesthetics ideas, healthier snacks to eat at night, local beginner yoga instructors, and shopping at small businesses on Crafty plus one or two high-end boutiques for business casual outfits. Nothing incriminating on any level whatsoever. But he was not going to let you off of the hook that easily. 
At work he ignored you entirely, focusing his attention on Hyeung Mun-Hee and blocked your calls so that he didn’t have to talk to you outside of business hours. There was not a single text message or voicemail from you on his cellphone when he unblocked your number yesterday morning after coming into the office. Understandably frustrated and cranky from a lack of proper sleep, he decided to change the deadline for the quarterly income statements and the inspections of the company’s financial software, including reinforcing the firewalls and ensuring there was no fraudulent activity in the company’s transactions to Monday morning. 
With this amount of work, he was absolutely certain that it would be your slip-up. That you’d push your assigned tasks to Hyeung Mun-Hee so you could keep working on your knitting projects. Today is Saturday, and you left your house at seven o’clock to go to the office. You stayed awake until midnight typing away on your company laptop, looking over spreadsheets while talking to the head of IT on speaker, arranging a test run on the firewalls on Sunday evening. 
Instead of helping the team prepare for everything to be finished at the beginning of the week, Hyeung Mun-Hee was sitting across from him inside a coffee shop, beaming and utterly happy that they were finally out on a date after not being on one for so long, she was getting worried about him. Well…perhaps. Yeo Jung-Hwa glanced down at the shopping bags by their feet. They had gone to trendy high end streets and luxury department stores earlier this morning, with Hyeung Mun-Hee desiring…no, more like insisting that she had at least eight new work outfits so that she would represent his company properly as a team member of the Finance Department. 
If that’s true, then why are you here using my black card to shop instead of working at the office? He thought behind a smile as his supposed lover’s words went from one ear and out the other. If you were here with him, he’d probably have been more accepting of indulging in your vices and insisting on paying for everything instead of you, even when you were just as wealthy as he is. 
“I’m sure that you will find out why Park Seo-yun is acting so suspiciously!” Hyeung Mun-Hee said in a hushed voice. “I can’t believe you are even associated with such a vile person.She can’t get away with talking down to others like that! She may be rich, but she doesn’t know how to truly appreciate what she has right now!” She giggled. “It’s funny, isn’t it? She has everything, but she still clings to your engagement like a sad puppy! If she truly loves you, then she should have convinced her father to call everything off so that you can be happy. But the rich think differently I guess, right?” 
His smile tightened. “Perhaps.” He said, languidly sipping the java chip mocha frappuccino that she bought for him even though he preferred to have his coffee black with no sugar and he’s told her this little tidbit many times. “She is extravagant, but you also have luxurious taste, Hyeung Mun-Hee.” 
He watched her eyes widen in surprise and embarrassment, sputtering for a moment before she asked. “W-What are you saying, Yeo Jung-Hwa? You know me! If I had been given a choice to meet up, I would have chosen the downtown area so you could try the street vendors I’ve been talking about!”
And risk my health by getting food poison from reused cooking oil, poorly washed utensils, and ingesting noodles that are too greasy or salty? Absolutely not. He thought with slight irritation. 
“Maybe, but we both know that we must be discreet in our interactions, as I’ve told you before.That’s why I suggested we come here, but instead of sampling delicious foods at the restaurants I recommended, you wanted to come here instead after shopping.  If I remember correctly, your department is supposed to be presenting a big project on Monday. Why are you here, shopping to your hearts’ content instead of being at the office and helping out the team?”
“W-Why should I be there?” Hyeung Mun-Hee countered, bolting up from her seat as she stared at him in shock. “If I go there, Park Seo-yun will harass me! I can’t work in an environment like that! I did those seminars she  told me to do and passed the tests! Can’t I enjoy a day off?!” Fat tears began to build up behind her hazel eyes. “I’ve been working hard enough!”
But you are the one who is putting in the overtime needed to finish the job. You are leading the team to do what needs to be done. Hyeung Mun-Hee is just enjoying the perks of being by his side. Have you eaten lunch yet? Perhaps he can stop by somewhere that allows take-out and bring some to your office under the excuse that he needs to get some work done as well.  Dinner too, perhaps? 
“ARE YOU EVEN LISTENING TO ME, YEO JUNG-HWA?!”
He glared at her. “Sit down, Hyeung Mun-Hee.” He hissed, displeased that her shrill voice had attracted unwanted attention from customers who were either sitting at tables or waiting on orders to finish up at the pick-up area. “Finish your drink, and take a taxi back to the city, to your home.”
“It’s still early in the day, we haven’t been out in a while!”
“And I’m tired from the shopping. I don’t need to see what you bought because I already have seen them all at the shops.” He replied tersely. “I need to stop by the office and take care of a few things at the office before I need to go home.” 
Hyeung Mun-Hee’s face is a dark shade of purple. Consumed by anger, her mouth hung open, on the brink of another explosive tantrum, as the coffee shop door swung open, exposing its next patron. You.  
You stepped up to the pick-up area, looking at the various drinks with a pensive expression before waving down a barista. “Excuse me.” You said. “I’m here to pick up a mobile order for several drinks under Park. When will they be ready? I need to hurry back to the office with caffeine for my employees or things are going to get ugly.” The  handbag hung from your wrist as you fished out your phone, presumably showing the online order to the young man. He looked at you before smiling at you. 
“We’ll have it done in just a moment, ma’am.”
Is it wrong for Yeo Jung-Hwa to desire the bright smile you gave to that insignificant commoner when you did not know he was here with Hyeung Mun-Hee?
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Congratulations, Congratulations, Congratulations! 
Important things must be said three times.
The viewership score for Episode 52 has arrived!
Taglist: @cerisearan @julietdelamare @ghostdoodlen @mochinon-yah @queenofspades403 @alittletiredcry @burningaestheticsimp @proper-fox @neutralrobot @reallysparklychaos @tired-of-life-86 @nunezs-stuff @yandere-dark-cupid @imperfectbloodmoon @cassanderasblog @faux-ecrivain @abelheilonwife @ixchelhernandez4 @diannaflight @sweetbatherodonkey @strangepoppy @persephone-kore-law @swallowtail-lotus @tonightwrites @majestichugs @pinkynecktie
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gilbirda · 3 days
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what are your thoughts on watcher’s new announcement?
So.
I've been watching the Boys since they started back in 2016 (i think around that era), and honestly I'm very conflicted about the decision. I've read so much stuff in favor and against the announcement and I don't know if my answer will satisfy you.
I have managed a community and I have the blessing and curse of being somewhat of a Name, experiencing the ordeal of being Known, and I can tell you that 1)you can never please everyone 2)people will always rush to crush you the second you do something they don't agree with 3)people will always twist everything you do with the worst faith in mind and 4)fandom forget very quickly that at the end of the day you are just human.
I think they made a calculated risk based on a purely economical viewpoint. I think they considered their loyal fanbase and how willing people have been so far with spending extra cash to support them — The live shows, the exclusive streams (like the Valentine's Too Many Spirits) and Patreon. How much of their fanbase was the "broke students" tumblr claim they are and how much was people with spending money willing to pay extra for them.
I also think that the decision seem stupid if you look at it from the perspective of "why the hell would I pay $6 to watch such little variety of content?" and that's a Correct Assumption, but Observe — they have been very slowly pulling everyone that made Buzzfeed famous and enrolling them in. Very recently they gathered the Worth It boys, the second show that kind of carried Buzzfeed back in the day (apart from the Try Guys). I think they can't talk about it right now, but the goal is to relaunch Buzzfeed but without ads and without making it the soulless content machine it became. I think their dream and goal has always been making what Buzzfeed could have been with better management, kind of like "If I was the Management in this company, things would have been better" dream fulfillment. That's why they made the direct jump to a streaming service instead of the logical steps of Patreon-exclusive content or even jumping to Nebula like other youtubers. It was never meant to stay one single channel, it was supposed to be bigger.
Is the projection of making a "better Buzzfeed" worth risking this step? Time will tell. I don't know. I personally never cared about anyone except Buzzfeed Unsolved. I still watch Unsolved on repeat. Is my comfort show. Maybe they are overestimating how much people care about other shows not hosted by them.
Although they did hint that "we want shows not hosted by us". This tells me that they are settling down, they want to ramp down a little bit, do the hook with Ghost Files aka Unsolved Supernatural Lite for the streaming service, and once people are hooked, launch more shows by the old-school Buzzfeed people. Won't be as big as a show hosted by Shane and Ryan, but it will still make people feel like they are getting their money's worth.
I would forgive all of this if only they didn't use the excuse of "if we want to do Netflix-level productions we need money". I'm sorry but that means nothing to me. We loved them when it was a powerpoint slide show with 2 idiots in a set. We didn't fall in love with the toys or the trips or the high tech. We didn't fall in love with the fancy animations at the beginning of Ghost Files episodes that they are so proud of. That was all their idea.
I've seen this trend of content creators ramping up their creations to an unsustainable point, completely crash and burn and then having to apologize about having to step back. Then making it the moral trap of an argument that they have been doing their best to bring quality content to their audience, and of course making it impossible to argue against. If you speak up and say "well we never asked you to break your back" then you are ungrateful audience. That's exactly what's going on in here with the Watcher announcement — "true fans" criticizing people who point out the fact that they created this money problem on their own. Is not the fanbase responsibility to cater to a company's bad money decisions. Is not our fault that they decide to scale up their operation to a point they "haven't been making a profit for 2 years". It's unfair that the fans are at each other's throats for daring stepping back and saying "I don't want to be part of this".
I don't think Watcher Entertainment is actively wanting to collapse their fandom like this. I don't think this was a calculated move. But I do think that they are a group of adults trying to make a career of something they enjoy doing. I think they made this move with the perspective that fandom is not end all and they can always rebuild it.
— And that they are planning on making a machine that can work without them, and that requires breaking something in the fans, it requires kicking themselves out of the pedestal fans have put them on. They know they won't be allowed to have a normal life until people stop looking at them waiting for them to say their phrase.
In conclusion I think they made a choice that made sense if they are planning on separating Watcher Entertainment from "The Ghoul Boys" fame, and it makes sense if they are aiming at something bigger than what they've been doing now. Money of course is the goal and the reason presented, but there's a lot that they are not saying and we will not know until it happens.
Until then, it does feel like they have just shot their careers in the foot.
Also I'm salty that I can't join the service because I'm outside the US.
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xxgalaxygabxx · 3 days
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Hey real quick, for those who are disparaging the criticism of Watcher’s decision and wailing about the money…
Watch peguinz0’s video on the situation.
He breaks down the financial aspects of being a business on YouTube. And if he’s being honest about his own experience running two separate companies while also still being on YouTube (don’t know why he’d lie), it’s not looking good for them from, like, an ethical standpoint. You talk about “protect the indie artists” but if penguinz0 is right about his estimation of their income, they aren’t the poor creators we’ve been led to believe they are.
I do really think they have been mismanaging their finances at this rate and are scrounging for what they think is a sure fire way to get more cash to afford their unnecessarily insane production costs no one asked for and personal lifestyles (one of them has a Tesla and was talking on their podcast about buying another one, like… c’mon man). Not to mention they rejected regional pricing so non Americans are screwed even more, and the way they framed the subscription as “just $6 a month” for a pitiful amount of content—to me—speaks to less than innocent intentions.
My speculation is that this isn’t going to go well for them, even with the few fans who are sticking by the decision and are willing/able to shill out money for their content. I’ve also heard some not great things about the streaming platform that will be hosting them (Vimeo) and how predatory it is towards content creators paying to use their services, though that remains to be seen in this instance.
But hey, I may be wrong and they’ll do just fine. Only time will tell. It just feels like this decision they clearly spent time deliberating on is still somehow rushed and not thought out at all.
I’m just bummed about it all, and I only consider myself a casual fan. Trying to stay optimistic, but it’s not easy after looking at all the angles lol.
(Let’s hope I’m wrong 😮‍💨)
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jacksgreysays · 20 hours
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Extremely late, completely unnecessary opinion of the Watcher situation, (2024-04-24)
So this is a relatively belated post — several days after the initial “Goodbye Youtube” and one day after the “An Update” videos — and surely by this point there are more interesting/insightful op-eds (both in written form and video form, especially penguinz0’s fairly objective POV as, essentially, a YouTube expert) but there is something about the Watcher situation that made my brain itch. Thus, I wanted to write about it in order to make sense of it all as well as get into a philosophy that seems to be haunting me in recent years and which I think applies greatly here.
This may seem completely out of left field considering 1) definitely not fanfiction and 2) about Watcher Entertainment, a YouTube channel which—as far as this tumblr is concerned—I’ve not engaged with whatsoever, but I don’t know where else I would put this, and weirdly enough I think the general tumblr response to this whole predicament is maybe the… if not objective… then at least, most thoughtful?—or, perhaps, least immediately reactive?—amongst the various social media platforms, that I think some people might appreciate this anyway.
In terms of my relevant background: I majored in Management Science (which is just a fancy way of saying Economics + Business + Accounting because they are, weirdly enough, separate things) and minored in Film Studies in school, I am currently working in the stage techn industry (which, I know, is obviously different from film/video industry), and I like to think I am a fan/consumer of a wide variety of independent creators, some of whom I am lucky enough to be able to afford being a patron/subscriber. I won’t go into all of them—because it is a lot—but there are four in particular whose business models I want to analyze in comparison to Watcher’s admitted blunder:
A) RocketJump (known for Video Game High School and Anime Crimes Division; the core group which turned into the podcast Story Break, then became Dungeons and Daddies) B) Dropout (formerly College Humor, we’ll get into their discography later) C) Drawfee (previously an offshoot of College Humor, now fully independent) D) Corridor Digital (used to be mostly behind the scenes of how VFX studios work, have since become a mostly original content creator)
I will say, right off the bat, I am a patron of Drawfee as well as Dungeons and Daddies, and I am a subscriber to Dropout. I am not subscribed to Corridor Digital’s streamer, which I will get into why later. I understand that being able to sustain those two patronages and one subscription is a luxury that not everyone can afford and so my point of view is already skewed by being such a person who could theoretically afford another streaming service if I so chose. I also acknowledge that many fans of Watcher are not in similarly financially secure places as I am and that regardless of the business model, any monetization that comes from fans would have been a rough ask. However, I wanted to go into this essay in a way that accepts Watcher’s statement—that they needed more funding—in relatively good faith rather than assuming the worst (although that is another point I’ll get into later, largely related to the philosophy I brought up earlier.)
All four of the above listed content creators started or, at least, hit their stride on YouTube:
RocketJump and College Humor were, if not household names, then the digital equivalent of it in the “early days of YouTube.” They were part of the wave of content creators that made YouTube seem less like a bunch of eccentrics with cameras making videos on the side and more like a viable way to support yourself/your team with the art you create.
RocketJump’s Video Game High School went from short (less than 10 minutes) minimal location episodes in season one, to 30 minute plus episodes with full on fight scenes and car explosions by season three thanks to a Monster Energy brand deal. They also had two seasons of Anime Crimes Division, a literal TV quality show, thanks to a Crunchy Roll sponsorship. Unfortunately, RocketJump shut down not long after (their videos are still up on YouTube but they obviously don’t add anything new) but the core creative team behind that have been involved in several projects outside of YouTube (Dimension 404 on Hulu being one of the biggest ones so far) including the podcast Story Break (part of the Maximum Fun network) and now the independent podcast Dungeons and Daddies, the episodes of the main campaigns which are free with ads or, for patrons, ad-less along with additional mini-campaigns and other benefits.
I will say, during RocketJump’s decline, they did try their best to keep going. The partnerships with Monster Energy and Crunchy Roll were the big swings to get the funding to make those TV quality shows they wanted. I believe they lucked out with those brands in particular, or, at least, those brands didn’t seem to inhibit the creative process or ask too much of them that it felt like “selling out” but I also don’t have insight into why they didn’t pursue this model of, essentially, very weird but interesting season long commercials. Maybe they just couldn't find the right brands or maybe they did feel like it was too stifling. Regardless, before they shut down completely, they did also downsize—moving out of the actual city of Los Angeles over to Buena Park. Which is in Los Angeles county, and basically counts as LA still, but is way cheaper than literal Hollywood real estate. (I should have added to my relevant background that I’m born and raised LA county, do have relatives and friends in the film/movie industry, so trust me when I say literal Hollywood/city of Los Angeles is so overrated and unnecessarily expensive. There is a reason why LA traffic is the worst and it’s because EVERYONE is commuting into the city. Respectfully and with affection, no one should live there. No one’s start up should be located there.) Obviously the downsizing didn’t necessarily work for RocketJump, but they also didn’t have multiple successful revenue streams the way that Watcher currently does.
In contrast, College Humor was acquired by InterActiveCorp and was turned into CH Media which was three pronged: College Humor, Drawfee, and Dorkly. In 2018 they made Dropout, which had exclusive content separate from their YouTube videos which involved all three prongs. Then some financial shenanigans happened early 2020—IAC withdrew their funding—and there were a bunch of layoffs right before the pandemic which extremely sucked. It has been stated by multiple people involved that it was basically a miracle that Dropout survived through all of that, but there were definitely some sacrifices along the way to make that happen. Currently, Dropout seems to be thriving with mostly exclusive content with the occasional “first episode of a season” posted to YouTube, OR if Dimension 20 is doing a “sequel season” in an already established campaign they will put the entirety of the previous season on YouTube.
IAC withdrawing their funding did put CH Media in a bind. They had to layoff a lot of people right before pandemic and, understandably, a lot of trauma was had. There were also weird issues with who controlled certain IPs/brands/digital assets (I mostly come at this from a Drawfee POV, it took several years for them to own the Drawga series and be allowed to host all of the episodes on their YouTube, and there was also something about the sound file for their opening animation?) but mainly the difference is what kind of content they generate. Originally Dropout had multiple scripted shows with high budgets and pretty cool effects/animations/stunts (Troopers, Kingpin Katie, Gods of Food, Ultramechatron Team Go!, Cartoon Hell, and WTF 101) whereas now almost all of their shows are variations of improv comedians being put into different scenarios or given different prompts. I’m not just talking about Game Changer and Make Some Noise, because Dimension 20 and Um, Actually also technically fall under that description as well. Which is not to say that these shows are worse than the scripted shows—I subscribe to Dropout, so clearly I’m a fan of their current shows—and the budgets for them have since increased to resemble, if not match, those early shows, but it is a noticeable shift in their content creation strategy as a response to the lack of IAC funding. And I will say: Dropout releases at least three videos a week if not more and at least two of those are long form at 30 minutes plus (Dimension 20 being the longest, of course.)
So, these first two business models are not really the most applicable to Watcher Entertainment considering their origin was to get away from Buzzfeed—they’re probably not keen to be partnered with or purchased by a larger company—but there are some aspects to both that I believe are valuable in at least showing the strategy in how these former YouTube creators could successfully extract themselves from YouTube or how they still utilize YouTube even if it is not their main hosting platform or revenue stream.
Then there is Drawfee and Corridor Digital, both of whom are currently—if not primarily—on YouTube, whose situations are more comparable to what I believe are Watcher’s goals.
Drawfee had to rebuild themselves like a phoenix from the ashes of the CH Media layoff during the beginning/worst of the pandemic. Side note: I’m happy that Nathan (one of the four main artists of the current Drawfee team) at least has forgiven(? or let bygones be bygones) Dropout enough to be on an episode of Game Changer (although I will say that this happened after Drawga was “returned” to Drawfee, and after Dropout officially split from College Humor as a brand.) All that being said, Drawfee was a team of four artists plus their editor who wanted to stick together but basically had all of their support system taken away from them. They took a bit of a break to assess their goals and options, announced a patreon with several tiers with great perks, and stuck to their upload schedule. In addition to two videos a week, they also stream on Twitch weekly, have a patron only stream once a month, and a draw class (for one of the higher tiers) once month. After asking their patrons on the relevant tiers if they were okay with it, they began releasing the patron only stream and the draw class to the general public for free after a month. The patreon perks also include things like merch discount codes, high quality PNGs of the final rendered art, access to the draw class with live interaction/critique, and a commission from the artist of your choice. The only “ads” they run are for their own patreon and merch store and, even then, they’re usually at the end of the videos with a credit scroll of the patron names during their exit banter.
Admittedly, they only have MAYBE eight employees—that’s including their video editor(s?) and their discord mod(s?)—with the main four artists doubling/tripling up duties as additional video editors, CFO, and marketing/merch leads. It’s a very streamlined crew and their production costs are not very high since it’s mostly screen recording of their drawings with their audio recording overlayed onto that footage. Although the video editors do sometimes have clever cuts to relevant images depending on their vamping. Sometimes they will have a guest artist but, again, since it’s screen and audio recordings, there’s no travel/housing costs. So, very minimal expenses due to low production costs and small crew but, again, their only revenue source is the patreon/merch, they don’t do outside ads and they very rarely do live shows.
Corridor Digital is, I think, the most applicable to what Watcher would ideally do, which I suppose is somewhat ironic for this essay in particular considering they’re the only one of the four that I don’t financially support. They have two YouTube channels: their main one being where they show the “final product” videos, but I believe their Corridor Crew channel which started primarily as behind the scenes type of videos is where most of their views come from. Especially their React series (VFX artists, Stuntmen, and Animators React etc.) On Corridor Crew they usually upload two videos a week — one which is a React and the other which goes into fun projects/challenges (involving VFX or not) or using VFX to explain scientific concepts — as well as the first episodes of their exclusive content on their streamer. Also behind that paywall are longer and ad-less versions of the videos on YouTube. They also have merch. All of them have merch, I don’t know why I’m stating that. They don’t have a patreon as far as I know, but I also don’t know if their subscription to their website comes with similar perks like discounted merch or something similar.
Anyway, their studio seems to be about 15 to 20 people — not all of them are VFX artists, of course. I believe they have higher equipment costs than Watcher since, understandably, Corridor has to be on the cutting edge of video editing technology. They do occasionally travel for shoots, but it doesn’t require big teams, and that’s only when the local locations available to them don’t match the requirements for the “final product” videos. Otherwise most of their videos are set in the studio or in the alleyway outside their studio in Los Angeles (the city itself, not just the greater county, though they are in a rougher and thus probably cheaper part of Los Angeles). I personally don’t subscribe to their website primarily because their exclusive shows don’t appeal to me—either they’re too technical or a little too dry; to be fair, most of them are VFX artists first before they are performers—and I don’t particularly feel the need to see the extended cuts of the videos uploaded on YouTube. Also I sometimes get a little bummed out by their lack of diversity.
All of this to say, from these four different business models, a bespoke Frankenstein business model for Watcher could be cobbled together. But also, even with that bespoke Frankenstein, there are some changes that Watcher would have to make: primarily their upload schedule. As of right now, I think they do MAYBE one video a week if not, perhaps, one video every TWO weeks. If they want a monthly subscription model, their rate of content generation would ideally be higher to double/quadruple their current upload rate. Obviously they want to create videos with higher production value, but at that rate of generation, something’s got to give: supplement their TV quality shows with either a behind the scenes type series or an increase of “we get four episodes out of Shane and Ryan get increasingly drunk in someone’s backyard” or something similar. Leaning into shows like Worth A Shot (the first season in which Ricky Wang makes cocktails based on a random ingredient, the second season threw in some competitive aspects which I didn’t really find necessary) or the Beatdown which has relatively low production costs (no travel, one location, maybe two cameras at most therefore smaller crew requirements) but a higher polished look. Otherwise, for a separate streaming subscription service, 2-4 videos a month is not going to cut it.
As of right now they probably can’t back out of the separate streaming subscription service because those set ups usually require some level of contract/paying for servers for the website and whatever is hosting their videos for a set amount of time. However, what really strikes me is that I literally didn’t know they had a patreon until I scrolled through the comments of the first Goodbye Youtube video. Maybe it’s been linked "tactfully" in the descriptions of videos, but considering they claim to be lacking in funds, the fact that they weren’t plugging their patreon at the end of every video is not just strange, but also irresponsible considering they do have 25 employees that they don’t want to layoff. Additionally, I understand artists needing to be in a space that promotes creativity, but there are cheaper places that must be comparable that aren’t in literal Hollywood. It’s an unnecessary expense. On top of that, other people have already brought up that it was fairly crass to introduce this paywall, attributing it to the increased production costs, when the next planned “new series” is a reboot of an old Buzzfeed series in which people travel and eat expensive food. I’m not even talking about the personal expenses of Steven, Shane, and Ryan; what kind of car they drive or the cost of their wedding venue doesn’t matter on a business model basis.
But getting back to the patreon: again, I literally didn’t know they had one. I’m looking over their tiers— they have $5, $10, $25, and $100 — and for the most part they seem okay, although I think they have more to offer that wouldn’t necessarily cost them more. Ie, something that has baffled me for a while: the fact they don’t sell the mp3s of the Puppet History songs; they already exist and it doesn’t cost them anything additional because they don’t need to put it on physical media. Or maybe they do and they’re not marketing it similarly to how they weren’t overtly marketing their patreon?
And, okay, maybe they didn’t want to seem desperate — in the early days of Dropout and independent Drawfee, they both were very blatant in getting people to subscribe/join their patreon. As they should be. Desperation maybe doesn’t look cool and sexy, but it is earnest in a way that conveys equal effort that fans who can afford it would want to see. The fact that we weren’t getting rotating ten second clips of Steven, Shane, and Ryan asking people to join the patreon at the end of every video — even if its the same clip every three videos — is wild. And yes, the $25 tier includes a shoutout every 3 months on Watcher Weekly+ (which I don't quite understand what that is,) but the fact that they weren’t doing a quick post movie credits scroll of all the patreon names is, again, wild. Once you have that initial list, it’s not too difficult to add any new names that join and put that title overlay on top of, again, those nonexistent ten second clips of the three.
As others have already stated, it seems like an extreme mismanagement of their existing successful revenue streams, if they are actually struggling to pay all of their employees. Which goes into the philosophy part of this essay: don’t assume malice when it might just be incompetence. It’s something that I have to remind myself of often because I do get paranoid about people’s intentions sometimes and I have to check myself. Am I being overly suspicious of what might be just an honest mistake? Am I assigning ill will to an action just because it inconvenienced me?
Yes, of course, a lot of this situation could be misconstrued as straight up greed. But, also, Watcher is a relatively young company, helmed by three people who certainly don’t have experience running their own company:
They like to travel. They like to bring a full crew around with them. They’re renting out a shiny office in the heart of Hollywood where everyone knows is where real show biz happens. They’re adding more employees to the team because surely more people means better. And they want better productions values because the prettier the videos the more people will like them right?
It’s naive. It’s a level of inexperience combined with giving responsibility to officers whose main priority is to entertain. And if that means entertaining themselves and their staff, then they might not know the difference. It’s the kind of mistake that first time managers make—trying to prioritize fun over getting the job done. Prioritizing making friends with their employees rather than making sure the work the employees put in is equal to (or greater than) what you spend on them whether that is in paycheck or bringing them to cool locations for fun shoots. It’s a mistake anyone can make, it's just unfortunate that they made this mistake in front of millions of people. It doesn’t necessarily mean it’s solely a greed induced cash grab.
But then comes the catch-22 of the philosophy—is it worse to assume incompetence than it is to assume malice? Or, in this case, greed. Especially for the heads of a company that holds the livelihoods of 25 employees in their hands. At what point does it not matter if it’s incompetence or greed if the end result is the same?
Is it better to think that Watcher knew about the various other business models of independent creators and just ignored the efforts put into achieving those successes or is it better to think that they didn’t know and just stumbled into one of the worst moves they could have done. Again, other people have mentioned that Great Mythical Morning—which Watcher has had multiple collaborations with—has managed to make the YouTube subscription/tier system work to the point that they can sustain themselves as well as spinoff channels. Is it incompetence or greed that led to Watcher thinking they could bypass that completely in less time and with less videos?
I’ve been at this mess of an essay for several hours when I should have been asleep. Ultimately I want to say, regardless of incompetence or greed… yes, Steven is CEO and yes he is ultimately the one who makes the final call but it is disheartening to see the pointed vitriol at Steven specifically and the infantilizing of Shane and Ryan in comparison. Either they’re all silly uwu boys who are messing around not knowing how to run a company, or they’re all complicit in a crass cash grab in an extremely busted economy.
I think what’s most frustrating to me in all this is that there were so many other channels and creators who have literally walked this path before them and, again, whether through incompetence or greed or arrogance, for them to just ignore it… It’s not betrayal because I don’t know them and so there’s no relationship to betray, it’s just so inefficient and convoluted that I don’t understand. Or, no, even if it was greed, it’s an incompetent greed because at least pure greed would have been pushing that patreon every second they could. Their ratio of YouTube subscribers to patreon members is less than 1% and I bet that’s because a lot of their audience, like me, literally didn’t know they had a patreon. I probably would have become a patreon member of theirs had I known earlier, ESPECIALLY if it included access to those Puppet History songs. Drawfee has half as many YouTube subscribers and nearly double the patreon members as Watcher. I’m just baffled, is all, and maybe by this point sleep deprived.
Anyway. That’s my, extremely late, completely unnecessary opinion of this situation.
Edit (several hours later after some sleep): I forgot to mention, because they did walk this back almost immediately, even before their "An Update" video, but I believe the original plan was to put EVERYTHING behind that paywall and pull their content from YouTube entirely. Which is, again, extremely baffling, because if ALL of their content is behind a paywall, how would they possibly gain new fans? Even if all of their current fans were able and willing to pay for their separate subscription streaming service, how would a brand new person even stumble on their content enough to want to subscribe if there wasn't a significant amount of "proof of value" free content on YouTube? Again, extremely baffling, and a level of incompetence that overshadows a "cunning" greed. But, like I said earlier, they did walk this decision back almost immediately. If I've misunderstood this and that was never their plan, please let me know, I don't want to be spreading misinformation in a situation that is already so convoluted.
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kateisprettyodd · 3 days
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Discussing Watcher again lmao
Okay, now that a couple of days have passed and emotions aren't running high anymore - I wanna talk about the situation, the backlash, their potential response and everything else once again (with somewhat of a refreshed POV lmao).
I haven't changed my mind about this move whatsoever since the moment I heard about it. I'm an international fan, and through the very kind Tumblr user who is organizing a subscription match-up between fans through Email - I think it was @prettyghoul- someone was thankfully willing to reach out to me and share their account. So the money issue isn't a problem for me, sure, but WAIT - the website isn't international, I don't know if it's gonna be made available in my 'insignificant' Eastern European country (lmao), so a whole slew of issues arise that aren't money related (but of course, someone else would be paying, so I can't really speak on that issue on that person's behalf).
Secondly, people who are defending Watcher on here and on other social media - I understand you, I get you, but to be perfectly honest some of you are cherry-picking the information you present and are somehow blind to their intentions, either on purpose or genuinely. I don't understand how people can't see that making this move is so incredibly selfish. That's the best and frankly only way to describe it. And no, it's not because creatives don't deserve to be paid for the work that they do, and it's not because we are ENTITLED to receiving free content on YouTube (which is the main narrative being pushed by defenders on here) - but it's because their ambitions do not line up with the audience-based shows they have been creating. They have incredible creative abilities and true passion for creating shows which are "much higher-quality than other YouTube shows" (simply not true but I digress), but nothing will ever change the fact that they started on YouTube, that their main audience was cultivated on YouTube, the place they have come to despise because of the limitations to THEIR creative work, such as appealing to advertisers and whatever else they mentioned in the video. This I can understand, YouTube's algorithm sucks and advertisers are also horrible, as well as the fact that 'unappealing' yet passionate shows don't do well - this can all take a hit on their creativity and their passion for YouTube. I understand. But they have to weigh these cons against the pros, and they clearly did a horrible job of that. YouTube allows them to increase their relatability and their marketability if you play by the rules, YouTube allows them to connect with other creators WHICH SOME OF THEIR SHOWS LITERALLY depend on, YouTube allows them things like the discover page and the trending page where new audiences can find your stuff once you expand your reach to appeal to different demographics and interest groups, YouTube Membership is a thing if you need income, whatever. I understand that they don't want to play by the rules, but if your audience is gone then who are you making these shows for??? When your main venture is paid, even if it is 'only' 5.99 a month (lmao again), other options where they can make revenue immediately close up, since they can't really justify them. Why does their Patreon still exist??? What was the purpose of PodWatcher??? How are shows like Are You Scared? and Too Many Spirits going to survive on a streamer, shows which are based on that exact YouTube vibe of low-production two dudes chilling and laughing. Why are they considering their shows TV-caliber? Puppet History and Mystery Files are certainly NOT TV-quality and they are the second- and third-most popular.
Which is what brings me to my next point - how this all seems Ghost Files and Travel Season centered. No one can convince me that most of their expenses are not going to these two shows right now. Ryan said it himself, a season of Ghost Files takes hundreds of thousands of dollars to make, which is fine and I commend him for that effort. I don't even have to tell you why Travel Season also may have cost them a lot of money - which is also fine and I understand the appeal of it. But why not try a different approach? A season of Ghost Files doesn't necessarily have to come out every year, they could space out their budget, spend time churning out Too Many Spirits and Are You Scared (also shows that perform quite well), update their Patreon to look more Mythical Society-esque, do a merch drop (I have seen so many people asking for box-sets of their shows, and I can guarantee people would have paid A LOT of money to get a Puppet History karaoke thing on Patreon or WHEREVER)... Just generally diversify their income??? And space out these GIANT, extremely expensive shows, generally pace themselves and take it easy?
Now, they won't be able to expand their reach EVEN IF they bring new personalities onto the streamer. No one new will hear about them, and if they do, why would they pay for something they've never heard of before? There is no algorithm to cater to the masses which recommends their videos to new people. People who were here from the BFU days are disilluisoned and probably won't pay. They legitimately sacrificed their audience for money to fuel their creative ambitions, but their creative ambitions don't have an outlet anymore.
TO BE CONTINUED as this is too long already
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Meg's Doing It ALL Wrong!
"the most ass backwards, shocking, antisocial fail I've seen possibly ever."
If you've ever had a desire to eavesdrop on any business school course or psychology of business course, Ibble Dibble's most recent case study on Meghan Markle's business scams is not to be missed. Please forgive my use of gifs as I salute her 1,2 knock out punch to MM, Omit, NOprah & Sparry's ridiculous allegations of waycism. No one has come close to telling it like Ibble Dibble.
I salute you #1 I.D., take a bow! Your quote should be etched on the Duchess's future Frogmore Cottage tombstone because you did something no one else has been able to do: nail her waycism insanity in 1 intelligent sentence.
Friends, help me show our support for the female content creators on YT who are actually saving intelligent women from following in MEgain's footsteps.
Please follow the link to LIKE & SUBSCRIBE to Ibble Dibble's YT channel. At one point the megbots had her YT channel demonitized, but ID fought back and won. ID is an intelligent threat to MM's low class megbots. Also follow the Duchess of Suss who called out the aroscam in a hilariously funny video.
Meg's Floptastic Flaws #3: Meg is a Terrible Snob
there are good snobs like Prince Charles, Princess Margaret & Martha Stewart, bad snobs, and snobs who are just very bad at snobbing
Meghan is a narcissist who is actually an
ARCH SNOB : a snob who is a bad bad snob
"Meghan's snobbery is so appalling because SHE is BAD at snobbing."
"She is literally labeling and ranking people. Her big product launch is at best a freudian slip, at worst a passive aggressive power play...it is the most ass backwards, shocking, antisocial fail I've seen possibly ever."
A passive agressive power play:
audicity to think she can buy those celebs as friends for a jar of jam
poach their followers
insult them personally by numerically ranking them from most to least important on the very labels
the celebs are too dumb to know she's negging them
thinks we the public will admire her behavior & line up begging for the next batch of worthless nonsense she danes to sell
simply to posture on social media... gross but also ineffective
on some level Meghan always knows she's shooting herself in the foot
Meghan exhibits High Social Dominance Orientation: a genuine belief that some groups of people are innately superior to others and should therefore hold more power in society.
Meg's fury, jealousy & resentment for being scorned by Hollyweird & British high society in turn, snubs the only people who pay attention to her--you, US potential customers
a narcissist harboring true malice & intends to arrive at her rightful place upon the social ladder by any means necessary
believes she is due limitless revenge for being snubbed and immediately commences enacting it by any means necessary (a la her sewer squad & digital justice)¹
believes she has the right to exploit & abuse perceived inferiors
Meg is a bad snob. She does not judge in a qualitative measure but snobs purely to service her own delusions of grandeur OR at worst to entertain herself by upsetting her victims and creating chaos
meg has a following who wants to be like her & we know bc they leave insane comments
"Meghan Markle can't present herself as the loveable villain because she has NO sense of humor! She's just a bad bad snob." Case in point:
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"Meghan (unlike a good snob), flipped what was likely a single joke about a little orphan annie ginger fro, (she heard 2nd hand), into an international incident with legal and diplomatic repercussions."🎯🎯🎯
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youtube
Meg's fury, jealousy & resentment for being scorned by British high society...she believes she has the right to exploit & abuse (Catherine & William) perceived inferiors
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"Another Rip Off"
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¹comparisons to Mao's (actress) wife and the biblical queen Jezebel are accurate. Mao's wife jailed & murdered all who had rejected and/or criticized her during her climb up the greasy pole. Queen Jezebel sought to murder and silence all the true prophets or outspoken truthers. Meg's mission for "digital justice" is to criminalize criticism.
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watchergate & where we go from here...
To start at the end, I purchased my annual Watcher TV subscription on April 20th because I wanted to support them when it felt like so many others were not. I'm cancelling another subscription to make this work with my budget, and I'm very happy with this!
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Watcher has always made high quality, entertaining content that I love, and I'm happy to support them as they try to grow like they've always wanted to so they can bring on more creators and give us more diverse art.
So, moving forward, I'm going to be posting about Watcher TV when it comes out - spoiler parties with the sexy moots! - and I'll be blocking any and all haters I see. 💜💜💜
(read more bc ofc this got long)
To walk this back and give a little history/context, *ahem* [sotto Byron voice]
April 12, 2024: Watcher announced they had a surprise coming for us in a week's time. The news came in the form of a very spirited ad-read in the Mystery Files s2 finale. And afterwards there were a few blogs posting about it, but I commented to a friend that my dash had been devoid of Watcher posts (oh, how that sweet summer child would grow to long for a day such as that).
There were some corkboard theories, and I broke down the new logo design, but nothing big happened until the following Thursday.
April 18, 2024: I saw the leak for the announcement. It was on reddit and a sock tumblr blog was made sending the link out to people. I didn't post it or share it because it wasn't my news to share. I wanted to wait to see how they were going to explain it.
Maybe I should have said at the time (but it's fine if you don't believe me now I guess) but I was hoping Watcher TV would become like their enhanced Patreon replacement, where the new shows like "Puppet History Karaoke" and "Road Files" would be exclusive, and some other perks like early access. [note: if Apollo is laughing at him right now, I'd kindly request he stuff that red ball somewhere Helios doesn't shine]
I imagined some people would be mad at the streaming news but it didn't prepare me for how bad it would get...
April 19, 2024: Most of us know what happened. The announcement was not well received. Watcher's silence right after wasn't helping, but I don't think many people were willing to give them any grace for their pre-planned trip to the UK and instead demanded answers immediately.
Do I think maybe their announcement could have been timed better? Or maybe given a different tone? Perhaps. But either way what they were trying to communicate was not what people chose to hear, and the response from many viewers was, to choose a very formal phrase here, absolute bonker banana balls insane.
The main anti-streamer "arguments" I saw basically boiled down into these categories:
"high production tv quality content is what they want to make, but we don't want that - we only want them to sit in a blank room and talk to each other with blue and yellow text like the bfu days!!"
"Steven's the one behind all this bc he's rich and greedy and only eats gold"
"they already make enough money off their patreon why are they doing this?? they should have consulted [insert other yt-er here]"
"they've become the capitalist elite that we swore to destroy! so we have to tear them down from their thrones!!"
Even now, feeling better than I have in days, I don't have the energy to say why each of those takes completely misses the point of who they are as a company, as creators, and as human beings. But there are some eloquent posts in my #watchergate tag, or my other post, if you're interested.
April 22, 2024: We got the Watcher update - giving people access to all videos after a month on the new streamer - and that seemed to placate a lot of viewers and those on the fence. But it was also the day I learned about that horrible petition against Steven, and I'd been following all this drama for several days (foregoing some self-care) and so I had a little meltdown...
Even though the new setup is closer to what I'd hoped for like 10 days ago, I hate how we arrived at it. It's shown people that they can bully creators to get them to compromise on their company. In fact, I've seen accounts celebrating this.
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Opinions like this have given me trust issues when it comes to the Watcher fandom at large now. As many of my beloved mutuals have said, I'm going to be wary of accounts that follow me and be applying that blocking feature liberally.
I can also only imagine how things like this must have broken some of the trust that the Watcher crew feels for us - fightingfuries really said it best. If they do start distancing themselves on socials and things, I wouldn't really blame them.
I don't have more to say, other than I'm going to support them as much as I can, for as long as they continue to make content. I'm going to send the team a care package. And I hope in time we'll earn back their trust.
Now I'll let Ryan Bergara play me out...
As for the question of why we decided to launch our own platform, when we started Watcher in 2020, we wanted to create shows that we were proud of, that we had ownership over, and that would provide you the caliber of content that we felt you deserved. However, we were finding it harder and harder to stay relevant to advertisers and the constantly changing YouTube landscape. We faced some incredibly challenging decisions. We didn't want to compromise our content to ensure they met advertising requirements. And we definitely did not want to lay people off that have brought Watcher to life behind the scenes. And we didn't want to bring Watcher to a close, which would have happened if we stayed solely on YouTube. - An Update, April 22, 2024
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faebirdie · 2 days
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there were absolutely people who used this whole fiasco as an excuse to be racist to ryan and steven and that should not be ignored. but it should also not be used as an excuse to dismiss all the genuine criticism of watcher and the way they handled this.
fans have every right to be angry about this, and watcher is not owed forgiveness or a second chance by anyone. especially not by the creators whose content was used by watcher with no reimbursement only to be slapped in the face by this. or by their fellow creators on youtube, who they insulted by claiming to be better than.
finally, don't forget that ryan, shane, and steven are all adults AND human beings. they don't need to be babied or treated as untouchable figures incapable of taking genuine criticism and/or dealing with the consequences of their own actions. and they also don't deserve to be harassed or insulted as a result of this mistake.
this was a bad business decision based in classism that caused real hurt. it should be treated as such. it shouldn't be treated as just an oopsie to be brushed under a rug or as a purposeful assault with no possible fixing. it should not be life ruining for absolutely anyone involved. and absolutely nothing is ever an ok excuse to be racist.
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vibke · 2 days
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Right now I have a rather obsessive idea of writing poetry about some PV AUs. People seem to like it, and unlike drawing, I can write even while not having the access to my PC. The only thing is that writing poetry requires a lot of time and careful study of the material, looking through all the posts, analyzing what is happening, thinking of appropriate emotions and atmosphere and stuff, so that I could correctly convey the idea and feelings that the author put into their creation. In addition to that, writing poetry is not easy. On average, it takes several hours. (I am such a slow worker(T^T)) So far, I have written poems only for my most beloved creators. But there are lots of other amazing AUs! Also it will be at least some unique content on my part ( °-°)
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soup-scope · 1 year
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tiktok users driving me insane pt.2 ig
so i’ve seen this one take that’s been clogging up my feed on tiktok lately so imma expose my thoughts about it here because i care about my safety
“erik has a problem with lazy writing because his problematic characters are still alive”
characters like alexis, kody, and quinn^^
what i think these people doing fully understand about Erik’s job, is that it’s a JOB. he has to keep this series going as long as possible or else he will not be getting *MONEY* from it. does it suck that he’s going to have to drag plotlines a bit? yes. but is it also lazy writing? no.
if he solved the quinn problem next fucking week, that could’ve been months of income lost from videos like talking about quinn or planning what to do with him in general.
there’s a reason why we haven’t gotten a wedding video from David yet. As much as Erik is a content creator and writing, he’s also a person who needs an INCOME.
and the “problematic characters” (idk why that’s in quotes the characters are horrible people lmao) that he keeps alive, are for GOOD REASON. what kind of story doesn’t have “villains”/characters with very questionable morals. do they want him to immediately kill those characters and then have no conflict for the rest of the series? i understand a good portion of the redacted fandom REALLY don’t like the audios with confrontations/angst in them, but i believe in order to keep his story engaging to others, you HAVE to have conflict of a sort, otherwise there’s only so many videos that can be made.
i understand why people are uncomfortable with the fact that *those* characters are still alive/faced not as severe consequences. and all i have to say is “be patient”. they will get what’s coming to them in due time. it sucks that we have to wait for that to happen, but erik also has like 30+ storylines going on at the same time. he will make his way to those *specific* ones when he will
i think i’m just annoyed at people who constantly expect content creators to curate to *THEIR* needs, when someone is just posting his lil stories and we get a front row seat to him posting them. he’s not making the stories *JUST* for us yall.
ok long ass rant over 👍👍 tik tok redactedverse makes me stressed 😭
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s0fter-sin · 6 days
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Thinking you shouldn't have to pay for Watcher content is you being entitled, actually.
did i ever say i shouldn’t have to pay for it? no, i said it’s disappointing that i would now have to after years of it being free. it would be easier to take if they were completely changing and upgrading their shows or established that the stream wouldn’t just have their current shows and maybe discontinued ones, that it would be different from their youtube channel and worth the sudden charge, but it’s hard not to feel like they’re throwing their audience under the bus
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franeridan · 8 months
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i love the way luffy is so consistent and insistent in making fun of zoro for having no sense of direction that it slowly brainwashed everyone into forgetting he's just as bad himself
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lonicera-edulis · 7 months
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I feel that I have to put a message for incest/pedo shippers in my posts, because they just keep coming. Although I always thought it stupid to put those sentences, they don't make posts look good. But I am tired. Why are there so many and they don't stop coming?
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j-ellyfish · 8 months
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I know it's probably an unpopular opinion, but I don't mind that Hima keeps introducing new micronations (like Aerican Empire in the last chapters), it's interesting to discover nations you've never heard of and to discover their super small dimensions of place and population.
I too would love Hima to introduce nations from Africa or South America, but I think it takes a long time for that, to create a good representation that makes more or less everyone satisfied, especially with the design
It probably is, but I don't mind it either! Micronations are a fun concept to explore and I mean, how many of us even knew what they were before Hetalia? They're not my favorite characters (although I'm quite fond of Sealand), but they're cool.
Himaruya making Micronations doesn't take away from any other Country "needing" a character, I do appreciate that Himaruya doesn't feel compelled to create characters for the audience like a printing machine but does what he feels like doing, when he feels confident and knowledgeable enough to do it.
And honestly, if he doesn't find himself interested enough in the history of certain areas of the world (which might also be more sensitive subjects than like, Western Europe), it's also fine, it means he learned from his mistakes with South Korea.
Learning from mistakes doesn't necessarily mean having to work your butt off to study stuff you aren't interested in to please an audience, sometimes learning from mistakes simply means admitting that you don't currently feel ready (if ever) to do certain things and focusing on stuff you are actually passionate about instead.
Himaruya doesn't really owe anyone any new character, I know it's probably frustrating to not have a canon character for your Country or focus on the parts of history you like the most, but Himaruya should do what he feels like doing, not what he thinks he owes to an audience.
I do believe that creativity kind of dies when you start to think about what the fans (or the editors//) want more than listening to your own feelings and drive as a creator (and of course, by this I do not mean you shouldn't listen to criticism, which Himaruya does listen to, or hide behind this statement to feel free to be offensive - it simply means that creators shouldn't kneel down to their audience and make anything exactly how they want it even if it goes beyond creator's skills, experience or comfort zone - otherwise what they make is no longer art with a soul, but a mere product of marketing and capitalism, not wanting to tell a story but wanting to sell an object).
So I think it's always unfair to expect creators to feed us exactly what we want and how we want it, whether it's Himaruya/Hetalia or anyone/anything else.
#ask#one thing is complaining half-playfully that you want some stuff because you're starving for content about blorbo and stuff like that#but there are way too many people in this fandom nowadays who seem to literally hate Himaruya for what he does and how he does it#and I don't understand how they are still here#if you think creator is an idiot maybe you should just ditch the series he created instead of leeching off it and being offensive#towards him simply for being a different person than you are and thus clearly doing things differently than you would#and yes I also have my pet peeves about canon like I think most people who know me at this point are aware of me not being very happy with#HWS in general despite liking some parts of it#but I would never feel entitled to call Himaruya stupid for taking choices I wouldn't have taken or do things in a way I personally wouldn'#do#because I AM NOT HIMARUYA I CANNOT EXPECT HIMARUYA TO DO WHAT I WOULD DO#I absolutely respect him as a creator and I believe he should be the first person satisfied with what he does because a happy creator makes#good art - a frustrated and unhappy creator ends up feeling like art has become a homework and quality tends to drop#do I think Himaruya is being put a bit on a leash with HWS? Yes but if anything I feel bad for him bc I suspect this#I would absolutely never insult him for it because as fans we only know a small part of his process and all the behind-the-scenes decisions#creative thinking workflow and Hima's private life stay behind the scenes where I rightfully can't see them#so I have no right to treat him like the village clown - NO ONE DOES
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karmaphone · 3 months
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also part of the reason this is bothering me so much is bc like. where does being able to talk about differences between versions of canon fall on the spectrum of privilege lmfao. show me exactly how a stranger on the internet pointing out how the show is different from the book in a jokey fake-hurt way is an expression of Privilege. show me how this is a 'bitch fit,' to talk about things we like how we like 🤡🤡🤡
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