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#and this scene forever breaks me
bittergloss · 4 months
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--I only wish to be with you from dusk to dawn, watching the world's frost and snow. Just want to wander long streets and narrow alleys with you, watching the moon on the eave.--
THE LAST IMMORTAL 神隐(2023) - EP. 14 Dir. Chan Ka Lam
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carefulfears · 11 months
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one of the few moments between them where they threaten to break the act down.
he knows the answer to the first question; do you believe that? have you ever believed that? all she can do is stare at the floor, almost like she’s been caught. because she doesn’t. and he knows she doesn’t.
her role in this thing that they do is to not believe in aliens. she answered him on that first day, does she believe in the existence of extraterrestrials? she had to say no.
she can’t answer him this time, though. she stares at the floor. but he knows.
he knows the answer to the second question too, though. what do you think happened to her?
scully can stand in front of him and tell him that he’s just being emotional all she wants. tell him that it’s manipulation, that it’s impossible.
but her role in this thing is that she is the rational one, and he knows what the rational thing to think about 8 year old girls who disappear from their homes and don’t come back is.
even if it’s not this killer, even if it’s not this man, the rational thing to think is that it’s another.
so after four years of seeking and chasing and following after as he walks into the same room every day, as he wants to believe, what does she believe? what is she really saying when she says no, she doesn’t believe in the existence of extraterrestrials?
and can they keep the act up, when this is what it means?
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novelconcepts · 4 months
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I’m so torn, because part of me wants Tai and Van to remain an unhealthily-bonded force to be reckoned with the entire time they’re in the wilderness. I want them to repress all the shit they’re not talking about, hide it all under physical contact and standing shoulder to shoulder against the world. I want them to pretend they’re fine, trick themselves into thinking it’s working as the weather grows warmer and the society they’ve built steadies. I want them to believe their love can outshine their toxic habits.
But the other part of me keeps thinking how DELICIOUS a messy gay breakup in the woods where they both still love and crave one another would be. Think of the yearning. Think of the sexual tension. Think of how intense it would be for them to go head to head at last, Believer vs. Skeptic, and how wild the inevitable crash would shake out. They can’t escape each other. They still need each other to survive. Van’s not gonna let Taissa sleepwalk alone and Taissa’s not gonna want to let Van go full Lottie without supervision. Think of how fucking taaaaasty that dynamic becomes when they both let themselves actually FEEL what their relationship lacks. Liv and Jasmin would fucking kill it and us and I kind of want it.
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holocene-sims · 4 months
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just a guy and his snowpal ⛄❄️
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cantallegory · 5 months
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“Tell your son what you did.”
(click for better quality)
Reference + shitty sketch + less filtered version
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summerfullofsnow · 2 months
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me when bl fans stop trying to find "the good one" to root for and learn to look at characters as multifaceted beings with their own motivations and personalities
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virfujiwara · 1 year
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Finding the way back home
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aastarions · 3 months
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ezralva · 4 months
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"I will kill Itadori Yuuji myself."
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Summary:
Three little scenes on the theme of singing.
:) I was in the mood for something short and sweet. Hope you enjoy!
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apocketfullofhobbits · 8 months
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can't stop thinking abt how the fact that declan mattered so little to his father that the asshole couldn't even be bothered to keep the memories of the day his son was born was supposed to make up for declan's whole shitty childhood
like hey kid u know what u just weren't worth the pain. do u feel better abt it now.
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dallonwrites · 7 months
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I'm reading Real Life by Brandon Taylor right now (love btw) and it's basically showing me in real time what I've thought about prose for a while as someone who mainly learnt from writing "flowery prose"
Brandon is really good at having this smooth, precise prose that I think really works with the type of book Real Life is ("slow" plot, only covers a few days and really sinks its teeth into small moments about relationships across those few days). But I think he's also really good at knowing when to go deeper with the prose and when to keep it simple. Like there's this part that sticks out to me because there's a line that literally is like "the grass is very green and very straight" and all I can think about is how in a lot of writing advice I've encountered about prose and descriptive writing, that would be used as what not to do. That you should use something more "interesting" than something like "very green". But in this scene it worked really well for me because it fit! IMO it suited the rhythm of the scene, the vibe, what the focus was on, the narrator's character voice. The scene already had a lot of atmosphere, emotion, conflict, urgency etc. and this line still effectively added to it in a way that was quick and simple that suited the rhythm/beats. It's not just that Brandon chose not to be descriptive then, it's that what he chose to do what JUST AS if not MORE effective for the moment!
And like I LOVE playing and experimenting with language and prose I think it's so fun. I think a lot of the advice about prose and descriptive writing, things like show don't tell and advice about adjectives/adverbs and using "too simple" words, words like "very", are great introductory tools to intentionally think about exploring your prose deeper. But like all writing advice they will not apply to every writing situation. These advice and craft ideas are important but what's imo more important is understanding when and how to use them to best benefit a moment. Knowing when prose will benefit from being more intricate and descriptive and when something simple and bare will not only do the job but do it more effectively. And it doesn't just vary from writer to writer or from story to story, but scene to scene imo! Brandon has some beautiful descriptive lines in this novel that to me are not inherently "better" than the very green line just because they are more complex, both do what they need to do and are effective in their own moments
And this is all stuff I already felt. I have projects that benefit from really saturated, dense prose and others that benefit from really sparse prose. But seeing an author who I admire a lot use these "simple" descriptions and not just use them, but use them well, because he has thought about what moments will benefit from simplicity and what won't, was really reassuring. Writers trust yourselves!! You know your prose, your voice, your book, and you are allowed to do what others may consider "breaking" the rules if it feels like the right move for your writing
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pigmalionizam · 1 month
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i hate. Living with the knowledge that i can't and shouldn't help every single cat
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ADAM TAKES HER HAND (HE TAKES HER HAND BECAUSE HE KNOWS HE WON’T GET ANOTHER CHANCE) AND SAYS “You came back.” BECAUSE HE JUST CAN’T BELIEVE IT. AND SHE SAYS “Of course I came back. I’ll never leave you again!” (SHE’LL NEVER LEAVE HIM AGAIN. SHE FEELS LIKE A FOOL FOR HAVING EVER LEFT HIM IN THE FIRST PLACE.) AND HE SAYS “I’m afraid it’s my turn to leave.” BECAUSE HE CAN FEEL EVERYTHING GOING NUMB HE CAN FEEL HIS BREATH GETTING MORE SHALLOW HE CAN FEEL HIMSELF FADING FROM HER. AND SHE SAYS “We’re together now! It’s going to be fine!” BECAUSE SHE BELIEVES IN THEIR LOVE ABOVE ALL ELSE. SHE BELIEVES THAT BECAUSE SHE’S THERE NOW, A MIRACLE CAN HAPPEN. THEY’RE TOGETHER. SO EVERYTHING’S GOING TO BE FINE. SHE HAS LEARNED THAT THE WORLD IS RIGHT WHEN THEY ARE TOGETHER. BUT ADAM SAYS “At least I got to see you… One last time.” BECAUSE IF BELLE HAS TAUGHT HIM ANYTHING, IT WAS HOW TO SEE THE BRIGHTER SIDE OF LIFE. HE’S NOT SAD THAT HE’S DYING. HE’S NOT SAD THAT HE WON’T GET A HAPPILY EVER AFTER WITH HER. HE’S JUST THANKFUL FOR THE TIME HE HAD WITH HER. THE TIME HE GOT TO REMEMBER WHAT JOY FELT LIKE. WHAT LOVE FELT LIKE. IT DOESN’T HAVE TO BE A LIFETIME. HE’S JUST HAPPY THAT HE GOT TO SEE HER… ONE LAST TIME.
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wutheringmights · 8 months
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After what feels like forever (over a month), I have finally finished The Count of Monte Cristo by Alexandre Dumas.
This books has been hanging over my head ever since I was a kid, and I had always been too intimidated by the length to ever attempt to read it. But I have finally conquered my white whale and let me just say one thing: this book is amazing!
I have read a lot of classics in my time, but rarely have I found one that is this consistently entertaining and engaging. Are there places Dumas could have theoretically trimmed? Yes, but I don't want him to. This book feels perfect exactly the way it is.
The plot was fantastic, but it's really the characters that I fell in love with. The count is such a bastard, and between his antics and charm, he would drop lines filled with sheer rage and bitterness that would leave me speechless.
Ultimately, that's one of the things that I find the most valuable about reading classic novels. I love discovering the ways that pieces of art that are older than any family heirloom inside my home resonates with me on an emotional level. I love finding characters I relate to or characters I loathe. I love laughing at the jokes and recognizing the familiarity of a paragraph complaining about how bureaucracy does not work. I love feeling connected to the past and knowing the humans have always had rich lives, and that their experiences are familiar to me hundreds of years later.
That's part of the reason why some of the criticism I read while skimming Good Reads reviews felt disingenuous. Don't get me wrong-- I don't take Good Read reviews without a hefty dose of salt, and the rating for the COMC is extraordinarily positive. But readers who complain that the book is dated in terms of the count being a "Gary Sue" (yes, I actually read that) and the female characters being flat don't get the point of reading any classic.
Yes, the count is unstoppable. But that's the point. He's an angel of revenge who thinks himself equal to god. That's part of the story. Even if you ignored how that plays into the themes of revenge vs forgiveness, can you not take joy in how people long dead also delighted in reading about an absolute bastard of a man making other peoples' lives miserable?
As for the female characters being flat-- I'm not going to pretend that's not an issue. But it is a mistake to open any piece of classic literature and expect modern sensibilities to apply. Yes, you can criticize it, but it just seems like a worthless hill to die on.
I won't say that Dumas doesn't fumble his women characters (let's talk about Haydee some other time), but compared to a lot of other pieces of classic literature I have read, the women in COMOC are not really that bad. Go read some Dickens and then we can have a talk about the maiden/mother/crone issue.
Overall, 10/10 book. I am so glad that I finally read this. If there is any classic you should read, this is a great one to delve into.
Also, Franz totally fucked the count.
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atypicalsouda · 1 year
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Comments from
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Fuyuhiko about/towards
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Kazuichi
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That I
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Can never
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EVER GET OVER ❤️❤️❤️❤️❤️❤️
Bonus but I’m reaching pretty far, it’s just the fact that it’s said right after Kaz’s “remember me specifically” comment that my brain took it the first time as Fuyu basically saying “of course I will”. I don’t want to like dampen Fuyu’s line here about remembering everyone not just Kaz but I’m stupidly obsessed so-
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