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#and to express her feelings
snowyfrostshadows · 2 months
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So.
We went from this for Starclan Cats:
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To.
This:
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Biggest downgrade of my life.
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malcanine · 9 months
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Has this been done yet guys
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kiwibrain · 22 days
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Listen i know siffrin is touch aversed at the beginning of the game
somehow i forgot until i was halfway done with this comic so shhhhhhhhshshshhsh
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doki-doki-imagines · 5 months
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They compliment you feat. mk1 bi-han, kitana, kung lao
author note: felt like I was going to explode if I didn't post them today, I hope it's not complete trash LOL.
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Bi-Han: -It was a quiet morning, for once you were the first to wake up, so you started cooking for the both of you. -Then you felt the arms of your lover wrapping around your waist, always so chilly against your body. -You feel his right cheekbone brush against yours, like a kitty searching for affection, then his chin rests on your shoulder, you can feel his black eyes on you. "Dawn creates light and shades on your face, making your feature stand out even more, I didn't think it was possible to make you look even more beautiful." -You choke on your own spit, stunned by the honeyed words dripping from your partner lips. -What was happening? Did Bi-Han hit his head during sparring? In any case, there's no way you'll stop him. -Kettle whistle, but you don't move, still looking at Bi-Han with wide eyes. -He sighs, kisses your cheek, and takes the kettle, pouring the boiling water into his cup, where you previously put the tea bag. -"Moron, if this is your reaction, I'll have to filter my thoughts again." -You shook your head, hell, you don't think you'll ever be able to go back now, his sweet words a drug that got you immediately addicted. Sadly, you aren't used to compliments anymore; you can just stutter out a no, while you feel heath on your cheeks. -Bi-Han smirks at you, a playful gesture you rarely see (and you are still thanking the gods that blessed you this morning) his right hand reaching for the apple of your cheek, pulling it in between his index and middle fingers before snapping it back in place. -"Sit down, I'll make you coffee maybe it will wake you up." -You aren't sure if you want to wake up.
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Kitana: -You are waiting for her to return from work, your stomach churning always worried something bad may have happened. -You are reading a novel when you feel the door of the living room opening. You lift your head up, eager to see your lover come in. -And she does, a ray of sunshine deep into the night. -Kitana walks to you, a tired smile on her face, 'till she reaches you behind the armchair you are sitting on. -"Good night beautiful, first time here?" You say, chuckling at your own silliness. -Kitana chuckles along, the kind that shows the wonderful smile that always makes you understand how lucky you are. -"Since you leave me breathless every time I look at you-" Her face lean closer to yours "maybe it is" her plush lips kiss your forehead before she leaves to change in more comfortable clothing. -You curl on yourself, face hidden inside your book, and you are pretty sure your head is fuming for how fast the gears in your brain are working. -"Don't curl up, dear! You know it's bad for your back" Kitana shouts from your shared bedroom "I don't want my princess to get back pain" she whispers the last part. -Maybe one day she will get bold enough to freely speak her mind, for now you'll have to cheerish this rare moment of softness.
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Kung Lao: -You tried a new recipe today, made with the fresh vegetables Kung Lao and Raiden picked up at dawn. -Saying you were nervous is a euphemism. You didn't want to fail, but even more to thrash the food your friend and boyfriend grew and picked up after so much effort. -You put the food on the table, useless to say to start the meal, Kung Lao cheeks were already full, and Raiden followed soon. -The judgment arrived soon, the burp coming from your partner mouth a telltale sign and a bad habit you still weren't able to correct. -"My love, the food was amazing, delicious!" Kung Lao stands up, arms open ready to embrace your body "Not that I have any doubts, your cooking skill just another plus of my wonderful-" He kisses your nose "amazing-" his lips touch your left cheek "beautiful dove" his lips finally rest on yours. -You reciprocate the kiss, but your mind is elsewhere, so used to Kung Lao singing his own praises without sparing a nice word to anybody else, you didn't expect so many compliments. -You break the kiss when you hear Raiden coughing in the background, heath flooding your face while your boyfriend was totally unaffected, still looking at you with that softness he always reserves for you. -Kung Lao soon returns at the table to finish the meal together with Raiden, and then they both go back to train. -But not before smooching your cheek, lips staining your skin with, what you guessed was the juice of the peach Kung Lao eat before going back to work. -You clean yourself with the back of your hand before going back to work, the comoliments of your boyfriend still reverberating into your brain, a nice intrusive thought that won't leave you for the rest of the day.
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alicentsgf · 1 year
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nothing is more subtle or more heartbreaking to me than alicent in the wedding feast scene. and half these shots dont even follow her, they follow viserys shes just in the background, (which just perfectly sums up the way alicent and her desires are stifled by viserys/his wants just btw)
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so shes just watched whatever it was that was happening between daemon and rhaenyra. salt in a very fresh wound. and as far as i can work out was literally tearing up over it (if we look at the screenshot above). but then people are screaming and pushing and shoving and alicent instinctively gets up before anyone else at the table even does, still looking like shes about to cry the whole time, right up until the moment she realises its not just pushing and shoving - theres a fight happening exactly where rhaenyra was just a moment before, and suddenly her expression changes to this shot of her blatantly worrying about rhaenyra:
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"but lydia, how do you know shes worried about rhaenyra? she could just be in shock at seeing the fight and concerned in general."
because its spelled out for us the next time we see her:
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this shows us pretty obviously alicents only really interested in where rhaenyra is. this is a tv show, they don't show someone's reaction to something just for the sake of it and alicent is the only person we see react to rhaenyra being safe. she even appears to relax at the end, as if relieved.
this very clearly sets the stage for alicent's refusal to accept any physical harm to rhaenyra - so we can understand why she feels so much guilt and self-loathing over slicing open rhaenyra's arm, and why she is so adamant about protecting rhaenyra in episode 9 even after everything she and rhaenyra have put each other through. just as rhaenyra has a desire to reconcile with alicent she cant shake, reaching out for her even in moments when shes been given no reason to hope (like at the council in episode 6 and dinner in episode 8), alicent has this desperate need to make sure rhaenyra's safe, even at times when she has no intention of reconciling with her. even when shes at her most hostile, harbouring enough resentment to show up to rhaenyras wedding wearing a declaration of war, alicent still cant stomach the thought of rhaenyra being physically harmed. and it doesn't seem to be an aspect of her characterisation thats going anywhere anytime soon.
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mochapanda · 9 months
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bunch of kairis (+ bonus quadratum kairi)
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clowndensation · 1 year
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shiv nation sound off. how we feeling.
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satoshoko hate sex …
No. Have this instead.
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wizards101official · 8 months
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Could u draw Jade with afro puffs because i think that would be cute
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Ofc I could *_^ this is one of the only times I’ve ever used watercolor so I’m hoping and praying this looks ok
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peach-petrichor · 1 month
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i dont deserve someone as lovely as you
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wolflover2426 · 5 months
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Just a thought but what would a Cat Walker but it’s Ladybug act or what facet of Marinette’s character will center on that?
I feel like Marinette has a healthy balance of herself as Ladybug and vice versa so I’m wondering just what facet of her character would bring life to create a Cat Walker version of a Ladybug hero.
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coffeehelly · 8 months
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its really interesting to me how kaidou says he feels like saiki is protecting/looking out for all of them somehow. like do they all have some kind of innate sense that the Weird Things happening around them are saikis doing? or do you think saiki gives off a strong "if anything happens to my friends im going to become the joker" vibe that he doesnt even notice
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tyttetardis · 2 months
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Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
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briesidonielarsons · 2 years
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And that’s where we’re going to finish tonight’s episode!
↳ All Ashley reactions from Campaign 3 so far
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shadowduel · 2 months
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We talked about making it I'm sorry that you never made it And it pains me just to hear you have to say it You knew the game and played it It kills to know that you have been defeated I see the wires pulling while you're breathing . . .
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abadarkade · 5 months
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No one's talking about the gut wrenching emotion of "I used to dance... I used to dance" and I won't stand for it
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