Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.
"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."
translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"
It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!
very this
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Escaped clone au
You know all those fics where Danny and Damian are twins but everyone first assumes Danny must be a clone? How about an au where Danny is Damian's clone who escaped the League after he was assumed dead. Damian could even have been the one to have "killed" him, back when Danny was a newly created, fully brainwashed clone minion and trying to kill Damian himself.
Danny gets adopted by the Fentons and canon goes on as normal, until Dan. Witnessing what would happen to the world should he turn evil really drove home to Danny how dangerous he is.
Even if he was confident he could be trusted with his absurd amount of power (which he isn't), what if the League of Assassins found out about him? Does he still have programming triggers from his evil assassin clone conditioning?
So, Danny does the responsible thing: he goes to Batman to turn himself in.
Cue Danny showing up on Bruce's doorstep with ghost hunting equipment, intel on the afterlife, and an almost unbelievable backstory. Somehow he still managed to be more well-adjusted than Damian.
More thoughts under the read more
Here's how I'm thinking Danny leaving the League went down:
After surviving his wounds but failing his mission, Danny (then an unnamed potential Damian replacement) knew there was no point in returning to the League. As a failure, he was meant to be disposed of. He even thought of simply allowing himself to perish, since that was what the League would do.
But he couldn't help but feel as though that would be a waste of a resource. Surely he could be of more use to the League alive than dead?
That tiny bit of rebellious logic is what caused Danny to go into hiding, only living on based on the off chance he would find opportunities to further the League's goals. Obviously, that mentality didn't last long after being exposed to the real world and meeting one Jazz Fenton.
Being adopted by the Fentons was the best cover Danny could have asked for, since any odd behavior he couldn't hide while he was learning how to be "normal" was totally overshadowed by the sheer bizarre eccentricity of his new parents. He was still the neighborhood weird kid, but even that was a major upgrade from disposable tool, so Danny considered it a win.
Anyway, if anyone likes this idea, please feel free to have at it! Interpret it as you please :)
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“Homura can't stand the idea of moving on. So she's isolating madoka from everyone who's ever cared about her.” Are you fucking stupid? She literally rewrote the entire universe so that Madoka could be happy with her parents and her little brother, so that Sayaka could have another chance with Hitomi and Kyoske, so that Kyoko can have a life with Sayaka, she literally revived Mami and Nagisa and gave them a life together. What the fuck do you mean she's “isolating Madoka from everyone who's ever cared about her??”
The only person she's isolating Madoka from is herself because she knows Madoka will regain her godhood sooner ot later and she knows that her desire for Madoka and her friends to be happy will directly rebel against Madokami's rules that require Madoka to die to maintain order to the broken world that traps Magical Girls in their cycle of hope and despair, even if maintaining order means making hard choices and sacrifices, which in this case, is Madoka sacrificing herself again and again not only because she cares so much for others but because she cares so little for herself whilst Homura is the only one who can see that she's so much more than her sacrifice and that she shouldn't reduce herself to a means to an end.
She took Madoka's immortality for herself to spare her of anymore loneliness in Heaven as a trapped Goddess. She literally gave Madoka and the rest of her friends a second chance at life and you people have the audacity to just blatantly fucking lie on her to justify hating her for how she reacts to the psychological torture of having to watch the love of her life and her friends die for 12 years worth of time loops then to live in a world where no one remembers the girl she loves but her. Let something like that happen to you at the age of 14 and then come and talk to me about Homura. Idgaf that she's a fictional character. If y'all continue to treat her like a heartless monster that deserves to be “held accountable for her actions,” then I'll defend her like the traumatized 14 year old child that she actually is. Fuck off and stay away from Madoka Magica. It clearly isn't for you.
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Cursed.
Explanation for this below the cut heh [mild manga spoilers!!]
In ch181 (?) We see this one panel of her super focused very scary, like she meant business (i cannot find the panel tho im sorry). This happens right after Yuuta vs Takako and Ishigori.
I remember thinking ooh maybe Miwa and Yuuta would team up, but then also why??
Then I had this thought of Miwa now having Mechamaru as a curse and going to Yuuta for advice, but because for Yuuta it comes much more instinctively because of his relationship wih Rika,he doesn't have much to offer (mostly because I'd like her to not have to rely on someone else too much) and she has to navigate having a curse with her.
Her recent appearances do make her look like she still has her brand of nervousness, which I like about her, so I've drawn her like that too. I also gave her Kokichi's ear piece thingy, wonder if that's what created the curse oohh.
For Kokichi I've mixed his human form with the bandages and hair and his mech from his fight with Mahito, because I like to think that was his sorta freedom form compared to the usual metal/wooden mechamaru. It was after he got his body ofc but also after trying to right his wrong.
I talk about why I wouldn't wanna exactly see this in the tags tho lol I'm am my own naysayer ✌️(Miwa has to find her happiness!! And that doesn't have to be a person or romantic!!+ more!!)
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I think the best possible time travel fic would be to slingshot Harrow from the end of Harrow the Ninth back to the beginning of Gideon the Ninth. Highest hilarity potential, highest angst potential, highest pining potential
Things Harrow knows now that she didn't before:
Who Alecto was
The names of God and his lyctors
The secret of lyctorhood
That the lyctor trials are a death trap
Gideon could be easily persuaded to die for her
Gideon dying for her is the worst thing possible
She would do almost anything to prevent Gideon from dying
Gideon's sword is haunted by a very angry and oddly familiar-looking woman who bears a remarkable resemblance to Gideon
Things Harrow still doesn't know:
What Alecto is
Gideon's parentage
Jackshit about BOE
Mercy and Augustine are both traitors
Things Harrow knew then and still knows now:
Gideon—this Gideon here and now—hates her
She owes a debt of two hundred lives and a future to the Ninth
The survival of the Ninth depends on her becoming a lyctor
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I really enjoy looking at this still from Slay the Princess:
In the midst of all the weird imagery from the first part of the Stranger route, you see for a moment—and it is cut off at the end, so I had to be quick with my screenshot—every route laid out in front of you, paired up as the game does elsewhere, and described, interestingly enough, from what I can only believe is the Voices' perspectives, or perhaps the relationship between the Princess and the Voice of a given route.
Consumption: The Beast (Hunted), the ribcages in the bottom right. Being eaten, alive or half so, is one way or another the outcome you face in the Beast. This one seems to be the least connected to its route's Voice, though I can still see it in a relational sort of way.
Betrayal: The Witch (Opportunist), the nail-studded... I can't tell what it is, but it's at the top left. Betrayal on your part is the cause of the Witch's route, and it too is inevitable in some form once you're on that route—the Opportunist is very vocal about it.
Skepticism: The Prisoner (Skeptic), the chains at the bottom. Pretty clear analogue given the name of the Voice, but not to neglect—you reach the Prisoner by taking the blade (distrust of the Princess) but ultimately using it to free the Princess (you take the time to think critically about what you're being asked to do, and decide the Narrator is less trustworthy).
Blind devotion: The Damsel (Smitten), the... I can only imagine locks of hair at the top. You reach the Damsel by immediately and wholly assuming she has no ill intentions, an attitude made manifest in the Smitten.
Rivalry: The Adversary (Stubborn), the spikes to the left. The Adversary route is, so long as you embrace it, about your probably-a-metaphor-for-sex-I-mean-the-Eye of the Needle-isn't-even-trying-to-veil-it eternal fight with the Adversary, with the Stubborn in strong support.
Submission: The Tower (Broken), the stone columns to the right. One of the most clear-cut "this is about the Voice" examples—the Broken has completely submitted to the Tower's will, even though the player still has a few chances to resist her.
Terror: The Nightmare (Paranoid), the eyes in the upper right. Of course, the Nightmare is all about fear, and the Paranoid is the embodiment of your fear of the Princess—the fear that made you lock her in the basement and the fear that stopped your heart when she broke free.
Longing: The Spectre (Cold), the wisps in the bottom left. This one is interesting, and almost made me second-guess my "Voices" reading, as the Spectre herself is clearly a creature of longing—but then what about "Submission?" The Tower is not "submitting" to anything. That's her whole deal. Perhaps this one is connected to your desire for something other than what the Narrator calls the "Good Ending..." or perhaps it has something to do with the Cold's interest in feeling something, which he expresses in a few routes (the Greys being the most obvious).
Pain: The Razor (Cheated,) the spikes at the top. She skewers you, and you die. Over and over again she skewers you, and you die, and it is painful over and over again. I'm not sure I have much to add to this one.
Unfamiliarity: The Stranger (Contrarian), the abstract DNA-like strand at the bottom. You reach the Stranger by refusing to interact with the Princess, leaving her an unfamiliar blank slate whose actions you cannot predict and thus fracture into every possible image of her.
And at the heart of it all, an emotion that can only be described as—what? The Narrator doesn't get the chance to finish his sentence before you wake up in the Prisoner's basement, but I'd think the answer is obvious once you've finished the game.
After all, this is a love story.
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