y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!
How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!
I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.
Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.
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Something I love about ATLA is that it doesn't force the "forgive the villain" on all the characters. It's been left clear that Ozai is a bad person, and there's no chance of redemption; the only reason he's not dead yet is because Aang is a pacifist
The one episode where a character is supposed to forgive someone who has hurt them in the past is the one where Katara is off to kill a man (which, fair) and Zuko helps. In that episode, even if Aang is telling her to let go, she doesn't forgive him. She never will. But she spares him. Not because she thinks he doesn't deserve death (he does), but because she's not willing to continue the cycle of violence
Killing someone can have a very important impact in your entire being, mostly depending on who you are as a person. Aang would've never recovered from killing Ozai. Katara wouldn't be who she is now, had she taken her revenge on the man that killed her mother
And the best part of it is that Ozai doesn't deserve to die. Not in a "I'm defending him" way (ew), but in a "he deserves worse that than" way
Taking away his bending was the perfect punishment for him. He believed bending made you superior and he never cared enough to train something besides his bending. What a loser. Zuko and Azula wouldn't be restrained by something like that
He's alive. Nobody has forgiven him. Nobody ever will
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You know, I feel like Kratos forgetting Calliope’s song was a wee bit harsh on the part of the writers.
I think his explanation of how he would’ve given up everything for a few moments more with his daughter, but when he met Faye, found the world worth living in again, would’ve been enough. Imo that illustrates his journey well in of itself.
To add onto that that when he found his new family, he could no longer recall Calliope’s song (played on the flute he made for her)…I dunno, it doesn’t make me think, ‘oh look at Kratos’s growth and development’ as I’m sure the writers intended. I understand the symbolism they were aiming for, but honestly it just made me sad
It’d be different if he was struggling to remember just due to the passing of time, but the fact he says he forgets it specifically after meeting Faye changes the meaning imo.
Kratos could remember his daughter’s song - presumably her favourite, that she played often, if it stuck in his memory - just because he loves her. To remember doesn’t intrinsically mean he’s haunted by it. memories of, and a love for, his Grecian family isn’t inherently negative, or something that has to be ‘let go of’ for him to progress as a character.
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more of my oc tervis (any pronouns), the creepiest most miserable little weirdo in town. which is saying something [id under cut]
/ ID: four digital drawings.
The first image is a series of drawings of Tervis on a paper-textured background. A heading at the top reads 'Tervis (Humble)'. One is a coloured headshot of Tervis looking to the left; they have a gaunt face, short receding hair, a scar bisecting their lip and right eyebrow, greyish skin, and are wearing a red shawl around their neck. An arrow pointing at their right eye reads 'one blue eye (mostly blind)'; another arrow pointing at their left eye reads 'one brown eye'. They have a serious, hostile expression. The second drawing is an uncoloured full-body sketch of Tervis. Next to this is the same drawing but coloured and with more polished lineart. Tervis is a thin, hunched figure wearing a long, dark brown robe, a greyish bag on their back, and a red shawl around their head and neck. They are barefoot, and are leaning on a walking staff with both hands. An arrow pointing to the walking staff reads 'needed for walking, useful for hitting'. Tied to the belt around their waist are several long scrolls of paper with writing on them. An arrow pointing to the scrolls reads ''blessings' they paste on infected houses'. Tervis is looking warily out at the viewer from beneath their eyebrows. An arrow pointing to their head reads 'scar from getting hit in the face with a brick (also knocked out a tooth)'. Alongside these drawings are a series of bullet points giving information about Tervis. These read:
indeterminate age, indeterminate gender
religious fanatic (unclear which religion)
lives alone somewhere in the steppe
dislikes everyone but is nicer to children than anyone else
has every disease
The second image is a fake screenshot from the video game Pathologic. Tervis is looking out at the viewer; the background shows scenery from the steppe. The text on screen reads:
CHANGELING: I still don’t see what you could have done that would make you personally responsible for this plague.
TERVIS: Responsible… no, not merely responsible! This is my plague, cast upon my head alone. I am the originator; my sin is at the root of all. I have ventured into the town. I have seen the canker there. No matter how many houses I bless, my sickness sinks deeper. The rotted limb is the death of the body… Surely you understand me. You are a healer, are you not?
CHANGELING: What is it that you are asking me to do?
TERVIS: Let me be the lamb, worker of miracles! My blood shall wet the earth, and bright flowers shall grow… My putrefaction will provide the soil within which new life will burgeon, pure and free of sin and decay. Let it be done. I am ready. My failing flesh is but little sacrifice; in death my weakness will be my strength. Soon these torments will be at an end.
Below are two dialogue options:
You’re insane!
What makes you so sure your death would solve anything?
The third image is a fake screenshot from the video game Pathologic 2. Tervis is looking out at the viewer, and has been painted in semi-realistic style. The text on screen reads:
Tervis: Why do you force me to live? Damn you! Your cure is poison to me. Now I shall never be blessed. You should have left me to bleed.
Below are three dialogue options:
Don’t be absurd. I wasn’t going to watch you die.
What makes you think you deserve suffering?
I wish I had.
At the bottom of the image is a line of dialogue which Tervis has just spoken:
The air is foul. There is rot in this place. The stench of corruption shall be – what was it? What was it? The stench of corruption shall be… swept aside…
The fourth image is a coloured scene depicting Tervis and Clara. They are central in the composition; around them is the steppe, which has been rendered in a loose, painterly style. Tervis is kneeling, their walking staff cast aside, and are reaching out their hands to Clara in a desperate, pleading gesture. They are crying, their face contorted in an expression of agonised ecstasy. Clara stands beside them, one hand reaching out, the other held above Tervis’s head as though about to touch their brow. She has a solemn, pained expression. Behind her head, a break in the dark clouds gives the impression that she is haloed by sunlight; rays of the same light fall onto Tervis, illuminating their face and red robe. End ID. /
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i would love to hear about the ollie and handler crack ship here’s a silly doodle as well
LOVE THE DOODLE YOU SEE THE VISION!!!
Also this got my ass to design Ollie so:
(Love him - Also redesigned Reggie for this too so thanks!!)
And idk if it's moreso a crackship or a rarepair that only works in an AU (HACKS up Starstruck), but Reggie's line of "...and I hope Ollie made it out too. I hope a lot of things." It's totally me reading into it but like,,,,I want them to talk because Ollie is not dead to me in my heart of hearts.
Maybe the only change is like Reggie taps into the communication on the radio in Hot Water instead of using the earpiece, so Ollie ends up hearing him also? And they end up getting along really well (with Reggie having to jump through a couple hoops to be like "haha what agency..."). There's an Agency base in the South-East coast of Australia and maybe the Agency ends up adopting him after he washes up on the shore with the escape pod (after HEAVY questioning).
Alas take a doodle of my own:
Transcript (it's just canon lines):
Ollie: "She's being controlled, it's not her fault."
Reggie: "Agent, I have 0 experience dealing with giant security squids."
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dumbass idea from an AU i'm writing
[ID: three pixelated doodles of your turn to die characters. Sara is shown with shoulder length hair and Joe's hair clip, and is wearing a sweater. Gin is wearing a hoodie and a cat ear headband. They're sitting at a table, eating. Sara leans forward and points at someone offscreen with her fork, saying; "top ten Keiji Shinogi cringe moments; accidentally adopting the kid he meant to manipulate for profit". Gin is staring at her wide-eyed.
The second panel shows Keiji, wearing a sweater, and staring at Sara with a small smile. He says; "...I think I knew what I was doing when I adopted you?" He's holding a mug with Hatsune Miku on it. To the side Hayasaka is sitting down, tiredly staring into his own mug.
The last panel is closer up of Sara as she stares him down, smiling, and says; "I didn't mean legally, dipshit". end ID]
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