Midnight Pals: the beard is blue
Anna Biller: submitted for the approval of the midnight society, i call this the tale of bluebeard's castle
Mary Shelley: sup fuckers?
Shelley: you telling a gothic story here?
Biller: it's not gothic, it just uses classic story telling elements of gothic
Biller: it's its own original thing
Shelley: oh yeah yeah i'll be the judge of that
Shelley: seein' as i invented gothic and all
Biller: it's not gothic, it just uses classic-
Biller: it's not like angela's bluebeard story
Biller: very different
Biller: but let me explain angela's story in detail
Biller: blow by blow
Biller: for pages
Biller: this woman goes to a spooky secluded manor
Biller: like daphne du maurier's rebecca
Biller: with a brooding aristocratic husband
Biller: like Emily Bronte's Wuthering Heights!
Biller: and she has a sweet heavenly voice
Biller: like urkel!
Biller: this part of my story is a reference to Jane Eyre
Biller: you guys might not have heard of it, its pretty obscure
Biller: don't worry, i'll just grind the story to a halt so that i can describe jane eyre
Biller: and this bit is a reference to dracula
Barker: oh my god its like gothic ernest kline
Poe: clive, be nice
Biller: anyway eventually she kinda just putters around until her brooding husband poisons her
Biller: and there was nothing she could do to avoid it
Biller: real girl boss hours
Shelley: what, she just gets poisoned?
Shelley: couldn't be me
Shelley: if i was there, i would have shivved that bastard but good
Biller: UM no actually
Biller: that wouldn't work!
Biller: there's a whole concluding chapter about how stupid you, the reader, are for thinking she escape
Shelley: rip to her but i'm different
Biller: so what do you think?
Mary Shelley: i like the bit where you just repeated angela's version
Poe: clive
Poe: no wait i mean
Poe: mary
Angela Carter: no no i can see why she might like that part
Biller: the important thing about my work is to know that women and men should stay in their lanes and follow the strict rules of their gender
Patricia Highsmith: poison's a broad's thing
Biller: excuse me?!
Highsmith: that's how a dame does a murder
Highsmith: a real man does a murder with his hands
Biller:
Highsmith: or a boat oar
Highsmith: see, my ripley-
Biller: oh god again with the ripley
Biller: always with your OC patricia! we're all tired of hearing about your OC!
Shelley: no patricia's right, killing a guy with a boat oar is cool
Shelley: poison's sissy shit
Shelley: i like how ripley does all those murders
Shelley: fucker's got style
Highsmith: that's what i've been saying!
Anna Biller: see, Bluebeard's castle is all about how men are men (evil) and women are women (stupid)
Biller: as opposed to the love witch, which was about how men are men (stupid) and women are women (evil)
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Angela Carter, The Magic Toyshop
[Text ID: “October, crisp, misty, golden October, when the light is sweet and heavy.”]
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Angela Carter, Unicorn: The Poetry of Angela Carter; from 'Unicorn'
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Angela Carter, from “The Lady of the House of Love”, The Bloody Chamber & Other Stories
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@werewolfest // angela carter unicorn: the poetry of angela carter
kofi
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October, crisp, misty, golden October, when the light is sweet and heavy.
Angela Carter
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Angela Carter, from The Lady of the House of Love in “The Bloody Chamber and Other Stories”
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eve, after the fall (auguste rodin; bronze, 1883)
Mark Twain, The Diaries of Adam and Eve // Hozier, From Eden // Angela Carter, The Bloody Chamber // Frank Bidart, The War of Vaslav Nijinsky // Eagles, The Last Resort // Anne Sexton, Words for Dr. Y
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i love you / i fear you / i need you
mary renault, the national, white oleander, maggie nelson, heathers: the musical, margaret atwood, nikita kadan, jenny holzer, margaret atwood, ida aplebroog, simone weil (tr. arthur wills), richard siken, unknown, unknown, angela carter, the sopranos, mary oliver
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Midnight Pals: Muse
Anna Helen Crofts: submitted for the approval of the midnight society, this is a little story that me and howard wrote together
Barker: you and howard? how'd that happen?
HP Lovecraft: oh we've been looking for a project to do together for a while
Edward Lee: bro you hanging with anna helen crofts now?
Lovecraft: yeah
Lee: bro
Lee: sonia greene, winifred jackson, hazel heald
Lee: how are you pulling all this quality tail?
Lovecraft: i don't know, i'm just being myself
Lee:
Lee: bro that doesn't make any sense
Crofts: ok so this story is about a woman who reads a poetry book
Crofts: and she has a dream that the gods themselves appear to her
Crofts: and they're all 'babe, we got some great news for you'
Crofts: you're so hot that you're gonna fuck some inspiration into the world's greatest poet
Crofts: the gods are all 'check it out'
Crofts: 'you know Dante Alighieri? William Shakespeare? John Milton?'
Crofts: 'morons!'
Crofts: 'the guy you're gonna fuck is SO much better'
Angela Carter: a woman's just there to be a muse for a great man, huh?
Carter: why can't a woman be a poet herself, I ask you?
Crofts: no angela you don't understand
Crofts: this chick is SO hot
Carter: that doesn't figure into it
Patricia Highsmith: naw i think it does
Crofts: me and howard wrote this story together
Barker: oh did you now?
Poe: clive
Barker: i can tell, cuz it's definitely got all the usual hallmarks of a howard story
Poe: clive
Barker: i bet howard really contributed a lot
Poe: clive
Crofts: wouldn't that be great to be a muse
Crofts: a poet looks at you, he's all 'this chick is SO hot'
Crofts: 'i can't NOT write the world's greatest poem'
Crofts: if you think about it, howard
Crofts: that's kinda like you and me, don't you think?
Lovecraft: yeah i guess
Crofts: something wrong, howard?
Lovecraft: no
Lovecraft: no it's nothing
Lovecraft: its just
Lovecraft: that isn't really the direction i thought our collaboration would take
Crofts: what's wrong with it?
Lovecraft: it's just kinda mushy
Crofts: ok howard well next time we'll write what you want to write
Crofts: in fact, here
Crofts: why don't you use my beauty as inspiration
Crofts: i'll be your muse
Barker: ah ha ha
Barker: oh honey
Barker: oh sweetie
Barker: have you read any of howard's stories?
Crofts: write me, howard, write me like one of your squid girls
Lovecraft: [sweats] ok um so
Lovecraft: [sweats] so in this story there's this girl, ok
Crofts: what's she like
Lovecraft: indescribable
Crofts:
Barker: ah aha ha
Barker: nice save
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There are some eyes that can eat you.
Angela Carter, The Bloody Chamber and Other Stories: The Erl-King
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Midwinter – invincible, immaculate.
Angela Carter, The Bloody Chamber and Other Stories; from ‘The Snow Child’
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Angela Carter, from "The Lady of the House of Love", The Bloody Chamber & Other Stories
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The Company of Wolves (1984) | dir. Neil Jordan
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