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#angela carter
bitterkarella · 2 days
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Midnight Pals: the beard is blue
Anna Biller: submitted for the approval of the midnight society, i call this the tale of bluebeard's castle Mary Shelley: sup fuckers? Shelley: you telling a gothic story here? Biller: it's not gothic, it just uses classic story telling elements of gothic Biller: it's its own original thing Shelley: oh yeah yeah i'll be the judge of that Shelley: seein' as i invented gothic and all Biller: it's not gothic, it just uses classic-
Biller: it's not like angela's bluebeard story Biller: very different Biller: but let me explain angela's story in detail Biller: blow by blow Biller: for pages
Biller: this woman goes to a spooky secluded manor Biller: like daphne du maurier's rebecca Biller: with a brooding aristocratic husband Biller: like Emily Bronte's Wuthering Heights! Biller: and she has a sweet heavenly voice Biller: like urkel!
Biller: this part of my story is a reference to Jane Eyre Biller: you guys might not have heard of it, its pretty obscure Biller: don't worry, i'll just grind the story to a halt so that i can describe jane eyre Biller: and this bit is a reference to dracula Barker: oh my god its like gothic ernest kline Poe: clive, be nice
Biller: anyway eventually she kinda just putters around until her brooding husband poisons her Biller: and there was nothing she could do to avoid it Biller: real girl boss hours
Shelley: what, she just gets poisoned? Shelley: couldn't be me Shelley: if i was there, i would have shivved that bastard but good Biller: UM no actually Biller: that wouldn't work! Biller: there's a whole concluding chapter about how stupid you, the reader, are for thinking she escape Shelley: rip to her but i'm different
Biller: so what do you think? Mary Shelley: i like the bit where you just repeated angela's version Poe: clive Poe: no wait i mean Poe: mary Angela Carter: no no i can see why she might like that part
Biller: the important thing about my work is to know that women and men should stay in their lanes and follow the strict rules of their gender Patricia Highsmith: poison's a broad's thing Biller: excuse me?! Highsmith: that's how a dame does a murder Highsmith: a real man does a murder with his hands Biller: Highsmith: or a boat oar
Highsmith: see, my ripley- Biller: oh god again with the ripley Biller: always with your OC patricia! we're all tired of hearing about your OC! Shelley: no patricia's right, killing a guy with a boat oar is cool Shelley: poison's sissy shit Shelley: i like how ripley does all those murders Shelley: fucker's got style Highsmith: that's what i've been saying!
Anna Biller: see, Bluebeard's castle is all about how men are men (evil) and women are women (stupid) Biller: as opposed to the love witch, which was about how men are men (stupid) and women are women (evil)
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soracities · 2 years
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Angela Carter, The Magic Toyshop
[Text ID: “October, crisp, misty, golden October, when the light is sweet and heavy.”]
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derangedrhythms · 8 months
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Angela Carter, Unicorn: The Poetry of Angela Carter; from 'Unicorn'
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flowerytale · 8 months
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Angela Carter, from “The Lady of the House of Love”, The Bloody Chamber & Other Stories
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llovelymoonn · 7 months
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@werewolfest // angela carter unicorn: the poetry of angela carter
kofi
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yvain · 7 months
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Stoker (2013) dir. Park Chan-wook and "The Lady of the House of Love" by Angela Carter
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shisasan · 7 months
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October, crisp, misty, golden October, when the light is sweet and heavy. Angela Carter
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petaltexturedskies · 7 months
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Angela Carter, from The Lady of the House of Love in “The Bloody Chamber and Other Stories”
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araekniarchive · 3 months
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eve, after the fall (auguste rodin; bronze, 1883)
Mark Twain, The Diaries of Adam and Eve // Hozier, From Eden // Angela Carter, The Bloody Chamber // Frank Bidart, The War of Vaslav Nijinsky // Eagles, The Last Resort // Anne Sexton, Words for Dr. Y
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i love you / i fear you / i need you
mary renault, the national, white oleander, maggie nelson, heathers: the musical, margaret atwood, nikita kadan, jenny holzer, margaret atwood, ida aplebroog, simone weil (tr. arthur wills), richard siken, unknown, unknown, angela carter, the sopranos, mary oliver
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galaxy-flowergirl · 8 months
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The female rage of it all
Ptolemaea - Ethel Cain // The Witch (2015) // The Bloody Camber - Angela Carter // Yellowjackets (2021) // The Hand That Feeds - The Crane Wives // Daffodil - Florence and the Machine // Ready or Not (2019) // Midsommar (2019) // Family Tree - Ethel Cain // The Lighthouse - Halsey
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bitterkarella · 4 months
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Midnight Pals: Muse
Anna Helen Crofts: submitted for the approval of the midnight society, this is a little story that me and howard wrote together Barker: you and howard? how'd that happen? HP Lovecraft: oh we've been looking for a project to do together for a while
Edward Lee: bro you hanging with anna helen crofts now? Lovecraft: yeah Lee: bro Lee: sonia greene, winifred jackson, hazel heald Lee: how are you pulling all this quality tail? Lovecraft: i don't know, i'm just being myself Lee: Lee: bro that doesn't make any sense
Crofts: ok so this story is about a woman who reads a poetry book Crofts: and she has a dream that the gods themselves appear to her Crofts: and they're all 'babe, we got some great news for you' Crofts: you're so hot that you're gonna fuck some inspiration into the world's greatest poet
Crofts: the gods are all 'check it out' Crofts: 'you know Dante Alighieri? William Shakespeare? John Milton?' Crofts: 'morons!' Crofts: 'the guy you're gonna fuck is SO much better'
Angela Carter: a woman's just there to be a muse for a great man, huh? Carter: why can't a woman be a poet herself, I ask you? Crofts: no angela you don't understand Crofts: this chick is SO hot Carter: that doesn't figure into it Patricia Highsmith: naw i think it does
Crofts: me and howard wrote this story together Barker: oh did you now? Poe: clive Barker: i can tell, cuz it's definitely got all the usual hallmarks of a howard story Poe: clive Barker: i bet howard really contributed a lot Poe: clive
Crofts: wouldn't that be great to be a muse Crofts: a poet looks at you, he's all 'this chick is SO hot' Crofts: 'i can't NOT write the world's greatest poem' Crofts: if you think about it, howard Crofts: that's kinda like you and me, don't you think? Lovecraft: yeah i guess
Crofts: something wrong, howard? Lovecraft: no Lovecraft: no it's nothing Lovecraft: its just Lovecraft: that isn't really the direction i thought our collaboration would take Crofts: what's wrong with it? Lovecraft: it's just kinda mushy
Crofts: ok howard well next time we'll write what you want to write Crofts: in fact, here Crofts: why don't you use my beauty as inspiration Crofts: i'll be your muse Barker: ah ha ha Barker: oh honey Barker: oh sweetie Barker: have you read any of howard's stories?
Crofts: write me, howard, write me like one of your squid girls Lovecraft: [sweats] ok um so Lovecraft: [sweats] so in this story there's this girl, ok Crofts: what's she like Lovecraft: indescribable Crofts: Barker: ah aha ha Barker: nice save
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words-and-coffee · 6 months
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There are some eyes that can eat you.
Angela Carter, The Bloody Chamber and Other Stories: The Erl-King
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derangedrhythms · 4 months
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Midwinter – invincible, immaculate. 
Angela Carter, The Bloody Chamber and Other Stories; from ‘The Snow Child’
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flowerytale · 10 months
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Angela Carter, from "The Lady of the House of Love", The Bloody Chamber & Other Stories
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anatomicalmartyr · 4 months
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The Company of Wolves (1984) | dir. Neil Jordan
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