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#angela harding art
keepthebeanscool · 3 months
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Wow……. I needed that
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heartofsurgingflame · 10 months
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my half an art trade for @day50
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phellycheesesteak · 2 months
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I don’t think I’ll finish this rendering in time but happy Angela day ^_^ 02/27
Also I still don’t know wtf a light source is
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hitku · 9 months
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Harbour Whippets, by Angela Harding
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yeehawknight · 1 year
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My angel ❤️
Portrait-ish turned study, turned curse.
I'm not satisfied to the point of enthusiasm about I'm happy regardless since I went out of my comfort zone and I definitely understood a thing or two about painting, lighting and smiles (damned that smile, so good but so hard to do).
I like the original sketch even if it's fucked up in its own way.
Thanks to @myrows for pumping me up as always ❤️
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forestfan69 · 1 year
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You fill the room with sun, hold me close and let me breathe. I am foreign to that kindness.
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Some soft moicy, featuring my latest obsession which is to cover everything in flowers. I hope you all enjoy this as much as I enjoyed drawing it!!
Closeups:
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This piece is also available on my INPRNT, if anyone wants to buy this for themselves!
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orin · 1 year
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miko mercy
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trainingdummyrabbit · 3 months
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god actually. continuing off that last post, the thing that really helped draw me into ruinacorp to begin with Was the fact that there was little to no focus on romantic or sexual attractiveness or thematics. like... not in a ">:) hehe im being so subversive look at me you expected??? me to talk about sex??? well im NOT haha." it just straight up. doesnt fucking mention it At All. not a hint. any character that Is in a relationship simply... Is. its still uncommon, anyhow. and even if there Is that pre-established relationship, theyre still like... people? theyre just people about it.
the only time it really Is is with roland, and thats only when hes being a little shit and teasing people On Purpose. otherwise? no baity remarks, no weird implications. just people. and like, the horrors, but still. people. even in th community too, (at least on tumblr iguess, i dont go anywhere else,) theres just. not a huge focus on ship content with the cast. and even when it is, it feels a lot more comfortable than some other circles ive been around in. like. yknow. Man(tm).
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sherbetlemonss · 1 year
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Here’s this 🫶🫶
Rambles in readmore
so basically this is like,, after Astro Boyd w the hc that Boyd stayed the night at Gyro’s after everything (bc he asked Gyro if he could) and the guest room (???? I have no perception of how this place looks other than what I drew lol) is probably full w storage and stuff so Boyd sleeps with Angel in her room on a blow up bed (improvised sleeping space but also it’s comfy🫶🫶) but neither Boyd or Angel can sleep
Boyd is the first to whisper into the darkness (somewhat bc of his glory eyes lol) about it and Angel says she can’t either
After a bit of more silence Angel is like “you know what I do when I can’t sleep??” And then they both sneak out of their room to go knock on Gyro’s room to which they ask if they can sleep there tonight
Spoiler alert Gyro agrees
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jareckiworld · 2 years
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Angela Heisch — Warm Soar  (oil on linen over panel, 2020)
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the-river-of-light · 1 year
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I'm surprised I haven't seen this before tbh. based on that one image. you probably know the one.
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camprell-art · 2 years
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Death's Kiss
This art is a big spoiler but I'm pretty sure I'll take some years to finish his story
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unma · 1 month
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Underfell Papyrus and Ricardo would be really good friends come to think of it. I ca see it already.
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smrtnik07 · 11 days
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librarians redesigned!!! by me!!! :)
the designs are free to use, i used this as a character design exercise for myself while recovering from carpal tunnel issues! read more for all the individual designs + me ranting :*
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first off roland!! i included an angelica in here, i designed her before him, shes very triangular to me.. maybe a bit more messed up than roland tells us about, he is a biased narrator afterall. anyways i wanted his design to match hers nicely, so hes like a rounded square type of guy... i think projmoon designed him to be Just A Guy intentionally, so i played into it. overall the least interesting design of the bunch imo. its on purpose :)
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angela !!! my baby :) an important thing here is her bangs. i dont want her hair to be able to recover from however many years she spent with the hard middle part in lobcorp, i think its cute to incorporate it still. swoopy, fluffy hair for her! and the clothes are just a bit more casual idk the librarian uniforms were kinda boring and stiff to me, as much as it does go with her character.. if u wanna be human u gotta experience the joy of sweatpants or whatever. also i didnt add color but i dont want her to be fully white<3 or fully clear skinned.. give her sunspots on her face. she finally gets to experience sun. :)
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guess ill go in order of appearance lol. malkuth! whats the headband for if it doesnt keep anything out of her face!! since shes a bit more active than some of her colleagues, i also gave her a ponytail(its also for the silhouette...) also gave her some chubbier thighs.. also maybe a butler-esque coat, at least to me; i just made it a bit more form fitting than the original. playing into her personality or whatever. shes cute.. remember to take deep breaths!!
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yesod!! i want to play into the skin issues a bit more, i still removed his gloves but i gave him a poncho, not just for the square silhouette im trying to build but for more coverage. also emo hair over eyes was funny. also wide flare pants for you, boy. just very square and put together in general
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hod! this ones my favorite (i even cared enough to give her a pattern on that skirt!!) it was kinda bugging me how in the artbook i couldnt tell who was writing because hod's, malkuth's, and tiphereth's colors are so similar. so hod is pink now, and malkuth a bit more orange. i kinda went for a romantic poet thing here, dunno how much that worked out, but i think out of everyone you can tell shes the literature girl. gave her pigtails !! theyre cute :> also since i removed the coat decoration off of angela, i gave part of it to hod in the bottom of her coat :). cute and round!
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netzach is a very strange man to me.. ellipse shape and loose fitting clothes for u. if i saw him irl i wouldnt approach him. not to say i dont like him as a character, i love him, but i want him to look like a depressed guy who would pick up art as a hobby to distract himself and it works. bro is just surviving out there. also gave him comfy clothes to make the surviving easier, down to the shoes and wide, id assume non-denim pants - maybe cotton? maybe sweatpants that dont fit around the ankle? who knows.
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tiphereth!! since she's like the teen girl of the group i gave her a skater dress, converse, and a tied coat around her waist.. like how i used to wear as a teen when i was being a hater and recovering from a death in the family that changed my entire life (im still a teen ... 9 more days till im 20 as of posting this). also gave her fishnets i think she would like that. i imagine she would get headaches bc of those dumb braids on her head<3 or maybe bc her coworkers are kinda dumb<3
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gebura :) round face, reverse triangle shaped body.. like a true butch lesbian stereotype.. i decided a leather jacket, docs and pants i see metalheads wear would fit her! red leather jacket, of course. also gave her spiky hair just like projmoon did<3 my favorite detail here are the eyebrows, i think their shape is rlly neat! nvm i think its just that gebura is rlly neat. anyways the eyebrows fit her
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chesed my boy.. idk i just saw him and hit him with the transmasc beam and gave him , as the kids say, wh0re eyes. i wanted him to have rounder hips and just be round in general. turtleneck and cardigan combo also, i think he would like wearing that. also somewhat curlier hair, or at least wavy would do him well! and a tote bag, i dont doubt that he would go out to read in coffee shops if he could - so he gets a tote bag to carry his sociology books. i want him to look like he would give the warmest, comfiest hugs and be friend shaped
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binah!! this one was the most challenging, trying to find the right place for the colors - to not use too little or too much yellow. i still dont think i got it right but this is as close as im getting. long face, long nose, siren-ish eyes.. messed up in the head bird lady that speaks like hannibal! i also dont think a dress really suits her so i opted for wide pants and a fancy black button up .. maybe angela styled her, who knows. also black fingertips which is a trait i like to give the arbiters (including an oc).. just my own little consistency thing i like to do :)
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hi grandpa! ok for hokma i dont think the changes are that big? i gave him O shaped legs and his sword thing i turned into a walking cane, gave him a vest (didnt want to opt for a corset but i think he would enjoy the back support for proper posture) . also gave him a mild gradient from darker gray to lighter gray, since he IS the gray part of the ABC trio. gave him salt and pepper hair and an older face. forgot to draw it, but i wanted to give him a silicone tip for the sword so it doesnt dull out, which he can take off when recieving guests
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honorary mention to go along with the angelica i mentioned with roland, i mildly changed up her twin(k) brother. i gave argalia and angie the same hair but mirrored, his a bit more curly and hers a bit more spikey, his face a bit more edgy, hers a bit rounder and kinder. not much else to say here, i liked his design as is, but wanted to add him here :)
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Good Omens x Michael Sheen x Ancient Rome - a crossover made in heaven Italy
I'm crawling out of the rock I've been living under - just because I feel like this post I reblogged needs some context to be fully appreciated (and you all know how much I love deep diving into the most random shit). Quoting @thiswomanshouldbewriting :
No one is doing it like the Italian Good Omens fandom, making Michael Sheen trend on twitter because Alberto Angela used his footage as Nero in his documentary. Literally no one is like us.
The mentioned footage is, as you might have inferred if you're a Michael Sheen/GO fan, from the 2006 BBC docudrama "Ancient Rome: Rise and Fall of an Empire", which Sheen starred in as a very unhinged Nero. Imagine you're the average italian GO fan, channel-zapping while you do chores, or homework, or you're having dinner, and you suddenly see (on RAI1, aka the state-owned broadcasting *main* tv channel) THIS:
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(and also the show somewhat restores Nero's reputation, *and* discusses at length the Romans' rampant bisexuality *and* mentions Nero's same-sex marriageS (plural) *and* the soundtrack SLAYS) (god I wish it was subtitled in English 'cause y'all would love it)
That's something to be excited about already. But wait... there's more!
If you're not Italian (hi 99,9% of tumblr) you might ask yourself: but what's all the fuss about? and who the fuck is Alberto Angela?
Glad you asked.
Alberto Angela, author and host of the documentary programme that included the aforementioned footage, is - simply put - an icon, a myth, a cornerstone of cultural divulgation in this country.
He's an accomplished paleontologist, archeologist, writer, and a very engaging communicator.
He's a son of art, since his late father Piero was an even greater public figure, an all-time favourite of the italian audience (think: the Mr. Rogers of science divulgation) -- which only adds to Alberto's fame and love by the masses.
He's been a staple on tv for a long time, a beloved chaperone to everything about science, culture and especially history, which he conveys with utmost passion.
He's also a very fine man.
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It won't surprise you that, over time, he's become sort of a national sex-symbol: the charming nerd, the next-door Indiana Jones, the cultured, wholesome, handsome heartthrob.
...and a great source of memes:
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"I DIVULGE. HARD."
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"Deoxyribonucleic acid" *splash*
So... let's rewind for a moment: you're the average italian GO fan, channel-zapping while you do chores, or homework, or you're having dinner, and you suddenly see Michael Sheen as Nero featured on the most popular documentary programme in the country, by the most beloved & iconic tv host of recent times.
In conclusion: this is why the italian GO fandom is going positively feral on twitter. You're welcome. *crawls under her rock again*
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earthnashes · 9 months
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MORE GARGYOLES AU BAYBEEEEEEEEEEEEEEEEEEEEEEE
I'm holding watch parties on my community discord for the Gargoyles; we're still on Season 1 but even then it's really helping give me some contextual clues I need for building the AU into something more sustainable. I'm super excited to get into Season 2; we'll be finishing off this season next Thursday before we continue on! :)
But ye! For this drawing; an experiment that went a little outta hand, but I'm glad it did. I really like the look of it; giving it some level of polish without resorting to coloring. I've always liked this sort of effect but rarely do I ever do it myself, but I think I'll have to do it more because it was far less time consuming to do! :>
So ye! More lore and brick work is being laid out for the AU, and once again I've written a short story to go along with the art!
For those of you who'd rather skip though, I placed it under the "Keep Reading" line, and for context for everyone here are some AU notes along with a TL;DR summary of what's happening here:
-AU explores the concept of "what if Demona was set onto the path of Redemption?"
-TL;DR for this image: Takes place a few nights after this. Demona confronts Elisa after her talk with Angela. To everyone's surprise it doesn't go south.
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By all accounts Elisa thinks she should've expected this.
Especially with the life she's chosen for herself: top-rate detective with the highest arrest rate and cases solved on the force. In direct contact with Gargoyles-- literal living legends-- on a daily basis and what that typically entails, from revenge plots to sudden trips through the very fabrics of time. Enemies from all and every side, from supernatural to plain old human to the not-so-human and zealous occult.
And traveling Central Park alone in the dead of night? By all accounts, she should’ve expected this. Yet she still wasn’t prepared for the ambush.
One second she's halfway through the tunnel under the bridge. The next? Shoved face-first into grimy, soggy stone.
The taste of iron is sharp on her tongue as her teeth cut painfully into her lip on impact. It distracts her just enough before she finally zeroes in on the claws closed tight around the nape of her neck, another set digging hard into the leather of her jacket at her pinned wrists, easily piercing the material and biting into skin. She barely has time to gather her bearings before a familiar voice is hissing hot against her ear.
"You are not as clever as you think, detective."
Elisa's heart nearly beats out of her ribcage. "Demona," she breathes, alarmed but by no means surprised. It's been months since the last attempt the she-demon's made against her. Once again, Elisa curses allowing her guard to fall; she should've known it was only a matter of time before Demona struck. No matter how long this sudden bout of tremulous peace has gone.
"What do you want."
"That's exactly what I want to know," Demona drawls, pushing Elisa further into the rough stone. There's a seething sneer in her voice. " What are your intentions with Angela?"
Elisa pauses, her unease giving way to her confusion.
"What?"
Demona responds by gripping tighter, the tell-tale rumble of a growl behind her words. "You know damned well what I mean. It's no coincidence Angela has come to me so freely. Not if it meant lowering my guard; you're up to something." The gargoyle shoves Elisa none-too-gently against the stone again, her threat stark and clear. "And I don't take kindly to the thought anyone using my daughter like she's some sort of plaything--"
"--I'd never--" Elisa starts, offended, but she barely gets a word in before she's cut off with her own agonized grunt. Demona's bodily grinding her into the wall, the rough scrape of stone chafing at the skin of her cheek. She can barely breath with how hard the gargoyle pins her, straining for breath as Demona snarls at her, long teeth clacking dangerously close to her eye.
"Liar!" She barks, and Elisa hears how her tail cuts through the air as it lashes. "It's all you humans are ever good for! Weave empty words into pretty things, only to strike when your back is turned. Angela told me herself what you said, and your words ring hollow. You and I both know you don't believe any of it. What's your game?"
"So Goliath is right, then?" Elisa huffs in lieu of an answer, stilling herself and going mostly limp in Demona's grasp. Her common sense screams at her to struggle, to find an opening and break free... but her gut tells her stay put. Her father always told her to listen to her gut when it spoke, and it's never steered her wrong before. So she breathes in as much as she dares and forces each of her muscles to relax, to appear as little a threat as possible in her position.
Not too hard to do considering the circumstances, but it takes several breaths for her heart to stop trying to burst from her chest. Nor does it really erase the glower overtaking her face.
"Is that it? Angela shouldn't be anywhere near you. Shouldn't be allowed to choose for herself and that it was a mistake to even try to talk to you?"
"By the moon we glide under, I despise you, detective!" Demona hisses, and Elisa doesn't need to see her to know her eyes have begun glowing hot red. "I'm no fool; you view me a monster. You have absolutely nothing to gain from encouraging her to see me. Nothing. So why? What do you want with her?"
"Is it really so hard to believe I care for Angela?"
"Yes." Yet there is some degree of hesitance in Demona's voice when she says it, something Elisa nearly doesn't catch. As if the she-demon almost believes her own answer, but not entirely. There's enough evidence with Elisa aiding her old Clan-- never truly for her own gain -- that brings question to her conviction. "Humans don't do anything unless they gain something in return. You are either after her, my life, or something else." Demona allows Elisa's arm free to rake her claws against the stone of the bridge. It gives way easily as if nothing but dirt, leaving deep divots in a clear display of a threat. "Do not make me ask again."
"Then you're right," Elisa replies easily-- or as easily as her position allows-- and of all the responses she could've gotten Demona doesn't expect that. It's clear in how much she loosens her hold on Elisa in apparent surprise, no longer choking her so much as simply holding her in place now. Elisa's instincts flair then; demand she elbows the she-demon in the belly and get distance, yet even still her gut urges her: stay put.
"I do have something to gain. Angela's happiness."
Elisa doesn’t expect her words to have any real effect. Readies herself for Demona to snap at her again. Force her against the unforgiving stone, have her taste her own blood again, maybe even work up the nerve to inflict the bodily harm she always threatens. This is probably the closest she's gotten in a long while.
But Demona does… nothing. Simply a presence behind her. One simmering with barely held anger and confusion and the weight of her own paranoia. But still as stone—listening-- all the same.
Stay put.
Elisa takes in a shaky breath.
"She's miserable, you know. When the clan speaks ill of you," She breathes quietly, surprising herself with the gentleness in her own voice. "Goliath explicitly forbids her from ever trying to talk to you. He thinks you're a lost cause." It’s not hard to think of Goliath’s demeanor in those moments; regret, sadness, guilt, traces of betrayal and anger whenever he speaks of his ex. He's long since given up on reaching out to Demona.
"And maybe I did too, once. But now, I--"
The look on Demona's face when realizing who Angela was flashes through her memory. The shock, quickly replaced with unbridled joy and hope. Something Elisa was unsure Demona could feel up until that very moment.
"--you could've left us to die by Thailog's hand. You could've ended all of humanity with just a press of a button. But you didn't."
Elisa doesn't mention the sudden lack of schemes against all of mankind. She doesn't mention the abrupt disinterest in attacking the Clan. She doesn't say anything about how--even after all this time, even now-- she is still alive, when Demona has had ample chances to rid herself of her. Elisa is no slouch: she's proud enough to admit she's held her own against Demona a fair number of times. But there were times where only her keen eye and years of training caught the very slight hesitance from Demona when she was all but helpless.
"I don't think you're a lost cause," Elisa says unwaveringly. Nothing in her voice gives way to any underlying uncertainty she has. To the questions she burns to ask—why? What changed? -- but won’t. Not yet. "I have my reservations. But I don't think it's anyone's place to make that decision for Angela. Nor do I think it's fair to rob you of the chance to prove to her you're more than your past."
Elisa hesitates for just a second before she says clearly into the silence of the night, compelled by Demona's uncharacteristic show of restraint: "...I-I don’t think you’re a monster."
I never thought you to be.
The thought comes unbidden, and it catches her off guard at how honest it is. She doesn’t put it to words, only remaining in place and holding steady. Waiting.
Demona still doesn't say anything. Doesn't really do anything at first, but there's a very clear shift in the air, subtle as it may be. Elisa's instincts are no longer in overdrive, no longer in high alert of danger. Somehow  --even in Demona's sharp grasp-- there is no more danger to be aware of.
It's in the way the gargoyle's silence turns contemplative and not a raging storm cloud. In how she suddenly doesn't dig so hard in Elisa's jacket, tucking the tips of her claws safely against the leather and not into delicate skin. The intent is no longer there.
Demona mutters something to herself, low enough for Elisa not to hear what she says, but even with her keen senses it still manages to surprise the detective when the gargoyle simply... moves away.
It's by no means gentle. She abruptly drops the human without any sort of care, allowing her to crumple under her own weight when she finally touches ground after several minutes being held aloft. But the principle still stands.
Demona let her go.
"…I don't believe you," She grunts in a voice filled with scorn, but the usual bite is missing. Elisa allows herself a moment to rub at the scratches and welts those wicked claws left behind. She clears her throat before she chances a glance at the gargoyle and finds her back turned to her.
"I'm not asking you to," Elisa says softly. She eyes the gargoyle warily. "And I still don't trust you. But I do trust Angela. She saw something worth her time in you; the least I can do is support her... and be there if it blows up in her face."
When Elisa finds the energy to stand, she musters up a warning glare at Demona, stance cautious but no less filled with promise. "Don't make me regret it."
The threat behind it is barely veiled, and it must be the right thing to say, because Demona only barely casts a glance her way. Her eyes are hard to read. And despite it, Elisa can see the smallest hint of something in them when forest green sweeps over her, foot to face, the faintest upturn to the corner of her mouth.
"Then we are on the same page."
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For some extra context:
-Demona is referring to how Elisa told Angela that she does actually believe Demona isn't pure evil, or a threat to her. Elisa doesn't trust Demona at all, but she recognizes that something has shifted in the gargoyle, and she knows she would never hurt Angela, so she sets aside her own doubts and encourages Angela to seek her mother out. I have plans to draw and write this interaction in the future so we have more context in this regard!
-Elisa strikes me as the type to be able to see things in varying shades of gray: Goliath isn't wrong in his reluctance to allow Angela near Demona, but she honestly doesn't think her heartless or a completely lost cause. Especially after she learns some of Demona's past
-Demona would never admit this, but she does actually respect Elisa. Much to her chagrin. Unlike most humans whom she barely bats an eye toward, she sees Elisa as her equal in prowess and intelligence, and she hates that she does, but she'd be a fool if she ignored it.
The further I get into the show I'll expand on this idea, but that's it for now. :)
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