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#anna cheung
hfepro · 1 year
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Reading Where Decay Sleeps Part 4
Reading Where Decay Sleeps Part 4! "Opaque alleyways roll out tongues, devouring my footsteps whole as I follow you into the shadows."
Backed on Kickstarter disclosure! Read my thoughts on previous parts of the book. Warnings for this section: Claudine: Manipulation. Aftermath: Depression, loss of a loved one, mental illness (general). Whispers of Autumn: Loss of a loved one. Lost and Found: Loss of a loved one, medication use, mental illness (general). Beware of spoilers, all who enter here! (more…) “”
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samasmith23 · 5 months
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One element that I always loved about Dan Slott's run on Superior Spider-Man was just how accepting and open-minded Otto Octavius was towards his love-interest Anna Maria Marconi!
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And this element of Otto & Anna Maria’s relationship even carried over to the pages of The Clone Conspiracy event limited series!
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vintageblr · 1 year
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東邪西毒 — ASHES OF TIME (1994), wong kar-wai
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garadinervi · 1 year
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they are. Das Internationale Kompositionsseminar, EMCD-021/22, Ensemble Modern Medien, 2013. Composition: Stefan Beyer, Anthony Cheung, Dai Fujikura, Saed Haddad, Chikage Imai, Seyko Itoh, Stefan Keller, Johannes Kreidler, Anna Meredith, Marko Nikodijević, Steingrimur Rohloff, Tomi Räisänen, Simon Steen-Andersen. Ensemble Modern, conductors: Pablo Rus Broseta (Beyer), John B. Hedges (Räisänen), Johannes Kalitzke (Imai, Cheung, Keller, Rohloff, Kreidler), Manuel Nawri (Steen-Andersen, Itoh), Franck Ollu (Haddad, Fujikura), Alejo Peréz (Nikodijević), Ryan Wigglesworth (Meredith)
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juieon · 3 months
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watching a movie before going to sleep
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fyeahcindie · 6 months
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Let's check out the new single from HK singer/songwriter/actress 張蔓姿 Gigi Cheung (GIGI 張蔓姿) =D
Lyrics/Music: Gigi 張蔓姿 All instruments by rosemances (Roseann & Mance) except Drums by Lee Yat Ding Mixed by Jay Tse
Links: Instagram,  YouTube,  Spotify,  SoundCloud
I don't think we've ever featured Gigi before, but I saw that Anna hisbbuR did a remix, so, I was immediately interested. Both versions are chill, and it's a good song, you won't mind hearing it twice in a row, LOL:
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Anna links: Instagram, Spotify, YouTube
Lyrics at either YT link.
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graphicpolicy · 1 year
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Preview: Transformers Vol. 6 War's End
Transformers Vol. 6 War's End preview. With the Decepticons gaining ground and the Autobots at the brink, the war for Cybertron careens to its climax #comics #comicbooks #transformers
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mabellonghetti · 30 days
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who are your top actresses of all time?
ok, first of all I apologize for the late reply! um there are so many tbh . Some of my faves:
Isabelle Adjani, Margit Carstensen, Romy Schneider, Hanna Schygulla, Geraldine Chaplin, Bulle Ogier, Catherine Spaak, Carroll Baker, Carol Kane, Angela Molina, Karen Black, Maggie Cheung, Isabelle Huppert, Vivien Leigh, Deborah Kerr, Sissy Spacek, Catalina Saavedra, Edwige Fenech, Jean Seberg, Ingrid Thulin, Melina Mercouri, Laura Antonelli, Jeanne Moreau, Marisol, Nadiuska, Marisa Mell, Jayne Mansfield, Zeudi Araya, Carmen Sevilla, Glenn Close, Gena Rowlands, Sondra Locke, Angie Dickinson, Vanessa Paradis, Shu Qi,Marisol, Anna Magnani, Tabea Blumenschein, Nastassja Kinski, Tina Aumont, Anita Mui etc...
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dailylesliec · 1 month
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[TRANSLATION] Art and Piece Issue 16 - Dora Ng about Leslie Cheung
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"If you ask me what I miss most about him, I think it’d be that really kind and approachable feeling."
FLOATING BY, SWEEPING PAST, THEN REMEMBERING AGAIN
Dora Ng - Costume Lead, "He's a Woman, She's a Man"
I am Dora Ng, I love fashion, am a movie costume director/ lead, and had the privilege of snapping a few design shots for Gor-Gor. In the blink of an eye, twenty years have passed. My relationship with him can probably be described as... honest acquaintances. Actually, we only worked together a few times, but the first collaboration was already the most well-known one: He’s a Man, She’s a Woman.
Being in the industry for so many years, I can’t deny that a superstar like Leslie felt very distant at first. It’s only when I got to know him that I found his friendliness and warmth could melt the ice between person and person. I first worked with him on “He’s a Man”, and at the time we frequently discussed our worries about the budget being quite small. He generously said, “Come to my house and pick out some clothes then!” He was completely serious - it was both surprising and touching. To be blunt, Gor-gor’s home was a sea of clothes, but he never hurried us or questioned us. The most memorable time was when we spent over two hours there but still hadn’t finished our work. He ended up saying, “Since this is the situation now, how about you stay for dinner together?” It was just a simple sentence. An outsider might find it hard to understand how meaningful that was, but Gor-gor was that person who is always willing to help you; always willing to give you patience, time and space.
He wouldn’t stop chatting with you, and would try his best to make you relaxed. That’s still something unforgettable for me. Other than the two He’s a Man films, I also worked with Gor-gor on Okinawa Rendez-vous and Anna Magdalena. I especially remember that Leslie refused to wear big brands in Anna Magdalena and suggested wearing regular clothing instead. He was very clear on the fact that the character was an ordinary magazine editor and not Leslie Cheung. However, my most unforgettable memory of him is still the filming of Who’s The Woman, Who’s The Man. I took a few design shots of Leslie so we could be more coordinated in changing outfits for different scenes. I remember for one of those pictures, I was really nervous while holding the stack of clothes at the side, waiting for Leslie to change. Gor-gor, being the caring and attentive person that he was, started chatting with me and then suddenly stretched out his arm and patted me on the head. He said one sentence: “Don’t worry, you have your market too.” Even for the hotel scene in He’s A Man, Gor-gor saw that I looked very nervous, so he pushed me on the bed and tickled me, saying repeatedly, “Smile a little, don’t be so nervous!” Leslie in the mid-90s was the most popular superstar - he could have just sat and waited, but he was always so caring to everyone and everything around him. He was always very sensitive and thoughtful towards us.
I definitely have feelings of regret and sadness, especially when I knew that Leslie was planning his directorial debut while filming the He’s a Man series and Anna Magdalena. Yee Chung Man and I both had the opportunity to work on that film, but when the opportunity disappeared, that feeling of sorrow and missing him was really hard to describe. If you ask me what I miss most about him, I think it’d be that really kind and approachable feeling - no wonder everyone called him “Gor-gor”.
Gor-gor, floated by, swept past, and remembered again - that memory always feels warm in my heart.
T/N: Translated the lyric “飄過掠過再記起” from the song “妳在何地/Where Are You” as “Floating By, Sweeping Past, Then Remembering Again”.
Translated by me (@dailylesliec on Twitter/Tumblr), do not repost without credit. If you like this translation, consider following me or buying me a Ko-fi. For the formatted PDF version of this article, click here.
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princepotatosack · 10 months
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here is my character sheet for my baby bump mc!!
notes below :-)
can't explain it but this mc gives me EXTREMELY target supermarket vibes. don't ask
female mayor dixon ough.hhh........ a shame that sprite was wasted on whatever the hell was going on in this book
yeah i don't paritcularly like the name myra for a hot young girlboss it just doesnt fit. and the name heather is very flannel shirt with jeans vibes to me
did i give her practically nonexistent dad the name "leslie" after leslie cheung, the only other chinese man named leslie that i am aware of?? i dont remember. i just make decisions and then delete all evidence of the process of thinking from my brain. girls its bad in here im gonna be real with you.
also no reasoning recovered for the names of the babies. i guess i just like alliteration. Amie and Anna are allerative also :-) so i guess theres precedent in this family
also fuck clint. actually i take that back he didnt really have any discernable personality traits for me to either like or dislike he doesnt deserve this im sorry clint.
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claireneto · 2 years
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"That's been my family's attitude for a generation. Monty [sic] sexuality got framed as a destructive force in his life instead of a mere fact of it. And as far as anybody could tell, that happened on my father's watch, he had worked with Patty Bosworth and urged everyone else to do the same". 
Robert Clift on his uncle, Montgomery Clift's sexuality in Making Montgomery Clift (2018)
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Just a reminder that it's Bisexual Visibility Day 💖💜💙 and I hope all my bi mutuals are having a great day!!! I wanted to touch on how media uses biphobia and bi-erasure for monetary gain. I'll briefly mention some BIPOC examples as well, but since I'm very white I won't go into detail since it's not my place to. If you're BIPOC reblog or comment so I can boost your stories about bisexual BIPOC experiences. Now onto this shortish essay, I promise!!!
So, the quote above is taken from the documentary Making Montgomery Clift (2018) by Robert Clift and Hillary Demmon (Robert's Wife). Robert is Monty's nephew through his older brother Brooks. This documentary is a great lens to look at how Hollywood and various other media portray sexuality or gender identity as an illness or the "root" of the problem.
The quote starts at minute 43:00 in the documentary, Robert is explaining how his father Brooks on a phone call with Patty Bosworth, Monty Clift's biographer and family friend, went wrong. Brooks tried to clear his brother's name of how his substance abuse addictions were not caused by his sexuality, but by the infamous car accident or the painful surgeries he went through as a child and young adult.
Brooks was trying to make Patty understand that Monty's bisexuality wasn't the "root" of his problem. As Robert says in the quote Brooks "urged" family members to get the record right since biographers just like Robert LaGuardia, who ignored editorial notes or the advice from the Clift family.
Patty Bosworth would end up doing the same thing with Monty's "tormented" sexuality and that was the "cause" of his problems. Despite Brooks trying to help re-edit some of Patty's word choices, i.e., when Monty was got having sex with a young man. Patty said it was a young "boy", which enraged Brooks, who knew his brother wasn't a p*dophile because of his bisexuality.
Because Patty ignored Brook's advice, Monty's reputation was tarnished after his death (Bosworth made her book years after Monty died). Brooks even noted to his family that despite the car accident that Monty was in, Monty on record believed his best performances were post-car accident despite the ongoing substance abuse. It had nothing to do with his sexuality.
When Monty died it was discovered that he had an underactive thyroid, which meant he could appear sluggish or drugged even though he was sober at the moment. This illness could've made people believe Monty was not mentally there on set that day when he was actually mentally there. Montgomery Clift's story is a reminder to treat people with respect flaws and all when comes to their bisexuality or gender identity. Monty was also comfortable in his sexuality which was such a rare exception for Hollywood at the time (see Lavender Scare) and he paved the way for more queer actors to have prominence in the entertainment industry.
Despite Monty's story, he is not the only one that has had a reputation tarnished or has an important detail in their life misconstrued. The list of previous people, who's lives has been littered with bi-erasure/biphobia include Anna May Wong, Billy Holiday, Sammy Davis Jr., Cary Grant, and David Bowie.
Since the new century, other people have been erased from the bisexual umbrella or had biphobic remarks made toward them. Some of these people are Lady Gaga, Megan Thee Stallion, Evan Rachel Wood, Alia Shawkat, Frank Ocean, Leslie Cheung, etc. This gross habit made by the media and Hollywood has caused these people to deal with these false narratives about them and have their lives tarnished.
In conclusion, we need to stop people from exploiting one's bisexuality or sexuality/gender expression for monetary gain. Listen to bisexual people about their personal experiences especially if they're a person of color. Bisexuality just like homosexuality is not a disease. Be proud of yourself and how far you've come. Similar to what Magneto said in X-Men 2: United, be yourself and "never let anyone tell you different".
(Note: if there are any errors that you notice feel free to correct me. You can also watch the documentary Making Montgomery Clift on Tubi for free.)
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hfepro · 9 months
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Reading Where Decay Sleeps Part 5
reading part 5 of @annasmcheung's Where Decay Sleeps!
Backed on Kickstarter disclosure! Read my thoughts on previous parts of the book. Putrefaction (Cravings). Beware of spoilers, all who enter here! Continue reading Untitled
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tilbageidanmark · 11 months
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Movies I watched this Week #123 (Year 3/Week 19):
When thinking of Ozu, what’s the first thing that comes to mind? Refined domestic dramas, tatami shots, chrysanthemums flowers - or fart jokes? ... Good morning, my 5th film by Yasujirō Ozu, is apparently one of the few films he directed that is not about old people but about children.
A gentle and delightful comedy about two boys who refuse to speak until their parents buy a television set, it is full with ‘Pull my finger’ (rather ‘Touch on my forehead’) moments. With Ozu's favourite actor Chishū Ryū. 8/10.
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Let him go, a wonderful discovery by a Thomas Bezucha, a director previously-unknown (to me). A moving, and slow-moving, neo-Western that turns 180 degrees for the third act. Salt of the earth, retired sheriff Kevin Kostner and taciturn wife Diane Lane grieve after the death of their son, then try to rescue their only grandson from some unsavory hillbillies. A tense story about loss. 8/10.
There are some magnetic and gorgeous actresses I am completely attracted to. Beside Diane Lane, there are Léa Seydoux, Maggie Cheung, Catherine Deneuve, Charlize Theron, Sidse Babett Knudsen, Isabelle Huppert, Anna Kendrick, La Binoche, Etc.
So I’m going next to watch Lane’s two 1983 back-to-back Coppola films, ‘The Outsiders’ and ‘Rumble fish’.
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First watch: The ruthless, brutal City of God, a Brazilian ‘Goodfellas’, but worst, not as funny, and so much bloodier and grittier. I was reluctant to watch it for a long time and for a good reason. Merciless crimes in the favelas, cruel, senseless killings committed by children, the poorest of the poor, and based on a true story.  
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Lianna, my first relationship drama by independent director John Sayles, picked randomly from a list. An honest exposition about a vulnerable woman [who’s married to a prick named ‘Dick’!] and a mother of two who suddenly realizes that she’s a lesbian. She comes out, sans heroism, and faces the difficult and lonely struggles of being herself. Hard to imagine that it was written (so well) by a man, and in 1983.
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‘Meet me at the top of the Empire State Building in 3 months’ X 3:
🍿 Re-watch: Warren Beatty and Annette Bening’s Love Affair is broadly panned as one of the worst remakes ever made, but for me it’s one of my favorite romances. I love everything about it, from Ennio Morricone’s theme (which did tend to repeat itself again and again, but was glorious) to the sappy chemistry between the two lovers, and to this being Katharine Hepburn’s final role. 9/10.
🍿 It was based on Leo McCarey’s 1939 original Love Affair with Charles Boyer and Irene Dunne. But I found it a stiff and slow tearjerker in spite of its pedigree - "If you can paint, I can walk".
🍿 Leo McCarey’s own remake, the 1957 An Affair to remember, with Cary Grant and Deborah Kerr was better (because it was newer?). Still I prefer the later Beatty-Bening version.
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The Novelist’s Film, my 10th art film by the always-the-same Korean naval-gazer Hong Sang-soo. Two women, one a prolific writer who all of a sudden can’t find the energy to write, and the other pretty actress Kim Min-hee who doesn’t want to work any more, meet randomly during a walk in the park, and on the spot decide to make a film together. As usual in his movies, the whole concept is but a series of mundane conversations, usually over coffee and drinks (this time over Makgeolli rice wine) which eventually adds up to a small and subtle epiphany. 7/10.
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Sapphire, my third by forgotten British director Basil Dearden. While it’s not as compelling as the first two groundbreaking films of his that I saw (‘Victim’ and ‘All night long’), this murder mystery again dealt with a social problem of the day, one not usually explored on film. This time it was bigotry and racial discrimination, and it did so openly and honestly.
How is Dearden not better appreciated today?
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Dogtooth, my third uncomfortable art film by Yorgos Lanthimos (after ‘The killing of a sacred deer’ and ‘The lobster’). A weird, freaky and perverse metaphor for fascism, or at least for the cult of the patriarchy. A Fritzl-like story about a father who isolates his three adult children in the family compound and keeps them home-schooled and emotionally stunted. Unpleasant and joyless.
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“I've known you for all of two mins & already I don't like you...”
Midnight Run, my 3rd re-watch in 3 years (and possibly my 20th re-watch in 20 years...), one of my all-time favorite movies, a perfect comedy-action buddy-cop with a heart. Best roles for (newly father of 7) Robert de Nero, as well as for FBI Special Agent Alonzo Mosely, Dennis Farina, Joe Pantoliano, and a fantastic Danny Elfman score. 10/10 again (and again).
Strangely enough, this brilliant script and impeccable dialogue were written by one prolific George Gallo, who also wrote 27 other scripts and directed 21 movies none of which I ever heard of. And most all his other movies have between ZERO to 30 ‘Rotten Tomato Scores’!
(Photo Above).
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William Wyler’s 1966 How to Steal a Million. The idea of seeing Audrey Hepburn and Peter O'Toole [whose names, both first and last, are euphemisms for 'Cock'] in a light romantic comedy is irresistible. But the movie itself was a big letdown: All style and no substance. 2/10.
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2 counties:
🍿 "Here I was for the first time in my life having a nice peaceful time and you had to come and spoil it".
County hospital, a 1932 Laurel and Hardy 2-reeler, simple and not too slapsticky. What a strange relationship these two “friends” had...
🍿 I used to lived in Anaheim Hills & Yorba Linda, CA when the third-rate teen ‘comedy’ Orange County premiered, but I only tried to see it now for the first time. Sadly, I couldn't stand this superficial and Clichéd low-brow piece of nepotism, just like (many of) the people who used to live there, and I had to click it off after 15 torturous minutes. 1/10
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I got talked into watching Saul Goodman’s violent action flick Nobody again. It’s still generic and unoriginal, and I hope they never do a sequel. 4/10. 
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Moviewise is a YouTube channel offering interesting film essays by a guy with a deep voice and a strange accent who often gives reactionary /masculine analyses. Last week I saw his ‘The camera and the mirror, a love story’. Here are some that I saw this week:
Why ‘The Banshees of Inisherin’ has no ending *
How to Immediately Identify a Great Director *
What is the Encyclopedic Film genre *
Why ‘All about Eve’ is a perfect screenplay *
Why ‘Jeanne Dielman 23, Quai du Commerce’ is boring and does not deserve to be called ‘World’s Best film’ *
How are “Puzzle film” different from surreal ones *
Breaking down film dialogue into the ‘Practical’ and the ‘Analytical’ *
Why Succession’s Logan Roy Always Wins *
But he’s also funny sometimes, as he is in A Guide for Analyzing Movies.
Many more inside. In spite of his endocentric chauvinism, his readings are still worth the watch.
And talking of Succession, I’m looking forward to bingeing on Season 4 at the end of May, when it’s all done.
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3 shorts:
🍿 Of course I know about them, but I never actually seen any ‘Star Wars’ or JRR Tolkien movies. Caleb Ward used Midjourney AI tools to create two fictional trailers for alternative films directed by Wes Anderson, one for Star Wars, and another for Lord of the Rings: Cute.
🍿 In the end, what it felt like to almost die. A woman tells the story what she experienced when she had a massive pulmonary embolism.  
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(My complete movie list is here)
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maggiecheungs · 1 year
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hello ! Sorry to bother But I was wondering if u had any 90's Hong Kong movies that you could recommend me ? I'm researching them for school and I usually get the most interesting and gutwrenching sinophone movie recs from your blog so I thought I should ask if u had any ! Thank u ❣️
Hey you 🥰 this is probably waaaaaay to late to be of any help with your research (sorry!) but I'll answer anyway just in case <3 (also, it got. a bit long 😳 so sorry about that lmao)
I'll start off by addressing the elephant in the room, a.k.a. Wong Kar-wai: the director you really can't avoid mentioning when talking about 90s and 00s Hong Kong cinema, and for good reason. I won't mention all his films here, but his best known are probably In the Mood for Love (which is regularly hailed as one of the greatest films ever made, which. yes); Happy Together (a staple of queer cinema starring Tony Leung and Leslie Cheung caught up in a fever-like, destructive love affair in Buenos Aires); Chungking Express (another classic beloved by many, many people); Fallen Angels (a stylish and chaotically seductive about eccentric figures inhabiting Hong Kong's nightlife).
Another director from this period who I think is worth highlighting is Stanley Kwan. He's probably best known for Rouge, which is from 1987 but which I’m including because it’s a classic; it stars the wonderful Leslie Cheung and Anita Mui as the principals in a doomed, decades-spanning love affair, featuring sumptuous visuals, ghosts, and time-slippages between the 1930s and 1980s. His other most notable work is probably Center Stage (1991); it's a very meta biopic of the 1930s actress Ruan Lingyu, who is portrayed by Maggie Cheung, and Kwan uses the film to draw parallels between the two actresses living decades apart. And I'll also mention his Lan Yu (2001), a gay love story set against the backdrop of Tiananmen Square and its aftermath (it's probably weird to admit that this is one of my comfort films but shrugs).
Comrades: Almost a Love Story (1996) is an absolute favourite of mine, about immigrant identity, missed chances and lives you could have led, human connection under capitalism, and the love story between two people whose paths keep crossing despite everything--all of which is topped off with fantastic performances from Maggie Cheung and Leon Lai.
Farewell My Concubine (1993) was a Hong Kong-mainland co-production and is probably one of the best known films on this list, starring the fantastic Leslie Cheung in one of the defining performances of his career (tbh it would be worth watching for his performance alone). Coming in at just under 3 hours, it's a cinematic epic in pretty much every sense of the word.
Speaking of Leslie Cheung: Viva Erotica (1996), in which he plays an arthouse director whose Serious Films keep flopping, so he has to turn his next film into an erotic movie financed by a triad boss. It’s funny and big-hearted and has some unexpectedly interesting things to say about filmmaking and cinema as both an industry and as an artform.
Ann Hui is one of the few female big-name Hong Kong directors of the 90s; I'd recommend her 1990 film Song of the Exile--a film about generational conflict, immigration, cultural alienation and family ties, which takes place across the UK, Hong Kong, and Japan, and stars Maggie Cheung in the lead role. (Another prominent woman director from the period whom I've been meaning to watch since forever Mabel Cheung--really looking forward to finally seeing something of hers soon.)
Takeshi Kaneshiro and Kelly Chen had quite a few collaborations which are rather nice. Their Anna Magdalena (1998) is a quirky but poignant love-triangle story that inexplicably turns into a delightful steampunk romp. Lost and Found (1996) is another quirky-but-poignant love story, albeit a little more sedate.
For action films, there's the legendary John Woo, whose films are pretty quintessential action flicks--Hard Boiled is a pretty good example of his filmography. There's also The Heroic Trio and Executioners (both 1993): an action duology starring Michelle Yeoh, Maggie Cheung and Anita Mui as a trio of ass-kicking vigilante superheroes. It's sooooo much fun, peak cinema, marvel could never, etc. etc. I'm also going to mention Infernal Affairs (2002), starring Tony Leung Chiu-wai and Andy Lau, because it's one of my favourite action thriller films of all time.
Wuxia: a lot of the most well-known titles of the genre are from the first decades of the 2000s, and because of their scope they tend to be international productions, but often had veteran Hong Kong actors in main roles (for example, Crouching Tiger, Hidden Dragon (2000), Hero (2002), House of Flying Daggers (2004)--all of which I would recommend, btw). But there were also quite a few wuxia films that came out of Hong Kong in the 90s, including New Dragon Gate Inn (a fun 1992 remake of the 1960s wuxia classic, starring Brigitte Lin, Tony Leung Ka-fai, Maggie Cheung); The Green Snake (1993), a retelling of the traditional Legend of the White Snake that doubles as an interesting deconstruction of lots of the main tropes of the wuxia genre; Wong Kar-wai's 1994 Ashes of Time, which has an insanely star-studded cast and is pretty much what you'd expect a wkw wuxia film to be like.
.......aaaaaaand i'm going to stop there, because this is already a Lot😅 but hopefully there's something of use in here--if not for your research, then at least recommending a new film to watch <3
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upsidedownhq · 2 years
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i am excited for this group! any mwf?
* ANSWERED ; hello ! we are just as excited to have you . we would love to see some of the following :
canons : robin buckley , nancy wheeler , vickie , beth wildfire , anna jacobi , tina , karen wheeler , carol perkins and chrissy cunningham .
young adult faceclaims : isabella ferreira , aul’i cravalho , sydney park , maitreyi ramakrishnan , bailee madison , chandler kinney , fivel stewart , beanie feldstein , natasha liu bordizzo , megan suri , hunter schafer ( trans ) , jaz sinclair , alisha bö , lana condor , jenna ortega , kathryn newton , erana james , jasmin savoy brown , sarah pidgeon , mikey madison , nhung hong , sophia taylor ali , say curda , isabel moner , geraldine viswanathan , tiffany boone , alexxis lemire , zendaya , angourie rice , yasmin finney ( trans ) , helena howard , rachel hilson .
25 + faceclaims : kate seigel , anne hathaway , jessica henwick , diane guerrero , rachel weisz , lauren ridloff , lupita nyong’o , jessica chastain , zöe kravitz , sandra oh , jodie comer , constance wu , angelica ross ( trans ) , jamie cheung , brie larson , oddette anabelle , mandy moore .
⸻ 𝐚𝐝𝐦𝐢𝐧 𝐭 .
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figurelifeflirt · 2 months
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2022 Junior worlds entry #29
Women short program
Anna Ozdemir(TUR)
Thoughts: does this dress seem like it’s trying too hard, a little. But I think mostly it’s the color. Salmon is not a pleasant color to look at. The K&C lighting makes the dress a little better.
Anna Pezzetta(ITA)
Thoughts: a bright spot. A dear love. Call her whatever you want, she’s amazing
Cheuk Cheung(HKG)
Thoughts: video of her is so infrequent that sometimes I forget she exists. That’s not a good thing. She needs more recognition. That spiral sequence was probably one of the best I’ve seen out of this entire segment.
Emelie Ling(SWE)
Thoughts: almost everyone in the entry impressed me. And I think this is the first time Emelie ever impressed me since I knew she existed.
Noelle Streuli(SWI)
Thoughts:  raise your hand if you’re still a red dress slut *raises 2 hands*
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