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#anna steinbauer
mtg-cards-hourly · 12 hours
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Sea Gate Stormcaller
Artist: Anna Steinbauer TCG Player Link Scryfall Link EDHREC Link
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theplentynet · 2 months
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All 6 covers of series II of the Assassin’s Apprentice comic by Dark Horse Comics. Art by Anna Steinbauer. Issues released between Dec 13th 2023 and May 8th 2024
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Codex: Adepta Sororitas Cover Art by Anna Steinbauer
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art-of-mtg · 12 days
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Epicure of Blood (Core Set 2019) - Anna Steinbauer
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geekynerfherder · 2 years
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'Elspeth Resplendent' by Anna Steinbauer.
Card art from the 'Streets Of New Capenna' expansion set, released April 2022 by Magic: The Gathering.
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graphicpolicy · 2 years
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The Farseer Trilogy comes to Dark Horse
The Farseer Trilogy comes to Dark Horse #comics #comicbooks
The Assassin is back in this new adaptation of the first installment of the bestselling Farseer Trilogy. Dark Horse Comics is teaming up with Assassin’s Apprentice creator Robin Hobb, co-writer Jody Houser, artist Ryan Kelly, colorist Jordie Bellaire, and letterer Hassan Otsmane-Elhaou to present Assassin’s Apprentice like never before. Assassin’s Apprentice #1 also features cover art by Anna…
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magicmalcolm · 1 year
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Jace, Wielder Of Mysteries
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littleplasticrat · 3 months
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Behind the canvas: Painting 'Finally getting that drink'
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This is a post about some of my thoughts while painting Rugan's pin-up for this month. Some technical ideas, rambling and mild nudity below the cut.
Inspo and references
The pin-ups of Gil Elvgren are on the left, and 'Elspeth Resplendent' by Anna Steinbauer is on the right.
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Elvgren is one of my favourite artists and I spent some time looking through a book of his collected work to see what ideas I could take for this pin-up project. The things that jumped out at me were:
The women felt like 'subjects' rather than 'objects'. There's some implication of hobbies, an inner life. They're often in the middle of doing something when they're captured on the canvas.
The subjects know they're being looked at, and they are taking it as an opportunity to flirt (signalled through eye contact, coquettish facial expressions and body language). It feels like a conversation between viewer and viewed.
Parts of the body may be exposed, but the eye is drawn back and forth between the subject's face and more titillating parts of the image.
I knew that I wanted to show Rugan in a similar setup, then; in this case, he's halfway through dinner and then catches sight of the viewer. His eye contact and smirk are flirtatious and mirror what you see of him in Act 1.
I initially wanted the pose to mirror Elspeth's in this beautiful Magic the Gathering planeswalker art by Anna Steinbauer, whose work I am obsessed with. Since I started taking art seriously, it's been my goal to paint for MtG, so I often try to study from artists whose illustrations I admire.
However, I didn't want to copy her pose or the composition of the piece. Don't get me wrong, I'm not above doing this - but I felt it just didn't work with the subject. The horizon line (shown in red) is very low. This is a gnome-level view of Elspeth. And I didn't want to place the viewer at the eye level of Rugan's penis.
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I kept the composition similar in some other aspects though - there's still a T shape (pale green) that draws the eye to the focal point (pink). I did some sketches where Rugan is leaning forwards/sideways in the same way as Elspeth is, but I feel that this final leaning-back pose demonstrates more dominant body language and allows me to paint the musculature of his torso in more detail. This acts almost as a 'ladder' that draws the viewer's eye up and down between the two focal points of the nude variant.
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Painting
I've already said quite a lot on a post that was supposed to be short, so I'll keep it brief here and write more about the painting of Gortash and Raphael (February and March respectively).
It's been quite a while since I've tackled such a detailed painting, so I had to do some research/studies to remind myself of some helpful rendering rules:
Veins beneath pale skin might look blue, but they're actually just a desaturated version of the same colour. There are other parts of this image where the veins are particularly lovely. I'll leave that to your imagination.
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2. Highlights on leather are not as saturated as you'd expect until you get to the most reflective part of the material. Also, a good texture brush can work wonders.
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3. I try to use as few layers as possible when painting, but I remembered the importance of putting design detail on a separate Multiply layer. Multiply allows the layer to modify/darken the layers below, so you can more easily add detail that follows the shape of the object. For example, the body hair or the snake's head going over the chest. If I were painting traditionally, I'd have had to put in a lot more effort. With Multiply layers, it's one colour. Nice! I got a great tip from @dustdeepsea about the blue-ish tint that tattoos, particularly older ones, can get. I felt like this massive tat is not something that Rugan has had done recently, so I added a Gaussian blur as well.
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Well, if you got this far, thanks for reading! This is a great way for me to reflect and record what I've learned from the painting. I want to paint sexy stuff, but I also want to keep improving as an artist!
Keep an eye out for updates on my next pin-up, who will be Lord Enver Gortash. Time to practice using my hair/fur brushes 🥵🥵
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manfrommars2049 · 1 year
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Veritas, by Anna Steinbauer via ImaginaryWitches
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theplentynet · 1 year
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All 6 covers of the Assassin’s Apprentice comic by Dark Horse Comics. Art by Anna Steinbauer.
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Kujar Seedsculptor by Anna Steinbauer
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mtgpocketrealm · 22 days
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Throughout the Realmsoul's explanations, you've consumed what feels like dozens of pounds of mana crystals, but it seems that it has more than enough to keep you sated, at least for now.
It finally explains that you are in the 3rd ring, within one of the artcic caverns close to the ring of the echoes, making an idle comment that it will probably need to move in the next few decades with a huff.
The Realmsoul prompts you if you have any further questions, clearly unconcerned with the quantity of mana crystals you are eating through.
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Credit: Anna Steinbauer
Further reminder of what you are (and an easy way to identify these posts automatically)
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Last Question
Start of Komas
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wifelinkmtg · 1 year
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Dominaria United Who’s Hot Speedrun
Please, G-d, they cannot already be doing March of the Machines spoilers come on Phyrexia All Will Be One has been out for like, two weeks. Hnnnnnngh okay here we go.
DOMINARIA UNITED
Mostly disappointing, if I’m being honest! Like hey remember Chris Rallis’ Danitha and Anna Steinbauer’s Radha from last time we were on Dominaria? Hey, no worries if not, here they are:
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Extremely hot! I’ve said a great deal about that version of Radha previously. Anyway now here’s versions of them from this set:
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Radha, Coalition Warlord (art by Randy Vargas)
Like I’m not complaining, you know, she’s still an absolutely massive elf lady with a huge sword (and you really don’t see enough muscular elves, do you?) but like in comparison to the above version...no, wait, sorry, I changed my mind, she is still extremely hot, I do very much still want her to rail me.
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Danitha, Benalia’s Hope (art by Magali Villeneuve)
This, though, is very much a “go girl, give us nothing” moment for Danitha. Which is fine! It’s a fine painting, and Danitha has to cut her Phyrexianized dad’s head off in this story if I recall, so it’s okay if she doesn’t feel quite up to the glamor shots. Not everything should be five-star wifelink material, you know?
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Join Forces (art by Aurore Folny)
We do get this nice gay little team-up for the both of them, which feels a little calculated, but I’ll take it. Okay what else we got, Dominaria United?
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Elas il-Kor, Sadistic Pilgrim (art by G-host Lee)
Ooh, now we’re getting somewhere! Love a woman just dripping with ichor.
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Phyrexian Missionary (art by Mila Pesic)
Ichor AND horrible cyborg parts, even better!
Hang on, do you hear something? A noise, as of distant thunder mixed with the clangor of the factories of Hell? Why, that could be none other than
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SHEOLDRED, THE APOCALYPSE (art by Chris Rahn)
All the way from New Phyrexia, the Dross Pits’ lovely Praetor-Thane has strapped herself into an ancient dragon engine: a potent force multiplier both for battlefield devastation and raw sexual appeal. (The dragon engine is a metaphor.)
This set also, in a rare turn of events, has a version of Liliana who absolutely does not make the cut. You really have to fuck up for that to happen.
NEXT TIME ON WIFELINK: THE BROTHERS WAR
Nothing. Like, actually nothing, and I’m not just saying that because I don’t want to have to review yet another set before I get to the good stuff. It turns out Old Phyrexia wasn’t nearly as hot as New Phyrexia. We’re skipping it.
NEXT TIME ON WIFELINK: PHYREXIA ALL WILL BE ONE, AT LONG LAST.
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graphicpolicy · 10 days
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Preview: Assassin's Apprentice II #5
Assassin's Apprentice II #5 preview. Fitz discovers that his classes under the tyrannical Galen are even more taxing than anticipated #comics #comicbooks
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hadesbeast · 2 years
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Artist Anna Steinbauer…The Dark Eye 😈 ~ßεศş†~ https://www.instagram.com/p/CdRiJqZvS5Z/?igshid=NGJjMDIxMWI=
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Favorite Vraska art? (part 2)
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I'll take the top 3 of part 1 and part 2, then combine them for a part 3
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