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#anna-posts
mizgnomer · 2 months
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Parallel photos: The Tennants and the Shebergs
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i hadn't gotten around to watching staged 3 before good omens 2, and now i can't get over how great michael and david are together
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lizard-fashion · 5 months
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there are more genders on heaven and earth, Horatio, than are dreamt of in your women and gender studies class
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ryssbelle · 8 days
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Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!
Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎
#my art#marinette dupain cheng#miraculous ladybug#miraculous fanart#style mimic#sorry for the @s btw#yall should go follow those artists if you dont already also#this was sort of inspired by a post the three artists on the top row made#i think they all got together and drew with one another#which is really cool#but i was genuinely confused because i mimic styles a lot#and ive seen others do it too so i was just like#wow they really know each others styles really well#until i thought about it and read their posts some more#style mimicking is really freaking fun and i think its really good practice#and a good way to explore other ways of doing things#like you really have to learn new techniques and get out of your comfort zone#also anna scribbles i could not find a recent pic of marinette in her main outfit#so thats the only marinette i drew in different clothes cuz i couldnt find a more recent ref of you drawing it#anna scribble marinette has privileges thats the others dont#but ye#i also threw my own style in there as a frame of reference to what me draw like#ive drawn marinette before just not in a loooong while#sabertooth walrus was the hardest for me to mimic cuz they have a broad range in their style#so its like which sabertooth do i wanna be in this pic#Buggachat has such a distinct style thats very clean and consistent which is amazing so they were easy#being easy or hard arent bad things either it also has to do with like styles meeting up with one another#buggachats and mine arent too too different in some shapes and aspects#so yeah itd be easier plus they drew marinette like 3 sec ago so i have more recent of a ref#as opposed to sabertooth who i have a recent ref of ladybug but not marinette so we got two diff styles in one
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sncwbaz · 2 months
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so, watched ep 1 of the atla live action and uhm, imagine not wanting one of your main characters to depict sexism because you believe it doesn’t read well in Current Times, so instead you double down on the character’s obsession towards leadership in order to give him that extra edge. but in order to make that work u have to make his sister quietly obedient instead of an outspoken leading presence that has the potential to overshadow him. because silencing a female character in order to write out a male character’s story arc of unlearning sexism is obviously a better and less sexist outcome.
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can’t wait for the next season of Make Some Noise
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cordycepspog · 1 year
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There’s something horrifyingly beautiful about Tess’s final moments. In the midst of the most dire chaos, as she waits for her death to come rushing past so she can blow it sky high and give cordyceps a big fuck you one last time, one of the infected stops. It looks at her, really looks. Her own mortality is personified in this infected. It’s death that’s looking at her, and it sees her. She looks her own death in the eye, and the suspense is so high as it approaches. But then, it doesn’t bite her throat out like we all expect it to.
It kisses her. What’s more, it kisses her gently. And I think it was a brilliant choice on the writers part, because it reminded me that the infected aren’t supposed to be evil. Sure, they’re scary as hell, but really, they’re just trying to survive. They’re connected to one another, they can feel each other from miles away. They seek out and want to be close to their own kind, just like the human survivors do. And when they do find each other, they kiss hello.
And after so long apart from a loved one, someone you know and trust with every instinct in your body, wouldn’t you want to kiss them too?
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anna-scribbles · 16 days
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if the agrestes weren't rich i think that gabriel would be the normal one. like gabe's problem is that he stopped running into natural limits due to absurd wealth and his obsessive nature led him to develop some kind of god complex where he won't accept that anything is out of his control. I think that if gabe was broke again and just simply couldn't afford to go on an international goose chase for ancient magic artifacts of untold power, if he had to work a 9-5 to live and couldn't just disappear into his basement lair to commit domestic terrorism and say evil monologues to himself, then he would be way more normal. he'd just be some guy. he might even let himself have a mowhawk again. but I think that emilie would be way LESS normal if they weren't rich. like emilie needs so many people to be obsessed with her so much all the time in order for her to function. and gabe would still have his toxic codependent obsession with her, sure, but that wouldn't be nearly enough. emilie has to be at the center of the world's spotlight at all times because she doesn't know how to exist if she's not performing. anyway all this to say I am so certain that if the agrestes were not disgustingly wealthy, emilie agreste would one million percent be running a massive family vlogger youtube channel
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sugajimin · 5 months
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some yoongi gifs until he comes back home (2/?)
happy birthday @namchyoon!!
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Do it halfway. Take one piece of trash out of your room, throw one dirty shirt into your hamper. Go to one class and miss a different one. Start a drawing without pressure to finish it. Give yourself space to Be without the expectation to Become, and do small things to make the Being livable.
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lilyginnyblackv2 · 1 year
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Some long, big thoughts on Kazuki, Rei, and being “Fathers.” - SPOILERS!
I really think this episode is when Kazuki and Rei really face the reality that they are Miri’s FATHERS. Like, it finally sunk in.
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The lady here uses otou-sama, which is a very formal way to address the two of them, very stuffy. But also very...Japanese. In Japan, it is very commonplace nowadays for little kids to use papa and mama when addressing their parents, but those are still seen as loanwords. They don’t carry the same weight as being referred to, and seen as, FATHERS.
That question and how they would be perceived by others really hit them here. They aren’t just playing house at home anymore, they are out in society and are going to be perceived as this Miri’s fathers. That may also come with the assumption that they are a couple or in a relationship with each other. 
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They both look uncomfortable here at that realization, but neither one really denies it either. Of course, this daycare is very unwelcoming and the lady far more judgmental than Anna. So that also likely plays a part in how they feel and react here too. The first daycare they go to  focused more on the business side of things. 
The room is huge, but empty, the walls are colorful, but not bright. Miri is sent off to play with blocks and the lady never directly addresses her or asks for her thoughts on things. Everything about this daycare is unwelcoming and uninviting and unaccepting, so Rei and Kazuki act coldly to this initial realization and the usage of the word FATHER here, seems very fitting.
It’s not a happy, bubbly, childlike, and even fantastical like the word “Papa” is. And the lady interviewing them, was definitely judging them, even before Miri started mentioning some more...suspicious stuff, lol.
Now, when they go to Aozora Daycare, Anna also addresses them using the word father in Japanese, but she goes with otou-san, still formal, but not stuffy and far more common and approachable. It’s still not “Papa” though. She only uses “Papa” when she talks to Miri about Rei and Kazuki. 
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(In the Japanese she directly addresses Kazuki first by calling him otou-san and then stating that she was asking Miri, not him, haha). 
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We are met with understanding here, though. Not judgement. The walls of Aozora are filled with children’s art projects, a piano that indicates singing and dancing time as a group, and warm smiles and comfy clothes. Everything that indicates a child-first daycare center. 
The whole interview process ends successfully. The daycare views them as suitable parents and Miri got accepted into the school. 
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And while Rei looks disinterested during this entire interview. He was paying just as close attention to everything as Kazuki was, and if watch the high-five scene with a good eye, you can see that Rei actually has his hand up and waiting for Miri’s high-five before Kazuki.He understands her and her flow so well.
The rest is going under a Read More due to length.
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Next we see them navigating all the prep work. And even though Rei did fall asleep at one point, we see that they both put in as much effort and energy as they can to get everything right for Miri and her first day of daycare. They both read through the handbook, write her names on things, even Rei did some sewing too. They exhaust themselves out. 
They think they make a great first impression on that first day:
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But they make a lot of faux pas in the world of Japanese parenthood (specifically in a space that tends to be dominated by motherhood).
Arriving by car = ✘
Wearing suits that aren’t black = ✘
Having Miri wearing clothes that look expensive = ✘
Arriving by car is equated to wealth and money, and even to showing off, as opposed to riding a bike.
Wearing suits that aren’t black is associated with the underbelly side of Japan, men that work in the red light district or with the yakuza. An exception to this would be like, in many places, the entertainment business.
Dressing Miri up in clothes that look expensive plays into the whole “yakuza daughter” vibes, but also makes it so that she stands apart from the other children. It can also make it so that Miri has a difficult time putting the clothes on and off herself, which could take up class time when coming in from play time, getting ready to go home, and etc.
I worked at a juku (cram school) with a daycare. Most of the students I cared for there were native Japanese kids between 2 - 4 years old whose parents were working in America. My boss would often get annoyed when parents would bring their (usually daughters) in wearing fancy shoes that looked pretty, but hurt the child’s feet and were hard for the child to take on and off themself. 
Kids around Miri’s age are also shown to be aware of economic and social class on some level as well. 
LOS ANGELES, Calif. (Ivanhoe Newswire) -- Rich, poor, middle class. Parents often believe it’s their responsibility to shield their children from economic differences and social class.
But new research shows children as young as five years old are not economically blind. In fact, by the time they reach prekindergarten, kids know the difference.
This group of primary school kids already knows what money can buy.
Combine that with the (thirsty though they were) mothers who probably advised their children to not get on Miri’s bad side because of her dad’s, and her outfits that set her apart, and scenes like this one:
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Don’t seem so out-of-place.
When Kazuki and Rei pick Miri up at school, her answer to “How was your first day? Have fun?” being “I dunno yet.’ Set’s off alarm bells - even with Rei.
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His brows are furrowed. He knows that something is off and wrong with that statement. They don’t know what they did wrong, and they don’t know how to fix it. Miri gets quieter and sadder and this is the first time they’ve had to actually deal with Miri on a deeper, emotional level. 
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That feeling like you are failing a child (whether your own, one of your students, or just a child in your care) is such a devasting feeling. This episode expresses it well by having these scenes all take place on the way home from the daycare, when the sun is setting. 
Thankfully, Kazuki is open to listening to what Miss Anna has to tell him, and she is so supportive. She doesn’t judge them or treat them like they are incompetent or incapable. She just gives them the push in the right direction, with “insider info” in a way, to get them and Miri acclimated correctly. And Rei and Kazuki jump on it. They love that they’ve found this place with a bunch of good quality cheap shit that can help them and make their lives easier.
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And after this, Miri goes to school in regular clothes. Kazuki goes to the play area in the regular clothes, and he is just genuine and authentic with the kids. He doesn’t dress Miri up in a way that sets her apart anymore (on a class level, in a way that makes the other kids think she is “saying” “don’t play with me.”). 
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Kazuki, especially, isn’t trying to “fake it until he makes it anymore.” He isn’t trying to give the impression that they are rich. And I wouldn’t be surprised if he also felt a bit more pressure to get everything right because he and Rei are two guys raising a kid together - two FATHERS. 
But then he realizes letting Miri and him and Rei just be themselves is enough.
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This was very much so a Kazuki issue that ended up negatively impacting Miri. A situation I’m sure every parent (or even teacher, like I’ve been before) has experienced on some level. It’s one of the harsher parts of being a parent and trying to help your child and do what’s right.
And now, he and Rei have one foot further into parenthood, since they know about this new shop and:
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Gave Miri her own room.
That is such a big deal. Similar in a way to how people say not to name an animal unless you plan on keeping it as a pet. Not because Miri can be compared to a pet or an animal in any way like that, but because of what it implies on both an emotional attachment level and a “she is now a permanent part of our household” level. 
That's a fully decorated room, filled with toys and plush dolls and games, a bed, books, a rug, even a desk. A desk filled with stationary supplies for her to learn and something which is viewed as a necessity for children to have at home when they are in elementary and junior high school (especially). 
Rei and Kazuki have gone from being Miri’s “Papas” on a sort of imaginary, “playing house” level, with very limited outside and real-world/societal interactions to being her fathers. They have integrated her and themselves as her parents and fathers into society on a large level now. 
By investing in that room, they are investing in Miri, and are openly choosing to be viewed as her fathers - as partners. Even if they don’t necessarily view each other in that way, it doesn’t matter to them in the end, because Miri is what’s most important. 
(Note: I will link to the news article and report that stated that information about children and economic class recognition in the comments).
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That fucking hospital scene…that is a sequence that I’m glad it didn’t feel like playing the game. Instead, I felt like I wasn’t breathing the entire time. That was one of the most effective sequences of television I’ve ever seen, from the acting to the emphasis on the brutality.
The way Joel seemed to be walking through a dream…that’s the part that hit the hardest. We as the audience were hyperaware of his actions, while he was barely there at all—Sarah and his grief and Ellie were the only things on his mind.
Neil Druckmann really wrote a story that turned a mirror on humanity, and my god am I thankful for both the game and this adaptation.
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ambafaerie · 1 month
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Erik telling Rogue about him and Charles being in each other’s thoughts and never seeing it as an invasion of privacy only creating the helmet after their break up convincing himself he needed it and never refuting Rogue’s assessment of his possible worry that Charles’ love for him would have deterred his crusade. Then he proceeds to make the moves on her. What an unserious man.
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showgifs · 11 months
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So, what are we gonna do about all this tension? Of hating each other?I think that's wearing off. No.THIS tension.
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viivdle · 3 months
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cardan at the coronation because even though it's a massacre, his crush is there:
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thattripleabattery · 4 months
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