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#anni albers
yama-bato · 5 months
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Anni Albers
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nobrashfestivity · 1 month
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Anni Albers, Epitaph, 1968
Weaving
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bauhaus-movement · 5 months
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Discover an icon of colourful composition weaving #art of the Bauhaus design carpets by Gertrud Arndt, Gunta Stölz and Anni Albers.
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appleflavoredkitkats · 9 months
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some art of professors (and just. artists) from the bauhaus inspired by their own works!!! i did this for a school project and am really proud of it <333
u can check the references on the bottom for their popular works!!
(rb's appreciated!!)
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topcat77 · 6 months
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Wall Hanging 
Anni Albers
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garadinervi · 1 month
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From: You can go anywhere – The Josef and Anni Albers Foundation at 50, Edited by Edouard Detaille and Willem van Roij, Designed by Graphic Thought Facility, The Josef and Anni Albers Foundation, Bethany, CT, 2022 [Yvon Lambert, Paris. Les presses du réel, Dijon. David Zwirner Books, New York, NY]
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pazzesco · 7 months
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Anni Albers - Variation on a Theme - 1958 - Abstract Textile Art
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Anni Albers in her weaving studio at Black Mountain College in 1937.Credit…Helen M. Post, via Western Regional Archives, State Archives of North Carolina
LONDON — When Anni Albers was 91, she received an honorary doctorate from the Royal College of Art here in 1990. A ceremony was held nearby at The Royal Albert Hall, so solemn that a friend of hers joked that the venue deserved to be renamed “The ‘Royal Albers Hall.”
Ms. Albers attended the festivities in a wheelchair and accompanied by a nurse, but the textile artist stayed through the three-hour ceremony and collected her award for a lifetime of achievement.
As she was being wheeled out of the hall after the ceremony, Nicholas Fox Weber — the executive director of the Josef and Anni Albers Foundation in Bethany, Conn., and who recounted the episode — asked her how she felt.
“Those were the most boring three hours I ever spent,” came Ms. Albers’s deadpan reply.
“Anni shot straight about everything,” Mr. Weber said in an interview. “She was focused, independent — a brilliant artist and totally funny.”
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Anni Albers - Red & Blue Layers
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Anni Albers - South of the Border, woven cotton and wool, 1958.
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Anni Albers - "Intersecting" - 1962
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At the Bauhaus, where women’s choices for study were limited, the aspiring artist ended up in the weaving workshop. “I heard PAUL KLEE speak, and he said to take a line for a walk, and I thought, ‘I will take thread everywhere I can,’ ” she once told Nicholas Fox Weber, executive director of the Albers Foundation.
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“She was very cerebral,” says Danilowitz, who knew the artist personally, “and weaving is very technical. It’s a lot like engineering, so it was a natural fit for her.” The Bilbao exhibition includes several of her black-and-white mathematical grid diagrams for weavings, including checkerboards in various scales and houndstooth-like patterns.
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At the Bauhaus, Anni met and married fellow student JOSEF ALBERS, who would later become a celebrated color theorist and painter. His “Homage to the Square” paintings, which explored the relationships between colors, are now considered modernist masterpieces, and his 1963 book Interaction of Color is an essential text on color theory. After graduating in 1930, Anni and Josef both became teachers at the Bauhaus, but when the Nazis came to power, the school was shut down. In 1933, fleeing the Nazis, the couple emigrated to the U.S., where they both became teachers at Black Mountain College, in North Carolina.
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Anni Albers - “Red Lines on Blue” - 1979, Rug designed for Modern Masters Tapestries
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Anni Albers -Rug - 1959
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hellohaters · 25 days
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Anni Albers / Wall Hanging, 1984
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uwmspeccoll · 4 months
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Staff Pick!
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Anni Albers (1899-1994) is held in high regard as one of the most paramount textile designers of the 20th century. Albers attended the Bauhaus in 1922 and begrudgingly participated in the weaving workshop as it was the only one available to women at that time. By 1931, Albers had received a diploma for innovative work and stepped into the role as head of the weaving workshop, a rare occurrence for a woman at the school. When the Bauhaus closed in 1933, Albers accepted an invitation to teach at North Carolina’s Black Mountain College. She stayed on as an assistant professor at Black Mountain College until 1949 where she was known for her experimental approaches to materials and processes.  
Albers broke new ground within the world of weaving and graphic design, taking printmaking techniques into uncharted territory. In 1949 she was the first textile designer to have a solo exhibition at the Museum of Modern Art and spent the remainder of her life making and showing art. Despite her prolific artmaking, Albers left behind very little evidence of her working process aside from one unassuming notebook dating to the latter part of her life.  
Anni Albers: Notebook 1970-1980 is a delightful glimpse into the mind of Albers. A facsimile of her simple composition notebook, the publication is replete with spontaneous works and preliminary ideas sketched out in pencil and occasionally red ink. Most works are dated, and a few have titles corresponding to subsequent prints and printed textiles. This is the only known notebook of Albers and a joyous wellspring of inspiration for any textile artist or designer.  
Anni Albers: Notebook 1970-1980 was published in 2017 by David Zwirner Books out of New York. 
View more staff picks.
-Jenna, Special Collections Graduate Intern 
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fashionbooksmilano · 4 months
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Woven Histories
Textiles and Modern Abstraction
Production by Brad Ireland and Christina Wiginton, Editing by Magda Nakassis,
National Gallery of Art, Washington copublished by The University of Chicago Press, 2023, 284 pages, ISBN 978-0-226-82729-2
euro 65,00
email if you want to buy [email protected]
Exhibition dates : Los Angeles County Museum Art 2023, Washington Nat.Gall.Art 2024, Ottawa Nat.Gall.Canada 2024,New York MoMA 2025
Richly illustrated volume exploring the inseparable histories of modernist abstraction and twentieth-century textiles.   Published on the occasion of an exhibition curated by Lynne Cooke, Woven Histories offers a fresh and authoritative look at textiles—particularly weaving—as a major force in the evolution of abstraction. This richly illustrated volume features more than fifty creators whose work crosses divisions and hierarchies formerly segregating the fine arts from the applied arts and handicrafts.   Woven Histories begins in the early twentieth century, rooting the abstract art of Sophie Taeuber-Arp in the applied arts and handicrafts, then features the interdisciplinary practices of Anni Albers, Sonia Delaunay, Liubov Popova, Varvara Stepanova, and others who sought to effect social change through fabrics for furnishings and apparel. Over the century, the intersection of textiles and abstraction engaged artists from Ed Rossbach, Kay Sekimachi, Ruth Asawa, Lenore Tawney, and Sheila Hicks to Rosemarie Trockel, Ellen Lesperance, Jeffrey Gibson, Igshaan Adams, and Liz Collins, whose textile-based works continue to shape this discourse. Including essays by distinguished art historians as well as reflections from contemporary artists, this ambitious project traces the intertwined histories of textiles and abstraction as vehicles through which artists probe urgent issues of our time.
24/12/23
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abwwia · 10 months
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Anni Albers, Knot 2, 1947
Anni Albers (born Annelise Elsa Frieda Fleischmann; June 12, 1899 – May 9, 1994) was a German textile artist and printmaker credited with blurring the lines between traditional craft and art. Via Wikipedia
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srednod · 10 months
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Xanti Schwawinsky Eclipse 1963
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nobrashfestivity · 1 month
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Anni Albers, Study for Fox I, 1972 Gouache and pencil on paper (blueprint)
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bauhaus-movement · 4 months
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Wishing you peace and blessings this Christmas. Merry everything and a happy always!
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hauntedbystorytelling · 9 months
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Bauhaus weaving class in a loom
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Students of the weaving workshop of master weaver Kurt Wanke in a loom [Authorship uncertain], (Leben am Bauhaus: Gruppenportrait der Weberinnen hinter einem Webstuhl in der Weberei Bauhaus Dessau), 1927-1928 | src Kunst Archive
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Webereistudierende der Klasse von Webmeister Kurt Wanke im Webstuhl [Urheberschaft unklar], 1927-1928
Lotte Beese (Lotte Stam-Beese), Anni Albers, Ljuba Monastirsky, Rosa Berger, Gunta Stölzl, Otti Berger, Webmeister Kurt Wanke Lisbeth Birmann-Oestreicher, Gertrud Preiswerk, Helene Bergner (Léna Meyer-Bergner), Grete (Margaretha) Reichardt.
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topcat77 · 6 months
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Anni Albers
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