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#another complication
densitywell · 6 months
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spent like an hour trying to find a post abt the disparity of origin companion's content in bg3 and couldn't so, hey, this fucking sucks
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darkeneddawning · 9 months
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Escaped clone au
You know all those fics where Danny and Damian are twins but everyone first assumes Danny must be a clone? How about an au where Danny is Damian's clone who escaped the League after he was assumed dead. Damian could even have been the one to have "killed" him, back when Danny was a newly created, fully brainwashed clone minion and trying to kill Damian himself.
Danny gets adopted by the Fentons and canon goes on as normal, until Dan. Witnessing what would happen to the world should he turn evil really drove home to Danny how dangerous he is.
Even if he was confident he could be trusted with his absurd amount of power (which he isn't), what if the League of Assassins found out about him? Does he still have programming triggers from his evil assassin clone conditioning?
So, Danny does the responsible thing: he goes to Batman to turn himself in.
Cue Danny showing up on Bruce's doorstep with ghost hunting equipment, intel on the afterlife, and an almost unbelievable backstory. Somehow he still managed to be more well-adjusted than Damian.
More thoughts under the read more
Here's how I'm thinking Danny leaving the League went down:
After surviving his wounds but failing his mission, Danny (then an unnamed potential Damian replacement) knew there was no point in returning to the League. As a failure, he was meant to be disposed of. He even thought of simply allowing himself to perish, since that was what the League would do.
But he couldn't help but feel as though that would be a waste of a resource. Surely he could be of more use to the League alive than dead?
That tiny bit of rebellious logic is what caused Danny to go into hiding, only living on based on the off chance he would find opportunities to further the League's goals. Obviously, that mentality didn't last long after being exposed to the real world and meeting one Jazz Fenton.
Being adopted by the Fentons was the best cover Danny could have asked for, since any odd behavior he couldn't hide while he was learning how to be "normal" was totally overshadowed by the sheer bizarre eccentricity of his new parents. He was still the neighborhood weird kid, but even that was a major upgrade from disposable tool, so Danny considered it a win.
Anyway, if anyone likes this idea, please feel free to have at it! Interpret it as you please :)
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shorthaltsjester · 9 months
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watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.
like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.
#it’s just the. laura and travis’ characters always being supportive of one another when they’re facing hardship#taliesin and marisha consistently making characters who challenge one another and still protect each other relentlessly#all of them being so fond of ashley’s characters always and literally seeing them light up in c1 episodes when ash got to join in person#sam and liam always making characters who offer one another reprieves into kindness that they don’t always get in the campaign setting#liam making orym after falling in love with keyleth as vax#marisha making laudna after matt’s storytelling with delilah and choosing vex as her body double#ashley using ‘i would like to rage’ and matt having kord ask her where she finds her strength#laura and matt always weaving these deeply complicated and emotional interactions between a daughter and a father#the gasps and yells and clapping when matt makes cool sound effects or reveals a map or breaks/ends on a cliff hanger#them ending both campaign 1 and 2 with ‘what a great/nice story’ and travis saying ‘let’s do it again!’#and it’s like. yes yes i love the comics and i’m a fan of tlovm but . seeing this well produced thing that somehow mimics#the feeling i get sitting in my living room laughing with my roommates about my ranger’s giant rat failing to climb stairs#it’s very special it’s very sweet#critical role#sdcc 2023#taliesin jaffe#travis willingham#marisha ray#ashley johnson#liam o’brien#matthew mercer#laura bailey#sam riegel#cr cast#critical role cast#my posts
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egophiliac · 5 months
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Do you play genshin impact or honkak a
Star rail?
I don't play Honkai, but I've just started looking into Genshin Impact's story (someone described Neuvillette's character to me and I was like. hmm. HMM.) I haven't gotten far yet -- really JUST started looking at it -- but I'm looking forward to more! :D
(I know almost nothing about these characters yet, I'm probably drawing them SUPER wrong, sorry)
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lzlilo · 2 months
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Few things are more comforting than a brother's hug.
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haunted-xander · 7 months
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I guess old feelings don't disappear that easily
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voiceofsword · 3 months
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puts fox niki in my pocket
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coolnonsenseworld · 5 months
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Realized I never published this piece for Cursed Love story. Lance is performing a protection spell 🕊️
Last day for 15-20% off prints
Linktr.ee/mezzy
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walmart-miku · 6 months
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ok people we gotta stop making mori the source of all evil with soukoku. Yes mori is evil about how he treated yosano and a lot of the pm members but that's a whole other can of worms.
Anyways with skk MORI WOULD NOT TRY TO GET IN THEIR WAY IN FACT HE WOULD ENCOURAGE THEIR ASSES TO GET TOGETHER THIS PANEL EXISTS FOR A REASON.
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MORI SHIPS THEM SO BAD ITS ABSOLUTELY HILARIOUS.
Fics need to stop making this dude try to prevent skk from dating. I want a crack fic where mori is just like "Hey how was ur day do u like to kiss guys?" To both dazai and chuuya. I want mori shenanigans where he's actively trying so hard to set them up and Elise is sitting in a corner with kouyou and they're hard core judging him.
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thelilylav · 25 days
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He ain't heavy, he's my brother.
(He Ain't Heavy He's My Brother, The Hollies)
My art, The World at Its Beginning (Dustin Pearson), The Tyrant's Tomb (Rick Riordan), The Fall of the House of Usher (Steven Berkoff), The Tower of Nero (Rick Riordan), Leto and her Children (William Henry Rinehart), The Moon Had No Light of its Own (Imaginary Future), My Love Mine All Mine (Mitski), Untitled (Lyra Wren), The Tyrant's Tomb (Rick Riordan), Electra (Sophocles), To Forgive (The Smashing Pumpkins), Unknown, The Tower of Nero (Rick Riordan), The Sun is Also a Star (Nicola Yoon), Doomed From the Beginning (@/veniennes on tiktok), On learning to write professionally (Interview with Jazmine Hughes by The Creative Independent), The Tower of Nero (Rick Riordan), My art
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ruushes · 8 months
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there are so many creative ways to approach any given situation in bg3 and i remain staunchly ignorant of all of them and do the most obvious thing possible every time. i got an achievement for beating grym without using the forge hammer and was like oh that would've been really clever, wish i'd thought of that instead of standing around it in a circle beating it with clubs until it died
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melonsap · 8 months
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I think the least canon thing in all of LoZ is the map. Every single game it changes so irreparably—"Zora's Domain is out east- oh, sorry, I mean all the way up north. It's east again now! Oh, the volcano? That's in the northeas-WEST. NORTHWEST. No that's snowy area now it's east again. Hyrule Castle is in the middl- nort- west of the country. Can't miss it. The Temple of Time is there- no it isn't, it's about as far from the castle as you can get. The Lost Woods? It's called 'Lost' for a reason, we can't find it. Ever."
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tagerrkix · 6 months
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redrobin-detective · 7 months
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Something I wonder about Simon and Betty's relationship is how long they were together before the whole crown ordeal. But they were engaged, you say. My aunt (in)famously met my uncle and had a ring on her finger in 8 weeks. We've seen that both Betty and Simon were both weird outcasts, crazy determined and a pinch insane. I would not be surprised if they decided they'd met their one true love and got engaged super quick.
My point being, Betty's shifting to revolve around Simon and Simon's rose colored glasses of their relationship feels very much like New Love. They're people who love each other and love being a couple but still haven't quite figured out how to coexist together, as two people in a partnership. I feel like if they'd known each other longer, lived together longer, some of the issues we're seeing would have probably self resolved.
I don't think their relationship is toxic nor is it totally perfect. It's two lonely, most likely neurodivergent people in a relatively early relationship still figuring out how it works. Everything that happened afterwards: the crown, the seperation, the time travel, the magic/madness/sadness just exemplified issues they had both as individuals and as a couple.
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himawaari · 4 days
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castle in the sky (1986)
ghibli + postcards 2/?
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hardly-an-escape · 3 months
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Stormy Weather, or: Outside, the Wind (Inside, the Light) | Dream/Hob | 1600 words | Rated T
tags: I recently spent an evening without power therefore I must put the blorbos in a Situation, love confessions, first kiss, getting together, power outages, Hob Gadling throughout history, gratuitious use of mildly accurate Middle English
The wind tears around London like a living thing, a wild animal, a predator, intent on the hunt. It chases birds into their nests and people into their homes, moans around corners and rattles shutters, sending piles of leaves whirling into miniature hurricanes and whipping branches into a frenzy, sharpening its claws on roof tiles and telephone poles.
Except in Hob Gadling’s flat.
The New Inn, and the cozy home above it, is in one of those old buildings that’s actually been loved and maintained – thanks in no small part to Hob’s own care and attention. The walls are thick and strong, the roof is solid. The shutters may rattle, but the windows are double-pane; the curtains and carpets are warm and soft, and no drafts encroach on the sanctity of his living room, where Hob and Lord Morpheus, King of Dreams, are having a movie night.
It’s part of Hob’s concerted effort to introduce the Prince of Stories to the stories he’d missed during his imprisonment. Tonight it’s Blade Runner – the final cut, of course – which isn’t necessarily one of Hob’s personal favorites, but seemed to fit the stormy, rainy vibes of the weather. They’re installed on the couch, with hot chocolate and wine and snacks, which Dream has deigned to pick at. Harrison Ford is eating noodles and wandering through wet, moodily-lit streets. The wind is howling outside, but they’re safe and warm and surrounded by soft things and life is about as good, Hob thinks, as it ever gets these days.
And then his lights flicker. Once, twice; there is the impression of a sort of electrical last gasp, and the room is plunged into darkness.
The wind whips and the shutters rattle. A volley of rain spits itself against the windows.
“Bugger,” says Hob.
Dream says nothing, merely brings his wineglass – which had already been cradled in one elegant hand – to his lips.
“Hang on,” says Hob. “I’ve got some candles around here somewhere.”
He gropes his way to the kitchen. In one drawer he unearths some beeswax tapers and several tea lights, which he arranges on a plate. He rummages in one of the deeper cabinets and makes a triumphant noise as he discovers his prize behind disused mugs and a fondue set from the 1980s: a pair of old-fashioned brass candlesticks equipped with round reflectors, highly polished to catch the light and bounce it back out into the darkness.
“You are remarkably well-prepared for an event such as this,” says Dream, as Hob lights his various prizes and returns to the living room with his hands full of flickering flames.
“Well, you know,” Hob demurs. “When it comes down to it, I’ve lived a lot more of my life without electricity than with it.” He arranges the tea lights on the coffee table and sets the brass candlesticks on a nearby bookshelf. “You never really get out of the habit of preparing for the worst. Although I will say, these beeswax ones beat the hell out of the old tallow jobbies we had when I was young. Got ‘em from a local bloke who keeps bees not half a mile away, isn’t that cool? A beekeeper in the middle of London. There, now,” he says, and having arranged the lights to his satisfaction he plops himself back down on the sofa.
Outside, the wind wails. The lack of lamps on the empty street below and the gentle candlelight within make the night seem even darker, and turn Hob’s living room into something even softer and cozier than it already is.
Dream’s face, in the flickering candles, seems even more otherworldly than usual; and Hob, for his part, truly looks as though he belongs in another century. The very shape of his face has changed, somehow, into something older; taking on a new appearance in the candlelight the way a man’s tongue might curl differently around the syllables of another language.
“I miss it, sometimes,” he says lowly. “This kind of world. Before the wires and the phones and the cars. It was… quieter.”
“You speak often of your delight in change and progress. Do you truly long for your past lives?” asks Dream.
“Yes and no,” answers Hob. ��Some things are better now, no question. Antibiotics, wouldn’t want to live without those again. Vaccines and X-rays and chemotherapy and antidepressants – almost all the medical stuff. Mass transportation. Cars and planes have never been safer. Honestly, I’ve never understood the people who moan about the olden days and oh, life was simpler back then. Don’t they know how many people died? How many kids? Because they caught a cold or fell out of a tree or had a case of the runs that lasted a little too long?”
He leans forward to adjust one of the candles, which is dripping unevenly, and when he sags back into the couch there is just the hint of a frown between his strong brows.
“And yet…” he says, staring into the flames, voice quiet. “Nights like this. I do sometimes think…”
Hob trails off for a long moment.
“There was a rhythm to life, back then,” he says finally. “You counted hours by the church bells and days by the tasks that needed done. And there was so much that needed to be done… cows milked and fields planted and clothes knitted or mended. And it was all so important, so… necessary. Regimented. But in the in between time – Christ! your time wast thine.” As he speaks, his voice has slipped into an older register: his Rs grown rounder, his vowels longer, curling from his mouth to mingle with the candlesmoke hovering over his coffee table. “I remember fair hours as a lad, even into my manhood, of which I spent lyende in th’ fields, watching ants in th’ grass. And later, too, we’d hie us to bed with the sonne, the fire banked in the hearth. An’ it happen that if we awakened before dawn, ’twas a simple thing to pass the time in simple ways, be it in prayer or in pleasure…”
The innuendo in his words is clear, but Hob is not looking at Dream; his eyes are unfocused as he stares into the middle distance, revisiting the past via candlelight. Until one of the wicks lets out a small pop, and flares, and he shakes himself, coming back to the present.
“God, sorry,” he says, voice back in the 21st century. “Woolgathering. I’ll go on for an age, me. More wine?”
But Dream’s eyes have also gone unfocused, his lips parted slightly, chest rising and falling with unnecessary breaths as he stares – no, gazes – at Hob. He, too, must shake himself into the present moment at Hob’s offer of more wine. He silently holds out his glass.
“May I ask you a personal question?” Dream says.
“Anything. You know that.”
Dream pauses. Sips. Outside, the sound of the wind has not abated; has grown, if anything, even more dramatic. There is the muffled sound of branches scraping against the side of the building.
“Why,” asks Dream finally, “do you pretend to yourself that you do not want me?”
Hob chokes. “I’m sorry, what?”
“Why do you pretend thus to me?” Dream pursues. “Who has known you longer than any being on this planet or any other; who can know your innermost dreams?”
“What do you mean, other planets?” Hob demands. And then: “Have you been peeking at my dreams?”
“I need not peek, as you put it, to see the truth of the matter. It is writ plain on your face and in your every word and deed. I merely wonder why this truth has hovered before us for over six hundred years and you have yet to press your suit. Do you doubt, after all this time, my affection for you? Do you find me – unworthy?”
Dream sounds, impossibly, almost uncertain. Even vulnerable. Hob sighs heavily and leans forward, elbows on his knees and face in his hands.
“I – God. Dream,” he stammers. “Yes, Christ, I am full of doubts. You stormed away from me when I implied you might be lonely, I… I have never, once, thought I had a suit to press at all. What on earth has brought this on? Now, of all times?”
“I do not know,” Dream murmurs. “Perhaps… this darkness is working on me, as well. Perhaps I am as susceptible to candlelight and nostalgia as the next anthropomorphic personification.”
He smiles, a little quirk of the mouth that contains worlds, and Hob leans over, listing helplessly into Dream’s space as the tapers flicker.
“Fuck,” he whispers, pressing their foreheads together, turning his head to butt his cheekbone against the sharp line of Dream’s nose. “Art thou rēal? Speak you treue?”
“Aye, my Hob,” answers Dream. “Min herte is treue and bilongeth to you.”
A sob catches in the back of Hob’s throat at the words. “Fuck,” he whispers again, “Dream, I’m yours. I am. I always have been. My Dream, min sweven, my leof. Alwei, allesweis…”
Their mouths find each other, then, finally, lip against lip and breath against breath. They kiss for a long, long moment, desperate and hungry and soft all at once, as outside the wind howls coldly around the corners of the New Inn, and inside the light cast by Hob’s candles bathes their whole little world in a cozy glow.
“Take me to bed,” murmurs Dream against Hob’s mouth. “Make me your lover. Show me how you pass the time by candlelight, and in darkness.”
“Oh, darling. Dearheart,” Hob answers. “Nothing in this world or any world past could make me happier.”
And he suits his actions to his words.
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