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#another essay no one asked for
birthdaysentiment · 2 years
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Do you picture robbe & sander as tattoo guys ? Like do you think they'd get tattoos or like them ?
uhhh anon, i love this question! the short and simple answer is yes! but I've never been a person that gives short and simple answers (oh well... sometimes i do, but you know what I mean hehe)
sander definitely has that tattoo vibe, and in another universe i'm sure he has some himself. i imagine sander getting his first one after he got diagnosed, because he wanted to do that for himself, maybe as a reminder that he has the control, and that his mind isn't (... if that make sense). i'm hundred percent sure it's a bowie related tattoo as well, that he gets as his first one. i think the lightning bolt came later, so maybe his first one was a quote from bowie or some lyrics that he connected with. after that first tattoo sander fell in love with them! i don't see him as someone having as many as... harry styles, but he has a lot, mostly small ones that all symbolize something for him, that connects him to something and to someone. maybe he's working on a bigger piece for him to get tattooed one day... he's just waiting for the right moment to do so
robbe doesn't give me as strong a tattoo vibe as sander does, but in another universe i'm confident robbe has a tattoo as well. idk why but i don't necessarily see robbe as the biggest tattoo lover, maybe because he never saw himself as the type to get tattoos (even though there aren't specific types of people who gets tattoos, but yeah you know lol), so i don't imagine tattoos as being something robbe considered or thought about much before meeting sander. when robbe fell in love with sander and seeing the art on his body, he got a better understanding for it. tattoos are art that people let their bodies carry, because it meant enough for them to get it permanent on their skin (... okay a bit too philosophical lol sorry). anyway, when he saw and understood the meanings of tattoos for sander, it inspired robbe to get one himself... and he of course wanted sander to draw it. i imagine robbe getting something that has the same meaning as his necklace, something that reminds him of something or someone important in his life, something that can symbolize the same love and comfort. maybe it's something specific or something more abstract, that only he and sander knows the meaning behind... and i kinda really like that idea
so it wouldn't surprise me if robbe and sander got matching ones, not the same ones, but tattoos that matched in a way they match. maybe its a figure, that transforms into something else when joined, or maybe they have a part of a quote or a lyric each, that gets completed when joined too. i imagine robbe and sander tracing each others tattoos, placing small kisses on them whenever they feel like it. i imagine their matching tattoos, and their own as well, as being something intimate for them, something they share together, that brings them even closer. and yeah... i'm hundred percent sure sander got a tattoo a place he knows robbe likes... maybe at his collarbone, above the line of his underwear or yeah something like that hehe. so i definitely picture robbe and sander as tattoo guys (with different vibes), and i'm sure they have tattoos and that they like them... especially on each other hehe <333
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no thoughts just comparing the deliberate parallels between the concerned comments layla, faruzan and paimon make to kaveh which are used to contextualise alhaitham’s comments to kaveh during a parade of providence
In the desert, layla who previously had issues with dealing with anxieties, received dubious advice from kaveh about equating worries to that of a sickness for that which is no cure, therefore you have to let its run its course
Layla reveals that this advice isn’t suitable for her, since the cause for her anxiety was solely because she didn’t have a clear goal for herself. She states that therefore, if this advice is something kaveh adheres to, then this is ultimately worse for him, as kaveh claims to have a set goal - as in, he wants to win the interdarshan chanpionship.
She notes that kaveh seems conflicted, and that this could stem from some inner sadness which he suppresses with a façade of happiness.
This points to kaveh’s internal conflict being between that of his guilt complex brought about by his perceived involvement in his father’s passing, and his genuine desire to help others at the cost of himself. Kaveh cannot balance the two in ways that will allow him to prioritise his own needs and desires
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Kaveh’s internal conflict is pointed out later on in the same quest by Faruzan, who highlights kaveh’s title as a genius being incongruous with his problem solving abilities after kaveh passes out in the desert due to giving his food and water to the disturbed foxes and going out of his way to lead them to safety, putting himself at risk and jeopardising his place in the competition
However, Kaveh states that his title of a genius has nothing to do with this situation, and although he admits it wasn’t the most practical solution, it was dually his conscience that ultimately caused him to act and perceivably the guilt that would come from not attempting to help
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After the second round comes to a close and faruzan inadvertently informs alhaitham of kaveh’s “tribulations”, the player gets to hear alhaitham’s reactions to kaveh’s decision through kaveh, as kaveh and alhaitham have discussed the events in the desert offscreen
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Paimon points out that this is definitely ‘something’ alhaitham would say due to the blunt manner of speaking and the dryness of his words - this contextualises how kaveh receives them, as personal goading
When looking past this and focussing on alhaitham’s actual words, the real meaning can be found, and it is even a point in this scene that paimon offers the exact same comments, drawing direct parallels between her and alhaitham’s words, and therefore establishing the same concerns
Alhaitham points out kaveh’s unreliable problem solving abilities being incongruous with his title as a senior - directly paralleling faruzan’s comments in which she highlighted how kaveh’s decision making abilities were at odds with his title as a genius
As well as this, alhaitham alludes to kaveh’s guilt complex being the reason why he exerts himself for others at his own expense - which is a point that the traveller and paimon directly follow up on
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Kaveh responds to their questioning amicably despite the sensitive nature of the conversation, just as he did when faruzan pointed out kaveh’s problematical decision making, and this is because of their apparent concern rather than actively seeking offence, with paimon protesting when kaveh asks: “don’t tell me you think i have serious personality flaws, too?” With the ‘too’ clearly referencing alhaitham and the conversation the two had prior to the traveller and paimon turning up
Kaveh can understand the concern in others’ words when they question his problem solving skills and the sense of his inner conflict stemming from guilt, however, when alhaitham makes the same comments, kaveh sees this as a form on animosity and personal critique
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Because of alhaitham’s manner of communication and kaveh’s apparent distrust of alhaitham, the two cannot reach a mutual understanding - despite alhaitham expressing the same concerns as three separate characters within this quest
It is telling then that when kaveh gleans an otherwise unseen meaning in alhaitham’s words is when alhaitham changes his method of communication and directly, and intimately, addresses kaveh by using a script that only the two are privy to
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Kaveh still doesn’t wholly understand alhaitham’s meaning, but the switch up in communication method is enough for kaveh to question alhaitham’s sincerity and not attribute it to alhaitham mocking him
Kaveh continues questioning the cause for this throughout the remainder of the event, being seen to question why alhaitham left the notes for him and whether if it was a coincidence or not. He concludes that it wasn’t a coincidence and then states “then…”, inferably questioning why alhaitham left the notes for him and what the meaning of his words were, in a script only kaveh would understand. Additionally, kaveh mentions wanting to ask alhaitham what the meaning of his notes were when at dinner after the closing of the interdarshan championship, as the uncertain meaning of his words has seemingly left a profound effect on him
Alhaitham changing his manner of communication, which kaveh usually perceives as negative, causes kaveh to question alhaitham’s sincerity, and therefore causes doubt in whether alhaitham is patronising him or not. This in turn can cast obscurity over kaveh’s assertion that alhaitham holds “disdain” for him due to Alhaitham’s expression of concern which kaveh cannot perceive due to the abrasiveness of his words. Alhaitham conveying his concern in a roundabout way only allows for kaveh to misinterpret him, which kaveh perceives as “disdain”.
A parade of providence establishes the cause for the rift in alhaitham and kaveh’s relationship mainly to be perpetual misunderstanding in communication, and sets out to propose a solution being that a change of communication.
By using a language that only the two of them know shows that for kaveh to fully understand his meaning, alhaitham must meet kaveh on his own terms when it comes to communication - the two must be on equal and frank level. this could allow a potential rebuilding of intimacy the two once shared when initially learning the language, and thus overcome the idea of “mutual disdain” which kaveh asserts due to his fundamental misunderstanding of alhaitham which alhaitham seems to reinforce with his typical language
(Update: For more analyses like this, the essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
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poorly-drawn-mdzs · 5 months
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Imagine if Jin Zixuan DID yeet his brother from another mother (🥲) down the stairs.
Meng Yao: I'm your brother. Happy birthday! 🥰
Jin Zixuan: There can only be one. YEET
I am truly sad he didn't; think of the 'No Doubles' memes that we could have had...
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daz4i · 1 year
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wait so chuuya has angel imagery about him in stormbringer. and dazai is referred to as a demon on more than one occasion. and. hold on. wait. I'm going insane. hold on.
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highladyluck · 9 months
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Predicting Mat and Tuon's Character Growth
Mat’s character development is temporarily plateaued along with Tuon’s at the end of AMOL, because they have been developing together since book 9, and have more developing to do together/catalyzed by each other post-series.
Mat‘s arc is about not just accepting responsibility reflexively, but doing it willingly and strategically. To fully grow as a person, Mat needs to move through abandonment of responsibility, through avoiding responsibility, through reactive, passive responsibility, and finally to proactive agency.
Tuon's arc should be about not just delegating control, but giving up control willingly and strategically. To fully grow as a person, Tuon needs to move through obsessive, self-defensive control, through reactive, passive control, through abandonment of control, and finally to responsible, appropriate control.
Tuon’s role in Mat's development is to push him to not just stop running from responsibility (a thing he has already mostly stopped doing) but to actively choose responsibility & thus gain a measure of control over his life and actions. Reactive responsibility- diving into crisis situations without thinking- is only getting him so far, and by the time Tuon shows up I think he's kind of desperate for a strategic change.
(This is long, so the following sections are under the cut:
Mat's First Shift to Proactive Agency
Why Mat is Tuon's Catalyst
How Tuon Can Help Mat Grow
Mat's Second Shift to Proactive Agency
How Mat Can Help Tuon Grow)
Mat's First Shift to Proactive Agency
Choosing to kidnap Tuon after she is revealed to be the Daughter of the Nine Moons and his fated wife, and therefore choosing to actively pursue his fate, is a huge turning point for Mat. It is an echo and synthesis of both the last time he made a decision to steal something valuable and dangerous for his own gain (the Shadar Logoth dagger) and the last time he actively searched for guidance (going to the Aelfinn to ask what he should do now that his internal compass- his memories- are gone.) In choosing to take Tuon with him, Mat is marrying (pun aggressively intended) his impulsive curiosity & pursuit of self-interest to his desperate desire for direction and purpose.
We know Mat loves to be needed. He eats that shit up. He craves respect so intensely because it’s the thing he didn’t have growing up, and he’s also in partial denial about that being what he wants, because he’s a lying liar who lies to himself more than anyone else.
He takes on the hero role because he can’t not- his values demand it and Mat defines himself by his values because they are literally all he had at one point- but it’s also a thing he does to get what he craves, which is respect and attention. (Any attention will do in a pinch, but positive attention is best.) That’s the part of him that gets super shirty about not being thanked/acknowledged. Being reactively heroic is a compulsion for him, but by around book 7 he's realized it's not getting him what he really wants, which is respect and (self-defined) success. He doesn't really have another plan though, until he willingly steps into his dire fate by kidnapping Tuon.
Over the course of the series, Tuon continues to push Mat to actively take responsibility and accept the consequences. The promise he makes to get her home safely turns into his education in the personal uses (and abuses) of power. She is the catalyst that makes him use his personal army in physical warfare for his own purposes. Before he’s used it as a facet of Rand’s army at Rand’s direction, and when he did use it for his own purposes, it was lending it to Egwene for psychological warfare only.
This education in power is why Tuon approves of his war crimes even though she fully admits they are brutal and committed against her own people; they show he understands that his actions as a leader can have horrible consequences, and also that he can prioritize the mission at hand. She says she's just waiting for him to prove he's the person from the prophecy, but she's also clearly testing him to see if he can handle the power she'd be delegating to him, by seeing how he handles the power he currently possesses in his own right.
Why Mat is Tuon's Catalyst
Tuon is very hard to impress, but Mat impresses her- and he impresses her the most when he’s not trying to be impressive, when he’s just being authentic and pursuing his self-interest. She's not just interested in his military competence, although that's certainly interesting to her- she's also interested in his political acumen and ability to deescalate or escalate situations as needed. His ability to fit in everywhere and command a situation- especially when she thought he was losing- like when she collars Joline, or when he scraps his winning streak in the hell- is so compelling to her.
On one level she's no stranger to winning from a position of weakness, given that her default M.O. is apparently 'play dead'. But I don't think Tuon has fit in anywhere without a great deal of effort, and Mat's sprezzatura is a pretty different strategy from her disappearing acts or virtuoso compulsion tactics. I'm not even thinking so much about Tuon's constant fending off of assassination attempts; more along the lines that we know she had to train herself to have Resting Bitch Face and project 6 feet of presence from 4'11".
(Incidentally, I don't know if she knows the Crystal Throne is a mind control ter'angreal, especially since she seems to be canonically resistant to mind control, so it's possible she's been assuming her mom's magically-augmented strength of presence is natural. No wonder she feels inadequate.) She's also clearly incredibly weird to both normal Seanchan and other people in her social sphere, whereas Mat is a social chameleon coasting on instinct (and thousands of strategic geniuses).
Tuon is desperately envious of and fascinated by authentic people who pursue their own self-interest, since she can't pursue her own self-interest without cloaking it as her duty, and she can't be an authentic person except by either flying under the radar or using up social capital by being stubborn. Her life is circumscribed by so many forces outside her direct control, yet she believes she is supposed to control everything for her own survival and the good of the world.
Mat seems to be to Tuon what she longs to be- a responsible, independent, kind leader who forges their own path in response to changing conditions & who has earned the respect, loyalty, and competence of their followers. She’s completely baffled at how Mat got there from being... Mat... but she recognizes that it gets results. I think the end result of her development is ideally to become more like Mat- someone who is a person first, albeit one with an outsized sense of responsibility, who is able to act productively on her instincts to help people.
How Tuon Can Help Mat Grow
Meanwhile, Tuon is someone whose strengths, struggles, and shared values Mat can learn from. Like him, she's been brainwashed by a paranoid culture where the ends justify the means, and unlike him, she spent almost her entire life in it. Yet she still has a powerful sense of empathy, even if it's twisted in the service of the Empire and she mostly uses it for manipulating people. It's clear that what she thinks will help people most is her control rather than her empathy, so that's what she tries hardest to give. But the empathy seeps out even when it isn't deliberately being used to build power or influence, like when she caught that Jain was feeling guilty about leaving his wife to die. Mat should follow Tuon at her best, and not completely strangle his sympathetic impulses in the service of power.
(A note on terms: Mat's sympathetic- he's always putting himself in other people's shoes and imagining how he would feel in their situation, and that motivates him to action on their behalf. It's about saving himself in the shape of the other. Tuon's empathetic- she can imagine how someone else feels and mirror their feelings back, or manipulate them based on her accurate assessment of their feelings. It's about modeling her social/political environment and therefore exerting the correct amount of control for the reaction she wants.)
Tuon's also built and sustained a culture of personal loyalty- one of her and Mat's shared values- in an utterly paranoid environment. The degree to which her personal slaves care about her is unusual for imperial Seanchan- it was very surprising that Selucia wanted to stay with her, and notably unusual for Karede to request to work with her again. The loyalty her personal damane show her is largely due to her skill at manipulation and brainwashing rather than anything resembling charisma or personal virtues- the damane have vastly less choice about who owns them or commands them than Selucia or Karede do- but she seems to be less openly cruel to damane and da'covale than say, Suroth. (Yes, I know, the bar here is in the ocean.) She also has Setalle Anan of all people willing to protect her, and while Setalle has an agenda and isn't doing it just because she likes Tuon, I think Setalle does actually like her. Mat should also be making friends and allies in his enemies' stronghold.
Finally, Tuon's weirdly open to other people's input and correction, for someone in her position and with her background. Again, the bar is so low as to be at the bottom of the Aryth Ocean, but she did apologize for 'giving an order in anger', which is to say throwing a temper tantrum, which is to say abusing her power beyond acceptable-to-her limits. The limits she accepts on her power and agency are more stringent than what would be acceptable to her peers or advisors in her position. Related to this sense of integrity, she's very stubborn around anything directly involving either her survival or her responsibilities to others. And because she's spent so much time building her personal integrity and being open to criticism from trusted advisors, she's very comfortable with having and using power, at least in terms of judgement and delegation (her own Power is, uh, the major exception.)
Mat, on the other hand, starts out the series very uncomfortable with power- and that's good in some ways- but people with power who aren't comfortable with power are like people who carry weapons they don't know how to use. Those weapons are just going to be used against them. His time with Tuon is there to give him practice intentionally wielding power.
Mat's Second Shift to Proactive Agency
One thing that I think Tuon still has to teach him, though, is the strategic value of lying low, keeping intentions secret, and quietly building a power base in pursuit of a long-term goal. Mat's great at dramatic, impulsive, risky gambles; not so great at staying still and waiting for the right moment in an intentional way. He always wants to be DOING something, immediately. But just thrashing out reflexively is not going to work for taking on the Seanchan, as Rand found out. Mat gets a taste of the kind of strategic timing he needs, when working with Tuon to trick everyone into thinking the Seanchan are out of the fight, then having her come back in with the army at a critical juncture.
I'm convinced that Mat's path to full character development will be to fully accept his power base in the Seanchan military/political machine... and destroy it from the inside out, either intentionally or as acceptable collateral damage in saving Tuon from herself.
Even Tuon can tell that structurally, he's got 'military coup' written all over him. She just doesn't believe he would ever do it because she knows he's loyal to her, and ever since becoming Empress she can't conceive of a situation where "Tuon" and "the Seanchan Empire" are separated that doesn't mean her own death. She has a blind spot in the exact place where Mat is most creative and motivated: preventing Tuon-the-person from dying (physically or spiritually) when the Empire does.
There's all sorts of interesting strategic gambles Mat can take advantage of. The Empire has cracks all over the place. The continent of Seanchan is a hot mess of civil war and domestic infighting and that's going to prevent Tuon from using it as a power base immediately, and distract her from local issues. The sul'dam secret and Tuon's relationship to it is already out among her most dangerous enemies (her immediate peers) and Elayne's gambit to rehabilitate sul'dam and damane and send them back to Seanchan territory is also going to spread that info.
Tuon and Mat's kids are a ticking time bomb of 'likely to be involuntary channelers' and even before that, you think Mat's going to do nothing to mitigate the childhood trauma of 'everyone is trying to kill me'? This man raised an orphan in a war camp in a perpetual 'take your adopted child to work day'. He might not be able to get them out of the Seanchan cultural deathtrap altogether, but he's going to do his best to make it less dangerous for them, which could mean radical cultural change.
Oh, and the Aiel are going to want their Wise Ones back in the next year and a day, which has the potential to be a real diplomatic time bomb. Also, as far as I can tell, no one has yet told the Black Tower they can't make war on the Seanchan, who will be in a tight spot re: getting more female damane, and therefore very interested in anything they can do with male channelers, ESPECIALLY if they can be convinced saidin is clean. Also: Moghedien is there!?! And Elaida, for that matter. Creator help anyone who goes to Elaida for Foretellings.
Seanchan has 99 problems and I guarantee you Tuon is thinking that at least her man ain't one. She is wrong. She is so, so wrong. (And we haven't even gotten to Min, who could convince Tuon to do pretty much anything if she played her cards right, because Tuon is weak to prophecy and trusted advisors. Or Mat's private army, which is going to be both a point of political tension and a valuable asset for him.)
How Mat Can Help Tuon Grow
I don't think people who think that Mat has utterly surrendered and lost his moral compass by falling in (love) with Tuon are correct. Mat has a history of losing to win. And I think Tuon is going to teach him- by example and circumstance- how to take responsibility in the most deliberate possible way, for the biggest possible stakes. She's going to teach him how to win friends and influence people in his new environment. She's going to teach him how to wait for precisely the right moment for maximum impact. And she's going to teach him how to sneakily rescue the fuck out of an entire society or die trying.
But Tuon can't learn that she's a person, not an institution, until she's literally removed from the institution and it is removed from her. When it comes to damane and slavery more broadly, she IS the Empire, and her changing her heart and mind- even if it were possible for that to come first- does jack shit to actually help anyone enslaved by Seanchan without the material conditions for societal change.
Empires change by economic, military, social pressures combined. You have to break the Empire before you can break Tuon, at least if you're Mat and you like her, and also if you want her along to help you pick up the pieces and fit them into something that doesn't just kill everyone and create more massive collateral damage. Tuon's relationship with power is cancerous; her desire for control has metastasized through her life and the lives of others, and the entry point of that relationship is her self-image as The Empress (and before that, a sul'dam, and an imperial heir...)
Mat's the mature one here, for a change, and that means his character development has to come first; Tuon's will fall into place once you change the conditions around her. She's infinitely malleable that way, because she was shaped to be responsive to those pressures from birth, and she kept shaping herself to be responsive to them as a survival tactic.
Mat listens to his instincts and the dice in his head because he relies on them for survival; Tuon looks for the omens in the world and the shifting currents of power because she relies on them for survival. Once Tuon experiences the consequences of her overreach, if Mat builds Tuon a world where she and others can survive without slavery and exploitation, where she doesn't HAVE to have an iron grip on everything, I promise you she'll go for it. Above everything else, Tuon is a survivor, and I think she could surprise you by how much she would change to survive.
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m0e-ru · 1 year
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guy who knows krav maga fights himself like a girl
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lu-is-not-ok · 9 months
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loving the analyses! could we get ebony stem/ya śūnyatā tad rūpam, if your inbox isn't too full? keep up the good work!
Well, I can fulfill one half of this request, considering I already talked about the other Outis E.G.O for... Way longer than was probably necessary.
That being said, let's dive under the cut for this.
So, let's start off with Ebony Queen's Apple. Or, rather, Snow White's Apple, the Abnormality Ebony Queen's Apple is an Abberation of.
The story of Snow White's Apple is a very interesting twist on the fairytale, focusing on the experience and feelings of the apple that poisoned Snow White.
This apple, created by the witch's rage and curse, was left abandoned after it fulfilled its purpose. Lonely and festering hatred towards the princess, the same feeling the witch was experiencing, it waited to rot away and disapper... But it couldn't. No matter how much time passed, how much the apple was crushed or eaten by bugs and birds, it would continue to exist.
Surrounded by the bodies of the birds and bugs its poison killed, the apple began to ponder its existence, until one day it sprouted enough of a stem and leaves to move from its spot. Thinking of the princess who was woken up from her poisoned slumber by a prince, the apple decided that it was a princess in its own right, but didn't need a prince to be woken.
The main theme of this abnormality is loneliness and jealousy mixing together to form an intense, "toxic" hatred. There's also this interesting idea of immortality and its negative connotations, being that the apple wished to effectively die, but would never rot, instead stewing in its own loneliness and the harm it inflicted just by existing. There's also this interesting idea of a role reversal, of the apple that inherited the witch's will and feelings becoming a princess in its own twisted way.
Now, that's all nice and good, but what about Ebony Queen's Apple.
Here, I would like to briefly rant about the fact that the wiki for Limbus Company contains all the MD Events, all the Abno Logs (though not always with proper assignments who said what), all the detailed Battle Info... but. For SOME FUCKING REASON. It does not include the text for mid-battle events. IT SAYS THE EVENTS ARE THERE!!! BUT DOES NOT PROVIDE THE FUCKING TEXT!!!!
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Thank you, shitty fandom wiki, this is useless! You're making my job Harder!
In fact, I'm going to bring up those events as the First Thing, because they actually have the most thematically relevant details out of all of the information we have.
Ebony Queen's Apple has two mid-fight events. One that always activates on Turn 3 of the fight, and one that activates when its Head part is broken once and brought down to half health.
Let's start with the first one, perhaps the most interesting one.
It begins by describing Ebony Queen's Apple as "a heart torn into thousands of pieces", and how it burrows and tangles itself underground to hide itself from all eyes. Already, we have this repeat of the idea that the Apple is inheriting feelings from someone else, being that person's heart rather than just an apple cursed by that person.
This is followed by another interesting line, giving the reason for someone to pull up these roots as "there is no wound that can remain unearthed". The wording of this is kind of odd here. The word 'unearth' means to find something by digging something up from the ground, so for something to remain 'unearthed', it has have already been found and dug up.
Which... doesn't make sense when you first think about it, because it's giving a reason for digging something up by telling you that... something can't remain dug up? Unless, you connect it to the previous line. A wounded heart should not be seen by all eyes. No wound can remain unearthed. Ebony Queen's Apple is very much trying to hide its pain, and that's why the Sinners have to pull on these roots. Reveal the Apple's own pain. Because it by itself never would.
When the Sinners proceed to give each other looks, another interesting sentence follows. "Being coiled in piercing, sharp pain was something to avoid even in one's dreams." While, on the literal level, this is obviously meant to refer to the Sinner being bound by Ebony Queen's Apple's roots, I do wonder... Is it also referring to the pain the Apple itself is experiencing and trying to hide?
The skill check is a Wrath Advantage, with the additional flavor text saying "The dry earth must be upturned. Which Sinner was up to the task?". It's interesting how Wrath, the Sin of defiance, is the one that does better at upturning reality, if you will. But, that's not directly related to the Abno, so I won't dwell on it for too long.
What follows a successful skill check is the Sinner digging up the roots with their bare hands and coming to some... interesting realizations. To quote the text directly:
"In their hands were the doubts of others. The Sinner realized... That while the injury may heal, distrust might take deep root in their heart."
This, I think, is the reveal of what the source of Ebony Queen's Apple's pain is. The Apple has been hurt before, and while no physical injury or pain remains, there is still that pain of distrust, that pain of fear over being hurt again. The coiling, sharp pain that took root in the heart that the Apple represents. And that same pain that the Apple tries so desperately to hide.
Now, let's talk about the second event, which I have to rant about again. There is. Very little online info about this event, as usually one can very easily skip it because of how easy Ebony Queen's Apple is to defeat. The only footage I've found of it is in a Solo video, with the person pressing the Skip button, so if I miss any text in that event, this is why.
And no, I couldn't check what the event was on my own, because by the time I'm writing this Ebony Queen's Apple is no longer available in thread luxcavations, and I'm not going to be doing a whole MD for the chance of finding the boss or waiting a whole week just to be able to confirm the event text. I may be insane, but I'm not that insane.
So, in this event, when the Sinners look up at the Apple's face, they gaze upon "the weathered memories within". Again, there's this idea of the original harm that was done to the Apple took place such a long time ago that its memories have become weathered. It could also refer to the pain and distrust being what made those memories weathered by them, everything the Apple can remember now tainted by these feelings.
Another interesting line in this event is the following: "When the apple browns, cracks, shrivels, and attracts lowly creatures... That is when it has met golden bliss." There's that same idea of the Apple seeking death just like Snow White's Apple. How rotting away and becoming one with the earth, finally letting go of this pain, is the one thing this Apple considers as true bliss.
Upon succeeding the skill check (Pride advantage for taking advantage of the Apple being lost in bliss, btw), an interesting line is said. "The fruit was emptied of its lifeblood long ago; only futility remained."
It's a very evocative sentence to me. It gives the image of Ebony Queen's Apple being a sort of walking corpse, something that should have already died, but something within it was keeping it clinging to life in futility. Was the moment the Apple got hurt enough to begin its distrust the moment it lost its lifeblood? Was that pain and distrust the thing that kept it going in futility?
Now, let's take a look at the actual battle info. Don't worry, this one won't be as long as the MFE one, since Ebony Queen's Apple doesn't have as much to ramble about regarding its Skills and Passives.
Ebony Queen's Apple uses two different Sin Affinities - Gluttony for attacks done with its Stems, and Pride for attacks done with its Roots. All of the Apple's body parts have two attacks each, with the exception of the Head, which only uses a single Affinity-less defense skill.
Starting with the Stem attacks:
Pale Stem - The appearance of Snow White's Apple's stems actually plays a notable role, as they are constantly described as looking like they are dying and withering, yet they're still alive and growing. Likewise, I think it is worth pointing out what Ebony Queen's Apple's stems look like as well. The descriptor of 'Pale' combined with the almost skeletal appearance in its design proper gives the image of a plant that has been dead for so long its color and structure is unrecognisable. And yet... it's still alive, despite all odds.
Distrust - In case we didn't pick up on the idea of distrust from the mid-battle event, this attack would absolutely clue us all in. Incredibly straight-forward, not much more to say here.
Now onto the Roots attacks:
Root Spike - This one is so straightforward that I don't think there's much to read into here. You could probably read way into it with the idea of distrust and how it connects to the idea of taking root, but... Nah. I think this one is just a simple physical description of the attack. They can't all be deep.
Shared Pain - An interesting fact about this specific attack is that it only starts getting used After the mid-battle event (wiki says it only enters the pool after both events but I'm Sure I've had this attack happen after only the first one, so *shrug*), which has some interesting implications.
Recall that the first event involves a Sinner digging up Ebony Queen's Apple's roots, effectively exposing the pain and distrust it feels to everyone around it. And this action is what lets the Apple use the Shared Pain skill... If you can't hide it, make a show out of it, I suppose.
Now, onto the last one, the Head's defense:
Vain Fruit - Now, I think this is a very interesting skill name, as it could have a double meaning. Vain could mean someone with a lot of pride, an excessively high opinion of oneself. However, vain could also mean something useless, futile. In a way, I think both of these apply.
On one hand, Ebony Queen's Apple absolutely fits the Limbus definition of Pride. Hiding and trying to ignore its own pain for the sake of keeping up appearances, doing something for its benefits while ignoring the negative consequences. On the other, we are directly told that the Apple's continued survival is futile, there is no life left in it, only pain and distrust. Its continued existence is in vain.
So, I think the description "Vain Fruit" fits it quite perfectly actually.
Now, I'll take a brief look at the Passives as well.
An Apple's Twilight is an interesting one. When used figuratively, twilight can describe a state of gradual decline, or a state that is obscure and hard to define. In a way, I think that's exactly the state Ebony Queen's Apple is in. Not quite alive, but not yet dead either. In the twilight of its life, you could say.
Entangling Roots is clearly connected to the first mid-battle event, where the Apple is described as tangling itself to hide its pain. These roots are what entangles the Apple, and by pulling them out, this Passive is turned off premautrely.
One Sole Root is an interesting one, because I think it comes back to the idea of Pride/Vanity. That everything is about keeping up Ebony Queen's Apple's image, keeping up that one single root that matters. Note how the Roots are the part of the Apple that is covered up by its dress, and how "breaking" the Roots doesn't necessarily break the roots themselves, but exposes them by breaking the dress covering them.
So, let's finally mention the Abno Logs, shall we?
Something very interesting about Ebony Queen's Apple is that it's noted to not be immediately hostile to the Sinners, rather trying to communicate with them telepathically. It's in stark contrast to Snow White's Apple, whose hatred and poison would actively harm anything within its vicinity.
Even more interestingly, Ebony Queen's Apple asks the Sinners to "Bring Snow White", which leads Faust to realize this Abnormality has some connection to Snow White's Apple. However, something about this is interesting - it's very clearly talking about Snow White, the princess, not the other Apple. Do both of the Apples have some sort of connection to that princess?
The next Log mentions something interesting - Faust speculated that Ebony Queen's Apple could potentially 'believe itself to be a "noble".' Consider how Snow White's Apple began to believe itself to be a princess after spending a long time thinking about her. Likewise, Ebony Queen's Apple seems to have done something similar, instead beginning to believe itself to be the evil queen, potentially also after thinking about her for a long time.
...So I have a theory here. A Lore theory, if you will.
The Snow White's Apple is an Apple who took on the heart of the witch (which, if you somehow don't know the story, is the Evil Queen in disguise), but decided to become like a princess after being hurt by her.
What is the chance that Ebony Queen's Apple is the opposite of that? An Apple who took on the heart of the princess, but decided to become like the Evil Queen after being hurt by her.
It would explain a lot, in fact. The reason why Ebony Queen's Apple isn't initially hostile towards the Sinners? Because at her heart, Snow White isn't a violent or malicious person, it's the persona of the Evil Queen that the Apple took on that is violent. What character in the fairytale would be the most likely to develop high levels of distrust? Snow White, who's being constantly hunted down by the Evil Queen through a variety of deceitful tricks. Why would the Apple look like it's been dead for a long time? Because Snow White was put into a coma, seemingly dying due to the Evil Queen's actions, before she was brought back to life.
So... decoding Ebony Queen's Apple is nice and all, but where does that leave us themes-wise?
Well, distrust is the most obvious theme here. Specifically, the pain one experiences and feels the need to hide because of the fear of being hurt again. There's also this similar idea of immortality, but in this case it's specifically the futile attempt of living after one's death, literal or figurative. A walking corpse, if you will. Finally, the role reversal theme rears its head up again, though in this case it's about a kind, soft-hearted person becoming malicious and selfish, so as to never be hurt again.
And now, we get to the big question. What does all of this mean for Ebony Stem Outis?
Well, let's look at the Awakening attack. In this attack, Outis uses Ebony Queen's Apple's Root Spike attack, which by itself doesn't tell us much. What is interesting is how she invokes this attack. The motion she makes puts to mind the leader of an army, directing their troops forward with the decisive raise of a weapon.
However, the more interesting part here I think is her dialogue line. "If this is to seize victory…" So, those who were here for my Ya Śūnyatā Tad Rūpam analysis might have an idea of where this is going.
This, I think, is Outis expressing her own justification for putting on the persona of the 'Evil Queen', of a brave, selfish commander. It's to seize victory, whether it's about the Smoke War, whatever ulterior motives she has in her current position, or perhaps even something far more personal. Because, if you win, you can't lose and be hurt further, right?
After all...
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Outis has proven herself to be quite familiar with this idea, hasn't she?
Now, onto the Corrosion.
Here, the idea of Ebony Queen's Apple representing something that is already dead is further cemented, as Outis's face turns completely skeletal upon becoming Corroded. Interestingly enough, the animation she uses here is the Apple's Shared Pain attack. Perhaps Corroding under the influence of this Abnormality shows enough of her vulnerabilities for her to decide to unmask just enough to use that attack?
The dialogue line here is also very fascinating. "Just a little more…", said in a notably pained manner. Just how desperate is Outis? Just how much pain is she pushing herself through to continue on? How many 'just a little more's has she been clinging to this whole time?
Just like how Ebony Queen's Apple's attempts to keep living after death are futile, Outis's attempts to continue on despite what happened in her past are also futile. No amount of pushing through and inching forward will lead her to where she wants to be. No amount of telling herself that the Oddyssey had a purpose will actually give it one.
Finally, we're at the point where we can do some Sin Analysis.
Ebony Stem is a Gluttony-affinity E.G.O, and it's a very clear yet very interesting case of one. The hunger is very much there, but it's not what one would usually associate with Gluttony on first glance.
The hunger for survival is there, but it's not literal. In this case, it's the striving towards surviving without being hurt, surviving despite the pain distrust causes. Likewise, the hunger for progress is also there, in this case it's for trying to move forward despite what happened in the past, to keep inching 'just a little more', even though it's clearly futile, with no end in sight.
This futility, I think, is what truly makes this a Gluttony E.G.O.
Now, as for the necessary Sin Resources, they are as follows (ordered from needed most of to least of): Pride, Gluttony, Lust, Gloom.
Pride is quite important to Outis's character, and especially to this E.G.O, as she requires a whole four of it to use it. While the whole idea of her ignoring the harm she inflicts on others to get what she wants still applies here, I think there's another layer to this - ignoring the harm she experiences in doing so.
One of the main themes of Ebony Queen's Apple is how one tries to hide and ignore the pain and distrust one feels for the sake of the appearance one puts on, an incredibly Pride-coded action. Likewise, Outis has to hide her pain and insecurities to be able to put on the persona of the strong-willed, merciless commander, a highly Prideful act by Limbus's standards.
Gluttony follows after, with Outis requiring three of it to use Ebony Stem. Due to it being the Sin Affinity of the E.G.O, most of the points I made while talking about that still remain. Outis needs to wish to survive without pain and keep moving forward despite it being futile to use Ebony Stem, simple enough.
Then, a surprise guest.
Lust. Outis requires two of that Sin to use Ebony Stem. While Lust often represents indulgence, I believe this case is very similar to the case of Lust in Ya Śūnyatā Tad Rūpam. It represents Outis's dedication to her personal goals, how she has to be willing to do anything to fulfill them to gain access to this E.G.O. Plus, there is that additional layer of her wishing to not be hurt, though that can count as several different Sins depending on the context, and it's something I would put under Gluttony for this E.G.O specifically.
Finally, there's Gloom. Outis requires only one of it to use Ebony Stem. It's a small, but nonetheless important part of this E.G.O. I believe Gloom here represents the pain and trauma that led to Outis developing this behavior in the first place. The harm that was inflicted on her in the past, and the distrust that clings to her afterwards. It's a small part due to Outis's highly goal-oriented nature, causing her to focus on other aspects of Ebony Stem, suchs as reaching the goal of victory... But that hurt is still there. That piercing, sharp pain coiling around her heart, that she's always aware of at the back of her mind, no matter how much she wishes to hide it.
Of course, her Passive here being named Stem of Distrust only drives the point home even further.
Something interesting about Ebony Stem Outis's Sin Resistances is that, while very close to Ebony Queen's Apple's, they're not exactly the same. Both the Apple and Outis are Fatal to Wrath and Pride, as it's what can easily tear down their masks - the will to defy their commanding presence and tear it down, knowing that exposing their pain will hurt them in the process. However, what they differ in is the Sins that are Ineffective (x0.5) against them, and the ones they Endure (x0.75).
For Ebony Queen's Apple, its Ineffective Resistance is Gloom, and it's Endured Resistance is Envy. Meanwhile, for Ebony Stem Outis, the Ineffective Resistance is Gluttony, while Gloom is Endured.
I think the reason they're protected from the influences of those Sins is, well... They're the reasons why both the Apple and Outis put on those personas in the first place. They're both protected from Gloom because the whole reason they act like 'Evil Queens' is to avoid getting further hurt, with it being much more important to the Apple.
The Apple endures Envy because its pain likely comes from the influence of a single person - the real Ebony Queen. As such, by mimicking her, the Apple is effectively ensuring that it won't be as hurt and influences by her as it was in the past. Likewise, Gluttony is Ineffective against Ebony Stem Outis as that's the main reason she puts on this mask, to continue moving forward, to keep on living after what happened, regardless of its futility.
There is... certainly something going on with Outis that we don't fully know about yet. Something about her two Gluttony Affinity E.G.Os having themes of distrusting other people, and all of her E.G.Os having some form of idea of putting on a front that's far more aggressive or selfish or commanding than the real self might be...
Girl, what is with you.
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mobius-m-mobius · 5 months
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I find it so funny that Owen's creative process really is just: 1. Be handed a sandbox, sometimes already good, sometimes subpar. 2. Say, I can make this little guy so much better. 2.5. Actor's prayer. 3. Ad-lib on set and blow everyone away. 4. Refuse to elaborate. 5. Leave. What do you mean he has to explain his """acting choices"""? They all come to him in a moment of brilliant improv, isn't that enough? Aren't you having fun? You should be! *bikes away*
Anon you've summed up his entire dynamic in a way that's about to make it impossible for the entire world not to fall desperately in love with him as we speak, but hopefully for his peace of mind and probably ours too things don't get that far 😂💖
Honestly his mind and approach to acting amaze me more and more each day and after becoming a fan and learning more about him I was genuinely shocked there isn't more general discussion about how naturally talented and hardworking he is?? Which probably has a lot to do with him being the type who doesn't like to call attention to himself or play the press game but I always find myself hoping he really does know how incredible he is since everyone who interacts with him on and off camera is left in awe of what he brings to a production and makes a point of mentioning his unique perspective is responsible for the best parts of everything he works on.
Also can I just add it's not only his improv in the moment that impresses me but how carefully he crafts a backstory for his characters?? This goes back to him constantly improving the sandbox and we don't get to hear as many details as I'd like but it's often mentioned he shows up with scripts noted with novels his characters could like/relate to, past jobs that suit them, literary passages relating to their state of mind, etc, and so on which is so cool and again not mentioned enough that he seriously puts time and effort into expanding the universes his characters live in simply because he loves telling stories and is one of the best to ever do so in my opinion 🥰
Then on top of all that he wraps then rides his bike into the sunset while the sound of radio silence echos until we inevitably see him weeks later picking flowers or grabbing a newspaper or some green juice in some random town like the example of living your best life that he is, truly couldn't ask for anyone better!
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wikipedie · 1 year
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grief is like a really ugly couch
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I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it. ― Jodi Picoult, Leaving Time
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#the mentalist#quotes#patrick jane#i would say web weaving but there's not a lot of web weaving happening#initially I also had a bit of an essay accompanying this but it disappeared because of a tumblr glitch + my own stupidity#and i'm too tired to write it prettily but i still wanna write it so it'll be in the tags#a cute little fun surprise for whoever cares about and reads tags#so i made a different post talking about jane's grief but i was upset i didn't have enough space for the couch (pun unintended)#and i was thinking this morning about this quote and jane's couch and how it could be interpreted as a physical manifestation of his grief#as well as his willingness to open up to people#1. i love grief; grief is important to me. grief is permanent and i have been aware of grief in a form of another (in my own personal life)#for a very very very long time. so to see it in this show is...significant to me. i cherish this#now onto the actual analyzing. of course they never intended the couch to be a symbol for grief; but it becomes so.#he leans on the couch when he opens the Red John files; for support most likely - and it's a beginning of the process of dealing with grief#he is the only one who uses the couch. everyone knows it as jane's couch#in S4E23 Cho uses it briefly to rest and Rigsby asks him if Jane knows he's using his couch#Erica tries briefly (also in S4) to sit on the couch but he doesn't allow her the space#in fact the only two people we see that use the couch are Teresa Lisbon and Dennis Abbott#and this is the part about emotional availability. he only shares the couch with people whom he trusts#With Lisbon twice even#the couch is grief and the couch is love; the couch is support#there's nostalgia for the CBI times but there's also more to it#and that quote makes me go absolutely feral because#'eventually you learn to live with it' 😭 eventually you learn to live with grief and eventually you learn to accept it as part from yself#andand he is happy to see the couch; he missed the couch#-> you are not free from your grief but in healing you learn that it's okay; you cherish your grief; it was there with you and for you#yea anyways i will never not go mad about grief and trauma and how it's portrayed and handled.#and i already have 2 more sorta-proper essays that i want to write on the topic asdgfhdhjk. yea i'm literally not gonna stop
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what are your thoughts on samruby?
thank you for sending this! and OH BOY i wrote a lot. i'm so sorry. i'm putting it under a cut for everyone's sanity.
see, the thing about samruby to me is the religiosity of it all. it's about a victim unknowingly initiated into a cult. it's about a holy lamb being raised for slaughter.
firstly i can't discuss it without spilling my guts over ruby as a character!! i saw a meta the other day (and i wish i'd reblogged it bc i can't find it again) calling ruby the most devout character in supernatural. and they're right! she is! her arc is about devotion and keeping faith. she's a direct narrative foil to cas, who falls down the path of doubt and experiences a crisis of faith. For ruby, her god is lucifer, and she'll accept all persecution and undergo every trial she has to in order to fulfil her mission as his servant. and she does! she succeeds up to her death! (whereas cas fails, and lives)
she doesn't see grooming and manipulating sam as an act of corruption. it's about purification. (and we all know how sam feels about purity, aha) for ruby, the demon blood drinking is a matter of cleansing sam of human imperfection, for the purposes of presenting lucifer his ideal vessel. because the thing about sam is that he's a liminal figure. he's as human as he is monstrous - and from a demonic perspective, wouldn't his humanness be considered the infection?
the way ruby preys on sam also has a definite maternal tilt to it. from as early as s3 (like the way she says 'that's my boy!' to him in 3x04? like dean does in 1x11?). she calls him 'sammy' in a way that mirrors dean, but also evokes maternal warmth. just as dean in season 1 functions as a protector and guide for sam when he brings him back into the hunting fold, ruby does so for sam in dean's absence. sam's grief and vulnerability presents her an opportunity to take on the role of carer and mentor. she'll teach him how to use his powers! she'll guide him in what he needs to do, while he's so lost in his own suffering. sure she provides warmth and affection - but more importantly, she directs sam towards a mission, a cause for good.
she's an incredible character to pair off with sam, a character full of hope and belief that his faith might amount to something (i'm thinking of the start of s11 here - sam desperate to believe his prayers are being answered by god. only to discover it was lucifer all along) he wants to be like joan of arc - he wants the voice of heaven commanding and guiding him along a path of heroism. it's his hope and faith that make him vulnerable.
ruby takes on sam like she's a cult recruiter preying on a victim! like if you go through the stages of cult indoctrination: deception (check! she tricks him into breaking the final seal by killing lilith!), isolation (check! sam having to keep his activities w ruby a secret, driving a wedge between him and dean, eventuating in their separation), induced dependency (check! a blood addiction!). by the end of it, he's left abandoned by his loved ones, alone and entirely reliant on her and the purpose she's given him.
but luckily - sam is a character who hates being controlled above all else, so he does not have his Midsommar (2019) May Queen moment. even when he does let lucifer in, he does so as a sleeper agent. he holds onto his independent spirit to the end :")
tldr; ruby loves sam as a devotee loves their holy mission. sam begrudgingly accepts ruby, not as the divine guidance he wants, but the only one that'll speak to him.
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birthdaysentiment · 2 years
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thank you ally (@if-music-be-the-food-of-love) for tagging me! <333
tea or hot chocolate (idk why but tea always taste like warm water to me, i can never get it to taste of anything) // cozy books or halloween movies (books all the way! i don't like holiday movies i'm sorry) // plaid or corduroy (idk i don't think i have a preference) // foggy mornings or twinkly nights (all those pretty stars in the sky!) // orange or black (i can't pull of anything orange) // pumpkin or apple pie (i've never like pumpkin, and i don't think i'm going to) // wool or velvet (both since they're good for their own vibe) // picking fruit or carving pumpkins (halloween and carving pumpkins are not a thing where i'm from) // libraries or coffee shops (maybe combine the two? no but wish i went to both more often) // cinnamon or peanut butter (don’t get the hype of peanut butter) // spooky or cozy halloween (i don't celebrate halloween so idk) // candles or fairy lights (they're my favorite! but candles are cosy too)
i’m gonna tag @mabellsmora, @indimlights, @vataraxia, @embeddedinmybrain, @ghostmagnetporsche, @nellsdani and whoever wants to! feel free to ignore! <333
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sygneth · 10 months
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The confirmation that Harry's squad abandoning him is just poor writing just so the player can continue doing shit on their own is the fact that it never gets explained. Harry even tries to bring it up but kim just. Shuts him up about about it is so so sooooo absurd. Jean's inaction could also harm him but he just makes harry drop the subject? C'mon folk it could have not been more obvious that the writers simply did not come up with that part 💀 I wish people would just take things as they are: de is not really a detailed novel. It's a fuckin game. With excellent writing, excellent characters and worldbuilding, but still a game
I don't think there is much to add here anon. This is a very solid point.
EDIT: I figured it may be worth adding that this is about the posse leaving on the day of the mercenary tribunal, not before the events of the game
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sagesfandomspot · 1 year
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the fact that jess shakes his head in disappointment while knowing it’s the same girl that missed her mother graduation to see him in his hometown is insane to me. logan told her to do something stupid, something fun, something bad for her, but we are talking about the girl that went to nyc by herself to see a guy and she wasn’t even sure he’d be there!!! jess knows it, he knows her.
NO YOU'RE SO RIGHT!!! Like, here Logan is, giving her this speech about being brave and doing scary things or whatever, when he doesn't even know her. She jumped on a bus to New York to see a boy with absolutely zero plan, she chose a different school than she'd planned her whole life, she was student body vice president even though she really didn't want to be, never backed down from whatever challenge Paris threw at her at the Chilton paper (parking lot paving? And interviewing her mom's ex fiancé?? I mean come on, that was NOT easy), she navigated an incredibly challenging extended family (I mean, her mom and grandparents constantly fight and still Rory managed to have a relationship with everyone, and her dad who was mostly absent from her life has another daughter and still Rory was there for the kid's birth), and those are just the things I can think of off the top of my head. She's done so much that Logan doesn't know about because he never cared enough to ask but somehow in one conversation has her questioning everything about herself.
Meanwhile Jess knows just how very Not Rory the girl in front of him is just by taking one look at her. Knows she is lost and confused and scared after one conversation. He's the only one she has ever let her guard down around, felt safe enough to be truly herself, because he never tried to change her. And because of that, he knows her.
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only-one-brain-cell · 8 months
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I know I talk a lot about my headcannon of Maeve hitting on Spencer 24/7 (for those of you who are just seeing this now I have a headcannon that if Maeve lived she would be the most chaotic girlfriend but in the best way possible she would be hitting on Spencer 24/7. Its probably one of my favourite headcannons I ever thought of.) but I rarely talk about Spencer side about how when this happens he would go blue screen every time, I call it the dumbifcation of Spencer Reid.
If everyone is sitting down talking Maeve will walk in and sit on Spencer’s lap regardless if there’s space for her or not and that’s the second that Spencer stops talking and completely forgets what he was saying. The only thing he’s focused on right now is his wonderful beautiful girlfriend in his lap, the other team members can visually see his IQ growing down.
Maeve is very affectionate and once Spencer got comfortable with her he slowly started to become more affectionate so now she’s always holding his hand, wrapping her arms around his, hugging him from behind, anything so when this happens again absolutely nothing there’s not a single thought in that man’s brain. Similar to when their kissing, the minute Maeve’s lips are on his hes a goner. She finds the whole thing hilarious and Spencer adorable of course.
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blueskittlesart · 1 year
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have you ever watch jacob gellers "every zelda is the darkest zelda?"
people constantly recommend video essays and zelda fan content in general to me like this and like. genuinely i understand where you're coming from and i appreciate the thought but. well. i have this thing about zelda content. when you think about these games as much as i do there comes a point where like, almost anything that can be said about these games is something ive already thought about (and i know that sounds narcissistic and like i think im better than other content creators and i PROMISE that's not that. it's just that ive spent like every waking moment since i was 11 doing this. so like genuinely almost anything you can bring up about these games i have spent some time thinking about) and i've also been exposed to so many bad-faith interpretations of these games that at this point i'd rather avoid analysis than end up getting angry at a stranger online. another piece to it is that i don't really enjoy watching video essays on topics i'm already super knowledgeable about--i feel like video essays function better as dumps of information to people who WOULDN'T otherwise have thought about the topic than facilitators of discourse between people who DO care a lot about the topic already. a video essay isn't a conversation-starter, it's a presentation, and presentations are BORING when you already know everything that the presenter is saying. I much prefer talking to people about mine & others' analysis via tumblr like this, because there's a bit more room for discourse and explanation & bad-faith interpretations are less easy to get caught up in!
so tldr i haven't watched it and i probably won't simply because video essays arent my preferred method of engaging with this topic lol. i'm sure it probably makes some good points tho
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thefirstknife · 2 years
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have you seen the biphobia going around about eris? its super fucking gross
Sorry, forgot about this ask in the middle of all the other stuff that's been going on. If I understand it correctly, this is about the ongoing discourse about the ship between Eris and Drifter. I'll go a bit in depth about this because it's been gaining traction recently.
I've definitely seen some biphobic sentiments, yeah. People are really weird when it comes to bisexuality and this fandom is not any different, unfortunately.
The thing to remember, however, is that there is no canon for Eris' sexuality. There is a lot of speculation, but she has never been confirmed as any sexuality. I personally believe she must be some form of wlw, due to the sheer amount of her close relationships with women; Ikora, Mara, Sai Mota, Eriana-3, the Awoken in general (who are a matriarchal society) and so on.
A post with some details on this + links to other posts about it. Not linked here, but this has been further explored in the Witch Queen Collector's Edition book where Eris explicitly says she felt an "emotional debt" to Mara, that they had some tensions in their relationship that "remained private," and that when Eris was wounded, Mara "treated the wounds in what I interpolate was a moment of reconciliation and perhaps genuine tenderness between them."
I find it hard to believe that Eris is not wlw. However, that could mean many things. She could be a lesbian, she could be bisexual/pansexual, she could be ace or aro or both with a preference for women, or biromantic or... You get the idea. We ultimately have no idea and we're only left with speculation.
More under for length:
Some people insist that she must be a lesbian and only a lesbian and that any other interpretation is wrong. I disagree with this! There are so many other options that people should be allowed to explore and we shouldn't insist that she is canonically and objectively one thing when we don't really know. Until there is an unambiguous canonical proof for her sexuality, everyone should be allowed to HC her as they please, as long as they're not entirely erasing her closeness with women.
The same applies for people insisting that she is canonically bisexual. We don't know! I see her as bisexual (mostly because she's my blorbo and I see my blorbos as bisexual). I don't have any hard proof that she is and neither does anyone else. Canon doesn't say either way.
While some people tend to have a visceral reaction to the possibility of her being bi which I would definitely classify as some form of biphobia, there's a difference between people just being biphobic and people expressing their disdain for how Eris' in-game interactions are now largely revolving around men.
As I've said above, Eris has always had incredibly important and close relationships with women. It doesn't matter which type of a relationship they are (platonic, romantic, queerplatonic). Eris has always been heavily surrounded with other women and relied on mostly women with her interactions. Some people are reasonably upset that this has been slightly pushed aside in favour of Eris interacting more with Drifter and Crow and Zavala, rather than women.
She wasn't present at all in Season of the Lost which Bungie explained as them being limited with how many characters can be active in a given season. This is reasonable to me, someone will have to be cut. I do think that cutting Eris from Lost was a mistake however, and that they should've at least kept some of her content in lore, if not in gameplay and cutscenes. It was one of the most crucial turning points that involved her long-time antagonist (Savathun), her long-time friend (Mara) and the people she feels closely connected with (the Awoken).
In Witch Queen, Eris was there, but her appearance was fairly limited and didn't involve a lot of interactions with Ikora, which is odd. Mara showed up again and had no interactions with Eris, again. Eris was mostly interacting with Zavala and Crow and, finally, Drifter who by far gets the most screentime with Eris and has been getting it since Arrivals.
From what I've seen, people are mostly upset about this sudden shift with Eris being mostly paired up with men in lore and gameplay, while her ties to women are either cut entirely, reduced significantly or kept for special lore pieces and then not brought up again for an extended period of time. I've not seen many instances of people just vehemently disagreeing that Eris should never be with a man and that it's impossible for her to be bisexual. Even if she is bisexual, her relationships with women should still matter and not be pushed aside.
Another thing that people have an issue with (me included) is the way some of her lore with Drifter is presented. I don't mind if the plan is for them to be romantically involved. I would be more than happy if my two faves were both bi and were together. The problem I (and others) have is that there's been significant backtracking in the lore between Eris and Drifter since they first interacted in Arrivals.
In Arrivals, they first meet when Drifter is ready to pack and leave the system due to the Pyramids arriving. He always said that it was what he would do when the Darkness comes knocking again. He has always been adamant about being ready to skip town when the main threat returns. Drifter is notoriously afraid of everything and traumatised. He was 100% ready to leave. Until Eris came to ask for his help.
The two sit. They speak. They listen. Linkages forged in Light and Dark of traded secrets as the Derelict hangs in orbit around the Earth. Pacts are made. Soon, there is only the silence of knowing left between them.
They connect. Deeply. They share incomprehensible traumas that have been going on for centuries and they're both people others distrust because of how close they are to Darkness, despite their best efforts to use that closeness to help.
Obviously, since it's their first time working together, things weren't smooth. They sometimes annoyed each other. Contact event dialogues from Arrivals and Prophecy dialogues often had them bickering over their different methods and approach to the threat; Eris is serious, Drifter tries to deflect with humor. It annoys her that he's joking, it annoys him that she is constantly doom and gloom. This makes sense, since it's their first time working together. It takes time to adjust.
In Beyond Light, they work together again and things are smoother between them. They still have their differences, but Eris admits that he is a good ally, a valuable member of the team, that his perspective brings a lot to the table and that they both understand the need for balance. Again, this makes sense. They've worked together for months at this point.
We don't hear from them a lot in the meantime, but we do get some minor hints. For example, Eris seems to have picked up on Drifter's habit to end sentences with "Trust." This would imply that they kept on communicating and that they've been friendly.
It's very strange when they get the spotlight again in Season of the Haunted and they are... bickering again. I thought they moved past that for the most part? It's been 2 years! In the Eidolon Pursuant set, Eris is uncharacteristically distrustful of Drifter, a man whose help she bet on to save the system from both Savathun's interferences and the Darkness itself. She even believed that Drifter would feed her rotted screebs, for some reason, despite the fact that they must've shared meals while working together on Europa. She is surprised when he tells her he wouldn't do that to her and that he is a good cook. She would've reasonably known this?
In this season, they've been bickering again on comms in a very childish way. They keep calling each other derogatory nicknames, despite knowing the other doesn't like them. Their relationship tends to jump all over the place from deep respect to childish bickering and back. It can be jarring. In comparison with the first lore I linked (Whispering Slab), it's so incredibly odd to hear Drifter mocking Eris for "calling him" when she is literally just speaking on a public communication.
Drifter simply isn't like this? And it shows in the lore tab from the seasonal lore book, titled "TRUST" as a callback to Drifter's catchphrase which Eris picked up on. He respects and trusts Eris. He is comfortable around her and minor jokes at his expense (and at hers!) are fine. He respects her space and her orders. He also thought of her and her expertise first to help them with relics.
I appreciate this type of an interaction that makes sense with how long they've been working together. It also makes sense with their personalities; Drifter really isn't the type to continue aggravating someone he respects and Eris isn't the one to tolerate someone being openly aggravating to her. She very clearly disliked Cayde for how he acted with her and she never backed down from her disdain. Drifter is similar in that he tends to use (and overuse) humor to deflect from his pain and trauma, but he doesn't do so when the other person is someone he likes and respects. He is especially not like that in private settings.
A lot of people dislike the way Drifter and Eris sometimes act like the classic trope of a toxic m/f relationship where they have to tease and hate each other because they're actually in love. It's immature and goes against their characterisation. I completely understand people who dislike the ship because this dynamic is being presented in lore sometimes and very often in fandom. That dislike is not inherently biphobic and it has merits especially when lore also cuts all of Eris' relationships with women in order to put Drifter in the center and have him being mean to her. It just makes no sense that Drifter would do this and that Eris would tolerate it. And it also makes no sense that she would ignore her close connections with Ikora or Mara in order to spend time with a man who is mean to her.
However, sometimes people go too far with it and instead of criticising these aspects, they simply criticise the idea of Eris liking a man. Even if their reasons are all I've mentioned above, the way a critique is framed can make a difference between that critique being reasonable or biphobic. Eris can like whoever she wants and her relationships with women aren't less valuable if she likes a man as well.
I definitely wanted to make a comprehensive post about the issue because some of the criticisms of this relationship are valid, especially when that relationship comes at the expense of us not getting more lore on a much more established friendships and relationships in general that Eris has with female characters. I think people wouldn't mind the focus on her and Drifter in the lore if we also got some new lore of her and Mara or Ikora.
It's important to understand what aspect of this people have a problem with, because for the most part, it's NOT simply about Eris possibly being bisexual. But also, people should be careful with how they phrase these criticisms because it can definitely be read as biphobia.
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