#anthony dod mantle

[sine-cinematography]

IN THE HEART OF THE SEA  (2015) DIRECTOR: Ron Howard CINEMATOGRAPHER: Anthony Dod Mantle

#in the heart of the sea #ron howard #Anthony Dod Mantle #2015 #movie #cinema #cinematography #cinematographer #wide shots #moby dick #herman melville #whale #sperm whale

[cinesludge]

Movie #78 of 2023: Dredd

#dredd #action #crime #sci fi #comic book #pete travis #john wagner #carlos ezquerra #alex garland #paul leonard morgan #anthony dod mantle #mark eckersley #english #2012 #2D #phantom flex #red one mx #silicon imaging si-2k #78 #comic book movie

[stilliwatch]

#28 days later #cillian murphy #danny boyle #film #film stills #nosebleed #anthony dod mantle

[adscinema]

Antichrist - Lars Von Trier (2009)

Poster Design by Rafa Orrico.

https://rafaorrico.com

#antichrist #lars von trier #2009 #2000s #denmark #rafa orrico #poster design #zentropa #charlotte gainsbourg #willem dafoe #drama #horror #cannes film festival #anthony dod mantle #poster

[bagofbonesmp3]

28 days later (2002) photography by anthony dod mantle

#he should've also gotten the aa for this one #shocked to find out brian tufano didn't do this one tbh #28 days later #film #horror #yo.txt

[junior-stargazer-goke91]

Slumdog Millionaire (2008)

Director: Danny Boyle

Cinematographer: Anthony Dod Mantle

#slumdog millionaire #dev patel #freida pinto #danny boyle

[centroshotcinema]

🎞️Dredd (2012) 🎥Pete Travis 📷Anthony Dod Mantle

#TheMostBeautifulShotsInMovie #Shot #Movie #Peliculas #Cine #Cinema #Pelicula #Movies #OnePerfectShot #Cinematography #PeteTravis #Dredd #KarlUrban #OliviaThirlby #WoodHarris #LenaHeadey #PrimeVideo

[wintercorrybriea2]

Dogville (2003) dir. Lars von Trier

Cinematography: Anthony Dod Mantle

#dogville (2003) #Movies I like #photography

[carterreviewsmovies]

The Celebration (Festen) [1998] Review

The Celebration (Festen) [Dogma #1] Directed by Thomas Vinterberg

Year Released: 1998 Duration: 105 Minutes Filming Format: Digibeta to 35mm Video: Colour Audio: Monaural Language: Danish (with English subtitles) Aspect Ratio: 1.33:1

Thomas Vinterberg's 1998 film, The Celebration, is a film that balances two of storytelling's most fundamental themes, comedy, and tragedy. The film is a glimpse into the lives of a horrifically dysfunctional Klingenfeld family who, on the sixtieth birthday of their patriarch Helge (Henning Moritzen), see their comfortable, carefree, bourgeois lifestyle tainted by an evening of relived trauma, revelation, and betrayal.

The film follows the three children of Helge, the eldest son Christian (Ulrich Thomsen), a restaurant owner in Paris and the black sheep of his family, his younger brother Michael (Thomas Bo Larsen), a sleazy drunk, desperate to live up to his father's expectations and their sister, the well-travelled, caring, and progressive, Helene (Paprika Steen). The children, as well as a horde of guests comprised of friends and family, have gathered at one of Helge's Danish countryside hotels to celebrate his birthday. What is expected to be a lavish evening of cocktails, tuxedoes, and excessive amounts of food quickly devolves. Christian proposes a toast to his father, the man of the hour, and gives him a choice between two small envelopes, one yellow, and the other green. Helge makes his choice and his fate is sealed as Christian announces he's selected "The Speech of Truth". What follows is the revealing of decades of family secrets rooted in Helge's oppressive sexual deviancy.

The Celebration is humourous, tragic, thought-provoking, sensitive, and dark. It is a film that contains the rarity of men being vulnerable on screen, rather than misogynistic, testosterone-fuelled, agents of sex and chaos. But it is also a film that shows that evil man is capable of inflicting on those they're supposed to care for most.

While the story is filled with the melodramatic tones of a chamber drama, the actor's performances bring a sense of urgency and reality to the situation. Ulrich Thomsen plays quite possibly one of the most sympathetic male roles in cinematic history. While we don't know every detail of the children's upbringing, it is easy to feel what Christan and his siblings had to endure all while conforming to the bourgeois lifestyle they were born into; being restricted by the shackles of the expectation to look the part of their social class. The actor's on-screen chemistry is undeniable with Larsen and Thomsen lovingly insulting each other in a fashion only brothers could.

The film was the first official entry in the "Dogme 95" manifesto, put together by fellow Danish director Lars von Trier and Thomas Vinterberg himself. The manifesto outlines a variety of restrictions on the making of the film including having only diegetic sound, only natural lighting, etc. While many of these restrictions can make the final product seem amateurish and clunky, they work in favour of The Celebration. The low-key, intimate, cinematography from Anthony Dod Mantle evokes a feeling that we are not supposed to be viewing this film; that what we are viewing is the home video of one tragic night in a family's history. This feeling is brought on by the film only containing handheld shots as well as the now nostalgic quality created by the distortion of early digital technology.

While many viewers cannot relate to the experience of growing up in the high-end, bourgeois, environment the Klingenfeld children did, Mogens Rukov and Thomas Vinterberg do a masterful job at writing a variety of characters who could be related to by anyone from any walk of life.

-- Carter

#the celebration #festen #thomas vinterberg #dogma 95 #cult classic #cult films #lars von trier #danish #danish cinema #90s drama #90s movies #thomas bo larsen #kinobloggin

[byneddiedingo]

Cillian Murphy in 28 Days Later... (Danny Boyle, 2002) Cast: Cillian Murphy, Naomie Harris, Brendan Gleeson, Christopher Eccleston, Megan Burns, Noah Huntley, Stuart McQuarrie, Ricci Harnett. Screenplay: Alex Garland, Cinematography: Anthony Dod Mantle. Production design: Mark Tildesley. Film editing: Chris Gill. Music: John Murphy.  Danny Boyle's science fiction/horror film 28 Days Later... was a critical and commercial success, which owes much, I suspect, to its post-apocalyptic theme, capturing a mood prevalent after the terrorist attacks of Sept. 11, 2001. Many viewers noted the similarity of the kiosk in the film, covered with notices posted by people searching for lost friends and relatives, to the real ones posted in New York City after the fall of the World Trade Center towers -- a prescient touch on the part of the filmmakers, since the scene was shot before the terrorist attack and its aftermath. It has also been an influential film, helping spark an interest in "zombie"* movies and TV shows. After a prologue that shows how animal-rights activists attacked a research laboratory and unwittingly released a virus that causes uncontrollable rage in its victims and is spread by contact with blood and saliva, the film's protagonist, Jim (Cillian Murphy), wakes up from a coma in a London hospital to discover that he has been abandoned there and that the streets outside are empty. (The premise of someone waking up from a coma to discover a world depopulated by an incurable virus was repeated by the creators of The Walking Dead, first for the graphic novel published in 2003 and later for the TV series that began in 2010.) Jim soon discovers that he is not entirely alone: He is attacked by people infected with the virus and rescued by two who weren't: Selena (Naomie Harris) and Mark (Noah Huntley). Unfortunately, Mark gets bitten by one of the infected and has to be killed, allowing Selena to explain that the disease takes hold swiftly and is incurable. Selena and Jim then discover two more survivors, Frank (Brendan Gleeson) and his daughter, Hannah (Megan Burns), who have a crank-operated radio that has picked up a signal from survivors north of Manchester calling for others to join them. Frank is infected and killed during their perilous drive northward, and Jim, Selena, and Hannah discover that the survivors are in a well-armed military outpost under the command of Maj. Henry West (Christopher Eccleston). It turns out that West has been sending out the signals especially to attract women to service his sex-starved troops, which means not only that Selena and Hannah are in danger of rape but also that Jim is expendable. Before he helps Selena and Hannah escape, Jim also hears the theory of a soldier opposed to West that the virus has not in fact spread worldwide: that it has been contained in other countries and that the island of Britain is quarantined -- a theory that Jim confirms for himself when he sees the contrails of a jet plane flying high overhead. The released film ends happily -- or at least hopefully -- when Jim, Selena, and Hannah, having escaped, construct a giant "HELLO" sign that is spotted by a plane flying reconnaissance over the cottage where they live. It's not the preferred ending of director Boyle and screenwriter Alex Garland, who proposed a bleaker resolution of the story that failed with test audiences. Well-directed and -acted, 28 Days Later does what it's designed to do: build suspense and provide interesting characters. It also resonates nicely with our paranoia about pandemic infections in the age of COVID. But it doesn't hold up well under the old test of Questions You're Not Supposed to Ask: like, why has Jim been abandoned, stark naked and comatose, in a hospital? If the hospital was attacked by the infected, why wasn't he attacked? If it was evacuated -- we see a newspaper headline, EVACUATION, at one point -- why was he left behind? How did he survive unattended for 28 days with only an IV drip that would have run out in a few hours? If the rest of the world is safe and only Britain is quarantined, why doesn't Frank's radio pick up international broadcasts? Where are the humanitarian operations like the World Health Organization and Doctors Without Borders? And so on....

#28 Days Later... #Danny Boyle #Cillian Murphy

[agendaculturaldelima]

#ProyeccionDeVida

🎬 “QUISIERA SER MILLONARIO” [Slumdog Millionaire]

🔎 Género: Drama/Romance/Pobreza/Años 90/Infancia/Amistad

⌛️ Duración: 123 minutos

✍️ Guion: Simon Beaufoy

📘 Novela: Vikas Swarup

🎼 Música: A.R. Rahman

📷 Fotografía: Anthony Dod Mantle

🗯 Argumento: Jamal Malik es un adolescente pobre de los suburbios de Bombay que participa en la versión hindú del popular programa "¿Quién quiere ser millonario?". A punto de conseguir veinte millones de rupias, que es el premio máximo del concurso, el joven es interrogado por la policía, que sospecha que está haciendo trampas. Pero para cada una de las preguntas, Jamal tiene una respuesta.

👥 Reparto: Dev Patel (Jamal Malik), Freida Pinto (Latika), Rubina Ali (Latika), Madhur Mittal (Salim Malik), Irrfan Khan (Inspector de Policía), Anil Kapoor (Prem Kumar) y Ayush Mahesh Khedekar (Jamal Malik)

📢 Dirección: Danny Boyle y Loveleen Tandan

© Productoras: Fox Searchlight, Celador Films, Film4 Productions & Pathé

🎞 Distribuidora: Warner Independent

🌎 Países: Reino Unido-Estados Unidos

📅 Año: 2008

📽 Proyección:

📆 Martes 27 de Febrero

🕗 8:00pm.

🎦 Cine Caleta (calle Aurelio de Souza 225 - Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

🙂 A tener en cuenta: Prohibido el ingreso de bebidas y comidas. 🌳💚🌻🌛

[sine-cinematography]

Trance (2013) - Red

Director: Danny Boyle

Director of Photography: Anthony Dod Mantle

#trance #2013 #red #2010s cinema #danny boyle #Anthony Dod Mantle #london #rouge #cinematography #red cinematography #cinematographer #Rosario Dawson #James McAvoy

[tequilatime]

Antichrist (2009) (Dir. Lars von Trier) (DoP. Anthony Dod Mantle)

these woods where thousands suffered at the hands of a tiny book

#antichrist

[stilliwatch]

“I was thinking I was wrong. [...] I was wrong when I said staying alive is as good as it gets.”

28 Days Later (2002) dir. Danny Boyle

#28 days later #cillian murphy #naomie harris #danny boyle #film stills #screencap #film #cinematography #anthony dod mantle

[somebaconlover]

Slumdog Millionaire (2008)

Directed by Danny Boyle

Cinematography by Anthony Dod Mantle

Starring Dev Patel, Freida Pinto, Madhur Mittal, Anil Kapoor and Irrfan Khan

“When somebody asks me a question, I tell them the answer.”

#Spotify

[benliggins]

What artists have a bearing on the proposed project?

Artists that have a bearing on this project include a number of film directors, art directors and cinematographers of all the titles that I’ve mentioned, however Jordan Cronenweth (Blade Runner) and Scott Sinclair (Bioshock) have been particularly influential as they initially inspired the aesthetic which I plan to create. Jordan Cronenweth as well as Roger Deakins (Blade Runner 2049), Karl Freund (Metropolis) and Anthony Dod Mantle (Dredd) also have a great bearing on this project as their cinematography is primarily what I plan to “copy” at this stage.

27/03/2023