#anthonyvandyck

[peoplematchingartworks]

#peoplematchingartworks #anthonyvandyck #franssnyders #gemaeldegalerie #stefandraschan #photography #contemporaryart #berlin

[portraitsgallery]

Anthony van Dyck, Self-Portrait, 1620–21 © The Met New-York

#anthonyvandyck #selfportrait

[theunabashedepicurean]

The Salon of Virtù Patrie, Palazzo Rosso, Genoa. Photograph via Palazzo Rosso #palazzorosso #genoa #italy #palazzo #palace #unescoworldheritage #museum #gallery #fresco #frescoes #art #artworks #artist #guidoreni #anthonyvandyck #poaloveronese #guercino #albrechtdürer #baroque #italianbaroque #baroqueinterior #baroquestyle #interior #interiors #decor #decoration #interiordecor #interiordecorating #interiordecoration #interiordecorator (at Genoa Italy) https://www.instagram.com/p/Co5ExIeo_kM/?igshid=NGJjMDIxMWI=

#palazzorosso #genoa #italy #palazzo #palace #unescoworldheritage #museum #gallery #fresco #frescoes #art #artworks #artist #guidoreni #anthonyvandyck #poaloveronese #guercino #albrechtdürer #baroque #italianbaroque #baroqueinterior #baroquestyle #interior #interiors #decor #decoration #interiordecor #interiordecorating #interiordecoration #interiordecorator

[drrobertpuffphd]

Anthony van Dyck Flemish, Antwerp 1599-1641 “Study Head of a Young Woman” ca. 1618-20 Oil on paper, laid down on wood Photo is taken by: @robertpuffjr Study heads of this type were painted by Van Dyck using live models, whose features were then repeated in finished pictures, usually of religious subjects. Indeed, the present figure served as the prototype for a likeness of the Virgin in a depiction of the Holy Family. The iconography of the melancholy young woman with long hair streaming down her shoulders also suits images of Mary Magdalen; intriguingly, an early biographer tells us that Van Dyck once depicted his sister Susanna in that guise. (This writeup is taken from the description at the museum.) Metropolitan Museum of Art, New York City, USA #historyofart #arthistory #greatworksofart #artmuseum #art #artist #masterpiece #painting #museumvisit #artlover #artists #artblogger #anthonyvandyck #dyck #vandyck #met #metropolitan #metropolitanmuseumofart (at The Metropolitan Museum of Art, New York) https://www.instagram.com/p/ClfLLuMLw6M/?igshid=NGJjMDIxMWI=

#historyofart #arthistory #greatworksofart #artmuseum #art #artist #masterpiece #painting #museumvisit #artlover #artists #artblogger #anthonyvandyck #dyck #vandyck #met #metropolitan #metropolitanmuseumofart

[boywithflowersartgallery]

A collection of 275 high-resolution digital images of Anthony van Dyck ▶️https://boywithflower.gumroad.com/l/epro ▶️https://www.boywithflowers.com/product/anthony-van-dyck/ ▶️https://www.patreon.com/posts/63654422

Get more digital paintings. https://boywithflower.gumroad.com/ https://www.boywithflowers.com https://www.patreon.com/boy_with_flowers_art_gallery

#anthonyvandyck #digitalart #painting #art #digitalpainting #gumroad #patreon

[terciariosfranciscanos]

The Vision of St Anthony. 1629 #anthonyvandyck

[anthony-van-dyck]

Portrait of a Man in Armour with Red Scarf, 1627, Anthony van Dyck

Medium: oil,canvas

#anthonyvandyck #baroque #vandyck

[met-european-paintings]

Self-Portrait, Anthony van Dyck, ca. 1620–21, European Paintings

The Jules Bache Collection, 1949 Size: 47 1/8 x 34 5/8 in. (119.7 x 87.9 cm) Medium: Oil on canvas

https://www.metmuseum.org/art/collection/search/436258

#themet #europeanart #metmuseum #anthonyvandyck

[met-drawings-prints]

Christ on the Cross; verso: St. Jerome Reading by Candlelight, and Sketch of Male Torso (?), Anthony van Dyck, n.d., Metropolitan Museum of Art: Drawings and Prints

Bequest of Walter C. Baker, 1971 Size: 9 15/16 x 16 5/8 in. (25.2 x 42.3 cm) Medium: Recto and verso: black and white chalk

https://www.metmuseum.org/art/collection/search/335448

#metmuseum #drawingsandprints #themet #anthonyvandyck

[harvard-art-museums-prints]

Erasmus of Rotterdam, Anthony van Dyck, 17th century, Harvard Art Museums: Prints

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray

https://www.harvardartmuseums.org/collections/object/275982

#anthonyvandyck

[mia-paintings]

The Betrayal of Christ, Anthony van Dyck, c. 1618–1620, Minneapolis Institute of Art: Paintings

Kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. The scene is described in the Bible: Matthew 26:51, Mark 14:47, Luke 22:47, John 18:3-10 (Then Simon Peter, having a sword, drew it and struck the high priest's slave (Malchus) and cut off his right ear." John 18:10) Looser and less formal than the portraits that made him famous, this work was completed shortly before Van Dyck began a six-year stint in Italy. It follows the biblical description of Jesus Christ’s betrayal in the Garden of Gethsemane. Judas, one of Jesus’ disciples, brings a band of soldiers and religious officers with lanterns, torches, and weapons to arrest Jesus, whom Judas identifies with a kiss. Size: 55 7/8 x 44 1/2 in. (141.92 x 113.03 cm) (canvas) 70 x 58 x 5 in. (177.8 x 147.32 x 12.7 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/1341/

#artsmia #anthonyvandyck #minneapolisinstituteofart

[peoplematchingartworks]

#peoplematchingartworks #anthonyvandyck #kunsthistorisches museum #stefandraschan #photography #contemporaryart #vienna

[harvard-art-museums-drawings]

Head of a Horse; verso: Sheep's Head and Study of a Sheep (?), Anthony van Dyck, 17th century, Harvard Art Museums: Drawings

Harvard Art Museums/Fogg Museum, Bequest of Meta and Paul J. Sachs Size: actual: 25.7 x 13.1 cm (10 1/8 x 5 3/16 in.) Medium: Black and white chalk on blue paper; verso: brown ink and black chalk

https://www.harvardartmuseums.org/collections/object/296622

#anthonyvandyck

[theunabashedepicurean]

The Archduke Leopold Wilhelm in his Painting Gallery in Brussels, David Teniers the Younger, 1651. #davidteniers #davidtenierstheyounger #flemishbaroque #flemishbaroqueart #baroque #baroqueart #baroquestyle #flemishart #flemishpainting #flemishart #flemishartist #art #artwork #artist #archdukeleopoldwilhelminhisgallery #17thcentury #17thcenturyart #arthistory #artdetails #museodelprado #brussels #titian #giorgione #veronese #tintoretto #peterpaulrubens #raphael #jangossaert #parisbordone #palmavecchio #anthonyvandyck (at Museo del Prado) https://www.instagram.com/p/CqBFwdIIGrl/?igshid=NGJjMDIxMWI=

#davidteniers #davidtenierstheyounger #flemishbaroque #flemishbaroqueart #baroque #baroqueart #baroquestyle #flemishart #flemishpainting #flemishartist #art #artwork #artist #archdukeleopoldwilhelminhisgallery #17thcentury #17thcenturyart #arthistory #artdetails #museodelprado #brussels #titian #giorgione #veronese #tintoretto #peterpaulrubens #raphael #jangossaert #parisbordone #palmavecchio #anthonyvandyck

[drrobertpuffphd]

ANTHONY VAN DYCK (Antwerp 1599-1641 London) “The Madonna and Child” c. 1630-1632 oil on canvas Photo is taken by: @robertpuffjr Shrouded in richly draped folds of silk fabric, the Madonna gazing up to the sky, supports the baby Jesus standing on her lap. The child supports himself on his Mother's breast, with a touching, natural gesture, grasping the fabric of her dress with his hand. It is one of van Dyck’s most famous religious compositions. It was created shortly after the painter's return from Italy and is clearly inspired by the paintings of Titian. Van Dyck painted as many as three original versions of the Madonna and Child. (This writeup is taken from the description at the museum.) THE ROYAL KAZIENKI MUSEUM, Warsaw, Poland 🇵🇱 #historyofart #arthistory #greatworksofart #artmuseum #art #artist #masterpiece #painting #museumvisit #artlover #artists #artblogger #anthonyvandyck #dyck #vandyck (at Warsaw, Poland) https://www.instagram.com/p/CkKHFo8pWh1/?igshid=NGJjMDIxMWI=

#historyofart #arthistory #greatworksofart #artmuseum #art #artist #masterpiece #painting #museumvisit #artlover #artists #artblogger #anthonyvandyck #dyck #vandyck

[drrobertpuffphd]

SIR ANTHONY VAN DYCK Flemish 1599-1641 “Maddalena Cattaneo” 1623 Oil on canvas Photo is taken by: @robertpuffjr In response to dynastic concerns of Genoese patricians, Anthony van Dyck began to portray individual children while in Italy. Painted in 1623, the likeness of Maddalena Cattaneo is among the most endearing of Van Dyck's portraits, in the way it capture the radiant innocence of childhood. As she looks out with wide open eyes and gentle smile, she captivate the viewer with the disarming directness of her expression. (This writeup is taken from the description at museum.) National Gallery of Art, Washington D.C., USA #vandyck #anthonyvandyck #nationalgalleryofart #historyofart #arthistory #greatworksofart #artmuseum #art #artist #masterpiece #painting #museumvisit #artlover #artists #artblogger (at National Gallery of Art) https://www.instagram.com/p/Cf0QGumrbIS/?igshid=NGJjMDIxMWI=

#vandyck #anthonyvandyck #nationalgalleryofart #historyofart #arthistory #greatworksofart #artmuseum #art #artist #masterpiece #painting #museumvisit #artlover #artists #artblogger