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#anti russos
captainwidowspring · 3 months
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An excerpt from my Captain America music paper, for I just made a seriously disgusting discovery:
"The other appearance of the breaking-up-of-the-Avengers theme is during the Siberia fight, where it is played twice. The first time it plays is when Friday tells Tony, “You can’t beat [Steve] hand to hand,” and it continues as Tony tells Friday to analyze his fight pattern and she does it, up until Friday says, “Countermeasures ready,” and Tony grabs Steve’s shield. The second time it plays is shortly after Steve disables Tony’s suit, and shortly before Steve, exhausted and injured, slides off Tony’s suit and onto the ground; this plays until Steve helps Bucky off the ground and starts to walk away with him. Now, as the previous use of the Avengers-breakup theme helps show that Civil War was more of an Avengers movie than a Cap movie, this use actually happens to show how the film is more of an Iron Man movie than either of those other two. For considering that the theme was obviously meant to have the most impact after Steve broke the arc reactor, the fact that it first shows up a little before then is quite notable: and when exactly it shows up is very revealing. It first appears when Tony does not exactly have the upper hand (though Steve is doing no damage despite pummeling Tony’s suit), but then it stops when Friday allows Tony to get the upper hand over Steve and seriously hurt him, and then it resumes again when Steve is able to thwart Tony and disable his suit.
Such use of the music that symbolizes the Avengers team splintering seems to be the movie implying that if Tony had won the fight, whatever fracture the Avengers were experiencing would be less severe, but it is solidified now that Steve won the fight. Now, this is very much not true, as the entire Siberia fight was literally Tony trying to kill Bucky because he was upset, while Bucky tried to avoid this and Steve defended Bucky: and while Tony did some really despicable things throughout the movie, successfully killing Bucky and/or Steve while he was having a temper tantrum is something he would never be able to come back from. But considering the lengths the movie went to to try to make it seem like Tony was justified in doing this and not acting monstrously, it is not surprising that these fraudulent efforts extended to the music. And curiously, the Avengers-breakup theme does not play when Tony provokes Steve into dropping the shield, even though that is much more symbolic of the Avengers breaking up than Steve preventing Tony from killing him and Bucky. But that, too, might have painted Tony in a bad light, and the movie avoided such a thing at all costs. Civil War is seriously messed up."
Truly, the more one examines this mockery of a Captain America film, the more it becomes clear just how thoroughly rotten this movie is, and how it is most definitely not Cap 3.
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bayzadas · 2 years
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So I met this person who said "if only his (Tony's) dad was ever actually developed to be actually abusive" and that's bullshit. Howard clearly abused Tony in a lot of ways- emotionally, mentally, physically.
He made Tony drink alcohol when Tony was a literal child, told him he had to be a man. That's how Tony's drinking problem started. Howard forcing a child, his own child, to drink. He told him that drinking will put hair on his chest, and that he had to stop being a sissy. He hit Tony when he saw him playing with toys. He physically abused him for acting his age. Because of Howard, Tony stopped playing with toys. There were only weapons. Tony literally promised him "No toys, just weapons."
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In the comics, Howard literally tried to sell Tony to Dracula in exchange of immortality. He died, became a demon and tried to kill his own son in hell. And people are still saying that he tried his best to be a dad and that he failed? My friend, he didn't even try a little. Imagine being that ignorant.
And no, MCU Howard isn't better. Howard literally scarred Tony for his whole life. He didn't let him be a child. He wanted him to be another version of himself. Iron Man 2 tried to show Howard as a good man by making him say "You were my greatest creation" and that was full of shit. First of all, he didn't even try to show Tony that he appreciated him even just a little bit. That man didn't even bothered to tell Tony he loved him even once. And then he recorded himself saying that? You gotta try a little harder if you want your son to think better of you, Howard. Also, saying that your own son is your greatest creation is weird. Tony is his own person. He isn't a machine that Howard made, that man doesn't own him.
Avengers Endgame also tried to make Howard look better and that made me sick. That was awful. Endgame was so bad for that. Tony hugged his abuser, forgave him, and literally thanked him for everything.
Russo brothers, what the hell? What did Tony thank Howard for, exactly? Ignoring him? Starting his drinking problem? Hitting him? Abusing him verbally? Physically? Not letting him be a child for once? Are those the things Tony thanked Howard for?
And don't even get me started on "The kid's not even here yet, and there's nothing I wouldn't do for him." Everything about this sentence is awful. Horrible. Disgusting. Makes me sick. You know why? Because that is a way of saying Tony is the one to blame.
Knowing how Howard treated Tony, this literally means Tony is the one who failed to meet Howard's expectations. Tony's the one who's at fault for the way how Howard abused him. Because he wasn't good enough. Because he wasn't what Howard wanted him to be. If Tony was what Howard expected, Howard wouldn't be so bad with him. But Tony disappointed him, so Howard gave up on him. That's literally what that sentence means. Tony's playing the victim. He's being ungrateful to his dad. Howard's not wrong for the way how he raised Tony, Tony should've known better.
Did you know that Tony, as a fourteen years old child, was so traumatized to the point he built something he called "Stark City"? He built that as an apology to his father. And you know what he was trying to apologize for? Living. He tried to apologize Howard for living and Howard didn't even see it.
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Imagine the feeling. Imagine the way how he felt his whole childhood. Abused. Ignored. Depressed. Maybe even suicidal, since he literally regretted being born as a fourteen years old. But yeah, only if Howard was actually developed to be an abusive father.
Fuck you, Russo brothers. Fuck you, Howard apologists.
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rednether · 1 year
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DISNEY IS A FUCKING MENACE AND IT HAS TO BE STOPPED
@the-desolated-quill
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alwida10 · 19 days
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Sometimes I forget that it was civil war that really set the course for the MCU‘s downfall. And then I see pics like these.
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The Russos had a favorite fraction and it shows.
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It's really annoying when you get smacked in the face on other platforms with how little other fans think of your favourite character(s).
Today I saw someone arguing against Sam Raimi directing an Avengers film and they said...
"Say what you want about the Russos, but they handled every single character in their Avengers movies with a ton of care."
And I read that thinking LAUGHS LOUDLY IN LOKI FAN. Heck, they even didn't give much of a shit about Thor considering even Ragnarok wasn't safe from them basically undoing everything that happened to Thor in that. But at least Thor got to go along for the ride in Infinity War rather than being thrown in the bin before the title card.
Just...*exasperated screaming* Don't ever change 2011-2013 Thor/Avengers/The Dark World people.
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midweastindigo · 2 years
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show runners/film directors who start out with really great ideas and characters to then just completely backtrack all growth said characters have made over the years and drive the recycled plot into the dirt over and over:
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lokiinmediasideblog · 6 months
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Sadly it did kill loki to kill abt thor. But can we just see loki caring abt thor with him living for once. I was so excited at the end of ragnarok and iw ruined everything
Not sure what words were meant in the first sentence, but I agree with the rest.
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mayax81 · 2 years
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skipperauroras · 1 year
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I heard the Russo brothers are working on a Live-Action Hercules inspired by Tiktok or something... and as you know despise the Russo brothers. Disney just keeps getting worse and worse... I swear if they touch Hades and ruin him and do cruel things like they did with Loki, I'm going to throw hands! They better not write Meg wrong, either! Knowing how they did Natasha dirty by killing her off, I still don't forgive them for killing her, either...
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faeriecap · 2 years
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goes feral and starts biting the russos
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mwagneto · 2 years
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positive surprise about eeaao: gay people!! also harry shum jr:)
negative that almost knocked me the fuck out: the fucking RUSSO BROTHERS?????
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captainwidowspring · 11 months
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A Thorough Analysis of Civil War's First Trailer
So I was inspired by this post to watch the first Civil War trailer, and I was intrigued, for the trailer seemed to promise a much better movie than what we actually got. Therefore, I decided to compare stuff in that trailer to stuff in the finished movie, and what I found was very revealing. For Civil War, despite the title, is very much not a Captain America movie: and this trailer provides some insights into how it came to be so. It offers multiple insights into what we were robbed of, and how exactly the movie was maliciously turned against Steve and his friends. Indeed, the sheer extent to which the movie has been twisted is truly enraging. This is going to be rather long, so get ready:
The first thing that is shown in the trailer is the scene of Steve, Bucky, and Sam in the warehouse after Bucky wakes up. Steve asks pleadingly, "Buck, do you remember me?" And after Bucky gives his response, Steve is shown with an expression of pure relief and joy and hope. This is in sharp contrast to what we got in the actual movie. In the actual movie, Steve asks almost accusingly, "Which Bucky am I talking to?": and his expression after Bucky's answer is significantly muted. It is clear that the change here was done to both downplay Steve and Bucky's relationship, and try to make Bucky less sympathetic. First of all, Steve went from "Buck" to "Bucky" which while still a nickname is much less familiar. Second of all, the change in question is quite telling. The original question—"Do you remember me?"—is very eager and hopeful, and indicates a clear trust that Bucky is not dangerous. The new question, on the other hand—"Which Bucky am I talking to?"—is much more resigned, and implies that there is a good chance that Bucky is dangerous and not in control of himself.
There is another difference between the two clips that is quite noteworthy. In the trailer, right after Steve says "Buck," there is a pause, and a nicely centered, well-lit shot of Bucky looking attentively at Steve is shown before he continues. In the finished movie, however, Bucky is not shown until Steve finishes his question: and the shot of Bucky is noticeably darker, and he is crammed into the side of the frame, and unlike the trailer his face is turned away from the camera and obscured by his hair. This was clearly done to try to make Bucky seem more dangerous, and prevent the audience from trusting him.
The trailer conversation continues as follows:
Steve: You're a wanted man.
Bucky: I don't do that anymore.
Steve: Well the people who think you did are coming right now. And they're not planning on taking you alive.
Once again, this is in sharp contrast to the conversation in the finished movie:
Sam: Just like that, we're supposed to be cool?
Bucky: What did I do?
Steve: Enough.
Bucky: Oh, God, I knew this would happen. Everything Hydra put inside me is still there. All he had to do was say the godd—n words.
It's clear that the change here was once again to make Bucky less sympathetic. Intriguingly, based on the trailer, it seems like the words might originally have been less of a factor, and Bucky ended up in the warehouse for a different reason. But besides that, the conversation is also much more compassionate. Bucky was given a chance to explicitly say, "I don't do that anymore," confirming that he has thoroughly rejected what Hydra tried to make him into, and Steve's subsequent response—"the people who think you did are coming right now,"—emphasizes Bucky's innocence and the fact that he is being targeted and endangered for something he didn't do. This is not brought up in conversation in the finished movie, however. Bucky is not allowed to bring up the fact that he's not the Winter Soldier anymore, and the fact that he is being wrongfully hunted is ignored as well. Instead Sam immediately asks, "Just like that, we're supposed to be cool?"—as if Bucky had done something wrong when he was literally just mind controlled—and when Steve tells Bucky that he did "Enough," which emphasizes Bucky's guilt rather than his innocence, Bucky responds, "Everything Hydra put inside me is still there," which clearly implies that he has not in fact changed at all from his Winter Soldier days.
But what's really interesting is that dialogue that is very similar to the warehouse conversation actually does appear in the finished movie, just in a different place: in the apartment in Bucharest. Here is that conversation, with Sam's comments removed for clarity:
Steve: You know me?
Bucky: You're Steve. I read about you in a museum.
Steve: I know you're nervous. And you have plenty of reason to be. But you're lying.
Bucky: I wasn't in Vienna. I don't do that anymore.
Steve: Well the people who think you did are coming here now. And they're not planning on taking you alive.
This indicates a substantial reshuffling of scenes, because much of that dialogue was clearly intended to be in the warehouse; we have several clear shots of Steve in the warehouse speaking those lines. Also, Steve's line changes from "coming right now" to "coming here now" which implies that in the first instance, the pursuers didn't know their location, and if they were in the warehouse that would make sense. So this doesn't seem to be just a case of the trailer being intentionally misleading. And, just as with the changes to the warehouse conversation, these changes afforded the movie a chance to downplay Steve and Bucky's relationship and cast doubt on Bucky. For example, Steve's earnest "Buck, do you remember me?" has been changed to just a flat, quick "You know me?" The question has been altered to make it much less personal, and to deemphasize their history. Also, Bucky being allowed to say that he's not the Winter Soldier anymore is now moved to before the events of the warehouse, so that once the words become a factor the movie can continue to insinuate that he's dangerous. In addition, while Steve is still allowed to draw some measure of attention to Bucky's innocence, Bucky immediately responds to the revelation that he's being wrongfully attacked with "That's smart. Good strategy," so that his attackers receive a measure of validation also. It certainly did not seem like he was going to respond thus in the warehouse; if he had, it would have been an abrupt and jarring change of tone. The clear and concerted attempt to slander Bucky, and Steve by proxy for believing in him, is quite heinous.
The next thing that does not appear in the finished movie comes a little bit later. There is a clip where Bucky is shown for a second before a car passes him and then he disappears—the background is clearly Bucharest—and then it cuts to Steve looking out a window in Lagos. Given the discrepancy of location, as well as the fact that Lagos came before Bucharest, this might just have been the trailer being intentionally misleading. After all, following The Winter Soldier many people wanted to see more of Steve and Bucky's relationship, and Marvel knew of this: but since with everything else that went on in Civil War there wasn't much time for that, they might have put some quick extra footage in the trailer to lure people in.
However, it is also equally possible that this was something that actually was supposed to be in the movie but then got cut. After all, based on the warehouse dialogue, some scenes did get reshuffled: and later in the trailer we are shown Steve jumping off a truck to get a boost into the building instead of being lifted up by Wanda, and there are more assailants when he gets in the building, and there does not appear to be any gas. In addition, unlike the second trailer we are not given any hints of Rumlow's explosion, so it's possible that Lagos was not originally meant to be the inciting incident for the Accords, and that it did actually originally come after Steve saw Bucky in Bucharest. And indeed, the footage the trailer gives of Steve looking out that window never appeared in the final film; he is clearly looking out the window quite yearningly, not in the cool and collected manner of someone gathering information for a mission. So either Lagos was a scene that got moved in the reshuffling, or that footage was shot with the sole intention of tricking people into thinking Civil War would feature more of Steve and Bucky's relationship.
The next difference can be seen in a bit of audio. Natasha says, "I know how much Bucky means to you," unlike in the movie where she says, "I know how much Barnes means to you." And this appears to have been a change that was made fairly late in the game: in the movie, Scarlett Johansson pauses briefly before saying "Barnes" indicating that this was not what she was used to saying. Such a change once again intentionally serves to try to distance the audience from Bucky, and make them care about him less. So we're seeing a clear pattern here.
The next change is significantly more alarming. While Natasha is saying, "Stay out of this one. Please," a shot of Steve standing where he went after he found out about Peggy's death is shown. Now, there are two things this could mean: either 1) Marvel knew that people wanted to see more of Steve and Bucky’s relationship in Civil War, but since the end product didn’t have much to offer they put an unrelated scene in the trailer to trick people, or 2) that scene actually was originally intended to be about Bucky, and Peggy’s funeral was something that was added later. It's hard to tell which one it could be. Again, it is possible that this was done with the express intention of tricking people. However, again, it is also possible that this was something that got changed. Steve looks much more clearly upset in the movie than the trailer: and it's entirely possible that Steve's message on the phone was supposed to be something about Bucky, and Peggy's funeral was something that ended up replacing this. After all, it's not like Peggy's funeral had much impact on the plot; its main purpose appeared to be to both remind people that Steve was supposed to have had a romance with Peggy, and to set up his romance with Sharon. (And none of this was hinted at in the trailer.) Stucky shippers have long speculated that the Staron romance in Civil War was fueled by gay panic, and it appears that they might have been right. Whatever the situation was, however, such shenanigans are truly despicable and disgusting.
(Shortly afterwards, in response to an argument Tony made about the Accords, Steve is heard saying "That's not the way I see it," and this is immediately followed by Tony saying "Sometimes I want to punch you in your perfect teeth." I don’t think this was intentional, but such an exchange perfectly sums up how Tony acts for pretty much the entire movie.)
Soon afterward is another interesting change. Footage from the scene in Bucharest where the police in the helicopter shoot at T’Challa and Bucky is shown, but then instead of T’Challa and Bucky, the target appears to be Steve. The clip that is supplied here is clearly from the portion of the movie that includes Bucky meeting Zemo and Bucky's subsequent escape, based on the clothes Steve is wearing, as well as the fact that it looks like Steve is in front of the damaged helicopter. It looks like the helicopter is hanging off the launch pad with the front end sticking up, and there is a bullet hole in the front window. Now, this is quite distinctly not from the finished movie; the helicopter is not pierced by bullets in the film, and it is never seen hanging in such a position. However, more footage from the finished movie is shown immediately afterward; Steve is shown pushing himself up after a bunch of excitement, and the helicopter is behind him on its side. Given this, I'm not sure why the other clip was in there. For even then it doesn’t seem like they were planning on using it, and it is very different from what happens in the movie, with the biggest difference being that Steve and Bucky are alone on the roof. I guess maybe they wanted to make it seem more like Hydra might be involved somehow, because that would make it somewhat more of a sequel to The Winter Soldier than the actual movie was, and a sequel to The Winter Soldier was what people were expecting. So again, either Civil War really was originally going to be more of a Captain America movie, or that footage was shot with the sole intent of deception.
Shortly afterward there is another interesting clip. It is very brief, but there is a shot of Bucky running with a terrified expression on his face, followed by a spray of bullets on the ground, presumably what he is running from. This was seemingly supposed to be part of the Bucharest chase sequence. Once again, however, it does not appear in the finished movie. We are actually given very few shots of Bucky's face throughout the finished chase sequence, and in all but one of these he looks determined rather than afraid. This isn't necessarily a bad thing, but considering all the other Bucky slander the movie ended up having, it does not feel like this was done with good intentions. Bucky is apparently not allowed to feel fear—he can only be determined or startled—because if he was allowed to be afraid, more people in the audience might realize that he has feelings too, that he wasn't having a very good time of it either, and the wrongness of the situation might be emphasized. All of which is stuff Civil War was apparently allergic to, in its quest to treat him like dangerous damaged goods. It seems like once again this was a thing to show Bucky's side of the story that was purposely taken away.
Following this there are two more indications that Lagos might have originally been substantially different. One is the fact that, shortly after Steve’s “We fight,” line is heard, a few clips of Natasha’s scenes in Lagos are shown. This sort of implies that she was going to help him with the aforementioned fight. Again, this might have just been the trailer being misleading: but since there were already several scenes that indicated that Natasha was going to be opposed to Steve for some portion of the movie—Steve asking her, “Are you going to arrest me?”, her line, “you know what’s about to happen, do you really want to punch your way out of this?” and the fact that she was not in Team Cap’s charge—it’s not like the fact that she wasn’t with Steve for a large part of the movie was going to be a surprise. The trick here would just be making people believe that at some point she was going to rejoin Steve and fight with him, instead of turning on Team Iron Man at the last minute and then disappearing from the movie shortly afterward. But if it wasn’t a trick, maybe Lagos actually was originally supposed to come later in the movie, and she was going to be reunited with Steve for that.
The other possible indication is the fact that another bit of deleted footage is shown. Steve is seen running and then an explosion goes off, and based on the background he is in the spot where in the movie he gets blown out of the building by Rumlow: but that does not happen in the trailer, the brunt of the explosion misses him and he is able to keep running. (And him getting blown out of the building is shown in the second trailer.) This is a further implication that Lagos might originally have been different. I guess if it was, the question is whether at the time of the trailer's release they were still intending to use that footage, or if they had already decided not to but showed it anyway.  
The final change is the fact that footage from a deleted scene (that we have access to) shows up in the trailer. Now, bits of deleted scenes being featured in trailers is not unheard of, and the clip itself doesn’t really show much; all it shows is Natasha on top of a storage container watching an explosion. However, comparing that clip with deleted clips from other trailers is quite revealing. In the second Iron Man 2 trailer, for example, two clips from deleted scenes are shown; one from the deleted opening where Pepper kisses Tony’s helmet, and one from the deleted scene where Tony is with Natasha at the party. It is not surprising that these scenes got cut, though, because the ideas these clips’ scenes conveyed were also expressed elsewhere. We got plenty of other Tony and Pepper interactions that showed their dynamic, and the same is the case with Tony and Natasha. However, in the scene the clip in the Civil War trailer is from, Natasha sees how violent the rest of Team Iron Man is being and becomes upset; presumably, seeing this pointless violence is why she later switched sides. But in the movie, no similar indications are given for her change of heart. In the movie it’s framed like she was fully intending to stop Steve, but then realized at the last second that she couldn’t and let him go. So while Iron Man 2 got rid of clips that were fairly redundant, Civil War got rid of a clip that would have supplied valuable information. And the lack of that valuable information appears to be an intentional effort to stifle Team Cap's side of the story, and prevent Team Iron Man from looking bad.
That is all the changes there are, but there is one other thing. One of the last things shown in the trailer is the "He's my friend/So was I," exchange. This is also what is said in the movie: but the fact that the trailer so prominently featured Steve and Bucky's relationship helps highlight just how ridiculous that exchange is. I wonder if that is another reason why Bucky and Steve's relationship was so carefully downplayed.
Now, again, considering that this is just a trailer, it is hard to tell how much of the stuff that was shown was originally supposed to be in the movie, and how much of it was the trailer being purposely misleading. After all, trailers are deceitful all the time, and the second trailer was also cut in deceptive ways. However, unlike the first trailer it does not show anything that is substantially different from the finished movie: so considering the abundance of unused footage in the first trailer, there very well might have been significant changes made after that trailer's release. Indeed, this film was supposed to be a sequel to The Winter Soldier before it became Iron Man 4, so it might have originally been less of a clown show. A sequel to The Winter Soldier is certainly what most people were expecting. It’s just hard to tell whether there had originally been more of an effort to make one, or whether the trailer was just stringing people along.
In conclusion, looking at the differences between the first Civil War trailer and the actual movie is quite revealing. The Russos said in the director's commentary that in making the film, the hardest thing for them to do was "to balance the characters, and constantly recalibrate, through the writing, through the acting, through editorial, to make sure you could walk out of the movie, and really be conflicted,”: and even with the few changes the first trailer gives us insight into, it is clear that this involved arranging things to purposely minimize Steve and Bucky's relationship, curtailing Bucky's role in the movie and making him look as unfavorable as possible, and deleting things that would either make Team Iron Man look bad or make Team Cap more sympathetic. Civil War was billed as a Captain America film, but considering how deliberately the movie was turned against him and his friends, it is quite clear how untrue that is.
Truly, it is exceedingly tragic that the third Captain America movie was turned into the Iron Man 4 mess it ended up being, when it should have been a continuation of everything that was set up in The Winter Soldier. And based on the fact that the first trailer seemed to promise those things, as well as the fact that even the second trailer was cut to make it look like Bucky would have a bigger role and Natasha would reunite with Steve (though Sam was largely left out), the makers of Civil War knew exactly where they were falling short. But unfortunately, they made no efforts to repair such deficiencies, and even now we are still waiting for Cap 3.
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cable-knit-sweater · 2 years
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lol this is me trying to find out more about that spinoff or numbers on TGM
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levelofyoureye · 8 months
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lmao so i was just going through my camera roll and clearing some photos out, when i stumbled across this screenshot i took in january of 2020 and…
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i’m in shock. i literally don’t know how i forgot this happened, like i was actually astounded when i found this. NEVER forget when steve rogers’ ending was so horrifically out-of character that SEBASTIAN STAN HIMSELF posted a screenshot to instagram of a tweet dogging on his ending. it’s been years and i still haven’t forgiven marvel. i don’t think i ever will.
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porcelain-dionysus · 3 months
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Steve’s Endgame Ending fixed
What if at the end of Endgame when Steve is returning the stones, he has to give up something he loves, right? So what if he gives up his super-serum effects (an au tweaked and borrowed from @growingpaynes-art ), and turns back into pre-serum-Steve? A list of reasons why I think this would work:
A) Straight off the bat it’s easy to keep Steve in the MCU with Chris Evans’ contract ending if they replace the actor who plays pre-serum-Steve (obviously with a guy who looks similar to the first movie, but without the CGI). I know people might be confused why he looks different but the MCU’s changed actors before and it’s not the hardest stretch of the imagination. Also thematically it’d be cool to have Steve be literally unrecognisable to the audience.
B) I think a lot of writers for the Avengers are so focused on writing ‘Captain America’; ‘bland, stoic, with no sense of humor’, that they forget about Steve Rogers; the young disabled man who would put his life on the line to fight fascists. This would be a great way to get back to the basics of Steve’s character and show the audience who he truly is.
C) Honestly it would just be nice to show that Steve is just as righteous and brave with his disabilities, something not often shown in media. Even the MCU likes to focus on Steve’s asthma and ignore that he actually was disabled. (which i’ll touch on in a second).
*and now for some more headcannon-y stuff*
A) From screenshots from the movie, and a list at Disneylands Tomorrowland exhibit, the canon list of Steve’s disabilites and health problems are:
Asthma
Anemia
Diabetes
Color-blindness
Arrhythmia
Scoliosis
Chronic colds
High blood pressure
Easy fatigability
Heart trouble
Sinusitis
Fallen arches
Partial deafness
Stomach ulcers
Pernicious Anemia
Astigmatism
Nervous troubles of any sort
History of; scarlet fever, rheumatic fever
(Jesus Christ Steven)
B) It’d be cute to see Steve actually be able live with his disabilities, unlike in the 30’s. I cannot stress how much eugenics there was back then (and still is now, but WAY more casually acceptable back then). Even the actual Captain America storyline reeks of it a bit; experiment on a disabled man to ‘fix’ him and turn him into a soldier. However in the 21st century imagine if he could get the help he actually needs! Obviously a lot of his stuff is chronic, but he could actually live with it instead of just surviving like he would have done. And be able to afford them, unlike back in the Great Depression. Back braces, inhaler, mobility aids etc. It’d be nice to see a disabled person living with themselves as the HAPPY ending, instead of as a tragedy as it’s usually played.
C) The story of him actually seeing worth in his old (new?) body and himself instead of just a vessel for Captain America. A self-acceptance arc. Being able to retire in peace without anyone recognising him as Captain America without having to give up his life in the 21st century.
D) The Smithsonian exhibit is so closely tailored to his propaganda persona that it fails to acknowledge him as a person. I wouldn’t be surprised if the general public has never even seen a photo of him pre-serum, or knew how bad his illnesses were besides ‘just asthmatic and skinny’. He could easily walk around and not be noticed by anyone.
Tldr: Steve’s proper ending in Endgame should have had him return to his skinny form in exchange for the stone, and him being able to retire to finish art school in peace.
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gay-jewish-bucky · 1 year
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The shirt Joe Russo was wearing as Grieving Man in the post-snap support group
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