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#any art critique appreciated
dotsz · 7 months
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my body is not me its all meat
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emmybeearts · 7 months
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Autobot Lineup for a Transformers comic i want to do at some point
from left to right (first image) we have Elita 1, Hotrod, Mirage, Sunstreaker, Nautica, Moonracer, and Flareup
I'll digitize my decepticons next time i get sick lol
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gnarlyimp · 8 months
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does anyone remember this part of the stream? every time i show someone this picture they look at me like i’m crazy
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emotinalsupportturtle · 5 months
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sometimes a piece of media gets praised too much that I loose some appreciation for it (maybe because it raises expectations). The star beast however, is a piece of media which I love more every time I see it criticized on mainstream social media
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inkskinned · 9 months
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no, actually, where is the whimsy?
my ex had a best friend named larry who asked me once: what do you think comes after irony?
we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.
earnest positivity, i said, while my ex said, art self-destructs.
i stared at my ex. he stared at me.
his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!
it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.
and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.
my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.
which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.
but here's the thing: i wasn't wrong either.
the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.
so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.
and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.
where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.
it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.
this knowledge: where he said nothing comes after, my only instinct was what comes after is love.
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vesprynna · 9 days
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Today is my 34th birthday, aaah!! Toot toot the birthday flute!! 🥳🙌 As per usual, here's my annual birthday pinup 💖 This year features my soft forest monster lad Khalan lounging in a refreshing forest pool 💖 He's from my WIP comic project DEAREST!
A hi res downloadable version of this year's pinup + a timelapse is free for everyone to enjoy on my Ko-Fi 🥰🙌
Here are the other versions of Khalan and Willow over the years! I feel like celebrating their journey too 🥳 Which one is your fav?
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🌱🌻🌾🌷🌾🌻🌱🌻🌾🌷🌻🌾🌱
Now, Im going to be a bit sappy so... Bear with me, or just enjoy the art and go on with your day, whatever suits you. Thank you for being here regardless 💖
To imagine that 20 years ago I didn't think I'd live to see my 20's... But I'm still here, and I'm so happy that I am 💖 Life's been rough, and it will continue to be at times, but thankfully there's pockets of joy to be found in the chaos. It really can be as simple as a funny tag someone leaves on my art, my best friend @unicornia93 doodling something funny to cheer me up, or the boundless enthusiasm my fiance has for ANY idea I share with him or my family being their goofy but wonderful selves 😂💖
I also want to extend a sincere Thank You to everyone who's supported and followed me over the years. Every year when my birthday comes around I always wonder how I got so lucky to be blessed with great friends, a wonderful fiance and my small but loving family... And to also be part of a community both online and offline amongst kindhearted, passionate people and artists. I don't say this often enough, but I truly appreciate each and every one of you! From my regular followers who always, always like my art (yes, I see you 💖), and to my friends, family and fiance for giving encouragement and critique to help me grow as an artist and person. You guys are absolutely wonderful!! 💖🙏
I'm glad I stuck around to experience all that life has had to offer so far. Thank you for being here with me in this moment, I hope you will be here next year too 💖💐
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wutheringmights · 23 days
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After I finished reading The Epic of Gilgamesh today, I entered a fugue state where I sat down and read the entirety of Alanna: The First Adventure by Tamora Pierce.
On the record, I have had a lifelong love and adoration for Pierce's Tortall books. I first read the Song of the Lioness quartet when I was 11, and they rewrote my brain. I love them so much. I reread them and the other Tortall books on a semi-frequent schedule.
It's been a while since I reread any of the Alanna books, if only because my sister took our shared copies when she moved out. I've been meaning to buy my own set for a long while now but haven't been able to justify the purchase. The other week, I just so happened to find the first two volumes at my local indie bookstore. I bought them immediately, as well as ordered the third and fourth book. (And discovered that the store owner knows me by name-- when I went to pick up my order, she saw me and said, Hi Frankie! I got your books over here.) (I may be spending too much money there.)
So I have been in a bit of an emotional rut these past few weeks. Work sucks. Life stinks. The temptation to run off to Tortall and curl up in the fantasy story that captivated me as a kid has never been stronger.
Ergo, I ran off to read the first book as soon as I could.
If you're looking for any critique of this book, series, or Tortall in general, I will never give it. Sure, it's problematic and dated, and in many ways imperfect, but someone else can list out all of its issues. They're all perfect to me.
Anyway, the book. I should say something about this book in particular.
One thing I appreciate about Pierce's writing is how she handles school settings in fantasy. Learning and training is so mundane. All of her heroines have to work hard and put in extra hours of study in order to improve, much less keep up with their peers. It's so normal that it circles around to being weirdly refreshing.
Also, there is still no other fantasy author who handles period talk and birth control the way Pierce does. We make fun of the trope of fantasy birth control nowadays, but I rarely see it presented as it is here: as a part of normal puberty lessons and given long before sex is in the girl's radar. And even today with the glut of YA fantasy stories out there, I still have yet to see menstruation be portrayed as frequently or as bluntly as Pierce writes it.
There was a period of time publishers really tried to push the Tortall books as straight YA, which doesn't work for that reason alone. You gotta market them to middle schoolers. They're the ones just starting puberty talks, and getting scenes like this is so good for their brains.
Moving on: I fucking love these characters. Alanna was an icon of brash, temperamental heroines that have shaped my taste to this day. I love how even in the first book, Jon is kinda shitty. I adore George Cooper. Talk about a taste maker the way this man sets a standard.
I just can't be coherent when it comes to any Tortall books. I have no thoughts. Head empty. I am going to binge the rest of this series as quickly as I can before my library book comes in. Then normal book content will resume.
Before I go, I need to talk about the book covers.
Growing up, my sister and I had these covers:
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Which, god. I love them. The black is striking. The art is incredible. Alanna looks so good. They were the perfect pocket-size too. I was going to buy the same edition for my copies, but instead I got the 40th anniversary reprints:
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Not bad at all! These books have had some seriously bad covers, and these look great! Very anime, which will appeal to the 11 year olds who need to have their socks rocked by this series.
But, man. I really miss those black covers. One day I will splurge and buy a second set of them just so that I can stare at the art.
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ot3 · 3 months
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Hi, I just finished the AA trilogy with my bf and we fell in love with it! I found your blog the other day, and it sometimes feels like you're the only one giving correct takes on these characters' writing and the minutiae of everyone's inner worlds (or the fumbling of, see Godot).
I just got here, but, something that's been bothering me about the fandom's approach to the sequel trilogy is like... the imperialist undertones are glossed over, or swept under the rug. Researching "The Dark Age of the Law" and beyond puts a sour taste in my mouth. And with Khura'in the country vs Kurain the village? It all feels racist at best (the concept of the Divination Seance gives me squick). If you have the time, I'd love to hear your thoughts about AA5 and AA6 in relation to the world of AA as a whole. Thanks again for all of your thoughtful and nuanced takes on this series!
so glad to hear you guys liked the games!! thank you for enjoying my posts, i always appreciate it.
the tl;dr of it is that i do think they are genuinely bad enough additions to the franchise that they have signed mainline ace attorney's death warrant. picking out the dark age of the law stuff and aa5 and the imperialism in aa6 you've pretty much honed right in on my two biggest critiques
however i do want to say that although they're being bundled and sold as a 'second trilogy' that's not quite accurate either experientially when playing the games or from a development perspective. aa4 had scenario design/creative direction by series creator shu takumi, with the art director being kazuya nuri (responsible for character design for rise from the ashes in the series previous to this); aa5+6 was spearheaded by takeshi yamazaki, who had been with the franchise since its first game, with the slightly less tenured takuro fuse on art direction/character design. yamazaki and fuse are not without skill, but i think they're both significantly less skilled than takumi and nuri respectively and. it really shows.
pair that with the fact that aa5 and 6 fundamentally do not follow up on any of ace attorney 4's established characters or plots more than superficially, i don't think it's particularly useful to critique 4-5-6 as if they're a single body of work in the same way the trilogy is. apollo justice isn't a perfect* ace attorney game but it's a good one.
anyway i think buying into the 'dark age of the law' stuff in ace attorney 5 necessitates cheapening all of the events preceding it. the implication that 1. the law wasn't that bad before but it Is Now and 2. a single case was the tipping point for whether or not the entire legal system would be bad just ruins the times when ace attorney has managed to acknowledge corrupt systems as a massive source of problem for the everyman in the past
i think this screenshot from the dark age of the law wiki page says a lot:
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For starters, that phoenix quote. He would not fucking say that. I don't think there has ever been a point during or leading up to phoenix's career where he thought the legal system had 'glory' he would then want to restore it to. you seem to get it so im not gonna harp on this too much on this but. jesus christ
then, then there's fact that even by stating the most basic details about the franchise's events undermines the whole premise. like okay notice that the corruption that happens during the trilogy/investigations spinoffs is coming from all of the actual agencies that represent law and order/the system: the prosecutors, the police, and the prosecutorial investigation committee. however in aa5 the thing they choose to paint as responsible for supposedly unprecedented levels of corruption in the legal system is defense attorneys resorting to more drastic means, and the general public; aka not the people who are responsible for upholding the legal system but the people who are victimized by it and in opposition to it.
i don't think this was an intentional choice as much as it's just sloppy, inconsiderate, and contrived writing.
aa6 is just flat out racist. 'imperalist undertones' is i would say the gentlest way you could phrase it. like. japanese characters going to a made up south asian country that needs to be taught how to govern itself to quash its internal rebellion is like. so high on the yikes meter.
making a bunch of fake 'ethnic sounding' nonsense names filled with apostrophes to make them into silly sounding english phrasing was a disastrously tone deaf thing for the localization to do. they're really unforgivable. the worst of it all is probably "Inga Karkhuul Haw'kohd Dis'nahm Bi'ahni Lawga Ormo Pohmpus Da'nit Ar'edi Iz Khura'in III" i'm unsure if the names are quite as offensive in the original japanese because i haven't looked too much into what they actually are and have a really limited knowledge of the language. but. this name in japanese is "インガ・カルクール・ククルーラ・ラルバン・ギジール・ホフダラン・マダラ・ヴィラ・ヤシマ・ジャクティエール・クライン3世" which is written in katakana. katakana is, in contrast to kanji and hiragana which are used for writing japanese, used to phoenetically transcribe foreign languages or to write loan words. so the foreign-ness of this character is being emphasized here in the original text as well.
the supposed cultural inferiority of the khurainese people is baked into the game at pretty much every level, down to the gags. khura'in has the 'plumed punisher' show, which is actively criticized by the characters in game for just being a cheap ripoff of the steel samurai. they don't even get to have their own tv.
i believe the reason the racism is pretty much glossed over a lot in the fandom is for several reasons. for starters, ace attorney fans overall tend to fall into three camps: 1. people like me who fucking hate these games, refuse to acknowledge them, and would retcon them out of existence if possible. 2. people who have found things they like about the game and have a Good Version of the characters and plots that they have constructed in their head and 3. people who view all of the hate on these games as completely overblown
the first camp Does talk about how the game is racist but we're all already in agreement about that so it's kind of preaching to the choir and a bit redundant to keep going on about. the second camp tends to acknowledge the stickier aspects of the game but focuses on making content around the elements they like rather than critique. the third camp is the type to throw the baby out with the bathwater re: critiquing a thing they like. it's all haterism to them. but either way i think its kind of fucked up how many people will be like 'aa6 isnt that bad you guys are just mean' without even acknowledging these complaints.
anyway the khura'in country vs kurain village thing is really weird to me it shows both a lack of imagination and a disregard for the series' own established lore. why would a girl from a village where almost everyone is a spirit medium need to go to a place where only, like, two people are mediums to train.
i will say though that the divination seance is kind of one of the only things i found about aa6 to be an interesting addition. for a franchise with ghost summoning and murder solving, the two have a kind of hilariously low amount of overlap so i found the idea of bringing ghost bullshit into court really fun. mechanically speaking, the divination seances also felt a LOT better to play than the mood matrix segments of aa5.
in general, i think the biggest weakness of the mainline franchise under takeshi yamazaki's stewardship is its misunderstanding of stakes. both aa5 and 6 prioritize more bombastic and impressive on paper material stakes. oh no! the ENTIRE JUSTICE SYSTEM BEING GOOD OR BAD depends on this one case! on no! we have to DEAL WITH REBEL INSURGENTS! complete horseshit when there is not competent and functional enough character writing to get us emotionally invested here. yamazaki seems to think bigger is better, and that just simply isnt true for something like ace attorney
i've pointed this out in the past when critiquing aa5 and 6 but if you look at the actual material stakes on the line in ace attorney, they're at their highest after rise from the ashes. ousting the corrupt chief of police is the most impressive and impactful thing phoenix does with his career (arguably until the jurist system, but definitely in the trilogy.) but that's not the big Finale case for his character arc. his finale case is defending his college girlfriend; a nun who lives in the mountains, whose conviction would have had zero implications on the larger fabric of ace attorney's legal system. because takumi's writing clearly shows that he understands what makes a plot impactful is the emotional stakes the characters have invested in the events.
before taking over the main franchise, takeshi yamazaki was responsible for the miles edgeworth investigations spinoffs. i do enjoy both of those games - aai2 in particular is really strong. yamazaki does a great job with edgeworth's character arc even if i have some specific gripes with the duologys writing. i think theyre solid additions to the franchise. but you can see traces of this sort of misalignment in narrative priorities here as well. for example, the last case in aai1 is notorious for still going on for, like, an entire hour or two past the time when the last remaining plot point we care about has been revealed. because yamazaki seemingly had no understanding that That was the thing the case should have been about, and that should have been the final mic drop of the game. it just keeps going! he didn't know the game was done and he added a bunch more bullshit busywork after it that no one likes!
so yeah. without going into anything even as specific as how individual plotlines or character arcs were mishandled in aa5/6 that's really my overview What Went Wrong of those games.
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duchess-of-new-shire · 3 months
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Liking Hazbin Hotel is such a bizzare experience
Because you have basically two flavors in the audience: hyper obsessed fans who refuse to acknowledge any kind of criticism of the show or cast/crew, and hyper critical viewers who despise the show and everyone who made it, and both camps feel very confident and comfortable passing judgement on you based on which group they decide you're in*
Like can we not all acknowledge its flaws and appreciate its value? Can we not say that yes, it's pacing is fucked and yes, the voice acting is amazing and yes, it's upsetting they didn't carry the original cast from the pilot and yes, it's animation is really expressive and yes, those character designs must be terrible to animate and yes, vivziepop has said and done some real weird and bad shit and yes, she's pioneering a new approach to how shows can be made and yes, they are at best insensitive and at worst outright malicious towards a lot of minority groups and yes, they have lots of queer rep and yes, the songwriting is lacking in a lot of areas and yes, some of the songs are fucking amazing, and yes and yes and yes
Many contradicting things can be true at once and you will never have a full, accurate, or interesting view of art without holding space for all of it
* I phrase it like this because as someone who both enjoys the show and critiques it, I have gotten some rather,,,,, shall we say unkind words from both sides based on which side of the absolutist divide they perceive me to be on 
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I loathe it when people try to "fix" Joy Ang's WoF art. I'm not talking about people who redesign the tribes for fun; I don't think there's anything wrong with that. I appreciate how creative the WoF fandom can be! But when people call her art "bad" or make their own edits/renditions of it and claim those are objectively better... I think that's really mean. I've seen people make dubious redlines of her dragons to "correct" their anatomy, which can be an EXTREMELY rude thing to do when done without care or permission. A lot of those people also don't seem to pay any mind to her stylistic/intentional choices. :/
It's okay to critique her art (no artist is above criticism), but insults are not critique. Show her some respect.
.
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amazon160 · 9 months
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Spot dabbles because the simps need to be fed:
(art ain’t by me I’m so sorry I couldn’t find the og artist 😭)
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-He is the single most awkward man alive, no doubt. Has no filter. Will compliment or critique you on the spot. Hehe. I just noticed the pun there lol. And if it’s not an annoyed critique, he usually gets all flustered after he realizes what he’s just said.
-Spot is real laid back if not an anxious wreck around you. Clearly a bottom. You’ll get him to be more assertive by telling him that when he does, it’s straight up H O T.
-He seems like a “work now, clean later” kind of guy. I mean, we saw how disorganized his house was. It reminds me of Dipper in this one Gravity Falls episode iykyk 😉. Once he moves in with you, he’ll push himself to pick up after himself more often. Until then, he would much rather come to you than you come to his apartment.
-The man can be a scientific perfectionist, but he does not like to clean :(
-Absolutely loves it when you lay your head on his stomach. He’s a lil chub, so he feels like a pillow :3
-Spot is very self conscious of his body, of course. So he will go ballistic when you caress his square like torso or his spindly limbs, like they’re the most perfect things in the world to you.
-He doesn’t understand how you could love someone like him :’(
-When you trace around his spots or sweet talk him about whatever, he can barely sit still underneath you. Any type of praise will send him through the roof.
-So when you’d say it was hot when Spot was assertive? Every now and then, he’ll take that advice. It’ll be easy to kinda just sneak up on ya from behind with his portals.
-He also likes to give you praise as much as you like to give him it. He knows that the assertion needs to go both ways.
-That’ll be its own blurb with more details for another day.
-But.
-I’ve always had a thing for hypnosis, I love it and I don’t see it used too often. But like, imagine Spot pins you onto the bed or the couch or somewhere comfortable. His portals are keeping your arms out of place and he forces you to look at him the way he makes Miles look to the side in the movie
Erm. 😳
-The spot on his face starts to swirl, or ripple, or whatever motion and you feel all groggy under his gaze, making way for Spot to take advantage of you while you’re under his trance.
AAA--
-I’m not the usual fan of yandere but for a lil wimp like Spot to be acting that way would be HOO--MAMA--especially if this were after his transformation and the end of the movie.
-You wouldn’t stand a chance.
-AND tbh his voice is just so 😩 especially when it’s distorted
-Like is it just me-? Idk.
-He doesn’t like doing the spicy all that much, he’s mostly into the fluff and domestic bits of your relationship. Don’t get me wrong, he appreciates what intimacy he’ll get, but not so much the SPICY stuff y’know
-And this is whether or not you’d say he has his part. For some reason this became a discussion with me and some friends and one of them literally went “maybe it’s in a hole somewhere”. So if that’s where you wanna go, go for it. Heck, I’ve still seen some art of stuff coming out of that face-spot of his. Y’know, the one spot on his head 😋
That’s all the dribbles FOR NOW, but I intend on getting a not spicy but mild blurb of Spot along with that hypnosis concept XD
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eremorte · 2 months
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thronecoming heritage hall gifts (rewritten)
The Thronecoming heritage hall gifts bug me. Most of them don’t feel like a parent has gifted them. They are so uninspired for the biggest moment in their child’s life.
I’ve listed my replacements below. I’m hoping for the gifts to have a, if had-to-do-it-again-here’s-what-I’d-want vibe.
blondie lockes
OG gift: running shoes
rewritten gift: a new piece of tech that helps her with her mirror cast. A shiny new microphone or even just a cute news reporter accessory that acknowledges her unintended break from destiny (or rather extremely developed hobby/career because her story can be over in like 30 minutes) it also gives off the initial impression that blondie’s story is “just right” the way it is until.. boom! There’s a note.
That mentions that as Goldilocks has reflected on her role and how she regrets hurting the bears the ways she has* and with an extra perceptive daughter like blondie she is sure to find a worthy story (within bounds) that won’t cause baby bear to develop a complex. *insert long list of things here that blondie could comment on in her stead because the story book of legends didn’t write every worthwhile critique of the bear house and the bears despite “forgiving” her won’t let her talk to them about this* and a small comment of how she is super proud about blondie that hopefully eases some of her attention seeking behavior so she’s less of a brat later on.
cerise hood:
OG Gift: picnic basket with an electronic mirror lock.
revised gift: honestly I have no comment. This is a great gift. My only question is how recently the presents are placed in the hall seeing as how that basket spit up a whole bird leg. Maybe it has a special note of the picnic menu they have in celebration once the whole shebang is done.
o hair twins:
OG gift floating hair brushes
rewritten gift given how Rapunzel’s story is that she was locked away her whole life because her bio mom ate a magical plant while pregnant that the witch wasn’t sure of the side effects of and had to lock her away because damn sure bio parents couldn’t do anything if the witch was second guessing herself. What I think should be there are odd bits an bobs function like an Easter egg hunt of a map and post fairytale notes one what they are that Rapunzel is certain her girls can figure out because they have her plant powers (though probably diluted hence the helpful notes incase they have to solve things like their adoptive grandma ).
briar beauty
NOW FOR THE GIRL WHO INSPIRED THIS POST. Her gift makes me so angry. It is the most nothing gift of the whole bunch. You mean to tell me that a hundred year sleep doesn’t come with any regrets at all? Not one thing?
OG gift A neck pillow.
revised gift: A SCRAPBOOK. The first few pages could be filled with pictures of her family. Bonus points if they’re are people Briar wouldn’t have gotten the chance to meet but knows who they are by virtue of her mom. It hits home exactly how big her sacrifice is. Also all the storybook imagery? The intro? Imagine if there was a dark time line where we were being told everything that happen through briar who missed all of it and is trying to piece back something familiar?
either way, mental breakdown and existential crisis guaranteed.
also bonus. It’s totally merchandisable. Half the book mercy was essentially scrapbooks/concept art anyhow.
Cedar wood: revealer rays
it’s a good gift but something she wouldn’t be able to use in her story at all. They are not subtle and most everyone who knows about Cedar knows that Pinocchio didn’t mess up her eyes to the point she’d feasibly need glasses. Revised gift: letters from the blue fairy (well wishes, maybe an helpful hint or two) Gepetto and Pinocchio (things to to try (and not repeat) once she’s no longer wooden and how to lie effectively) I can’t think of a physical possession for Cedar to have. But I feel she’d appreciate these. Maybe a special cricket/donkey whistle?
duchess swan:
no gift shown but what I have in mind is a mix of briar and blondie’s gift.
a collection of letters (written on leaves and paper or something) from both her mom and her bio dad detailing the bitter sweet love in the tragedy to reassure duchess it’s not all bad. And a special pair of dancing shoes for her last night as a human. I imagine this gift would only make duchess mad.
Madeline hatter:
no gift shown and honestly idk what the mad hatter gives his daughter it’s probably perfect. An old hat that looks very normal actually? A crazy new teapot? Who knows?
raven queen:
og gift wand wishing well coin
honestly I want to know the logic behind the wand. Is it a back up battery in case apple thwarts raven through zapping away her powers somehow?
I have multiple suggestions
Something that contains directions to the true SBOL
recipe for the poison apple
something that originally belonged to someone in the Snow White family that she is proud enough to share with her daughter (raven would probably give it back).
*blondie branches out mentions how Goldilocks promised to be a better person.
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celluloidbroomcloset · 4 months
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sorry about this, it's been on my mind for a while, relating to your celebrity discourse post.
You're right in pointing out TW has been treated unfairly. He puts his foot in his mouth sometimes (there are times I just wish he wouldn't say anything or at least think it through). HOWEVER, since last year it's become extremely common to take things he says out of context and use them for rage bait clicks. And often when he does get 'criticism' its often for something he either didn't say at all or something that, while not great, has been twisted and overblown to look much worse.
What frustrates me is a lot of people seem to be doing this on purpose. It's like they're watching and waiting for him to step a toe out of line so they can rile people up on Twitter.
I don't think I need to point out a lot of white celebrities have done exactly the same or worse things than him, and don't recieve the same level of backlash.
I dont think you have to be a TW stan or even fan to acknowledge that while he's made mistakes-like literally every human- he's also being treated with more vitriol than is fair.
I'll start out by saying that I'm a veteran of Film Twitter, and I've seen some of the weirdest takes known to God or humankind, from people who purport to both critique and report on film and artists in cinema (I am no longer on Twitter). I'd trace the very weird hatred of Taika Waititi to around Jojo Rabbit, when a cadre of people very loudly proclaimed it to somehow be pro-fascist (it is not, and I'm saying that as someone who has fucking studied propaganda and Nazi-era filmmaking).
There have been other things blown out of proportion in his personal life, about which I do not believe anyone should interfere or discuss in any way because it's none of our fucking business.
My observation of him as a filmmaker and writer is that he's very intelligent, tries to be thoughtful, and also, as you say, often speaks without thinking. He has said things that I do not agree with, and will not try to defend. But many of the things he has said that gained traction on Twitter have either been taken out of context, deliberately misconstrued, or oversimplified. The biggest and least problematic example are his comments about how "no one knows who directed Casablanca," which was made in the context of how he doesn't care or expect his name to be remembered, because the art is the thing (and, TBH, I agree - I know who directed Casablanca, but a lot of people who know the film will have no fucking idea, and why should they?). I am not kidding when I say that this provoked several days of argument on Film Twitter. His most recent comments have been taken entirely out of context (no, I'm not going to start fighting about them, that's not the point). If someone disagrees with him, they should at the very least disagree about what he said, not what they pretend that he said.
Some of this is just the nature of Twitter itself, and celebrity culture. There's just not much nuance and there is an awful lot of - excuse me - dingbats who don't understand media half as well as they think they do. The other element is that there is indeed a rather nasty desire to scrutinize things that are said by...pretty much everyone who is not a straight white cisgender man, and use them as cudgels to beat those people "back into their place."
I do not know Taika Waititi. I do not pretend to know what he thinks, nor do I particularly care. I do know what I see in his art, and I appreciate a lot of it. But, yes, he is being scrutinized and jumped on in a way that a fuck lot of particularly white male filmmakers are not.
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comradekatara · 1 month
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What do you think makes the original ATLA so good when practically every subsequent piece of spinoff media ranges from mediocre to downright reactionary? Considering some of the stuff the og creators were responsible for counts among the very worst, I don't think it can be blamed on their lack of involvement. Idk I've always wondered about this because it's so strange. Did ATLA end up being good purely by accident & nobody involved in its creation actually understood what they were doing or what?
lmfao i definitely do think masterpieces can be created purely by accident. not that there aren’t elements of careful deliberation and a lot of collaboration involved, but it really was a lightning in a bottle sort of project. like this is just conjecture bc i haven’t seen any of their other projects but apparently the creator of black sails has made some other, bad shows. or the creators of utena as well. see, even, the stupid lame ass ending to fionna and cake. there’s no guarantee that just because someone (or a creative team) can create a coherent, nuanced work means that they can replicate that success ad infinitum.
i think that where atla truly excels is in its character writing, which is why the fandom (a fundamentally character-focused phenomenon) still endures (not that they really get the characters lmao, but at least we’re all way too deeply attached to them in the first place). and the anti-imperialist politics are almost incidental to the show’s success. i’ve said before that it was much easier for liberals to critique american imperialism during the bush administration, because the invasion of iraq was completely inexcusable, and also very easy to criticize if you dress it up in children’s fantasy and always have the defense of going “no, don’t you see, the fire nation isn’t the us, it’s the prc, it’s imperial japan!! you know, our enemies…!” which a lot of people to this day actually believe — not that there aren’t allusions to other imperialist histories (esp wrt the air nomad genocide), but zuko’s whole speech to ozai in “the day of black sun” is literally a critique regarding what it means to live in the imperial core. it’s a western, american show for americans first and foremost.
…. and then lok was made during the obama administration. neoliberal identity politics abound. and don’t get me wrong, some of those identity politics were a good thing, because i love seeing milves and bisexuals and korra just like. in general. but it’s also a show that fundamentally revolves around capitalism as its central theme without every actually participating in a coherent class critique. the closest we get is mako and bolin visiting their family in the lower ring, which doesn’t count, bc that was established in atla.
however, just because atla endures in our consciousness, and i am truly finding new things to appreciate about it all the time, does not mean that it is without flaws, and so i do think that it’s pretty fair to assume that its success as a work of fiction and a work of art would of course be undermined by the economic forces that demanded it continued to expand its franchise for profit rather than out of any narrative or thematic need to do so. it always comes back to liberalism and capitalism. lol
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welldrawnfish · 1 month
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Okay... before this starts I apologize for both length and possible butchering of your art. I am not good at this, but your stuff wants to make me try it out. With that, here it goes:
Twig was walking through the brush, looking for stuff to throw in the pile. She thought over what Fish Guts said, “Anything pink good for food pot. Is usually soft and nummy”. She was searching for mushrooms or the occasional stray tongue. She walked through a bush when she saw them
Three humans, two facing away from her and bending over a map but one was facing her. It was a man wearing a breastplate and wielding a sword. His eyes fell on Twig, widening in surprise, before a look of recognition crossed his face.
Twig dashed off into the brush before the knight had a chance to react, running to get away from the group and trying not to lead them to the rest of the Goblins. After a few minutes, she was hiding behind a tree next to a pond, listening to hear if she was being followed. She breathed a sigh of relief and a gloved hand grabbed her shoulder. “Hey- “
Twig shrieked and jumped into the pond, swimming to the bottom. The figure walked to the edge and started speaking to her. “Whoa, Whoa, easy. I’m not going to hurt you.” When she didn’t surface, he continued, “I know you weren’t born a Goblin. I know how to change you back”.
At his last statement, her ears perked up. She’d been looking for ages, and here the solution comes walking into her forest. She surfaces and eyes him suspiciously. He has black hair and an easy smile. He sits down with his back to the tree and indicated for her to do the same. She slunk out of the lake and took a seat across from him. “What are you doing here?”
“Well, I’ve been hired by the two biologists I’ve left behind to guide them here from when I was pint-sized and green. Scare off the bigger critters. Didn’t expect to see someone in the same predicament I was.”
“How do you know about that?”
“Uhh... Sixth sense I guess? I just look at you and see myself. I’m guessing it wasn’t just your nose and propensity for breathing water that’s changed, Huh?”
Twig scowled at him. She didn’t like being read like this.
“Look, I know that this is weird, but the damage can be undone. When you go into town, ask for Larin at The Drunken Fish. Oh, and bring this with you,” he said, bringing out a parchment with a runic symbol on it.
He got up and started walking away. “Wait,” Twig cried after him,”what if I don’t...”
He stopped and smiled back. “Let’s just say, you get to choose what you keep. This thing has a funny way of choosing the right type of people.” With that, he started walking back.
Twig took a last look at the parchment, and started running back to Fish Guts before they start to get worried. She was worried and excited, waiting to see what the future held
Any critiques and suggestions would be sincerely appreciated. Thank you and Good Night (or whatever time it is by you)
Are you kidding me!! You didnt butcher anything!!!
You know how amazing it is to feel like your work has birthed so many people being so creative its like, HOLY COW.
The story isnt even out yet and look how much twig has resonated with people, i love this! I LOVE THIS SO MUCH!!
like you have NO idea omg
thank you so much this is so fun this si so good i cant believe people love twig that much to be writing fanfics!! it makes me want to share everything ive created and readied but if i do that then there will be nothing for the comic to surprise ya'll with!!
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mumblesplash · 4 months
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i’ve been watching (well listening to ig) a lot of martyn and jimmy’s react videos lately while drawing, and i’m kind of obsessed with the differences in how the two of them react to the same things it’s so funny
jimmy’s all :0!!! :D!!!! o.O???? about basically everything he reacts to, seems especially fond of cute art styles and slapstick humor, goads his chat into making fun of him and then acts Very Offended, just generally comes across as having a great time
martyn on the other hand will not only critique things he thinks could be executed better, he’ll look at an artist’s style and call them out for which specific anime he can tell they’ve been watching. he consistently spots things in animations that only appear for a single frame. he’ll guess what sort of vibes fanartists were going for and tell them how successful they were and why. he is The Perceiver. he is the Things Knower. he’ll send your life series character design back with a C+ and tell you to see him after class. it genuinely makes me more interested in and excited about the art in question than any other show of appreciation possibly could
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