Jeremy Wilson, Lawrence of Arabia: The Authorized Biography, p. 534 - Photograph of Dahoum by Lawrence, 1911, Wilson p.312 - T.E Lawrence, Seven Pillars of Wisdom, p. 22/23 - John Mack, A Prince of Our Disorder, p. 88 - Scetch of Dahoum by Francis Dodd, July 1913 - Wilson, p.673 - Mack, p. 98 - Photograph of crew assisting Lawrence at Carchemish: Dahoum, Abd es Salaam, Gregori and Sheik Hamoudi - T.E Lawrence, Seven Pillars of Wisdom (1922 Oxford Text), Epilogue - Letter by Lawrence, Wilson, p. 545 - Dahoum photographed by Lawrence ca. 1912 - Lawrence, wearing some of Dahoum's clothes, photographed by Dahoum ca. 1912 - Letter by Lawrence to a British Foreign Office staff member, Mack, p. 189 - Mack, p. 190 - Mack, p. 97 - Lawrence, Seven Pillars of Wisdom - Letter by Lawrence to a young companion in the R.A.F, Mack, p. 97/98
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Revised Thunderclan family tree for the Scrambled Rewrite, as of the start of The Prophecies Begin. I will not be updating this as I go (I will make new ones for each arc though). Underlined names are ocs, question marks represent cats that are either unknown to the clan or are unimportant and so I didn't come up with names for them. Described below the cut in case it's difficult to read/follow.
Moonflower and Stormtail's kits are Bluestar and Snowfur. The line for Bluestar's mate extends off the page. Snowfur's mate was Thistleclaw, their kit is Whitestorm. Whitestorm's mate is Willowpelt.
Thistleclaw's parents were Windflight and Poppydawn.
Willowpelt's parents were Foggyleap (oc) and an unknown tom. Her current mate is Whitestorm. Her previous mate is unknown, and their kit is Graypaw.
Amberwing (oc) and Applesnow (oc) were Brackenkit's parents. Brackenkit was adopted by Frostfur and Lionheart.
Lionheart's parents are Smallear and Speckletail. His mate is Frostfur. Their biological kits are Cinderkit, Thornkit, and Brightkit, and they adopted Brackenkit.
Frostfur's parents were Robinwing and Fuzzypelt.
Sandpaw's parents were Gingerstripe (oc) and Stoatclaw(oc).
Littlestripe (oc) and Acornscar (oc) had two kits: Longtail and Dustpaw.
Swiftbreeze and Adderfang were the parents of Spottedleaf, Redtail, Patchpelt, and Leopardfoot. Patchpelt and an unknown mate were the parents of Beetleflight (oc). Leopardfoot and Pine were the parents of Nightkit, Tigerclaw, and Mistkit. Beetleflight and Goldenflower were the parents of Swiftkit. Tigerclaw and Goldenflower are currently mates.
Goldenflower's parents were Sunstar and Tansypetal (oc).
Oneeye and Halftail are the parents of Runningwind.
Rainfur and an unknown mate were the parents of Thrushpelt, Tawnyspots, and Dappletail. Dappletail and an unknown mate were the parents of Mousefur.
Jake and Nutmeg are the parents of Firepaw, Princess, Socks, Ruby, and Scourge.
Volefang (oc) and Smokysky (oc) were the parents of Ravenpaw and Darkstripe. Darkstripe is currently mates with Brindleface.
Sweetpaw and Rosetail were siblings. Their parents are unknown. Rosetail and an unknown mate were the parents of Brindleface.
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💙Smoshblr December Asks Day 30💛
top 3 favourite planets 🌌
Saturn! 🪐-> It's just so pretty! Like look at its rings!
2. Neptune! 💙-> such a gorgeous blue colour!
3. Venus! 🧡 -> Our beautiful morning/evening"star"
-> Fun fact: Did you know that you can tell if you are looking at a star or planet, by whether or not it "blinks"? If it blinks/twinkles it's a star and if the light remains consistent then it is a planet! (That's have you can easily spot Venus most nights! 😊)
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So, the eShop is no longer available on 3DS and Wii U, therefore, there is no longer a legitimate way of buying games for these systems. What a bummer!
Anyways, here's guides on installing custom firmware on both of those consoles (even on the newest firmware versions):
3DS: https://3ds.hacks.guide/
Wii U: https://wiiu.hacks.guide/
Not only will that allow you to use awesome homebrew applications, it will also allow you to install game backups.
Happy gaming <3
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not kpop but i was wondering if you listen to fujii kaze? idk much about set design and costumes and all that but he seems soooo fucking refreshing from everything else kpop/jpop have been doing lately, and the mv videos all connect to eachother and its so good i adore it i wonder if you have any thoughts on him
I do actually! although prior to you sending this i had never watched any of his mvs and i didn't even know what he looked like. i listen to a lot of j-music in isolation, meaning i listen to whatever my spotify algorithm serves me and the couple of jrock bands that i am unhealthily obsessed with. so self admittedly i am not a good person to ask in terms of comparing him to the wider scene because i have NO clue what the wider scene is or what it looks like. i watched about half a dozen of his mvs and i like them! he has a really good creative team working with him (i'm not sure if it's all the same director or not) and i really like the colour grading! whoever does the editing has a really good eye bc they really know how to fill out the value and depth, which makes everything look really lush and rich. also great colour coordination in costume/production design etc. just good mvs all around.
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a random draft where i was ramblingg about witch hat & art to myself for myself :)
rare time i feel like actually going off about the thing i’m having fun with right now in more detail ... but not on twt where strangers might try to discuss back at me lol sorry but that is scary. (not that you even have the room to soliloquy on there)
i love how there's characters for varying types of artists to relate to. people like agott who have been adept at drawing from a young age but feel overwhelmed by feelings of not meeting their expectations. and are driven mostly by feelings of wanting to prove their worth..
people like oru who have always been around the art but now are burnt out from commissions and wondering just what they're drawing for... and ones i relate to the most personally like coco and qifrey, who started drawing at an older age to the skilled people around them. like coco i'm so happy that i'm in the world of drawing(/magic) now and excited every day but also weighed down by fears that i'll never get to what i where i need to be after starting at this late stage and also whether i'm really cut out for this....
and like qifrey i only started drawing after a narrow escape from trauma... i started drawing to make sense of what my life is now, just as he was invited by beldaruit to become a witch because it was the only safe path he could take. (although i've not been through anything quite like what he's been through... ouagh)
and there’s tetia who just wants to draw to make other people feel happy about what she’s made, to have fun, and spread hope and happiness and gratitude. who feels so happy whenever someone thanks her for what she’s created - i understand now how it feels to want to thank them for thanking her and how making art, when you get a meaningful response, can be a truly warm communal type experience. but you do need that response - her overwhelming happiness when the dragon thing was happy and she said it was the first time she’d ever felt fully appreciated for her magic and it made her soooo happy. she had been drawing until then, but it was the last puzzle in place to make her realise the breadth of what magic can be for her.
and riche who is determined to not lose the “her”-ness from her art, doesn’t want to learn new techniques and become more regular and orthodox in style if it means she feels she’s losing something... i get that!!! precious autistic-coded child... the ways we feel about our art differ depending on our own mental landscapes. hahhhh... shirahama said she began this series because she was having a conversation with artist friends about how it feels like drawing just really is magic. i mean..... it is.
i think writing feels like magic too, and i’m glad i can do both now. any creation is total magic. i’ve drawn scenes that were in my head and that’s let other people see them and if i can trust their comments about it, has moved them in some way or at least let them imagine a scene or a situation that they wouldn’t have imagined otherwise. but it’s different from just telling someone about it. when you draw something, or write something it really exists now - outside of you. THAT’S SO WEIRD.
i liked drawing a lot of takarazuka things (before i realised i got kind of burnt out drawing all this transcore stuff that people were not exactly responding to because it’s so niche and weird lmao) but drawing fanart for something that also ONLY exists in art is so special. it’s not acted by real people. like.. they’re just little people that someone drew and now i draw them too. total magic. and she gets up and draws them every day the same as me...
i love that a manga isn’t just art, it’s storytelling too. doing both writing and drawing at the same time - it feels like such a perfect and fascinating combination of skills and facets of creation. i’m better at writing than drawing, so i don’t feel like i can express my original stories well enough in comic form just yet. but i might just get there.
the world is so confusing and overwhelming and terrible every day. only creation is something i can understand. sometimes i can’t understand it - when i feel REALLY bad, it’s definitely like, what’s the point. and i wish i had more things to experience at present than just creation - i want to be outside and just feel and be as well as create. and at some point i’ll definitely stop posting my creations online. but creating has become something that i don’t need to understand the reason for it - so at those times when i wonder what the real point to any of this is.... lately, i usually still create anyway. just as you’d still breathe and sleep even though you’re hurt and confused by the horrors of the world. it’s becoming how i express myself. i find myself drawing pretty much every day because it’s part of how i make sense of shit now and i naturally want to do it. not doing it is painful.
i hope this magic continues. i hope it becomes far more wonderful than i can even imagine from here.
and i won't lose.
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