Tumgik
#anyone else's art style changes when working on a different medium?
Text
Wilma x Reader headcanons
Tumblr media
Just some cute fluffy headcanons (written on my phone from the college library). Made specifically for @lillylvjy as a thank you for all the lovely Wilma content :)
Warnings/Tags: Wilma is a trans woman, reader is gender neutral. Brief mention of gender dysphoria
Beginning of the relationship headcanons:
If you’re an artist, you likely met her at an art event or the studio. Of course, you were instantly amazed by her paintings. Wilma, while usually confident about her art, sometimes gets imposter syndrome. Once you complimented her art, she immediately warmed up to you.
If you’re not an artist, you likely met her at the park. She’s there all the time, sketching the surroundings from the comfort of a bench.
If you met her pre-transition, it would take her a while to open up to you, but once you accepted her, she’d be more than grateful to have your support. Obviously, she’s not going to date anybody who wouldn’t accept her for who she is.
Once you’re dating:
Constantly sketching you. I mean constantly. She’ll use you as a model to try out all sorts of different styles and mediums, from charcoal to watercolor to oils to colored pencil…you get the point. You’re her favorite muse.
She’s a very cuddly and affectionate person. She always wants to be near you, whether that’s in the same room or leaning against your shoulder. Definitely the kind of person who will try to convince you to stay in bed with her in the mornings. She just doesn’t want to let you go.
She tries to cook, but she’s more of a baker. Probably a fantastic cake decorator. If you end up getting married, she’s absolutely making the cake herself because she doesn’t trust anyone else to bring her vision to life. Will also make you your favorite cake for every single one of your birthdays.
If you’re an artist, she gives you feedback on your art. You do the same for her. The two of you spend a lot of time just sharing ideas and working in the studio together, chatting or listening to music while you work on your respective projects. If you’re not an artist but willing or wanting to learn, Wilma is even more ecstatic. She just wants to share her love of art, and if you want to learn, she’ll easily tell you everything she knows. She’s also never judgmental when you mess up, always just happy that you’re sharing her passion. If you get frustrated, she’s right there covering you with kisses until you’re laughing and blushing, totally forgetting whatever was upsetting you.
This woman would LOVE to have a pet. She’s more of a cat person, but she definitely wouldn’t be opposed to having a dog. I imagine she’d really like American Shorthair cats, tabbys, and calicos. For dogs, the bigger, lazier and cuddlier, the better. She wants something she can snuggle (and also spoil with an insane amount of toys). She definitely treats her pets like they’re her children.
She always goes to you for comfort when she’s feeling dysphoric. You do your best to help, calling her beautiful, reassuring her that she’s perfect the way she is, and that you’ll support her through whatever social/medical changes she wants to make. She usually just needs someone to reassure her that she’s accepted, and as long as you do that, it’ll bring her a lot of comfort.
As she gets more comfortable in her own skin, she’ll take you shopping with her while she tries on outfit after outfit. Her clothing gets more colorful as she gets more comfortable. She’s definitely more fem-leaning in terms of presentation.
Draws little pictures for you constantly. You can fully expect her to leave sticky notes all over your room with small doodles and drawings. You keep all of them. When Wilma finds out that you’ve been keeping her drawings, she practically melts
She’s there for you when you’re having a hard day. You need advice? She’ll do her best. Comfort? She’s there with cuddles and your favorite meal (even if she has a hard time cooking it). Just want to cry it out? She’ll hold you the entire time, telling you how much she adores you and that you’ll get through whatever is hurting you together.
Wilma is an art museum lover. Take her to an art museum on a date and she’ll be over the moon. Just know that, once you get there, you’ll probably be there for a long, long time.
You’re going to have to say ‘I love you’ first. As much as Wilma wants to say it, she’ll be too worried that you don’t feel the same. Once you confess, though, she’ll say it every day (multiple times).
Her love language is definitely physical touch and words of affirmation. Tell her you love her, give her all the kisses she wants. She’ll return your affection tenfold. She’s definitely a romantic.
35 notes · View notes
enolareven · 8 months
Text
Watermarking and Protecting your Artwork
Tips for everyone to help minimize art theft, including AI training, without greatly sacrificing your images' impact
Objectives of Watermarking
When you place a watermark on your art, it has multiple objectives - they're there to prevent it from being reposted and accredited to someone else, to make it recognizeable as yours with text or symbols, and to prevent major parts of the image from being copied and reused. Here are some tips for making a good watermark, which you can save as a .png to reuse.
Use fonts with serifs or odd shapes and stylings if using text.
Add noise, with color, to your watermark.
Distort the watermark (I like ripple effect to break up the shapes subtly.)
Avoid text and stamps - use handdrawn shapes and letters if possible.
Place it between layers on your artwork if possible.
Use a light blend mode (linear or hard is what I use depending on background colors) and turn down the opacity to make it look nice but still do its job.
The watermark should be visually unobtrusive as possible, while covering major points that would be copied, and BE HARD TO TRACE or select by magic wand or smart selectors. This also helps to keep AI from copying your work.
Compression
Almost more important than watermarking is image compression and resizing. You don't want a full quality image online that anyone can snag and print on T-shirts at the same quality you can offer!
NEVER EVER post an image at 300 DPI or higher to share online. This is the quality required by most printers: without that, it's hard for anyone to make merchandise out of your art. Keep previews at 100 DPI or less. It shouldn't ruin the experience for your viewers and offers an incentive to purchase your work - you can sell higher quality images.
Keep your resolution as low as possible. You don't need more than a 2k image for most usages online - banners, icons, etc. So knock that size under 2000 pixels in height or width.
Flatten and save as a jpeg in medium quality. Typically, you don't need to post any higher quality images online, and you don't want it to include layer data.
Average viewers will NOT notice the difference in these changes without it being pointed out, nor will they think artwork is 'bad' because of it. Don't worry too much about "sacrificing quality."
Glaze it!
Lastly, a technology to combat AI has been developed and is constantly improving. Head over to https://glaze.cs.uchicago.edu/
and use this on your work that you post online for further protection against AI data scraping and training!
14 notes · View notes
pathos-p · 1 year
Text
"Weirdly Specific Artist Ask Game" but i got tagged in it so i am gonna answer all of them 'cause theyre fun
questions by @/i-like-eyes
thanks for the tag @king-chook!! ^^
1. Art programs you have but don't use
i thiiink i have a license for clip studio paint that came with my old wacom tablet but i never rly used it. also used to have krita installed for the longest time but just always felt off to me idk why. don't currently have it installed anymore tho
2. Is it easier to draw someone facing left or right (or forward even)
to their right is a bit easier i think. not smth i consciously notice, mostly i'm just thinking abt when im doodling on the margins of stuff they usually are looking to the left of the page
3. What ideas come from when you were little
uhhh idk tbh, i dont think much of my art draws from that
4. Fav character/subject that's a bitch to draw
cityscapes !!! i love cities they r so pretty and cool looking but goddamn theyre so hard to draw
5. Estimate of how much of your art you post online vs. the art you keep for yourself
80-20? i post everything that i finish. basically the only stuff that doesnt get posted is sketches i give up on
6. Anything that might inspire you subconsciously (i.e. this horse wasn't supposed to look like the Last Unicorn but I see it)
hmmmm not that i can think of rn...
7. A medium of art you don't work in but appreciate
watercolour !! i've tried it a few times and Struggled but i love seeing ppl's work in it
8. What's an old project idea that you've lost interest in
so many animatics ..................... also many comic ideas ..................... i get so many ideas that i just never start on or start and only do a little before losing the hyperfocus/fixation and just Cannot continue them. it sucks
9. What are your file name conventions
usually the character name, maybe a bit of description of what theyre doing... idk not much of a convention to it
10. Favorite piece of clothing to draw
hmm i like jackets :)
11. Do you listen to anything while drawing? If so, what
yes, usually music. sometimes random youtube videos like stream highlights or video essays.
12. Easiest part of body to draw
uhhh hair? maybe idk. hard question bc it varied a lot depending on what kinda style and just. sometimes smth is hard in a particular drawing then easy later idk
13. A creator who you admire but whose work isn't your thing
i cant think of anything i will edit it in if i think of anyone
14. Any favorite motifs
in my drawings i dont feel like i use any much. mostly i pull motifs from whatever im doing fanart of lol. in music, i like religious motifs (but not like. ones abt christ or bible stories, rather heaven, hell, god/divinity, angels)
15. *Where* do you draw (don't drop your ip address this just means do you doodle at a park or smth)
at home pretty much exclusively. in bed lol
16. Something you are good at but don't really have fun doing
idk i feel like the stuff im better at is the stuff i like bc i practice it more for fun lol
17. Do you eat/drink when drawing? if so, what
not usually
18. An estimate of how much art supplies you've broken
surprisingly little. mostly bc i do more digital art lol
19. Favorite inanimate objects to draw (food, nature, etc.)
weapons and nature. especially ice for nature
20. Something everyone else finds hard to draw but you enjoy
i cant think of anything ill add it if i do
21. Art styles nothing like your own but you like anyways
i love rougher styles, like ones with a lot of visible brushstrokes and bold lines and shit. so cool. idk how to make it look good lol i dont have the confidence in my lines for it
22. What physical exercises do you do before drawing, if any
none... probably i should change that
23. Do you use different layer modes
yeah, often i use a multiple layer for shading then a variety to colour adjust at the end
24. Do your references include stock images
sometimes
25. Something your art has been compared to that you were NOT inspired by
cant think of any
26. What's a piece that got a wildly different interpretation from what you intended
there was this poem i wrote about capitalism and how shit it is and someone thought it was abt interpersonal relationships/smth along the lines of a breakup. i rly didnt mind it tho i thought it was cool bc the emotion was not far off, the sense of betrayal and abandonment. just a very very different subject
27. Do you warm up before getting to the good stuff? If so, what is it you draw to warm up with
no lol
28. Any art events you have participated in the past (like zines)
i ran a zine (digital only) for the dimension 20 zine jam! and also made art+writing for others in that :D also was part of a polygon yt fanzine a while back
29. Media you love, but doesn't inspire you artistically
spider-man (not the MCU, mostly tasm and a few of the comics)
30. What piece of yours do you think is underrated
IS IT BAD TO SAY A PIECE THAT GOT QUITE A BIT OF POSITIVE ATTENTION ?? maybe
i rly like the cj comic i did i am genuinely so goddamn happy with the result so . even tho it did very well by the standards for the fandom its for and my current follower base it is underrated
alternatively this one https://www.tumblr.com/pathos-p/704380503765221377/tridential-sovereignty?source=share bc it didnt get all that much attention on any social media site but i think its cool !!
(mostly only using recent ones bc i dont wanna dig back further esp onto my old twt acct, too much work lol)
2 notes · View notes
grad604calebjerome · 2 years
Text
VIRGIL ABLOH XQ INTERVIEW
“Activism is rooted in this idea that you can spread knowledge so that change can happen.” AMAZING QUOTE — Designers Responsibility and attitude to make change and spread awareness through different mediums and work.
“I’m an internal optimist so I fundamentally, so I really believe that the world can be better”
“I don’t think about boundaries I don’t think about boxes I’m an optimist that believes in creativity, so ofcourse when you start doing that you start drawing all over the paper and not within the lines”
“…. So I believe you can change the world by breaking your enegic reaction”
“There’s areas to learn, no one is born with a political stance in mind and no one is born knowing the intricacies between right and wrong and I think it’s important to live in a world and open space where doing exactly what we are doing is having dialogue and allowing people to talk”
Virgil discusses creating dialogue within the spaces he works in and producing products that are available and can be accessed by the many - sharing ideas sometimes limited to the individual by their own social classs or group. His ts all about creating conversation, forming an opinion and identity and developing responsibility to make the world a better place through dialogue. Whether conversation or medium.
“…. Insert that new idea again and see if we can get to a better place. if we the members of society keep this mentality and know where we are in the system, we can change the world that we live in.”
“You know for me, that’s why I always put pop culture references in my presentation, coz you know it was always burned into my head… you know you have to find your inspiration in a book or someone that has the luxury of history and context to say they’re great. You know I like Picasso just as much as anyone else but I also like future who is a graffiti artist from Brooklyn, who comes from hiphop and I understand hiphop because I identify with it. Hiphop is just as important as fine art, like why is it different? 
Own words: if you extend your classroom to it being bigger than just your practice you obliterate walls and boxes between your practice and the rest of the world where a new articulated style or design message / voice begins to grow. https://youtu.be/hU39eXYMShA
0 notes
gmackarts102-02 · 2 years
Text
Week 3 and 4 of ARTS 102
This week's reading in chapter 3, it focused on working with other people within the graphic design field which I find to be quite interesting. I am a very isolated person so the idea is quite intimidating but I am open to the idea of working with other people. I just don’t want to deal with discourse but reading the experience of other graphic designers in the field was quite interesting because most seemed to not have a bad time when working with others. Designers only seemed to have some conflicts when working with clients but that's why some would set limits on what clients they would work with. In the following chapter, it dealt with a lot of things like the style and history of topography. The experience that designers had with learning, using it, and creating typefaces. Which was very intriguing to learn about because I somewhat struggle with typography. I do like experimenting with the styles of text because it enhances the final product, whatever medium it may be.
Chapter 5 goes over logo creation which is very interesting to me and I’m very glad that I got to read other designer’s experience with it. Mark Fox didn’t even learn design in college, but combined his knowledge of fine arts from which he learned in college with what he got to experiment with to enhance his portfolio. He defines logo design as that it is a symbol that suggests but doesn’t depict whatever the logo is representing. In personal projects I have had a difficult time creating logos. However, I hope if I do have some classes or projects dealing with logos it will help amplify my skill.
These past couple weeks I’ve been working on a project which was abstracting typefaces to make abstract pieces for a larger piece that the class put together. It was very interesting working around letters and abstracting forms. I had a few ideas that I’ve definitely changed over time. Though it was really fun experimenting with all the different typefaces and working with Adobe Illustrator. I think my pieces alone look cool; however, I think they look amazing with all my classmates' pieces. Every person in class whether someone abstracted a lot, one made their typeface very large, or did it very small it all looked great together. There’s nothing that submerges anyone's work within the collage to me. All of the art boards are very unique and catch the eye of whoever’s viewing it. I think along with everyone else's artboards, they all blend in very well along with each other.
Tumblr media Tumblr media Tumblr media Tumblr media
1 note · View note
shellyanneposts · 2 years
Photo
Tumblr media Tumblr media Tumblr media
Writing & Research:
Muniz enlists a group of Brazilian garbage collectors as subjects/participants in the construction of their own portraits.
"Woman Ironing (Isis)" is in fact, a replica of Picasso's very own "Woman Ironing".
Muniz draws inspiration from artists Rembrandt and Vermeer.
The piece is made entirely of garbage arranged onto a concrete slab.
Muniz does not believe in originals (hence the recreation of Picasso's art), but does believe in the individuality found in variety.
After some research, my initial thoughts on the piece changed. I feel that the art has more meaning knowing that the reasoning behind its likeness to Picasso's piece is to provide a variety on an original. As far as how my view of the piece has changed, I now see an emphasis in the contrast of colors as well as the woman's facial expression. Compared to Picasso's piece, the woman in Muniz's art seems distressed.
Art & Writing:
The art piece from my life that I chose is a tad unconventional. It is a collage of memorable moments that I have collected over the years arranged onto my bedroom door. Different mediums from photos, drawings, letters, ticket stubs, dried flowers, and anything else you could think of are present. The purpose it serves to me is somewhat of a scrapbook. I am a bit of a perfectionist, so being able to tape down whatever I wanted wherever I wanted was a good way for me to let that perfectionist nature go. This art piece also serves as a very dear well of memories to me, every item on the door has a happy moment from my life attached to it. The door’s eclectic appearance is very similar to my overall style.
Writing a Self-Portrait:
I’m currently 19 years old, and I identify as female. I was born in Margate, FL, but have moved around so many times that it doesn’t feel like a hometown. As for my ethnicity, my mom’s side of the family is from Venezuela and Trinidad, and my dad’s side of the family is from North Carolina (not as interesting). What I do for fun isn’t that different from anyone else, I hang out with friends, go on trail walks, play with my pets, and spend time with my boyfriend. I was in a choir when I was in high school; I was an alto and had a few classical and more informal solos. I work at a pet store, which is very difficult for me because I fall in love with every animal I come across. Something that makes me unique is the role I play in my friendships. I have been deemed the “mom” friend because I am often the one you go to when you need advice on life, relationships, work, etc.
Art Project (Self-Portrait):
In my self portrait collage, I included photos of:
 a photo of a creek nearby my house (background)
me and my boyfriend
crystals
my two goats, Bucky and Cypress
1/32 of my plants
a makeup palette
a veiled chameleon from my work
one of my favorite outfits
iced coffee
an old oil painting I found at a thrift store
and my very problematic cat, Jack
Each photo is something that I love or a hobby of mine.
1 note · View note
matchalaatte · 3 years
Text
Tumblr media
i love her🧎🏻‍♀️✨
1K notes · View notes
inotanzen · 3 years
Note
hiii! i really admire your art skills. and the fact that you improved so much in just 6 months is inspiring! do you have any tips on how to improve? i'm 26 and i want to improve but i feel like ive neglected my art for so long and now it's too late. :(
THANK YOU SO SO MUCH OMG ?? oh man i’m so bad with feeling and gratitude but this seriously means more than i can express so i worked really, really hard on narrowing down my best tips! so here’s
Eli’s Top 5 Rules To Be a Totally Cool Awesome Badass Artist In As Long As It’s Going To Take (In Order) :
Most important rule of all is it should be FUN. be disgustingly self indulgent, draw what you want and LOVE, not what you think you should or what everyone else is, or how everyone else is! don’t vibe with doing sketches first? hate lining? despise complicated painting styles? find shortcuts, don’t do them!!! if you’re doing digital maybe draw your sketches traditionally first and scan them/take a photo to draw over, try a lineless style, cel shading, or mixing mediums, the options are endless! this is where your “style” will come from. all “style” is, is an artists shorthand.
You are your only competition. never compare your progress to anyone but your past self, it’s not a race in terms of how good you are at X age after X amount of time spent practicing. i saw it illustrated in this comic a few years ago (that made me cry at the time, because i hadn’t started drawing yet) as seeing your skills as a beautiful potted plant- just because some people are walking around with theirs fully grown and thriving, doesn’t mean your little sprout will stay small forever. just be patient, keep watering it, and eventually, it’ll be a beautiful flower all your own. ❀
Use references Obsessively. this includes tracing! (ethically) there’s a ton of resources out there, redraws of frames from movie or shows are great too! play around with it, try using the perspective but change the style or turn it into a character au for a fandom you love. (this is part of that first tip!) mashing together images past the point of original intelligibility is acceptable as well. the goal isn’t to obsess over accuracy or stop using references altogether though, just to use them differently over time.
Inspiration/motivation won’t be gone forever. don’t force yourself to practice drawing, or you’ll end up resenting it altogether. i’ve had my tablet and pencil since january but i say 6 months bc there were two (almost three) entire months where i had no inspiration and just did Nothing. take time to consume new media for ideas or look at what inspires you instead! keep folders of the things you find most appealing to pull up when you need them. art can be a freeing escape if you allow it to be!
Look at art you admire and think about Why you admire it. why does it look good, what catches your eye most? is it the colors? the lighting? the shapes and perspective? the varied line thicknesses or the overall layout composition? everything can be broken down into components, hone in on the ones you like most and try to emulate them. we’re all just flowing down the stream of shared inspiration together. :)
bonus digital art tip: you will always need more layers than you think you do. give each element its own layer like it’s the most introverted mf you’ve ever met, i swear on everything good in this cursed world you will thank me later. layer/item selection and transform are your best goddamn friends for life.
there’s also a lot of art related posts in this tag and on my art twitter ♡ thank you endlessly again and good luck on your journey!!
94 notes · View notes
phantomnostalgist · 3 years
Text
An Interview on Phantom, with Susan Kay
Back in 1993 I wrote a fan letter to Susan Kay, and asked if she'd be willing to give me an interview for the Phantom Appreciation Society fanzine. So this is the interview she gave me, by letter, published in "Masquerade" issue 4, Spring 1994. (Masquerade and Beneath the Mask were the same zine, it just changed name on issue 5 as I discovered there was already a musicals zine called Masquerade.)
AN INTERVIEW WITH SUSAN KAY
When and how did you first become interested in the story or the Phantom?
My first contact with the Phantom was a chance purchase of the soundtrack of the Lloyd Webber musical. The music took me to the London production and the show took me to the original Gaston Leroux novel, which I hoped would satisfy the immense appetite I had developed for further knowledge of the character. My reaction to the book was a mixture of disappointment and fascination. It told me so much less than I had hoped for, and yet the little there was intrigued me even further: the odd paragraph here, the throwaway line there which mentioned the Phantom's earlier life. Increasingly the last two pages of Leroux's book began to read to me like the plot of another story, a story which refused to go away and clamoured ever more incessantly to be written.
Do you think that Leroux's novel was based on a true story?
It's very tempting to think so.
How many times have you seen the Lloyd Webber show?
I've seen it ten times in all. Six times in London, twice in Los Angeles, and twice in Hamburg where I was the guest of the German Phantom, Thomas Schulze.
Do you still see it?
The last time I saw the musical in England was in London in April 1991. The following day "Phantom" was announced Romantic Novel of the Year at the RNA awards luncheon, so perhaps that particular show was a good omen for me.
Who is your favourite Phantom?
Michael Crawford was wonderful, and I found Dave Willetts very powerful. Anyone who has the opportunity should try to see Thomas Schulze in the Hamburg production.
How did you create the character of Erik in your book?
When I came to examine the character myself I came to the conclusion that the real tragedy of his life was not his disfigurement. but his complete inability to accept that his mother had ever loved him. This fatal belief warped his whole existence and rendered him incapable of recognizing love even when it was staring him in the face, whether it was the first infatuation of a young girl, the dark desire of an older woman, the affection of a friend, or the real admiration of those who came to work with or serve him in one capacity or another. This idea became central to the whole storyline, leading inexorably to one tragedy after another. Certainly his life was shaped by the rejection of society, horrific experience and some cruel twists of fate, but ultimately this was always a character relentlessly set on a course of self-destruction. I also felt that, in spite of the terrible crimes he commits during the course of his life, the Phantom was neither a psychopath nor an inherently evil man. In order to make that last act of self-sacrifice for the sake of love there must always have been an essential core of good within the character. Leroux himself allowed his Phantom certain traits of kindness, humour and civilized behaviour. I felt that essentially this was a fiercely proud man who came to desire his own human dignity to an almost insane degree and would go to any lengths to protect it. Couple this with the unstable temperament that often accompanies pure genius and you have a very dangerous man, a man capable of killing for a real or imagined slight even the people he most desperately loves. Those attracted to him are always rightly aware of an underlying fear, and I believe it is this mixture of attraction and fear which is responsible for his powerful sexuality. It's what separates the Phantom from Raoul and all the other nice young boys like him who offer a safe mundane existence to a woman, but no thrills or chills.
What was the most difficult part of the book to write?
The first two sections dealing with his childhood were the most straight-forward. The sections from Rome through to the building of the Opera House were very demanding from the point of research, some of which was obscure and hard to obtain. But the section I found most hard to actually write was the part of the story which directly overlaps Leroux's. It's very difficult to trespass nonchalantly over someone else's story, particularly when it has been adapted so many times in different mediums. I had to dispense with a lot of inhibitions, the chief of which was ""How can I ever dare to meddle with this?"
What would you have done if you were Christine?
I think I would have had to do what she did in the book, and go back that one last time to make things right. It would have been a terrible thing to live with otherwise: it would have destroyed both her and Raoul in the end.
See also: the original UK paperback cover art for Kay’s Phantom, and some nice tarot-style art from a magazine at the time.
Tumblr media Tumblr media
285 notes · View notes
hologramband · 3 years
Text
One Day p1
Tumblr media
Alive!Luke x Fem!Reader Modern AU Word Count: 2.6k A/n: hehehe here’s the first part! I have it mostly planned out, there should be 3-4 parts! Lmk what you think! Summary: A shy girl is used to floating under the radar, keeping to herself most of the time, all was well until an opportunity fell into her lap, but what will these new people bring with them?
You were really good at staying right under everyone's radar at Los Feliz. You knew everyone, everyone knew you, but you didn’t have anything more than just a surface relationship with your classmates. You didn’t mind that, it was harder to get hurt this way. You got accepted to the Performing Arts High School with your ability to dance, but have always found your real talent lies within your visual art. Whether you were using paints, pencils, or a pen, you loved the way that your hand flew over the paper and created an image that represented your many different emotions.
In a way it made sense how you loved both dance and drawing, both sharing the flowing of movements to express things that words cannot. It was easier for you to express your emotions and thoughts in these mediums since social connection was hard for you. You had tried it once, really connecting with a person, but it ended up coming back and hurting you, causing you to shut down, so you weren't in a rush to try again any time soon. You floated down the hallways with ease, only having to stop at your locker to grab the remaining textbooks you need for the next few classes. While you were stopped you heard your name called from across the hallway, looking up to see Julie raising her hand in a small wave. “Hey, (y/n)! I like your top!” She came to a stop by your locker smiling. “Thanks! It was my moms, she just found this box of old clothes from when she was in school, this one just really stuck out to me.” You smiled down at yourself and looked back up at the girl to see three boys approaching. You felt heat subtly rise to your cheeks and you tried to focus your eyes on Julie. “Hey Jules, you ready to go to class?” Luke spoke as soon as they reached her side, sending you a nod of acknowledgement when he noticed you standing in front of them. Alex and Reggie both raised their hands with small waves in greeting to you. You smiled in return and turned back to close your locker, swinging your backpack on in the process. “Well, I gotta get to class too, see ya around.” You smiled back at the group and heard Julie call after you. “See you in Art!” You turned slightly and waved in return. Julie and you were pretty decent friends, you talked to her more than anyone else at the school, she had a good balance of how to get to know you without pushing you. You had met the boys a few times in passing, much like the previous occurrence, them not really speaking much more than a ‘hello’ here and there. There was something about Luke though, he never failed to send a storm of butterflies loose in your stomach. He probably didn’t even remember your name, but you could remember all the details of his face, not in a weird way, just in an artistic way, ya know? He had such a coolness about him, like he could totally embarrass himself but brush it off like it was nothing, like he meant to do it even. You thought you were getting better with your anxiety around people, but as soon as that boy was in front of you, it seemed as if your brain forgot how to function. You shook the boy from your thoughts as you continued through your day, classes went by like they typically do, all your general classes like math and english were in the first half of the day, the second half being taken by your dance class and then art. It was simple to say that you much preferred the second half of classes. In dance you went about as normal, running through a few routines and while wrapping up your teacher mentioned something about a new project that would be announced tomorrow. After changing you made your way to your final class where Julie had already arrived and claimed a table for the two of you. “Hi!” she smiled up at you. “Hi! How were your classes today?” You replied, starting a conversation that you hoped would carry throughout the class. You really did like talking with Julie, she was so sweet and really made you feel like she wanted to get to know you. The first day of class she noticed you were sitting alone and she took this as an opportunity to introduce herself, commenting on the particular band tee you had on, being able to strike up a conversation instantly. You admired her for this, the confidence she had when walking in a room was just astounding to you. The two of you went about the class in a way that you similarly would, talking about this and that while sketching away in your respective books, her only pausing to write ideas in her song notebook when an idea would hit. The class you were in didn’t have many actual assignments, just that you needed around 3 small pieces turned in periodically and one larger one for your final at the end of the semester, it made it an easy free flowing environment where there wasn’t too much pressure to stress on any one thing. Before you knew it the ding of the bell was going off overhead and you and Julie started packing up your things, she quickened her pace when she saw the boys waiting at the door for her. “You guys have practice today?” You giggled at her rushed movements. “Yeah,” she laughed as she zipped her bag closed, “Luke and I just finished up a new song too so I’m really excited to get back to the garage to figure out the music behind it.” She smiled up at you and you returned the affection. “Well don’t let me hold you up! Hope it all goes well! See you tomorrow!” You waved to the girl as she ran to the door, only pausing to throw a wave back at you. You laughed and shook your head at the girls' antics and went about your day as usual, starting your walk back home, you didn’t live too far and enjoyed the fresh air and time to recollect after the school day. After getting home you grabbed a quick snack and retreated to your room to finish a sketch that you had been working on in class today. Digging through your bag your heart rate increased when you pulled the red covered book to see the top covered in multiple stickers, this wasn’t your book, it was Julies song book, meaning she was currently in possession of your sketchbook. She must have grabbed yours on mistake when she was packing up quickly. You lightly sighed as you pulled out your phone to text her about the accidental switch-up. She replied instantly just realizing the mistake herself, then invited you over to switch them back and possibly hear some of the songs they were working on, looking for an outsider's opinion. You hesitated in saying yes, did you really need your book back that bad? Sighing, you sent back an okay and asked for an address, as nervous as you were to hang around the guys, more specifically Luke, you remembered how excited Julie was to go over the new song, the one that was probably sitting in the book you were holding in your hands. You threw on a light jacket and grabbed your backpack, for reasons unexplainable to you it just always just felt safer to walk around with a backpack on, and you were on your way to Julies. You could feel your nerves rising with each step you took towards her house, by the time you stood at the end of her driveway you felt like your heart was in your throat. “Calm down, (y/n), it’s just a little hangout to get your book back and hear a few songs, no biggie, nothing to fret about at all.” you whispered to yourself, taking one last deep breath before continuing your walk up her driveway. You had just come into view from the garage when you heard Julie calling out your name. “(Y/n)! How was your walk?” Julie ran out to meet you, now walking beside you into the garage. “It was good! You actually live closer to me than I thought, it was only like a 15 minute walk,” you smiled at her and you continued the small talk until you looked up and met eyes with the brunette guitarist. “(Y/n), these are the guys, Alex, Reggie and Luke,” she introduced them to you and you raised your hand in a wave. “Yeah, i’ve seen you guys perform before, you’re all really good!” you smiled and met each of their gazes. “Thanks! And that was all our old stuff, just wait until you hear what we have coming, um..” Luke stuttered realizing he didn’t know your name. You went to say it but Alex beat you to it. “(Y/n) you idiot,” he hit the back of Luke's head, while rolling his eyes. A blush rose to Luke’s face and he laughed it off. “I-I knew that, I-I just-” “You’re at the school for dance right?” Alex spoke again, interrupting and trying to take the attention off of the stuttering Luke. You smiled and nodded. “Yeah! I’m on a dance scholarship, so that's my main focus but my second is visual art, which reminds me,” You take your backpack off and pull out Julies song book, “here’s this!” She smiles and takes it from you. “Ugh thanks so much, I don’t know what I would have done if I lost this, Reggie can you grab her sketchbook? It’s on the piano!” Julie opened her book and smiled looking at the page. “Oh wow,” you heard Reggie mutter causing everyone to turn to him, “(y/n) this stuff is like, really good.” You blushed and looked down at your feet, you’ve never been good at accepting compliments. “Dude, boundaries!” Julie muttered reaching for the book, but Luke got to it first, taking his own turn looking through the pages. Your heart jumped when he started smiling at the pages he was flipping through, you didn’t have anything in there that you kept hidden, it was just that no one had ever gone through your work before. “You have so many different styles, this one is like a cartoon, but then the next one is like hyper realistic.” Luke looks up to make eye contact and you felt a blush rise to your cheeks. Alex took the second of him being distracted to pull the book away from him and hand it back to you. “I’m sorry for them, they still haven’t figured out what it means to respect someone's privacy.” He narrowed his eyes at his two bandmates. “You know,” you opened the book in your hands to search for a particular page, “I actually have something of each of you individually. I sketched them out the night after I saw one of your guys’ gigs.” You scrunch your face in concentration, you feel everyone rush to stand behind you when you finally find it. You look around at them to take in their reactions, their eyes were all glued to the papers you were displaying in front of you, Reggies mouth falling open. “Oh! Is this why you asked for the pictures my dad took of that night?” Julie looked up at you. “Yeah, I wanted to be able to add the details of everyone's chosen instruments and get some added information on where the highlights were from the lights,” you looked at each of their faces again and made a rash decision to gently tear the pages from your book, handing them to each respective person. Each person held them gently in their hands, then looked up to you in amazement. You just shrugged your shoulders in response, not knowing what else to say. “Well,” you looked out the window and saw the setting sun, “I better start my walk back to my house, it’s getting dark and I wanna get back before that happens. Enjoy the pictures guys!” You smile and turn to walk away, all the band still shocked to silence. “She’s never torn a page from her book before,” you hear Julie tell the boys as you walk further down the driveway, smiling to yourself. It was true, you never pull pages from your sketchbook, not this one at least, it was the better quality of all the other ones you had. You typically just used the less expensive books for class, you go through all the pages so quickly you didn’t want to waste the one’s in your higher quality notebook for the rough sketches, but the pages that you drew the band on were in the higher quality notebook, you had taken the time to really get them right, and they turned out fantastic. Your mother had always told you to spread joy where you can, and after seeing all their faces you knew that it was only right to let them have the pages that they were looking at. You arrived home and couldn’t wipe the smile off your face, there might be something there with them, an opportunity to make new friends, to open up. This idea makes you both nervous and excited, you let these thoughts and ideas later lull you to sleep. --- The next day at school you were walking to your locker when Julie caught your eye, she was waiting in her phone by your locker door. You would usually see her in passing in the mornings, but this is new. “Hey Julie, what’s up?” You greet the curly haired girl at your locker. “Hey (y/n)! Not much really, just watched to catch you this morning and run an idea past you…” She smiles and looks around her before returning her gaze back to you. “Okay? Is everything alright? You seem nervous,” you giggled at her antics and went back to putting the combination into your locker. “Yeah, yeah, I just know you take a while to open up and get close with new people, and I don’t wanna rush you into anything you aren’t ready for, but the boys and I were wondering if-” She gets cut off by a yell from down the hallway. “JULIE! HAVE YOU ASKED HER YET?” You turn to see all three boys running towards you, Julie facepalming at Reggies yell. “Geez Reg, she literally just got here. There's no need to yell,” Julie rolls her eyes at them and looks back to you. “Anyways, we were wondering if you wanted to make more designs and stuff for the band, like for posters and maybe album art one day.” She smiles at you after finishing. “You-you want me to… really?” Your eyes widen in shock. “Yeah! We all really like what you did with those portraits, and you’re pretty chill letting us keep them and all, we want you to be a part of our band, even if it isn’t you on stage with us, you’ll keep things looking cool.” Luke says as he leans against the lockers beside you. “Plus, then you’ll be able to hang out with us more!” Reggie pipes in. They all look at each other then back at you. “So,” Alex smiles at you, “What do ya think?” A million thoughts fly through your mind at once, they really want you to hang out with them more? They liked what you did? You looked at them all, looking back at you, and smiled. “I’d love to.”
tag list ✨
@gia-kerks​ @fangirlangioma​
135 notes · View notes
paranaturalpop · 3 years
Text
I rate your pnat ships by how well they work as foils
I’m Professor Pops, welcome to Literature 405: comparing and contrasting in pnat ships. Love is in the air but all that really matters is narrative symmetry!
Tumblr media
Mina and Agent Day (submitted by @anxanhh)
two women on missions who need a confidante. 
Mina is a calculating woman of science with a tender, vulnerable heart deep down that she guards. Day is a fun, giggly love goddess but beneath the surface she is just as calculating.  
They are both focused on their prospective goals to the point of subterfuge. 
They have similar missions, to solve the many mysteries of Mayview, but they’re at odds instead of working together. Will these lone wolves learn to let their walls down and work towards a common goal? 
Their spectral energies are complementary colors!!!!!!!!!!!! 
9/10 so different yet so alike. They should kiss and also develop as people.
Spendcia
Where's that post about paranatural having what my hero academia wants?
These two had interacted in cannon only once before we found out they were dating, power move on Zack’s part
The cousinhood and the consortium seem to have bad blood…. Enemies to lovers????
As teachers, Garcia is tired and phoning it in while spender is energetic and committed. But when it comes to mystery solving Spender is burning himself out while Garcia keeps him grounded.
Garcia does things like pack spender lunches with little hearts drawn on the bag but was surprised to be called his boyfriend. He acts chill but inside he is deeply invested in spender but also knows about spender’s isolating tendencies. 
8/10 there's a reason these two have been off and on again for 6ish years, they’re walking a tightrope of vulnerability.
Imaax (submitted by Rubyya)
The Destiel of Paranatural. No I will not elaborate.
Here’s a pnat history lesson, the original ship name was Maxaac, but Zack weighed in on twitter with a much better alternative: Imaax. Also sometimes called Team Lightning Rod. 
Black and blue colors, just like the emotional bruises they leave on the people around them. 
Isaac wants to be seen as heroic and Max wants to be seen as aloof. It presents in different ways but deep down they both really care what other people think.
They both fear sincerity. Isaac protects himself with theatrics and Max with sarcasm. 
Isaac puts on a big show of having strong ethics but he’s a little mean on instinct. Max puts on a big show of cutting people down with his snark and devil-may-care attitude, but when push comes to shove he’s kind and cares how other people feel. 
Max immediately insults every person he meets and they still want to be best friends with him, while Issac tries so hard to be cool and nice but people just can’t stand him. 
The meta tension between Isaac, who wants so badly to be the protagonist, and Max “magnetic personally” Puckett who is exhausted with being the protagonist, is delicious. 
There’s a reason official art tends to portray them together. They bring out the best in each other. Isaac brakes through Max’s performative pessimism and Max brings Isaac down to earth. 
10/10 these two were written as a pair and it shows.
Suzabel (submitted by Rubyya)
One of my fav tropes is ‘enemies to friends’ where the enemy part is completely one-sided. Isabel probably thinks she and Suzy get along great. 
Both the heads of their respective clubs, but with very different leadership styles. 
Isabel only studies her grandfather's spectral style to please him and is a near master of it, while Suzy is incredibly self-motivated even though her actual skills are lacking. 
Isabel is at a crucial time in her life where she’s learning to distance herself from adult authority figures in order to take on more personal responsibility. Suzy is already blazing with independence and could help her adjust. 
Inversely, Isabel could teach Suzy a thing or two about treating your club members with respect and doing the emotional labor necessary to prevent future conflict. 
Red and pink! Valentines colors! 
Isabel could kill you but would never, Suzy would actually try to kill you. 
Investigative reporter/person living mysterious double life is a great dynamic.
Back when Izzy had Eightfold they had the ship name ‘Paper Girls’ which is awesome
7/10 Don’t ask me how I know this but they would kill at karaoke together. And they’re ok foils.
Bullymagnet
Max ‘too cool for clubs’ vs a boy who defines himself by his tight knit group. 
Max is learning to be less passive aggressive and johnny is learning to be less aggressive aggressive. 
Max’s entry to spectral life was when he injured Johnny and saw a shade of a doctopi on him, and Johnny's first shade was Max's doctopi after the hit ball game. 
Johnny refuses to commit to not bullying max anymore even though he really likes him, and max is working on being nicer but he’s still gonna be snarky with people even though they’re his friends. Old habits die hard. 
If he hadn't seen that shade, Max might have joined Johnny's gang. He has the style, the stunts, the snark. 
8/10 Just two bros whose lives are changing forever.
Isaac and Dimitri (submitted by Rubyya)
Here’s my pitch for a ship name: Brainstorm
Orange and blue are complementary colors. 
Isaac hurt Dimitri accidentally somehow. Hurting others accidentally is the central theme of chapter 5. 
Idealist/pragmatist is a classic dynamic
They both have relationships with their spirit partners that are rooted in fear. 
Dimitri’s self concept is overly dependent on his sense of intellectual superiority, and Isaac’s on ethical superiority. 
7/10 have not directly interacted in the comic yet but the narrative symmetry is there
Johnny and Isabel (submitted by Rubyya)
Burnhound Vs Shockadile
These two are natural leaders who know how to treat their friends with respect.
These jocks are both lethal weapons, but while Isabel is a master martial artist, Johnny is a passionate but blunt instrument.
They’re both going through similar identity crises.
Isabel is struggling to reconcile her violent and disciplined upbringing with a good, gentle heart and Johnny is trying to reconcile his violent and self-centered lifestyle with a developing respect and empathy for other people.
Johnny dies his hair red, so he would think it’s cool how Izzy emits a fiery red aura when excited.
8/10 there's a reason these two were the team leaders in the hit ball arch.
Violet and Lisa (submitted by Rubyya)
People have been theorizing about what kind of cryptid Lisa is since day one meanwhile Violet gives off big normie energy.
Lisa is very plugged into all the Mayview weirdness as the queen of the school underground, while Violet was the only person who thought to go get a teacher during the hit ball arch. Lisa was also the only one who really spoke openly about how something was clearly very wrong with Jeff, everyone else talked around it and played by the so called ‘rules’. Lisa’s secret brokering Vs. Violet’s ‘sunlight is the best disinfectant’ attitude presents two different approaches to trying to survive in a school run by a mysterious shadow organization within a town that contains several other mysterious shadow organizations.
“If you were, I’d have to be jealous too.” just two middle schoolers pinning over their crushes.
7/10 two girls against the world.
Isaac and Johnny
ship name: Firestorm?
Just 2 fiery redheaded mediums with anger management issues that command primal forces and wanna be best friends with max
Johnny chooses to have red spiky hair, Issac has had red spiky hair thrust upon him.
Both met Maxwell Pucket and decided they needed to change for the better.
I’ve said this before but Johnny and Issac have equal and opposite philosophies. Johnny doesn't care about the greater good, he just cares about a small group of people who he loves. Issac cares about the greater good, but can’t connect with individuals and ends up hurting them. Together they form one GoodTM boy.
Both their spirit partners want revenge on Spender. This spells trouble.
If there’s anyone to teach Isaac about unconditional friendship, it’s Johnny
Isaac has sworn off violence and Johnny worships at the altar of it.
9/10 they’ve only interacted in canon once so far but I’ve think we’ve got a big storm coming.
Suzy and Collin (submitted by Rubyya)
The Bakudeku of pnat. I will continue to not elaborate.
Suzy once stole Collin's phone which prompted Collin to try to cut her hair which prompted Suzy to stab Collin and at no point did either of them think to move to a different bus seat. As different as they are they are also very much the same.
Collin is the definition of mouth service (constantly disapproving of suzy’s antics but going along with it anyway.) while suzy is all action.
Despite their different attitudes they both seem genuinely passionate about the journalism club.
Fashion icons. Suzy’s sunglasses and legwarmers, Collins sweater vests and wrist bands, this duo could walk for Paris fashion week: middle school edition.
We’ve gotten an indication that Collin cares a lot about what Suzy thinks of him (taking off his wrist bands when she made fun of Max's) but we haven't gotten any sign yet that the feelings are mutual.
5/10 I think their story is yet to be told and we’ll get to know more about how they compare/contrast to each other in the future. Maybe brought on by Dimitri's betrayal?????
Cody and Isabel (Submitted by @a-bitchtm)
Cody is gay by WOG but that doesn't matter here since we are evaluating thematic compatibility, not romantic compatibility.
Red Vs. Blue
Izzy’s arch about stepping into her role as leader through communication and honesty contrasts Cody’s role as the secret class president. Izzy finally told Isaac the truth about the consortium, while Cody blatantly lied to max about being president.
Both seem to have generally good motivations and the skills/talent to back those motivations up.
Isabel is in the process of unlearning the ‘firm hand’ philosophy that she learned from her grandpa and Cody’s dad straight up tried to mind control him into murdering a toddler.
They were both taught to fall back on their capacity for violence and intimidation but those teachings conflict with the people they really want to be.
6/10 just two kids who are being led astray by authority figures trying to learn to be themselves.
Cody and Collin (Submitted by @gatortavern)
They both like vests.
Both beholden to blood thirsty predators
Collin is a journalist, Cody is a vampire/leader of the shadow government. It’s a huge power move on Cody’s part to hang out with Collin.
Cody’s support of his friends is enthusiastic while Collin would have you believe Suzy has kidnapped him.
4/10 they hang out for a reason but those reasons have yet to be fully developed
Isabel and Max (submitted by @Paranatural-goofiness)
They’re both people who have learned to put up walls to keep people out. Isabel through violence and intimidation, max through sarcasm and mockery. T
he other side of this is their mutual journey to let their walls down and connect with other people more genuinely, starting with each other.
Their search for acceptance and identity has led them both to become incredible athletes. Spectral fist martial arts = shred eagle stunts
As we saw in the hit ball game, Izzy faces things head on while Max is all about evasion. However we’ve seen how Izzy has actually learned to be evasive and guarded about her feelings while Max is a little more forthcoming.
8/10  Never has there been faster friends.
Isaac and Cody (submitted by Rubyya)
Drama kings
Isaac wants the likability Cody has.
Parallels of power: Isaac with power he didn't choose and cant control vs. Cody who also didn’t choose to have his power (elected), but wields it like an instrument.
Involuntary anime hair and involuntary glowing monster eyes
These two definitely both fall under the category of “lawful”.
I can see these two ending up on opposite sides of a conflict because they both have such rigid personal codes and an intense sense of duty.
I know I’ve been approaching almost all of these platonically but Isaac probably really wants a cool vampire boyfriend deep down
 7/10 Unstoppable force, meet immovable object. You two should watch anime together.
Hijack and PJ (submitted by @gatortavern)
They both wanna join the activity club so bad
Both have immature ideas about heroism and villainy. 
Both aspire to heroism while at the same time understanding that they aren't that yet and maybe never will be. 
They both, like many people in this comic, wanna be friends with max.  
5/10 Two supernatural babies who should play wii sports together
Stephen and Isaac (@Gatortavern)
Two boys who are easily overwhelmed
Lawful vs. chaotic
Isaac has enough secrets to give Stephen his conspiracy fix for a long time. 
In their own ways they both just want everything out in the open. 
Isaac is Stephen's dream, someone actually living a secret double life, and Stephen is Issac's dream, someone with a cool scar who would think he’s actually very interesting. 
5/10 these two are both very intense in their own way.
Johnny and Ed (Submitted by @theevilbrainman)
Two souls lost in the wind
Two people for whom friendship and loyalty is central to their character, and they’re both struggling with personal growth because of it. Johnny is afraid to change because his friends have always liked the person he already is, and Ed is struggling to even define himself outside of Isabel, the person he cares about the most. 
Both impulsive and uninhibited. 
They both live lives free from expectation. Johnny’s wild bully persona means no one is surprised by his antics or cruelty, while Grandpa Guerra doesn't really care if Ed takes up phantom fist like Isabel. He actually calls him a freeloader. Not having much expected of you can feel free but it’s also lonely and can warp your self-perception. 
6/10 these two crossed paths at exactly the right time.
I didn't cover every submission because even though only 9 people submitted you sent in 34 ships between you. Pnat’s fanbase is small but very dedicated. 
Honorable mentions: 
Johnny and clear sinuses, submitted by @gaul-the-unmitigated
Isaac and therapy, submitted by both @squidgeons and @somethingfishysgoingon
PJ and Johnny, submitted by @gatortavern, who seems to be under the impression that Johnny Would protect PJ and not destroy him just by breathing near him.
Day and Scabs, submitted by @gatortavern, because funny.
Special thanks to everyone who sent in ship between people who have never interacted in cannon, which was a lot of you. My eyes are opened now, so many possibilities.
129 notes · View notes
yolo1650 · 3 years
Text
Animal Crossing One Shot- Ten Star Rating (BobxReader)
Summary: Getting that perfect island turns out to be a lot harder than it looks.
Word Count: 1498
Warnings: No warnings here, it’s basically rated G, just two cute people, being cute together
——————————————————————————
Feeling nothing but a heavy sense of defeat, you closed the doors of the Resident Service building behind you. With the sun still high in the sky, there was still many hours of daylight left, precious hours that could be spend planting, refurnishing, terra-forming.  
But all you could feel was the aching in your legs, clearly overworked by all the running around you did this morning. They couldn’t help but buckle beneath you. Giving in, you sat down at the center of the plaza, face in your palms, as you remembered Isabelle's advice.  
"Let's get more greenery on this island by planting fruit and saplings. When it comes to tree varieties, we should really branch out!"
Your jaw clenched. While Isabelle's corny joke came from a kind-hearted place, it did nothing to cheer you up from your predicament.  
Last time it was too many trees, and too little flowers. Now that I've spent the whole morning planting more flowers, you're telling me there's not enough trees?
At this rate, you many never get your island to a five star rating.  
Then, you heard someone yelling, their voice getting louder as they got closer to you.  
"Heeeeeeeyyyyyyyy!"
You felt Bob's shadow cast over you, giving you momentary relief from the afternoon sun.  
"Hey Bob."
His shadow moved, and with it, his footsteps as its pattering sounds circled around you. Even with your eyes covered, you could still vividly see Bob's wide, carefree smile, and his arms outstretched like an airplane.  
"The island looks great today! On my way here I stopped like, five times to smell all of the pretty flowers! Or was it more like three times? I kind of stopped counting after two, pthhpth."
Taking your face out of your hands, you leaned your cheek against one of your palms and did nothing to mask your exhaustion and disappointment.  
"Still not good enough to get a good island rating though."
Bob stilled. Taking quick glances between you and the Resident Service building, he began to understand.  
"Oh."
After taking a seat next to you, you look over to his uncharacteristically somber face.  
"I'm sorry to hear that."
Great now you messed up his groove. One of the happiest, most carefree villager is sulking because of you. Maybe it was better if you just got up and left, you should have never left your house in the first place.  
But Bob beat you to it. Standing up with what seems to be renewed energy, he ran back to his house. You didn't have to wait long before hearing your name being shouted in the distance, its volume gradually increasing.  When Bob came back his typical ear-to-ear smile was as well. He was also holding onto a medium sized canvas. With outstretched arms, he presented it exclaiming,
"Here! I gotta lil' something for ya!"
After getting up and dusting off your pants, you took the unexpected gift from his hands. Your eyebrows were raised high in astonishment. Pleased at your reaction, Bob shyly looked away while rubbing the back of his neck.  
"But it's probably nothing compared to what you've done for the island so far."
As you examined the painting you weren't sure how to feel about it at first. Anyone back at your hometown would recognize immediately that this gift was clearly not your style. While you preferred romantic style oil paintings, the piece before you had to be best described as the work of a child. Abstract and sloppy, no distinct line art, and distinct brush strokes. That last part was the most peculiar to you. Did he use cotton balls to paint this?
You took a step back and looked at the piece again as a whole. Once you did, you felt a smile creep up on your face. This painting was clearly made with you in mind, as not only were you the subject, but you were surrounded by all of the things you loved on this island. The foreground was adorned with your favorite flowers, the background was the island's serene coast, and you were wearing your favorite outfit.
The colors were the most impressive, in your opinion. They were so spot on that just looking at it alone made you feel like you were right there, hearing the crashing waves. He even got your eye color at just the right shade, and remembered to add your dimples to your smile.  
You found it difficult to contain your excitement.  
"Wow! Bob, this is amazing! And you painted it? I didn't know you liked to paint!"
"Hmmm? Oh yeah, I like to do all sorts of drawing." Lost in thought, he started leaning back and forth between the balls of his feet and his heels. "But I especially looooooove finger painting! It's like ya got super powers 'cause everything you touch changes color!"
You chuckled. Paw prints, that explained the strange brush strokes.  
"How'd you know my favorite spot on the island was the beach?" You asked.
Bob simply shrugged as he replied, "You're just there so often, I sorta figured it was like, your natural habitat or something, pthhpth."
"What about my clothes?"
He looked away briefly before clearing his throat to answer. "I, uh, always thought you looked the prettiest when you wore those." He couldn't help but blush a little. "Just 'cause you always smiled more when you wore those."  
You then felt your own face heat up.  
"A-and what about the flowers? How'd you know these were my favorite?"
"Oh, those? You were always buying those from Lief every time he comes over." His eyes glanced up in thought as he continued.  
"At first I was thinking what made these flowers so special? You already had so many different flowers in your own garden. So then I bought a pot of my own, and boy do they smell deeelicious! They reminded me so much of you so of course I had to put it here, pthhpth!"
You tried to give a polite smile to match Bob's beaming face. But you weren't too sure how to take that compliment, if it even was one. Was he saying you were like a snack? Does he snack on flowers?
You decided not to dwell on it too much.  
Now when you looked back at the painting, it was as if it completely transformed before your eyes during the short length of your conversation with Bob. What was once sloppy, thick brush strokes were now intentional, and authentic. What was once meaningless shapes of abstraction have now turned into a thoughtful presentation of who you were in the mind of Bob.  
It was all so touching, you might have started tearing up a little.  
You tightly wrapped your arms around Bob.  
"Thank you. You have no idea how much I needed this right now."
He eagerly hugged you back.  
"Like I said, it's nothing." His lips curled into a bashful smile.  
Releasing each other from your embrace, you were surprised to see that somber expression return to his face. His brows furrowed in frustration.  
"I don't know who's judging these islands, but if I were them, I'd give you a ten star rating just because you worked so hard on it!"
You didn't have the heart to tell him that island ratings only went up to five.  
Bob continued on. Pride and determination lighting his eyes as he placed his paws on his hips.  
"I might even throw in a prize, like a day off, or a life-time supply of brownies!" A nervous chuckle bubbled out of him as he rubbed the back of his neck. "Uh, actually, that last part might be more of a prize for me than for you."
Now that he mentions it, you really do deserve a day-off, heck, maybe even a week-off. You put so much work into this island, it was only natural that you needed a break to regain your strength. Then, you'll be sure to get that five star rating!
You grabbed Bob's paw and headed towards the direction to your house.  
"It's been a while since we hanged out, huh? Well then let's go to my place for lunch," you said.  
"Really?!" Now it was Bob's turn to look surprised. Free food always got him excited.  
"Yeah!" You smiled. "Think of it as thanks for the painting."
"Sounds great!" Bob had already skipped on ahead of you, his face radiant. "Race ya!"
"Wait, Bob! My legs are still killing me from this morning, can you-"
Too late. With arms outstretched, Bob zig-zagged his way towards your house, already leagues ahead of you. For a guy who was always hungry, he sure did have boundless amounts of energy.  
You shook your head to yourself and smiled. Taking one last look at your painting before trudging along, you were already thinking of how to best frame it. You loved how brilliant it looked in the natural light. A nice spot by the window would be perfect.  
——————————————————————————
This was requested by @teagibs I hope you like it! Sorry it took so long :’-)
Please bear in mind that I’m still in school, so if anyone else has made a request, or would like to request something, it might be a while. I will also be doing requests in the order they come in. 
On another note, this was a lot of fun! Bob is one of my favorites, so I hope I did him justice. I currently have another one shot in the works (not a request), and ya’ll better brace yourself, cause it’s gonna be a dooozy...
Let me know what you guys think, constructive criticism is especially welcome here :D
-(・ω・)v
73 notes · View notes
marireadshellblazer · 3 years
Text
Constantine TV Series Episode 4 “A Feast of Friends”
Aight, I feel the need to express some feelings about this episode. I’m not sure this is going to be terribly articulate, but I’ll do my best. Let’s do this.
First off, it’s obvious to anyone who has read Hellblazer that this episode is based off of the first two issues of the comic book series. As I wrote in my post about my experience reading it, these issues were the perfect way to start off the series. It’s like “BOOM! This is how it is! Get ready for some serious shit! This is your only warning; this is what you’re in for.” Even though they did change the story for the episode, I still absolutely loved it. The storyline from the comics is a favorite of mine, but even with the changes made in order to adapt it for TV, this was an awesome episode. In fact, it’s my favorite episode of the TV series. Here’s why!  
   Why is it episode 4?
  Unlike the comics this story was adapted to be episode 4, meaning it doesn’t start the TV series. So, why wouldn’t it start the TV series? I think that you have to look at it from a few different perspectives.
  Let’s start with the comic: Issues 1 and 2, titled Hunger and A Feast of Friends respectively, make up the first arc of the Hellblazer series. Most fans know, however, that Hellblazer is not John’s first appearance in comics; he got his own series after appearing throughout the American Gothic story arc of Swamp Thing. Consequently, many people came into Hellblazer at the time having some familiarity with the character. While this chapter does expand on John’s character some, this doesn’t serve as a major introduction to him. They just drop the reader into one of his nightmare-inducing everyday situations with little to no preparation. Those who are familiar with his role in Swamp Thing will, odds are, not find these issues to be terribly weird or particularly jarring considering it’s in a series about John; they have a good idea what they are in for.
   Here is a quick run-down: John returns to his apartment in Paddington after dealing with the horror show that is the Brujeria in the Swamp Thing comics. Exhausted, he comes back to an unwelcome guest; Gary Lester. Gary is one of the friends who was involved in the Newcastle incident (which is fully explained in issue #11), which left each of them scarred in their own way. Gary dealt with the aftermath via drugs, which have left him wide open for other issues. After foolishly releasing a demon from a sacrificial victim, Gary runs to John for help dealing with the destruction said demon is causing. In this case it’s a hunger demon that causes people to feast upon whatever they greatly desire; food, a crucifix, and even an athlete committing autocannibalism. With help from club owner and Voodoo practitioner Papa Midnight, John betrays his vulnerable and trusting friend in order to stop the demon by instead making him the new sacrifice. Trapping the demon inside of Gary, the literal and figurative ghosts of John’s past haunt and torment him mentally as his friend dies slowly and in agony, ending this arc with a melancholy feeling. John stopped a demon, but at the cost of a friend who truly trusted and cared for him.
Using this story to begin the TV series as is, however, would have been more than a little strange. In the minds of most people outside of the comic book world, John Constantine was first introduced to them via the horrifyingly inaccurate Keanu Reeves film. (I love Keanu, I really do, but that film give me agita). Or, if they were introduced to the show after it had already aired, they are introduced via Matt Ryan’s masterful work portraying him in Legends of Tomorrow. While he does an incredible job in both Constantine and Legends (to the point where I find that I may simply be unable to accept anyone else taking on the role in live action) it depresses me terribly that Legends toned down John’s character so much with all the goofiness. It did not suit John at all! If anything, I find myself feeling sorry for Matt Ryan, who tried so hard to do John’s character justice. Uhg.
   Anyway…Already, a lot of the audience is going to be more than a little taken aback by the Constantine series’ portrayal of the character, however comic book accurate he may be. This show is tailored to as wide of an audience as possible, meaning they expect that pretty much no one has read Hellblazer or Swamp Thing before. Consequently, having the series start by just dropping the audience into his crazy world, especially with this particular story arc, might not be the best idea. I’m not saying that his introduction is done super well with the first episode (it’s not a total wreak, but there are issues) but it would have been much harder to start with A Feast of Friends.
     Characterization
    Now, let’s look at it from another angle: characterization. As the 4th episode this was, odds are, done assuming that there would be a lot more episodes after this (oh, the painful reality), but really the viewers are still just getting to know John. So, these early episodes are supposed to establish his character. They see him as knowledgeable and ready to handle the weird and scary in the first episode, and in 2 and 3 you see that he is serious about his work, a loner, weirdly well prepared, and how he interacts with others. While in some situations he does come off like a douche, his douche-ness is on full display in this episode. Honestly, this is accurate to how he is in the comics; he’s a nasty piece of work, after all. A world class bastard. He gives Gary shit for his drug addiction pretty much the entire episode as well as his choice to mess with a demon and the chaos it made that he now has to fix. He, like in the comics, tricks Gary into helping him and it results in a slow, painful death for the man. Gary really did trust John, and not only did John betray him, but he was callous about it. Now, that’s not to say that the situation and Gary’s death doesn’t bother him, and this is also seen in both the episode and the comic, but John solders through a lot of it with his mask of stoic indifference; he blatantly a deliberately betrays his friend without much hesitation.
    John’s characterization in the show is really important. While fans of Hellblazer know what they are in for (John being a dick, betraying people, sacrificing friends, etc) the wide audience the show was meant to appeal to might not respond well to that. How is the audience supposed to relate to a character whose major personality trait in this arc is to basically be a douche (even if it is justified in a way)? Generally speaking, TV shows try to have a lot of characters with redeeming traits and very basic bitch personalities so that as much of the audience as possible can relate to them in some capacity. They can describe the main character as “cool, quirky, sweet, loving, etc” because that is what network television strives for. The point is for the audience to relate to and find a lot of reasons to like the character, especially the main character. The audience is supposed to be able to see the qualities of the character in themselves. An example of a douchy character being changed for network television is the titular character in TV series Lucifer. He can be an asshat at times, but his redeeming qualities shine through in pretty much every episode; he’s helpful, has a strong sense of justice, and cares about Chloe. He often goes out of his way to understand others, although he often misses the mark, and tries to fix problems and issues that he accidentally creates in order to keep relationships with others. These are things people can relate to, and although he can be rather uncouth, it’s played for laughs, and he has more redeeming qualities than not. If the Constantine series started off with John coldly betraying a friend after giving him shit for his addiction the entire episode with not a lot of his positive traits coming through, from the perspective of most people, this might not be a good way to try and connect with the audience. I’m not saying there are people who don’t/won’t, but again, this is network television and they tend to play on the safe side.
    Comic book -> TV
    Ok so let’s move onto the meat of this; the changes made to the story. People always complain when something isn’t totally accurate to the book down to every last detail (Harry Potter *cough cough*) and making story and character changes to adaptions of comic books is nothing new. However, to be fair, there are some legitimately good reasons for this. Time, money, limits technology wise, and pacing are good examples. The most important thing to consider, in my opinion, is that we are going from a comic book to television. Literally, that is the most important thing. Essentially, what the writers had to do when adapting this story for the show was carry over the plot from one medium to another, which is tricky.
    What’s a medium? A medium is a platform that allows a message to be shared or presented. So, using the medium of a comic book is how Jamie Delano was able to share his message; the story of John Constantine. The writers of the television series then had to adapt the story from comics, a visual and written medium, into a different kind of visual medium with different features to it; stage craft, voice, music, etc.
    Comic books have features for story telling; the size and placement of the panels, the writing, word bubbles, narration bubbles, colors, art style, etc. The pro’s to this are that you don’t get paragraph after paragraph describing a place or a person; they literally show them to you and the art presents those details. They also allow for the art to take in the reader emotionally through what the images convey; messy art, sudden loss of color, or even a sudden blank page after a tragic event are simple yet effective ways to convey emotion that are, at times, difficult or downright impossible to put into words. And sometimes the writer wants to leave things to interpretation or allude to something without saying it outright. While this can be done in writing, it can be done through the art as well, and depending on how skilled the artist or creative a set up can be just as effective if not more.
     In television storytelling can be done with another wide array of features. Close-ups on the actors, the actors and their performance in general, music, background narration, changes in location, lighting, ect. This allows for emotions to come across in different ways; the quality of the acting can make or break the effectiveness of the scene, and music and lighting can alter the message or feel of scene in order to change or heighten the point, pacing, the use of CGI or practical effects, etc. So, keeping this in mind, there are many features that are exclusive to film that are not in comic books, and vice versa. So, as you can imagine, adapting the stories or message from one medium to another is nowhere near as straightforward as people like to think it is. In other words, I tend to give the writers/actors/etc a break when it comes to adaption because, honestly, there is a lot that goes into it and it’s not like I could do better, honestly. I mean, there are piss poor adaptions, I’m not gunna lie, but there are a lot of them that I think don’t get enough credit simply because it’s “different” in some ways.
     Aight, let’s first refer back to what I said earlier concerning the comic; these issues aren’t so much an intro to John as they are literally following him from the end of the American Gothic arc in Swamp Thing and to his apartment where he gets involved with more shit (no rest for the wicked, amirite?). So, again, not a good way to start the TV series. In the TV show, they also have to tie in the changes they set up in the previous episodes. Continuity, my friends.
    So, what is different? Here are a few things: John having a safe house, being in the US, Chaz being American and also not involved, Zed being involved and being Latina, the new angel character Manny, and the absence of Papa Midnight really change a lot about the story. The heart of it is John’s relationship with Gary and the defeat of the demon, which thankfully remains unchanged at it’s core. This is the central idea that drives this story and I think that idea was actually done a bit better in the film medium than in the comic.
   Keeping all of these factors and all of these changes that needed in order to keep things consistent with the TV show’s changes, let’s get into why I think that this episode is good even with the changes, but why I love it.
Tumblr media
I love It
      After taking some time to consider things, I realize that what really makes this episode great is the actors; specifically, Matt Ryan and Jonjo O'Neill. The chemistry between them is undeniable. The way they look at each other and how they talk to each other really makes you feel like, at one time at least, they were friends. The scene where Gary swipes the ID badge and says “I learned from the best” is a great example of this. The look on his face and John’s; I don’t have a real eloquent way to say it. I just sort of feel it.
The retcon of Gary’s character really helps with this. Being that Gary is introduced and then killed off in two issues, you don’t really get to know his character in the comics. He’s only in one episode of the TV series, yet he feels more fleshed out. Soul was added to the character. Showing his struggles with addiction, as well as what I suspect to be depression and PTSD, really humanized him. In the episode, he was more than just a desperate, annoying junky; he was a flawed and relatable human being. Who hasn’t made a mistake? How many people have made BIG mistakes with consequences difficult to handle? How many people are haunted by their actions from the past? Addiction and the effects is has on people is devastating. I’m glad that they kept the ending true to the comics, but the way he was portrayed in the episode really made me feel for Gary in this case. It almost made me hope that maybe he really would get better, and have the chance at redemption that he was trying so desperately to find. But it wouldn’t be a John Constantine series without an ending like this one; John loses a friend and slowly digs himself deeper into hell.
Of course, it’s the ending of the episode that people really remember best. It’s the scenes that solidified, at least for me, Matt Ryan as John Constantine. It’s what really helped me have faith in the series. Watching it now, and seeing what really could have been, makes the episode somewhat bitter sweet for me. I felt like this is when the series really found it’s footing; the acting, storytelling, and how well arcs from Hellblazer could be adapted. This is where I think Matt Ryan hit his stride and we could see what he was really capable of as an actor if they let him spread his wings. In the earlier episodes I was honestly unsure. He looked the part, but the soul of the character had not really had a chance to shine through.
How John treats Gary at the end really made a difference, too. Holding him while he was in pain, and sitting with him as he died in agony; these simple yet effective changes really drove home John’s humanity in the face of evil and the tough decisions he has to make. The look he gives many at the very end, the anger and sorrow he seems to be struggling to hold back, is haunting.
In this episode, Matt Ryan’s love and dedication to John’s character shine. Seeing the story in live action gave this story a stronger impact. Even without a lot of the social commentary that was present in the comic, the live action element is what really helps drive the story home. I think it’s because it’s real people showing these very real emotions that can be hard to translate into art. Not to say that John Ridgway did a bad job, but it’s different in live action.
I hope I was able to get these thoughts across. I wasn’t sure if I should share this or not, but it’s something I’ve been thinking about for a long time. I know this is sort of jumbled, but hopefully it’s not a total mess to read.
12 notes · View notes
Text
When Our Hands Next Meet
Series summary: Soulmates are given memories of their past lives when their hands touch. For Virgil and Logan, each memory is happier than the last.
This series was created for @analogicalweek and made in collaboration with the lovely @birdsongisland! Please go look at the wonderful art that inspired this work and support them with reblogs so their work can be seen!
Credit to birdsongisland for beta reading this as well, they helped make it flow a lot better.
Chapter 6: Mirror Our Past with a Better Future
Chapter Summary: Virgil didn’t know how he had gotten so lucky being able to work with Logan in stars tailoring shop. All he knew is Logan made him feel beautiful, inside and out. 
Day 5 Prompt: Past/Future
Warnings: none. If there are any please let me know!
WC: 1918
AO3 link
Taglist (ask to be added or removed): @ace-in-a-shopping-cart @janus-is-an-adorable-snek-boi @logans-library @im-an-anxious-wreck @edupunkn00b
Logan leaned back in stars stool, a quirk to stars lips as star eyed the newest frock up and down. It wasn’t a style star usually went for- elegant and flowing as it was star much preferred a lot more poof and edge when it came to dress design. Carefully taking the pins from stars mouth back into the container star took another look at stars sketch. Long, delicate looking fabric swung off the hips and just barely brushed the floor. star hadn’t added color but star knew that it faded from a rich purple to a smoky black at the bottom, trimmed with a slight frill that made it swirl across the floor. The medium scoop neck flared out into puffed sleeves that gathered at the ends to grip the wrists. star had already made the deeper purple corset covered in a delicate lace, with shining false buckles lining the front and black ribbon that actually laced it in the back.
Looking down at stars own slightly oversized jumper paired with a medium length skirt and boots laced up to stars knees star couldn’t help but laugh softly. This was definitely a far cry from what star ever thought star would wear, let alone make. Somehow though, star knew star wasn’t going to be the one wearing it, and thankfully working alone in the shop meant star could afford a side project without tripping up anyone else. Typically with more elaborate projects like this star would make a prototype first, of a slightly less fancy design, and make sure all the kinks and possible uncomfortable spots were worked out of the design and made into something star could be proud of selling. Ever since star had taken over the tailoring shop star had been working towards a single goal- making things people could feel comfortable in. But with this- it had sat in stars brain for not even a day before star had finally relented and sketched it out and set to work immediately picking out the perfect fabric for it. 
Taking the needle back up star leaned close to gather the waist as carefully as star could, quick fingers moving skillfully to the tune star was quietly humming. This would certainly take a while, but star had a feeling it would be worth it.
-----
Virgil leaned back in his stool, a smile on his lips as he looked the newest frock up and down. It was stunning like everything Logan made was and he found himself caught by how grateful he was to be sitting with stars, listening to stars quiet humming as star worked diligently. He knew star used to work here alone so he was always grateful to be allowed to sit with star. It was a simple thing, far from his usual somewhat dramatic style but Logan had assured him it would look nice so he had eventually resented. Folding his legs underneath him he only smiled further at the concerned look he was given, waving it off but putting one leg back down as a compromise. He assumed the quiet huff meant he had won and settled down even further to continue admiring the other work.
The skirt was gathered at the waist and slightly poofy from the petticoat layer underneath purple plaid dominated the pattern with black accents that broke it up nicely. Swinging his current jean-clad leg he began softly humming along to the tune Logan had been repeating, harmonizing low so it wouldn’t be too much of a distraction. He beamed as Logan shot him a smile- Virgil never could resist it- and looked away with a small blush to observe the rest of the shop. It was quiet today thankfully, the emptiness being a welcome reprieve from the chaos of yesterday. There had been a slight scheduling error which meant nearly everyone had come to get their orders at the same time, clamoring for places in line while the two frantically ran back and forth trying to shove everything in boxes as neatly as they could before shooing the clients out the door and tending to the next. As good a business day as it was they had been exhausted afterwards and the day spent with just the two of them was helping to melt away the lingering anxiety.
His smile turned soft again while watching Logan carefully pin along a seam, admiring the years of skill built into the movements. He remembered the first time he had walked into the store- not realized Logan had made nearly everything there- and being awestruck at the realization of how much time and care was put into every project. This one would most likely still take a while but he had a feeling it would be worth it.
-----
Logan perked stars head up as the bell chimed at the door, managing to get one last stitch in before standing and making stars way out of the workroom. Stepping out star could just barely see a shock of purple hair moving between the racks, piquing stars curiosity enough to smooth down stars choppy, self cut mullet and make stars way over. star caught the other’s eye as star approached and star made sure to offer a kind smile to the obviously uncomfortable customer. They were gripping a couple different dress sleeves and worrying the fabric between their fingers as they shuffled their feet awkwardly.
star offered stars hand to shake, trying valiantly to be polite and not suggest a fidget cube instead for the nervous tic. “Hello, I’m Logan, star/stars pronouns please. Is there anything I can help you with?”
“Virgil...he/him.” He didn’t take stars hand so Logan retracted it easily. Some people were weary of soulmates, preferring not to touch anyone’s hand before they were ready and Logan could respect that. “I uh- I like your skirt. I kinda miss wearing them so I was just browsing.”
“Is there a particular style you’re looking for?”
Licking his lips Virgil nervously glanced through the various styles on the rack, mumbling low enough Logan had to strain to hear. “No...I’m not really sure I should be wearing them anymore- just wanted to look.”
Oh. Logan knew where this person was coming from, star had felt the same way when stars pronouns had changed- wanting to pass as...well decidedly not feminine but missing the garments star had made and worn nearly all stars life. Offering an understanding smile, star turned and began sifting through the colors to try and find something simple he might be comfortable trying. “You just have to find something you’re confident in.”
-----
Virgil slid off the stool as he heard the bell chime, motioning to Logan that he could take care of it and making his way to the front of the store. Blowing his purple hair out of his eyes in a vain attempt  to make it look more presentable he caught sight of someone's back to him as they browsed the racks nearest to the front of the store. Leaning against the counter he made sure to make a bit of noise before speaking up so as not to startle them. “May I help you find something?”
Throwing a smile over their shoulder they held up a comfortable looking blouse triumphantly and made their way over. “Already found it!” 
Smiling at the cheerful customer he quickly rang them up and handed them their bag, waving as they left as he thought back to when he had first stepped foot through the doors. He wished he had had even half of that person’s confidence back then, instead if he remembered correctly he had nearly had a nervous breakdown over a skirt. Screwing his mouth to one side he turned on his heel and walked back into the workroom, hands on his hips as he stood next to Logan and leaned his head on stars shoulder. “You’re gonna go cross eyes if you keep squinting like that.”
Rolling stars eyes only to wince immediately after star consented and stuck the needle in a safe spot where it wouldn’t fall out. “I’m almost done anyway. Just need to patch up this side, I didn’t cut it straight enough to lay right.”
Pressing a kiss to stars cheek Virgil looked at the garment with barely contained excitement. “I love it already.”
“I just want to make you something you’ll be confident in.” Virgil smiled hearing the phrase he had heard so many years ago, remembering the effort star had gone through to find something he would like.
-----
“Come out when you’re ready.” Logan called as star hung the already discarded pieces back on the rack. Biting stars lip star glanced at stars workroom in thought. Technically the dress was done and star was sure Virgil would look beautiful in it but star wasn’t sure he’d be comfortable in something so fancy right now. Looking back as Virgil came out with the skirt hung over his arm the decision was made for stars. 
“Wait here.” Shooting him a smile star left to quickly tie off the last of the stitching and tug the dress off the mannequin, grabbing up the corset as star passed through the door. Virgil’s eyes blew wide when he saw the dress, immediately going to protest but getting quickly shushed as the pile of fabric was shoved into his arms. “Go change it’s fine! I need someone to model it anyway!”
A few minutes passed during which Logan nervously worried at the skin around stars thumb, hoping star hadn’t pushed the man too far. When star finally heard the door creak and turned towards virgil however, all the nervous tension drained away leaving nothing but quiet awe.
“Oh,” star said simply. 
The realization earned star a puzzled look but the brief confusion did nothing to wipe away the brilliant smile on his face. The dress fit perfectly, the ends of the flowing skirt hitting the floor just so and the deep purple contrasting nickel with his pale features. The corset smoothed out his curves while still framing him wonderfully and Logan could swear there was air in the room just a moment ago but all star could do was gape stupidly at the radiance before him.
“I must have been making that for you,” star said quietly. “You look stunning.”
Blushing profusely, Virgil raised one of his hands. “I couldn’t get the buttons…”
“Allow me.” Logan was careful to avoid making contact with his skin as star looped the buttons. Pausing suddenly as memory after happy memory flooded stars thoughts star looked down to see one finger curled tentatively around stars own, glancing back up to see Virgil smiling softly.
“I had a feeling.” He offered sheepishly.
Logan smiled, squeezing his hand in stars. “So did I.”
-----
“Come out when you’re ready!” Virgil heard Logan call for him and gave himself one last once over before deeming himself presentable. He ducked out of the dressing room giddily and twirled for his audience of one, cheeks aching from the wideness of his smile as he rubbed the fabric between his fingers excitedly. 
“It fits perfectly!” He watched as Logan smiled and reached for his hand, happily taking it and squeezing. 
“You look absolutely stunning.” Blushing at the compliment he leaned forward to rest his head against the others chest, drinking in stars presence and relaxing against stars.
“I love you.” He offered quietly.
Smiling, Logan enveloped him in a gentle hug. “So do I.”
Previous    Next
28 notes · View notes
felinisfeloney · 3 years
Note
u know u just hate CQL because it's different from the book. You're just angry it's not an exact adaptation and are mad it's good and is a great adaptation. U don't even understand censorship
ok.. so everything about this is wrong. It’s very wrong because wanna know something I watched the drama first. I was excited for the drama! I watched the first few episodes was a little confused (by that I mean my brain needed to get all the names and shit straight because I can only read so fast so I got a little lost on whos and whys) and then I went and watched the Donghua after reading 10 or so chapters of the web comic and then got to the novel. I got to the book last. I read fanfic before I got to the book. I wanted to savor my experience of the book. I wasn’t even registering the book when I first started watching CQL and noted how wrong it was as a show.
And it was all in the editing and the absurd amount of scenes repeating the same point over and over.
I love when adaptations are different. I love when a team can bring something into a new medium and in the process put in new and fresh energy into something I already enjoy. I hate adaptations that are so exact they render the existence of it being an adaptation meaningless. I hate when an adaptation doesn’t have fun with the joy their medium brings. Or just are so exact it renders reading the original format meaningless. I am a huge lover of both versions of Howl’s Moving Castle book and film for their differences. I would honestly hate to watch a version of Howl like the book not cause I dislike it but because I know the book as it is written in it’s entirety wouldn’t work in a 90 minute runtime. Maybe a miniseries at best. I enjoy and love the original FMA and am a supporter of anime’s writing their own endings instead just dragging shit out or waiting for the manga to finish. I think the Soul Eater anime is perfect for what it is and I have fun every time it ends.
I if anyone should have defended CQL for it’s changes. For having the Yin Iron plot. Because here is the thing I don’t even mind the Yin Iron in principle given it has an incredibly distinct role is writing around the portrayal of the undead something that chinese media is rather sensitive about for cultural reasons that I respect and believe are valid on their part. Having it be puppets instead of corpses doesn’t bother me. It’s pining a morality on an object and low key implying it’s this objects fault for being evil and tempting evil people. 
It’s the thematic emptiness. It’s the absurd writing choices and things set up but not followed through on. Moments that only exist to reach a beat in the book even though it doesn’t line up with the new plot they have made. It’s the repetitive ass scenes where the same information is given only one new person is in the room. It’s the annoyingly one note stage acting from everyone on scene.
It’s the boring camera angles and absurd editing choices that only further convince given the cast and how they are done this show was edited around profiting off having a C-Pop band for the main cast. The only part I give props on is set and costume design and even then it really shows that they had no interest in making these people look anything but like pretty with a bit of mud and stressed hair. 
How else will we get stan gif sets?
Even if I were to just touch briefly on the LGBTQ censorship I cannot stress enough that element is not my maim gripe. My gripe is that this show is trying to profit off of a writing and editing style that only wants to insult you. You wanna know something? If they just used less middle distance shots and more closer intimate angles you could have used the subtle art of film editing to convey gay. Pay close attention to that bad clip show from the Xuanwu of Slaughter arc and note how much is distance shots. How much is camera work that displays no form of intimacy between the characters. How it is all so awkward and stilted in silence. If you could make a bromance wangxian work for me I would acknowledge the inherent yikes but I would enjoy. I can’t even enjoy CQL because it’s not done in a way that makes me ignore that corporate checklist.
Imma say this hot take even with all the obvious and glaring animation problems so far scum villain’s self saving system is a better show than CQL
If I had no idea that MDZS existed CQL would still be boring
60 notes · View notes
6ix-dragons · 3 years
Text
My Overall Impressions of the Edens Zero Anime
Originally, I wanted to do an initial impressions post of the Edens Zero anime, for the first few episodes. Then, it changed to cover the first 12. However, with the 25th, and final episode (of the first season) having premiered on Saturday, I felt like I wanted to give my overall impressions of the anime, instead. I’ve seen all 25 episodes, including the final one—and, there are a whole bunch of things I wanted to talk about. So, let’s get started!
ART STYLE AND ANIMATION
First, let’s talk about the art style, and the animation. Before the first episode came out, I honestly had a bit of reservation in my mind, having known beforehand of what animation studio is in charge of the anime adaptation, and the previews of the character designs. However, when the first episode came out, I was quite surprised at how well it was, when it came to both the art direction, and the animation.
While the character designs aren’t as exact, as what they are in the original manga, they are at least much closer to them. Where the art style/direction is best found, happens to be in scenes that involve the environment around the characters. Shots of landscapes, like the buildings in the planet of Bluegarden, and the Ether pillars in Norma, are the better examples of how great the art direction is. Even the shots of outer space, especially with the planets (despite how different they looked compared to their manga counterparts), are another example of it. It just makes the world in the anime more lively.
However, there can be some parts in every episode, where the art style is inconsistent. Of course, there will always be characters, and other objects that are off-model in far-away shots. For the most part, ‘though, the art style is pretty much consistent, from scene to scene, on every episode. Colours are used appropriately, with duller colours used in the more serious parts of the story—such as the latter-half of the Sun Jewel arc.
When it comes to the animation quality, it’s about as good as the art direction that i covered above. The quality of the animation doesn’t vary all too wildly, but, much like the art style, it can get inconsistent in certain parts for every episode. Where you’ll find the best animation, however, is in the chase and battle scenes. An example of that can be found in the first episode, when Shiki took on Lord Castellan. Even more examples I can think of, includes: The part where Shiki and Rebecca are being chased by Sibir, in Norma; the first time the “Leaper” ability was activated, in Sun Jewel; and, when Shiki took on Madame Kurenai, in that same arc.
Now, I’m going to dedicate this part of this section to talk, rather briefly, about the CGI used in the anime. I was actually surprised to see it being used, in certain scenes—with the titular battleship seen in space, for instance. Another example I can think of, is Sibir’s Knight Gear, in Norma, as well as Kurenai’s, in Sun Jewel. Personally, I don’t think there’s anything wrong with CGI being used in any visual medium (whether it be live-action shows, movies, or even anime)...as long as it’s done well. That wasn’t the case here, with this anime. I would rather see something like the battleships be hand-drawn, rather than in CGI, where the results would look out-of-place, instead.
Issues with the CGI, and inconsistent animation, aside, we can at least attribute the better parts of the art style and animation, to the team at J.C. Staff—particularly, with two key members of that team: The chief animator, Kenichiro Aoki...and the director of the anime, himself, Yuji Suzuji. It’s rather unfortunate to know that Mr. Suzuji had passed away, last month, knowing that he had made his contributions to the team, as the anime’s director. I tip my hat to him, and to all the other members of the entire team responsible for making this anime adaptation.
VOICE ACTING AND AUDIO/SOUND
Alright, let’s talk about voice acting, and the audio/sound. I was also a little concerned, before the first episode even came out, when the voice actors/actresses were first announced. However, after watching the previews—and then the first episode, my concerns were put to rest. I feel like all of the characters featured in the anime sounded much like I thought they were, and that the voice actors/actresses really nailed down their parts quite well. 
I also thought the same for the voice actors/actresses, in the English dub version (when the anime came out on Netflix). It’s only the first 12 episodes, so far, but I was genuinely impressed at their performances. While it isn’t the same as the original JP version of the anime, I thought they all sounded as close to their other counterparts. 
The rest of the audio/sound was also impressive, too, with proper mixing in certain scenes that feature intense action, as well as in quieter scenes. Furthermore, the music used in the anime also helped add to the impact of those scenes. There’s a mix of orchestral music, and guitar rock that’s featured in the anime—although, given the sci-fi and tech elements featured in it, too, I would’ve liked the inclusion of EDM, techno, and dubstep (I’m partly-serious about those).
Finally, let’s talk about the songs used in the first opening intro, and ending...as well as for the second opening intro, and ending. I know that T.M. Revolution does make music that gets used in anime (Gundam SEED and SEED Destiny, for instance), and “Eden Through the Rough” is a real banger. The song featured in the first ending—”Bouken no Vlog”, by CHiCO with HoneyWorks, conveys the lighter tone in the first cour of the anime.
For the songs featured in the second intro and ending, however...I’m actually inclined to agree with some who argue that both these songs are appropriate for the second intro. What I will fully agree, however, is that both these songs also convey the darker tone of the second cour. Regardless, I thought all of these songs, as well as the entire OST, are perfectly-suited for the anime, as a whole.
CONTENT COVERED
As far as the content covered from the manga goes, I’d say the anime does it well, for the most part. In terms of the arcs that the first season covers, it covers the introduction arc, all the way to the end of the Sun Jewel arc. 
I did notice that there were some changes made to the anime, from its source material. And, I would say that these changes are being made, for better or worse, depending on what you prefer. Already, I’ve seen a few instances of this, in the first episode, where they cut out the part in the manga where Rebecca discovers they are being taken by hostage robots on Granbell Island. There was also a part in the manga, during the Digitalis arc, where Rebecca yells at everyone about their sleeping habits. That was never present, at all, in the anime. 
When it comes to blood and nudity, however, the former is more inconsistent than the latter. With blood, first of all, it is present where you’d think it would be (especially so, if you’ve read the manga first). Examples of this, would be the flashback with Rebecca and Happy being involved in a traffic accident, and when Shiki punched Kurenai’s Knight Gear with only his bare fist. However, you also have scenes where blood should’ve been present, like when Spider/Jamilov was shot dead by Seth. In the manga, he was clearly bleeding out, unlike in the anime. 
For nudity, I did mention it is more consistent than blood—but, only in that it is consistently censored out. While, yes, the original manga does block out full-frontal nudity, the anime adaptation takes this much further. One glaring example of this, is when Rebecca is changing into new clothes, in the Sun Jewel arc—just before taking on Nino. In the anime, we only see her from the shoulders up, while the panel in the manga reveals more of her upper torso. 
Now, I can understand the decisions made to censor/tone down the blood and nudity. However, as the anime is aired on Japanese television late at night, it doesn’t make much sense to do so. In spite of all this, however, these kinds of changes haven’t really taken away my viewing experience of the anime.
As Edens Zero is made by Hiro Mashima, you can expect easter eggs from his other, previous works, much like in the manga. You have your standard Fairy Tail cameos, such as Team Shadow Gear in the Shooting Starlight guild, the usual Natsu and Lucy appearance—and, the triumphant return of the “Wow!” sound effect.
So, yeah, for the most part, the anime adaptation does follow the source material. There’s changes that some may or may not want, as well as a few additions to certain parts: I believe the scene where Shiki gets chased around by Kurenai’s Knight Gear was extended a little bit, compared to what happened in the manga.
CONCLUSION
Before I give my overall impressions on the first season of the anime, I just wanted to mention the preview for the second season—for those who have watched the final episode. I’ve read the manga beforehand, and from what I’ve seen in the preview...I can’t wait, until the next season comes out. I just can’t wait for what they will pull off, in that upcoming season.
Overall, I’m impressed with the anime adaptation, from start to finish. I do recommend this for anyone else, not just as a fan of Edens Zero (and Mashima’s works)...but, as someone who has watched anime, in general. It does a more than decent job at covering the story arcs from the manga, in spite of the issues it has—art style, animation, and censorship. 
Is it a flawless, excellent anime? No, but it certainly is alright enough to give it a peek, if you’re interested. Again, I just can’t wait to see what they have in store, for season two. Here’s hoping, with the next season, they will improve from the first.
5 notes · View notes