I sorta need help again and this time I don't know if I'll be able to offer anything in return.
My phone bill was due a few days ago but I just had to make an almost $400 car payment so I only have $6 to my name right now. I should have more money yes. But it's been tough at this new amazon I work at. The building is a complete disaster. It's not safe to operate ops/pits because the building doesn't follow proper safety precautions.
These boxes aren't supposed to be sticking out with nothing to keep them in the bins. Some of them are very heavy and could fall and hurt someone.
And unfortunately for me, since this is a crosstrained site they told me that I cannot come to work if I don't operate those because saying "I don't want to, it's unsafe" is not a "good enough of an excuse and I need accommodations" only after that to be told "usually when people use safety as a reason to get accommodations they get denied"
So with all that batshittery I've either been taking vto and not going to work at all or going but only staying for a few hours and then dipping out. I applied for a transfer to another facility but I'm still waiting for it to be approved. So until then I feel kinda screwed.
My account was just suspended today. If anyone is willing and able to help me I would appreciate it immensely.
My venmo is @ onyxtruth
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fuck it, original post because i'm pissed and have no idea what else i can do.
TL;DR: i was going to be in my new house today, but we got fucked over and are playing a waiting game for an extra 10 days. requesting donations to make sure i can eat while i'm stuck here.
so 2 days ago, we got up at 5 am, packed all of our remaining belongings, packed up the cats, and began a roadtrip to our new house in new york. we were gonna stop for the night halfway, then make the rest of the trip the next day.
my mom gets a call from our attorney while we're halfway through south carolina that the house was in fact NOT empty like we were told, and the man in there was refusing to leave, stating he had movers coming on the 28th and he would not be moved before then.
so, given we were transporting 5 people and 6 cats, we made the decision to turn around and drive ALL THE WAY BACK to a completely barren house, because we were promised compensation for travel expenses and bedding and shit related to this issue if we did that, and could not be assured compensation if we tried to wait it out in a hotel.
i had to quit my job on jan 17 because we were going to leave at the end of jan, but things got delayed until this point, and now i'm staring down AT LEAST another month without any income, and i'm fucking scared.
i know everyone is strapped for money right now and i absolutely hate begging like this, but at this point even five dollars is better than what i got right now. any donations will go towards food while i'm here and groceries for the new place.
my ko-fi is over at https://ko-fi.com/shadowthian/
if you made it this far, thank you. even just sharing this around helps, i really don't know what else to do.
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Junicrane/Starstruck Ramble
I will not be brief, all under the cut
To clear some things right off the bat:
No corpse, no proof with Juniper. Obligatory this is set in a canon where he's alive and adjacent to the agency in some way.
Reggie & Juniper are just gay to me, but I don't mind any interpretation of their sexuality
The games are set in 1967/68 to me (based on a couple bits in game) which is before it was legal to be gay in America at least (1971), which is relevant to how I interpret canon as being somewhat grounded in reality, despite unrealistic elements.
This is just an insane amount of headcanons/elements of and AU all culminated into one post. I will talk about some headcanons like they're just facts because they are established in my head, and it saves me over explaining literally everything, however I will explain some parts a little bit for clarity.
Alright. Actual beginning of the ramble:
Juniper is a character to me who had gotten so lost in his job as an actor and a social presence that in the end his whole life revolved around that 'role'. Because of this, by the time he's put into the situation where he's around the Agency, he basically knows nothing about himself, though he doesn't realise at first. Furthermore, what little identity he had has changed in so many ways. He's no longer a beloved famous actor in the prominence of public light, he's legally dead and he tarnished his career just before he was supposed to die, with the bonus of that making him lose the majority of his estate. From that, he also has horrific facial scarring from the electrical burns from literally having his face fried. I believe a friend of mine made a post about this a while ago (I also think they were the first to think it up also), but, to me, Juniper has a permanent trimmer in his right arm (aka his dominant hand) from the electrical current and it is messing with his nervous system.
All in all, he's not doing great, but he's too proud to admit that he's not doing great, because if anything, what's left of his ego is all he has as a defense since he's deep in unfamiliar water.
Before ending up around the agency (I have multiple interpretations of this, so I'm just going to bring it up generally), he'd never actually seen Reggie, and his only impression of him is a single voicemail, which was his only reference he had to later impersonate him. Juniper probably has very little feelings other than the ones he projects onto him because of Phoenix and that, at the very least, he's physically attracted to Reggie to some degree (that's like the beginning of how everything else would tumble into place in this sort of interpretation at least).
And on Crane's side? His feelings towards Juniper are probably very intense and muddled. On the one hand, he adores musical theatre, and that's his now ex-favourite actor. The thought of just casually being around him blows the bit of fanboy in him away at first because THAT'S the GUY, plus the inklings of a celebrity crush which still poke at him. And then there's the rational side of him, which knows Juniper has committed absolute atrocities on the side of Zoraxis, and hates him for that. Then there's how much Juniper comes off as an asshole at first because he refuses to cooperate with anything the Agency tried to put in place. He finds Juniper endlessly frustrating, and yet he's stuck working with him since, afterall, he's the one who knows the Agency's history with Juniper the best. I imagine him acting a lot like how he does IEYTD 1 around Juniper.
At this point, I'm just describing the pitch for a romcom.
I think the start of their relationship with one another largely started with Juniper trying to wind Crane up. It was a way of getting his attention, and I don't think Juniper knows why he's so dead set on that at first, because I don't think he realises he has a crush on 'this grump' at first. (I think that's actually the fun part about these two, because it's almost like a role reversal of the celebrity crush dynamic. This ex-big name actor has a TERRIBLE crush on an average joe and it is KILLING HIM.) But of course the Agency keeps them together because Juniper is at least conversing with Crane, so it's a start.
Through one way or another, they actually get talking casually, at least mildly at first. It takes Juniper a long time to fully deconstruct the wall he's built, and the thing is, Crane isn't the one trying to deconstruct it, at least at first, because yeah, Juniper realises if he wants Reggie to actually like him in any way, he can't keep winding him up. So they talk. Small talk at first, something rhythmic and almost easy to keep to a script. And over time that turns into actual conversations. Genuine ones in which Reggie rips out the occasional one of his jokes which Juniper is endlessly endeared about. The way he smiles just before he makes them, like he wants to chuckle at what he's about to say before he says it. That's probably when Juniper realised that he does have some vague crush on him, and that it wasn't going away.
This is what kickstarts John I can't-buy-you-things-to-impress-you-so-acts-of-service-it-is Juniper to do little things for him. It mostly starts off as him trying to make Reggie his tea how he likes it. However, the nerve damage in his arm makes that hard, as the weight of the kettle and trying to pour is hard all of a sudden. And he refuses to accept that, so he tries for a very long while. Long enough that Crane would go to investigate what was going on. And when he does see Juniper leaning over a cup with the kettle as he uneasily tries to pour it, and when Crane asks Juniper responds so matter-of-fact that his intention is nothing but genuine. And it catches Reggie off guard because Juniper hadn't done anything like that up to that point, and his very apparent vulnerability is so clearly on show.
It shifts something between them.
From that point on, conversations are longer, more familiar. Both of their attitudes soften, and Reggie makes more jokes. Juniper learns how to better use his left hand while strengthening his right back to a point where it could be used again. Slowly, they're both spending time with one another not because they have to, but just because they can. Little bits at first, not too far outside what they already were doing, but those little bits turned into long bits to a point where the other person's company was genuinely desirable.
As time passes, Juniper probably realises that he doesn't genuinely know much about himself or what hobbies he's into, because he never really had the time when he got big, and his home life in his youth wasn't bad, but it wasn't picturesque. I think Reggie would pick up on it, and absolutely try to introduce him to some things he's into. Some things stick, other things don't (corn husking very much stays Reggie's passion, and John will go with him sometimes because it's him, but it's not something he strongly cares for). Crane introduces him to a lot of music, and it's something that becomes a staple between them, with tracks they listen to more than others (tragically, I know relatively little about 60s music so I couldn't really say what). Occasionally they dance, never anything intense, think slow dancing, but the closeness is nice.
Through all of it, Juniper is battling the worst crush of his life, and he can't stand it, because I think he struggles to read people since he doesn't have anything like a script or a director to refer back to, so he has no idea if Reggie likes him back or if he's just desperate for that to be true. I think because of that any sort of confession between them would be incredibly raw, not only because of the time they live in making it hard for them to be truthful about how they love, but because it's a complete show of Juniper who's worked to be this better person. I don't exactly know how that would go, mainly because I don't have one set version of their dynamic, this post is just a generalisation of main consistent points.
Reggie does like him back, because he's gotten used to Juniper being just this guy, not a figure in the public eye, not a Zoraxis lackey, and not any sort of Agency operative (despite being under their care to some degree). He's someone he genuinely cares for, because they've given one another the time of day to learn one another, and I think because Reggie was a field agent, he was a lot better at reading Juniper than Juniper was at reading him. Eventually Juniper's company becomes something he could see around him for the rest of his life, and I think he accepts that he likes Juniper a lot more gracefully.
I think any affection directed at Juniper would at first be met with him feeling a little muddled. Reggie was a very physically affectionate person when he could be, and sure the initial flirting with one another came with the occasional little touches, but everything now was so deeply intentional. I also don't think Juniper would almost ever get over the novelty of being able to kiss him, or many other gestures, because it made the fact that they were together so very real, and it was great. I do think it comes easier to Reggie, and it's a big way of showing how much he cares, so it's important for Juniper to try and show it back because he knows how much it means to the other.
I like the idea of them eventually living with one another, too. I think Juniper would have always had a quiet little daydream of sorts where he does just live a domestic quiet life, and he can with Reggie (well, as close as they can get between the Agency and Zoraxis always being at odds), and he loves that, and he loves him, and it's immense.
I think they cook for one another a lot, it helps Juniper work on his dexterity in a controlled environment, which means a lot because it's a huge point of insecurity (that and his scars). He does improve, and Crane is proud of that and shows it and it's great. I also think they'd probably cook together too, because they can deal with being in the kitchen together and they work well with one another. It's probably a good way for them to unwind because over time they can do it in relative silence.
As I said before, I also think music is a staple in their household, and that Reggie listens to things on vinyl almost all of the time because he likes the background noise. Sometimes Juniper will catch him chuntering along to the music which he finds endlessly endearing. I wouldn't put it past his dramatic ass to also join in to fluster Reggie, but I also don't think Reggie would mind that terribly because Juniper has listened to the music enough to know the lyrics, and that's huge to him.
I don't think they are without rough patches, no relationship is, but I think the good part about them is that they're willing to talk about it (... eventually). They're used to long conversations, and while they're often less fun conversations, they're needed and they know that, and it works out.
Alright. I think I'm done for now. I haven't mentioned everything, but this definitely got the worst of it out of my system. If you ever want to hear any specific thoughts my ask box is open but other than that, behold my general dynamic for these two which has been festering in my head for years. I think they're great
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Question from someone just starting with creating and then posting art to Tumblr, do you think I should be watermarking my pieces?
I’ve always disliked watermarks as they naturally tend to dissuade people from interacting with art in a natural manner; it depends very heavily on the size and placement of the mark, obviously. BUT, often times an artist will overzealously obscure their work with identification and it has a somewhat repulsive effect on the average viewer - a wall has been erected between the viewer and the art, in a sense. Watermarks, to me, exist to prevent very specific situations from unfolding with your work - almost all of those reasons seem to be financially motivated, like preventing strangers from printing your art out at home or reposting without attribution. Situations that could affect your ability to profit off of your work.
Admittedly, much of my perception about this issue was inspired by an article included in the book “Context” by Cory Doctorow, wherein he writes about how he’s benefitted from “thinking like a dandelion”, which is an idea that was inspired by conversation the author had with Neil Gaiman — I’ll try and summarize the parts of the point that are more relevant to visual arts; since portions of the allegory refer more specifically to certain qualities of written media.
He begins with, “Mammals worry about what happens to each and every one of their offspring, but dandelions only care that every crack in every sidewalk has dandelions growing out of it. The former is a good strategy for situations in which reproduction is expensive, but the latter works best when reproduction is practically free — as on the Internet.”
So how do you “think like a dandelion” then?
“Your work needs to be easily copied, to anywhere whence it might find its way into the right hands. That means that the nimble text-file, HTML file, and PDF (the preferred triumvirate of formats) should be distributed without formality — no logins, no e-mail address collections, and with a license that allows your fans to reproduce the work on their own in order to share it with more potential fans. Remember, copying is a cost-center — insisting that all copies must be downloaded from your site and only your site is insisting that you — and only you — will bear the cost of making those copies. Sure, having a single, central repository for your works makes it easier to count copies and figure out where they’re going, but remember: dandelions don’t keep track of their seeds. Once you get past the vanity of knowing exactly how many copies have been made, and find the zen of knowing that the copying will take care of itself, you’ll attain dandelionesque contentment.”
The rest of the allegory more specifically applies to written work, but I’ll link it here for the sake of posterity. Essentially: every wall or pre-requisite that you establish before allowing a fresh set of eyes to fall upon your work actually may deter people from engaging with the work and sharing it with others. Signatures, subtle watermarks that are “baked” into the work, or maybe like.. a well-placed QR code that links people back to you — all of those would be my suggestion for someone who wants to leave a lasting, linking thread between a given work and it’s artist. If the right person sees your art and connects with it, there SHOULD be a way for them to follow that thread back to you and discover more; but if you over-prioritize demonstrating ownership over your work, you’re likely to drive those coveted genuine connections away.
On the other hand, if your primary goal is to sell prints or other products, brazenly watermarking your work will protect your bottom line from the kind of low-level art-scraping that drives all those shady redbubble shops and etsy stores that sell stolen works on cheap t-shirts and hankies. For me, art is a primarily social interest in which I prioritize the sharing of culture and ideas. I don’t want financial factors to take precedence and alter how/why I created something; it feels like I’d have to take much of myself out of my art in order to make it palatable for consumer spaces.
You should determine your priorities and then strive to make art that fulfills those priorities without compromise. I think you’ll find that self-satisfaction manifests readily at different points in the midst of that process.
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