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#anyway I watched the last four episodes of clone wars and it was GOOD
thecleverqueer · 1 year
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Random Thoughts on Star Wars Ships (Part One)
First, I’m going to focus on toxic Star Wars ships that I absolutely despise. There are three. They are all canon. Some of them are more serious than others, but all of them are incredibly pernicious and problematic. To say they’re my “least favorite” would be selling my hatred of them short, but yeah… the word “loathe” comes to mind. They are as follows:
1.) Luxsoka (aka Ahsoka Tano and Lux Bonteri)
This is my least favorite ship of them all because watching it unfold at times was physically painful. Part of me doesn’t understand it, but the other part of me knows that it was likely just a tepid attempt by Filoni egged on by Lucas to make Ahsoka more relatable. It didn’t work.
I guess the premise didn’t start out too bad with “Heroes on Both Sides” aside from the fact that it sort of felt forced and completely unnecessary, but holy fuck did it go off the rails fast!
Lux’s behavior in “A Friend in Need” was completely unacceptable and inexcusable. I mean, less than 10 minutes into that episode, Lux is threatening to shoot Ahsoka with a deadly firearm, followed by him stunning her unconscious, stealing her ship, hiding her lightsabers from her, then meeting up with known terrorists with anti-Jedi sentiment and history of violence against Jedi. Then, there’s the unwanted kiss. He just sort of grabs her and kisses her against her will to shut her up. She tries to wiggle herself out of it, and when she finally succeeds you can tell she’s PISSED. Rightfully so. Technically, that’s sexual assault. The episode ends with Ahsoka somehow being more fond of him, I guess… I assume it’s related to trauma. I don’t know.
Anyway, the last time we see them together is in the Onderon arc, Lux has fallen for and appears to be in a romantic relationship with Steela Gerrera, and Ahsoka finds a way get over him, which, good for her. It takes two episodes (of a four episode arc) of her being completely insufferable, but she gets there. Ahsoka deserved better anyway. By the end of the arc, she sort of does this attaboy shoulder slug to Lux after Steela kisses him for luck. By that point, Ahsoka probably also found Steela to be pretty hot, and at least one of them got to kiss her. Steela should have kissed you, Ahsoka, but we can’t win them all.
Filoni basically said he was experimenting with this anyway, and I would say that this particular experiment was an abject failure. I’m just glad that it fizzed out before it ever became anything. It was trash. Utter fucking trash.
2.) Anidala (aka Anakin Skywalker and Padme Amidala)
This is another toxic relationship that I don’t really understand. No. I mean, I do get it. It’s a plot point that gets us to a specific place in a character’s development.
It’s unfortunate really. Padme is supposed to be this badass strong, independent woman, and yet, she blatantly ignores countless red flags during “Attack of the Clones” that should have made her turn away… Anakin being generally creepy, crossing her boundaries, frequently interrupting her, admitting to being a dictatorial fascist… I guess I could technically write all of that off because sometimes your brain short-circuits when you’re in love, and you miss red flags. But… genocide? That was a bridge too far. She should have ran. She should have reported the incident to the Jedi council, but she didn’t because she’s “in love” and actually just a prop.
Their relationship didn’t get much better during the Clone Wars. Anakin guilted her often when she chose duty over desire, something her role in the galaxy required. It was also pretty apparent that Anakin didn’t trust her as far as he could throw her based on the way he acted during the Rush Clovis arcs. There was a point where it felt like their relationship should have ended during season six. Padme needed a break, and told Anakin that she just couldn’t do it anymore after Anakin brutally beat the dog shit out of Clovis. But then, more trauma. Maybe the moral of the story is to avoid “romantic” relationships when you’re in the midst of a traumatic experience because it’s going to end badly, I don’t know.
Then he kills her in “Revenge of the Sith”. Well. He force chokes her and she dies of a broken heart… and then he proceeds to lose his shit, force crushing an entire room with overwhelming emotion (say what you will about the Jedi and their obsession with not forming attachments and overcoming feelings but… *gestures vaguely at this incident right here*).
It’s just an incredibly disastrous toxic sludge of a relationship. And, I know I was more vague about this one, but honestly, I could write a novel about it… so, I’ll spare you.
3.) Reylo (aka Rey Palpatine/Skywalker and Kylo Ren)
I hate this one too… mainly because Kylo tells Rey that she’s “nothing” except to him in “The Last Jedi” and that bothers me. This is something a narcissist might say to someone they’re abusing and gaslighting in an attempt to make them stick around, and that is just gross.
If Rey had actually been a nobody, it may have been less offensive, but she’s a fucking Palpatine. She’s not a nobody. Her grandfather (who isn’t actually her “grandfather” as her father was just a Palpatine clone, and goddamn, I’m going to need a better explanation for all of that shit because it just makes me dizzy, but I digress) was an oppressive emperor that reigned in terror for decades. She’s far from a nobody. In fact, Kylo’s grandfather (actual grandfather, not a clone) was Palpatine’s bitch. He should at least show her a little respect.
He was also generically mean to her during the entire sequel trilogy.
This one ended in death too, but at least it was Kylo’s and not Rey’s death. Again, Rey exhibited this weird mental exercise where she sees Kylo Ren and Ben Solo as two different people instead of them being one-in-the-same (much like the mental gymnastics that everyone does with Vader), so she tries to validate the whole thing. But, he’s an asshole too. She should have faced it.
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A'ight, so I'm 10 years late to the party (and writing this at 2 in the morning), but over the last 2-ish months, I finally watched Merlin. And boy, was it a ride.
The first season I had a few doubts. I was enjoying it but finding myself skimming episodes here and there because the writing was easy to predict and follow to the point where I didn't like to sit and waste time on it. So I skimmed and moved on to the second season.
Season two I didn't have anything major to note other than the writing picking up, which was good. I was still liking what I was seeing and I think it was probably by the end of season two I decided to not give up on the show.
By the third season, I was beginning to be fairly impressed with the character development I was seeing and no longer skimming the occasionally slow episode. And what an almost flipped way of doing it, too. Discussing what I was seeing with friends who had already long since watched the show lead to the conclusion that Merlin got the character development route typical of Arthur's type of character, while Arthur got the character development route typical of Merlin's type of character. And it worked! It worked very, very well in my opinion.
Season four I think was maybe my favourite season, despite the dive into more horror-ish/scary themes. I definitely was jump-scared a few times and certain episodes I'm glad I didn't watch at night. Morgana I struggled with as an antagonist. I'm not sure if it was the acting or something else. Perhaps she's one of the few characters whose arrogance makes me so furious I can't stand to see her on screen. Most of the time, I think I also felt sad for her. But in essence, I think I found her to be a bit much. I understand her role and how it worked with the writing, but I found her in season five to be much more palatable as a villain.
Season five was reminicient of that one writing post about knowing how the story is going to end and barrelling towards it anyways despite everyone screaming for it to stop. Episode 11 had me crying with the parallels between Mordred, Merlin, Freya, and Kara. It packed a punch I wasn't expecting and I feel that this how they chose to show not only how tormented Merlin was feeling by the end he knew was coming but also how different of a person he could've become. Mordred ever since he was first introduced early on as a mere boy in the show had always held a certain air about him that lent to one perhaps not knowing whether or not he could be trusted. We still have no idea what he went through all of those years, what lead him to Morgana, to the Saxons (though it's perhaps not that far of a leap to figure it out), why and if he would have killed Arther another way if specific decisions hadn't been made. But in this particular episode, the way things are handled and how Mordred reacts shows you very clearly how human he is, and I think that was really, really important.
The ending. Ah, man. I'm still numb from it in that "wait is this over oh yeah it is" sort of way (much like after season seven of the clone wars). I've seen worse endings to a show. I have a couple points of contention (i.e. where Percival went after Gwaine died and knowing if Merlin ever came back to Camelot). Arthur and Merlin's conversations the entire journey to Avalon absolutely wrecked me, especially being on the other side of writing a fic involving difficult communication and trying to understand another. I think how the writers handled it was darn near perfect.
Other comments I'd like to make:
Gaius was a fantastic mentor and one of my favourites throughout the show. The gradual progression of him teaching Merlin not only about his magic but how to be a physician (something more implied than anything) was something I greatly appreciated. Goblin Gaius was something I didn't know I needed. He is maybe second to Old Man Merlin.
Gwen had interesting character development throughout the show. From a blacksmith's daughter serving in the castle to the queen, the majority of her character development for the most part felt natural, up to a point. I had a bit of difficulty with her in the later half of season four, as she did rightly mature but the sweetness she had had for most of the show seemed lost and that made me sad. I think they could've kept it, but she was faced with many difficult decisions that can change a person dramatically. Part of what made season five so devastating was how much of it she spent under Morgana's influence. I think I teared up a bit at the scene at the Cauldron where Arthur worked so hard to get her back. It was such a good scene of how faithful they were to each other.
Totally would've loved to see more of the Knights of the Round table, especially in season five. I feel I was particularly cheated out of Gwaine and Lancelot chaos, but alas, that is what fics are for.
I may add more to this later, but for now I think those were my biggest thoughts.
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amomentoftimeandword · 10 months
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Geek rant incoming 😮‍💨
**Spoilers** If you haven't seen The Clone Wars do not proceed.
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Back in 1977 the world was introduced to Darth Vader and his empire, as well as Luke and Leia, in Star Wars: Episode IV- A New Hope. Back then, it seemed right to have this big bad character reeking havoc across the galaxy, a character who had fallen from the path of righteousness.
Fast forward 22 years to 1999 when Star Wars: Episode I- The Phantom Menace came out and introduced us to Anakin Skywalker. We followed Anakin's journey as he became a Padawan at the end of this first film. In 2002 we followed him as an older, (essentially) fully realized Jedi. Then in 2005 we watched the prophecy surrounding him, come to fruition, as he became the very thing he was meant to destroy, a Sith Lord.
In accordance to the 1977 film, we all knew it had to be this way, that this was what Eps. I-III were setting up. Now, let's jump forward again to August 2008 when the feature length, animated film, Star Wars: The Clone Wars, was released. In this film (set between Eps. II & III) we see Anakin take on his own Padawan, Ahsoka Tano. Two months later, The Clone Wars series began.
From October 2008 to March 2013, we got to see Anakin and Ahsoka develop a close relationship. They may have been master and Padawan, but it was more than that. They were friends. Ahsoka was someone who was able to keep him grounded, even when Anakin's emotions threatened to get the best of him.
This series, fleshed out Anakin so EXTREMELY well! We see him as a trusted Jedi, a leader, a mentor, a general in the grand army of the republic. We get to see him as a 'brother' to Obi-Wan, a husband to Padme, and (again) a friend to Ahsoka🥺. I seriously prefer clone wars Anakin over live action Anakin (probably unpopular opinion. Love Hayden Christensen though❤️).
Anyways, in the Season 5 finale episodes (17-20) of The Clone Wars, we watch as Ahsoka gets framed for murder and other crimes against against the republic. No matter how many times she claimed she was innocent... No one but Anakin believed her (maybe Obi and Plo Koon), and the Jedi Council abandoned her, expelling her from the Order. In the grand scheme of things, I understand (again) why it had to happen this way, however I still hold some resentment towards the council for turning their backs on her (I know this is all fictional, but I am ATTACHED 🥺).
That being said, Ahsoka got her name cleared and was offered the chance to rejoin the ranks of the Jedi, but she refused. She was hurt and maybe part of her saw how 'blinded' the Jedi actually could be to one another. WHEN SHE WALKS AWAY FROM ANAKIN AT THE END OF EP. 20 😭😭😭😭😭💔 My heart BREAKS Every. Single. Fucking. Time!!! Personally, I believe this is where Anakin's villain origin story started.
HAD Ahsoka been even an IDEA back in 1977, we honestly probably never would have had a Darth Vader. This is a personal belief of course, and I can't change what's been canon for nearly 50yrs now, BUT a heart can still dream. Ahsoka was SO GOOD for Anakin. She would have kept him on the straight and narrow, I'm sure of it.
This makes an even harder impact in season 7 of the Clone Wars (that didn't drop till 2020), when we see Ahsoka return. She's grown up in her time away and has keep her distance from the Jedi. We follow her journey in this season as she eventually finds her way back to Anakin. Eps. 9-12 tie in VERY closely to the events of Revenge of the Sith.
These last four episodes HIT SO DIFFERENT after you've followed all these characters for so long (even the clones 💔). There is a scene where Anakin presents Ahsoka with new lightsabers and then he walks away to join the mission to capture Dooku (that opens up Revenge of the Sith). THIS IS THE LAST TIME AHSOKA SEES ANAKIN BEFORE HE BECOMES DARTH VADER 😭💔😭💔😭
A lot of people ask where Ahsoka was during RotS and these last 4 episodes answer that too. She had a mission to capture Maul on Mandalore and bring him back to Coruscant to the Jedi Council as a way to help the republic one last time. THIS EXPLAINS WHY SHE WASN'T THERE IN THE END!
Do y'all REALIZE the impact she could have MADE though, if she'd been around to HELP ANAKIN 😭😭😭 (in a perfect world where Vader doesn't exist)!!! However, there's no telling whether she would have survived Order 66 if she had been around. WHICH!!! Order 66 goes into effect while Ahsoka is bringing Maul to the council (of course she defeated him). And seeing HOW she survived the execution order is one of THE MOST HEARTBREAKING, DEVASTATING THINGS THAT EXISTS ON TV!!🥺💔😭🥺💔😭
Yes, I do it to myself, putting my emotions through the ringer every time BUT DAMN! The Clone Wars goes hard and it hurts like hell, but it is for that reason, that it is one of my FAVORITE animated shows. 😮‍💨🥲
I may be part of a small population too that believes Anakin didn't do anything wrong either. If giving into emotions makes way for the dark side, then SO many of us would be. As humans, we are meant to FEEL and some feel more strongly than others. Anakin is of the Force but he feels things SO deeply. All he wanted was to be able to save those that he loved and was coerced/peer pressured/led to believe(falsely) that the Dark Side had the answers he needed. I don't believe he ever truly wanted to be the reason why Jedi across the galaxy were eradicated. We know Palpatine only wanted him for his power and it was ALL Palatine's idea from the beginning. ANAKIN IS A VICTIM!! HE WAS CORRUPTED!!😭😭😭 Sure, Anakin was brash and had some intense moments (a think first, ask questions later type) throughout the series as a whole, but they were justified. He did what had to be done. I am a very firm believer that the corruption of the dark side did indeed 'kill' the Anakin we came to know and love. Everything he did after killing Windu, is not our "chosen one". Though, let's be honest, 'our Anakin' probably started to disappear when Palpatine ordered him to kill Dooku.
If you've seen Clone Wars, you may remember a few episodes in season 3 where the Son (essentially the personification of the dark side of the Force) tried to coerce Anakin, even then. MY WILD THEORY is that, the day Anakin gave in to the dark side, was the day the Son possessed him, "killing him", hence allowing for the creation of Darth Vader and the Empire he rules. 🤷🏼‍♀️🤷🏼‍♀️🤷🏼‍♀️ Fight me.
Ok, I'm getting off my soap box now. If you've made it to the end, do you agree with any of this? However theoretical it may be? My mind cannot be changed. 🤷🏼‍♀️ This is where I firmly stand. I will die on this hill.
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damthosefandoms · 3 years
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Tim: “So we have to fight each other, got it. Can we use our weapons?”
Generic Bad Guy: “You may use any weapon you desire.”
Tim: “Any weapon?”
Generic Bad Guy: “That is what I said.”
Tim: “...can I have a lightsaber?”
(Later)
Kon, watching Tim swing a lightsaber around: “You know, you don’t have to make the noises.”
Tim, having the time of his life: “Yeah, I do.”
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tuesday again 8/10/21
got a bunch of followers (many of you are Cool Teens, so also a reminder im 26 and an adult and you’re responsible for curating your own internet experience) anyway there’s a bunch of new folks since the last time this was a regular series, so i am going to pre-answer some things that popped up in my inbox last week.
a quick reminder that this is empathetically NOT a recommendations or review blog series. this is a quick snapshot of what i’m thinking about with regards to mass media this week, and sometimes i’m funny about it and sometimes i also do interesting diy shit
a work can be culturally or historically relevant and important in the history of a genre AND be extremely difficult to recommend unless i know you very well due to. hm. let us say many pitfalls due to the inherent nature of the genre or the time it was made in it any number of other factors that make it unpalatable to modern audiences but still worth knowing about. doesthedogdie dot com will be your friend here for anything i talk about ever
being critical of a work doesn’t just mean pointing out its flaws- was it successful in telling the story it wanted to tell? were the techniques it used effective? were the emotions it elicited in me probably the ones the creators set out to elicit? these are key components of a good review and often help me break down what i want to say about a particular piece of media in any given week, but this isn’t a review series of blog posts either.
i am literally just some guy and you should question everything i say
listening i’m gonna wash that man right out of my hair (from the musical South Pacific) brought to you by a random mix of classic movie musicals bc apparently im that kinda gay this week.
like a lot of other fifties media that aged like milk, i have fond memories of watching this with my grandmother. this isn’t even my favorite song from the musical (that would be bali hai’i) but i think it is one of the more technically interesting non-solo ones. specifically, the faint siren-y dissonance on “ahoy, ahoy!” has really been stuck in my head. the melancholy “ah fuck we’ve broken our hearts again” vibe on “rub him out of the roll call/and drum him out of your dreams” with all the girls singing is probably a result of a soprano-heavy cast, but it’s almost chimey in a way? the rhyme scheme of those lines has an excellent mouthfeel. ms gaynor singing “cancel hiiiiiim” has a very different vibe in 2021
two (really three? maybe four? the world is large and mysterious) things can be true at the same time: i don’t think i could watch this musical again as an adult because i don’t think there’s a good way to salvage or update it. the very qualities of this musical that make me go “fuckin yikes” as adult were the very qualities that made my grandmother love it so much. i can hold a bittersweet memory of a rare late movie night with a complicated lady and at the same time wish she were a better person. the dead never leave you with answers.
reading yet another fallow week. this field is turning back into forest
watching i often say “AAA video game (derogatory)” when talking offline about the bad batc/h, but this was a real bioshock ass lookin episode. i don’t think this show is succesful at making or having a point. mostly because it cannot contradict any existing lore in one of the most traversed time periods of this franchise, even with the expanded universe reboot. it falls into the uncomfortable realm of most starred wars media: this is a franchise for children but it also has to cater to legions of grownup fanatics with lots of money. but by god does it “feel” like starred wars. something not all the sequel trilogy movies or much of the clone wars series were successful at.
as a sidebar to that last sentence. the most memorable (imo) scene of the fucking sequel trilogy is the back-to-back battle couple thing in ep seven, which i have just rewatched, and it simply does not hold up. there are too many cuts to other sideplots, which kills any tension dead, and it’s mostly fighting on opposite sides of the room in frantic desperation instead of what i wanted, which was more than five seconds of synergy. it’s a bad rhyme of the final throne room fight in rotj and my memory of the thing is so much better, which is always disappointing.
back to the main point, i think a big part of something “feeling” like starred wars is big setpieces and fights that make you go “HAHA YES FUCKIN SICK WHY NOT!!!!” like, nobody ever Just gets shot in the head and temporarily incapacitated, they get half-vadered by the engines of a derelict ship trying to go to hyperspace while it’s grounded. this franchise has never met a location it couldn’t destroy in a beautiful and awful shower of light while the string sections of three combined orchestras play their hearts out.
this franchise is so fucking stupid and i am so invested in it
playing got my hands on the death trash early access, very hype to play it, have been too busy turning this apartment into a functional and comfortable space to live in for three separate people with their own separate toiletries and groceries and work from home/school schedules
making related to the above, the fucking kitchen table and chairs are done.
things wot i did friday night/saturday morning:
new rubber feeties on everybody
wrapped the legs that structurally couldn’t get new rubber feeties in jute to be kinder to my rental linoleum
bolted the legs back on the table and rebalanced it bc the jute wasn’t quite even
did a very halfassed job of fixing the drawer rails on the table
bolted the chair tubing back together
took all the old decorative tacks out of the backs of the chairs
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scrubbed the seats and backs and the pieces the tacks were holding down with mild detergent (partially effective, it still has some patina but is sanitized)
re-covered the bottoms of the chairs in remnant black polyester to replace mildewed black canvas
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put in new decorative tacks on the seat backs
bolted the vinyl parts to the chrome tubing parts (a long and frustrating process since there were two sizes of decidedly non-standard nuts and bolts)
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wiped everything down again for idk good luck
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sitting at my kitchen table in the sun eating a breakfast sandwich and some terrible iced tea on sunday morning was very nice. i lived in the south just long enough to get Opinions on iced tea and how the north can’t get it right. shouldn’t be gritty. shouldn’t be bitter. how is this even happening
some very very halfassed “during” pics
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caerulea-divilu · 3 years
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“Dumbed down Wrecker”. How exactly do you dumb down someone who was already a meat-headed idiot in his introductory story arc? That’s like getting to the center of the earth and still digging.
Hi Anon!
Hope your week is going well!
So, I personally love this because, honestly, I felt the same way for a really long time. Wrecker is not my favorite Bad Batcher. He will never be my favorite. I do still appreciate what he brings to the group as a whole, however.
What might that be?
The Bad Batch arc in Season 7 of Clone Wars gives some great subtle examples. I'll highlight a few and if you happen to catch this post, maybe it's food for thought. Maybe someone else catches it and gives it a look. Whoever does, I totally understand if you want to consider him a meat-head afterward, because that's the stereotype he was given.
So, without further ado (and forgive me for the length), we're introduced to this massive tank who takes off his helmet and has clearly been given a cybernetic eye because he's had some war damage. He's big and loud and immediately it's just "Here we go" *eye roll* with even Kix and Jesse being all "Oy vey..." Wrecker makes his presence known and by telling them about fighting Yalbecs or about how he likes to demolish things.
It goes further when he starts laughing like a maniac as the transport's going down. (Which is surprising because he's afraid of flying in BB???? Anyway)
By this point, he had already annoyed me and I wanted nothing to do with him because his meat-head character annoyed me.
When I watched it again, however, things start to change when he saves Cody.
Wrecker knows what he's capable of and what his responsibilities to his team are which he gladly participates in. He easily moves the LAAT/i, saves the Marshall Commander, and has enough knowledge to know exactly when the LAAT/i will explode. He knows exactly how long he has before an explosion goes off. Right after this, he picks up a piece of the LAAT/i and protects his team. He swiftly follows orders and does so with a bit of finesse at times. Wrecker is dutiful to his place within the team even when it loses him a fight in the command tower. It's him who stays at the bottom to clean up and while he's understandably sad (because ALL the clones are shown to love killing clankers) he still follows the orders Hunter gives. He puts his team's needs above his needs, desires, or wants. He knows what he has to do, and he does it as the anchor position he's been given. He doesn't question or wonder, and though he may seem like a meathead when he overrides Tech trying to hack a door by breaking it down, he tells Tech he's taking too long. There is a platoon coming, they are on limited time and they can't wait around for Tech to hack in. Wrecker knows there's urgency and he steps in to help where and when he can. He makes sure that his team (and Jesse as the story progresses) are behind him as they infiltrate the cyber center. He knows where they are at all times and he places himself as a barrier between the incoming droids and the rest of his team as they escape. (This he does a few times. When Crosshair shows up with the ship at the Cyber Center, Wrecker's the last one on. As they go into the containment room where Echo was kept, Wrecker's last. Later on, he's the last one down, putting out bombs after they save Echo)
When Tech is flying the ship onto Skako Minor, it's Wrecker that charges headfirst to the cockpit to help Tech navigate and land in tricky weather. (Again, he's strangely not afraId of crashing like he suddenly is in BB)
Once on Skako Minor, and once they've freed Echo, it's Wrecker who comes up with the plan to get everyone up into the ventilation shaft (by throwing them). It's Wrecker who comes up with the plan to destroy the Segway crew's science experiment by blowing it up. (Which again, he has to know explosion times and the only reason he's pulled up so quickly is the purple lightning attack)
Lastly, there's what I consider the best parts of Wrecker: his concern and care for his own brothers. You see his little rivalry with Crosshair begin in the previous episode, but it's in the second episode that you see how much Wrecker loves his team. When Clone Force starts hinting they think Echo is a trap and Crosshair gets under Rex's skin so Rex punches him, it's immediately Wrecker who steps in and protects his brother. (Grabbing Rex by the scruff and all) He knows his size, and he knows it's his job to protect his brothers (being the tank/anchor he is.)
Also, I tend to think that it's Crosshair he's the closest two. Sure, they banter, but that's what siblings do. In much of the four episodes, it's Wrecker and Crosshair that seem to be near each other (like when he stopped Rex from attacking him, or in the hallway in the Techno Union facility) More to this point, when they're on the pipes and Crosshair falls, despite his acknowledged fear of heights, Wrecker jumps to save Crosshair.
This is further encouraged by how they're counting kills later on. (Like Legolas and Gimli in LotR or an earlier CW episode where Mundi also participates) Crosshair wins the round (by showing he likes to show off his skills just as much as Wrecker's "Wrecking Ball") and teases how Wrecker won't top him. At the same time, Hunter says Wrecker will top Crosshair next time (which seems to imply this is a normal game where they continue to one-up each other as siblings do). Anyway, my running theory Wrecker is closest to Crosshair and vise versa.
With all these things in mind, it's good to take a last look at the term meathead. In every dictionary (including Urban) it has to do with a dull, stupid, large jock, with emphasis on dull and stupid. While Wrecker is definitely child-like, he is in no way dull or stupid. Season 7's Bad Batch arc showed in so many ways how he's not.
Anyway, sorry for the lengthy post or if something might seem confusing, I didn't mean for it to end up this long. I just wanted to make sure that I covered a good chunk of the subtly they weaved in back when they were trying to tell stories.
Now, he's basically just a meat-head who's afraid of most things for some reason. But apparently he can eat popcorn and that's fine.
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toaarcan · 3 years
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One ship exposes everything wrong with TRoS
Heaven help me, I’m back on my bullshit.
Alright, so, I enjoyed The Rise of Skywalker when I watched it. I actually watched it twice, once on my own when I rushed to see it as soon as possible in order to beat spoilers, and once with my family, in what was a semi-annual new year tradition for us during those four years that a Star Wars film released.
But that doesn’t mean it was good. I enjoyed Transformers: Dark of the Moon the first time I watched it, and that movie’s still a steaming pile of shit. I was admittedly fifteen when I saw DotM, but still. 
My point is that I’m fully capable of enjoying crappy films.
But there’s one thing, one thing about TRoS that exemplifies so many of the problems with TRoS as a whole, if not everything (And by that I mean with TRoS specifically, the woeful treatment of John Boyega and Kelly Marie Tran is a Whole Trilogy Problem). And it’s a ship. Specifically this ship.
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The Resistance Y-Wing. I hate this ship with the fiery passion of an exploding star, and to talk about why, we need to first go back to The Last Jedi and its conspicuous lack of Y-Wings.
One of the things that I disliked most about the Sequels before TRoS put all the other problems into stark light was the lack of new ships. Instead of new vehicles, we got shinier, sleeker versions of the ships from the original trilogy. And I disliked this because it’s the opposite of what the Prequels did.
Episodes I-III don’t feature more primitive versions of the X-Wing and TIE Fighter, but instead have similar vehicles that evoke the classics while still having an identity of their own.
The ARC-170 looks kinda like an X-Wing, but it’s bigger and has more weapons and crew, and you get why the well-funded Republic can afford things like this while the scrappy Rebels can’t.
The Eta-2 is a predecessor to the TIE Fighter, but it being employed exclusively by Jedi makes a lot of sense, of course a precognitive wizard with superhuman reflexes can do well in a light, unshielded ship, while in the hands of the Empire’s military they’re just expendable swarm fighters.
But then in the Sequels, rather than evolve the ships into new forms, they just made new incarnations of the X-Wing, TIE Fighter, A-Wing, TIE Interceptor, B-Wing, and of course the Y-Wing.
Well, except for one movie: The Last Jedi.
At the outset of the film, we’re introduced to this ship.
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This is the MG-100 StarFortress, AKA “That ship all the Star Wars Youtubers hate”. It’s designed to be a much heavier and bulkier version of the B-Wing Starfighter, and is even made by the same people.
From questions about how the bombs “fall” toward the Dreadnought (The answer is magnets) to claims that they’re completely useless because most of the ones in the film died so easily, these things have been put through the wringer by the fandom, and honestly they don’t deserve it? What destroyed the StarFortresses in the film wasn’t their own weaknesses, but them being deployed in too tight a formation. It was a tactical fuckup, not a problem with the ship’s design.
And given that the whole point of the battle over D’Qar is that Poe makes a tactical fuckup to kickstart his development into the new leader of the Resistance as a whole, adding another layer makes sense to me.
But we live in a post-CinemaSins world of media consumption, where every plot-point that isn’t spelled out with a flowchart and an audio commentary by the writers is actually a plothole. 
We also live in an era where Star Wars fans pine for the days of the Legends canon where everything about new ships, species, and worlds was explained in background lore and books, and are angry that the new Canon is... doing exactly the same thing?
Seriously, how much exposition and lore dumping is actually present in any of the Star Wars films? Not a whole lot. And that applies to all three eras. 
So the StarFortress’ appearance in the film and the lack of Y-Wings led to a bevy of armchair writers demanding to know why the Resistance weren’t using Y-Wings and why they were using those “Resistance Bombers” that are just ‘terrible’.
Answer? Because the Y-Wings sucked shit.
Seriously, go back to the Original Trilogy and try to keep track of the Y-Wings, and see what they actually do, and you’ll find that what they do is “Explode, mostly.”
We’re first introduced to the Y-Wings in A New Hope, and they’re supposed to be the ones performing the Trench Run while the X-Wings cover them, and to their credit, they try.
And then they all get blown up by Vader and his wingmen before they can even take a shot at the exhaust port. Well, except that one that appears with the rebel ships flying away from the Death Star.
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Where the fuck were you when the X-Wings were doing the attack run?
The Y-Wings got absolutely wrecked.
Ancillary media would go on to explain that the Y-Wings were beat-up old vehicles that were no longer fit for purpose, but the Rebels had to use them anyway because they had basically no money. They’d stripped down the ships and removed a bunch of their more costly features just to make them viable, and the results of that were pretty clear.
Of course, the Y-Wings were still present in the later films. They don’t do anything in The Empire Strikes Back, but they play a role in Return of the Jedi.
Naturally, that role is mostly “Get blown up while the other ships do the important stuff”.
Despite supposedly being a fighter-bomber that was designed to do significant damage to capital ships, does the Y-Wing play a role in the destruction of the Executor? Does it fuck. Destroying the Imperial flagship’s deflector shields and the subsequent suicidal ram attack on the bridge are tasks that are both performed by the goddamn A-Wings. Y’know, the light interceptors?
The Y-Wings get shown up at their own job by the ships that are there to protect them from TIE Fighters.
Ancillary media again explains why they’re still there. While the Rebels have a newer, better fighter-bomber in the B-Wing, the B-Wing is expensive as fuck and also really difficult to fly. 
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A non-centreline cockpit that rotates will do that to a ship.
Still, the B-Wing was a better bomber than the Y-Wing ever was (And the StarFortress was better than them both at that role).
All this adds up to a simple fact: There were very good reasons why the Resistance weren’t using Y-Wings. And there were even reasonable reasons to choose the StarFortress compared to the B-Wing itself, given that the Resistance are still undermanned and under-funded, especially with the New Republic getting nuked midway through The Force Awakens. It being easier to fly and having more armaments would have made it a viable choice for the Resistance.
Buuuut oops, people didn’t like the StarFortress and we can’t make the Internet angry at us again! Better put the Y-Wings back in for Episode IX, and show them destroying a Xyston-class Destroyer, that’ll make them happy!
And sure, okay, giving the Resistance a fighter/bomber is probably a good idea. And they already have New X-Wings and New A-Wings, so where’s the harm in a New Y-Wing?
Alright, alright, sure. But why the fuck does it look like this?
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If this is a new ship, why is it already stripped-down like the ones in the Original Trilogy? Why doesn’t it look like the actual brand-new Y-Wings we saw in The Clone Wars? 
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Now that’s more like it. Still visibly a Y-Wing, but with more of an identity of its own. 
Seriously, “Literally the same ship but without its armour pulled off” has more of a unique identity than the crowd-pleasing New Y-Wing.
And that, in and of itself, is the essence of The Rise of Skywalker.
It’s blind, empty fanservice, rushing to include as much nostalgia-pandering as possible to try and get the fanbase back on-side after The Last Jedi didn’t do what the fanboys wanted it to do.
This is a whole near- three hour movie whose only message is “Yes, Youtubers making TFA critiques longer than an entire season of TCW, we hear you, we’ll make it for you, please love us!”
And, almost entirely predictably, it was shite.
It was riddled with plotholes and none of the scenes had any time to breathe because the movie was too desperately trying to rush itself to the next crowd-pleasing scene in a desperate attempt to wank off as many disgruntled fanboys as it possibly could.
Luke with his green saber! Jedi Leia! Chewie gets a medal! Lando! Luke raises his X-Wing out of the water! The main villain is a testicle in a bathrobe again! Snork origin! Original-flavour Star Destroyers! Rose doesn’t exist! Rey had a super-special secret magical bloodline the whole time and Luke and Leia totally knew even though Luke has literally no idea who she is in Episode VIII! Luke actually was just afraid of the bad guys in Episode VII, none of that self-imposed exile for his own mistakes nonsense! Y-Wings.
I mean fuck. Disagree with Luke’s portrayal in TLJ all you like, I certainly have my issues with it, but I lay those at the feet of JJ for making Luke’s absence into one of his fucking Mystery Boxes, and then deciding that, even though last time Luke sensed Leia and Han might be in danger, he abandoned his Jedi training, hopped in an X-Wing, and flew halfway across the galaxy to try and save them, he wouldn’t do shit when the First Order pointed a star-powered System-Killer 9000 at Leia, and Han got himself killed trying to redeem Kyle Ron. Like how in fuck was Rian supposed to explain Luke’s inaction in VII?
But regardless of the problems with that Luke portrayal, at least Mark Hamill gave it his all. Hell, it might be his best performance in the Star Wars franchise!
 In TRoS, he shows up in a bad wig, waves a middle finger at TLJ, and ascends to his final form as a Lightsaber Delivery Boy, because apparently all you need to kill a Sith who literally clawed his way back from death is two lightsabers. Haunting Kyle Ron? Nope. Providing guidance as a ghost? Not really.
And y’know what the kicker is? It didn’t fucking work. Lucasfilm and Disney fucking gutted this trilogy, sliced out the integrity, surgically removed the soul of Episode IX in a desperate effort to make the Internet’s most unpleasable fanbase happy, and it didn’t work. They still hate it! Now they just concoct hour-long videos about how much they would’ve preferred to have the Trevorrow script (Which is admittedly much better, albeit still with it’s far share of giant flaws), which was probably thrown out because it wasn’t fanservicey enough!
The Rise of Skywalker is an awful film. It’s a loose collection of nostalgia-baiting moments, roughly stapled together around the skeleton of a plot that was never properly developed. It’s a Frankenstein’s Monster of a movie, but, and I say this with full offense, the Victor Frankenstein in this tragic story isn’t Lucasfilm or Disney or Kathleen Kennedy or Rian Johnson, or even JJ Abrams. It’s you, Star Wars Fandom. It is your monster. 
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jasontoddiefor · 3 years
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Title:  [VLOG] so you found an assassin droid Summary: More of that “Luke and Vader meet over space twitter” AU :D
Twin Suns @/skyseekerpilot Can anybody tell me if it's illegal to own an HK-77 droid? Thanks :D
Still here @/vicTORI-is-here What did you do????
Bigg Dreams @/darkestlight More like what did he make me carry home
Scrap Hunting @/scraphunting Scrap Hunting has uploaded a new video! Click HERE to watch it!
L31a @/ThePrincessHerself Omg new video???
X
The video started with two boys sitting on a workbench, slowly drinking tea from two mismatched cups. 
"So," Luke spoke up, interrupting the silence. "I want to start this off by saying that I am absolutely innocent and have not broken any galactic laws."
Next to him, Biggs just looked up at the ceiling and pinched the bridge of his nose. "This is Hutt Space. What kriffing galactic laws?"
Then, quicker than he could stop it, Luke dug his extremely sharp elbow into Biggs' side, causing him to yelp. Unbothered by his friend rubbing his side all while hissing, Luke continued speaking.
"Anyway! Welcome to a new episode of Scrap Hunting! We sure gained a lot of following since our last video, so we thought we'd do a bit of a different thing this time around?"
Luke laughed nervously as white writing behind his dead proclaimed having gained thousands of followers and being just a little overwhelmed by it all.
"A lot of you were interested in seeing where we get our materials and what our set up to the actual repairs is, so we figured it was time for a vlog?"
A little helplessly, Luke looked at Biggs, but his friend only shrugged in turn. They weren't exactly sure whether it counted as a vlog, they had never really done it before.
"In any case! We brought you something special today, so feel free to follow the journey that led us to this. If you enjoy this format, be sure to tell us."
After these words, Luke leaned forward and picked something up that was out of the video frame. He sat up again and held something large and round and metal in his hands that, after taking a second look, revealed itself as a droid head.
"So here's the story of how we found an HK-77 droid, which we will now start repairing. Have fun!"
X
Biggs loved Luke; he really did. They had known each other their entire lives, but there was no doubting that his best friend was absolutely insane. From racing in Beggar's Canyon at a young age to breaking into a scrapyard in the middle of the night.
"We are so gonna get caught," Biggs hissed. Nervously, he looked around as Luke dug through the mountains of trash. He made sure to keep the recorder on Luke to catch it for their channel. If they were going to get arrested for this, it had to be worth it, at least.
"Nope, it'll be just fine," Luke replied and triumphantly pulled something that used to be part of a hyperdrive out of the mountain. Immediately, waves of junk rolled down, clattering on the ground and causing much more noise than Biggs was comfortable with.
"Are you sure?" he asked.
"Yeah, I can feel it," Luke replied absentmindedly as he inspected the hyperdrive.
X
The video switched back to the workshop where the duo was reassembling the droid. "Fun fact," Biggs said, leaning over the half-assembled droid. "Luke spent too much time out in the sun as a toddler. When he tells you that he has a feeling? It's true 90% of the time."
Then Biggs's eyes widened as if he had just had a realization, his head whipped into Luke's direction. "Do you think you could get me the lottery numbers?"
Luke pulled his arm out of the droid's torso to stare blankly at Biggs. "Do I look like I can?"
"I don't know, can you?"
Luke opened his mouth to reply, then he stopped and closed it again with a frown on his face. "I don't think so," he said slowly. "We should try it out."
The video froze momentarily as a text block appeared, reading: It doesn't work.
X
"He can feel it, he says," Biggs muttered, kicking a rusty pipe. "This sounds insane, you know that, right?"
"Absolutely- hey! Look at that!"
Biggs turned the camera up towards the part of the trash heap Luke was pointing at there. There, in the middle of old ship parts, was a hand.
Not that of a sentient, of course.
"Looks like a droid," Biggs said, studying it with interest. "Do you think you can get it?"
"Obviously."
X
The video cut back to the workshop where Luke was welding the head of the droid back to its body, goggles hiding away his face. "I want it on record that I did, in fact, get the droid. It's here. On the table. It went successfully."
Biggs just grinned and leaned back, arms crossed. "Do you guys want to know how many takes it took him? Twenty-"
"Don't you dare edit this in!" Luke protested, pointing tool threateningly at Biggs, but the other boy was entirely unbothered.
X
Take 1
"Right, I can just step in here-"
He could not.
Take 2
Luke was trying to climb up over what used to be the wings of a ship. He slipped.
Take 3
From a different point than before, Luke attempted to jump up to the next platform.
He failed again.
Take 10
"Just one more try. I swear I got it," Luke insisted.
"Uhu." Biggs only nodded and examined his nails. "Do you want me to grab it? I'm a bit taller than you."
"Eat a bantha, Biggs."
Take 16
"Okay, so if I climb on your shoulders-"
"And who is going to hold the camera?"
"… Good point. This is why we need an assistant."
Take 20
Luke was half up the scrap hill when his right foot suddenly lost grip and he slipped again, catching himself only in the last minute and permanently scaring Biggs, who was holding the camera with shaky hands, for life.
"Okay, this is fine, he can do this. No need to worry. He'll get it."
"Thanks for the encouragement," Luke hissed as he pulled himself up.
"You're not the one who will have to explain to Beru Whitesun-Lars why her nephew looks like he was in a fight."
Slowly, Luke turned around just so that he could give Biggs a look. "My aunt has seen me in worse states."
"Doesn't mean she isn't terrifying."
Luke couldn't disagree with that sentiment. "True."
X
Back in the workshop, Luke was setting aside schematics while miserably looking through his wire collection.
"I hate you so much," Luke sighed and started connecting the droid's artificial nerves to one another.
"Nope, you don't," Biggs said and set another cup of tea next to Luke. "Alright, what's the plan for this baby?"
Luke grinned. "I'm glad you asked! Time for a little summary, I guess."
X
The video changed so that Luke and Biggs were still standing in the workshop, but the background had been edited to be a whiteboard. While the two teenagers in the frame continued working on the droid, and a voiceover of Luke's voice could be heard.
"Alright, so what Biggs and I found here is an HK-777 Assassin droid. This droid was developed by the Separatists towards… The end of the Clone Wars?"
A little unsure, Luke looked over to Biggs.
"Yep," Biggs agreed as on the white background the words Clone Wars appeared, and beneath that an image of the symbol of the CIS as well as the droid. "However, they haven't seen any real combat or at least much of it? They're being used by the Empire now."
The image of the CIS was crossed out and got replaced by that of the Galactic Empire.
"Now, it's important to know that the HK-77 droids are generally considered to be the best of the HK-series ever developed by the Separatists," Luke said. "Obviously, I have opinions on that – but more on that later. Let's talk a bit more history first."
The image of the HK-77 droid shrunk as four more droid models showed up on the video. All of them looked similar to the HK-77 one, though by far not as elegant.
"So, the HK-77 model was preceded by the HK-47, HK-57, HK-58, and HK-67 models. As you can see by the size comparison here, it's a bit shorter than the other models, allowing for greater maneuverability and being less noticeable."
At this comment, Biggs snorted. "It's still built like a kriffing tank, and from what I'm seeing here on the memory banks?" Biggs held up the datapad he was working on. Cables connected it to the droid's memory bank. "Uh, yeah, not noticeable was not it's preferred method. Assassin droid is obviously a misnomer. They should have called it trigger-happy bastard."
"Don't be so mean to him," Luke said and gently pet the droid's detached arm. "Don't listen to him. He doesn't understand."
"He can't even hear me."
"Be silent, heathen."
X
"I got it!" Luke exclaimed and began to pull at the droid's body. Slowly, more and more of its body emerged until suddenly its whole frame fell out of the trash and Luke with it. Cursing, Biggs dropped the camera. After this, only a lot of clattering and shouting could be heard, no clear image being visible, only various dark splotches. The video only continued when Biggs went to pick up the camera. Some time must have passed as Luke was sitting on the ground, nursing his injuries while simultaneously examining the droid. "I think we found something good here."
"Yeah, can something good also walk on its own?"
"Doesn't look like it," Luke commented, poking the droid's joints, which promptly fell apart.
"Great," Biggs replied and ran his fingers through his hair. "Can you walk on your own?"
"Yeah, think so." Experimentally, Luke stood up, wincing only slightly. "Okay, yes, I can walk, but you'll have to carry the droid."
Biggs rolled his eyes exasperatedly, but you could tell that he was obviously relieved that Luke was well.
X
"He did, in fact, make me carry the droid back home," Biggs stated, still examining the droid's coding. "Carry it to the speeder, go back for the other parts and then drive him and all his stuff home and unload it, and then drive back to my place and explain to my parents what I was doing at three in the morning."
Now Luke actually looked a little guilty. "They didn't say anything-"
"No," Biggs shook his head. "I told them I was with you and they just sighed. Are the optical sensors working?"
Luke took the droids sensors and connected them with what would be the eye sockets in humans. "It should now. Test it."
Biggs typed something on his datapad, then nodded. "Yep, it's working. So, to continue our lesson: As you can see, the HK-77 has a narrow head and two optical sensors."
As he said that, Luke pointed at the relevant parts.
"First thing I'd improve if I were to build an assassin droid," Luke chimed in. "It's just impractical that it doesn't have 360° sight."
"Wouldn't that lead to sensory overload?" Biggs questioned. "All these protocols, and jeez, I want to meet who wrote this because this code sure is something."
"Maybe," Luke replied, deep in thought. "You'd have to make space for larger memory banks. I'm just saying, if I were to code a droid like this, it wouldn't be so bad."
"Not doubting that. But while we're already at it, Luke, you wanna handle the body parts?"
"Sure!"
Luke brushed his hands off on his pants, though that didn't make them any cleaner. "Alright, we already mentioned that the HK-77 was the Separatist's golden bantha. To continue, it came in two variants: assault droids and squad leaders. They look identical, but squad leaders are obviously more intelligent. What we have here-"
Putting emphasis on the last word, Luke opened his arms wide, then gestured at the droid lying on the bench. "-is a squad leader! Which is great because that means he can be useful in the future and help us out in the workshop. It has blaster riffles integrated into its arms."
Here Luke lifted one arm up, shaking it slightly. "Though these aren't functional anymore. We'll replace those with proper hands and fire extinguishers. Next up, we will change the plating to be more heat resistant so that he'll actually be capable of helping out on the farm and in the workshop. We should add a smoldering iron as well. The overall cost of such a droid in peak condition is- "Luke stopped talking to look down on something. After a second look, he lifted a datapad close to his nose, where he frowned at the numbers. "Huh. That's a lot of cash. Maybe we should sell it."
"I think that's mostly because of the state secrets such droids can keep. They also work as bodyguards. But this droid's memory is fried, so it's useless. And if somebody left it on Tatooine, it probably can't be that valuable," Biggs intersected.
Luke nodded slowly. "True. In any case, this concludes our discussion of how the assassin droid works. Tune in next time to see how we actually overhaul it."
X
"And done," Biggs breathed and dropped the droid in the back of the speeder. "Are you sure this will be worth it?"
"Absolutely," Luke replied.
"I'll be trusting you on this then, kid," Biggs replied.
The video turned black, then returned to the image of the empty workshop with white writing.
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If you want to support us, feel free to leave a donation @scraphuntingofficial.
X
Scrap Hunting @scraphunting Thanks for watching our newest video!
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dappercritter · 4 years
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Random She-Ra Season 5 Thoughts: THE FINAL RAMBLING
Yep. I finally got all my crazy absurd thoughts about this gay adventure-romance-drama cartoon summarized into one incoherent yet fun to read computer document/article! ...four months after the show itself ended. Oh well, no one’s perfect. Anyways, there are a whole lot more insane observations than ever before, so I had to put it below a link so this thing didn’t back up my blog or any of yours. Hope you enjoy reading through these as much I enjoyed spouting them for no discernible reason other than I felt like it!
-I feel that since is the last season, I ought to talk about an important part of the show that I’ve been putting off: the animation. It’s… okay. It’s definitely smoother than what the original 80’s show and it’s brother series (heheh) looked like, but at the same time it still seems to suffer from similar limitations which causes some distracting moments of stiffness. But other than that, it’s pretty good. It’s no Titmouse or Studio Mir but it looks good and it gets the job done.
         -After all, let’s not forget: “Imperfection is beautiful!”
-Even when things are at their lowest, Adora is a jock with a heart of gold.
-Horde Prime and the Galactic Horde’s aesthetic feels like a mixture of Catholicism, Scientology, Heaven’s Gate, and modern Microsoft, and honestly, that just makes him creepier.
-Speaking of Horde Prime, he didn’t waste any time with destroying Bright Moon. …apparently.
-Furthermore, on the topic of his giant holographic messages, WAS THAT A FREAKING MASTERS OF THE UNIVERSE MOVIE REFERENCE?!
-Boy, Glimmer and Catra sure got along quickly! It’s almost like they magically understand each other because they both assumed leadership roles and screwed up big time! …I guess.
         -Either that or this season is going to be a speedrun.
-Wow, the Rebellion sure got used to having a once-thought-dead king as well as a known enemy general/abuser running around their camp awful fast, didn’t they?
-Mara’s got a spaceship, a cyber girlfriend, a magic grandma, a dragon, a tragic backstory, AND a force ghost?! Dang, even in death, the girl’s got it all. No wonder everyone likes her!
-(*me looking at the TV rating at the start of episode*) “Why is language in there? Is there surprise cuss words or something in this season?” (*sees Horde Prime seize control of a clone for the first time*) “HOLY FREAKING SH—oh that’s why.”
-Applause to the crew for making the “dinner with Prime” scene for making a meal between a sparkly princess, a catgirl, and alien cult leader feel even more uncomfortable than it had a right to.
-(*me throughout the season whenever a clone was onscreen*) Is that Hordak? Is that him? Is that him? Is that him right there? Oh it is—oh no wait. … Is that h—
-Extra applause for having Glimmer learn from her grey-area wetwipe phase and refusing to sell out her friends again whilst telling the imperialist cult leader where to stick it.
-I would pay a sizeable portion of my life savings to hear what a Scorpia and Swift Wind duet would sound like.
         -In fact, I’d double it if it was just Scorpia singing.
         -Ah what the heck. I would triple it for an entire She-Ra musical!
-As happy as I am to see to see Entrapta interacting with the other princesses again, I have to say that their big reunion left me with some mixed feelings. Here’s a quick rundown:
         -Entrapta, a grown autistic woman, being led around on a leash by non-neurodivergent teenagers—again: that’s bad.
         -The Princesses confronting Entrapta about joining the Horde: that’s good!
         -The Princesses blaming all their problems with the Horde bots on Entrapta’s actions and her hyper fixations alone: that’s bad.
         -Entrapta explaining herself, admitting that she regrets her mistakes, and getting the Princesses to understand that she thinks and communicates differently, but in spite of that, she really does want help find Glimmer: that’s good!
         -Entrapta never gets to call out the Princesses for how poorly they treated her: that’s bad.
         -Entrapta saves the day and goes to space: that’s good!
         -Scorpia and Entrapta still haven’t interacted even though the former is with the Rebellion in the first place because she went to look for her because she is her best friend: …can I go home now?
-How nice! Michah finally got to shapeshift!
         -And he’s rocking that She-Ra outfit to boot!
-So is Darla a back up of Light Hope or do they just run on the same operating system and have the same voice?
-I could watch an entire season of Adora, Bow, and Entrapta going on space adventure in a rundown ship with their custom-made spacesuits, tbh.
-Is anyone else weirded out that Catra’s younger self looked at her in her flashback(?).
         -Actually what WAS happening there, anyhow?
-(*watching Bow’s spacewalk to save Glimmer*) “Is that a Gravity reference?” asked the man who never saw Gravity.
-Speaking of spacewalks, how did Glimmer survive those precious few seconds in space? Does the teleporter teleport a breathable atmosphere too?
         -Also, Catra, WHY did you think it would be a good idea to teleport Glimmer into space? I know you had a plan and the ship was right there but… Ah, never mind.
-Not that I’m complaining but Glimmer’s apology to the rest of the friend squad for her HORRIBLE plan last season went… surprisingly quickly.
-You know as cool as The Star Siblings are, being a quirky band of space-travelling siblings with cool powers and some trans rep to boot, I only have one small problem with them: weren’t there already Star Sisters on Etheria back in season 1?
         -That doesn’t sound right, but I don’t know enough about Masters of the Universe characters to dispute it.
-Entrapta confirmed pan, objectum, AND horny on main. Dang girl, you’re gonna have fun whether you got Hordak back or not…
-“The Velvet Glove” is both a menacing and stupid name for a decadent overlord’s mothership.
         -Wait, it’s from the 80’s canon? Oh. That kind of explains it, actually.
-Goshdangit, I wanted Catra to face punishment for her crimes, but I didn’t think that would involve going to evil alien conversion therapy!
         -Nor did I want her to die! For a second. Actually, since it obviously wasn’t going to last I was… weirdly okay with that part???
-Horde Prime seems awfully okay with Catradora. I mean he’s still super creepy and manipulative about it, but also oddly progressive for an evil brainwashing cult leader.
-(*Adora transforms into a She-Ra through seer will*) First of all, called it. Second of all, WOAH MAMA now that’s a glow up!
-Wrong Hordak did not have to be a thing, and yet, I’m glad that he is.
-Hordak remembers the LUVD crystal and Entrapta… Hordak remembers Entrap—! It’s happening! Oh my gosh, it’s happening! Everybody stay calm!
-Wow, Entrapta didn’t have to be so forgiving of Catra for everything she’s done to her but she did. Only I’m not sure if that was Entrapta taking the high road or the low road.
         -Or which road the crew took for that matter.
-I remember when I thought those “Chipped AUs” floating around here on tumblr were just something the fans came up with and that chipping people was not an actual despicable thing Prime does in canon. I miss those days.
-I know it’s not the same as before or the original design, but True She-Ra’s designs and powers? I think they slappin’.
-Hooray, Adora and Catra are finally making up! And it only took four and half seasons worth of communication failures, toxic villainous behaviour, and physical violence for Catra to snap out of it!
         -…We can go back to Entrapdak now, right?
-Poor Elberon. First they unknowingly adopt a double agent then get invaded by the Horde and now they’re getting brainwashed and chipped by the Galactic Horde. They might be a cute village, but they got some pretty lousy security.
-You know it’s cute that Micah is doing his best to be friends with Frosta and get back in touch with his dad-side, but look I can’t be the only one worried about how the local King is a less proactive leader than the princesses or the known war criminal/abuser, right?
-“The Perils of Peekablue” or as I like to call it, “You Thought ‘Boys Night Out’ Caught You Emotionally Off-guard? Hah! Watch This.”
-You know I didn’t think Scorpfuma would be a thing aside that one moment of flirting near the end of season 4, but they really pushed for it to be a thing! This is… actually pretty great! Perfuma’s not perfect, and I would have appreciated giving them a little more time to bond and form some real chemistry, but at least she reciprocates Scorpia’s sweetness instead of rebuffing it in increasingly aggressive fashion.
-I’m not sure what’s more concerning: that Mermista set a boat on fire, that it’s worded like she had a fling as part of some experimental phase, or that Sea Hawk is turned on by this.
-Peekablue might not be real, (I think?) but he is one dapper dude! Female-to-male redesigns could learn a thing or two from him.
-It involved them getting stung and seizuring, but that was a heck of a way to reintroduce Double Trouble! I swear I got watching them cycle through their transformations in some sort of physical reaction.
         -Or maybe that was just me worrying about their wellbeing…
-Okay, I get the Chips are huge, and actually rather clever threat, but how do these characters get chipped in the first place? I get there are chipped people who spread the chips throught the population but where do they get those from???
         -Do one of those Horde Prime drones just sneak behind someone, slap a chip on their nape then hand them a whole bagfull and say, “Beep boop beep, Horde Prime’s Light, blah blah blah. Alright have fun, kiddo”?
         -Or is it some sort of Alien: Covenant deal where they’re just floating around and Lord help you if one sticks to you?
-HOLY CRAP THEY ACTUALLY GOT SCORPIA TO SING! AND SHE WAS GREAT!
         -Oh shoot. Guess I owe the crew twice my life savings now…
-Entrapdak might be what got me into this show, but it’s Double Trouble that kept me around, so you can imagine how happy I was to see them make their grand reappearance!
-Conversly, you can imagine my disappointment when they just disappeared until the finale.
         -And on that note: HOW DID YOU GUYS LOSE DOUBLE TROUBLE?!
                  -You forgot to cherish them, didn’t you?
-So, Scorpia sacrifices herself just after finding a new girlfriend and gaining some newfound confidence, Mermista and Sea Hawk are split up,and Double Trouble didn’t join the main cast. Why can’t you just have fun like a normal cartoon, show?
-Gosh, I love me some shifting title cards!
-Is it just me or did they sneak in some more Annihilation references on Krytis?
         (-Said the guy who was too chicken to watch the movie and just read about it and watched a few clips online.)
-(*audibly sighs*) FINE. I guess I like Catradora now. Are you happy now, SPOP Crew? ARE YOU?!
-Hooray, Catra’s got a emotional support animal! And they’re a shapeshifting magic alien cat. Those are the best kind!
-Is it weird that I knew that weird glowing stuff on Krytis was just magic all along, or was it just not hidden very well. Anyways, I like Krytis. I like that we got to see a truly alien world with its own form of magic.
-Plus, we got a logical advancement of the magic versus science subtheme with magic being Horde Prime’s weakness! Neato!
-Getting back on the “which is worse?” wagon for a second, I don’t know what feels less right: that Wrong Hordak’s big revelation and his resolution to free himself and his brothers and friends from Horde Prime’s control is played humorously, or that Real Hordak should be the one having this moment.
-That bit with Castaspella and Shadow Weaver where she tells Casta about Etheria being a living thing with inherent magical property, or whatever, while we got a peaceful shot of some boar creatures sleeping was actually kind of nice. It would have been nicer though if it wasn’t part of a power hungry abuser’s obvious scheme. If only there was a kindly old witch lady character who was in touch with nature and knew just what to say when someone was feeling downOH WAIT.
-Furthermore… Why did Shadow Weaver and Castaspella need to have romantic tension?
-Seriously though, where’s our Madame Razz quota this season? Where’s my supportive magic grandma timelord at, yo?
-Yup, they speedran this season.
-I’m actually really disappointed we didn’t see more of an intergalactic new rebellion rising up to fight Horde Prime’s forces across the universe. Especially if it meant we got to see more Star Sibling action!
-Again, I adore Wrong Hordak but I keep wondering what was keeping the crew from just bringing in Original Flavour Hordak. (You know, aside from teasing us Entrapdak fans and trying to distract us with a loveable new character in the meantime.) I mean he could have done the whole infiltrating the clone squads and tricking them bit, too.
         -Heck, he could have done the wink, too!
-I’d gleefully point out Loo-Kee’s cameo this season but apparently, they already made some several seasons ago. That’s what I get for not rewatching the 80’s show and training my eyes first.
-(*sees Erelandians*) Are those freaking Toads and Toadettes?
-So, what’s keeping them from just hitting Spinerella’s chip again? Besides emotional baggage and gale force winds, I mean.
-Perfuma coming out of a cave scared out of her wits, demanding to know who’s there, clinging to her friends as soon as they come back, and balling her eyes out is a big, BIG mood.
-Frosta absolutely decking Catra in the face was nestled somewhere between cathartic and excessive.
         -Netossa spraying her with a bottle of water on the other hand…
-Oh, so Greyskull was the name of a Rebel Squad! I think. Meh, the important thing is we got an explanation and it still sounds cool.
-Leave it to a couple of dads to make a secret message out of a dad joke.
-You know I made fun of Light Hope for being creepy, but I swear that avatar from the Spire is even creepier. I don’t know if it’s her face—those dang blank eyes, man—or just that it she’s less animated than the real thing, but it just felt… off.
-Aww, Noelle made Netossa’s princess weakness illustrations! So cute!
-Forget episodes that deserves Emmys, Keston John deserves one for voicing Hordak, Horde Prime, all the clones, and several minor villains and giving each and every single one a distinct voice! Where my king’s respect, eh?
-Yes, Catra you had a small disagreement with Hordak. …Over sending his girlfriend and your “friend” to DIE IN A LITERAL LIVING HELL.
         -Sorry, I just had to get that out of my system.
-Why does Perfuma get pressured to get angry and go wild when Entrapta’s the one who’s had it the worst out of all them? Why can’t my gamer girl go berserk, dammit!?
-Okay, but really, how do these fricking chips work??? Are they parasite devices who store Horde Prime’s Baptizing Dew then slowly pump it into their host’s bodies? Do they have their own nervous systems? Are they technorganic? Also, how and why do we need to make these chips are bigger threat then they need to be?
-Horde Prime showing up on Hordak’s throne in grand Killing Joke style and casually throwing shades at his brother’s overblown attempts to impress him is pretty awesome, but it feels strangely underdeveloped. Hordak’s not there to have his hard work insulted and we never got to see Adora have any similar encounter with Hordak here before, so unless you look at it from the perspective of someone who has been here before in the Horde story like Catra it lacks the dramatic weight it should have had.
-Scorpia resisting the chip to save her new friends was pretty great, though.
-I swear, when they got to the scene where Adora and the others figured out that Shadow Weaver was grooming her so she could use her to get to the Heart of Etheria, I was mouthing “You B***H” through the whole thing.
-They really brought back Etherian deep magic just so they had something to make Micah threatening. …okay.
-Okay, the rest of “Failsafe” messed me up, so here’s a rundown on all the other messy thoughts I had while the show ripped my heart and ground it to dog food:
         -Entrapta and Hordak reuniting: Yay!
         -Swift Wind yanking her away before she can get through to him: Boo.
         -Catra encouraging Adora to try and take care of herself for a change: Yay!
         -Adora hurts Catra and she runs away: Boo.
         -Adora finally calling out Shadow Weaver on what an utterly horrible person she is: Yay!
         -Adora resolves to risk sacrificing herself to save the world: Bo—okay, seriously, was all this suffering really necessary, show?
-I know I mentioned in my previous She-Ra random thoughts that I supported Glimmadora, but I am okay with Catradora and Glimbow ending up canon. The only problem I have is how rushed they feel—moreso with Glimbow. With Catradora, the crew had an entire season to make it work again and they took it. Glimbow it feels like they were down to the last few episodes and went, “Oh right, we were gonna do something with these two!” then did their darndest to fit in some chemistry in between all the other stuff going down.
-As ominous as it was, the music where Horde Prime starts hacking Etheria honestly SLAPS.
-Okay, I know everyone is magic or something, but I am legit surprised getting electrocuted in water didn’t kill the heroes right then and there.
-Sea Hawk tries to flirt with his girl even as she’s trying to kill him. Truly, he is a man of taste.
-What do you know, Shadow Weaver can only do good when she’s (canonically!) punch drunk.
-You know a whole lot of this could have been avoided if Holo-Mara was Adora’s mentor instead of Light Hope.
-When I think about it, it was actually really clever to make Horde Prime the final villain for Adora to face: a domineering decadent man who’s been in power forever against a humble emotionally vulnerable compassionate young woman.
         -Not to mention the divide between cult-like oppression and progressive freedom. Or something.
-Holy crap, did the First Ones get a great freaking a Great Old One for a guard dog?!
-So, you guys seriously didn’t bring Angella back to reunite with her family OR mention her all season after the impact her death had on everyone all last season until Glimmer needs a power-up at the last possible minute and then you never bring her up again. That is absolutely a dick move in bird culture.
-Entrapta’s hacker sticker gives me life. Gamer girl gremlin princess forever!
-On the one hand, I’m disappointed that Adora and Catra don’t get to have an awesome couple battle against the security monster and win. On the other hand, Shadow Weaver is finally dead. YAY!
         -With apologies to the writers and especially Lorraine Toussaint. She did splendidly bringing this character to life and even if I hated Shadow Weaver, I adored the effort she put into making her one of the most emotionally complex villains I’ve ever seen.
-Words cannot, will not, and will never describe the pure joy that I experienced when I first saw Hordak’s big scene: standing up to and disowning his tyrant brother, saving Entrapta, declaring his love to her (albeit in a nicely lowkey fashion), and then throwing Horde Prime to his apparent doom Disney style with Entrapta cheering him with sheer glee. GOSH, it was everything I could have hoped for from this season!
         -Now if only they kept the deleted scene where they got a moment to themselves before Prime body-jacked him again like the creepy sonuvabich he is.
-Horde Prime just wouldn’t be a religious villain if he didn’t tell everyone to burn.
         -Bonus points for actually trying to burn the frigging planet.
-Aside from the idea of Adora switching to wearing a She-Ra themed dress everywhere in the future, the future vision was really quite sweet, and seeing Prime step in to ruin it made it all the more impactful.
-Can I just say that it’s absolutely wonderful that the show, for all it’s flaws, said  “**** senseless heroic sacrifices”?
-BREAKING: Lesbian cat finally makes up with her jock ex, has a canon kiss so pure it saves the world!
         -In other news, Catradora fans are still spoiled rotten.
-Wow, look at all those character comebacks they skipped through! Look, there’s the chefs from Dryl, Double Trouble, Huntara, the Horde Trio, Imp, Madame Razz—are you kidding me?!
-Grumbling aside, I actually find the idea of the Horde Trio and Imp getting involved in a G-rated science-fantasy version of the first Hangover movie quite amusing.
-Oh dang, they pulled a Castle in the Sky with the Velvet Glove!
-As nice as it was to see Aodra save Hordak from Horde Prime and destroy the latter through exorcism via sheer compassion, I’m rather disappointed we never got to see She-Ra go full Metal Gear Solid Rising: Revengence on any creepy old cult leaders.
         -Yeah, it would have gone against the “love conquers all” set up, but love takes on many forms, does it not? So, why can it not manifest as cleaving your mortal enemies with extreme prejudice to save your loved ones?
-Furthermore, in addition to Holo-Mara being a better mentor, Hordak raising Adora instead Shadow Weaver could have prevented a lot of similar problems. Maybe. Possibly.
         -Eh whatever, he has a lifetime’s worth of fanfiction to make up for it.
-ENTRAPDAK IS CANON, ALL IS RIGHT WITH THE WORLD.
-And so is Catradora and Glimbow! That’s nice, too.
-Aww, how sweet of them to skip through Catra and Scorpia, and Glimmer and Micah’s big reunions! It’s not like we’ve been waiting forever for this stuff or anything. HahahahAHAHAHDHAHAHFHAFHKSADJHFKAJHDfine.
-And so it all ends with everyone either friends, in love, or both, as heroes decide to make up for it all with a grandiose sequel promising more exciting space adventures we probably won’t see! HOORAY!
-All snarky ranting aside, I actually really enjoyed the finale. It was exciting, heartwarming, and above all it ended on happy, hopeful note without leaving too many frustrating questions unanswered. (*glares with utmost contempt at Voltron and Star vs. The Forces of Evil*)
-You know, this wasn’t bad for a final season, but I think this might have worked better as two seasons. Not in Netflix’s cheap “split a regular 13-episode season in two 6-7 episode long seasons” strategy, but I mean two full seasons with their own storylines leading up to the grand finale:
         -First, one that starts out with Horde Prime’s arrival the downfall of Etheria, focuses on the space adventures, ends with their return to Etheria and gives the characters time to recuperate from season 4.
         -Then, we have one final season that focuses on the Best Friend Squad’s Return to Etheria, Horde Prime’s plan, gives everyone more time to properly reconcile before ¾ of the entire cast gets chipped, sets up a new Rebellion made up of Princess Alliance and former Etherian Horde members, maybe even set up a proper Hordak redemption arc or something, and then our big happy ending.
-On a mostly unrelated note, I also feel that the whole show could have turned out even better if it had been either a dedicated science-fantasy war drama with some levity (like the good Star Wars shows or Avatar: The Last Airbender) or a lighthearted yet empowering slice-of-life action-adventure romcom (i.e. basically a well-made remake of the original show in the style of Adventure Time and Parks and Rec or something).
-My final random thought for this whole thing: we really could have used a triumphant end credits song or something. Aside from obviously recommending Fabulous Secret Powers, I would have also recommended the original 4 Non Blondes “What’s Going On,” a reprise of “Warriors,” Gorillaz’s “We Got the Power,” or (my favourite) Talking Head’s “(Nothing But) Flowers” since the ending scenes remind me of it.
Thanks again to the crew for giving me something to live for and/or complain about!
Now, let’s hope the He-Man reboots do as well...
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I watched the season finale of “The Mandalorian” season 2 and holy shit, why are Jon Favreau and Dave Filoni giving Star Wars fans what they want??? 
Now, now, before people go hating on me, I DID enjoy the Sequel Trilogy…until “The Rise of Skywalker,” which, in my opinion, “killed the mood” and exposed the horrible work behind-the-scenes for those three movies in the worst ways possible. They could have gotten away with it and walked away with a decent trilogy had they not made literally every decision they made for TRoS. 
Anyway, moving on…
I had seriously lost hope in Star Wars after TRoS being so terrible, but “The Mandalorian” gave me good vibes and reasons to be interested in the franchise again. I wanted season 2 to end with a bang since so much has been building up – including expectations – and I wasn’t disappointed. Actually, I was pleasantly surprised in many ways with how things went.
Now, what follows are my thoughts on four key elements to this final episode so there are MAJOR SPOILERS AHEAD. Like seriously, if you want to see the finale, DON’T READ THE FOLLOWING UNTIL AFTER YOU HAVE VIEWED IT. 
I’m warning you: MAJOR SPOILERS.
Before I watched the episode – before I turned on my computer even – I thought how appropriate it would be to call the season 2 finale, “The Rescue” since, well, it’s about rescuing Baby Yoda/The Child/Grogu. However, I also thought that was probably too good to be true and it would probably be called something else. 
Well, them hoes done called it, “The Rescue,” and I was quite pleased that my prediction was true.
Something I had been hoping for was Mando/Din to reveal his face to Grogu upon rescuing him as part of their happy reunion. I mean, it would be the ultimate moment for the two of them, for the little green son to finally see his bounty hunter papa’s face for the first time. 
And what do we get?
We get just that, Din showing his face to Grogu for the first time ever in a very emotional moment for the series.
But it wasn’t the moment I was expecting, and that leads to the biggest twist of all for this episode – and for the entire Mandalorian series as a whole.
So, Mando and his team are preparing to fight the Dark Trooper robots after capturing Moff Gideon and saving Grogu, and clearly, the odds are against them ass the Dark Troopers are extremely powerful. They’re like the Star Wars equivalent to the Terminator robots.
Yet, Mando and his crew are saved at the last minute by…a Jedi.
A Jedi with incredible Force abilities.
A Jedi in dark robes.
A Jedi wielding a green-bladed lightsaber.
A Jedi with one normal hand and one robotic hand. 
Wait….
Wait………………..
Hol’ up, Sis.
When I saw this hooded Jedi demolishing Dark Troopers, I thought, “STFU I know they aren’t doing this! I KNOW they aren’t! That would be too fucking epic if they were to do it so there’s no way. No one can make this epic of a decision. It’s not possible.”
And who was this Jedi?
LUKE SKYWALKER.
THAT BADASS CHILD OF DARTH VADER, AKA ANAKIN SKYWALKER, AKA THE CHOSEN ONE, AKA ONE OF THE MOST POWERFUL JEDI EVER. 
Jon and Dave actually brought Luke Skywalker into the Mandalorian to save the day. 
How fucking epic is that?
It’s a hell of a lot more epic that the half-assed “twist” that Rey is Palpatine’s granddaughter in “The Rise of Skywalker.” Now, this COULD have worked, mind you, IF they had handled it properly. 
But they didn’t.
But having Luke Skywalker appear in the final episode of “The Mandalorian” season 2 was a twist that made everything that was already great even greater.
And of course, it was a younger Luke since the series takes place not long after “Return of the Jedi,” and the special effects for his face were pretty good if a little bit stiff in the mouth at times. Still, it was convincing for the most part.
Now, this is where the face reveal comes into play. Din must give his little green child permission to go with Luke to train as a Jedi because that’s what a good son does when he must leave his father’s side 😭 While saying goodbye to Grogu, Din removes his helmet so he can look his boy in the eyes for real for this final moment they have together. Din is all teary-eyed and like a dad sending his kid away to a long-distance college and is so proud but also so sad but trying to keep it together because it’s for his son’s future  😭 😭 😭 😭 😭 😭
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I’m sorry but if that wasn’t a precious scene, then I don’t know what is.
Of course, now the question is: What will the series be like without Grogu at Mando’s side? Will Jon and Dave be able to keep people interested without the cute little dude? Will the story be as compelling? Will we see Grogu again?
Time will tell.
Although, I have faith in Jon and Dave to keep doing well.
On a side note, Gideon, as charismatic as he was, wasn’t the most interesting or intimidating villain. I mean, he made more damn sense than Kyo Ren (no offense  – Adam Driver is a great actor but Kylo’s character was so sloppy in terms of writing) but he just didn’t….seem like a big threat. However, based on things presented in “The Mandalorian,” I think there’s more to Gideon and Grogu than we think. We haven’t been told the real story behind the need for Grogu’s blood–for clones? Or something? But…what does that mean? What. Does. That. Mean. Guys? That isn’t a lot to go off of, and we haven’t seen much in regards to the fruits of their labor. So, what’s the deal? And why is it that Grogu is so important to Gideon, more important than anything? If you remember season 1, where Gideon explains that Grogu is more important than anything to him, more than anyone could know. So, what is the real story here?
Something tells me we may not be done with this aspect of the story….🤔
BUT WAIT! THERE’S MORE!
The epilogue for the season 2 finale of “The Mandalorian” gave us a preview of another series on the horizon….
“The Book of Boba Fett”
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Star Wars getting the love and respect it deserves … finally.
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Power Rangers AU-Chapter 9
Pairings: romantic Logicality, Prinxiety, Demus, Remile
This Chapter features: Roman centric, brief coming out story, again another ‘filler episode’, sorry
This Chapter Warnings: swearing, talks of passive aggressive homophobia and transphobia from another character, talks of therapy and seeing a therapist, mentioned first kiss, food and eating, sympathetic dark sides
Credit for this AU goes to @when-day-met-the-knight (specifically this post).
If you would like to be added to the taglist for this fic please let me know in reply!
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Chapter 9-Faith
Roman would always remember his first homecoming. Logan had been his closest friend since the fifth grade, but in the few months leading up to Homecoming he had been pulling away. Roman didn't know why at the time but he was determined to get their friendship back to how it used to be by asking him to homecoming. Roman remembered it all so vividly. Logan wearing a long-sleeve pale blue dress and ankle boots. Roman wearing his favorite dress shirt and pants. The two arrived at the dance, went into the full gym, and listened to one song. Then Logan ran.
Roman was so shocked he couldn't move. He just watched Logan go. Roman looked around, worried that people could see him all alone. Then he ran after Logan, scolding himself for even thinking about other people's thoughts before Logan. He was terrified. Why had Logan been so distant? What had Roman done wrong? He thought this dance would help, but now it seemed to have backfired so bad he might lose his best friend.
When Logan returned to Roman's worried side, he was with Patton Valentine, a sweet boy who Roman had subscribed to on YouTube months back. The most surprising sight however, was that Logan and Patton, who were roughly the same size, had switched clothes. When Roman asked about the outfit swap Logan simply smiled and asked Roman to join him outside, saying a quiet goodbye to Patton. That was the night Logan had come out to Roman as trans. Then it became the night Roman came out to Logan as gay. Then the night Logan also came out as gay. Then the night they both talked about crushes without it being as awkward as before. Finally, the night they both shared a bag of microwave popcorn with Remus while they sat in the twins' treehouse and watched Star Wars Clone Wars on a portable DVD player.
Roman also knew that he would never forget his second Homecoming. Logan had decided not to go, and Roman figured he wouldn't push it. Roman actually had a boyfriend named Breyden at the time so he went with him. Roman had a good time and at first it didn't seem like that night would be all too magical. Until Breyden kissed Roman. Roman's first kiss. At a school dance, with a cute guy, and during the song 'Die Young' by Ke$ha. Roman's and Breyden's relationship lasted only a few months after that, but it wasn't a bad breakup. Roman still considered Breyden a friend and life went on.
Junior year Homecoming was the first school dance Roman didn't attend. Homecoming was mainly for the Freshmen and Sophomores, besides Roman was busy preparing for his first lead role in a musical.
Now, as a senior, Roman was spending his Homecoming night sneaking Logan into his car and driving with him and Remus to Thomas's for impromptu therapy. The three arrived at Thomas's fairly quickly, but not without Logan complaining that Roman didn't have to pick him up.
Patton was already there when they entered. He sat on the couch looking down the hallway toward's Emile and Thomas's rooms. Thomas was in the kitchen making something that was sizzling, and humming along to Wicked.
"Hey, Pat." Roman greeted him.
"Heya kiddos!" Patton smiled cheerily back.
"Whatcha makin' back there Thomathy?" Remus asked, plopping himself down practically on top of Patton and pulling out his phone.
"Quesadillas." He replied.
"Oh that sounds good." Roman said.
"Smells good too!" Remus shouted distractedly. "So is Dee here yet?"
"No, sorry." Patton shrugged.
"Hmm." Remus only looked at his phone more intently.
"What are you two?" Logan asked, taking his place next to Patton as well, though farther away that Remus was.
"What?" Remus asked, an eyebrow raised.
"You and Dee. I'm confused by the manner of your relationship." Logan began.
"We're friends. I think. Most of the time. Maybe." Remus said with a sideways glance.
"I assume you know that answer made no sense whatsoever." Logan leaned forward to look at the other boy.
Remus huffed and put his phone down. "Look, I've told him how I feel about him and he just ignored it. He wants to stay, whatever we are, and that's fine with me."
"That's bull crap Remus and you know it." Roman stated.
"Well, it's not my call Roman." Remus retorted. "I'm not gonna force him. Besides, even if he wanted to date me-"
"I'm still not convinced you two aren't dating now." Logan leaned back.
"-I wouldn't go out with him. He's still friends with Kayley and I personally want to rip out each fake eye lash and injection on her stupid face." Remus growled.
"Wow." Logan pursed his lips.
"Oh I can't stop picturing it." Roman groaned.
"How sure are you that he doesn't want to go out with you?" Patton asked.
"Pretty sure. Like I said, he ignored me earlier. And more to the point he's friends with Kayley!! She disgusts me." Remus went back to his phone. "She always goes on about how much of an ally she is! She said the A in LGBTQIA was for ally. Like bitch, no!"
"Language." Thomas and Patton said at the same time.
"I think I'm allowed to call her a bitch." Remus sneered.
"I don't like her too much either Remus, but you still shouldn't call people that." Patton said.
"Why don't you like her?" Roman asked.
"Like Remus said she talks constantly about how much of an ally she is, but when Juleka came out as a lesbian, Kayley started saying just awful things and called her slurs." Patton stated. "She kept talking about how Juleka had a crush on her and how gross it was that she's gay."
"When I began my process of coming out she pretended to support me, but when it came to actually helping me with bullying or actual transitioning, she didn't do anything." Logan added.
"What? Why didn't you say anything?" Roman asked astonished.
"Well, it didn't matter, you enjoyed sitting at her lunch table, besides it really didn't bother me as much as it may seem." Logan dismissed.
"Well shit." Roman's voice cracked. "I can't believe I let her just get away with this."
"It's not your fault Roman, it's not your responsibility to police her for her actions." Logan stated.
"But I still could have noticed. Why do I even sit with her?" Roman ran a hand through his hair and knawed on his bottom lip. He knew what Logan was saying was true, but it still didn't sit well. He was supposed to be there for protect his friends when they needed and he had let this girl get away with hurting them for too long.
"Kayley only wants to sit next to you for clout you know." Remus interjeted.
"Well I'm not sitting with her any more." Roman scoffed.
"You can sit with me." Patton suggested. "Naomi thinks you're all very entertaining."
"What are you guys talking about?" Dee's voice asked from the door, shutting down the conversation immediately.
"Nothing." The four replied, looking in different directions.
"Okay then." Dee shrugged, not sounding totally convinced. He went over the the couch and sat down next Remus.
It was quiet, though not uncomfortably so. Roman perked up when he heard a door open and close down the hallway and Emile stepped into view.
"How's this?" Emile asked, walking down the hallway. He entered the livingroom and gave a small twirl.
"I like this one a lot more." Patton told him.
"Like what a lot more?" Logan asked.
"The outfit." Patton explained. "Emile's got a date to homecoming tonight!"
"Who ya going with?" Remus asked.
"My girlfriend, Sara." Emile responded.
Everyone seemed to be looking at Emile in some form of confusion on Roman spoke up.
"Oh my god for a second there I forgot straight people exist!" He laughed. The seniors all began laughing with him.
"Ha, ha." Emile crossed his arms. "And just so you know, I'm not straight. I just don't feel like labelling myself right now."
"You shouldn't be pressured to anyway." Logan stated.
"Thank you Logan." Emile nodded. "Now! Outfit thoughts?"
"I already said I liked it. Very cute." Patton remarked.
"I have no issues with the clothing." Logan said plainly.
Roman examined what he was wearing. A shell-white dress shirt, small pink bow-tie, and black pants. Simple, comfortable, adorable; Emile.
"Very dashing." Roman told him.
"Alright by my standards." Remus shrugged.
"You have no standards." Dee pointed out. "Very nice Emile."
"Great!" Emile sighed. "Alright, have fun with therapy tonight, I'm leaving."
A series of farewells were said to Emile as he left, and the Rangers went back to silence. Thomas finished making quesadillas and began handing them out. They munched while awaiting Renette's arrival. It didn't take too long, but Roman had watched Remus practically inhale his quesadilla and he didn't need anything more. When Renette knocked and opened the door she gestured for each of them to enter a car. Roman saw she was on the phone and looked particularaly exhausted.
Roman hurried his friends out the door and into cars before they could protest his choices in seating. Patton and Logan next to each other in the first one. Remus and Dee in the next. Finally, Roman and Thomas in the last one. Roman figured his matchmaking for the night was over and hopped in happily.
Renette got into the passenger seat of the last car and looked back to smile at Roman and Thomas.
"No! Listen to me, you listen to your mother." Renette continued, signaling for the driver to start the car.
The other cars started their engines and they pulled away.
"You know what I mean when I say listen to your mother. You're not going out tonight. I don't care that it's friday. If your mom said no and your dad said no then what makes you think I'm gonna say yes?!" Renette continued. "Oh don't you 'Ma' me Remington! You've been sick for a whole week, and you know that those kids do-"
She listened to what the other person was saying.
"Well I didn't know Emile was going to be there you should have led with that! Emile going is your most valid argument so far!" Renette pasued again. "No this doesn't mean you can go! One good argument from you doesn't change my mind. Besides, your mom and dad both said no, even if I wanted you to go I'm outnumbered! Nope, I'm sorry hun but I'm not risking it! You're sick and this is Florida, people don't exactly vaccinate down here. End of discussion."
Roman looked out the window trying to make it seem like he wasn't eaves dropping.
"Yes yes, love you goodnight." Renette hung up and sighed into her chair. "Roman, if you ever want kids meet my son, he'll change that real quick."
Thomas, the driver, and Renette laughed.
"Then again, you've met Emile so you probably think kids are just little angels." Renette added.
"Oh he's certainly not a little angel." Thomas rolled his eyes. "Emile may seem like it, but I've seen him sucker punch people a few times."
"Only cause you trained him to!" Renette laughed.
It fell into a lull of discussion between the adults after that. Roman pulled out his phone and began texting Logan. Until Patton took over to text using Logan's phone. When the cars stopped it was at a building a ways outside of town. The sun was going down earlier and earlier as winter drew closer, and currently the sky was just fading into a deep blue.
Roman, Thomas, and Renette stepped out of the car. The other Rangers followed quickly and together they all went inside. It was well lit and smelled of lemon scented cleaner. Renette led them past a few doors until reaching a counter with a woman sat in front of it.
"Hey Janica, how are ya?" Renette asked.
"I'm doing good Renette. They should all be ready for you boys." Janica replied, she handed Renette a piece of paper. "I need your signature here." She pointed to a line at the top. Renette signed and Janica took the paper back, then gave Renette another paper. "These are their assigned rooms."
"Thanks Janica." Renette smiled, taking the paper and moving to enter the door right of Janica's desk.
"Oh, best of wishes to you and your family Renette. There's a little something that a few people in the department put together for you. We heard about Remy and wanted ot help." Janica smiled.
"Thanks!" Renette smiled warmly, opening the door and walking in. "Okay boys, Roman you're room one. Logan room two, Dee room three, Remus room four, Patton room five, and Thomas you know where to go."
"Thanks Renette." Thomas nodded.
Roman looked to his right and saw a stretch of doors, marked one to fifteen. He walked all the way down with the others, each friend leaving him to head into their respective doors. Roman finally reached the door with a bronze 1 nailed to the front and inhaled. He put his hand on the doornob and twisted. He felt his stomach tighten but he didn't entirely know why.
"Roman?" A sweet voice inside asked.
"Yes." Roman nodded. He looked over to see a larger woman sitting casually in a chair. The room smelled like carmel scented candles.
"Come on in." She told him. "It's okay, whatever you're comfortable with. Want some tea, coffee, water?"
"Um, no, I'm good." Roman replied, taking a seat on the grey leather couch across from her.
"Okay. My name is Doctor Faith Hop, you can call me Faith." She smiled. "Are you ready to begin?"
---
It was Tuesday the next week when Renette showed up again.
"Hopefully you all set up a schedule to meet with your therapists weekly?" She asked.
The Rangers all nodded.
"Wonderful." Renette smiled. "Now, a couple things I need to get out of the way. One, I set up a meeting with a couple friends of mine, some higher-ups in foreign governments. It's very important that you meet and discuss with them next week. Two, I need to hear any and all strategies from this moment on. Especially now. That fiasco during the last attack cannot happen again. We need results. I'd hope you all have come up with some idea as to how you can get any closer to defeating Virgilius. I want to hear everything."
"Okay, uh, Renette, what do you mean we're meeting with your friends?" Roman asked. "I don't really have a lot of time to drive somewhere like Washington D.C."
"Yeah and my moms are getting really sick of my excuses as to why I can't be home for take-out night." Dee said. "I miss eating chineese food with them."
"Don't worry about that, my friends are coming here. I cleared this with Thomas weeks in advance."
"And you're only telling us now?" Logan quirked an eyebrow.
"I could only tell you now. Anyway, you all share science class together I believe, and your teacher and our current official working at the school has agreed to give the whole grade a large group project, with which you will claim you are all working on Saturday, so you can arrive here." Renette said quickly.
Roman looked at her incredulously. "Mrs. Ryans?"
"Yes, she works for me." Renette smiled.
"She works for you?" Patton's eyes went wide.
"I believe I just said that." Renette stared.
"Whoa, whoa, whoa," Dee put his hands up. "So you're telling me, that Mrs. Ryans works for the government and has been spying on us-"
"I certainly never said she was spying on you but yes since you've become Rangers she has been keeping a closer eye on you."
". . . Right." Dee deadpanned. "So she's making our entire grade do a group project just so we have an excuse to leave the house on Saturday?"
"That is correct." Renette nodded.
"If we're here on Saturday when are we going to work on said project?" Logan asked.
"Well that's not my problem." Renette dismissed.
"Hold up, hold up!" Roman started.
"No, no, no, no, no." Dee started waving his hand.
"Wait a minute, what?!" Patton exclaimed.
"I'm gonna fail science." Remus sank into his blow up pink chair.
"Oh you boys will figure it out." Renette tried to wave off their concerns. "What you need to focus on is the meeting with representatives from the UN who expect a level of professionalism from the only people on Earth that have acess to weapons that can defeat the Dragon Witch."
"Oh god." Roman sighed.
"I shouldn't go." Remus shook his head.
"You're all going. Whether you like it or not." Renette stated. "Now, I am hoping, praying, you boys have some kind of lead or strategy that can be used against Virgilius."
It went quiet.
"What happened to those letters you found on the map?" Thomas asked.
"Oh, yeah, that turned out to be a dead end." Roman grimaced.
"What letters?" Renette asked.
"Um, yesterday, we were looking at this map of the county." Patton got up and pointed. "Logan put pins into the places where Virgilius previously attacked. Even attacks from a year ago. Anway, we were just looking at em' and I thought these kinda make the shape of an 'H'."
"We figured he was trying to say 'help' or send a message." Dee sighed.
"And?" Renette asked impatiently.
"When we traced them all out it said 'Ha suckers!'." Roman said in an annoyed tone.
"Exclimation mark included." Logan reminded.
Remus started laughing. "I'm sorry, I'm sorry. I mean I'm not really that sorry, but come on that's good. Like he got us."
Roman looked at his brother and just shook his head slowly.
"Clever child." Renette pondered. "Distracting you, throwing you off his scent."
"We're pretty sure he's like in his twenties." Roman said. "He's tall so."
"Yeah taller than me." Remus said, almost impressed.
"Okay, good to know." Renette nodded. "But, other than your failed attempt, do you have anything more for me?"
Roman looked around. Logan, the one who usually concocts their plans, had nothing. However, when Roman looked to the others, he saw them exchanging glances. Thomas, Remus, Dee, and Patton lookedas if they were all in silent debate with each other. Finally Thomas gave a firm nod and the four looked to Renette.
"We may have something." Patton told her.
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doopcafe · 4 years
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Star Wars: The Clone Wars (Seasons 1--6), Final Analysis
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Well, I made it through. 
Let’s be absolutely clear: The Clone Wars (TCW) is not good television. For the most part, it’s not even watchable television. The show suffers from serious fundamental issues in nearly every aspect of storytelling. Characters are underdeveloped and inconsistent; the dialogue is expository and contradictory; the tone is disjoint and jarring; and most episodes serve no greater purpose than to be a twenty-minute vessel to house lightsaber fights. 
So I want to put this part of the show to rest before I move on to Star Wars: Rebels (and before returning to watch season 7). 
With two exceptions, the show poorly handles twists and reveals. In the earlier seasons, reveals were spoiled mostly due to telegraphing: Captain Sleaze in Cloak of Darkness, Senator Clovis in Senate Spy, and Yolo (?) in Senate Murders come to mind, but there were others. In later seasons, telegraphing was supplanted by “small universe syndrome” as the primary cause of spoiled reveals. In The Academy, a cloaked figure was seen doing shady, back-alley deals, but his identity could only have been the Prime Minister. During the “Ahsoka framed” series, Barriss was obviously the traitor, simply because her character suddenly reappeared after four seasons and there were no other candidates. 
Probably the most successfully executed reveal was that of Krell, as his assholeness was at least initially masked as military rigidity. But even so, it was so over-the-top that when the reveal finally came to light, it felt more like an overdue disclosure than a dramatic twist. It didn’t help that, by that point in the show, the format of “asshole = upcoming reveal” had been firmly entrenched into the show’s DNA. 
I would argue that the most effective plot twist of the entire show was when the dancer/singer girl shot and killed Ziro the Hutt in Hunt for Ziro. Although irrelevant to the greater story, it was an actual twist because it was strongly implied the opposite would happen (i.e., Ziro would betray the girl). If there is to be a second place, that award would go to Ahsoka’s decision to leave the Jedi Order at the conclusion of The Wrong Jedi. But this leads me into my next point...
Who was the main character of The Clone Wars? If we go by the logic that whoever had the most screen time was the main character, then Anakin probably wins over Ahsoka. But if we go by the logic that the most developed character was the “main character,” then this is a show about Ahsoka. Ahsoka---more than any other character---grows in a noticeable way (from impatient, violent child to impatient, slightly less violent teenager). In contrast, Anakin in Rising Malevolence is the same character as Anakin in Voices (only a little more violent and angry for some reason). 
It’s unfortunate that her major character moments were never capitalized on. Intentionally sacrificing herself for the greater good in Weapons Factory apparently led to no lasting repercussions on her character. Her impatience and disobedience led to the deaths of thousands in Storm over Ryloth, but was similarly forgotten immediately afterwards. Even Ahsoka’s major character moment at the end of The Wrong Jedi resulted in her walking away from the show, never to address the implications of that decisions (although I suppose that’s the subject of Season 7). 
On a different note, the show was riddled by a shameful amount of “references” and fan service, for reasons exclusively external to the story. These “nods” ranged from the obvious “Obi-wan Kenobi, you’re my only hope” (or whatever Senator Jimmy Smits says in Cat and Mouse) to the innocuous design of a droid or background device. 
These “references” are objectively problematic for at least a few reasons. (1) They contribute to the sense that the universe is a really, really small place. Is the Mos Eisley cantina really the only place in the Outer Rim where shady deals go down? Is carbon freezing really the only way to store a person in stasis for transport? How long do Rodians live for anyways? Greedo’s gotta be what, like 80 when Han shoots him in A New Hope? It’s ironic that ultimately, this incomprehensibly large, diverse galaxy actually feels much smaller after watching this series because we keep going to the same twelve places...
(2) “Fan service” is tricky to get right because different people have different memories and impressions of the source material. In result, copying material will oftentimes comes across as a blatant misunderstanding of the original content. For example, to me, Vader put Solo into carbon freeze because it’s what Lando had lying around. It’s not a galactically established method of transporting people. Obi-Wan trained Luke with those laser balls aboard the Falcon because Han had them lying around and Obi-Wan needed to improvise a training exercise to kill time. 
(3) "References” and “nods” usually are just a band-aid for a lack of creativity. Some of the better episodes in the initial seasons were just direct rehashes of famous movies. Seven Samurai, Godzilla, Stray Dog, The Most Dangerous Game, King Kong... I mean, it’d be pretty impressive to mess-up stories like these, but it’s concerning that there were just so many episodes made from other people’s stories. 
These “references” even seep into the most innocuous of scenes. When Prequel!Wan lands on Mandalore to attempt a rescue of Satine from Darth Maul, one of the Mandalorians takes aim at him, only to have their blaster pushed down by their companion who’s shaking their head. This is a direct reference o the Tusken Raiders on Tatooine when Luke went after R2 in the desert. Even if this scene served an important plot purpose (it didn’t), there’s undoubtedly a multitude of ways to communicate the same thing. Instead, a small reference to the OT is interjected into the show, deimmersing the audience from the events shown. Unfortunately, this is just one (very small) example of hundreds over the whole show. 
Let me say something positive. The episodes that worked best (especially early in the show's run) were ones that focused on mortal people, usually the clones. Innocents of Ryloth was one of the first watchable episodes, simply because we didn't have to sit through twenty minutes of unlikable, unrelatable “Jedi” and instead followed around a pair of troopers helping a little girl using their limited abilities. Likewise, Pursuit of Peace was way more enjoyable than it probably should have been, simply because the story was understandable, the consequences clear, and the drama real. Plan of Dissent (when the clones actively rebel against Krell) was also noteworthy for similar reasons: clones we liked must subdue a “Jedi” we’ve learned to hate. 
This isn’t to say that episodes focused on the major characters were inherently unenjoyable, it’s just that none of these characters had any room to grow (with the exception of Ahsoka). Dooku, Grievous, Anakin, Prequel!Wan... They were the same characters as portrayed in Episode II and III. As presented, there was nowhere for these characters to go. Dooku was literally identical at the beginning of the series as he was at the end, and the same can be said about the others. 
But these are false constraints the writers imposed upon themselves. Grievous was not in Episode II and was introduced in Episode III. TCW could have started him however they wanted and then illustrated his change into the character he later becomes. Who was he? What was his motivation? Why did he hate Jedi so much? The show was handed a completely clean slate to deliver a character from scratch, but instead we were immediately shown “Episode III General Grievous” with zero introduction because fans were expected to already know who he was. 
This is partly why the backstory episode to Grievous was so compelling, at least in premise: viewing his home was personal to his story and it represented a chance to learn a bit more about the character and where he came from. Of course, it was mostly mishandled by a reliance on meaningless action, but the high ratings of that particular episode suggest there was room for quality television here, it just was never capitalized on.
Instead, we have completely static caricatures, especially for minor characters from the movies. Admiral Tarkin, Admiral Ackbar, Greedo (among others) were written out of cardboard and their roles in the plot could have just as easily been played by anyone else (there was nothing unique about their roles that required them to be these characters). 
This is a shame because a lot could have been done with the established premise to really focus on Anakin, his motivations, and his relationship to his Padawan. I would have been okay with a lot of backtracking if it meant I could begin to grasp his “fall” to the Dark Side. Instead, I’m honestly more confused than ever about his motivation.
One argument is that Anakin joins the Dark Side because he like, “loves” Padme (or whatever). However, what we’re shown in this show---consistently, clearly---is that Padme and Anakin have a toxic, dysfunctional relationship. He is uncomfortably jealous and rarely trusts her. They argue nearly every time they’re together. Their “love” (or whatever) must remain secret, equating their relationship to something “wrong” or even “illegal” that must be kept secret, even on the verge of death. In a later episode, Anakin orders Padme to listen to him because he’s the “man” and, as his wife, she doesn’t have a say in the matter. This is clearly a broken relationship and the best result is the one that actually happens: They stop seeing each other. Anakin wants to save this woman from a vision? Why? 
This brings up a second point, which is that Anakin can’t stand the pain of losing someone. His desire to protect those close to him may be Anakin’s only redeeming trait. He has a single selfless scene (in the entire show) during the opening of Jedi Crash where he sacrifices himself to delay an explosion and save his companions. I want to stress that any other scene where Anakin saves or helps someone isn’t done because he’s a good person, it’s done because he’s a broken person. It’s done because he, personally, would struggle with the emotional toll of knowing he allowed someone close to him to be hurt or die. In other words, he’s doing nice things for selfish reasons. 
As far as I’m concerned, Anakin has always been Darth Vader. He is given choices between being a Jedi and allowing a lot of people to die, and he enjoys choosing the second. In Ghosts of Mortis, we’re shown that the threshold between “Anakin” and “Darth Vader” is disconcertingly low, requiring only a few choice words and less than a minute to convert him. In short, what I’ve learned from TCW regarding Anakin Skywalker is that he was an unlikable dick, and his “turn” to the Dark Side was just a long-overdue reveal. 
While the later seasons worked towards the events in Episode III in a way that at least made a bit of sense, earlier seasons were focused on adult-themed wacky hijinks. In a way, the show almost would have worked better as a kid’s show, but this was clearly meant for adults: politics, war, slavery, and lots and lots of horrific violence. In comparison, the silly adventures of Star Wars: Resistance worked well because the show didn’t take itself too seriously. It was very clearly, from the start, a lighthearted show about kids going on fun adventures. In contrast, TCW suffered because its themes were adult in nature, but was portrayed as a Saturday morning cartoon show. The humor was misplaced, the tone disjointed from actual events, and the violence excessive. 
Let me say a few words on the “Jedi.” Initially I labeled them as overpowered (OP), because in earlier episodes they seemed invincible and dissolved tension in every scene. Later, we see a slew of them get cut down as plot fodder, even against widely different situations. We see Luminara and others push through hoards of droids only to see “Jedi” Master Yoda-like dude get taken down by a dog. We watch as Fisto *heh* powers through entire battalions and the cone-head guy counting coup against an army, only to watch as pink girl gets shot in the face by a single clone who stands in front of her for several seconds before pulling the trigger. 
It’s nearly impossible to feel tension in these scenes because the metrics for judging the true strength of a “Jedi” keep shifting as a function of the plot requirements. Anakin suddenly forgets how to use the Force when the plot needs his help to fake some drama. Prequel!Wan pointlessly fist fights with a slaver cat for an hour until the plot needs him to get back up again and OP everyone in the room. Even their ships are only as strong or weak as the plot needs them to be. Plo Koon’s fleet is devastated in seconds in order to portray the Malevolence as being a threat; Anakin’s fleet powers through a larger force three times its size because Anakin’s like, really mad about something. 
Secondly, the “Jedi,” in general, were unlikable assholes. They were consistently portrayed as violent and ignorant and I struggled to understand them as real people. Frequently, we witnessed them torture victims, default to a lightsaber to solve problems, and enjoy death to the point of counting coup against sentient life forms defending their homes. Anakin threatened civilians with his lightsaber. Ahsoka was annoyed when she’s asked not to murder a defenseless creature in Jedi Crash. Prequel!Wan and Anakin team up to hurtle enormous rocks into a beaten monster in Dooku Captured. A trio of Jedi Masters mentally gang bang a shackled Cad Bane. They supported state terrorism when it suited their needs, but agreed to abandon their friends for political reasons. 
I mean, these are not good people...
This is a shame, because my impression of true Jedi comes from Luke, Yoda, and Obi-Wan in the OT, as well as the expanded universe novels that take place afterwards. It always seemed to me that being a Jedi was about conquering oneself, one’s fears, and learning to use the Force to selflessly help others and let go of all worldly attachments. You know, like the Buddhists they were originally inspired by. I always had the impression that the Force was extremely powerful and that Yoda was only showing Luke a portion of what was possible. That the Emperor was only using Force lighting to toy with Luke. That Vader only Force choked his officers because it was visually intimidating and kept them in line. 
Instead, we’re treated to some garbage about how a “Jedi” is nothing greater than an actuator to swing around a lightsaber. When Luke enters Jabba’s palace in Jedi to rescue his friends, it’s not with lightsaber swinging, cutting shit up, flipping around like an acrobatic monkey. Imagine Anakin and Ahsoka in the same scene. They’d blaze through the palace corridors before Force choking Jabba as the Darth Vader theme plays. Forget the rancor, these are demigods. They have lightsabers. Have you seen them? They go “woosh woosh.” 
In short, there was little to look up to in terms of a “hero” character. I can see how children can look up to Luke as a role model, someone they want to emulate or play with as a toy, but looking up to Anakin? Ahsoka? Hey kids, wanna learn to become a psychopath? First, you use your power to abuse those who are weaker than you. Then you need to get really really angry and uncontrollably choke someone, preferably your sister or one of your cousins. 
And so, for a Saturday morning cartoon show, it is very unclear who we’re supposed to care about. I liked when Ahsoka went against Anakin because I hated his character so much. I liked everything with Hondo, a pirate. I liked Ventress a little, because she was actively seeking to kill the main characters. I liked some of the clones, but I don’t know which ones because they all looked the same. I cared about Darth Maul because I’m honestly a little worried about him, especially after the loss of his brother. I kinda liked General Grievous just because he hates the “Jedi” and was therefore relatable (even though the reasoning was never explained). And... that’s it. 
At no point did I ever “look forward” to the next episode. I painfully died a little on the inside hitting the “watch next” button every single time.
This “review” is already way too long, so let me summarize by applying my five-star rating system (developed for movies) to each episode. In review:
5. Amazing, classic, culturally important. Something everyone should watch.  4. Great; very well done, no significant flaws. 3: Entertaining with only minor gripes/criticisms.  2: “Watchable,” but suffers from flaws and has some poor parts.  1. Uncomfortably bad; suffers from serious flaws. 0. Painfully bad, would actively fight against being forced to watch a second time. 
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The 3-star episodes were: 
Hostage Crisis
Lightsaber Lost 
Pursuit of Peace
Carnage of Krell
The Wrong Jedi 
Hostage Crisis was the introduction of Cad Bane, Lightsaber Lost was the remake of Stray Dog (and the only episode to include a real Jedi), Pursuit of Peace was the random Padme/politics episode that was strangely well-executed, Carnage of Krell was the reveal of Krell as a bad guy and his clones working to apprehend him, and The Wrong Jedi was Ahsoka leaving the Jedi Order (and the only episode to include a true character moment). 
Also, I scaled the IMDB ratings of each episode to my ratings and then detected outliers in their overlap. In other words, I wanted to answer the question, “which episodes did I rate the most differently from others?” 
Turns out, I rated every single episode lower except for seven. Those seven were: 
Mercy Mission (+1.853) - R2 and 3PO discover an underground world with ents. This one is universally panned by “fans,” but was a competently handled episode apart from the disappointing resolution. 
Pursuit of Peace (+1.382) - Padme struggles to win support for a Senate bill. Another competently handled episode that focuses on Padme and politics and is ranked low by “fans.”
Lightsaber Lost (+0.6471) 
Weapons Factory (+0.4118) - An average episode with a dramatic scene of sacrifice by Ahsoka and her “friend” Barriss. 
Shadow Warrior (+0.3824) - Grievous is captured during some dramatic moments on Naboo. 
Hostage Crisis (+0.3529)
Front Runners (+0.0882) - One of the rebels episodes, I don’t remember which. 
In conclusion, Star Wars: Rebels is next and I am somehow still alive.
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elenathehun · 3 years
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Watching the Clone Wars, part 7
Well, this is a better batch of episodes than last time, solely due to not having to actually skip an episode because it was too awful to watch.  With that said, click on keep reading to see reviews of "Brain Invaders", "Grievous Intrigue", "The Deserter", "Lightsaber Lost", "The Mandalore Plot", "Voyage of Temptation", and "Duchess of Mandalore".
"Brain Invaders" (2x08)
I'd rate this as above-average.  I am not really into horror as a genre, as I previously noted, so I was pretty grossed out by the brain worms.  However, it was a pretty nice Ahsoka and Barriss episode, although I think it's a bit weird that four Jedi Knights/Masters are necessary to interrogate Poggle. 
Anyway, it's not an episode of The Clone Wars without some unexpected graphic clone violence.  I don't blame Ahsoka or Barris for killing poor Trap - I even think this was well-written and conveyed the desperation of their situation well - but good god, it was startling.  Also tense: that final approach to the medical station.
Not good: Kit Fisto entering a ship that's infested with brain worms with no PPE.  C'mon, man, I know your headtails are majestic, but keep it covered up!  Also not super great: Anakin and Ahsoka's little talk at then end.  A lot of their interaction just feels forced.  I honestly feel like this should have been a dialogue of some kind between Ahsoka and Barriss.
"Grievous Intrigue" (2x09)
Sort of a meh episode.  I understand Eeth Koth is a bit of a bad-ass in the comics, and that does sort of carry over in this episode, but mostly it just seems like a vehicle for various Jedi Masters to quip while crossing blades with this somewhat delightful murder-cyborg.  Obi-Wan gives a furious monologue to Grievous, which rings a bit hollow since the clone army has had precious little screen-time (at least relatively speaking) to exhibit their loyalty or spirit.
Shout-out to Cody and those 212th soldiers dog-piling Grievous.  If only you'd had a lightsaber, Cody, you probably could have killed him right then and there.  And if the writers let you and your fellows out of the background more often, Obi-Wan's speech would have rung more true at the time this episode aired.
"The Deserter" (2x10)
I struggled with accurately summarizing why this episode left me cold.  After all, the focus is split between Rex and the pursuit of Grievous, and I love most of the clone-centric episodes I've seen thus far.  But after some thought, I realized this episode felt like the culmination of a character arc that never actually occurred for Rex, at least on-screen.  After all, this episode is only the third time he's been promoted to something more than the token Clone Character Who Doesn't Die At The End - the previous two episodes I thought were legitimately Rex-centric were Season One's "Rookies" and "The Hidden Enemy".  We still barely know the guy, but in this episode we watch him wrestle with doubt about his role and reason for existence when faced with a fellow clone who's made radically different choices than he has, before triumphantly stating his place is with the army.  This feels like it would be a great episode, if only we were more attached to the character. Writers have to build-up to those kind of moments, or they ring false.
Anyway, is it just me or is Obi-Wan getting a little angry in this episode?
"Lightsaber Lost" (2x11)
I wasn't expecting much from this episode, but it was actually very good.  Aside from the annoying Cad Bane arc at the beginning of the season, the Ahsoka episodes have been improving a lot this season - possibly because she's been separated from Anakin for a lot of them.  Losing a lightsaber feels like the sort of problem a Padawan might face, and the solution feels like the sort of thing an impatient teenager would resort to.  Tera Sinube is a gem - I am always a sucker for the elderly teaching the next generation, and he does it so well!  The animation was well done too, especially in the chase scenes. 
I've been ragging on TCW for it's lack of interconnectivity between episodes and episode arcs, but this is a stand-alone episode done right: it focuses on what a secondary character (yes, I know she's supposed to be a main character, but she doesn't feel like it quite yet), allows them to learn a lesson that develops their characters in an organic way, and reverberates through future episodes (I hope!).
"The Mandalore Plot", "Voyage of Temptation", and "Duchess of Mandalore" (2x12 -2x14)
Oof.  So, this was the arc that actually made me quit watching TCW the first time around.  I am very lukewarm on Mandalorians in general, so that wasn't great.  But aside from that, and from the well-attested issue of everyone on Mandalore looking like a Storm Front fantasy, this arc exhibits the same structural writing defects the entire show has shown far - and honestly, life is too short to watch bad TV.  At this point, I know this main issue will never be corrected in the entire show run, so I can accept it and push through in the name of completionism and writing research, but at the time I wasn't active in fandom and it was enormously easy to just stop watching and move onto other, better, shows and books.
Now, I thought long and hard about how to review these episodes, but I think it's useful in this case to interview them as a singular block instead of individual episodes.  The story is largely cohesive, if a bit strained. It is essentially Palpatine's PT plot writ small: he wants to take over Mandalore (a reason is never really explicated in the actual story, so who knows why), and he's doing it by essentially creating a false war between the CIS proxies, Death Watch, and the Republic proxy, which is Duchess Satine.  If all goes according to plan, Satine will be shown as ineffectual and unable to rule her people, and the GAR can occupy Mandalore for reasons of "public safety".  This will inflame the Mandalorians, who aren't part of the Republic and don't want to be, and send them rushing in the arms of the CIS-allied Death Watch, starting a cycle of radicalization and violence which will end (at least from Palpatine's POV) with Mandalore firmly in his grasp, and all potential opposition killed in the Civil War he engineered.   
As enormously stupid as the whole plot sounds, it's a valid historical tactic for imperial powers looking to expand.  And that's lead us the the primary flaw of this story: The Jedi are the Bad Guys.  Just ignore the tangled mess of Mandalorian canon, retcons, and expanded universe, past and present - in the show itself, they are presented as a smaller, weaker neighbor-state, and the Jedi are acting as agents of an expansionary military power, interfering with their internal politics specifically for the purpose of a soft invasion.  And that's an interesting story!  But that story is deliberately obfuscated and hobbled because the writers and producers of TCW were and are ever-so-concerned with making the Jedi as sympathetic as possible, even in situations where they shouldn't be.
Part of that hobbling is Satine's character.  Satine is badly written, but she's badly written in a very specific way that has been common to most of the non-CIS political antagonists the show has presented thus far.  Satine's most interesting characteristic is that she doesn't want to involve Mandalore with the war - and who can blame her?  The Republic and the CIS have nothing to offer to her or her people.  The only thing that will happen is the exploitation of Mandalore's natural resources (at best) or the destruction of her people, caught between two Great Powers who obviously don't care for her people's struggle.  That's an interesting character, right?  A POV we haven't seen in this show so far, which has consistently been from the Jedi POV, which is pretty firmly in the CIS = monsters and Republic = assholes (but democratic assholes!) camp.
But it's a POV that is pretty uncomplimentary of the Jedi role in this war, which means Satine must be crippled by an obnoxious belief in pacifism, like the unlikably-written Lurmen in season one, and also weighted down by a personal connection to an avatar of the Republic, like Senator Farr and his "family friendship" with Padme overcoming the fact that his people are starving and getting no support from the Republic.  I have heard people argue that TCW, written as it was in the late 2000s, is reacting against the excesses of the War on Terror.  I am less than convinced, mostly because every single anti-war character is reduced to a flat caricature of an annoying pacifist that can be safely defeated by the ever-so-kind warrior monks in the space of an episode or two before being cast aside for the next adventure. 
Because Satine's motivations are poorly written, her actions don't make a lick of sense. In "The Mandalore Plot", she's clearly escorting Obi-Wan around under duress - but in "Voyage of Temptation", she's apparently going with the Senators willingly to the Coruscant, to essentially beg the Senate to not invade.  Why not write her as an unwilling "guest" of the Republic, invited without recourse to defend her people's sovereignty?  Well, that would show Obi-Wan in a very unflattering light, wouldn't it?  But in "Duchess of Mandalore" she's back to being a prisoner in everything but name, escaping custody to receive an unaltered copy of her dead minister's speech.  
Now, Obi-Wan helps her at that point...but it's clearly due to some poorly-written romantic feelings.  I am not interested in any Padme/Anakin parallels, mostly because I find it incredibly tedious and honestly not helpful in exploring Anakin's Leap into the Dark Side.  This story is a gigantic missed opportunity to show the Jedi (or at least, a representative of the Jedi) wrestle with their roles as avatars of the republic, when the republic is so obviously manufacturing a reason to invade Mandalore.  Palpatine is obviously orchestrating this whole thing, but he still (at this point in the show) requires the consent of the Senate to essentially annex more territory - and the Senate is perfectly happy to give him that consent, by the way.  There is a fantastic story on the Jedi side about the clash of ideals vs realities, and the writers totally side-stepped it.
But pulling the focus out a little further, that has actually been par for the course for most of the Obi-Wan stories of season 2.  He's been consistently more and more irritated about the war as the season has gone on, and made some off-hand comments about the ungratefulness of the Republic populace that, in the hands of a more competent writer, could have been a multi-season character arc about loss of faith in fallible human institutions, which would dovetail pretty well with his characterization in both RotS and ANH.  Instead, his character remains the static wise-cracking Good Guy; Satine is the Designated Love Interest, unable to develop along more interesting and independent lines; and this arc falls deeply flat as a result.  
They're not the only characters who are horribly underwritten.  I mean, here we are at the end of Season 2, and have we yet seen a sympathetic CIS character, or an accounting of how Palpatine was able to take advantage of already extant fractures in the Republic to create a shadowy cabal dedicated to tearing it apart?  No.  It's all war crimes and evil laughter so far.  The Good Guys always win (until they don't), the bad guys are always Very Bad, and there are no shades of gray in this massive galaxy.  Again, ignoring the complicated Mandalorian backstory, Death Watch is extremely under-baked as villains.  There could have been a fascinating interplay between Satine and Pre about their different visions for their people's future, but just as Satine is a flat Pacifist caricature, Pre is a dull Terrorist caricature.
I have to give a special mention to the horrible Love Confession of "Voyage of Temptation".  This is the episode where Satine is written most consistently as Peak Pacifist.  If she had instead been written as anti-war (but not necessarily a philosophical pacifist), her escape from Tal Merrik would have been a great inversion of that trope - and in fact, I thought it was at first, when she "confessed", and then had to make an annoyed face when Obi-Wan didn't immediately play along.  Instead, they played it straight, and I've never felt more simpatico with a villain than when Tal Merrik complained about their timing.  That fact that Satine's "pacifism" is then used as an excuse for Obi-Wan and Satine to hesitate to kill a terrorist, leading Anakin to kill him...like, c'mon.  I get it, the writers want to show his fall to the dark side, you gotta play the ominous theme music, but is this really a particularly evil act by Anakin?  I'm gonna be honest, if a cop or an armed civilian kills a mass shooter, no one is castigating them for doing so, but instead congratulating them for stopping a murderer from killing again.
Final note and the only one that explicitly addresses the Mandalorian elephant in the room: I hate the Darksaber.  Like, I know we all gave KJA shit for the original Darksaber novel, but the fact that Filoni (or Lucas?) repurposed the name for a SPECIAL MANDALORIAN LIGHTSABER fills me with intense rage.  They're fucking gun knights, you coward, stop inserting your weird Arthurian hard-on into my western samurai sci-fi pastiche.
And that's it for this batch of episodes.  Up next: Boba Fett makes his first appearance in our chronological viewing, and we return to Mandalore a second time, much to my sorrow. 
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kylermalloy · 4 years
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I was tagged by @letsgobethegoodguys for this adorable ask meme (thanks babe!)
what do you prefer to be called name wise?
Online, Kyler. I’ve used that pseudonym since I was 13? 14? just getting started online and it would be weird answering to anything else. I’m not stingy with my real name tho, I’ve told people in DMs before!
where do you live?
United States, straddling the line between the south and the Midwest
three things you are doing right now?
Listening to a video game soundtrack, trying to hype myself into writing, and debating whether or not I should go outside and bake in the sun.
four fandoms that have piqued your interest right now?
This sounds like I’m supposed to talk about new fandoms I’m just getting into, but nah. Right now I’m deep into The Originals (but when am I not?), I’m rewatching Avatar: The Last Airbender with a good friend of mine, I’ve gotten deeper into the Star Wars/Clone Wars fandom ever since the new episodes dropped, and I’m back into Legends of Tomorrow ever since Steph and I have been watching it through.
how’s the pandemic treating you?
Okay, for now. Teaching online was fairly simple last year when they sent us home; I was already familiar with the technology and the main goal was surviving the year. But as the new school year gets closer, it’s becoming clear that we are way underprepared to go back to onsite teaching, but we’re going to do it anyway. That makes me v anxious. My siblings and I (all teachers) had a good rant session about that just last night—we’re all skeptical.
a song you can’t stop listening to right now?
I can never stop listening to Wait for It.
recommend a movie?
I can’t even remember the last movie I watched. The last one I remember watching was 1917, but that was months ago. I’ll recommend 1917! It was excellent.
how old are you?
24!
school, university, occupation, other?
Teacher, middle school science (emphasis on physics 😏) currently on summer break, desperately trying to preserve the freedom as long as I can.
do you prefer hot or cold?
Both? Both. Both is good.
name one fact others might not know about you?
I’ve broken my right arm and my left wrist (not at the same time!) and I never got full mobility back in either wrist. Both my arms have slightly wonky configurations, which is v apparent when I try to exercise my arms in any capacity.
are you shy?
Painfully so. I spent so much time as a kid being quiet, living in my own head, and I never really got out of it. I still have to be invited into conversations and prompted to speak in work meetings.
what are your pronouns?
she/her
any pet peeves?
This is a really generalized one, but people who are rude/annoying on purpose, just to get a reaction.
Or when you want to correct something/someone but no one will listen to or believe you.
what’s your favorite “dere” type?
I don’t know what this means and I have no desire to look it up.
rate your life 1-10.
8 so far? Good. Bit stressful.
what’s your main blog?
This is my only blog. I only have enough energy for one persona. You get all of me here 😁
list your side blogs and what they are used for:
Did you not hear my last answer?
is there anything you think people need to know about you before being friends with you?
I’ll be quiet around you whether or not we’ve been friends for a week or five years. If I do talk, be prepared for random subject changes, or a half-baked deep dive into something I’ve put a lot of thought into beforehand. (This goes for online friends too, btw)
I’ll tag: @join-the-club-weve-got-jackets, @evanescentrainbow, @aeruthien, @edmundsmercy, @whitedahlia13, @thelegendofwinchester, and anyone else who feels like doing this! (Seriously, tag me. I’d love to see what you have to say!)
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duhragonball · 4 years
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7 Comfort Movies
Tagged by @pandemicpicnic . List your seven favorite comfort movies, then tag 7 people.   
This is a good thing to pass around, since I could use the diversion, and as I think about this list, I realize how long it’s been since I last saw a lot of these movies.  
In no particular order...
1) Dragon Ball Z: Fusion Reborn
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I dunno if these are necessarily comfort movies, as opposed to just movies I like the best, but I don’t watch movies a whole lot, so I’m guessing my all-time favorites are probably close enough.   Movie 12 is good watchin’, period.   This is a movie about everyone working together.    Friends, enemies, strangers, the living and the dead, the damned and the divine.   I watch this movie and wish that we in the real world could put aside our differences so easily and blow up all the Nazis.
2) Superman IV: The Quest for Peace
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People say this is the worst Superman movie, but fuck that noise.   This is the only one where Superman throws all the nuclear weapons into the sun.    But one of them has a chicken nugget attached to it, which grows into a clone of Superman with scratchy fingernails, his only weakness.    So Superman has to kick his ass on/with the moon, and then tell everyone that nuclear war is too big a job for Superman, because we’ll just re-arm the minute his back is turned. 
This is a story about high school physics, Luthor.     Sometimes the things we fear the most are only the darker side of our greatest strengths.   If humanity has the power to destroy itself, then doesn’t that mean we have the power to save ourselves as well?   The choice is ours.  
3) Spaceballs
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Some killjoys actually hated this movie, and point to it as evidence that Mel Brooks lost his touch.   I respectfully submit that those people are dumb.  Spaceballs came out during the dark years between Return of the Jedi and Phantom Menace, when we all wanted more Star Wars but thought we would never get more.    Brooks heard our pleas, and gave us this movie, which is basically Star Wars with dick jokes all over it.   People always go on about how Star Trek predicted smartphones and the Simpsons predicted the Trump administration, but only Spaceballs was prescient enough to declare: “Fuck!    Even in the future, nothing works!”
This is a story about following your heart.    If all you care about is duty, and obligation, and profit, you’ll end up marrying some dullard, or owing your soul to a talking pizza, or roaming the universe in search of air.   
4) Batman: Mask of the Phantasm
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This is the best Batman movie ever, and maybe even the best comic book movie period.    In 1994, Batman the Animated Series was popular enough that they made a feature film and ran it in theaters and everything.  I remember some smartass article at the time questioning whether parents would see the point in taking their kids to watch a movie of something that’s on TV for free, which is just dumb.    It’s not like they ran four episodes of the TV series for this thing.   It’s an original story!   Anyway, Batman has to figure out what the deal is with this new vigilante who fights crime with murder, which is also a crime.   He also gets very sad in place and it’s very emotional and I bought the soundtrack as soon as I could because I wanted to listen to it and feel things.
This is a story about the future, and promises, and the roads not taken.   And when all is said and done, maybe the choices we made were the right ones after all, in spite of our second-guesses.
5) Star Wars Episode VI: Return of the Jedi
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I considered putting Revenge of the Sith on this list, since that’s usually the one I look up clips from on YouTube, but there’s no topping Jedi.   I saw this in the theatre when I was six and everything was awesome.    Jabba the Hutt, wint-o-green lightsabers, speeder bikes, Ewoks breaking stuff with logs and rocks, it’s just a pleasure to watch.   Also, this movie introduces Emperor Palpatine, and lays the foundation for the Sith lore that made me love Revenge of the SIth in the first place.  Not long after we got home from seeing this movie in 1983, I tried to draw this scene in the screencap above, because it left such a deep impression on me.   
This is a story about feelings.    Every butthole in Star Wars is always telling everyone else what to feel and how much they should feel it, and don’t get too attached to this or that.     But in this movie Luke has to exercise restraint and then cut loose, give into his passions and then reign them in, care for his friends and family but also be willing to let them go.    Everyone can give him advice, but he’s got to hoe that row himself, and figure it out as he goes.   He doesn’t always get it exactly right, but he still gets it.   
6) The Transformers: The Movie (1986)
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The historians will say that cartoons like the original Transformers were nothing more than glorified toy commercials, made possible by the deregulation of children’s entertainment in the 1980′s.    I find this incredibly unfair, because that analysis ignores the fact that Transformers was a fucking awesome cartoon.    They’re all robots, so they could shoot and punch each other without any guff from standards and practices. And since the show was designed to promote an entire toy line, there were literally dozens of characters, each given a surprising amount of character and personality.   Starscream (center) and Ramjet (right) are practically the same toy, but kids wanted both of them because Starscream is a whiny, shitty drama queen, and Ramjet is a dumbass who likes to hit things with his head.     Astrotrain (left) is just a cool dude who can be a train or a space shuttle. 
This movie is the height of the franchise, where they could raise the stakes even higher, and introduce even crazier concepts like planet-eating monsters and robots actually killing each other for keeps.    I see fans from my generation acting all traumatized over all the deaths, like they never should have done that in a movie marketed for children, but this was a story about renewal.   The old order changeth, and it falls to the newcomers to rise up and carry on.    I’ve always taken a lot of comfort in the way these characters pass the torch.    The Smurfs were never brave enough to have Papa Smurf name his successor.  
7) UHF
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Geez, I haven’t watched this one in forever.    I’d have to double-check to see if I even have it on DVD.    UHF was the ‘Weird Al’ Yankovic vehicle from the late 1980′s.   I want to say ‘89.    He plays a guy who takes over a TV station and runs all these ludicrous shows on it until it becomes the most popular channel in town.   It’s basically a bunch of sketch comedy stitched together into a movie, and it doesn’t try to apologize for this.  
This is a story of the importance of imagination, and of being true to yourself.   Al’s character has trouble finding a steady job, and its’ easy to conclude that there’s something wrong with him, but it’s really just that he hasn’t found the right opportunity for his passions and skills.   Once he finds his place, he rises to the occasion.  
And that’s my list.   Now I gotta tag people.   @auralime, @ediblenonsense, @semercury​, @twobellsilence​, @drowning-in-this-starry-serenade​, @cozymochi​, and @glintea​.
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gffa · 4 years
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Scattered Star Wars thoughts: - As I’m doing my rewatches of TCW and Rebels, I’m trying to watch the behind the scenes stuff to go along with them and it makes me wish a little that Disney+ would have them on their service, because it’d be so much easier than switching over to YouTube when I’m watching them on my TV. It really makes me miss this kind of thing for the animated series--Resistance didn’t get any of the kind of in-depth stuff that the others did, and I’m not sure if they put any extras on the DVD/Blu-Ray releases?  That was my thought for what they were going to do when the first season was airing, but without having bought them myself, I’m not sure if they had anything like that?  I’m assuming they didn’t, since I never saw references to them, which is a shame, because they’re very cool and fun! I wonder, if there’s another animated series coming up (and when/where it would be announced--Celebration seems an awful long ways away for that?), will they return to doing them?  Or were they too much effort/better lures for buying the Blu-Ray sets? - John Boyega plays Jedi: Fallen Order was an absolute delight to watch!  He really is delightfully charming and I love that he apparently plays as Anakin in the BF2 game sometimes (and Finn as well), and that Mace Windu is his all-time favorite Jedi (I FEEL U, JOHN), and just a lot of really cute stuff. - I finished The Raven King and have started on Opal (and am about 2/3rds through it) and I’m going to be sad when I finish all of the books and have to actually wait for more!  I found the four book The Raven Cycle series very satisfying, the characters’ resolutions were all good for me, I enjoyed that they’d gotten to better places, and I found Adam’s epilogue especially poignant.  Not that he’d forgiven his family so much as that he’d let go of so much of what was poisoning him about it, that he was in a better place, rather than being eaten by those feelings and pain. I’m enjoying Opal a lot, one of the things I like about this world is how off the wall some of the dream logic/magic can be, but instead of feeling like it borders on twee or ~kooky~ worldbuilding, there’s something about it that is really pulled off with charm and something surprisingly earnest.  I guess I can really get invested in something so long as I feel like it’s not necessarily trying to be the most clever ever (though, it was clever in the right moments, for me) but instead build something with heart and care. So when Opal gets her own POV for several chapters worth here, when she’s a bit of a wild and feral thing, but stuffed full of very earnest feelings, it just really works for me a lot. - I’m about 2/3rds of the way through Rebels season 2 and I love that I continue to find stuff really works for me even more than it did the first time around, knowing where all of this is going to end up.  The journey to find Lira-San, the knowledge I have now of what happened to the Lasat people, that I suspect it was their use of the Force woven into their culture that got them on the Empire’s radar, in addition to that they’re incredible fighters (hence why the Wookiees were targetted as well, I think?), so it makes the whole “so HOW does all of this navigation stuff work???” go smoother, now that I can just shrug and go, “Eh, Force Woo is gonna Force Woo.” Also, the Kalluzeb stuck on the Geonoisian moon episode is JUST as much of a joy as ever.  That ending with Kallus going back to his ship, limping back to his quarters with no one saying much of anything to him even after all that, contrasted against Zeb’s friends greeting him so warmly, it was such good foreshadowing, now that I know for sure that it’s going somewhere, instead of just highlighting the difference between them. (And, man, does David Oyelowo do an incredible job with his voice acting.) - I read Star Wars: Empire Ascendant #1 and I have to admit, I was pretty underwhelmed.  The Aphra epilogue and the Kes/Shara story were the highlights, otherwise I’m having trouble even remembering what happened.  Oh, right, the story about the death troopers and then the Valance story, neither of which managed to engage me much.  In theory, this could be an interesting collection of stories, whether they’re serving as an epilogue to other series or launching points for new series, there are grains of interesting ideas--the death troopers story was about the mindset of the Empire, that victory at all costs was the most important thing, or the Valance story could have been an interesting look at an interesting character (except I just cannot bring myself to care about him), but the only times I felt engaged were in the character-driven moments of ones that I already cared about. Trying to sort out my thoughts, I think it’s something that I’ve been bumping into for awhile, something that crystalized for me after watching a Jimquisition video about the word “consumer” (which is an interesting video by itself!), at about the 13 and a half minute mark, there’s a tangent about how companies’ focus on the audience being consumers pushes out any stories that can have an important message that should be discussed, because instead of giving time for any story, it’s about getting consumers hyped for buying new products and then get excited for the next product. Which obviously hit a familiar note, as a Star Wars fan, because there’s a constant stream of new content, you barely have time to digest one thing before GET HYPE FOR THE NEXT STAR WARS THING, like, GET HYPE FOR THE MANDALORIAN, but you’ll only have limited time to really turn it over and discuss it because GET HYPE FOR THE RISE OF SKYWALKER, but you’ll only have a month or two to really turn it over and discuss it because GET HYPE FOR THE CLONE WARS coming back, but you’ll only have a month or two to turn it over and discuss it because GET HYPE FOR THE NEXT STAR WARS THING.  In the meantime, there’s also about 50 other smaller things coming at you, so no one thing ever really has time to percolate with the fans before the hype train is coming for what’s next. Most of the time, I don’t mind this too much, because I take my time with what I want, I circle back to what I want, I feel satisfied by my explorations of them as far as I want, as well as Star Wars is not exactly where I go for Deep Thought. But sometimes I run into a comic that just fails to engage me because it felt like a hype train for upcoming comics, rather than actually having a lot of story in and of itself. I can live with the hype train, Disney, but you gotta give me a story or a fun experience that isn’t just hype for hype’s sake.  And I feel like this comic was only halfway successful at that.  (Or maybe it’s just me?  I’ve been feeling a little, “What’s the point of all this?” about a lot of the SW stuff over the last year, and I’m hoping it’s more because LF couldn’t really do much until TROS was nailed down, and maybe now we’ll start seeing stories with more weight?) Anyway, navel gazing thoughts, there you go. - Annnnnd with having seen TROS I HAVE MET MY 2019 GOAL!  I’m not sure if I’ll do another one for 2020, a lot depends on how some RL stuff shakes out, but I’m glad that I got this one accomplished! - I HAVE SEEN TROS I DON’T EVEN KNOW WHERE TO START. Scattered Star Wars Thoughts/2019 Resolutions Update: - The Rise of Skywalker: The Galaxy Needs You - Star Wars: The Clone Wars s2e18-19 - Star Wars Rebels s02e16-18 - Rebels Recon 1.01-1.08 - The Rise of Kylo Ren #1 - Star Wars: Empire Ascendant #1 - Episode III: The Chosen One Featurette - Star Wars: The Rise of Skywalker Current total:  520/520
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