#anyway i'm so stunned by this imagery. cool cool cool

[milgram-tournament]

MILGRAM Best Song Tournament, Round 1, Match 3 THROW DOWN vs. THIS IS HOW TO BE IN LOVE WITH YOU

Propaganda for both options under the cut!

Propaganda for THROW DOWN:

silly point is that throw down was my top song for this past year and i havent even been into milgram that long so. good song. also i sang it on stage once so. anyway

Flower imagery!!!! god i love flower imagery

the vocals are good

it has a banger es cover too

"ethics are a delusion" is singlehandedly the funniest line to come out of the t1 songs

the mv is SO pretty like. holy shit

the first note constantly jumpscares me

also i like the clock sounds in the background of the verses

the instrumental,,,,

throwdown is just a really nice. calmish song that still has the whole desperation thing conveyed through his voice props to va for that cuz its relatively subtle but really adds to it imo

im reiterating that ethics is a delusion is the funniest thing to me

also i really like the bridge (the whisper part)

irrelevant to the song itself but i like his fit in throw down i'd wear that irl

gardening/pruning as imagery is so fun for a surgeon character

also vocally i just really like throw down its calm sounding yet theres a hint of like. desperation? despair? in his voice and thats really cool to me

---

Jackalope's note: Only one propaganda piece... hmmhehe. Well, I'm glad our resident pretty girl got tons of asks! But I feel a little bad about Shidou, so let's let him argue his case at least! Oi! Shidou! Get over here! Oi! Sheesh, it's like he can't even hear me! This is why I need to send the reminders early...

(mod's propaganda: While I love both songs very much, Throw Down has a special place for me in that I can actually sing it. You sing way too fast, Mappi!! I also just think using flower imagery both made the MV one of the prettiest ones we have yet and helped distance both the viewer and shidou himself to the reality of his sin... I also really like the ethics is a delusion bit lol)

Propaganda for TIHTBILWY:

okay so like the thing im most in love with: the VOCALS!!!! this song has an absolutely AMAZING singer and AMAZING vocals!!!! the way the conversational talk-singing lines still feel so musical!!!! the cute cute cuteeeee mahiru voice!!!! it brings you so much energy!!!! its a song sung with so much love!!!! mahirus va brings such an amazing feel to the song with such amazing talk-singing!!!! its very skillfully done and it happens in i love you too!! mahiru songs r the QUEENS of musical talk singing

the silly phone call bit. kurururu~!

the little vocal flourish and the way her voice raises up like an excited exclamation in the final prechorus!! daijoubu nante kirai DA!

its such a fast song but everything flows so well!!!! it makes it feel so bright and cheery and peppy!!

the instrumental is so underrated just LISTEN to that catchy bass line thats so pretty in the verses!!!! no for real even if u dont vote this is how to be in love with you go listen to the bass line in the verses it works to move both the song and the listener forward at mahirus sweeping breakneck pace. and the cute keyboard sounding and synth instruments!!!! its SUCH a danceable song!!!! i cant listen to it without bopping along in my seat

the way the ominous bits are subtly hidden? it all sounds so cute but there are just these Things that she sings that are really kind of concerning and unhealthy when she sings them!! and the veiled desperation to be in her relationship- listening to that and the cheery tone and breakneck, quick song pace, it really does represent mahiru SO well. she throws in all these little bits that just go noooo teehee the relationships just fine!! when it REALLY isnt

i would listen to mahiru talk for hours

the MV!!!!!! HER FASHION SENSE THE MAGAZINE STYLE!!!! the magazine style especially works so well with her character!!!! its so cute and stunning and just looking at it you have a blast. also her birdcage!!!! her birdcage and the bright orange and the pink bars!!!! the way everything desaturates and becomes more sickly looking when she wakes up at the end!!!! its such a happy carefully curated and designed dream and then it drains away!!!! also god all her outfits are stunning. mahiru call me

the way she sings "overheat de~!" cutest thing in the WORLD.

the little faces she makes!!!! godddd shes so expressive

actually the whole songs so expressive!!!! shes putting her all into it!!!! her words have so much expression in them!!!! once more praising mahirus va the way her voice can soften and become bright or subtly desperate so quickly is MASTERFUL control of expression when singing and its so underrated. join me in being insane over miho okasaki delivers her lines. shes such a perfect mahiru.

funniest es cover. hands down. funniest es cover.

this is how to be in love with you is FREE serotonin!!!! free energy right there!!!! this is how to be in love with you sweep!!!!!

---

-The song is so cheerful!! I always feel like dancing and singing when this one comes up in my playlists!! Absolute banger, mood definer, kicking sadness in the shin with those high-heels and then hitting its face with a cute purse -THE HIGH-HEELS STEPPING TO THE BEAT OF THE MUSIC IN THAT ONE SCENE (0:50). SIMPLY ICONIC. NO ONE DID IT LIKE HER. -👠💅👝👗 -She is slaying. Look at her outfits. She put so much effort there. She gave it her all. Absolutely serving. -SUKITTE KIMOCHI WAKATTA TSUMORI? NARA KONO MAMA FUTARI O-VA-HI-TO- DE -The storyline of the mv MAKES SENSE and you can form a COHESIVE TIMELINE OF EVENTS (unlike other unspecified contestants' mvs you know 🙄) -look at herr 🥺 she beby 🥺 all she did was love too much 🥺 we all love mappi don't we 🥺 she deserved more let her win this pleease 🥺 -No medical malpractice happened in the making of this mv 👍

---

I care so much about This is How To Be In Love With You- it's visuals are brilliant in the ways it conveys its themes and narrative. I'm never normal Ever about the "Love as marketing" symbolism that is brought in by the use of magazines. It's a lovely upbeat song but the Horrors are Always Lurking under it, the breakup Ritual line is my Favorite Line cause its so horrifying but its said so casually and its so good oh its so good-

#milgram #milgramtournament #shidou kirisaki #mahiru shiina #(sorry for posting an hour late! I was waiting for some more propaganda asks haha)

[yeyinde]

ah thank you for your kind response,, I’m not really sure if it actually counts as a poem since none of it rhymes but here it is anyway:

death is soft but he is not gentle—

death feels like water.

cool and smooth and calm,

pouring into your lungs and pulling you down into velvety mud

death will hold you there,

rocking your with the tide,

lilting a gurgling lullaby.

he’ll cradle you so delicately,

pressing into your pearly eyes

soothing that damned headache that wouldn’t go away.

it’s okay, little one; just go to sleep—

you must be exhausted. I’ve got you.

death is in the twinkling bubbles,

the breath you carve from the water—

death will kiss you with tongue

and you will taste salt in your throat,

his murky fingers tangled in your hair

as your lips turn his favorite shade of melancholy blue.

This is hauntingly gorgeous! I love the imagery, and the idea that death is this calm, almost soothing being. I adore the way it all beats together, too.

I know the subject matter could be considered macabre to some, but I find this to be such a beautiful poem. Everything about it, to me, reads as almost like a gentle - inevitable and wholly unavoidable - embrace.

Ahhh, I'm also super obsessed with the line: "as your lips turn his favourite shade of melancholy blue." Stunning!!!

#i love love love themed imagery and everything about this is so perfect!!!! #amazing anon!!!! 🤩 absolutely stunning

[nellie-elizabeth]

The Legend of Vox Machina: Belly of the Beast (2x11)

Another great episode, sorry to be a broken record!

Cons:

This whole show, I've been so impressed with their ability to get in all the most iconic lines I remember from the stream. Even if the circumstances changed, most of the epic dialogue has made it in. This was the first time I fully expected a line to be in a scene, and it didn't come. During the Scanlan and Kaylie scene, Scanlan said during the stream something along the lines of "of my many faults, ego is one of them. So now, knowing you're a part of me, makes me love you even more." It was a line so good that Matt gave him advantage on his persuasion check. I was sad it didn't make the cut! I feel like thematically it still would have worked. It's funny, but also it still works for the tone of the scene.

The immovable rod being replaced with a sword that Kaylie gives Scanlan is fine, but I wish there had been one line of dialogue somewhere to explain what the sword did, as it ends up being so pivotal later. Maybe I'm underestimating the viewers and it's completely understandable as is, just a small note.

The check-ins between Umbrasyl and Thordak don't seem to add much. It feels like they're only there to remind us again that Umbrasyl wants Vestiges, and Thordak is impatient with him. Not a bad scene, just not anything particularly needed, I feel.

Pros:

The Vax stuff with the Matron of Ravens is STUNNING. Also, did anybody else notice that when we see him with the golden threads of fate in the leadup to her conversation with him, there are six threads? One for the other six members of Vox Machina, perhaps? Everything about the buildup and the imagery and Vax's newfound peace with his fate is making me want to weep.

You start off with seeing him scared, then there's the conversation with Scanlan where Scanlan tells Vax not to let fear hold him back, that he needs to "take the plunge". He's talking about himself and Kaylie as much as he is about Vax's problems, but it resonates so well, and we see Vax take that to heart as he accepts his fate with the Matron later on, diving into the pool of blood.

I love Vex and Keyleth following Vax to the temple... Vex saying "do not go far from me", and Vax gives the tiniest little nod, but pulls away and goes in alone... the SYMBOLISM. The HEARTBREAK. It's such a nice contrast, seeing Vex and Keyleth standing outside, completely isolated from the trial Vax must face, wanting to be there to support him but not knowing how. They discuss Keyleth's feelings for Vax, and Vex tells her: "don't let him get away." Which like. OUCH. But anyway. I love it when Vex and Keyleth get their moments.

I could wax poetic about the visuals of the Matron's temple and the actual meeting between her and Vax for a long time, but suffice to say, it was stunning, it's clear a lot of time and thought and energy went in to making it look as beautiful and intimidating as it possibly could. The Matron tells Vax: "My beautiful champion. There is much to fear, but not death, for it gives meaning to life." Basically, his task is to honor and protect the transitional moment between life and death, shepherd souls to their rest. I know a lot of religions and myths have similar figures, gods who are there to guide souls to the land of the dead. I always find it such a beautiful, simple, calming idea. Having someone like Vax take you by the hand as you reach the end of your life and take you where you need to go? Lovely. I'm still crying about it, though. Oof, this is all going to hurt.

Meanwhile back at the tavern, Percy is fully nerding out explaining the cool trap he wants to build. The herd seems completely numb to whatever he's on about, until Grog cuts through the technical explanation with a much more simple order to go dig a big pit. Loving Percy getting to be his nerdy self more this season, as obviously last season he had to be fully dark and sinister for most of the time. It's a good balance, because we still see him being a broody bad-ass on occasion, but he also gets to be a goofball. God, I love him.

Kaylie and the rest of Dr. Dranzel's traveling band are heading out, and Kaylie really doesn't have a lot of patience for Scanlan's frantic attempts to make amends, build a bridge towards something good between them. She basically tells him that after all that he's failed to do, he would have to do a hell of a lot of good to make up for it. Poor Scanlan is deeply shaken by the revelation of his long lost daughter, but he doesn't quite take the right lesson from his experience with her, either. He tells her that she might be the missing piece in his life, instead of framing it around her experience instead. And during the showdown with Umbrasyl, he nearly gets himself killed in his efforts to prove himself worthy. He and Vax have a moment where they both talk about the new weight they carry. "I just found out I'm the Champion of the Matron of Ravens." / "I just found out I'm a father." / "You win."

And that opening fight with Umbrasyl... so cool! I love that the trap works, because Vex does a trick shot that sets it off even though Umbrasyl saw the pressure plate. I love that they get him pinned, but he's able to break away. I wasn't sure if they'd go with Umbrasyl's ability to turn invisible, as I wasn't sure how that would work visually, but how it worked visually is that it looked SO COOL. Every time he spews acid, his gaping mouth appearing and the acid raining down when you don't know exactly where it's going to come from... everyone running around trying to do their best, but nobody can get a solid hit on him... 

And then Scanlan has his idea. This is different from how it happens in the stream, but it is so Scanlan to suggest getting inside the dragon via his asshole. Just... delightfully unhinged and unsettling imagery, everyone. I loved Pike's reaction of exasperated disgust. Scanlan takes the sword he got from Kaylie, and activates it so it's immovable. This means the dragon can't take off without poking up against the blade of the sword. Effectively pinned once again, Vox Machina does a ton of damage. But Umbrasyl manages to rip himself free, taking Scanlan and Vax with him: and Grog too, who embeds an axe in his hide and hangs on via rope as the giant dragon takes off into the air. Vex ends the episode with what we're all thinking: "oh no..."

So... yeah! I feel like I'm always a little unequal to talking about the action sequences in this show, because I'm mostly just bowled over by the creativity and variety and skill. So many moving parts, so many fights in this show, and yet each one feels distinctive and has its own bad-ass moments to shine. Our party is split once again, with Grog, Vax, and Scanlan all with Umbrasyl, while Pike, Percy, Vex, and Keyleth are on the ground, watching their friends being carried away.

One more episode to go, and then I have to wait forever for more of this amazingness!

9/10

#review #tlovm #tlovm review #critical role #the legend of vox machina

[argiopi]

I fed some lore tablets / quotes / etc to an AI.

#long post #hollow knight #neural networks are fun.. bot i used was wombo #I like it better than any other I've used but unfortunately you need a smartphone #luckily for me though I acquired my first handmedown one a couple months ago :3c #tw unreality #ai art #THE MOSS PROPHET QUOTE LOOKS SO BIBLICAL. LMAO. #hello how is everyone doing!! #in the past 10 days I have suffered 3 inconveniencing-but-not-serious injuries and had 2 police encounters #life is life everything hurts and i crave peace & tranquility #don't bike in the dark if you want your face to stay on your face #on the bright side; at the cost of 1 bodily harm; mosh pits are enlighteningly fun #shoutout to the tall guy who pushed me into the pit and yelled FUCK EM UP LITTLE BUDDY #it's an outlet for human instincts! #sometimes you need to express the inner animal; yeah? that's normal; right? it's like stimming.. #normally i run & climb in the woods for that but it's too cold right now. moshing is good winter fun. #anyway i'm so stunned by this imagery. cool cool cool

[pumpkinpaix]

Hello! Feel free not to answer this question if it is in any way too much, but I've been wondering about something concerning the "western" mdzs fandom. Lately, i have seen multiple pieces of fanart that use what is clearly Christian symbolism and sometimes downright iconography in depicting the characters. I'm a european fan, but it still makes me vaguely uneasy. I know that these things are rarely easy to judge. I'm definitely not qualified to do so and was wondering if you have an opinion

Hi there! thank you for your patience and for the interesting question! I’ve been thinking about this since i received this ask because it?? idk, it’s difficult to answer, but it also touches on a a few things that I find really interesting.

the short answer: it’s complicated, and I also don’t know what I feel!

the longer answer:

i think that this question is particularly difficult to answer because of how deeply christianity is tied to the western art and literary canon. so much of what is considered great european art is christian art! If you just take a quick glance at wiki’s page on european art, you can see how inextricable christianity is, and how integral christian iconography has been in the history of european art. If you study western art history, you must study christian imagery and christian canon because it’s just impossible to engage with a lot of the work in a meaningful way without it. that’s just the reality of it.

Christianity, of course, also has a strong presence in european colonial and imperialist history and has been used as a tool of oppression against many peoples and nations, including China. I would be lying if I said I had a good relationship with Christianity--I have always faced it with a deep suspicion because I think it did some very, very real damage, not just to chinese people, but to many cultures and peoples around the world, and that’s not a trauma that can be easily brushed aside or reconciled with.

here is what is also true: my maternal grandmother was devoutly christian. my aunt is devoutly christian. my uncle’s family is devoutly christian. my favorite cousin is devoutly christian. when I attended my cousin’s wedding, he had both a traditional chinese ceremony (tea-serving, bride-fetching, ABSURDLY long reception), and also a christian ceremony in a church. christianity is a really important part of his life, just as it’s important to my uncle’s family, and as it was important to my grandmother. I don’t think it’s my right or place to label them as simply victims of a colonialist past--they’re real people with real agency and choice and beliefs. I think it would be disrespectful to act otherwise.

that doesn’t negate the harm that christianity has done--but it does complicate things. is it inherently a bad thing that they’re christian, due to the political history of the religion and their heritage? that’s... not a question I’m really interested in debating. the fact remains that they are christian, that they are chinese, and that they chose their religion.

so! now here we are with mdzs, a chinese piece of media that is clearly Not christian, but is quickly gaining popularity in euroamerican spaces. people are making fanart! people are making A LOT of fanart! and art is, by nature, intertextual. a lot of the most interesting art (imo) makes deliberate use of that! for example (cyan art nerdery time let’s go), Nikolai Ge’s What is Truth?

I love this painting! it’s notable for its unusual depiction of christ: shabby, unkempt, slouched, in shadow. if you look for other paintings of this scene, christ is usually dignified, elegant, beautiful, melancholy -- there’s something very humanizing and humbling about this depiction, specifically because of the way it contrasts the standard. it’s powerful because we as the audience are expected to be familiar with the iconography of this scene, the story behind it, and its place in the christian canon.

you can make similar comments about Gentileschi’s Judith vs Caravaggio’s, or Manet’s Olympia vs Ingres’ Grande Odalisque -- all of these paintings exist in relation to one another and also to the larger canon (i’m simplifying: you can’t just compare one to another directly in isolation etc etc.) Gauguin’s Jacob Wrestling the Angel is also especially interesting because of how its portrayal of its content contrasts to its predecessors!

or! because i’m really In It now, one of my favorite paintings in the world, Joan of Arc by Bastien-Lepage:

I just!!! gosh, idk, what’s most interesting to me in this painting is the way it seems to hover between movements: the hyperrealistic, neoclassical-esque take on the figure, but the impressionistic brushstrokes of the background AAA gosh i love it so much. it’s really beautiful if you ever get a chance to see it in person at the Met. i’m putting this here both because i personally just really like it and also as an example of how intertextuality isn’t just about content, but also about visual elements.

anyways, sorry most of this is 19thc, that was what i studied the most lol.

(a final note: if you want to read about a really interesting painting that sits in the midst of just a Lot of different works, check out the wiki page on Géricault’s Raft of the Medusa, specifically under “Interpretation and Legacy”)

this is all a really long-winded way of getting to this point: if you want to make allusory fanart of mdzs with regards to western art canon, you kind of have to go out of your way to avoid christian imagery/iconography, especially when that’s the lens through which a lot of really intensely emotional art was created. many of my favorite paintings are christian: Vrubel’s Demon, Seated, Perov’s Christ in the Garden of Gethsemane, Ge’s Conscience, Judas, Bastien-Lepage’s Joan of Arc, as shown above. that’s not to say there ISN’T plenty of non-christian art -- but christian art is very prominent and impossible to ignore.

so here are a few pieces of fanwork that I’ve seen that are very clearly making allusions to christian imagery:

1. this beautiful pietà nielan by tinynarwhals on twitter

2. a lovely jiang yanli as our lady of tears by @satuwilhelmiina

3. my second gif in this set here, which I will also show below:

i’m only going to talk about mine in depth because well, i know exactly what i was thinking when I put this gif together while I can’t speak for anyone else.

first: the two lines of the song that I wanted to use for lan xichen were “baby, I’m a fighter//in the robes of a saint” because i felt that they fit him very well. of course, just the word “saint” evokes catholicism, even if it’s become so entwined in the english language that it’s taken on a secular meaning as well.

second: when I saw this scene, my immediate thought was just “PIETÀ!!” because LOOK at that composition! lan xichen’s lap! nie mingjue lying perpendicular to it! the light blue/white/silver of lan xichen in contrast to the darker robes of both nie mingjue and meng yao! not just that, but the very cool triangular structure of the image is intensely striking, and Yes, i Do love that it simultaneously ALSO evokes deposition of christ vibes. (baxia as the cross.... god..... is that not the Tightest Shit) does this make meng yao joseph of arimathea? does it make him john the evangelist? both options are equally interesting, I think when viewed in relation to his roles in the story: as a spy in qishan and as nmj’s deputy. maybe he’s both.

anyways, did I do this intentionally? yes, though a lot of it is happy accident/discovered after the fact since I’m relying on CQL to have provided the image. i wanted to draw attention to all of that by superimposing that line over that image! (to be clear: I didn’t expect it to all come through because like. that’s ridiculous. the layers you’d have to go through to get from “pretty lxc gifset” --> “if we cast nie mingjue as a christ figure, what is the interesting commentary we could do on meng yao by casting him as either joseph of arimathea or john the evangelist” are like. ok ur gonna need to work a little harder than slapping a song lyric over an image to achieve an effect like that.)

the point of this is: yes, it’s intentionally christian, yes I did this, yes I am casting these very much non-christian characters into christian roles for this specific visual work -- is this okay?

I obviously thought it was because I made it. but would I feel the same about a work that was written doing something similar? probably not. I think that would make me quite uncomfortable in most situations. but there’s something about visual art that makes it slightly different that I have trouble articulating -- something about how the visual often seeks to illustrate parallels or ideas, whereas writing characters as a different religion can fundamentally change who those characters are, the world they inhabit, etc. in a more... invasive?? way. that’s still not quite right, but I genuinely am not sure how to explain what i mean! I hope the general idea comes across. ><

something else to think about is like, what are pieces I find acceptable and why?

what makes the pieces above that reference christian imagery different than this stunning nieyao piece by @cyandemise after klimt’s kiss? (warnings for like, dead bodies and vague body horror) like i ADORE this piece (PLEASE click for fullview it’s worth it for the quality). it’s incredibly beautiful and evocative and very obviously references a piece of european art. I have no problem with it. why? because it isn’t explicitly christian? it’s still deeply entrenched in western canon. klimt certainly made other pieces that were explicit christian references.

another piece I’d like to invite you all to consider is this incredible naruto fanart of sakura and ino beheading sasuke after caravaggio’s judith. (warnings for beheading, blood, etc. you know.) i also adore this piece! i think it’s very good both technically and conceptually. the reference that it makes has a real power when viewed in relation to the roles of the characters in their original story -- seeing the women that sasuke fucked over and treated so disrespectfully collaborating in his demise Says Something. this is also!! an explicitly christian reference made with non-christian japanese characters. is this okay? does it evoke the same discomfort as seeing mdzs characters being drawn with christian iconography? why or why not?

the point is, I don’t think there’s a neat answer, but I do think there are a lot of interesting issues surrounding cultural erasure/hegemony that are raised by this question. i don’t think there are easy resolutions to any of them either, but I think that it’s a good opportunity to reexamine our own discomfort and try and see where it comes from. all emotions are valid but not all are justified etc. so I try to ask, is it fair? do i apply my criticisms and standards equally? why or why not? does it do real harm, or do i just not like it? what makes one work okay and another not?

i’ve felt that there’s a real danger with the kind of like, deep moral scrutiny of recent years in quashing interesting work in the name of fear. this morality tends to be expressed in black and white, good and bad dichotomies that i really do think stymies meaningful conversation and progress. you’ll often see angry takes that boil down to things like, “POC good, queer people good, white people bad, christianity bad” etc. without a serious critical examination of the actual issues at hand. I feel that these are extraordinarily harmful simplifications that can lead to an increased insularity that isn’t necessarily good for anyone. there’s a fine line between asking people to stay in their lane and cultural gatekeeping sometimes, and I think that it’s something we should be mindful of when we’re engaging in conversations about cultural erasure, appropriation etc.

PERHAPS IT IS OBVIOUS that I have no idea where that line falls LMAO since after all that rambling I have given you basically nothing. but! I hope that you found it interesting at least, and that it gives you a bit more material to think on while you figure out where you stand ahaha.

was this just an excuse to show off cool (fan)art i like? maybe ¯\_(ツ)_/¯

(ko-fi)

#Anonymous #asks and replies #art #fanart #art history #christianity #mdzs #mdzs meta #meta #mine #mymeta #cyan gets too deep in the weeds #lmfao this post is a mess ive been staring at it for like a week and at this point im just gonna post it to the wall and keep moving asldfj #hope you enjoyed

[grimoire-of-geekery]

Detect Magic: the Sixth World Tarot by Echo Chernik

(pictured here- the deluxe edition [left] and the Arcanist edition of the Sixth World Tarot by Echo Chernik)

Y'know, it's been a long time since I did one of these, but here goes. It's time for another Detect Magic review. I haven't put the Dork Magician hat on for a while, so let's give this a whirl!

Today we're taking a look at the Sixth World Tarot, by Echo and Lazarus Chernik. She has this available on her website (click the above link), which come signed by the artist and the author. I'm a bit bummed, I bought a copy of this deck juuuuust before she started signing them. Not her fault, but still. XD

For those of you unfamiliar with Shadowrun, it's a cyberpunk dystopian magic-and-mech RPG setting and fantasy novel universe which originated in the late 80's. The premise is that magic is growing stronger, the world experienced a big Awakening in the early 2000's, right around the same time that corporations managed to gain extraterritoriality. So, you have dragons running huge megacorps, which basically enslave people to be lifelong wageslaves from birth (or as soon as they can get their hands on a desired talent), immersive VR Matrix hackers, cyberware enhanced fighters and magic practitioners acting as "deniable assets" to said corps for all sorts of shady business.

Hence the name "Shadowrun."

This setting, one of my absolute favorite settings out there, has had the misfortune of developing a sort of eerie prophetic element akin to the Simpsons and its bizarre track record of prediction of ludicrous world events. Shadowrun was intended to be a cautionary tale, not an oracular one. That being said, that does make a tarot based on Shadowrun more than a little on-the-nose for predictive purposes. After all, they're telling the future without even trying. Wait until they actually put some effort into it...

All right, time to Detect Magic!

Accessory- Crit (4 out of 4) Stunning artwork, evocative imagery... this deck is gorgeous. It's so beautiful, and so intricate and well made, that people who don't even read tarot (or even particularly like tarot) buy several copies for their geeky collections, and even people who don't particularly care about Shadowrun have dropped their jaw when I showed the deck to them.

A bit busier than I'm used to working with (not the art, but the extras which I'll explain later), I was pleasantly surprised at how much I loved the cards when I first got them. The box for both editions I own are a nice durable gloss with a magnetic foldover closure, there's a ribbon inside each to help pull the cards and book out of the box, and the decorative artwork is gorgeous and fitting with the setting. Definitely aesthetically pleasing enough to take places, and durable enough to resist scuffing or tearing for on-the-go divination and gaming use.

Tome- Crit (4 out of 4) So, the Tome section of this review is supposed to be about how well the cards help one in the pursuit of learning magic and practicing geekomancy. And... really, I don't think I've found a deck (or any artifact of fandom) quite as good as this.

Let me explain.

Tarot, in the sorcery practice I teach, are already basically a pictorial grimoire, describing life in a way that allows us to learn the hidden movements, mysteries, and forces at play in our world. Art is good for things like that in general. It helps you see the world through a special lens, one which allows you to see things you might have missed.

The thing is, the lens of this deck is the Shadowrun continuity, which as I said earlier, has proven to be more than a little prophetic, and alarmingly so.

The magic system of Shadowrun is pretty adjacent to our own. Life force lines, spiritual power sites, astral projection and spirits and magical "energy" forms, initiatory mysteries... it's all pretty much the same as our own reality, just juiced up a bit, with some extra game elements added (don't even ask me about insect spirits).

This makes the deck particularly helpful if one wishes to learn magic in any of the myriad ways described in Shadowrun (and they're particularly respectful and diverse and true-to-life in their tradition descriptions).

BUT, it also has an entire lore-book called the Book of the Lost associated with it, which explains all these little secret sigils and images and easter eggs stored throughout the deck, which can be used for gamebuilding and storytelling, but are designed to be arcane indicators and omens, among other things. And the kinds of symbols they use range from sentences or mottos in dead languages, all the way to waveform patterns and dot-matrix maps. I swear, if you're one of those people who like puzzles and cryptography, this deck is even more fun than the Hermetic Tarot.

In summary, while you'll have to get some Shadowrun sourcebooks to really get deep into the canon lore, there's so much of it that the cards really show you on their own that I don't consider this a setback at all. Feel free to deep-dive with this deck, you'll learn a TON about magic if you let it guide you.

Relic- Success (3 out of 4) If you read the Book of the Lost, or Unearthed Arcana, or any of the 5th edition Shadowrun magic sourcebooks, you'll see that "tarot magic" is an up and coming thing in their canon. Each text helps you see how practitioners use the cards in-game for spellcasting, ritual magic, initiation practices and spirit summoning. The Tarot are already really valuable as central objects of importance to certain kinds of magical practice. This particular deck is designed to be so handy a central object that there's an entire book dedicated to it.

Weapon- Success (3 out of 4) The only reason I'm rating this a success instead of a crit is because they don't provide enough spreads in the various associated books for one to immediately begin casting spells with them, which means you'll have to do some designing. They do have a couple solid unique spreads for basic divination though.

The deck's canon in-game suggests ritual practices like gathering and doing a ritual with sets of related cards, and one such ritual was easily adapted in my own practice, into the Lucky Kimono spread I designed (which people can read about on my Patreon at the higher tiers). So, even without outright including spell-spreads, they sort of gave us clues anyway.

Again, you're going to need the sourcebooks, but it's only a few of them, and they're well worth a read even if you're not planning on playing the game (and I don't play in the actual Shadowrun mechanical system, though I do like the sourcebooks for campaign setting ideas).

Overall Rating: Critical Success (14 out of 16)

Achievement Unlocked: Novahot Echo's artwork is already legendary in the dork realms of geekomancy. She's done work for Dungeons and Dragons, Mage: the Ascension, House of Night... she's even working on a Fate: the Winx Saga playing card deck right now. Her art-nouveau delicacy combined with the powerful non-pandering way she draws women means that her paintings pack a punch!

That being said, it's rare that we see professional artists create a tarot deck of this magnitude as a gaming accessory. Most tarot decks of this caliber are found in professional occult catalogues or as independent projects by artists just wanting to flex their skills for their own reasons. To have a deck like this, clearly a labor of love by all involved, as a major element of gameplay within a franchise is really very special. And something this diverse, deep, and absolutely saturated with layers of ciphers and riddles... it's a geekomancer's dream come true.

Level Up: 2 Levels I think the only way anyone's going to be able to top this deck is if they manage to design a tarot deck that's also a fully immersive VR video game AND an AR game and divination tool useable with one's iPhone or Android. Legit, Echo and Lazarus left everyone in the dust. I haven't been this excited about Shadowrun since Shadowrun Returns first came out, and I got a set of dogtags that had a USB drive with the game on it.

It's just... crazy cool.

Full disclosure, I've had the deluxe edition of these cards for a while now, so I've basically been low-key squeeing about this deck since I first heard about it in 2018, even before I got it. I've been utterly astonished that people weren't more excited about them, and I wasn't hearing about them everywhere.

Before this, I created my own Shadowrun tarot method using the Universal Transparent Tarot (cuz, y'know, plastic and see-through and weird little mosaic readings all in one place, seemed fitting to me), and when I got the Sixth World Tarot? I don't think I've opened the UTT since!

Anyway, this is my review of this deck! Go follow the link up at the top of this post, and buy yourself one! And hey, let me know if you figure out the cool little map trick. My jaw literally dropped when I was shown that!

#detectmagicreview #shadowrun #sixth world tarot