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#anyway i'm trying to get started on colouring this scene again
justabigassnerd · 6 months
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Accidents Happen
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Pairing - Jake 'Hangman' Seresin x daughter!reader, Jake 'Hangman' Seresin x Bradley 'Rooster' Bradshaw
Word count - 3,229
Warnings - car accident, mentions of concussion, injured ribs, hospitals, doctors, incorrect medical discussions, angst, fluff
Summary - after a minor car accident, you try to keep it from your dad, just for him to find out the moment you get to the hospital
A/N - hey y'all it's time for a new part of Hangman Junior! I hope y'all enjoy and once again I'm sorry for how long it's taking me to get out fics, the old motivation is really coming and going. anyways I won't ramble, as per y'all please send in requests, feedback and enjoy!!!
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After getting your driving licence, your dad and Bradley surprised you with a car of your own. It wasn’t anything magnificent, but it was yours and you were in love with it. Having your own car gave you some more freedom, and you loved getting to go on drives to clear your head sometimes.
One weekend, while your dad and Bradley were meeting with the Daggers to watch a football game at Javy’s house, you decided to go for a drive. It was a bright sunny day in Miramar, and you had your windows down as you listened to your music at a low volume as you took in the views of the place you were lucky enough to call home. As you pulled up to a red light, you drummed your fingers on the steering wheel to the beat of the song you were listening to as you hummed along too, eyes fixed on the bright red light ahead of you.
As you reached out to adjust your volume dial, a violent crash sent your car skidding forward a couple of meters as your head smacked the steering wheel and your seatbelt tightened around your ribs in an attempt to protect you. When you sat up, heart pounding in your chest, you looked in your rearview mirror, expecting to catch a glimpse of the person who rammed the back of your car but instead, you saw a blur of colour fly by your window indicating whoever had hit you was now fleeing the scene. As you watched the car drive away, you suddenly became conscious of the fact you were still in the middle of the road so you found a nearby car park and pulled into the first spot you could find to recover. As you sat in the car park, your adrenaline began to wear off and the pain started to kick in as the events of what had just happened sunk in. Your head felt like it was splitting in two, your side ached with every breath you took, and you felt nauseous. Panic began to grab at you as everything sank in. You were panicking because you got into an accident. You were panicking because you couldn’t call your dad because you knew how much he’d worry, and you didn’t want him getting upset or mad that you crashed your car. You fumbled for your phone, finding the contact of the one person who you knew wasn’t with your dad and Bradley which meant he could help you and not tell your dad. Pressing on the contact, you lift your phone to your ear and listen to each ring with bated breath.
“Hey, y/n/n.” You could practically hear Maverick’s smile as he picks up the phone and hearing him so happy made tears well in your eyes about how fast you were about to disappoint him.
“Mav, I need help.” Your teary voice wiped any smile that was on his face as he sat up from where he was lounging on the sofa, a seriousness coming over him as Penny watched the switch, concerned for what was going on.
“What’s wrong, kid?” Maverick asked worriedly, hearing you try and contain your tears.
“Promise you won’t tell my dad or Bradley?” What you said made Maverick all the more worried. He knew you were responsible enough to not get into serious trouble, but he also knew you panicked when something happened.
“I promise. Now tell me what’s wrong so I can help you.” Maverick says hurriedly, growing more worried for you by the second. After taking a shuddering breath, you tell Maverick everything that had happened. After hearing everything, Maverick was on his feet in seconds with Penny following after him.
“Okay, I’m going to come and get you and we’ll go to the hospital to get you checked over.” Maverick says calmly, gesturing for Penny to follow him which she does so, grabbing her car keys as she goes.
“I’m going to stay on the phone with you. Just tell me where you are, and we’ll be right there.” Maverick then says as he climbs into the passenger seat and Penny gets behind the wheel.
True to his word. Maverick stayed on the phone with you the whole time and when you saw Penny’s car pull up you could’ve cried even more. You climb out of the car haphazardly, nearly falling flat on your face as your vision swims and another wave of nausea strikes you.
“Whoa, easy there y/n.” Maverick says, steadying you easily, an arm wrapped around you as he glances over at Penny who’s inspecting the damage on the back of your car.
“Did this happen here?” Penny asks, crouching as she her hand ghosts over the damage done to the back of your car, missing you shake your head, but Maverick doesn’t.
“It happened in the road, and I figured moving was the best option, so I wasn’t blocking traffic.” You mumble, looking down at the floor as Maverick’s head turns to look at you so fast you were sure he cricked his neck in the process.
“You drove? y/n/n that’s not safe sweetheart.” Maverick scolds gently, feeling guilty for telling you off but not wanting you to do something like this again.
“I just didn’t want to be in the way.” You say quietly, as Maverick lets out a soft sigh, shoulder sagging as he exhales.
“If there’s ever a next time, which I hope there isn’t, you should stay put. You don’t know if you’re injured and moving around can disturb them or if you’ve injured your head, you could potentially pass out.” Maverick explains, never once sounding harsh or condescending.
“I’m going to call a tow truck and then we’ll get you to the hospital, okay?” Penny says, crossing to you and gaining your attention, making you nod, immediately regretting the action when yet another wave of nausea strikes you.
“Are you feeling okay?” Maverick asks worriedly, not missing the way your jaw clenched after you nodded your head.
“Just feel a bit nauseous and my ribs hurt a little but I’m fine I promise.” You insist, trying to downplay everything to prevent Maverick from getting any more worried than he already was. But Maverick was already worrying about you, especially with you admitting you’ve sustained some injuries. He knew you were downplaying everything and was willing the tow truck to get here as quickly as possible so he could take you to the hospital. Like some sort of miracle descended on him, the tow truck arrived in good time and the second your car was hauled off, you got into Penny’s car, and she began the drive to the hospital.
When you arrived at the hospital, Maverick kept an arm around you just in case despite your insistence that you were fine. You approached the receptionist who looked up at the three of you, waiting for you to speak.
“Hi, she got into a car accident, and she needs to be checked out.” Maverick says, pointing at you as the receptionist types on her computer.
“Name and description of injuries please.” She says simply, looking to you for an answer.
“y/n Seresin. I hit my head on the steering wheel and my ribs hurt too.” You say, glancing down at the floor to avoid anyone’s gaze.
“And are you two her parents?” The receptionist was now looking between Maverick and Penny, expecting an answer.
“No we’re not. We’re close friends of her parents though.” Penny explains, watching as the receptionist types away on her computer before looking back at her.
“Why don’t you go and wait in the waiting room, dear. I need to speak to these two.” The receptionist says with a gentle smile aimed at you as you nod shyly, watching as you head to the waiting room before turning back to Maverick and Penny.
“I will have to call her parents since you two are not immediate family. They’re not abroad, are they?” The receptionist states, pulling up your emergency contacts and finding Jake’s number.
“We understand. Her parents aren’t abroad no, you should be able to contact them easily.” Maverick explains, nodding at the receptionist’s words and watching as she picks up the phone, dialling Jake’s number and holding the phone up to her ear.
As Jake sat down after cheering a scored touchdown, he felt his phone vibrate and when he pulled it out of his pocket, he raised an eyebrow at the unknown number and got back onto his feet.
“I’m just going to step outside and take this, I’ll be back.” Jake says, holding his phone up and excusing himself to step out into Javy’s back garden for some privacy.
“Hello?” Jake says, accepting the call and lifting his phone up to his ear.
“Hello. Is this Lieutenant Commander Jake Seresin?” The voice on the other end of the line asks, making Jake a little concerned at the formality but kept his cool.
“Yes, this is. Who’s calling?” He asks, fighting the urge to pace along the patio to ease his nerves. When the person on the other end of the line introduces themself as a receptionist of the local hospital and Jake begins to feel his blood run cold.
“Your daughter, y/n Seresin has been in a car accident and has been brought to the hospital. She’s conscious and doesn’t have any major injuries but she’s currently waiting for a doctor to check her over.” The receptionist explained, and Jake swore he could’ve collapsed there and then, his free hand flew out to brace himself against one of the garden chairs that sat on Javy’s patio, keeping him upright as he processed what he was just told.
“I’ll head over now.” Is all Jake could manage to say, hanging up and making his way back into the house, a hand immediately digging in his pocket for the keys to his truck.
“I’m so sorry guys, I have to go.” Jake says, making his way into the living room to apologise for his early departure. A wave of joking complaints left his coworker's mouths, but Bradley saw the worry on his husband’s face and got up and crossed to him, gently taking Jake’s hand in his.
“What’s wrong, Jake?” Bradley asks quietly, his thumb ghosting along the back of Jake’s knuckles in an attempt to calm Jake.
“y/n’s in the hospital.” Jake manages to say, looking at Bradley as his concern levels rise.
“We’re going to the hospital right now.” Bradley says, glancing over his shoulder to say a quick goodbye to everyone before tugging Jake out of the house and taking the keys from his hand.
“I’ll drive.” Bradley says softly, knowing that no matter how much he may be panicking, it’s ten times worse for Jake and therefore puts him in no state to drive. Jake opened his mouth to argue but quickly closed it when Bradley just raised an eyebrow. Jake climbed into the passenger seat while Bradley got behind the wheel and began the drive to the hospital, both of them thinking about what state you were in.
When they got to the hospital, Jake was getting out of the truck as quick as humanly possible with Bradley hot on his heels as they both made their way into the hospital and approached the front desk.
“Hi, I got a call that my daughter y/n Seresin has been brought here after a car accident.” Jake says to the receptionist, noticing Bradley’s widened eyes out of the corner of his eye.
“Car accident?” Bradley asks in a whisper, immediately more concerned about your well-being.
“Oh yes, I believe a doctor just took her to be assessed so you’re free to wait in the waiting room and they’ll come and get you when they’re done.” The receptionist says, pointing in the direction of the waiting room and the two men head in the direction she pointed, entering the waiting room and immediately noticing Maverick and Penny.
“Mav?” Bradley questions as they lock eyes and Maverick leaps to his feet to cross to them.
“Hey, you two.” Maverick greets, trying to keep a calm tone while standing in front of the two panicking parents.
“What are you doing here?” Bradley then asked, confused as to why Maverick was in the hospital in the first place and as he asked the question it clicked into place for Jake.
“Mav, did you know our daughter was in hospital and didn’t call us?” Jake asks, his jaw clenching as he glares angrily at the man stood in front of him.
“She asked me not to tell you. If she was in a worse state, I would’ve absolutely called you without hesitation.” Maverick tries to explain, holding his hands up to try and keep the peace between them.
“You should’ve called me.” Jake says lowly, his usually bright eyes growing darker as his glare intensifies.
“I would’ve if the receptionist hadn’t beat me to it. I couldn’t call you in front of her and stress her out when she was hurt and upset. She didn’t tell me why she didn’t want you to know but you won’t get an answer out of her with that mood. You can be mad at me all you want but don’t you dare take any of it out on her.” Maverick says, his tone beginning to match Jake’s as Bradley decides to step in, aware of the looks they’re beginning to get in the waiting room.
“You two need to calm down and be civil.” He whispers to the two. He understood Jake’s anger towards Maverick, but he knew there was nothing to gain from causing an argument in the middle of a hospital waiting room. Jake broke the apparent staring contest between him and Maverick, clearing his throat with a cough before looking back at Maverick.
“She’s really not too badly hurt?” Jake asks as the three move to sit down alongside Penny.
“She’s been awake and alert the whole time. From what she’s told me I think she might have a slight concussion or something and some kind of injury to her ribs but I’m no doctor.” Maverick explains to Jake, not missing the way he lets out a small sigh of relief, but Maverick knew Jake would only be okay when he saw you with his own eyes.
“Thank you for getting her here. Both of you.” Jake then thanks both Maverick and Penny who immediately try to tell him not to thank them, insisting they’d do it anytime. Before another word could be spoken, a nurse comes into the waiting room and calls for your family and Jake and Bradley are on their feet in seconds, immediately crossing to the nurse and enquiring about your wellbeing.
“The doctor is with her now and he will explain everything, but we’ve had to admit y/n for the night just for observation.” The nurse explains as both Jake and Bradley nod, glancing back at Maverick who silently encourages them to go with the nurse with a soft smile before they look at the nurse and ask to be taken up to your room. The nurse leads the way up to your room and when they enter the room Jake and Bradley are relieved to see you sat up in bed a shy smile on your face when you see them.
“Oh, thank god.” Jake mutters, crossing to your side as quickly as possible and planting at least ten gentle kisses on top of your head.
“Dad, I’m fine.” You grumble, clearly embarrassed at the attention he is giving you, glancing over to Bradley for help.
“Jake, let's give her some space and listen to the doctor, shall we?” Bradley urges softly, taking a seat while Jake does the same, both of them looking to the doctor who clears his throat.
“y/n here has suffered a mild concussion from the accident, nothing too serious but we’ve admitted her for the night just to be on the safe side, and she’s also cracked a couple of ribs as well due to her seatbelt doing its job. We’ve administered pain relief so she should be okay but if there’s a sudden flare-up of pain or it seems the pain relief is wearing off you can press the call button and a nurse will see to her.” The doctor explains everything you’ve already been told to your parents and after getting confirmation that everything is okay, the doctor and nurse leave the room.
“Did Mav tell you?” You ask quietly, glancing down at the thin sheet covering you and fiddling with the corner.
“No, the hospital called me. Mav told me you asked him not to tell us.” Jake says gently, not an ounce of anger in his voice as he carefully takes your hand.
“I’m sorry.” You whisper, tears springing to your eyes while Bradley and Jake exchange a worried look.
“You don’t need to apologise, sweetheart. It’s okay.” Bradley reassures you softly, his gentle smile never once leaving his face as he speaks.
“But I got into an accident.” You mumble, briefly looking up at your dads before returning your attention to the corner of the sheet again.
“Why don’t you tell us what happened?” Bradley then suggested, gaining your attention and both men listened carefully as you explained that you were waiting at a red light and got rear-ended before the driver took off. You didn’t miss the joint sharp inhale that came from Bradley and Jake when you explained that you drove to the nearest car park to call Maverick.
“I’m sorry. I ruined my car. I’ll save up money to pay for it I swear.” You try apologising again after finishing your story.
“Sweetheart, we don’t care about the car.” Jake starts, being cut off by you shaking your head.
“No, I ruined it.” You insist, tears spilling down your cheeks.
“I don’t care about the car, I promise. A car is replaceable. You, however, are not. I’d much rather have to just get a whole new car than lose you, okay?” Jake says firmly yet softly, reaching out to gently wipe your tears away.
“Don’t worry about the car. We’ll get it fixed or get a new car if we need. We just care about you right now.” Bradley chimes in rounding the bed so he can sit on your other side, taking your other hand and running his thumb across the back of it.
“You just need to focus on resting up, okay?” Jake urges you softly, wiping the remainder of your tears off your face and smiling softly at you and Jake swore he could see the tension leaving your body after letting out a soft exhale.
As you relax back into your pillows, you let the relief sink in that your dads aren’t mad at you and grateful they care as much as they do about you. Despite that, your eyes flick between the two men, before your eyes flick up to the tv which when you had flipped through the channels had found nothing interesting and so left you to come up with a way to create your own entertainment using your dad’s.
“So… how was what you saw of the game? Eagles versus Cowboys, right?”
taglist (comment or ask to be tagged):
@zbeez-outlet @kaceywithak @tsnelf7 @starkleila @cassadilasworld @shanimallina87 @madstxo @chaoticassidy @padsdarlg @lauraseresin @alohastitch0626 @angelbabyange @kmc1989
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luveline · 1 year
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What about reader doing eddie’s makeup in the love bites au?
Love your work! <3
thank you for your request! (loosely inspired by that scene in how to lose a guy in 10 days!!) love bites au / vampire eddie ♥︎ fem!reader suggestive content
If there's someone Eddie dislikes more than Blondie, it's Carly Simm. Where Blondie hasn't ever personally done anything to Eddie besides existing as a band, Carly Simm is similarly innocent. Her only crime is writing catchy music that you can't get enough of. 
You'd discovered her a week or two ago on the radio, and you'd begged Eddie to turn it up. He loves seeing you happy, and while it isn't his jam he'd happily complied. Same reason he'd bought you the tape. 
He regrets it now, sitting in your bed with a lapful of your thighs, your hands tucking hair behind his ears in perfect sync as you hum The Carter Family for the hundredth time today. 
"I'm not good," you remind him. 
"Sure you are," he reassures, hands slowly climbing the hills of your hips. He slips one under your shirt to squeeze along your back, stopping flat-palmed at the small of it. "I'm not bothering you, am I?" 
"You can touch me as much as you want." 
Your confusion prompts a quick explanation, "I meant, I won't distract you?" 
"Maybe a little." You smile softly. "We don't have anywhere to be."  
You and Eddie only have to be here and now, wasting time together. Spending it together. And truthfully this had been Eddie's idea anyways. 
You tap the pads of your fingers to Eddie's face and smile at his tacky skin. "Perfect." 
Your methods are dubious, your first course of action is to mix a cream that boasts colour changing technology with a dollop of moisturiser. He closes his eyes and you dot it over his forehead, his cheeks, his chin. You're more delicate near his nose, fingertips precise, the smallest bit of product rubbed into his nose. Next comes the patting, your fingers working over his face. 
"What are you doing?" 
"Trying to get rid of streaks." You sit back. Eddie lets his arms stretch to keep you. "Looking good, handsome." 
"Thank you." 
You move onto eyeshadow next. You've brought a colourful palette that you bought at the fancy department store before you'd met him, plastic covering still intact. When he'd asked, you'd only said, "I knew I had to save it for something special," like it wasn't the most romantic thing he'd ever heard. 
You open the eyeshadow compact and ask Eddie to choose a colour. He goes for the dark, dark navy because there's no black, and you tell him to close his eyes. You swipe your fingers over his eyelid more gently than you need to. 
Eddie can hear everything; your heart beating regularly despite his handsy grasp on your hips, your breathing, and the heat that kisses his lips with each exhale, every fraction of sound from the tape deck as it switches to the next song. 
"Oh, god, not this one again," he groans. 
You start to sway with the music, and then your favourite part comes on and he's expecting it, your hands on his cheeks, fingers careful not to smudge shadow over his temples. You sing lightly, sweetly, clumsy but he wouldn't expect anything less — you aren't the kind of girl who worries about sounding good, and you never have been. "And all the girls dreamed that they'd be your partner, they'd be your partner," you sing, pausing to laugh, meeting his eyes with nothing but mirth. "You're so vain, you probably think this song is about you! You're so vain, I'll bet you think this song is-" 
He kisses you by accident. Swears. The look in your eyes had been too much to ignore any longer, that playful teasing, the funny quirk of your mouth as you'd warbled through it. He'd needed to kiss you if only to feel you smiling. 
"Never buying you music ever again," he mumbles against you. 
You pull back to steal the lead, kissing him quickly, once then twice before you lean back. "You like this song." 
"No, I like watching you when you listen to it. Big difference." 
You raise your eyebrows and then use your thumbs to force his up too. "We're confused," you say. 
His pulse starts to rise. He's become much more acquainted with the physical effects of love since his unfortunate transformation. Every time he thinks he's found the bottom of the well of his affection, you do something that makes his heart skip and he has to reassess. 
"You know when you miss the last step?"
You gesture for him to close his eyes. "Like, when you trip?" 
"Just miss it completely. Overshot." 
Your finger starts to dab the opposite eye. "Mm," you murmur, concentration robbing your voice. He waits for you to finish your pulling motion and squeezes you, code for you've forgotten the conversation. 
"I think so," you say eventually. 
He opens his eyes. You're looking at the soft glittery colour pensively. 
"You know how it makes your stomach flip? Do you think there's a good version of that?" 
"Like finding a step where you weren't expecting one?" 
"Like, the sudden rush of a good feeling. Molly for a split-second." 
"I've never tried molly." 
"And you won't," he says, mostly joking. 
You take some of the glitter onto your finger and smooth it under his eyes. He looks up at the ceiling and fights the urge to blink as you get close to his waterline. He trusts you not to poke his eyes out.  
Your pulse spikes suddenly. 
He drops his chin back down. "What?" 
Worry gives to amusement when he sees your expression. It's shy (or as shy as you get), which means you're thinking about something very specific. 
"You know when we're-" 
"Hugging?" 
You beam. "Yeah, definitely. And you're all sweaty, and you push your face into my neck?" 
Eddie has the good graces to feel flustered. "Yeah." 
"Sometimes I think you're gonna bite me. And I get that feeling. 'The sudden rush of a good feeling,'" you confide, hands playing in the hair at the back of his neck. He shudders when you start to scratch his scalp, your smile a short fall from salacious. 
Eddie probably wouldn't bite you. He's too worried you'll end up in the same boat as him, a blood-sucker who can't get excited without little knife points slotting out of his gums. 
Speaking of. 
"Fuck," he mutters. He'd been doing a spectacular job at keeping his fangs in, especially because he's young and you're literally his girlfriend and you're in his lap moving around. They snap into place over his regular canines and blood fills his mouth, gums sliced open.
You wince when he winces. "Sorry, baby." 
It's definitely your fault but also he can't really blame you. This is normal flirting between couples, and he does it to himself most the time. It's actually extremely fucking annoying, to be lying in bed at night by himself, and all he wants to do is think about you when boom, there's blood running down his chin.
"You should be," he says. "You suck. Are we almost done?" 
"We're done," you say, climbing off of his lap to grab your handheld mirror. "Lookit." 
You've actually done a great job. He looks awesome, smokey and sparkly like a glam metal rockstar. 
"Flash the fangs," you command. 
He flashes the fangs. You put both hands out in front of you and make a pleased sound. He intertwines your fingers. 
"You're so cool. You look cool. Can I take a photo?" 
"Just for you?" 
"Especially for me." 
He lets you take a polaroid, smiling with teeth, hair pushed behind one ear. He looks good. A little pale, 'cause he's a week away from a blood sate and his body is taking it hard as it always does, but that's not a bad thing. He'd fit right in at a KISS concert. 
You tug the photo out of his hand. "Just for me, you said." 
He can't even be mad. 
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joyburble · 6 months
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The crowns
OK, you got me. Here we go. Dongfang Qingcang's headgear. In episodes 2 and 3 he wears a very large, gold crown with a complicated shape that matches the armour and looks like tree roots.
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The texture of the gown worn under this is rather gorgeous. (Obviosuly, none of what we call "armour" in this show is supposed to look at all like physical protective gear, and he doesn't usually bother with it just for fighting, so I just assume that its primary function is ceremonial, but I also like the idea that it acts as some sort of conductor for magic shrapnel flying around on a magic battlefield, like a Faraday cage or something. You know what, I'm going to call this the Faraday Crown because we'll see it again).
When he realises he's going to have to get down to the much more difficult business of having arguments with Xiao Lanhua, he changes into something more comfortable which includes this very modest little hair-clip-style tiara. He partially wins this argument:
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He continues to wear this one with all three black-and-gold outfits right through the duelling and drama:
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... as well as being baffled in boats, twice, and being back, at the start of episode 10 ...
... Except when he is wearing the hunting dress, which has its own slightly more elaborate headpiece with a stalk that sticks up.
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In passing, let me point out how much of this show works because Wang Hedi's face is intrinsically hilarious. But anyway, I'm pretty sure he wears this same one with the honey-coloured gown.
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So that puts this medium-sized, somewhat plain, but in my opinion rather elegant headpiece with the two outfits in which the character looks and feels most comfortable and 'at home': whether because he's doing something he feels comfortable with, like forest shenanigans, barbecuing fish, or burning down the hall at Haishi (the hunting dress), or because it's the calm before the storm (the honey gown).
As things start to go haywire, his outfits get more magnificent and he wears what sassybluee has pointed out is the Berry Crown, an extremely pretty asymmetrical tiara with little touches of blue, like berries:
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He wears this with the Chrysalis Gown and with the Fire Gown, through the process of transformation.
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In later episodes, as he's under increasing pressure, his look goes right through magnificent into downright ugly. This outfit in epiosde 28 is just awful:
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It does make sense if you think he's trying to increase his physical authority by looking heavier around the waist, but it doesn't work. The honey-coloured gown does a much better job of that, just by looking soft and comfortable and incidentally very sexy.
But wait - is this the same crown he was wearing with his armour in episode 2? I think it is.
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And immediately after this, in the next scene, and without any explanation, we see that he's taken it off - to have an argument with Xiao Lanhua. This is the second time he has taken this specific crown off to do that specific thing, and this time it leaves him, shockingly, bareheaded:
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Which we know he never is, except when sleeping, or playing sick for attention, or in so much pain that the Berry Crown symbolically fell off and we got the shot of it on the floor, above.
He loses the argument. It's very real.
To wrestle with Taisui for the first time and to fight Shiyuntian in episode 31, he is back in full battle dress, with the Faraday crown (and the same belt, which makes so much more visual sense with the armour):
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In episode 33, however, the transformation is truly complete, and he wears this mourning tiara, which looks carved from unpolished jet, and points downwards, not up. I don't think we've see it before:
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Then, he puts the Faraday Crown on again for the final battle, which is obviously worth the extra ceremony. It would be impractical to show him actually putting it on, of course, because this isn't the right moment for that level of visual implausibility, but his having just done so is implied in this very touching scene:
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It disappears, however, during the battle, and he is bareheaded again:
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And for their joint victory, bareheaded and wearing a very plain black robe (but still with an interesting subtle damask pattern to it)
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For being back the second time around, he resumes the rather modest little tiara he wore in episodes 3 to 10 at Arbiter Hall, and for being back the first time. I was a bit thrown by this outfit choice on the first watch, but on reflection I think it's probably the correct degree of ceremony for snogging your goddess:
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So I think we are to accept that these things are to differing degrees disguises, but never wholly a disguise.
Nevertheless, here is The Evil Penguin Disguised As A Chicken, because it makes the point about headgear better than anything ever did, and if you are too young to get this joke, you should definitely watch The Wrong Trousers. It's only about 20 minutes long.
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Other Dune thoughts thrown into one post
So it only really hit me recently that Paul is literally from a planet that is mostly water/very lush and rainy. And ends up in, you know, the desert for much of the story. ik that's pretty crucial but I just never clocked it, ya know?
Also: first time we see him interacting w/sand is in the scene right before they leave Caladan, and he picks up some of the sand that's underwater on the beach. He probably can't even picture sand without the context of being near water. There's something there.
The colours of House Atreides are green and black right? Isn't there a detail where in Paul's vision of the holy war he sees the fighters with his family's banner, but then when we actually see that for real in part 2 the banner is a different colour? The *actual* colours shown on the banner in part 2 are white and red. So you know, the exact opposite from what the Atreides banner is. I am Unwell.
Part 1: Reverend Mother walks into the Atreides home like she owns the place and holds a poisoned needle to Paul's neck. Part 2: Paul waltzes into the imperial ship like he owns the place and stabs the baron in the neck. Enough said.
Only noticed this upon watching a gif recently but when Paul grabs Feyd's knife, he doesn't actually try to push it away from himself, just redirects it so he gets stabbed in the shoulder instead of in the neck, and at the same using it as a distraction so he can stab Feyd.
Which is possibly - possibly - a concentrated reference to like. his relationship with fate/his visions in general? He saw terrible things happening if he did nothing, and terrible things happening if he did something. So he did Something, knowing it would lead to terrible things, but I have this idea that part of that is him wanting to at least have some control over what bad things happen - if tragedy and disaster is gonna happen anyway, he'd rather take responsibility for it if it means he can have some measure of control over it. Ergo, redirecting the inevitable into something that still has a bad outcome, but at least it's within his control. That knife is Going Into Him, might as well push it in a direction he can control even if it means still being hurt in the process. Idk. Maybe I'm looking too deeply into this.
The sign language. In part 1, every time it's used, it's either used only by Jessica, or the conversation is initiated by her. Until the scene where her and Paul meet the Fremen for the first time, where he initiates it. And then again in part 2, the first time it's shown he once again is the one who starts it. Shows he's beginning to "take the lead" in their situation.
It's subtle, but you can actually see Paul getting slightly more tan as the second movie goes on. sun, ya know.
Also, I like that his eye colour changes gradually instead of all at once, again it's subtle but you can see it happening in stages
Despite the Fremen being super careful about never wasting their water (i.e. never crying Ever - see Stilgar with Jessica), Paul cries a couple times in front of Chani and she never tells him to be careful about it despite it being so foreign to her. Not sure *exactly* what we're drawing from that yet, but you can definitely get *something* out of it.
Edit: more stuff vvv
Paul leaves Caladan at sunset (or at least they depict *a* sunset on Caladan, appears to be one of the last things he sees of his home planet) and then his final duel also takes place during a sunset - albeit one on Arrakis
I just think it's neat that in the final scene, when Chani remains standing and then turns to leave, Paul doesn't even try to stop her. There's a real look of understanding he's got on his face, like he knows that what he's done is unforgivable (and also possibly that it doesn't matter because she'll come back to him eventually)
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Text
My current top 15 Anime and why
Because why the fuck not. I'm doing top 15 so that I have some variety behind it. Otherwise I would just be gushing non stop XD
Apparently numbers go big now - AND THEY GO SMALLER IF YOU TRY TO TYPE IN THE SAME LINE AS THEM???
comparison:
15
15 -
DA HECK????
(Edit: I was going to colour all the numbers because I wanted a rainbow. WHY THE FUCK FOR THEY CHANGE TO SMALL WHEN YOU COLOUR THEM??????)
Guess the titles of the anime get a small heading. Anyways. Onto the actual list!
15
Technoroid OVERMIND
Ayo. Starting out with a really random one. So if anyone were to look at my Anilist then they might be a bit confused. I decided I'd keep movies out of here as well as anything I haven't specifically finished. Also takt op. Destiny needs a re evaluation.
Anyways. This premise is so sick and I feel like they managed it really well. The characters were all really fun and the music was fantastic which is honestly the most important thing about Idol shows. I really like idol shows but often struggle with the stupid drama in them that just leads to seasons upon seasons that didn't need to happen or wouldn't actually happen.
In this they're just androids. The fantasy twist works so well for the genre and I honestly don't know why it isn't done more often. This way they can bullshit the drama and it actually makes sense.
Honestly my favourite character was Kite. He was great and his voice always gave me shivers. Especially his piece in the closing. Damn.
I don't want to go into full reviews with this, rather just gushing about things I like and stuff. I really don't think this got the recognition it deserves - probably because of it's deviation from the norm - but it would be cool to get some sort of sequel.
(Edit: There's a manga releasing apparently. Imma check that out.)
14
UniteUp!
Continuing on with the trend of idol animes apparently. UniteUp! was so good. As I mentioned in my Reviews while I watch of the show, it felt so grounded and real that other idol shows just don't seem to capture. These were all real people with real problems dealing with real life.
I also like how we had such a large cast of characters but it never really felt overwhelming as they focused on group dynamics and specific individuals rather than trying to cram every single person into their own arcs.
Once again the music was fantastic and by god was this show pretty gay. Honestly I don't know what the sentiments of others are, but the Anela duo definitely weren't straight and neither were Akira and Daiki. That bath scene says it all.
Anyways. If you want a fun time with a really solid idol anime, please check it out. I saw earlier that we're getting a season two soon. I am so looking forward to it.
13
Trigun Stampede
Damn! I don't even know what to really say about this one. The visuals are absolutely stunning - there is no doubt about that. The score and the characters are excellent. And how dare they leave us on that cliff hanger.
I have absolutely no history with this story and still need to watch and read the originally but I am really looking forward to seeing how the story adapts between the three.
You can ask my partner. I've already said we're watching everything trigun related as soon as we are done with our current show.
I'm really looking forward to season two. And especially seeing how this all pans out. Apparently there will be tears according to the fandom. Concern.
12
Re-main
Damn this show came out of nowhere for me. I watched it quite awhile ago and have been meaning to rewatch it again.
The premise is definitely a sports anime but honestly so different. All because of one thing. The fact that he is an amnesiac is such a fascinating concept to work with - especially with how he was before (trying not to spoil - can't remember when this comes up in the anime)
And then the ending?? Damn. They seriously set up that cliff hanger and I really hope this show gets a sequel.
I really can't say too much about it without giving away some spoilers but damn does it change up the formula and do it so fucking well.
11
Given
Given is great. Such a pure but heartbreaking portrayal of love on one side with such conflicting but also nurturing views on the other. Having the different realtionships throughout this is really well done how they all bounce off of each other. Especially when they entertwine it with the music.
As it is said. That is how they communicate - through the music.
I'm busy catching up with the manga and really hope the anime continues with it.
Also the fucking is just fucking gorgeous. It has no write to hit you that hard.
Also - something else that shouldn't be allowed to hit you that hard. Damn Mafuyu has had a difficult past. We love how he learns to heal and grow with Uenoyama at his side.
Anyways, moving on.
10
Bakuten!!
Okay. Who said a sports anime could be this pretty.
I love the art style and the music throughout all of this. I love the portayal and the evolution of these character - seriously all their arcs are great. The interactions of the team is so tangible and real.
I watch a lot of sports anime and I often struggle with some of the drama used within the sports - it feels like the only thing that ever fuels the story is the matches. Whereas in Bakuten - the character seriously fuel the story. You can understand their motivations much more than just - I want to play this sport and be the best!
I also feel like they really captured everything really well in the movie. The whole concept of wanting to sore is great and really well executed.
I also love the interactions they have with the other team. It's not just a once off competition or practice match that they face each other. We actually get tangible characters for the whole team and see how much they two teams are similar to one another. It's a very healthy rivalry that isn't normally this expanded on in sports anime.
9
Sasaki and Miyano
Yesssssss. These two are just absolutely amazing. Their whole story arc and relationship is just tooth rottingly sweet. They bounce off of each other so well.
And I love the fact of how slow the actual story is. They meet at the start of Miyanos first year (from what I know - I still need to read the novels) and sasaki's second and they only end up confessing just before graduation happens. It really plays out well and is so healthy.
There is no problematic elements like in so many BL stories which is such a breath of fresh air. And the fact that sasaki is very specific about making sure to maintain boundaries to ensure that miyano is comfortable is also excellent.
On a slightly different note - I still need to see the Hirano and Kagiura movie. Been dying to watch it. I've been keeping up to date with both manga and both of these stories are amazing. I love the dichotomy of the two stories and how they are coming to their own realisations of their feelings in honestly very different ways.
I also recently watched the dub of the anime due to some videos on tiktok. Fucking hell it is absolutely hilarious. Kellen Goff as Sasaki has no reason for being that good. Seriously. Damn.
8
Link Click
On a completely different note. Damn this one makes you questions your own morals and reality as you know it.
I really don't want to get into this one much as I do believe watching it blind is the best way to go.
The art style is fantastic and that opening hits like a truck it is so good. The characters just click (pun not intended) and you just understand their motivations and don't know which side to side with most of the time. It brings about such high moral dilemmas that will seriously mess with your brain sometimes and there is one episode that will likely make you cry.
Anyways. Season 2 has just started airing and I am so ready for it.
7
Buddy Daddies
Why did a show about two queer platonic dudes who adopt a child while beings assassins hit so damn hard.
The show jumps between episodes with backstory and episodes with them just being good dads and it is balanced so well. This anime won't end up getting a sequel most likely with how it ended but damn I wouldn't say no to one.
Rei is my favourite character and I relate to him far too much. His interactions with the world are so fascinating and his whole arc with Miri is honestly some of the best media I've seen.
I absolutely loved watching this show weekly and it always brightened up my day when I realised a new episode would be up.
If you would like further thoughts on this one then check the Reviews while I watch on it for more chaos.
6
No Game No Life
So. This was the first ever anime that I ever watched. It was a random recomendation from a friend. Look at where we are today.
This show is honestly just so fun. The characters are silly and the whole plot is just absolute chaos. I really enjoy the games aspect and how it was all incorporated into the world.
I can't even really say much about it. It is just a guilty pleasure of mine and will always hold a special place in my heart.
Also. Please can it just get a second season already.
5
Assassination Classroom
So. Unlike everything else on the list - this one I only finished really recently. My partner and I were watching it together. And to put it out there straight away. I cried. That ending was far too emotional.
I really enjoyed the humour throughout the whole thing as well as the constant underlying dread of the whole situation.
They also really played out Koro-senseis backstory really well. The teasing to it was excellent. I must say though that one of the twists seriously came out of left field. Like damn.
I've just recently bought the boxset and am reading through the manga. Once again. It's absolutely amazing.
Also the openings of them all jumping are absolutely fucking hilarious and you can't tell me otherwise.
If you want to know what officially sold me on the show was just in the first episode. (Note we watched in dub)
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Don't ask me why but I found this to be the most hilarious thing ever. The absurdity and the line delivery was magnificent. I annoy my partner by quoting it atleast once a day.
4
Life Lessons with Uramichi Oniisan
Speaking of comedies. This show has no right to be this good. The absudist dead pan comedy in the middle of whats meant to be a TV show is such a random premise but just works so well.
Due to the nature of the show, the characters are extremely relateable. I especially love Kumatani and Kikaku.
If your on the same side of anime tiktok that I am then you have definitely seen/heard snippets of the dub.
I think this was the first anime that I originally watched in sub and then tried it in dub and actually enjoyed it. (I often find that whatever I originally watched it in is the only one I can watch it in - it's very difficult for me to change it)
The voice acting on both sides just works perfectly for the show. And that final episode and how they did it was the best thing ever.
Please just give it a try.
3
Angel Beats
Okay. Time for a hard hitter. This comedy like assassintaion classroom is fucking excellent but will make you cry, like damn.
In complete and utter contrast to No game no life, this was the second anime I had ever watched. I had found a video that gave some suggestions and thought I would give this one a try. When I say it destoryed me, I mean it literally. I constantly think about the end of this and I absolutely love revisiting it.
The twist and turns along the way are fascinating and I love how each one alters the characters and the narrative. Each of the characters feel unique - even the lesser developed side characters - with fascinating and complex backstories.
The whole thing just makes you question your own place in life.
2
Moriarty the Patriot
Another one I just randomly tried because I saw a video on tiktok. The first episode immediately pulled me in. I thought it was just going to be some simple detective story (At the time I didn't know much about Sherlock Holmes and who Moriaty was so I didn't have any of that to guide me into this story.) But nope.
I keep saying this but in this one I really mean it. The characters are built so well. The dichotomy between William and Sherlock - as the fandom would probably agree - is just amazing. How they bounce off of each other - i don't even know how to really descirbe it.
Honestly just go watch it.
And if you enjoyed the anime - please go check out the manga too. If the anime was done well - then the manga is done to lamost perfection.
This show was what got me into reading and then eventually buying manga. I now have every single one that is out.
1
Yuri!!! on ICE
Did I make the title gay? Yes.
Okayyyyy. This is just going to be me going on about how much I love this show. Bare with me.
So I was in an anime watching slump just before I picked up this show. I had been seeing some videos popping up talking about it and decided to give it a try (this was in 2020)
I immediately fell in love with this show. Literally everything about it. I ended up rewatching it three times over the course of a week. It got to a point where I was so upset that there wasn't more content for it that I just cried for half a day. (Ask my partner - it was chaos)
This show is the reason I now read fanfiction - all because I found a way to technically have more content for it.
This show holds such an important place in my heart that I sincerely cannot express it properly.
If you've never watched it - go give it a try. It would mean a lot - and hopefully one day we might get a season two.
----
Thanks for reading, if you managed to get to this point. I find it interesting how my explanations managed to slowly get shorter throughout the list as I just started becoming more emotional than factual.
I hope you enjoyed it and maybe grabbed a recommendation or two. If you'd like to know more or hear me ramble on more about anything in particular then please let me know.
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ughgoaway · 4 months
Note
when teacher finds out about the date and sulks a little while babysitting annie..... and annie points it out..... and annie tells matty about the slight change in mood....... and mattys heart skips a bit...........
- 🐈 (is this emoji taken 😅)
not taken yet!! 🐈 is all yours my love <333
but this... is so so good. Annie truly is the mastermind behind your relationship with matty, so this just works so perfectly.
so matty has just left, the door clicked shut and you're still standing in the hallway motionless. Annie has run off to her room to grab a toy to show you and mayhem is lying at your feet, looking up at you with sad eyes.
"Don't you start, mayhem. I'm totally fine with this. so he's going on a date? pffft, who cares!? he deserves to find love. we couldn't ever date anyway, so it's fine... I'm fine." and somehow mayhem manages to give you an unconvinced look, and potters off to the front room.
Annie comes back, and the night begins, and of course, it's fun. spending any time with Annie is fun, but she can tell you're feeling off.
you get lost in your thoughts more than usual, she has to say your name a few times to get your attention. she notices you looking at the photos on the wall with a strange look on your face, sad but not in the way she's used to. a sad yearning almost, but Annie doesn't know what that look is.
you try and be present and chat with annie, keep her happy. but it only works for so long before you start obsessing over this date.
he's been gone 30 mins, and you can't help but wonder what they're doing right now.
is he holding her hand over the table? is he rubbing his thumb gently over her hand as she speaks, nodding and listening intently to her? or maybe they're on the same side of the table. Maybe he's leaned in close with his arm around her shoulder.
or... oh god, what if they didn't even make it to the date? what if matty got to her house, saw how beautiful she was, and just ditched dinner altogether? was he kissing her right now? fucking her?
you were blankly staring in the corner as your mind swirled, and annie knew something was wrong, but she also knew not to ask what.
you manage to salvage the night, and annie honestly has fun. you watch her favourite movie and braid her hair, she shows you all her teddies and you have a tea party.
/////
it's the next day when annie sees matty again, already in bed when he gets home from the date. she's colouring on the floor in his office as matty types away, answering emails and messaging Jamie.
matty sighs heavily and leans back in his chair, stretching his arms and groaning at the feeling of his bones clicking into place. he looks down at his daughter and can't help the smile on his face. Seeing her just sitting with him colouring makes him giddy. he loves this simple domestic time more than anything. Knowing his daughter wants to spend time with him makes his heart swell.
he decides its time for a break and sits on the floor next to annie, she immediately squeals from joy and plops herself in his lap, hands full of drawings to show him.
After a long tour of each peice (a beach scene, a doodle of matty on stage, Ross with a giraffe, Adam with a lion, and finally George talking to the sun), matty asks how her night with you was.
"so how was your night last night peanut? have fun with y/n?" he fiddles with her curls as he talks, twisting her ringlets of hair around his pointer finger.
annie hums thoughtfully before saying, "it was fun. miss y/n seemed a bit sad though" Annie nods as she speaks but doesn't look at her dad, instead focusing on colouring the horse she had just drawn.
fuck. you were sad once he left?? did matty make you sad?? his brain runs through what he said, and he can't think of anything offensive or rude.
"oh. Well that's a shame sweetheart. did she say anything about why?" matty is desperate to find out if this was his fault, and if so- what the fuck did he do this time?
"No, but I didn't ask her why she was sad. but she was looking at photos of us and acting funny"
wait. this wasn't because he went on a date... was it?
because if it was, that would mean there was actually something between you, matty hadn't just been imagining a connection for the last however many months.
even the thought of you feeling weird about him dating made his heart skip a beat. Maybe this could actually happen. maybe he could love you the way he so desperately wants to.
"I can ask her at school tomorrow if you want, Daddy?" Annie sweetly asks, looking up at her dad with questioning eyes.
it's then the world matty had created in his head came crashing down.
ah yes, school.
the same school where you teach his daughter. meaning you could never have a relationship, even if you were in love.
but you're not in love, so does it matter?
well... matty is, but he's pretty sure you couldn't care less about him or his dating life.
"No, no. It's okay, pumpkin. just make sure she's happier on Monday for me, yeah?" Even if matty wasn't the cause for you not acting like yourself, he wanted to fix it.
anything to make you happy, even if it killed him inside.
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archandshri · 26 days
Text
The Lionheart Brothers Bookcover (part - 3) from Shri - 29/03/24
Hi Archie!
I'm glad that my bullying (affectionately) worked!
Seeing you getting so stuck in your character's stories makes me want to get back to my comfort characters and their stories - I'm actually trying to make some official character sheets for them, so maybe one day I'll be able to officially show them to people.
Until then here are some of my warm-ups and cool-downs of them instead.
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Anyways getting into Part 3!!!
Recap on what I was talking about
The last blog was about how I was completely lost in what to do next as I just couldn't come up with anything with the right vibe.
So I went back to the basics by analysing first what the existing covers were doing and what I liked and disliked about them.
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Notes at the time
What I’m struggling with is both depicting their relationship (their adorsion for each other) while also showing the more intense scene later in the book
Both the covers on the left [above] have the brothers physically larger than the dragon, showing how although the dragon is massive, the story is about them and overcoming the dragon.
These are good examples, showing more of the adventurous side.
Though I don’t like how it shows the dragon which is a mystery of the whole book, so kinda a spoiler.
I also had a look at other book covers to find what kind of vibe I wanted the cover to look like
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I absolutely loved the composition of this one, with the ice queen overshading the character, again showing the control over the progestins story.
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I then came up with these two sketches.
This was the breaking point for me although it's very similar in composition to the first draft I did, its tone is completely different.
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Differences
Brothers Poses:
The pose on the first draft was showing fear, running and determination. while the new pose of the brother shows the absolute adoration they have for each other and how the book is driven by their love for each other.
Notice how the older brother is not even looking at the perales ahead he's just looking at his younger brother with so much love, while his younger brother returns the gaze.
(btw I am obviously talking about familial love)
This gives the cover a hint of a vintage look, implying the tone of the story - capturing the innocence of vintage stories I was struggling to capture.
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Notes at the time
Positive
Love the position on the ruler
Improvements/edits
The cherries at the top look better in the sketches
Bird feels a bit strange in that space
Rusty legs need tweaking
The space on the ruler's right is strange
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Note how during the colour phase I took out the eye complete getting rid of the dragon. this was because I felt visually that the area was getting too busy, distracting from the brothers. so I took it out.
And other notes
The Cherries and the roses are a narrative node towards the village's feathers in the book. Cerry village and wild Rose village.
Look how the brothers are in front of the border/frame, this was to visually show how they go from one world to another in the story. going into another world with the vibe of a painting or a storybook.
The dove flying onto his arm shows how he's an advocate for peace and will fight for it (pose - he's visually standing against the bad guy in the image) and his natural acceptance of the dove shows it's his nature to fight for peace.
The bag guy seamlessly blends into the landscape filled with shadows - again showing his control over the lands. Notice how the two elements in red (and at the highest pion of the page) are the shell/horn and his helmet feathers - these are his symbols of power
His cold colour pellet contracting with the warmth of the brothers
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Screenshot from my slides
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and here's the final! (finally) (Q_Q)
Anyway there is my process from start to finish on doing my book covers (with a lot of issues along the way)
Let me know if anyone has any questions!
I'll see you all soon and have a lovely day!
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miss0atae · 29 days
Text
Random thoughts about Jazz for Two the series episode 1 and 2:
I was a bit wary to watch this series. Let me explain, I really liked A Shoulder to Cry On at first and thought it was a refreshing coming-of-age little series, but ultimately I felt disappointed by the end of the series. I was invested in their love story, but the end left a sour taste which tainted my liking for this series. I believe it's not because the actors are bad because they played well and the story was convincing. I would say my problem is using Korean idols to play in QL stories. There are too many things they can't do because of their job and it usually has an impact on the QL series they play in (such as having a simple kiss, which I know doesn't always need to happen in a relationship.) So when I saw it was again idols playing and the director was the same, I wasn't sure I would like it.
I didn't even watch the trailer. I read the synopsis and decided that I should try it anyway and see how it goes. After all the saying "never judge a book by its cover" remains really true.
The first two episodes introduced us to the main fourth character and their dynamics:
▪️ Seo Heon, the child from the gifted classical musicians family who struggles to find his place for several reasons. He is not as talented as his brother or father (which I believe is not really true) and he is more interested in jazz music despite knowing his father wouldn't like it. He is cute. His love for jazz makes him interesting. I guess his complicated relationship with his father will have a big impact as he is hiding his love for jazz music and his father doesn't seem to appreciate anything that is not "classical" music and he is dismissing See Hoon's talent.
▪️ Tae Yi, the brooding tall trumpet player who seems to be sad all the time. He lost a dear person who was also a pianist and seems to struggle with the lost. In some way, he made me think of Seo Jae Won from The Eight Sense who had also trauma from losing a loved one. He seems to walk in life in zombie mode and his walls are so high it will take time to go behind them. I'm guessing he is protecting himself by acting this way. Seo Heon reminds him a lot of his lost friend/lover (still not sure about this) and it's very troubling for him.
▪️Do Yoon is a drummer. He is cheerful and easy-going. He is also friends with Tae Yi. I love his hair colour, this dark black blue shade is really good. It seems he has something going on with Joo Ha but it's so very subtle. I may be overthinking. I felt there was a tension between them when they were playing basketball but also in the first scene when we are introduced to Joo Ha. Without reading more info about the series, I imagine they are the second couple. As for now, Do Yoon is my favourite character. I like this kind of character.
▪️Finally, we get to know about Joo Ha. What we know is that he was suspended and just came back to school. He is a senior to Do Yoon and Tae Yi and also his sister fancies Tae Yi which is something he doesn't like. Joo Ha is the bad boy of the story and never misses a chance to threaten his juniors. I'm a sucker for a bad boy romance with a nice guy such as Do Yoon, so let me say that I'm on board if they make them be together. As for now, he just noticed Seo Hoon and he will probably get in the middle of Tae Yi and Seo Hoon's relationship even if nothing has really started between them, yet. It will just be a way of pissing Tae Yi off. Joo Ha has a strong animosity for Tae Yi so everything is a good reason to annoy him.
I have to admit, I liked these two first episodes. It's not too short, we got a lot of information but we still have to see how it will go in the story. It makes you want to know what will happen and the trailer for the next episode is intriguing. I will be there to watch the next episodes. It is worth watching it. Oh, and everyone knows it, but the two main actors of A Shoulder to Cry On make a cameo in the first episode.
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sodabranch · 1 month
Note
Halo again. I have the sudden hunch to announce that I'm not legally liable for any caffeine highs and mild injuries to oneself that I may or may not be remotely associated with. Take care of yourself <3
ANYWAY—
1. I thought of a scene of two similar company ships land on the same moon. The doors of them open. An employee from the ship sticks their head out, peaking out to see the other ship. At the same time, an employee from that ship does the same. Another employee from each side joins in on the staring...
Then, Justice checks to see what its crew mates are looking at. Once again, at the same time, someone else sticks their head out... They also have a nutcracker?! (I imagine it being Woody, but it could also be another of Justice's model.)
Haven't developed anything past this, other than an epic team up time and Justice gifting Woody a hat it took off an enemy nutcracker.
2. How would Justice react to the employee/master returning the favour?: helping it with the chores and trying to stop it from getting damaged from entities, even if it means injury to themself?
Also, if I give Justice a kiss on the cheek, how does it respond? :3
3. I had a realisation: there are giant pumpkins and beehives in the game. We have moons with straight up forests in them, which the employees can look up info about. I'm starting to think that with a mix of research, determination, and cooking prowess, Justice could actually cook banger meals more often.
4. What's Justice's problem with bright colours?
5. Justice using its dancing abilities to pull a tired employee out of bed, to make sure they're awake for this morning's excursion, and forcing them awake as they suddenly have to keep up with Justice's moves.
~ Halo
Good time for my internet to have returned, you are my saviour...
Also apparently I don't have the need to spoiler content because Tumblr already does it by itself?? Technology...
I'M ALSO HOLDING YOU ACCOUNTABLE, YOU HAVE BROUGHT THIS UPON ME AND YOU HAVE TO SUFFER THE CONSEQUENCES GGGGRAHH!!!
But ok, I've honestly never thought about the idea of two ships landing on the same moon, which open the door to many many possibilities?????
I think the idea about Woody is kinda cute lol,, I would love to see them interacting,,,, I believe Justice would be very interested in his liking for classical music :3 like going out of its way to find a record player to play some for its new friend <3<3
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AND IMAGE JUST SEEING A CLONE OF YOURSELF AFTER ALL THOSE YEARS SPENT ON SOLITUDE I WOUDLD BE TRIPPING BALLS;;;; like, I just think Justice would be really really confused at first, but will push forward and try to strike up conversation, maybe ask if the other one knows if there are more out there??? what are you doing here?? what huh??
--
Also :sob: Justice wouldn't let them help, that's what it is for!! You'll have to rip it out of it, and maybe it will just let you help preparing the ingredients for cooking or sweeping some dust,,
AND THERE'S NO WAY IT WOULD LET YOU GO NEAR AN ENTITY;; enemies be blasted instantly. If something were to actually happen to you, even if that something is a single scratch it would get you out of there to get you parched up as soon as possible
ANASKDKJSDJSAFHJFJHAHJAGS THE KISS OMGGG I feel it wouldn't register it as first,,, then get so giddy LIKE OMGG LOVE!!!! it would enjoy it very much and hug you so tight. Maybe it would try to copy you in the future and smash its face against your cheek,, resulting in a bruise phftttt it has learnt it's lesson
Honestly, if a machine was able to blush it would <3
--
ALSO NOW THAT YOU MENTION IT YEA!! Maybe with the help of a friend they could go forage for some goods. I also think cracking open one of those pumpkins would be such a chore
But oh god if I wasn't willing to do it.
And we better not talk about the beehives,, I imagine the crew has had some bad experiences with them.
I am now left wondering about the mansion's kitchen..
--
Also I, myself, being sensitive to them, felt that bright colours would be pretty straining to a creature who solely bases its perception on sight alone;; any flashing or bright light would hurt it :( that's mostly it,, keeping it as a fun fact.
--
THE LAST PART D'AWWWW IM MELTING IM CRYING,,, an employee thinking they could maybe oversleep while they're travelling to the moon but no, Justice can't let that happen!!
A cold water bucket would be too harsh, so why not start the day on a good note! You suddenly are swept to your feet by the Nutcracker, who is now taking you for a quick dance session.
And when the dizziness finally settles, you are bound to follow it's steps as the crew watches, chuckling a bit,,
You groan, but soon cave in :3 thanks Justice!
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thinking about how the izombie pilot episode used a pale blue colour scheme (very clean, very cool, very understated, very sterile and calm even though it's a stressful situation) for its opening:
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only in the corners/the periphery, there are some other colours that are really standing out, most notably red and yellow:
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but then, the red and yellow become more prominent:
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(remember how I once made a joke that those red splatter patterns on the windows give awful children's hospital colour theory vibe? like...what a specific choice)
anyway, as we've gotten darker and more yellow and red, note how the composition of the screen is also much busier and less pristine that in the previous shots - even though nothing is happening here and it's pretty peaceful. On the other hand, it is still very systematic and contained with these many kinds of rectengular shapes and very consistent shots.
That gets us to the boat party. Which is a clashing mess of red and yellow (the fire, the clothes, the cups, the pool toys - which is definitely a choice bc you'd expect the Max Rager theme to be more prominent) and a lot of altering shots with a lot of movement and colours being far less contained:
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now, I'm going to forward a little to the second flashback bc it becomes even more prominent there. Just remember we go from this setting:
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which has its whole own colour scheme which kind of picks up the cooler, calmer colour scheme of the hospital with some of the darkness of the previous scene + some murky greenish tinge that really gives 'morgue death decay'.
Then, another boat party flashback following the same patterns as mentioned earlier:
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(you might actually notice that towards the end of it, yellow is even overtaking red with its presence. I actually think it is very interesting because yellow often symbolises life, joy, vitality - but I feel like here, it really cuts closer to death and destruction. Yellow also often makes an appearance when it comes to disease, infection, putrid, sulphur, haz-maz suits etc. So yellow here definitely leans into a death and disease symbolism and I remember I already once made a post how deeply these things are associated with Blaine - who is widely regarded to be the zombie Patient Zero, considering that he was already high on Utopium when he arrived and started drinking Max Rager - it really is fitting that he's literally wearing bright yellow here. He's kind of the most prominent source of yellow.)
Then, cut to black. Followed by this:
In the next scene, which has a really strong birth-symbolism, we see the world from Liv's perspective, after she just drowned and wakes up in a body bag and it's really ALL yellow:
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until she rips open the body-bag and we see clean, calm blue again on the other side:
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and then you have the beach scene, where you first see the world from Liv's perspective (ripping opening a yellow body bag to reveal blue sky).
Liv is still in red in front of the blue backdrop (and spitting up fluid, did I mention birth symbolism. She now carries the 'red' into the normal, calm and orderly world)
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Cut to the emergency worker in the same light blue (at least his front) that Liv wore earlier, surrounded by emergency vehicles, stretchers, and bodies (laid out on yellow):
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again, with red, yellow, and blue, with blue being in the background.
Something interesting I noticed while speeding through the episode is that we rediscover this theme mostly in the tint of the screen colour and some outfit choices: Liv always likes to wear a bit of red (something she clearly liked before, but now it kind of mirrors the red-yellow scheme:)
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you also have this kind of slight yellow-ish tint in the scene with her friends and family trying to stage an intervention, with Liv knowing it is hopeless:
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the scenes where she's with Ravi in the morgue or working with Clive however are much cooler, even if still dark:
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Now, after Peyton gives Liv a big Talk To about how she's losing herself, we get this scene:
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Now, in this scene, Liv is returning all the items she stole bc she was under the influence of cleptomaniac brain but couldn't really be bothered to fight back, because she was too depressed (among them a red eyeball, a red-framed photograph and a red snowglobe)
But also notice how in this scene, the blue and the red is combined: Both in her outfit as well as in the lighting in the second one - the red that was previous associated with blood/suffering/her new zombiefication and the blue that was associated with healing/order/her previous human life.
At the same time, red also often stands for heart-blood and passion. Now, Liv in her previous life was definitely driven and ambitious (this post was actually supposed to be about the theme of amibition on iZombie) but...mostly she was ambitious for the sake of it and mostly, by going through the motions. This is addressed in a lot of later episode and also plays a big role in relationship with her mother and her brother: Liv was a desperate people-pleaser and obsessed with being perfect, being systematic, getting the best grades. She was the golden child of her mother, who is usually held up over her brother (who still is very good at stuff, just more laid back)
We never really see her as particularly invested or passionate in medicine as a field - in fact, the show resolves without ever having her return to work in a hospital or this being a major issue. (Compare that to Major's passion for social-working) The real loss she felt was (other than losing her engagement to Major and disappointing her family) was that she was no longer helping people. But that is something she learnt in this episode she could reclaim and that she could do by using her new 'powers' in a constructive way. Combining her old life and her new life. The blue and the red.
Unfortunately tumblr doesn't allow me to post anymore pictures so I'll just verbalise it: Another important subplot of this episode is Liv's struggle to sleep. She cannot sleep and hasn't for five months. The scenes where she tries to sleep are usually kept in dark blue - with the red letters of her alarm clock showing us that she cannot sleep, counting down the minutes that she's lying awake. But in those scenes, red and blue weren't 'working together' so to speak - they were clashing. Because she can't pretend to be normal or okay. But at the same time.
Towards the end, she does manage to sleep - and towards the end, we also have a sleeping scene of her in almost perfect bright white with only a light blue tinge - the darkness is gone. Symbolising how she did get rest and calm, after she started accepting her new self.
(cut to another yellow scene, when she has a vision in her sleep of Blaine in his jacket chasing a guy in an alley with yellow-ish street lamps)
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skyberia · 1 year
Text
some "behind the scenes" stuff from this comic (read as: wips and assorted thoughts)
SOME BACKSTORY: i was halfheartedly playing through strikers after finishing p5r. the fact that akechi's not even mentioned in that whole game made me sad. the fact that akechi stops being mentioned basically the moment he dies in p5 vanilla makes me sad. i had thoughts. so i decided to make a comic about it
i wrote down the entirety of the script for this while in a complete haze listening to third eye by florence + the machine on repeat for an hour straight. that song has nothing to do with anything the comic is about. or with either of the characters involved. i can't explain my thought process there.
(the 'official' title of the comic is "a ghost amongst the living (consequences of a cognitive death.)" as a sort of tribute to that song, even though it has, again, nothing to do with what the comic is about)
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THE SCRIPT: the numbers correlate to text bubbles on my thumbnails (see next). i also put it on discord so i could more easily see it/edit from either my phone or computer, which i don't think is the MOST efficient or professional way to go about doing this, but
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you may notice this is a little bit different from the text on the final product. this is because. i changed some things while typing it out for the final thing. i don't know what else to tell you.
i did reach a point where i had read these same words over and over so much that i started questioning if anything i wrote made sense and if i even knew how to speak english correctly. i'd like to thank my friends for reassuring me that some of my wording was ok, and also google because every time i asked "is that even a thing people say" i would just plug it on there to try to figure it out (because i was too embarrassed to ask anyone to read over it)
THE THUMBNAILS: just a rough idea of panelling and where to put text bubbles and such. this took fucking forever. comics are hard. nobody ever tells you this (<- something i said about like 10 times to the same people while making this)
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THE SKETCHES: basically grabbing the thumbnails and making them into an actual thing i can draw onto. also getting all the text laid out-- i don't think that's entirely necessary at this point but i was just excited to see it all laid out and being able to read it
(shoutout to my friend sophie for making the font i used for this/use for all my longer comics. she's an icon and a legend and has really nice handwriting)
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you may notice that page 9 is completely different from the thumbnails. this is because i was tired by the time i got to that part in planning and i paid for it. brainstorming & reworking that page took me an entire day. comics are HARD. I AM TELLING YOU THIS
page 6 also changed by the time i got around to lining it because i decided that it sucked and i hated it. reworking that into something more acceptable also took me about half a day. i'm happy with how it turned out though, and glad that i no longer have the issue of having a flop ass page in the middle of this
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THE PROCESS: was actually quite straightforward after that, just doing the lines and the like. but i wanted to share how i did the backgrounds. i grabbed a bunch of in-game screenshots i took for reference and just plugged them through csp's "artistic > lines only" filter and just traced over that
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i love you art shortcuts that make my life & ability to make yaoi comics easier
(if you're curious too here's all the screenshots i took & was keeping on the side for reference)
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ETC: some miscellaneous thoughts, because if you've made it all the way through this then you probably don't have anything better to do anyway:
all in all this took two weeks. script was written on the 11th, thumbnails were done on the 14th, sketches were done on the 17th, lining on the 24th, aaand colouring took me just one day. comics are HARD and TAKE TIME. NOBODY TELLS YOU THIS!!!!!
i actually started getting wrist pain somewhere along the 2nd day of lining/3rd page. that step of the process probably took longer than it otherwise would because i had to keep taking breaks 2 ensure i wouldn't break my hand completely -_-
my sanity throughout the lining process was only ensured by listening to a frankly stupid amount of jpop. thank you wednesday campanella and mrs. green apple
i think my favourite page is page 3. i like how the panels get crooked when akechi puts the detective prince persona on, i like how akira deadpans (in a straightened panel) to cut him off. also in order to get the hand right in the first panel i did the hair twirling motion myself and ended up hitting myself in the eye with my own hair. it was worth it though
IN CONCLUSION: i think they went a bit too hard with the yaoi fanservice in persona 5 royal
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theadventurerslog · 6 months
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Discworld | Part 8
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Time to continue my exploration and gathering information on what it takes to be a hero. Next up I went to the Inn to see what was happening there now.
Inn:
New stuff outside!
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We've got an inn/bar-keeper, a sailor, Gaspode the Wonder Dog who talks and his wooden man, I mean totally normally man and not a weird puppet? at all.
Gaspode was basically using the wooden man as a ventriloquist dummy and every time I tried to talk to the sailor Gaspode would take over there, too. I tried giving Gaspode the bone, but he just spat it out when I tried talking to the sailor and I lost it. I reloaded then left for now but would be back.
Street: Toy Shop: the toy bin had new toys: this time a dinosaur! Otherwise things were unchanged.
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Dino.
I didn't find much else of interest in the Street areas, although the fishmonger was back and no longer being tormented, I mean loved on, by the toilet octopus.
Shades: Hovel: Found a knife in a bag of thief's tools.
House of Negotiable Affection: I chatted with one of the ladies there and found out a hero should have camel-flage (possibly a kind of perfume according to her?)
My last location in the city was the newly opened Sybil Ramkin's Dragon Sanctuary for swamp dragons which are far less dangerous than the current full dragon terrorizing the city. Swamp dragons are mostly a terror to themselves with their tendency to explode very easily.
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I met her at the door after knocking but she told me to come round the back as she's feeding her darlings.
So to the dragon pens!
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And this has gotta be a Monkey Island reference. "That's the second largest woman I've ever seen!"
Monkey Island: "That's the second biggest monkey head I've ever seen!"
Unless they're both referencing something else.
There were a few things to do here. I scooped up a nail and a leash. She seemed fine with me just taking the leash... Of course I had to examine all the dragons it would let me.
There was also a blue rosette and ribbon, but I couldn't grab it without Sybil chatting at me. It was a reward for one of her prize winning dragons. The dunnyking, er, custard king, was calling his custard blue ribbon custard, the best custard. So I figured there's a connection there.
I chatted with Sybil and discovered she WAS the woman at the barber's from early in the game as I wondered. I also learned of the swamp dragons' drive to eat anything that will help work their digestion up for flames but will often overdo it and explode. One of them sadly exploded during the conversation.
I moved on and decided to deal with the areas outside the city next.
I went to the woods only to find the barber still there still waiting on the girl ever coming to meet him. I didn't get anything else though. I next went to the Edge of the World, or rather I tried to but then things took a little diversion.
As Rincewind started to enter the water a big monster showed up.
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By its many eyes and tentacles I can only assume it's meant to be a Thing from the Dungeon DImensions, which I'm not sure the game has mentioned yet or I may have forgotten. It's possible one of the wizards referred to it before. Either way, things weren't looking good for our wizard here until a giant hand suddenly came down and scooped him away leaving him in a tight place.
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Then I was shown a scene of the gods in Dunmanifestin. The gods were arguing about cheating and trying to swap dice. The God, Offler seems to be planning another meeting with one of his monks. This was all, I assume, meant to be in reference to some events in the first books, but it felt like it came from nowhere in this game and would probably confuse players who hadn't read The Colour of Magic... I guess it's a note that the gods are watching and life on the Disc is all a game to them. Certainly, Rincewind's fate is.
Anyway, after a bit of back and forth it had turned out Lady Luck (I assume her) had whisked away Rincewind and stashed him in her bosom... She released him again and placed him back on the Disc.
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Then I was back to my own devices and continued on my way to the Edge of the World where I found nothing new.
After all of that diversion and potential foreshadowing, there's really nothing to do but carry on business as usual. I moved onto the mountain pass, but found nothing there either, so I continued on to Nanny Ogg's place. She's home now and was knitting.
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By examining a very long winding string of wool, Rincewind started following it until finding a hatch that led out back where I found a mallet and a sheep!
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Aside from getting the mallet and appreciating the sheep I wasn't sure what else to do here, so I made note of Her Wooliness and took off again.
Cue another wander and fiddling with items while I tried to figure out what to do next and what I might have missed.
I went again to the inn, and tried the bone again, but still resulted in Gaspode spitting it back out with no further hints. So, I left and went to the dungeon to see if I could get another bone. That wasn't a problem and while I was there I took another look at the mouse-hole. Just like way back when I was trying to get an imp, I tied the twine to the worm and set the worm on the hole. A rat came out and Rincewind caught it.
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Examining and using it revealed it had a zipper on its back and was actually just a rat costume for... an imp! Or possibly the same imp! So I've got the imp back for the camera.
I realized I forgot to go to the brotherhood's hideout when I was doing my city sweep, so I went there, did the usual password at the door and got handed a custard tart. I will never be free of custard.
Back at Nanny Ogg's I took a photo of the sheep.
I went back to Sybil's and this time figured out how to get the blue rosette by knocking at the front door to summon Sybil then leaving her without saying anything to go back to the pens and snag the ribbon before she came back. I've had that framed octopus picture for ages. I was able to put the sheep picture in it instead... I look forward to seeing what that'll be used for. I went again to the toy shop thinking maybe I could somehow glue the blue ribbon? Get it to stick to the custard tart container? I dunno. That didn't work but I realized, sticky! I needed something sticky to keep Gaspode from spitting out the bone. And so I glued up the bone. That would hopefully solve my problem with Gaspode.
Yeah, the gluey bone kept Gaspode from spitting it back out, so I was able to talk to the sailor without interference this time. He wanted some milk but I was able to get some from the barkeep then he talked.
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He told me some tales about Amazon women, but also, importantly the topic of his tattoo came up. However, he won't say where he got it until his parrot, Polly, is found. He gave me a whistle to summon the parrot.
The only place I've seen birds is at the edge of the world, so I went back there again and with the whistle was able to summon Polly. He stayed in the air and like a stereotypical parrot, he did the ol' Polly want a cracker. I didn't have crackers, but I had a firecracker... I launched it at him knocking him into the water, but still out of reach. He's fine just a bit stunned. I tried the butterfly net and Rincewind did do an animation with it reaching out, but it couldn't reach.
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I hit a point of just trying stuff on stuff. I thought maybe the snake might be involved somehow? Since it's long? Turned out I could stiffen it with starch and make it longer with the fertilizer for an extremely long stiff snake with magic markings and even with a knob on the end.
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It didn't work for extending the butterfly net, but a knob on the end brings a wizard's staff to mind and Windle still had one, so I went back to UU. And swapped his staff again.
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I got an extending stick which I could attach to my butterfly net and I caught the parrot at last.
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Triumphant, I brought him back to the sailor only to discover that I had dropped his whistle. Now, something had gone by when I was catching Polly and I guess that must have been the whistle and I didn't realize. That was his handcrafted Hublander whistle from his mother, so now he was too distraught to talk still and I had to go back and find the whistle that was swept over the edge of the world.
At first I thought with the fork there looking like part of a slingshot maybe I'd need to launch something. Like maybe one of the birds had scooped the whistle or caught a fish that caught the whistle as the game had made a point that the birds catch fish going over the edge.
With that in mind I thought of the rubber belt as part of the dunnyking's machine. I was able to use the knife to cut away the belt and get it. Unfortunately, that wasn't the answer.
I needed to use the magic hat with the endless ribbons. That led to a ribbon rope going over the edge that I was able to use to climb down.
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Part way down I had another run-in with Death who's just watching as usual as it's not time yet, but he dropped some more foreshadowing for seeing Rincewind again in the Square...
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Then I climbed further down to end up on the shell of the Great A'Tuin itself, the world turtle.
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The whistle was just lying on the shell and I was able to grab it. I didn't see anything else but hopefully didn't miss anything. I left anyway.
After all that, I was able to finally find out how to get a tattoo: go to the barber. That's it. I suspected it'd be him.
Except, he's still waiting for the girl. I stopped by his shop just in case and it was a good thing I did as I had missed a pair of scissors and an appointment book with nice big pages. I brought the book to the milkmaid/actress to get her to sign it which she did.
I then went to see the barber in the woods who was too busy thinking about her to come back, but with the signed appointment book was convinced she would come in for an appointment, so he went back.
Finally, I thought. Before I went back, since I had to pass through the City Gate anyway, I talked to Nobby again now I had collected a bunch of information about what a hero needs. I was able to try different combos of things to get the odds again and confirm what I learned.
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Trying everything resulted in odds too high. It's gotta be exactly 1 million. The combination I'll need is:
Magic Talisman
Mustache
Birthmark
Magic Book
Camo-flage
Sword that goes ting
Six items again. I'm hoping the dragon summoning book counts as the magic book, though, so that I only need to find five items and I was well on the way for the birthmark as that's what the tattoo would cover.
So, I moved on to the barber and talked with him. He went into somewhat graphic detail about giving a tattoo and Rincewind chickened out. However, he offered another suggestion: a temporary transfer fake tattoo. His son gets them with bubblegum. His son is the lovable street starfish. And so this all continues...
I went to talk to the street urchin, but he wouldn't just give me one because he's collecting them.
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So I needed to figure out some way to get it from him while he's holding it up being all taunting. Or I need to do something to him before that stage. I don't know, but the steps to get this tattoo feel never-ending and that's just one of the items.
I also talked to the old folks again while I was in the square in case they had anything helpful. I had the option to ask about the magic talisman that I must not have checked back on with them. They suggested the "Eye of Offler" in the secret temple of Offler. Only the bravest, most fantastic adventurer could stand a chance of finding out where the temple is. I figured on that braggart in the Broken Drum.
So, my next steps will be to take a last look at my current stuff with this street urchin and then if nothing works there, start pursuing the Temple of Offler in hopes that maybe I'll find something helpful along the way.
Hopefully next time will come much progress on getting these items.
Argh!!!
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dribs-and-drabbles · 1 year
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Chains of Heart ep 1
So I may have started watching Chains of Heart again because I needed to understand some things that I couldn't on my first watch (because this series is nothing if not baffling) and in the process I'm taking more notice of the colours (yes, I'm back on that ol' shit) because on my first watch I was aware of the green and red pairings as well as the blues but couldn't see a pattern to them (mainly because I was trying to figure out what the hell was going on and who all these people were!?!)...but now I'm looking with a more analytical eye.
Warning, this might get long.
I was, and still am sure that green and red are important colours for Ken and Din/Lue, but I'm also aware that blue is just as key. @respectthepetty has already highlighted how Lue and Din are the only two wearing blue in the series posters and that Ken and Lue exchange that colour quite often in the show...but I want to start with the other two colours first...because there were A LOT of them in ep 1:
First, when Ken is practicing shooting/working out (incidentally I would LOVE to know what's written in red on the wall there), then when he fights the gangsters in the alley and Lue shows up (Ken's black top also looks green here), and also when we see him crying over Din for the first (of many) times.
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Then we get an interlude of blues paired with green and with red, and with both: Din has green and blue when we see him for the first time (and he eventually covers Ken in the green scarf), then in the parallel stargazing scene in Taipei the blue is paired with red. But when Din's supposed body is found, it's clothed in blue with his sister in green (and a green handbag - gotta have matching accessories!) and with blue and red in the background extras. Ingpha and Ae also bring this blue/green palette when they go to pay their respects (ha!) to Din's family.
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I'll take a moment already to mention some theories... It seems all three colours are important to the main couple, but I wonder if blue is more for Ken and green for Din (despite the series posters - which could be Din and Lue wearing Ken's colour), and maybe red for Lue... Or from another perspective, it seems red is paired with green in the more dramatic/emotional scenes (and especially in connection to Din/Lue) and that blue might be for composure and/or masking/hiding (and masks, which we all know, have been an important motif in this show). Then the green on Sai makes sense above, as does the blue on Ingpha and Ae (who are definitely hiding something in connection to Din), and the red adds a passionate or dramatic flare... Who knows...
Anyway, let's go on with ep 1.
In the restaurant, the room is light and open and has all three colours when Hin and Payu show up. Is the room here mainly blue because it's Ken's 'safe space'? I do love the horizontal green and red stripes in the window though, as well as the three colours behind Ken - Din is always there in Ken's history but Lue is coming in from the side forever separated from who he once was...or? (Man the cinematography in this show is incredible.)
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But then we're back to the drama, when Hin tells Ken about Din's body being found, and the green and red are drowning out the blue.
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I love the scene on the bridge, not least because it's the first (of many!) times that Ken gets choked, but because the lights on the bridge change colour from red to orange to pink to a bit of blue and back to red...and alongside the constant green. I wish I could gif to show this better. But all during the fight green and red are evident.
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I also love the flash of green on Lue's face as he turns to Ken on the ground after scaring the attacker away.
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And then, as Ken looks to his saviour, the lights on his face go from red to, yep you guessed it, green.
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After Ken gets deposited by Lue at the dodgy doctor's, he's bathed in red and green again, and his journey down the stairwell as he leaves is completely green (unless you take the brown door to be red), until the camera seems to be showing us the viewpoint of an onlooker in red (next to the red sign).
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And back at the restaurant, and in contrast to earlier (which I've added here for an easy side-by-side view), the room is dark and enclosed, with more of the green and red overpowering the blue.
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And lastly, I ADORE this shot, with the green hue of the video with Ken's hands lit red. Oh the drama!
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Maybe this all means nothing. Maybe it's all just for the gloriousness of the colours and lighting and cinematography. BUT it could also Mean Things. And I'll update my theories (or make more) as I watch onwards and see how else these colours are used.
[ep 1] [ep 2] [ep 3] [ep 4] [ep 5] [ep 6] [ep 7] [ep 8] [ep 9] [ep 10]
(⬆⬆ yep this might end up as a series so I'm putting this here already)
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littlecloudprince · 6 months
Text
The Little Duke
Summary: "Love this:-)♥️ Can I please request secret regressor Remus (0-3) where no one is aware that he does it? Please and thanks 😊" Request by gamblerezra (on AO3), hope I did your request justice! And sorry it took me so long to get it out ^^'
Warnings: Mentions of accidents/bedwetting, auditorial hallucinations, a meltdown scene, brief mention of blood (very, very brief, not graphic at all), skin injury/rash
A/N: …So remember how I said I'd try to be more consistent with my writing? Well, as it turns out, writer's block and executive dysfunction disagreed! I am still updating this tho, so yeah! I promise you guys, I really am trying! Time just goes by so darn fast! But I'm always open for requests!
Remus woke up small and wet. It wasn't unusual, it had been happening for a while now. Usually he just went back to sleep, and dealt with it later, when he was bigger again. He didn't know what it was or why it was happening, but he knew he couldn't go to the others. They'd think he's gross. They wouldn't like it. They wouldn't like him. They'd think he was doing it to annoy or disturb them. But he wasn't! He wasn't doing it on purpose, he didn't even know what it was!
Remus sat up, he didn't want to sleep anymore. But he had to. He was wet, and he couldn't do anything about it like this. But Remus wasn't sleepy! He huffed to himself, not knowing what to do. Why was he like this? He tried to reach out to Thomas, to have him do something, anything that could help. But nothing happened. He tried again, still nothing. He huffed, laying back down. Guess there was no other choice.
Thomas woke up to an unusual feeling. He shifted lightly, before freezing like a deer in headlights. He sat up, heart beating in his chest like a mini drum. He peeled back the covers, his face flushing bright red once they were fully off of him. No. No, he hadn't. There was no way, he couldn't have! He's an adult goddamnit, this just doesn't happen!
"Care to explain why I'm up at—" Virgil grumbled, words drying on his tongue as he processed what was going on.
"I—" Thomas started, feeling so embarrassed that tears were threatening to form in his eyes.
"You wet the bed??" Roman rose up. Thomas could only nod meekly, rapidly trying to blink away the stubborn tears in his eyes.
"I didn't mean to!" he squeaked.
"Aw, kiddo, it's okay! Accidents happen, even to adults! Let's get this cleaned up, okay?" Patton rose up as well. Thomas nodded, taking a few deep breaths and wiping his eyes.
"You— You're right. Sorry," he breathed out.
"Nothing to apologise for hun," Patton soothed.
"Yeah. Sorry. I mean— Y'know."
Right as Thomas got out of bed, it was Logan's turn to rise up.
"First step; strip the bed," he reminded.
"I know, Logan, thank you," Thomas smiled weakly.
"After you're done with that, you're taking a bubble bath," Janus appeared to give his two cents.
"Sure, Jan. Thanks," Thomas attempted to smile again. As he went on about stripping his bed, the Sides all sunk down one by one. No one noticed that one of them hadn't popped up at all.
Back in the Mind Palace, Remus had woken up, only to discover that he was still small. He didn't understand, he was supposed to be back to his big self by now! And he really, really didn't want to sleep anymore! He huffed, deciding to get out of bed. Maybe he could find something to do while he waited? He could just stay in his room all day, it's not like the others would notice anyway. His bed would have to wait, but Remus didn't mind too much, he'd just clean it before going to sleep. Maybe.
Remus looked around his room, trying to find something to do. He wanted to colour! Or draw! But all the art supplies were in Roman's room. Hm. Remus flicked his wrist, attempting to summon himself some crayons and a colouring book, but nothing happened. Remus growled quietly, scratching at his inner thighs. Why were they burning and scratchy? And now Remus' tummy growled, too! There was no way he could sneak in the kitchen without getting caught. They'd yell at him. Usually, he didn't mind, but today, he really didn't want to be yelled at. He just wanted... Well, he didn't even know what he wanted. Remus' tummy felt rotten, and not in the way he liked, either!
"They don't like you," a voice said.
"I know," Remus replied. This wasn't the first time he heard voices, it happened a lot. Usually it didn't bother him, but today was different.
"They'd be better off without you."
"You sound like the Emo," Remus shot back. The voice chuckled coldly.
"You really don't get it, do you?"
"Go 'way."
"You want them. You want them to want you. But they won't. They never will, will they?" the voice taunted.
"Go 'way!" Remus stomped his foot for good measure. He hated the way his bottom lip wobbled, and how his vision blurred as salty tears welled in his eyes. He hated feeling weak.
"They left you. They're not coming back. They have a new family now. Without you."
"No!"
"They don't need you anymore. *He* doesn't need you anymore. He hates you," the voice kept going, mercilessly jabbing at Remus' sensitive spots. Remus saw two strips of colour take form. Yellow and purple. Janus and Virgil. They stared down at the duke, disgust shining in their eyes. They wouldn't speak, only staring menacingly.
"Stop!" Remus closed his eyes and covered his ears, firmly pressing his hands on them in a desperate attempt to silence the voice. He fell on his knees, curling up to be as small as possible.
In the meanwhile, Thomas was trying to work on songwriting, but something kept gnawing at him. He couldn't stop thinking about what had happened. It bothered him. He had gone to the bathroom before going to sleep, like he always did. He hadn't drunk too much water, or anything else for that matter, and his dream wasn't particularly scary. So why had he wet the bed? What was wrong with him?
"You're not making any progress, Thomas," Logan pointed out after rising up.
"I… I know. Sorry. Just…" Thomas trailed off.
"Just?"
"Thinking."
"About what?"
"Just… Ah, you know, nevermind. It doesn't matter," Thomas shook his head a bit.
"If it bothers you, it does matter," Logan stated.
"Is there something wrong with me?" Thomas bit his lip. He looked up from his notebook, but avoided Logan's eyes.
"Why would you think that?"
"I mean…" Thomas didn't finish his sentence. He bit his lip, his gaze wandering uncertainly.
"I just…" his voice wavered, and he swallowed thickly as he felt a lump growing in his throat. He rapidly blinked his eyes, not wanting Logan to see him cry. He didn't even know why his tear ducts were threatening to betray him, there was no reason to cry. It was… illogical. Thomas let out a shaky sigh, hiding his face in his hands.
"Hey…" Logan sat across his host, unsure what to do.
In the Mind Palace, Remus was getting closer and closer to meltdown territory. It was getting harder to breathe, the voice was getting louder, and the burning and itching of his tighs was getting to be unbearable. He hated this. He hated this, he hated this, he hated this! Remus let out a scream, fiercely ripping his pants off before aggressively scratching at his inner thighs. Angry tears burned in his eyes as he reached for the first object he could reach, before throwing it at the general direction of the taunting voice.
"SHUT UP!" Remus shrieked, clawing at his ears for a moment before throwing himself on the ground, shrieking incoherently as his thighs demanded to be scratched again. There was a knock at Remus' door, causing his hands to fly from his thighs right back to his ears as the sound pounded at his eardrums.
"NO!" he screamed, throwing whatever object he could get his hands on toward the door.
"Ow!" Patton yelped, getting hit in the face with an empty deodorant container. He rubbed at the tip of his nose, processing what was happening. He flinched as he realised the state the still shrieking little duke was in.
"Hey…" he entered the room, and sat on the floor, making sure to give Remus some space. He reached out to the red-faced boy, carefully stroking his hand once. When Remus didn't protest, Patton continued, slowly but effectively getting the toddler to calm down.
"There ya go, Dad's here buddy, Dad's gotcha…" he coo'd gently. By now Remus had completely stopped screaming, but silent tears were still running down his face, his anger melting down to sadness. He reached his little hands out, choking back sobs, a quiet whine escaping his throat.
"Aww, you want Dad to pick you up?" Remus didn't answer verbally, instead just clenching his fists in the 'grabby hands' motion. Patton took the cue, and gently picked the boy up. Remus winced as his thighs pressed against the fabric of Patton's clothes. He had scratched them so vigorously that they were now completely raw, dried up blood covering his fingernails.
"You poor thing! Dad thinks you need a bath, hun. And then, once you're all squeaky clean, we'll put some lotion on your thighs so the hurt will go away. That sound good?" Patton murmured softly upon inspecting Remus' thighs closer. The boy nodded, rubbing his eyes, exhausted from his meltdown.
"What got you so itchy in the first place?" the fatherly Side asked. Remus just shrugged, not quite sure himself. Patton looked around, only now noticing the pants on the floor.
"…Oh," he understood now, the lingering smell in the room making more sense. Truthfully, he had not paid much attention to it at first. It was Remus' room, it was subject to strange smells, and generally, it was better to not ask questions. By now the other Sides had learned to tune it out. Now, however, was not the time to dwell on that.
"Well," Patton said, "let's get you cleaned up!"
Some time later, as Patton had finally gotten the freshly-bathed toddler in a pull-up and t-shirt, and the washing machine running, he felt the ever-so-familiar tug of someone, likely Thomas, summoning him. So, Remus on his hip, he sank down.
"Oh! Logan! Did you need me for something?" Patton asked, surprised to see that it hadn't been Thomas who summoned him.
"I…" Logan started, his words drying on his tongue as he processed the fact that Patton was holding what appeared to be a toddler.
"Is that… Is that Remus?"
"Yup!"
"…Why is he a toddler?"
"No clue! So what's up?" Patton asked.
"Right, well, Thomas is experiencing a sort of… emotional crisis, and that's not exactly my area of expertise. I figured you would be able to help," Logan explained, gesturing to the host, still hunched over the desk, hiding behind his hands.
"Huh, okay," Patton frowned a little before walking to Thomas.
"Hey, buddy…" he started, gently laying a hand on his host's back. "What's wrong?"
"Nothing, nothing, just…" Thomas trailed off, taking a breath and rubbing his face before turning to look at Patton. His eyes were a little shiny, and he seemed exhausted. His brows furrowed in confusion once his brain registered the toddler Patton was holding.
"Remus," Patton explained.
"…Huh?"
"I don't know either, I just found him like this."
…How small is he?" Logan asked, furrowing his brows as well as he thought.
"Can't be older than two, I don't think. Poor guy had wet the bed, so we had a bit of a bath, and got some lotion on that nasty rash," Patton explained, gently moving Remus' legs a little so the other two could see how red and raw they were.
"Is… Is that why I…" Thomas trailed off, too embarrassed to say it outloud.
"Of course!" Logan suddenly explained, smacking his forehead as the realisation dawned on him.
"Remus' regression must've had a side effect in affecting you, Thomas!"
"A *Side* effect? Eh?" Patton grinned.
"…Yes? I'm not sure what you're implying here, Patton."
"It's- It's a pun, just ignore it," Thomas shook his head a bit.
"…Anyway, we can't leave a two-year-old on his own. I trust you'd be willing to care for him until we figure out a way to get him back to his adult self, Patton?" Logan said, raising his eyebrow slightly.
"Oh! Uh… Of course!" Patton tried his best to conceal his surprise, quickly regaining his composure and giving Logan a grin. Taking care of Remus couldn't be *that* hard!
Right?
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moonless-if · 2 years
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MOONDAY UPDATE, OCTOBER 3rd 2022
happy moonday!
hope you're all having a good start to the week like i (mostly) am. it's all much as usual for me with work and home, although my workload will soon get a little heavier again, with student evals coming up and me going on a union rep training trip in two weeks, which means i have to make sure i got all the work done that i need to have done and also made plans for my sub teacher, so they know what to do and blah blah. not a lot that's interesting for you guys, but just to remind you that i'm entering a busy phase with my work life soon!
anyway, onto the update!
what i did
still chipping away at the prologue! still not really getting all the words out that i wish i could, but i'm honestly just feeling so good about getting something written every day, even if it's not a lot every day.
i'm nearing the end of one variation of a branch though, which means the other variations will be quickly written and hopefully allow me to get to the other two branches fast. a lot of it will need to be rewritten/edited because i didn't have a clear picture in mind of the environment/layout when i started to write this scene, but editing is for later! right now i just want to get the scenes out.
i've also spent the week working on game art (mainly during the weekend) and trying to figure exactly what i want to do with it so it's got a clear theme and isn't just a wild mix of stuff, but i will share a snek pek;
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(i am good at thumbnails /s)
as you can see, i'm fiddling around with the colours for the game UI as well (probably won't be this bright blue, but that's for a later stage) and i'm hoping to do two different start page images, depending on if you have light/dark mode (or rather, dark blue, light orange mode) and then include those in the main game UI as well somehow. i'll probably also be adding a third option that's like low contrast/black and white, but then it probably won't be getting its own art. as for the mobile UI... i'm hoping i can do it's own thing for that which is a bit simpler than if you play on laptop/pc, but the mobile UI has been my biggest pain in the ass at every single turn so....
the main issue with the game art is me not knowing what i want with the background. part of me is like "just keep it simple, don't pull attention from the main motif" while the other part of me is yelling "PROPER ART WORK BICH DO BACKGROUND".
so. we'll see.
but that's what i've been up to last week!
plans for this week
for this week, i'm mostly planning on chugging along, again focusing a little more on my side project than the Moonless so i can get going with that in november, but i'm still gonna write a little bit and hopefully work on some art! so the plan is;
finish the branch variation i'm on
sketch on backgrounds for blue/dark mode artwork
sketch on ideas for orange/light mode artwork
and that's it from me for this week! thanks for now and see you next moonday!
- spacedfoxes
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subdee · 5 months
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Tagged by @hxhhasmysoul thanks again munen!
I will tag: @nangke @syncopatedid @autumnxsunflower @trashsketch @applepi00 @mariposahxh. Only if you want to!
Favourite colour: these days, purple
Last song: Replacements - Answering Machine. Unless you count the baby music that plays from the baby toys, then it's Itsy Bitsy Spider
Last movie: I said it briefly on here, but it was "Barbarians" on Halloween. I went in blind after seeing it on an online best-of spooky movies list so all I'll say is it was seriously messed up and I still think about MANY of the scenes, especially when I have to go down to the unfinished part of my basement. It's been so long since I've watched a real horror movie (not a parody) that I forgot they can be genuinely disturbing.
...I'll say one more thing, it's a horror movie directed especially at women. I mean it's a horror movie about things that women, more than men, are likely to find upsetting and scary, especially in the beginning.
Other stuff I watched this year: I'm still on my Great British Baking Show kick! Currently on season 8, after the switch from BBC to Chanel 4 and after they changed the presenters. This show is terrible because it just makes me crave sweets - and I always crave sweets when the weather gets colder - and as a rule, there's nothing like that in the house. Like I'll eat some strawberries or part of a cantaloupe or an apple slice with honey because that's the only sweet thing we have. Anyway, I like the new presenters.
Shows I dropped this year/didn't finish: The Marvelous Ms. Maisel. We'll probably get back to it, but it was too hard to watch while also scrolling my phone / making the baby's food for daycare / cleaning the baby bottles / etc. during the one hour of free time I have every night before bed.
Currently reading: the BNHA manga as it releases each week, that's about it.
Currently listening to: the local jazz radio station, the records I have in my house. Carole King - Tapestry was the last one. And Andre 3000's new record with the funny tracknames.
Currently working on: STAINING THE BACK DECK, oh my God we've spent the last three weekends on this. But it needed to be done, it had 30 years of mold on it.
Current obsession: I was gonna say the baby, BUT ACTUALLY. I started watching the Scott Pilgrim anime and I'm four episodes in. The show tricks you into thinking it'll be a rehash of the comic by being a beat-for-beat recreation of the first volume - including the visual gags! - until suddenly, it's completely different LOLOLOL I had to get my comics off the shelves, and reread them to be sure that yeah, no, that's definitely not how it happened before. Gonna avoid the show tags bc spoilers, BUT HERE ARE MY PREDICTIONS:
It's a smart move for the show to switch the metaphor from Scott fighting the evil exes (your new girlfriend has baggage that makes you feel insecure, you have to deal with your insecurity by winning a fistfight against each ex to prove you are worthy of her) to RAMONA fighting the evil exes (you have to deal with your own past and put it behind you before you can move on). Because like, yeah there is a metaphor when Scott fights the exes, but it's an annoying one that centers the feelings of an insecure dude over the feelings of the girl he's dating.
.... though I'll miss the focus on the mundane in the original comic, how much it reminds you that Scott is a loser but he's like, trying to improve. Like you know he's a loser from the jump because he doesn't have a job and he's a mooch and he's dating a high schooler, but briefly you think he might be kinda cool because he picked up Ramona, but then she tells him he has to get a job AND HE CAN'T so you're like... oh. Yeah this guy actually is a loser. But (as Ramona says) perhaps he's a loveable loser? He does keep landing these great girls ...
And we can still do that exact same speculation without Scott on screen, as Ramona learns more about him in the course of her investigations, so that's pretty clever... I wonder if Ramona will actually like him if she ever manages to rescue him :p.
Anyway since this show is now a whodunnit...
As of episode four, vegan boyfriend #3 seems superficially like the person who kidnapped Scott, but it's too early for him to be the real kidnapper.
The next most obvious suspect is Wallace, because it's clear Young Neal didn't actually write the movie script, and only Wallace (probably) knew what Scott said to him that morning, before he went to the party and met Ramona.
Why would Wallace do it? To get Scott out of the apartment and become a movie star, maybe...
But I actually think Wallace is ALSO too way too obvious, and he's being set up as the person you'll suspect all the way up until the final reveal at the end...
I think it's probably Giddeon, in the end, again, actually. Like we know he has all these cameras set up to observe Scott and research him, right? Maybe he noticed Ramona was using his head as a shortcut and started his research early...
Why would Giddeon do it? Maybe part of a ploy to make himself appear sad and pathetic so Ramona will feel sorry for him and he can get close to her to date her again? Maybe he knew Scott would beat all the other ex-boyfriends (as written in the movie script) in a straightforward series of fistfights so he's trying a different approach?
Either way, I doubt the storyline with Giddeon is over. Even if it is, though, I'm really enjoying that this remake throws the original script out, because it's fun to speculate and fun to play spot-the-differences. Like maybe it IS Wallace, you know? Why not!
Though it is a shame that this is no longer a show about being a loser and 'leveling up' your life - the videogame conceipt is more of an aesthetic choice now and less of a thematic metaphor - and about the Canadian indie band scene.
On a final note, I know we're supposed to not like the scrubs - or would he be considered a fuckboy these days? - like Scott, but I always found him pretty relatable, personally. Especially because I was dating a woman when the comic came out, like, the idea that you landed this great girl but you need to fix yourself before you can date her... it resonated. :P
Anyway. Don't tell me how it ends XD I'm too obsessed to not finish this mini-series quickly, but I also only have an hour of free time a night.
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