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#anyway idk what this post is and idk if this makes sense
iris-black13 · 2 days
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In honour of Merlin trending for literally no reason today, I would like to share my theories that I came up with during my recent rewatch. (I'm only up to season 3 right now so there really aren't that many theories yet.)
1. Merlin and Arthur 100% fell in love with each other in season 1, but they aren't aware of it at all.
2. Merlin is so gay. I'm not sure if he knows it or not, but Merlin is not attracted to women. Every time he's seemed interested in a woman, it's because she's been a powerful sorceress or a magical creature. Speaking of Freya; his only real female love interest, what he loves about her is that he sees himself in her. He feels a sense of kinship towards her as someone who is trapped and hunted for something out of her control. I don't think he feels any actual romantic love for her. He loves her, sure. But I think he's confusing romantic love for something else. (But idk I could be wrong.)
3. I don't think the Morgana we got back after her disappearance is the same Morgana we had pre S2E12. I think she probably died and came back wrong. Because otherwise the personality difference is too drastic. Her relationship with Gwen for instance. It makes sense if she didn't forgive Merlin for what he did, but why is she so mean to Gwen?? Gwen was her best friend and maybe even her first love? Morgana was never classist before season 3, but afterwards she acts like Gwen is lesser than and it just doesn't make sense. Anyway that's my in-universe explanation for her terrible shift in character.
4. This is the most important one. Merlin doesn't realize he's in love with Arthur until some time shortly before the season 2 finale. Before the finale, Merlin is happy to cheer on the romance between Arthur and Gwen. Two of his best friends fell in love! Why wouldn't he be happy? Even if they think there's no future for their relationship, he's more than happy to help them get together because Merlin believes in loving who you want to love.
Now, I could go on about how falling in love with Gwen is basically Arthur's way of expressing his repressed feelings for Merlin since Gwen and Merlin are of the same social standing and since Gwen is a woman he can experience the love he could have had with Merlin if it was allowed, but I won't do that. This ain't about him. What's important is that Merlin, in the season 2 finale- knows he's in love with Arthur, and that Arthur can't love him back. After the finale, he's still happy to help his friends in their affections for each other, but his bright goofy smile is gone. It's replaced with this melancholy smile and a hesitant voice.
I'm so serious right now. If you don't believe me, just go rewatch seasons 2 and 3 and see the shift in his demeanor yourself. He actively avoids them when they're interacting in season 3. In- I think it was the changeling episode, at the end, Arthur and Merlin walk into a hallway at the bottom of the staircase. They both see Gwen on the staircase, and when Arthur starts up the stairs, Merlin immediately leaves. It's not a "I'll give them their space" moment. It's a "I can't be here right now" kind of moment. He doesn't even try to stick around to protect Arthur on their date in the episode where Morgana frames Gwen for witchcraft. (and don't even get me started on that episode of my god.) Normally, he would stick around in the shadows to make sure nothing goes wrong and they aren't attacked or anything. It's weird that he doesn't try to stick around!
And oh my God. There are so many moments where Colin Morgan's acting just makes my heart ache. In the crystal caves, Merlin trying to banter with an unconscious Arthur while trying desperately to heal him makes me want to cry. And any time he's encouraging Gwen to follow her heart and be with Arthur just makes me ache. In the "...you still have feelings for him." And the "you like him. He likes you. Isn't that all that really matters?" I just can't.
Honestly, I could go on, but this post is already wordy enough. Thanks for coming to my Ted talk.
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butterflysonnets · 3 months
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
#eve text#elmike#stranger things#byler#only tagging byler because i feel like yall will like this take lol#tagging tagging tagging WHAT ARE EVERYONE ELSE'S THOUGHTS#god i can't believe i'm making a post about stranger things. this feels like poking a bear#i'm not particularly anti m*leven but like... they'd have to do something pretty special at this point for me to feel like it's viable#i'm seeing the bts of s5 and it's got me Having Thoughts#elmike friendship is something i am so passionate about#even before i ever liked byler (didn't ship at all until s4 even though i knew it was a thing before) i've felt this way about elmike#i always believed they were close friends at heart and needed to break up#the romance part of them felt very distinctly young and very much “he was a boy she was a girl” to me#and it hasn't deepened into anything more mature and i don't see how it could based on the current state of the writing...#the fact that lumax exists — a young relationship that is actively maturing and is healthy — makes that clear to me#and the “love confession” in s4 and how disingenuous and miserable it felt was just the nail in the coffin#also the fact that will (who is IN LOVE with mike) was instrumental in making it happen? ... uh... okay... interesting choice…#fucked up and reductive if they make it another queer unrequited love sacrifice for the sake of pushing the heterosexual agenda YUCK#so i really hope the speculation about a m*leven breakup is real!! i think it just makes sense for their characters but who knows#i don't believe in the notion of love at first sight or one true love and i think the writers don't too???#love to me is an accumulation of experiences and we inevitably choose it at some point rather than fall into it... but idk#tv is so fixated on keeping couples together... sometimes it's just not reality guys especially with young people... LET IT GO...#like i said though i'm not 100% sold that they're going to give up their “golden couple” LMAO#stranger things hasn't historically subverted too many tropes if i'm being honest#anyway i seriously need this season to come out quickly... i'm so bored and getting my master's is crushing my soul#i need frivolity#ALSO btw i won't respond to hateful messages about this so please don't bother. it's not that serious. this is a netflix show
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crybaby-bkg · 7 months
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cw: yandere reader, implied stalking, implied drugging, dubcon
hello………have u ever considered being yandere and convincing yourself that you and Deku are actual soulmates, and he just doesn’t know it yet. you try to get his attention for so long, through so many different ways (you try to become a hero, and then a villain, and then a helpless civilian and then—) and he just. never really notices you.
so you take matters into your own hands. you get him down somehow, when it’s late and not enough important people catch onto it until you’ve already gotten him. trapped him somewhere far that’s hard for most to find, tied up and at your mercy.
he’s so cute when he wakes up confused and groggy, asking, what’s going on, who are you, what is he doing here? but you can’t let him know your plans too early on, so you only sit on the bed beside him, smiling, running a hand up his naked stomach (when did you undress him?).
all hell breaks loose when he tells you that he doesn’t remember you, that you need to let him go, he doesn’t know you, you won’t get into much trouble for doing this. and that—and that’s heart wrenching? earth shattering?
how does your soulmate just not remember you, know you, love you as much as you love him? it stings more than cold metal slicing your flesh, and you cry. you cry so fucking hard into your hands at the rejection, defeated sobs wracking your body as he valiantly tries to calm you down.
so Deku, ever the kind and gracious hero that he is, comforts you. he coos to you, negates all your whining about how you must be too ugly for him, how you’re not good enough for him. he doesn’t realize the monster he’s enabling with his words until it’s too late.
he thinks he may be too kind for his own good, because in only a few moments, your tears have dried up and you’re perched on top of his chest. you look down at him with big, glassy eyes, head tilted as you cup his freckled and warm cheeks in your hands.
“You think I’m pretty?” you ask quietly, and he knows, he knows he shouldn’t cater to you. but Deku’s not a liar despite the circumstances he’s put in, and he’s sure if you would’ve approached him normally, he would’ve been interested in you.
“So pretty.” He whispers out in a rushed breath. the rest of his words get lost in his throat, his plea to be released, because you’re climbing over him. you only wear his shirt (when did you break into his apartment? how didn’t he notice? he just wore that shirt last night?) and a pair of underwear that you’re sliding to the side. you look at him with starry eyes that hold more adoration than he’s comfortable to look back at.
“Is…she pretty, too?” you ask, your voice low as if you’re scared of anyone else hearing you. Deku tries to look away, but you don’t let him, gathering the crown of his hair to force him to look at you between your legs, your other wrist holding your underwear away, fingers stretching your lips until your hole is exposed.
“Answer me.” you try to snap but your voice is so wobbly, so unconvincing for a stronger man. Deku doesn’t think he’s all that strong in the moment.
“Prettiest one I’ve ever seen.” He tries to convince himself he’s lying just to appease you, but the twitch of his cock tells him otherwise. you let out a breath of laughter, a grin so wide on your face it unnerves him and also makes him a little harder.
“Kiss her then, if it’s so pretty.” You tell him with a jut of your chin, scooting up until you hover directly over his mouth. Deku splutters, hesitates, tries to close his eyes. but he finds himself kissing back when you sit on his face, and he thinks—he thinks he might be a sicko for how there isn’t much coercion to devour you after that.
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sneeb-canons · 4 days
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Headcanon #500:
Mind is afraid that when he distances himself from or above the others, that he will be too far gone to come back down. That when his paranoia gets the best of him, he'll shut everyone else out and then be completely alone with no way back to where he was before.
Heart is afraid that if Mind is right, with the idea that what he does isn't genuine, that he's being manipulative without realizing it. Then therefore being Whole without himself there is the better option. That he'd be thrown out because his ideas would then be "not worth it" or even "vile"
Soul is afraid that no matter what he does or how good things will be, they'll always eventually split up again or even end up worse. Even then he has no clue what he's supposed to do or be during everything, and so because of that he'll never be whole. Or worse that he'll never really "feel" whole.
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wizardsix · 8 months
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i guess i have to say it a million times since people insist on being dense: gale is just as much of a victim as the other companions. this isn't the trauma olympics. everyone has been through shit and deserves healing and redemption.
gale is not the self entitled, manipulative abuser people are painting him as. he's a lot of things, but nothing so heinous. he was groomed by a goddess who has a history of preying on wizards that threaten her power, and as a result, gale's ambition and faith was what drove him to discover the netherese orb. what he did was for mystra - in his mind, it was to prove his love by restoring her missing power - and by extension for the betterment of mortals. his actions were never malicious or selfish, in fact he puts himself so low on the priority list it's pretty much non existent. he was never going to use that power to usurp her, but mystra definitely saw it like that, which is why she didn't hesitate to present suicide as his only solution. he never crossed her personal boundaries in the way people are twisting it, he only wanted to cross the boundaries she put on wizards and their power.
people who insist he's all of these things and more clearly only spoke to him once or lack the reading comprehension to see past how much of an unreliable narrator he is. i can understand first impressions might put some people off, but you can say the same about the other companion introductions. i don't like comparing but since people insist on doing it; gale is one of the easiest companions to get along with just by being a good person, yet his honesty and selflessness makes people think he's secretly evil? while the companions with the capacity to be evil don't even try to hide it? how are people being so backwards about this? it's genuinely baffling and tiring to see people continuously spit out incorrect takes all too confidently.
no one is forcing anyone to like him, but it's unfair to completely mischaracterize him because you refuse to learn critical thinking. i promise using your brain is not as scary as it seems, or you can just. not talk about things you don't understand.
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glowinggreeneyes-e · 3 months
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let’s talk about the Captain’s education for a second because we all know he’s a bit silly with what his position was (requiring the revolver… for the countryside… multiple times; immediate invasion the second France surrenders; perhaps disproportional order and expectations; and that’s not even mentioning the ‘job’ he has for himself as a Ghost and his interactions with them) but he’s also well spoken, enthusiastically informed and seeks out knowledge, and to get the role of Captain - albeit researching at home in Blighty - he must have had a pretty well-off life beforehand.
this is where all the headcanons about his father and family life comes in; we know his father was distant and uninvolved as was typical - even expected- in that era, but he probably handed down expectations (and trauma lbr). so, working backwards, the requirements for the Captain’s position were more meritocratic - Oxbridge or Durham educated at the very least (being ranked) OR experience.
he showed enthusiasm to get involved, we know he had previous experience (one day… the ceasefire) and training to get the rank, but we can only theorise that he was probably working in a similar field to his position. to get to Oxford/Cambridge he had to be at least middle/upper-middle class with family friends/acquaintance connections to Oxbridge, or even his father went to Oxbridge (Oxford is 30 ish miles away from Bledlow). I don’t think he’d find it hard to get in with a connection, being the studious and enthusiastic man he is on certain subjects. so he’s not just a nepo baby.
about his upbringing, we can assume a few things from where he was born - it’s been a conservative seat since 1924, and probably similar ruling when he was growing up there, it’s very white and middle class, very Church of England, but not very interesting… sensibly English village vibes/typical middle England. he probably didn’t get to experience much of it though, likely sent away for some of his schooling.
also basing him off of the men that made the limpet mine, we can use their histories to fill in a few gaps that make sense. they - Stuart Macrae (couldn’t find uni) or Cecil Vandepeer Clarke (Uni of London, dnf) - were both extensively involved in constructing and engineering, even with a military context. both of them were involved in WWI and the army interwar, so they were decorated and knowledgeable before they got into WWII… we do not know if the Captain was either of those things. we do not know his route into his role, but I think the university and research career route makes more sense for his character of overcompensating and paranoia.
but he’s not uninformed or underprepared for the work of Captain in this research base for HQ - he’s fucking clever and connects dots and can gather information - he’s uniformed and underprepared for the position of Captain. which is where Havers comes in.
and when Havers leaves, he compensates for that two-fold loss. and when he dies, he continues to fit the Captain position, informed by his father, the war, the expectations, the position, his education, but not by experience like Macrae and Clarke. he’s good at his job and work but he was born to be something else not quite within reach.
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lesbyers · 1 month
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if young royals doesn’t end with wilmon leaving and denouncing the royal family together and hillerska closing…
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childrenofthesun77 · 4 months
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Assuming that the whole 'mahiru is the vessel needed to bring back the count and the 9th servamp will be the servamp of vainglory' theory will be correct, it's interesting how both mahiru and touma can be accused of this sin even if the way it applies to them is opposed.
What touma wants is to be acknowledged and to that end he was willing to become the villain who destroyed the world before mahiru and tsurugi managed to change his mind:
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Mahiru's way of being vainglorious seems a lot more positive at first because he wants to be a hero who saves others, but it's self-destructive and encourages laziness in others:
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But thankfully we see mahiru starting to let go of the need to make other people proud of him and to prioritize making himself proud in his conversation with tsurugi:
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and later when mahiru has a meltdown because he fears his uncle might be dead and suggests sacrificing his life to save the world kuro rightfully yells at mahiru for acting hypocritical and not listening to his own advice:
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(I want to mention here that I really love how horrified kuro looks as he realizes that mahiru's reckless hero behaviour comes from a very self-destructing place:
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because not a lot of manga I know really acknowledge that maybe the way a lot of their protagonists try to be heroic is actually pretty unhealthy and shouldn't be encouraged? Like Sigurd pointed out at the C3 meeting, it's kind of shameful that the children have to save the day)
Which is why I love that mahiru decided to trust kuro to handle tsubaki without him going with him:
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He decides to stay back with everyone else, showing that he has learned that he doesn't need to be the one to do everything and can stay back with the others to buy kuro time.
Interestingly we see touma doing something similar. Opposed to his old need to have the whole world acknowledge him he now wishes for everyone to believe he's dead and he's helping to protect the city by creating a huge barrier without making it known that's he the one doing this:
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He's helping the protagonists seemingly with no intention of earning acknowledgement for it.
I think in a way it could be cool of servamp to subvert the shouned trope that for the finale battle the only one able to defeat the big bad is the protagonist while everyone else just watches on from the sidelines, not allowed to do anything because this is the protagonist's moment of glory.
What if lily's plan when he put kuro in mahiru's path was that if kuro tried to stop tsubaki at the gate surely his eve would need to be there with him, right? Because of course he needs his eve to fight and then there's also the distance limit. So why not make the vessel you need at that gate for the ritual to work kuro's eve? Then the vessel would be at the place where you need them without you even needing to do something because naturally they would be thinking they are doing the right thing by going with kuro to fight tsubaki together. And surely someone as vainglorious as mahiru would never pass up the opportunity to be the hero who stops tsubaki. It's foolproof!
Unless of course before the ritual the vessel learned to let go of their vainglorious nature, accepted that it's okay to take a step into the background and trust in others. And additionally also found a way to break through the whole forced proximity thing that the servamp and eves had going on.
I don't know, I feel like it would be a neat bow on mahiru's character arc and a unique way to thawrt the antagonists' plans if the creation of the servamp of vainglory failed because the 'it has to be me' guy they wanted to use as the vessel decided against glory and stayed back to let his partner handle things with tsubaki alone because he trusts him. Kuro on the other hand wants to make up for his past regrets and resolve the conflict through communication this time. Learning to trust in himself again by managing to talk tsubaki out of going through with the ritual on his own would be a logical conclusion to kuro's arc.
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orowyrm · 1 year
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good evening sigmoira enjoyers. i come bearing jokes based on a silly conversation i had with my friends a little while back that has been living rentfree in my head for a week
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swordmaid · 6 months
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actually finished this a while ago but i havent gotten around to sharing it .. but this is shri'iia's act 1 costume hihi... scuffed fancy drow armor that's based around the ingame set except it's more heavy armor than light/medium. the pose looks so awkward rn but im planning to do a set with her costume progression so it'll make sense later <3
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sugarsnappeases · 2 months
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rita skeeter, at the end of the first war
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skadi: but pink is a girl color?
qsh: were you even listening
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beanghostprincess · 1 month
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Let's say chocolate is a metaphor for traditional relationships that happen to appear good but are too sickly sweet for Sanji to handle and after WCI he ends up not liking chocolate. At least for a while. He needs to move on from what happened first. But he wants to force himself to like it because he should like chocolate. It is one of the most basic ingredients when making sweets and it is also everywhere.
So what if it makes him want to throw up? What if his stomach betrays him when cooking? What if he needs to stop every two seconds to breathe because his lungs don't work properly when he smells chocolate? He will keep trying and trying to make it work. Everybody loves chocolate, after all, he should too.
But then, one day, Usopp sees everything he has around the kitchen. Like. That's an awful lot of sweets and a disgusting amount of chocolate and he doesn't seem like he has slept in a week. So of course he is concerned. "Why- What's all of this about, Sanji?" He tries to hide his nervousness with a laugh.
Sanji grips the counter tighter. So much his knuckles turn white. "I- I don't know. I guess I was just. In the mood for chocolate." But he doesn't sound sure at all. In fact, he looks like he's about to cry.
"Well." He looks around the room without wanting to touch anything but approaching Sanji a bit to check on him. "Luffy can have all of my portions because I kind of... Not like chocolate?"
"You don't- You don't like chocolate?"
"No? Too sweet. I actually pretty much hate it? The smell already makes me ill."
"Me too."
"You what?"
"I think I don't- I don't think I like chocolate anymore. Is that- I don't know if I ever did. Is that alright?"
"Why wouldn't it be alright, Sanji? It's just chocolate. Nobody can force you to eat it. Or cook it if you really don't want to."
And Sanji realizes that maybe... Maybe it is alright for him to not want chocolate, and a wave of relief takes over him for a solid second.
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malistaires · 4 months
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thinking about death wizards as who remains. who is left to grieve, who is left to pick up the pieces, to sew once more after things have been reaped. gentle but callous, resolute.
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carpathiians · 8 months
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the thing about javier. at some point I think he really just couldn't live with himself. at some point he had to get rid of everything that reminded him of the past and maybe he stopped caring about his appearance as much because it seemed to have no point anymore maybe he was simply too tired maybe he felt he didn't deserve to be like that anymore ... maybe he felt he didn't deserve to pretend to be the man he thought he was.
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