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#anyway im suffering
skiitter · 1 year
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Morning Star is so stressful it's giving me literal anxiety IRL. I am fucked UP over this book series.
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llycaons · 1 year
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two people eating by clementines in this room. misery and suffering
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asexualbookbird · 5 months
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dyou think maybe my migraine is finally dull enough that i can finish my book or nah
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inkiedraws · 1 month
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"LOL this flip-flop wearing loser thinks he's gonna kick my ass and destroy my whole kingdom in the span of an afternoon. What an idiot"
I didn't intend for this to be a full comic, which is why it just kinda ends. Sowwy
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inkskinned · 1 year
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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casgape · 1 year
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in spn suffering makes you good, which is why Sam is tortured constantly (to balance the demon blood) and why Cas is constantly being torn apart (because sera gamble didn't think he was cool narratively).
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bleakbluejay · 3 months
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you motherfuckers have no concept of what "land back" or "decolonize" even mean. you're too busy demonizing entire groups of people, terrified, shitting yourselves, that they'll do even half of the horrors to you that you've done to them for decades or centuries. this shit comes off as hella racist for real. you hate arabs so much. you hate first nations people so much. you hate black people so much. even if you sympathize with them, you can't fucking bear the idea of them gaining freedom, independence, autonomy, safety, because you're so, so scared they'll hurt you back and cause chaos in the streets. these same people who just want to rebuild. who just want to go home. who just want to see their families again. who just want food. who just want medical care. who just want dry, warm shelter. you're so focused on the ideas of colonization, of "us vs. them", of one people displacing the other for a state to exist, that you cannot comprehend coexistence, and your only idea of peace is if an entire group of people were just gone and dead.
grow the fuck up. for the love of GOD, grow the fuck up.
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spatziline · 9 months
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I finally watched Good Omens and I love it
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hi. rant about ybcpatrick at me. idk if I have any pertinent thoughts right now but I love angst so here's a thought: how much pain do you think he's in. just... constantly? like. he got sliced and diced. not just the hand, though that must be awful, but all his organs??? guy must be in agony whenever he gets enough of a breather to be aware of it
God he has to constantly be in agony. there's no way he ISNT in pain. he realistically shouldn't be alive or running around in any capacity like he is so I'm assuming there's something supernatural involved to keep him from dying. but he is definitely suffering. my personal headcanon is that while he's brainwashed he is so focused on his mission he just ignores the pain until his job is complete, which is kind of why he breaks down when he finally dies. his mission is complete. he protected the briefcase. also we do not talk about how the ybc lasts for at the very least a week and how after young volcanos none of them eat or drink water (im going to assume since they took the time to get cleaned up, Andy and pete did get something to eat or drink in between death valley and rat a tat). ESPECIALLY patrick. dude is running around for DAYS heavily almost fatally injured with no food or water. the amount of suffering he is in is probably SO severe. genuinely it's a miracle he didn't die from his injuries/condition alone in miss missing you. maybe he couldn't die until his job was complete.
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iooiu · 1 year
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playing around with future donnie’s design and all i can say for sure is this:
1) lose an arm gain three
2) dies
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newttxt · 17 days
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launching a rescue mission!
from utilities included, ch. 8
masterpost
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sandushengshou · 1 year
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demonic cultivators Wei Wuxian & Jiang Cheng for @soresus 
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madamemiz · 2 months
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If you're lost, you can look and you will find me
Time after time
If you fall, I will catch you, I'll be waiting
Time after time
finally finished the third in my series of fully rendered dca images, yippieee!!
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liimonadas · 2 months
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awaiting retribution
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kaladinkholins · 4 months
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We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:
Taigen and Mikio are foils.
Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.
I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.
First of all, let's look at their similarities.
1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.
2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:
For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.
In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.
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From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?
Their backstory:
Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.
2. The first time we meet them on-screen:
Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.
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3. Their maturity and growth:
Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.
4. Their overall attitude:
Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.
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5. How they talk to and conduct themselves around Mizu:
Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.
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Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.
6. Their external vs internal selves:
Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.
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9. Their hair, a symbol of their honour:
Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.
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10. Their power dynamic with Mizu:
Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.
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11. Their perceptions of Mizu:
Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.
12. The way they approach sparring with Mizu:
Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.
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Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.
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Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.
13. When Mizu pins them down in a friendly spar:
Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.
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Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.
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14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:
Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.
15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:
Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.
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Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.
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Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.
So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.
What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.
So for Taigen to have so many parallels with him... Do you see what I'm saying here!
Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").
And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:
Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.
With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.
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yourdicc · 1 year
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