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WHAT TO WATCH THIS WEEKEND March 29, 2019 - DUMBO, UNPLANNED, THE BEACH BUM, HOTEL MUMBAI

This is going to be another weekend where I haven’t really seen any of the wide releases except for a few that opened limited first. Next week will probably be the same as I head to Las Vegas for CinemaCon and will miss most of the bigger press screenings.

Sadly, I would have loved to have seen Tim Burton’s DUMBO (Disney) in time to review it for you, as I am generally a fan of Disney’s classic animated movies (vs. the Jeffrey Katzenberg wave from the ‘90s, most of which I still haven’t seen), as I am a fan of Tim Burton and much of the cast of this one. It includes Michael Keaton and Danny De Vito, both reuniting with Burton after Batman Returns, and Eva Green, who has appeared in a few of Burton’s recent movies… AND she once called me a “pervert.” (The story is funnier if I don’t explain why.) But the story of Dumbo is classic Disney in the sense that it reminds me of all the wonders of watching movies as a kid filled with joy and awe… as opposed to now where I always feel a sense of dread, wondering if a movie will be half as good as it hopes. Anyway, I’ll see this on Thursday night and maybe write something Friday if I’m up to it.

I’m less likely to see UNPLANNED (Pure Flix), a movie that I’m shocked even exists, let alone is being released into 1,000 theaters. This is almost like the polar opposite of the great Mike Leigh’s Vera Drake in that it’s a biopic about Abby Johnson, a Planned Parenthood clinic director who was so shaken by witnessing her first abortion (not her own) that she became an anti-abortion activist. Besides sounding like something out of Jordan Peele’s upcoming The Twilight Zone show, it’s also horrifying to think that the Pro-Life crowd is now trying to recruit the Christian Right to their cause through movies, one that received Pure Flix’s first R-rating, no less.

After premiering at SXSW, Harmony (Spring Breakers) Corine’s new movie THE BEACH BUM (NEON), starring Matthew McConaughey and a typically oddball cast including Snoop Dog, Zak Efron and Jonah Hill, will also open wide this weekend. I’ll probably try to catch this just cause I’m so curious about Corine’s oddball auteur sensibilities. Spring Breakers was actually a bit of an anomaly, and it was one of his few movies I actually liked, compared to something like Mister Lonely, which I found unwatchable despite its similarly-odd cast, which included Werner Herzog.

Then there are two movies expanding nationwide this weekend, both of which I’ve seen and enjoyed, the first of them being Anthony Maras’ directorial debut HOTEL MUMBAI (Bleecker Street), a terrific ensemble piece starring Dev Patel, Armie Hammer and Jason Isaacs – three actors I truly love – about the terrorist attacks on the luxurious Hotel Taj in 2008. I was really impressed with how Maras and his cast and crew tell this harrowing story that’s not quite on par as Peter Greengrass’ United 93 but has a similar impact as you watch it and see how these amazing people came together to prevent even more people from dying. I also should point out that the primarily Indian cast beyond Patel are also excellent, showing there’s a lot of talent coming from India that have yet to break out in a big way Stateside.

Focus will also expand Laure de Clermont-Tonnerre’s drama The Mustang into an unknown number of theaters, and I also recommend this movie if you have an opportunity to see it. It’s a wonderful movie starring Belgian actor Matthias Schoenaerts (Rust and Bone) as a convict who finds a way to fight against his anger issues and violent tendencies by training a wild horse in the prison’s program. Since I haven’t seen the other three movies above, as of this writing, I recommend seeking out Hotel Mumbai or The Mustang if they’re playing wherever you live.

LIMITED RELEASES

I was a bad boy this weekend and didn’t watch any of the screeners I was supposed to watch, so that means I’ve only seen one of the movies opening in select cities this weekend, and that was Kent Jones’ DIANE (IFC Films), which played at Tribeca last year where it won two awards. It stars Mary Kay Place as a Massachusetts woman named Diane, who puts most of her time into helping others in her big family over herself while also dealing with her son Brian’s (Jake Lacy) ongoing addiction that has him going in and out of rehab. Personally, I found it a slog when I saw it at Tribecalast year.

Opening in New York (Village East and Alamo Drafthouse, the latter a part of their Drafthouse Recommends series) and L.A. (three Laemmle theaters) is Sophie Lorain’s French coming-of-age comedy SLUT IN A GOOD WAY (Comedy Dynamics), a movie that I haven’t gotten around to watching the screener, as of this writing, but what a great title, huh? It stars Marguerite Bouchard, Romane Denis and Rose Adam as three teenage girls exploring their first taste of freedom, all three of them in love with the guy who works at “Toy Depot” – a sex shop -- where they each apply for part-time jobs.

Also opening in select cities is Alison Klayman’s documentary THE BRINK (Magnolia) which follows former Trump chief strategist Steve Bannon through the 2018 mid-term elections as the controversial Breitbart founder tries to reinvent himself by getting involved in the European Parliamentary Elections of 2019 with his “global populist movement.” I’ll be curious to see how this compares to Errol (The Fog of War) Morris’ American Dharma, which premiered during film festivals last September but (as far as I know) still hasn’t been released yet. I’m not even sure it found distribution but Bannon is not a very popular figure among American liberals (for good reason), so I can’t imagine many critics would approve of either film.

This week’s Saban Films’ offering is Sarah Daggar Nickson’s thriller A VIGILANTE, starring Olivia Wilde as an abused woman who sets a course to help victims rid themselves of their domestic abusers while also hunting down her husband, whom she needs to kill in order to truly be free. It will play in select theaters Friday after a month on DirecTV.

Downton Abbey director Michael Engler reunites with Downton writer/creator Julian Fellowes who adapted Laura Moriarty’s bestselling book The Chaperone (PBS Distribution Masterpiece Films). The amazing Haley Lu Richardson (Split) plays Louise Brooks before she became a movie sensation in the ‘20s and is just a student in Wichita, Kansas. When she is sent to New York to study with a dance troupe for the summer, her mother requires a chaperone, a role taken on by the by-the-books Norma Carlisle (Elizabeth McGovern). This witty period piece opens Friday at New York’s Landmark West 57 and Quad Cinema and then expands to L.A.’s Laemmle Royal, Playhouse 7 and Town Center 5 on April 5.

The Discovery Channel is also giving Ross (Born into Brothels) Kauffman’s new documentary Tigerlanda release in New York on Friday just a day before it premieres on the cable channel Saturday. It’s a film about a group of Russians trying to protect the last Siberian tigers from extinction, and it’s produced by Fisher Stevens of the Oscar-winning The Cove.

Cocaine Cowboys director Billy Corben returns with the doc Screwball (Greenwich), another film set in Miami, this one that looks into Major League Baseball’s doping scandal and how it affected New York Yankee’s Alex Rodriguez. It opens in select cities following its debut at TIFF last year.

The makers of The ABCs of Evil, Tim League and Ant Simpson, return with The Field Guide to Evil, a horror anthology featuring short films by eight (actually nine) foreign horror filmmakers telling folktales about myth and lore, including Peter Strickland (Berberian Sound Studio), Can Evrenol (Baskin), Severin Fiala and Veronika Franz (Goodnight Mommy) and Agnieszka Smoczynska (The Lure). I missed this movie at Fantasia last year (‘cause I didn’t go) but it will be opening in most Alamo theaters (about 40 nationwide) on Friday.

This week’s Bollywood release, opening in about 100 theaters nationwide, is Thiagarajan Kumararaja’s thriller Super Deluxe (Prime Media), the second film from the director who won the Indira Gandhi Award for Best Debut Film at the 59thNational Film Awards in India. It’s a film about how fate messes with the life of a group of people, as fate is wont to do.

Renowned indie distributor Jeff Lipsky’s seventh feature as a director, The Last (Plainview Pictures), will open in New York at the Angelika and CMX New York on Friday, then will expand to other cities including L.A. on April 26. It involves a large Jewish family of four generations learning that their 92-year-old matriarch, a Holocaust survivor (Rebecca Schull) has a secret that shocks the entire family.

Opening in L.A. at the Laemmle Music Hall is the Holocaust drama Sobibor (Samuel Goldwyn Films) from reputed Russian actor/director Konstantin Khabenskiy (he appeared in Timur Bekmambetov’s Wanted and Nightwatch), playing Soviet prisoner Alexander Perchersky, who led a rebellion at the Nazi’s Polish death camp Sobibor in 1943 in order to escape, freeing hundreds of Jews.

As a counterpoint to Unplanned, there’s Josh Huber’s romantic comedy Making Babies (Huber Brothers) about a couple played by Eliza Couple and Steve Howey who spent five years trying to have kids, so they start exploring other medical and spiritual ways to conceive a child. The movie also stars Ed Begley Jr. and the late Glenne Headly and will open in select cities.

STREAMING AND CABLE

Besides playing at the Egyptian in L.A. (see above), John Lee Hancock’s THE HIGHWAYMEN will be available on the Netflix streaming service after playing in select theaters for a couple weeks. I finally caught it last week, and really enjoyed it. It stars Kevin Costner and Woody Harrelson as former Texas rangers Frank Hamer and Maney Gault, recruited by the Governor of Texas (Kathy Bates) to hunt down and kill Bonnie and Clyde, whose crime and killing spree has gotten out of hand. Hamer and Gault travel across stateliness trying to find them, following the different clues left behind. This is definitely my kind of movie, not just due to the subject matter, but also seeing such great actors as Costner (possibly the last of the bonafide movie stars?) and Harrelson taking on such great roles to show a different side of the story than the one mostly known from the Warren Beatty movie. I really enjoyed both actors’ performances and the general tone of the film, although I do feel that it was a little too long and drawn-out and not in a good way ala David Fincher’s Zodiac. But it does pay off, and it’s a shame that more people won’t be able to see this on the big screen because the film looks great due to the cinematography by John Schwartzman. I’ll also give a shout-out to my pal Johnny McPhail who plays the farmer who witnesses one of Bonnie and Clyde’s brutal murders. Rating: 7.5/10

Also, Friday sees the return of Santa Clarita Diet for its third season, again with Drew Barrymore and Timothy Olyphant.

LOCAL FESTIVALS OF NOTE

The big festival starting in New York this week is the Film Society of Lincoln Center’s annual New Directors/New Films, which always has interesting stuff although it’s definitely getting more indie and esoteric in recent years. It kicks off tonight with Chinonye Chukwu’s prison-set drama Clemency, starring Alfre Woodard and Aldis Hodge, which recently won the Grand Jury Prize at Sundance. The festival’s Centerpiece Is Alejandro Landes’s Monos, another Sundance prize-winner, starring the wondrous Julianne Nicholson as an engineer who travels to the South American jungle and is taken captive by teenage guerillas. The Closing Night film on April 6 is Pippa Bianco’s Share– ALSO a Sundance prize-winner! – which deals with sexual assault and the role of the internet, something which seems very relevant and pertinent. There’s a lot of interesting foreign films and a good amount from women filmmakers in this year’s line-up, which you can read more about here.

REPERTORY

METROGRAPH (NYC):

This weekend, the Metrograph begins its Total Kaurismäki Show, as in Finish filmmaker Aki Kaurismäki, who has been making festival-winning films for almost 40 years and has YET to have a film nominated for an Oscar. This Friday, the series begins with some of the director’s lesser-seen ‘80s movies Hamlet Goes Business (1987),Calamari Union (1985) and Crime and Punishment (1983), as well as Shadows in Paradise (1986), Ariel (1988) and then the 1990 film The Match Factory on Saturday. This week’s Late Nites at Metrograph offering is Ridley Scott’s Blade Runner: The Final Cut (1982/2007) and Playtime: Family Matinees (which has become my idea of comfort food in terms of cinema) is showing Abbot and Costello Meet Dr. Jekyll and Mr. Hyde (1953). Sadly, I’ll be out of town on Tuesday when the Metrograph is presenting Claire Denis’ The Intruder (2004) with a QnA by Ms. Denis who will also introduce No Fear, No Die (1990) right afterwards. (If you also can’t make this night then never fear as BAM is beginning a full-on Denis retrospective, which you can read more about below.)

THE NEW BEVERLY (L.A.):

Tarantino’s reopened rep theater continues to kill it with a single screening of Mike Nichols’ 1966 film Who’s Afraid of Virginia Woolf?, starring Elizabeth Taylor and Richard Burton, on Weds. afternoon. This week’s double features are John Boorman’sPoint Blank (1967) and The Outfit (1973) on Weds. and Thurs., Fellini’sLa Strada (1954) – one of my personal faves – and Il Bidone (1955) on Friday and Saturday, then the ‘30s musicals Dames and Footlight Paradeon Sunday and Monday. The weekend’s one-offs are midnight screenings of Kill Bill Volume 1on Friday and the comedy anthology Amazon Women on the Moon (1987) on Saturday. The weekend’s KIDDEE MATINEE is The Black Stallion (1979) and there will be a special 20thanniversary screening of the Wachowski’s The Matrixon Monday. Tuesday night’s GRINDHOUSE double feature is two directed by Roger Corman -- The Trip (1967) and The Wild Angels (1966).

FILM FORUM (NYC):

Bob & Wray: A Love Story continues with a double feature of Virtue (1932) and Viva Villa (1934) on Weds., a reshowing of Frank Capra’s Lost Horizon (1937) on Thursday as well as a Fay Wray double feature of Once to Every woman (1934) and They Met in a Taxi (1936). Friday sees a reshowing of the double feature of The Mystery of the Wax Museum and The Vampire Bat, both from 1933, and a double feature of Lee Tracy movies, Doctor X (1932) and Carnival (1935). On Saturday, there’s a special screening of the early Fay Wray film The Wild Horse Stampede with piano accompaniment, plus a double feature of John Ford’s The Whole Town’s Talking (1935) and Frank Capra’s You Can’t Take It With You (1938), both written by Robert Riskin. This weekend’s Film Forum Jr. is the Disney animated classic Bambi (1942).

EGYPTIAN THEATRE (LA):

Besides a Weds. double feature of John Lee Hancock’s new movie The Highwaymen with his 2002 baseball film The Rookie starring Dennis Quaid, the Egyptian begins Noir City: Hollywood – The 21stAnnual Los Angeles Festival of Noir, running all weekend. It begins Friday with the double feature of Trapped (1949) and The File of Thelma Jordon (1950), continues Saturday with Appointment with Danger (1951) and Shdow on the Wall (1950), Sunday is Sudden Fear and The Narrow Margin, followed on Monday by City That Never Sleeps and 99 River Street from 1953 and on Tuesday with Playgirl and Hell’s Devil Acre, both from 1954. (This series will continue next week as well.)

BAM CINEMATEK (NYC):

On Saturday night, BAM will start a new series called “Beyond the Canon” (pairing a classic with a more recent film which it inspired) with a double feature of Anna Rose Holmer’s The Fits (2015) and Peter Weir’s Picnic at Hanging Rock (1975). At the same time, BAM is kicking off Strange Desire: The Films of Claire Denis, which will run until April 9 and will show some of the French filmmaker’s best films, including Beau Travail (1999), White Material (2009), 35 Shots of Rum and more recent films like her upcoming English language debut High Life, starring Robert Pattinson.

MUSEUM OF THE MOVING IMAGE (NYC):

On Thursday, MOMI is having a special presentation of Alexandre Rockwell’s 1992 film In the Soup, starring Steve Buscemi, Stanley Tucci, Seymour Cassel, Jennifer Beals, Carol Kane and Jim Jarmusch as part of the 9thAnnual Queens World Film Festival with Rockwell in discussion with former director (and QWFF Spirit of Queens honoree) David Schwartz. To prepare for Mike Leigh’s fantastic new film Peterloo, MOMI is also presenting Past Presence: Mike Leigh’s Period Films, showing the master’s earlier films Topsy Turvy (1999), Mr. Turner (2014) and Vera Drake (2004). It will include a preview screening of Peterloonext Wednesday with Mike Leigh in person!

IFC CENTER (NYC)

I guess Weekend Classics: Early Godard is continuing this week after all with a 35mm print of Weekend (1967) while the winter season of Late Night Favorites ends with Alejandro Jodorowsky’s The Holy Mountain (1973) as well as David Lynch’s Mulholland Drive (2001).

MOMA (NYC):

Modern Matinees: B is for Bacall continues with Douglas Sirk’s 1956 film Written on the Wind on Weds, Vincente Minelli’s Designing Woman (1957) Thursday and Young Man with a Horn (1950) on Friday.

LANDMARK THEATRES NUART (LA):

This week’s Friday midnight offering is Mandy director Panos Costamos’ 2010 debut Beyond the Black Rainbow.

Next week, it’s a doozy of an April opener with Warner Bros’ Shazam! taking on Paramount’s Pet Sematary and the STX drama The Best of Enemies trying to pick up any remaining scraps of business. I’ve only seen one of them.

#Dumbo Movies WhatToWatchThisWeekend Unplanned HotelMumbai TheMustang TheHighwaymen Netflix

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