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#anyway. this is terrifying
lilislegacy · 1 month
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imagine being someone at new rome university and not knowing percy is the same guy as “percy jackson, son of poseidon, two-time hero of olympus, former praetor” because the thought doesn’t even cross your mind. like… he’s percy. he’s a total frat boy. on a normal night, he walks into a party, refers to everyone as bro or dude, socializes with every living (and not-living) person in the room, makes at least 50 sarcastic comments, plays 12 rounds of beer pong, drinks way too much, and then skates around campus on his skateboard yelling “I LOVE NEW YORK” (which makes no sense, because they’re in california) until someone calls his girlfriend to come get him.
and then one day there’s an attack, and frat boy percy is all of a sudden a fighting machine. he’s yelling battle cries alongside the praetors frank zhang and hazel levesque as they lead everyone into battle. (why is he with the praetors? and why…. why in the world do the praetors seem to be following his lead?) his sword slashes through armies of monsters faster than you’ve ever seen. he’s controlling the entire river surrounding the camp, creating huge waves as tall as skyscrapers that crash down all around him, wiping out monsters and causing mass destruction to his enemies’ ranks. the sky is suddenly dark above you, ice-cold water droplets are slashing through the air, and the wind is blowing so aggressively that it’s making it hard to stand up steadily. because he’s somehow created a hurricane.
and he looks terrifying. you can feel the power radiating off of him. he’s like a god. or maybe a monster. it’s hard to tell. you’re a little scared of him, to be honest. but also in total awe, because it’s extraordinary. he’s extraordinary.
frat boy percy is not who you thought he was.
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azfellandco · 8 months
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It's about Crowley bearing witness to Aziraphale's desire, about the way that desire is animal and visceral and enormous and terrifying*. And about how Crowley sees that and wants it. Crowley offers the ox rib and watches Aziraphale eat because eating provides them no sustenance, it's purely for pleasure, sensual, selfish. And Crowley introduces Aziraphale to this, and thousands of years later still takes obvious pleasure in feeding Aziraphale, in watching him eat. In watching Aziraphale's pleasure.
And I think it's significant the things we see Crowley put into his body in s2, and why: six shots of espresso, as something bracing before seeing what it is that made Aziraphale call him in his "something's wrong" tone; whiskey, because he has to give Aziraphale some bad news; wine, because they "might as well get comfortable" during the storm coming down on Job, after Aziraphale learns that Crowley is actually pretty unhappy with Job's suffering; and poison, to dispose of it so Elspeth (or Wee Morag, I've fogotten which is which) doesn't die. Crowley doesn't take Aziraphale's "something that calms you down", only consumes things that not only don't bring him pleasure but are an attempt to prevent pain. Crowley, who introduced Aziraphale to this important physical, sensual, selfish pleasure, denies it to himself. He denies himself the eccles cakes, he denies himself partaking in food, and he denies himself Aziraphale.
And we see throughout the rest of the season other things he's denying himself: the comfort and safety of a home in the bookshop in favor of the mobility and ready-made escape of living in the Bentley, the surety of saying what he really means during the confession. He cannot bring himself to admit what he wants, that he wants. Gabriel and Beelzebub "going off together" is not what he wants. He wants Aziraphale, but he doesn't say that, because he's never, in the years and years and years we've seen this season, let himself want or be seen wanting. "Going off together" is as close as he can get to speaking it. "A group of the two of us" is as close as he can get. So he has to watch as Aziraphale leaves and takes his pleasure in the world with him.
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zillychu · 3 months
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Consider for a moment: A slow-burn identity reveal “no one knows” AU with an emphasis on ghosts being taken seriously as an actual, world-changing threat.
Ghosts are treated as an exceedingly dangerous, but unavoidable force of nature. They can come and go without warning, through naturally occurring spontaneous portals. They're territorial, driven only by obsession and hunger for the living. Particularly powerful ghosts are on par with natural disasters.
Life goes on because there's simply no other option. All major buildings have varying levels of ghost shields, some stronger than others. Just about everyone has some form of personal shield, weapon, or general deterrent. For the most part, humanity takes this apocalypse in stride, barely keeping it all together because there's just enough safety to keep them all sane.
Which is why the rumors of Phantom being able to fully mimic a human body incites panic in Amity.
Phantom was already a nightmare as it was–one of the most powerful and intelligent ghosts on record. His territorial fights with other ghosts for haunting (hunting) grounds in Amity have made global news several times already. Powerful ghosts could appear more human–but to think he was transforming down to a cellular level? Hiding among them? Bypassing ghost shields and alarms? Picking them off one by one?
The focus is mostly with Lancer's class, and how the school deals with this new threat on top of everything else. Everyone is a suspect, no one is safe, and Danny Fenton in particular gets slowly more and more exhausted, apathetic, and… unnerving.
The stress, the lack of sleep, the fighting, no one to turn to, not even his best friends or family–it takes a toll on him. Starving himself doesn't help, but he refuses to do more than take small bites from the ambient life energy and emotion of the living around him. Nothing that won't actually do lasting harm. He begins to slip up more and more, which Sam and Tucker begin to notice but haven't quite connected the dots yet.
But, well. What else can Danny do when Pariah Dark comes knocking on Amity’s doorstep, and his whole class is in the line of fire?
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HEART. LUNGS. LIVER. NERVES. HEART. LUNGS. LIVER. NERVES. HEART. LUNGS. LIVER. NERVES. HEART. LUNGS. LIVER. NERVES.
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ominouspuff · 2 months
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Kote’s House
Kote’s first house is a pathetic thing, and he is incurably proud of it. The twi’lek he purchased it from very evidently could not make up his mind what to do with a man that grinned while he haggled, but it was the first time Kote had haggled over a purchase of his very own. He had thoroughly enjoyed it.
The house is built for one being, and a compact being at that, but Kote doesn’t have much. Moving in is quick, and most of his efforts during the next few days after go into attempting ambitious repairs for things he doesn’t know the first thing about. 
His plumbing is an issue, he knows. Something is getting blocked up. Somehow while trying to fix the kitchen tumbler, his fresher spout explodes.
He hadn’t kept his new house a secret from anyone by any means, but it is still surprising when Fox barges in through his jamming front door. He finds Kote on the floor in his cramped kitchen while the fresher rains water in the adjacent room, laughing so hard and so crippled with delight that he can’t get up.
He tries to explain how wonderful it is —
“I-I have to fix my plumbing on my own, vod—”
—but judging by Fox’s single raised eyebrow he knows it doesn’t translate.
Fox, it turns out, is moving into the neighborhood. Kote doesn’t ask about the house Fox already has — the house he has visited, which is very nice and fancy — or point out that Fox’s contract there cannot possibly be up, which begs the question of why he’s here in Kote’s neighborhood — except that Kote already knows the answer to that question. So he doesn’t ask.
Fox doesn’t show him any grace or forbearance, though.
“Don’t even know how to fix a damn pipe, front lining show-off—” His brother snarls, but it is muffled; his top half had to go down beneath the floor they’d pried up to get at the plumbing issue.
“So that’s what they had you doing all these years.” Kote says, because he really is in a criminally good mood. He barely ducks the foot-long pipe Fox throws at his head, feeling giddy.
He makes dinner that night in thanks. Fox stays, ostensibly because now that he’s fixed the fresher he intends to use it, because his new house isn’t hooked up properly yet to all the supply lines and power grids. 
They choke on homemade tiingilar (vode-style; Kote can’t pretend at the real thing yet) so heavily spiced it’s got grit to it that sticks between the teeth. It’s disgusting, but Cody had bought fifteen different spices and while usually he likes to keep his approach to the unknown more cautious, more methodical, he couldn’t think of anything he wanted to do more than use them all at once for the first time. 
Wolffe joins them not long after; brings a few others along by recommending the apartment he picks out, so that soon most of the complex is taken up by vode, Kote hears, but he doesn’t visit yet. Everyone’s too busy coming over to his house, it seems; filling up his kitchen and asking why he hasn’t fixed the trash disposal yet, why he doesn’t have a couch, doesn’t he know they’re all the rage among civilized folk?
Kote fixes the trash disposal with Rex, who is better at it than he is but says it’s only due to Skywalker’s influence on managing all things mechanical. 
“How is Skywalker?” Kote asks, and gets more than he bargained for over the next hour. At first he’s a bit off-put, because he’s trying to get dinner sorted again and he’s not been very fond of Skywalker at the best of times, but Rex is snorting out a story and laughing and it’s contagious, so Kote just resigns himself and settles in to enjoy.
Skywalker has little ones, now. Obi-Wan is the only one that can get them to sleep. Ahsoka is distressed; she knows better, but every instinct in her is apparently in agony over the little ones’ inability to eat meat yet. She obsesses over nutrients in their diet — which, given what tiny natborn humans primarily ingest in the early stages, makes for some slightly awkward conversations.
Rex helps with dinner afterward, and they take turns being incredulous over natborn baby facts, shoving around one another in the tiny, uncomfortable kitchen.
“What’s your next project?” Rex asks at one point, glancing sidelong with a cheeky look, and Kote levels his vegetable knife at him (he’s got a vegetable knife. Specifically for vegetables. It’s a very new concept). 
“I make everyone’s dinner on Tuangsdays.” He says. “I’m productive.”
Rex’s sharp-toothed grin turns thoughtful. “Yeah” He says. “Everyone loves coming here, you know. You could be the new 79’s.”
Kote knows. He plans and plots, and puts more work into researching recipes than he’s put into any research whatsoever in months. It feels a bit like coming out of a shore leave; his thoughts quicken and his excitement grows. He hunts down a market. He brings a bag. He shops, bargains, and returns victorious.
He sends out a few comms., and can’t help but shake his head and grin at how different the responses are. 
What a marvelous idea, Cody. His general — ex-general — says.
Yus pls, Ahsoka sends back, with some sort of strange tooka vidclip that dances with wiggly gyrations Kote can only assume indicate excitement.
Where is your house, Anakin says, blunt and to the point, and Kote can appreciate that. 
He sends the address. He cooks all day. The sun sets, and Fox and Wolffe arrive, already bickering, Rex trailing behind with a long-suffering look sent to Kote, begging commiseration.
“Ugh, don’t you ever stop smiling, now?” He gripes when Kote just grins at him. 
“Nope,” Kote says, unrepentantly.
He leaves the soup on the stove, simmering, and takes his cup of caf to the window. He leans on it, breathing in cool air, and just listens — listens to the squabbling as Wolffe gets on Fox’s case for not washing Kote’s dishes correctly the last time they visited. Hears the soft thumps of Rex sneaking into the cramped room Kote has set aside for plants and the sole pet he has; a pastel goullian, fins swaying ever so gently, permanent scowl in place. Thinks he catches, distantly, the sound of his remaining three guests (Padme couldn’t attend, and had made him feel very awkward by how thoughtfully she apologized for it) plodding up the hill. 
“Cody!” Ahsoka cries, coming into view and waving. 
Kote’s cheeks have stopped aching from all the smiling he’s gotten used to, so it’s easy to let another through.
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turtleblogatlast · 4 months
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Imagine little Leo having trouble sleeping so he ends up watching tv and movies with Splinter to pass the time. Splinter often just passes out in his chair, but Leo likes the company anyway.
One day, Leo’s rifling through the movies his dad brought back for them (usually 70s and 80s stuff - Splinter has a bias) and he gasps.
Leo runs over to Splinter and holds up a copy of The Last Unicorn, begging that they watch it that night.
Splinter remembers absolutely nothing about the movie, but hey it’s got a unicorn and it’s animated so it’s gotta be fine, right? So he turns the movie on and passes out near immediately.
He’s woken up roughly an hour and a half later by Leo climbing up onto his chair and sobbing hysterically into his chest.
The movie is now one of Leo’s favorites.
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finncakes · 1 year
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what's the play here, beauregard?
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novaneondream · 4 months
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Girl dad things
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wickedlittleoz · 6 months
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an artist i follow got an ask about whether it was alright to use their art as covers for fanfic bookbinding and i'm. sorry i must have missed this discourse but since when are people outright printing out other people's work and binding them into books? do you contact and get author's permission (sure as fuck hope so)? and how do we writers feel about that, because i certainly feel very uncomfortable with that idea. i mean not to spoil the artistic expression of bookbinding because it's beautiful work that i most certainly could not do, but. you can access them stories any time you want on the websites where they were originally posted. why print them? again i mean i get the pleasure of holding & reading physical books, i much prefer that too, but like. get some books i guess? sorry i come from a place of honesty and tbh surprise and confusion about this whole thing. someone tell me how we're feeling about this. someone explain to me why it's being done. i just wanna understand
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theminecraftbee · 6 months
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Tango makes a terrible, terrible face as he walks into Grian's new creation. Bit rude, he thinks that is, but whatever. Grian waves his arms out, getting ready to show Tango more than he'd shown him when the practice room was still in-progress, when Tango says:
"What did you do to it?"
"Huh?"
Tango shudders. He folds his arms over himself and looks at Jellie the ravager. "What did you do to it. To this place. Why is it... warm?"
"I mean, it's not really warm, see it's all white so it actually doesn't retain heat very well, even with the froglamps, so I had to do some work to make sure the temperature was appropriate for heavy physical activity while not risking frostbite the way the actual dungeon does, and..."
Grian trails off.
"The point is that it's mostly just, I don't know, mild temperature? Unnoticeable temperature? The fact you commented on it is weird."
There's a strangely echoing quality to Tango's voice as he steps back again, against the door to the practice room. "It's clean."
"Yeah. I mean, that's the aesthetic, isn't it? Wiped clean of everything but the ravager, the water, and the drowned. None of the distractions. Good for practicing, you know?" Grian squints. "You should like it. You said you'd like it. Wanted people to be able to practice so they'd do better at the dungeon."
Tango shudders again. "You've wiped clean the ravagers, too. I can't... touch her."
"What?" Grian says, baffled.
"What have you done to this place," Tango says.
"Listen, I won't have you insulting my clean room," Grian says. "I cleaned it of all the dungeon bits. It's nice and easy and white and understandable. I won't have you corrupting it."
Hm. Not sure where that one came from, he realizes. Probably a bad sign. He'd certainly guess as much from Tango, who is staring at him with something akin to horror.
In a voice that echoes like a card readout, Tango says: "You won't do this in the dungeon. You'll feed us what's left from this. Or I'll have to ask you to move it."
Grian rolls his eyes. "Geez, yeah, I won't touch the actual dungeon! I already broke the sound test room, I'm not breaking any really important redstone. Now, do you want to see the drowned dodging room or not?"
"I'm horrified to find out what happened to the drowned, if this is your ravager."
Grian looks between Jellie's blank stare and Tango and throws up his hands. "Nothing! I did nothing to her! I have no idea what you're on about!"
"It's like you bleached their insides," mutters Tango. "Bleached everything. It's not natural."
"Not natural? Like you're one to talk!"
"I need to know. Show me," Tango says.
"Right then. Take off your armor first, I don't want Jellie getting thorned or something, then let's practice some dodging and get in there. Then you'll see this is a perfectly normal set of eerie white rooms and leave me alone, right?"
Tango makes a face.
"I don't know why I bother. Honestly. You'd think I'd done something weird," Grian says, and then neither of them talk much, on account of the ravager trying to chew their faces.
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barrierblock · 8 months
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fake screenshot for brave new world isolated BG + wips under readmore
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ninjafuuzz · 26 days
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im going batshit insane over these twos,,,, god bless
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l1-b1 · 7 months
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This song and lloyd… ourgh my heart hurts
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crplpunkklavier · 10 months
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an aspect of aa4 that i really dont see talked about a lot is that kristoph had that forgery commissioned before phoenix was ever in the picture. he didnt have that page forged to disbar someone, he originally had it forged so he could use it in court and win the case. it wouldnt have worked, because zak had planned to disappear mid trial from the start, sure. but kristoph didnt know that. this implies that either kristoph thought klavier would just let him get away with forged evidence, or, more likely, that klavier just wouldnt pick up on it at all. and we talk about klaviers guilt a lot and all, but..... in between this and daryan thinking he could smuggle contraband into the country using klavier's guitar, how would it feel to know that everyone you loved thought youre stupid? that they werent just murderers, they were murderers who were banking on you either not noticing them or looking the other way? and how bittersweet must it feel to have proven them wrong. ive said it a lot: i think klavier is one of the smartest characters in all of ace attorney, and yet those closest to him didnt seem to know that about him at all.
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cotgar2 · 6 months
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Was insanely bored so tried to do a simple redraw of a frame I’m pretty sure the animators didn’t intend anyone to see, but too bad I have it and now it’s mine \/
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soft-fella · 5 months
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was drawing a fat fairy and thinking about why i don’t like to tell people i want to gain weight and it’s literally because when you tell people something like that, you sound absolutely bananas, and it’s not a thing that most people really get or understand. like, i feel like it’s easier to say you’re into fat people than it is to say you want to be fat because it feels good or that you want to be admired or loved for it, if that makes sense. like oh yeah, the world we live in is absolute garbage
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