Philip-Lorca DiCorcia, W. September 1997, #9, 1997
8 notes
·
View notes
Exhibition: "Infinite Guile: Sarah Smelser's New Monotypes"
[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right”…
View On WordPress
1 note
·
View note
“Iconography/A Hopeful Truth” (2022-2023), 24k gold leaf, 22k moon gold, acrylic paint, semi-precious stones, and other mixed media on archival pigment print, 56 x 42 inches.
Through Gilded Portraits, Tawny Chatmon Envisions a Dazzling Future
All images © Tawny Chatmon
“Iconography/In honor of the sacred divinity that exists within us” (2023), 24k gold leaf, paper, acrylic on archival pigment print, 47 x 35 inches
“Pastoral Scenes/Ralisha” (2021-2022), 24k gold leaf, acrylic, semi-precious stones, thermoplastic polymer resin, and other mixed media on archival pigment print, 56 x 36 inches
“Bridgetower Frieze” (2021), 24k gold leaf and acrylic on archival pigment print, 40 x 30 inches
“Iconography/And All Generations Shall Call Us Blessed (before completion)” (2022), 24k gold leaf, paper, abalone shell, and acrylic on archival pigment print, 44 x 36 inches
1 note
·
View note
From all of us at JSTOR, happy Black History Month!
The profound impact of African American writers, artists, politicians, and academics, along with countless others, is indelibly etched into the fabric of American history–and we'll be highlighting them all month long.
Image credit:
Fink, Larry (1941-2023). Malcolm X, Rally for Birmingham, Harlem, NY, May, 1963. 1963, printed 2019. Archival pigment print, 22 x 17 in. (55.88 x 43.18 cm).
Levy, Mark. Mississippi Freedom Summer 1964. 1964. Queens College Special Collections and Archives.
Borg, Erik. Toni Morrison. August 26, 1977.
Lisa Kuzia. Angela Davis. 1980-1985. Black and white photography, 4 3/4 x 3 3/4 in. Special Collections and Archives, Colby College Libraries, Waterville, Maine.
Padow-Sederbaum, Phyllis. Junior NAACP Demonstration. 1963. Queens College Special Collections and Archives.
Allied Printing Trades Council. Placard from Memorial March Reading “HONOR KING: END RACISM!” 1968. National Museum of African American History and Culture; On View: NMAAHC (1400 Constitution Ave NW), National Mall Location, Concourse 1, C1 053; Collection of the Smithsonian National Museum of African American History and Culture.
Created by C. M. Battey, American. W.E.B. Du Bois/. 1918. Silver and photographic gelatin on photographic paper. National Museum of African American History and Culture; Collection of the Smithsonian National Museum of African American History and Culture.
Mosley, John W. Civil Rights Demonstrators at Girard College. Philadelphia PA: Temple University Libraries, 1965-07-17. Charles L. Blockson Afro-American Collection.
1K notes
·
View notes
Cerezas, From The Bodegones Series
Photography by Dora Franco
Archival Pigment Print, 2020
26 notes
·
View notes
Exhibition: "Gary Justis: Floral Nocturnes"
[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right”…
View On WordPress
0 notes
Totally Stab Caesar 11×17 Poster • $10.00
Celebrate your favorite Tumblr Holiday, the Ides of March, with this “We should totally just STAB CAESAR!” 11×17 poster.
11 x 17″
Printed on archival matte paper
Printed with Dye/Pigment Reactive Ink
Shipped in heavy duty poster tube
5K notes
·
View notes