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#around the bend
cringelordofchaos · 4 months
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fuck you fiction that touched me to the depths of my heart with amazing emotional songs at the very end with deeper meanings that still (especially) emotionally affect me whenever I re-listen to those songs 😡
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do-you-like-this-song · 5 months
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youtube
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abvchicago · 1 year
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White Sox Craft Lodge 2023 | Guaranteed Rate Field
Baseball’s back so that means a new year of craft brews at the Leinenkugel Craft Lodge! Some things have changed a bit since the beginning of last year – most notably in the look of the place. At least one of those changes streamlines the process and makes for a quicker experience so you can get back to the game. Let’s take a look! (All comparisons are based on last year’s opening day and might…
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fuckyeahtoilets · 1 year
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Around the Bend
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roridomyces · 8 months
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Triptych
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girl-drink-drunk · 2 months
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shoutout to rebecca romijn for changing the entire trajectory of my life when she just casually lifted john larroquette's entire six-foot-four self on her back
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silverliing · 10 months
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Mrs Wheeler can’t you see they’ve been cooped up inside all night? You should really let them break curfew more often
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lavender-rroses · 6 months
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//JRWI RIPTIDE SPOILERS
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talk to us
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flowercrowngods · 1 month
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something so monstrous pt.2
(in which kas feeds from steve and triggers a bad migraine pt.2)
🤍🌷 read part 1 here this part gets really intense on the migraine. descriptions of immense pain, fever dreams, and vomiting, some body horror imagery bc pain can be fun like that
Time and space lose all meaning as Steve remains on the precipice of something that is too violent to be called sleep, but not harsh enough yet to be unconsciousness. Real sensations evade him as everything turns into pain immediately. Even the twitch of his finger becomes a thundering blaze of blinding pain shooting through his body and settling behind his eye until he is sure he will wake up blind. 
The fear of that is everpresent, the blind spots too real to ignore every time it goes like this, and he imagines how they will grow. He imagines how they get worse every time until one day the pain inside his skull will be so immense it will take his eyesight in exchange for alleviation.
And even though it is unbearable, he opens his eyes whenever he can, just to make sure he can see still. It’s an added veil of terror that covers him whole and consumes him slowly but continually. 
At some point he notices something cold and wet being placed over his eyes, adding another layer of darkness that is welcome, even if it leaves an imprint of pressure and sensation on his forehead that makes his skin tear around it, his skull cracking and caving in beneath the touch. 
And still it helps a little, pulling him further toward consciousness but not further toward the pain itself. But Steve can only whimper weakly in response, six feet under a thick cloud of cotton-filled smog that even turns breathing into a chore, polluting his lungs with fear and horror and agony without compare.
He does fall into a fitful sleep at some point, grateful for the short reprieve, but it does nothing to alleviate his exhaustion. 
It feels like his eyeballs are being pushed into his skull for what must be hours upon hours, and the pain is so unbearable, so horrible, that he's not at all surprised when nausea rises in his chest, his body responding to its current state with confusion and a hard-reset. 
Steve keens, trying to roll onto his side, groaning at the flares of pain shooting up into his skull and down into his limbs. They only worsen the nausea and it's pure instinct that gives him the strength to sit up. 
"Kas?” he whispers, swallowing thickly against another wave. "Bathroom?” 
Instead of giving him directions or pulling him up to drag him there, Kas wastes no time. He gets up off the floor, approaching him with shuffling steps once more, and gently but quickly lifts Steve off the bed in a hold — firm, yet gentle — that brings another sting of tears to Steve's eyes. Pain and vulnerability and the need for everything to be over. That’s what makes him cry.
Still he manages to hold on, his head rolling onto Kas's shoulder, the skin of his neck blissfully cool against Steve’s overheated forehead pressing into him. 
Make it stop, he thinks. Longs. Aches. It’s supposed to be over. It’s all supposed to be over now. 
He whimpers again, and imagines that Kas is the one to softly shush him this time.
The coolness of Kas's neck is gone all too soon as the vampire sets Steve on the hard, uncomfortable bathroom floor. He doesn't go far, though, crouching down beside him and holding him up over the toilet. Steve can't see anything, but still he’s grateful that Kas left the lights off, the bathroom tinged in the same darkness as his bedroom. 
Pathetically, Steve rests his forehead on the toilet seat, chasing the coldness of it as pain and nausea reach their peak. It’s disgusting, but be’s not strong enough to care. A whine breaks from him, and he wishes Kas would leave. Even though the cold hand on his neck feels good, and even though he knows he wouldn't be able to hold himself up right now. 
I'm not weak, he wants to say. And maybe he does. But he can't recognise his own voice right now. 
"Not weak, maybe, but pathetic." 
No. 
"You know you are." 
Shut up. Go away. 
It doesn't make sense for Mr Munson to suddenly be here with them, to stand in the doorway and watch his nephew, who is more monster than human these days, holding up the pathetic form of Steve, who is more pain than human. More smoke than human. More vulnerable weakness than remotely human.
Go away. Eddie? I want him to go away. Tell— Go ‘way. 
The hand wanders, pulling Steve against cool skin again so his forehead rests against the toilet no longer, basking in the cold touch and the warmth of a body to hold him. 
"Safe," Kas says, and Steve wants to badly to believe him. Wants Wayne to leave, wants everyone to leave and just let him suffer in silence and solitude like always. 
Wayne starts talking again, but Steve can't hear him this time as he suddenly heaves and retches, throwing up what little he had to eat today. Over and over and over.
It goes like this for a long time. He has no idea how long. Has no idea where he even is anymore. 
The world tilts a few times when he loses his grip, his arms buckling, his hands spasming and giving out, and still he never falls. Only ever feels the cold, damp skin of Kas’s neck. 
Kas has to carry him to bed when he's done and on the brink of passing out again, and Steve doesn’t mind this time. Kas also hands him a glass of water or two before pushing him back to lie down again. That’s nice. 
The wet cloth returns, and Steve isn't aware of his surroundings for much more after that.
—— 
The next time Steve comes to, he feels like he was freshly dragged through Lover’s Lake until his lungs gave out. His head is pulsing violently, his senses are sluggish and everything feels foggy. He has no idea where he is, the room pitch black around him as he lifts a lukewarm damp cloth from his eyes. 
A soft groan falls from his lips as he stretches his aching, cramped limbs, rubbing his hands over his face and regaining the feeling in his body. Little pinpricks of phantom pain shoot through him, his mouth tastes like ash and his head protests rather violently against his pathetic attempt at sitting up. 
He is disoriented and something about his vision is still messed up, something in the depths of the room not quite right and leaving him with a dizziness he can’t quite shake, followed by a wave of anxiety that something’s wrong with his eyes. 
He blinks. Blinks again, finding more things in the strange room as he does, his sluggish brain slowly catching up and filling in the blanks.
It all comes back to him like a tidal wave when he suddenly finds himself blinking at a pair of red eyes, softly glowing and wide open. 
“Kas,” he croaks, his throat absolutely parched. 
One second he’s wincing at that, the next he finds a cool glass of water pressed into his hands before the eyes and the shadowy form they belong to retreat to the foot of the bed again. 
 “Thanks,” he murmurs, stalling as he takes a sip. Embarrassment rises in him, but he doesn’t want to apologise. The thought of that somehow makes the vulnerability that much worse, so he tries to ignore it. It’ll all be fine if they simply not acknowledge it. 
He wants to ask for the time instead, wants to know how much the migraine took from him this time, but he knows Kas doesn’t really understand the concept of it all, let alone know the numbers. 
A silence settles between them and it’s somewhere between welcome and uncomfortable. Just like everything that happens in Hawkins. It makes Steve feel like a ghost again, but this time he’s a ghost in the room, not just in his own head. He’s the one who’s out of place.
With a little sigh, he places the glass on the makeshift nightstand again and falls over onto his side. His head is mad at him for it, still feeling too fragile for sudden movements, but lying down feels better than sitting.
There’s a huff from Kas that sounds more amused than derisive, so Steve looks at him. Looks at the shimmer in those eyes before closing his own again, not wanting to be looked at right now. Not wanting to face it.
“You,” Kas says then, his voice quiet and without the edge of that animalistic growl. The sound of someone who’s not meant to speak at all. The souvenir of someone who was human once before Evil grabbed him and modified him to His liking. 
“Me,” Steve says, an automatic response, just as quiet. He’s listening. 
“How… How are…” Kas struggles, huffing in frustration at the words that refuse to come, but still it’s the most coherent Steve has ever heard him. It makes him sit up half way again; leaning his weight on one arm to focus all his foggy and cloudy attention on the vampire trying to ask him how he is feeling. 
No more words come, though, the question half finished in the air between them. But somehow it makes Steve smile. Just a little bit. This feels important. And huge.
“My head hurts,” he answers truthfully, amused when Kas’s eyes snap back to his. To search them. To communicate something.
“Hurts?” 
“Yeah. It will, for a while. Always does. Nothing to do about it, really.” He wishes he felt as indifferent to it as he sounds, but that’s just the tiredness clouding his tone. It’s fast approaching now that he knows he’s relatively safe. Now that he knows he can rest. His arm gives out and he slides, slowly this time, back to lie on the pillow. “But it’s not as bad. And the other pain is gone, so…” 
So. He could go home now. He should, probably. Ignoring the weakness in his bones and the exhaustion in his every fiber. If he closed his eyes again right now, he could fall asleep. Still, maybe he should—
“Stay,” Kas says again, and Steve really should have figured. He’s not quite well enough to really fight him on that, though, so he shrugs. 
“Fine,” he mumbles into the pillow, halfway back to slumberland already. 
There’s movement on the foot of the bed, and before he knows it Kas has tucked him in again, draped across the pillows as he is. It’s still unreal, that, but Steve won’t complain. What’s even more unreal, though, is the image Steve gets of Kas curling up by the foot of the bed in a similar position. As if he still means to keep watch. 
It’s ridiculous. A little weird. And sort of endearing.
——
The next time Steve wakes, everything around him is a little brighter, daylight fighting weakly to fill the room, but it stands no chance against the large wooden planks and thick curtains meant to block it out permanently. 
He blinks away the heaviness, taking stock of his body. There is a crick in his neck and burgeoning cramps in his side and hip from the position he’s still in, and this head still is a pulsing, aching mess — but no more than usual. 
He taps the pads of his fingers to his thumb before flexing his hands. Only then does he stretch the rest of his body and announce his wakefulness. 
Opposite him, at the foot of the bed, Kas is already awake and still in the same position that Steve saw him last. Did he even sleep? Does he need that? Or has he just been staring at Steve, watching him, ready to carry him to the bathroom again for round two. 
The thought of that makes his skin crawl.
“Hi,” he says to fill the silence that is all too inviting for his spiralling mind.
Kas grunts, but it sounds more like a hum. Sort of gentle around the edges. He doesn’t move, doesn’t seem at all fazed that they’re just kind of staring at each other. Steve swallows, not really sure how to go from here.
He fists the blanket and rubs the linen bedding between his fingers, feels the rough fabric catching on the callouses along his hands as uncomfortable seconds tick by. Still Kas doesn’t move. 
“Listen, man,” Steve says at last, thinking back to yesterday’s events and the vampire’s sudden care. “Thanks, alright? What you did, that was, uh. That was nice. You didn’t have to do any of that.” 
Another hum, and it occurs to Steve that Kas is back in his normal state, retreated back into his mind, hiding from the world himself now that it no longer needs him. It’s a strange thought, that Steve being hurt would be what brings him back. If at all. Maybe he’s reading it all wrong. Maybe it as just a coincidence, or maybe Kas tasted something in his blood that made him want to improve Steve’s physical state for selfish purposes. That’s probably more likely.
But it makes him feel even more wrong-footed than before, and it leaves him hyper-aware of the situation. Of their dynamic. Indifference and annoyance and… He doesn’t want it to change, doesn’t want some kind of debt between himself and Kas — especially not when Kas has no means to really settle it. But he also can’t feign some kind of gratitude when what he feels the most is mortification and embarrassment; and he sure as hell doesn’t want Kas to know that either. 
So he throws back the blanket and gets out of the bed, a little dizzy at first, but he doesn’t care as he slips into his shoes and hurries out of the room. 
He just wants to leave. Get out of here and go home, go back to bed and get over the mortification of having been seen like this. Of having been taken care of. By someone who doesn’t even like him. By someone who hissed and snapped at him one moment and then carried him to the bathroom the next. 
“It looks like there’s nothing human left in him, but we do have data that suggest otherwise.” Owens’s words echo through his mind as he crosses the living room. “It seems to be in hiding, the Munson part of him; that’s our hope at least. That you can get him back out one day, make him win over the vampire part. It could be like a self defence mechanism, I guess. We hope he can still be coaxed back into the land of the living. How, though, we don’t know.”
Was this what happened? Has Steve’s weakness triggered the human part of Kas’s tortured brain to take over? No, that can’t be. 
It seems unreal. Unlikely. Wayne telling him stories or Dustin talking about their campaign, that should have helped. Even Mike playing the guitar, or Robin rambling about something or other; all of that was much more close to who Munson was. Or used to be. Eddie Munson never struck Steve as someone who took care of people naturally. Someone who stepped in. He stepped up, sure, but only ever for the wrong reasons. 
It makes no sense. So it must be wrong; just Steve’s exhausted brain grasping at straws. It usually does that, anyway. Nobody knows if Eddie is even still in there. Part of Steve hopes he’s not. 
Just as he reaches for the front door, ready to just get out of here and pretend like nothing happened, he feels a presence behind him. Kas followed him out of the bedroom, standing in the doorway now with an unreadable expression. It's the blank one he usually takes on, but where before it was normal, it throws Steve off now. Maybe because he saw how Kas can look at him. How expressive his eyes can get.
He holds them, the red shimmer a little dimmer out here in the brighter living room. 
And maybe it's the blankness in those eyes, or the lack of judgment in Kas's every action, but whatever it is, it makes Steve let go of the door and turn to face Kas properly. 
"Why'd you do it?"
The vampire inclines his head. Listening. Always listening. Steve doesn't know how he never noticed that. It seemed so primitive before. Like how a dog will react to its owner speaking, but never process the words. Kas processes, though. So Steve keeps going.
"Why'd you... You kept saying that word. Safe. Do you, uh. Do you know what it means?" 
Slowly, his eyes growing a little less blank, Kas nods. 
Steve looks around the cabin, swallowing thickly, still feeling so out of place in here, still feeling the need to run and leave it far behind. But something makes him stay. Makes him want to understand. 
"You wanted me to feel safe?" Again, Kas nods. "Why?" 
There is hesitation there, and Steve wonders if it's because he doesn't want to tell him, if he doesn't know the answer, or if he doesn't know how to answer. It's a loaded question, maybe. 
"Pain," he says at last, his voice barely discernible from a growl, but somehow Steve seems attuned to it now. Maybe because he listens now. Because he wants to know. To understand. 
He waits, watching as Kas struggles for more words once more. Just like last night. 
"Know... Know... pain. Know.” He taps his temple with a clawed hand, and Steve's heart falls, his chest aching with realisation. 
Right. He would. He would know pain like that. If what the doc says is right, if what Vecna taunted them with is right, if every working theory the kids have is right, then… yeah. Kas would know. He’s know something about pain. More than any of them. Pain so intense it splits you apart from yourself. 
"Shit," Steve whispers more to himself than to the room, crossing his arms in front of his chest to hug himself and keep from digging deeper, keep his heart from falling further, and keep the horror at bay. 
He doesn't want to imagine the kind of torture Kas went through. Is still going through, if what the doctors say has even more truth to it. If Munson is still in there, still suffering because human minds have a way of holding on to pain — Steve knows soemthing about that, too. 
"I'm sorry," he offers. It's all he can offer. In the end, it’s all that’s left.
And still it's so lame. It's not enough. 
But Kas just nods again, a pained shadow of a smile appearing on his face. Something transpires between them in that moment, Steve can feel it, but he can't really define it. Maybe some kind of understanding. Some kind of safety. 
"I gotta..." he starts, motioning to the door behind him. "I gotta go. Will you be fine? Did you have enough, y'know, to drink?" 
Another nod, and the smile widens a little. Looks a little less pained this time. 
"Good," Steve says, stuffing his hands into his pockets, lifting his shoulders to his ears, trying and failing to seem casual in the face of those glowing eyes. "I’ll– I'll see you around, yeah?" 
And then he's out the door, his head spinning and aching, his steps heavy with the weight of whatever has changed between him and Kas in the past twenty-four hours. 
... sooo. part 3 anyone?
🤍 permanent tag list gang: @skiddit @inklessletter @aringofsalt @hellion-child @stobin-cryptid @hotluncheddie @gutterflower77 @auroraplume @steddieonbigboy @n0-1-important @stevesjockstrap @brainvines @puppy-steve @izzy2210 @itsall-taken @mangoinacan13 @madigoround @pukner @i-amthepizzaman @swimmingbirdrunningrock @hammity-hammer @stevesbipanic @bitchysunflower @estrellami-1 @finntheehumaneater @goodolefashionedloverboi (lmk if you want on or off, for this story or permanently) 🤍 tagging for this work only: @forestnymph-666 @little-trash-ghost @jupitersgonemissing
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ryllen · 6 months
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Was giving these analysis a read [ x , x , x , x ]
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buwheal · 2 days
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uhh more of that warmup page i do for breaks lol. The real question is how do i mimic this in the pixel askbox style..
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garbagequeer · 2 months
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eelektrossfan · 17 days
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Around The Bend
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sky-is-the-limit · 7 months
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Price is the type to corner you against a surface, press his front against your back, leaving you no space to move.
He is obsessed with the way your body gives up control completely to his touch, so fragile and delicate compared to him. Your head gently resting in the crook of his neck while his hands trail up and down your arms, caressing every inch of naked skin.
He can't get enough of looking down at your body, the way his buldge is pressing against your ass, his muscular thighs towering yours, hand placed on your upper spine just to watch you lean forward intuitively.
He'd take his time with it, appreciating your submission, whispering sweet nothings in your ear before pressing your front down entirely on whatever surface is before you so he can fuck you merciless. Kitchen counters, tables, in his office against the desk, you name it.
Give this man an excuse to show off his size and you're guaranteed to be fucked real good.
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(if this pic is not from the game, credits to the artist)
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starphenie · 3 months
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whenever i think of how nikki's personality has changed from her first game to her latest i get so emotional.. bring back silly lazy genki girl nik </3
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genericpuff · 3 months
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the last few episodes of persephone moping around have felt like less of a self-reflective moment for her to grow and change and more rachel griping about criticism and surrounding herself with yes men
this isn't gonna be in any way a formal essay like my usual sort, more of a slam post honestly, so fair warning that i'm gonna be a little salty here
EPISODE 263 SPOILERS AHEAD!!!!
but seriously, it's been a pity party of greek proportions because this constant "woe is me" shit with persephone that's constantly met with "no queeen you're amazing and perfect" has been going on for DAYS (real time and comic time)
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literally every episode since the comic returned has had some segment of either persephone or hades (or both) being upsetti spaghetti over their current situation because oh nooo persephone made the deal with erebus and had to sacrifice something. even though they both knew that was gonna happen and yet she did it anyways. so she just continues to lock herself away in her mansion and spout adorkable quips while her husband, mother, and colleagues deal with the mess she caused.
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and of course there's the constant inclusion of apollo spitting straight facts about persephone being a terrible queen and person, but of course because it's apollo saying it, it's not meant to be taken as gospel, essentially clapping back at the words of the critics who call out persephone for being a shitty and toxic protagonist by putting those words into the mouth of a literal rapist.
and yeah episode 263 had a lot of the same shit, to the point that you could literally swap out the names of the characters and the words they were speaking and it applies exactly to rachel and the corner she put herself in u.u it's been a thing for a while now that apollo has just felt like a mouthpiece for LO criticism but as mentioned by users within the subreddit during the discussion of this newest episode, it's never felt more apparent than now.
so yeah enjoy this satirical text edit of a sequence from the newest FP episode, which I honestly can't tell is meant to satirize the critical community or Rachel's reactions to the critical community because the weird reality this comic and its community exist in has just become that wack that it's hard to believe it's not directly from The Onion sometimes LMAO
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-and as much as i find myself empathizing with the pressure that rachel is surely under right now - no one should have to be subject to the screeching howls of the peanut gallery - i can't help but be reminded of the memes and tweets she's put out that basically outright say "persephone is supposed to be celebrated for being a shitty person, if you can't handle her at her worst you don't deserve her at her best 💅"-
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-and how often she's ruined her own day looking for critical groups or people with the "wrong opinions" that were minding their own business, or how much she's stifled her own community's attempts to discuss the story openly by having her mods ban anyone with even so much as a question regarding persephone's integrity.
so yeah, as much as i can empathize with her from one creator to another that being under this amount of pressure and scrutiny must be immensely frustrating and exhausting, beyond that one similarity i just can't empathize or relate to this mindset of almost learned helplessness that's taken a firm grip over her writing. this is the story she wants to tell and by all means no one is entitled to make her stop, but if she's gonna keep using her greek myth "retelling" comic that's trying to be "feminist" as a mouthpiece for her own griping over criticisms that are largely on-point and justified - to the point of putting the words of her critics into the mouth of her token villain like she's playing some single player barbie doll "act out that fight that sounded cooler in your head" game - then she's gonna keep getting called out, full stop. i figured she didn't have any nose left to rip off in spite of her face but apparently not.
look, i get it, there are some opinions and behaviors within the critical community that even i'm not on board with. there are people who absolutely take shit too far on both sides of the fandom, and i think both sides need to do more to hold themselves accountable for how they interact with each other, the comic, and rachel herself. i make it a point to keep my shit in my own house, i'm not entitled to rachel's attention and frankly it's the last thing i want because i have a lot of fun here and i don't want that to be potentially ruined or dampened! but if you come into my house and complain about the decorating, then i legitimately don't know what to tell you. i used to love LO and i'm so sad for my past self knowing fully well they're not gonna be able to wholeheartedly enjoy this comic forever due to how manipulative and shitty the storytelling has become. a story that i once connected to as an AFAB who was a victim of assault and abuse and generational trauma.
if persephone being the true main villain in her own story was ever meant to be the point of Lore Olympus, then it's taken way, way too long to get to that point, and rachel herself definitely doesn't seem to be of the mindset that that's what she's become with all of her blasé meme'ing on a plot arc that she's still expecting us to take seriously. persephone was never a very complex character to begin with - being an easy self-insert for the audience and rachel to project themselves onto and relate to - but at least in the beginning she felt like she had so much legitimate potential, she was naive but put her best foot forward and clearly wanted to make a life for herself, made by herself.
now she's just mean. jaded and mean. dependent on the constant validation of others to the point of being manipulative. an absolute shell of a person who can only grow a spine when she's punching down on people weaker than her, completely incapable of standing up to the people who are a legitimate threat to her. it's not empowering, it's not subversive, it's just another pick me story about women pitting themselves against other women and never taking accountability for their own behavior, mistakes, and deliberate actions meant to hurt others, often teetering on the line of straight up narcissism all for the sake of a "boss babe" moment.
anyways, if you want an actual well-written and GOOD scene of an empathetic female protagonist struggling to find their footing in adulthood being called the fuck out for their learned helplessness behavior, go read Tamberlane, it tackles this topic much better through its main character who keeps using her brokenness as an excuse to never do better, it slaps and it's so real.
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