#arpegi

[mod-a-day]

Fabrice Gillet (Arpegiator) "synth 4"

hep ram -> -> dis moi ce que tu penses de cet essai en synthetic on pt ! bof kwa ?! hey n'oublies pas de m'inviter quand julia viendra camper chez toi ! ((( soupir ))) :-)__________or :-( ! bibi call me at 063/ 570330 ! often busy (jr rules) re:-)

–

I'm reasonably sure Arpegiator was drunk, again.  In any case, this is the last file I have by him!  Which means that we'll need to find another artist to highlight once a week.

Who will it be?  And more importantly… when will it be?  Stay tuned to find out…

#music #tracked music #module music #ProTracker #MOD #Fabrice Gillet #Arpegiator #synth 4 #unknown year #electronic music #artist comments #blogger comments

[poppitron360]

I started reminiscing about my GCSE years, and decided to try and write a GCSE-Music-style analytical essay on Helluva Boss songs. I ended up getting... Somewhat carried away.

How the different elements of music are used in "House of Asmodeus".

When Moxxie starts singing the melody is conjunct, and the texture is homophonic, with only simple guitar chords+vocals. This simple, classically romantic style of song perfectly represents his love for Millie. After the glockenspiel kicks in, we hear a syncopated clapping rhythm along with his guitar, moving the music away from the diagetic, symbolising their more whimsical love. As soon as Fizz and Ozz start mocking him, the guitar fades.

Ozz and Fizz's first lines are a capella, with a short, 2-note, chromatic saxophone phrase playing in between each line. As Fizz introduces Ozz, each line is punctuated with a staccato saxophone note. We first hear the piano play a sweet, high pitched note at the word "luuuuust".

Ozz then sings mezzo-piano, each line increasing in dynamics, punctuated again by a saxophone, and accompanied by a staccato piano. (This is also where Fizz plays the pretend trumpet- a hint at their own wacky, supportive relationship). He then changes tone, with the piano and bass becoming legato, and accompanying him with a descending chord progression, and you can also hear an arpegiated guitar. This is him mocking Moxie's simple, romantic tune, he then moves back to his a capella arrangement with each line punctuated by staccato notes, desplaying his brutality. He then continues in that fashion, only now accompanied by staccato guitar strumming, parallel to Moxxie's song, but in a minor key. He then continues onto the chorus, the lines previously played by Fizz's imaginary trumpet now done by the piano. During Ozz's "belt moment", the orchestra becomes legato.

Moxxie begins to sing again, moving to his simple major tune, before Ozz takes over again, now accompanied by a slightly different rhythm, the chords going from staccato to legato as they descend chromatically. Interestingly, Ozzie ends this verse in major, and you can hear a short, sweet, melody playing on the glockenspiel. This is as he attacks Millie, calling her an "unsatisfied bride". This juxtaposes his comment, showing that the M&Ms aren't affected by it.

As Blitzø starts talking, the acompanyment slowly crescendos, at a slower tempo, the glockenspiel and guitar being the main instruments you can hear, including when Fizz responds, as they're used in this song to represent sweetness, this forshaddows how Fizz and Blitzø's rivalry has a less bitter ending, and also represents how Blitzø's standing up for the M&Ms.

The electric guitar takes over when Verosica sings, and simple backing vocals are heard in between her lines, reflecting her own style of music. As she disses Blitz, the acompanyment moves up in an ascending bassline.

When Fizzmodeus starts singing about Stolitz, they move back to their previous a capella arrangement, with the orchestra's staccato punctuation being descending rather than ascending, showing how messy and unstable Stolitz is. Ozz's lines are then accompanied again, giving him more power, so when he calls Stolas out on giving up his wife and child for Blitzø, and the acompanyment becomes legato, it leaves a lasting effect.

When he belts his closing lines, every instrument punctuates the lines, the piano playing a short, jazzy descending line after "thrust". Then the lines become accompanied again by staccato instruments. The finale line "in the house of Asmodeus," you can just about hear ornamentation on the piano over the fireworks, before it's cut short by Millie knocking out Fizz.

Moxxie then resumes his simple strumming, the glockenspiel playing a sweet descending line as they lift, the harp swells, and then plays along with the, now even simpler played, guitar. We end with moxxie finishing his line a capella, they kiss, the crowd cheers, Blitzø then ruins the moment by rejecting Stolas wtf.

#helluva boss season 2 #helluva boss s2 #helluva #fizzaroli helluva boss #helluva asmodeus #helluva boss episode 7 #helluva boss #gcse #gcses #gcse music #helluva ozzie #helluva boss fizz x ozzie #helluva boss ozzie #fizz x ozzie #hb ozzie #helluva fizzarolli #helluva boss fizzarolli #fizzarolli #fizzmodeus #fizzarozzie #fizzblitz #house of asmodeus

[grofitallocation-ooc]

actually disregard previous tags. yall get a little peeksie at arpegi, might cook up a blog for her might not, depends on my freetime and motivation

[jarujaruj]

Hi, I'm autoimmune on youtube and saw your pianpian video. I saw people having trouble hearing past the delay and gave it a shot

I want to know what you can do with my analysis. Would you be able to use it, or share it with someone who can?

After some careful listening and relative pitch analysis I can confidently say I can hear through the delay for certain parts of the audio.

The following notaition could not be exact, but some intervals stood out to me.

The first notes that stood out were the first chord.

A4, D, E, A6,

Then, played in an arpegiated acending swing:

F4, D4, G4, F4, A5

After this point the delay is much harder to hear past.

In a mixed or natural lydian mode:

A4, D5, E5(Like zelda ocarina village music)

Close to halfway into the piece and plucked from the noise were these - less reliable - notes.

A, D 1/2b, C#

A little more into the piece and there's a major chord at play. Acending: G C D E

Into the second half and an acending chord: B D G is played upon.

That's what I could decipher. I do think that theres microtonal or 24 tone music at play that I couldn't hear. What do you think?

I'll be honest, I don't know much about music on a technical level, so I don't have much feedback I can give. All I can say is that it's awesome to see folks giving this track an in-depth look! I don't have much I can do with this information though, so you might want to get by Andrew Cunningham's corner of the internet! He did a great video on DELTARUNE music theory recently, so he might be a good lad to ask for help on this topic.

[motherofqups]

Your playlists are buck wild dude. hanged man down side of me with the weird clicky backbeat giving elevator vibes - while iris and julian are in the elevator? baby you give me bad ideas baby you leave me sad and high… and then the next song is ari’s bad idea for the library scene, with that gd drop in the last minute how very dare you? didn’t know who tf cursive was but the recluse ‘I’m not that desperate oh no oh god I am’ while julian’s in the hanged man’s realm??? All the arpegiated songs in the wheel????????? This is some blondie level musical easter egg madness

!!!!! I hardly ever get comments on the playlists; you’ve totally made my day. 💜

As a closet swiftie, you’re giving me too much credit - most of that is intentional, but some of that was… not. Circular songs just sort of… happened in the Wheel of Fortune after Tesselate and I’ll Still Destroy You/Guilty Party wormed their way in.

Just… wait til the Devil and the Moon playlists. 😈😈😈

[succumbingtohandsthatruin]

so Goatwhore's recent 2022 album Angles Hung From The Gates Of Heaven is really good. i think i like it more than their last full length release, Vengeful Ascension, which was also really fuckin good. their recent album continues and builds on what i liked about Vengeful Ascension; theres more black metal influence to be heard on tracks like Born Of Satan's flesh with that nasty ever droning low note before running through the chord progression at carpel-tunnel inducing speeds. The drums on thks track are also much more black metal on this song with more consistent bell-happy blast beating.

im also a huge fan of the both more technical and varied riffage on the album. The Bestowal of Abomination has several main riffs that play off of each other cleverly and a unique breakdown comprised of them. however the increased power of the guitars doesnt mean they overplay their hand. sonic space is respected and upheld where needbe on the album

the title track is one such example. the guitars are working in conjunction to slowly brutally bring down the chord progression to hit you over the head with one chord at a time over the eerie droning cleaner toned guitar or they exist just as texture. playing and holding chords to emphasize the kick drums while the other guitar occasionally spits a few notes of demented arpegiation that truly bring that sinister feeling of being trapped in a dusty void to fruition

Goatwhore is often refreshing to me in modern death metal because of their tendency to leave in more sonic space and focus on building a specific atmosphere rather than going for the heaviest possible production choices. brutal for sure but sometimes meditative, groovy, or slower. this album definetly channels some of Sammy's Acid Bath groove as many riffs are a little sludgy; as on The Devil's Warlords

the soloing on this album is somewhat varied. some solos would feel at home in groove metal, some are very blackmetal, but for the most part they are that very heavy bluesy style Sammy has. nothing special perse but solid, definetly no momentum killers.

The drums on this album are more varied in style and substance than previously. they can be surprisingly subtle like on the track Weight Of A Soulless Heart. here seldom to no cymbols are used for most the duration of the song, nor are there a bunch of fills or snare abuse. and that leaves room for the drummer to spruce up the simpler beats with extra little affectations until they are dripping with character. at some point on Weight Of A Soulless Heart it sounds as if just the bell of the kit is dueling the overbearing rhythm guitar and its such a moment

the bass here is nothing special. it gets the job done. mostly providing backing for the rhythm guitar and still playing its intended musical role, but treated as the generic metal bass. mixed so that youd have to seek it out to hear it there isnt much to say. the songwriting is strong enough its not missed, although for the sludgier more atmospheric tracks i think a prominent, apocolyptic, rumbling bass line would be a strong base to the song for the guitars to chime in over with more haunting phrases and melodies.

the vocals here are pretty outstanding. if you're familiar with the band its pretty par for the course - though its a course you never get tired of. lyrically,,,, its fucking Goatwhore. i think their lyricism when it came to imagery has always been strong and evocative of their intent. other than that, satan.

all in all one of my favorite metal releases from last year, solid af

[jeremyrobertmoore]

Humming with ardor

Arpegiated laughter

Rotten hibiscus

#peotic #poets on tumblr #poetry #haiku #haiku poetry #creative writing #alt lit #short poem #spilled ink

[yes-sikorskiy-yuriy]

Jean-Michel Jarre - Arpegiateur/Arpegiator (State Azure Cover)

#youtube #jean-michel jarre

[sheetmusiclibrarypdf]

Jean-Michel Jarre The Concert in China Arpegiator Arpegiateur (sheet music, partition)

Jean-Michel Jarre The Concert in China Arpegiator Arpegiateur (partition, Noten, sheet music) Please, subscribe to our Library. Thank you! Jean-Michel Jarre Best Sheet Music download from our Library.'Oxymore' will be called the new album by Jean-Michel Jarre Discography

Jean-Michel Jarre The Concert in China Arpegiator Arpegiateur (partition, Noten, sheet music)

https://rumble.com/embed/v2jvtg4/?pub=14hjof

Jean-Michel Jarre

French, born in Lyon on August 24, 1948. He is considered one of the ambassadors of electronic music in Europe, and one of the masters worldwide. He is the son of the prominent French soundtrack composer Maurice Jarre. His popularity came in the 70s, with his electronic and experimental music. His macro-concerts went beyond music (special effects, light) and have gone down in history. At the age of 5 he began in the world of music with piano lessons. He got into the world of jazz as a teenager and formed a rock group, called Mystere IV , in 1968. He began his first electro-acoustic experiments in 1971 with the release of the single La Cage . His first great success was Oxygène (1977), which was placed at the top of the UK Equinoxe , published a year later and followed the same path as the previous one. The following year Jean Michel presents the first of a series of open-air macro-concerts at the Place de la Concorde in Paris, it was estimated that more than a million spectators could attend the event, thus entering the Guinness Book of Records. In 1981 the album Les Chants Magnétiques (Magnetics Fields) took Jarre on a tour of China accompanied by his show. These live performances were reflected on the Concerts in China album was published in 1984 Zoolook , without reaching the success of its recent predecessors. Some time later he gives an extravagant live show in Houston to commemorate NASA's silver anniversary; the event was attended by more than a million people and was broadcast on television. Rendez-Vous is published a few weeks later, with another live show in his hometown. With the material collected in this concert and with the one made for NASA, Cities in Concert--Houston/Lyon was released on the market in 1987 In Revolutions, he is accompanied by the legendary guitarist Hank B. Marvin, to which in 1988, a year after Revolutions , his third live Lp Jarre Live would accompany him, achieving great sales. 1990 is the year of En Attendant Cousteau (Waiting for Cousteau), with whose life he manages to gather the largest capacity in history, with two and a half million people live in Paris on the day of the Storming of the Bastille. The rest of the decade would be marked by sporadic appearances until 1997. This year he returned to the market with the album Oxygène 7-13 , renewing his musical concepts and preparing his new era that would continue in 2000 with the publication of Metamorphoses where they are already established. the bases of his new music. 2004 is the year of Aero , an album with its great songs re-recorded with new technologies and containing four new songs. 'Oxymore' will be called the new album by Jean-Michel Jarre It will be number 22 of his long and brilliant career and is a tribute to Pierre Henry. 'Oxymore' will be called the new album by Jean-Michel Jarre. It will be number 22 in his long and brilliant career and is a tribute to Pierre Henry. The album will be available, starting 21 October , in both stereo and binaural sound. It will also have a VR called 'Oxyville'.' Brutalism' will be his first single. Pierre Henry, electronics pioneer and mentor to Jarre 's mentors Henry is an iconic figure in electronic and classical music, and one of Jarre at the Groupe de Recherche Musical (GRM) . Since her death in 2017, Henry 's widow has provided Jarre with some sketches of sound material that are intended to be used in this collaboration. 'Oxymore', a musical journey inspired by the “musique concrete” In Jarre's own words: “ 'OXYMORE' is a musical journey in which the sounds of Pierre Henry interact with Jarre's new composition in a sonic game of mirrors, in which the creator of 'Oxygene' meets his inverted double in 'Oxymore'. Opening a vortex that sucks the listener into an anachronistic swing in which the analog and the digital find a common playing field”. In addition, the project is inspired by the French movement " musique concrete" . Through this 'Oxymore', Jarre recovers this concept and reinvents it, with today's tools. Vinyl, digital, Binaural and Dolby Atmos version The album has been conceived as an immersive work in one of the homes of concrete music, the innovation studios of 's “ Maison de la Radio et de la Musique ” Radio France in a multichannel and 3D binaural version. Discography For a more comprehensive list, see Jean-Michel Jarre discography. 1973 – Deserted Palace 1973 – Les Granges Brûlées 1976 – Oxygène 1978 – Équinoxe 1981 – Les Chants Magnétiques 1982 – Les Concerts en Chine 1983 – Musique pour Supermarché 1984 – Zoolook 1986 – Rendez-Vous 1988 – Revolutions 1990 – En attendant Cousteau 1993 – Chronologie 1997 – Oxygène 7–13 2000 – Métamorphoses 2001 – Interior Music 2002 – Sessions 2000 2003 – Geometry of Love 2007 – Téo & Téa 2007 – Oxygène: New Master Recording 2015 – Electronica 1: The Time Machine 2016 – Electronica 2: The Heart of Noise 2016 – Oxygène 3 2017 – Radiophonie Vol. 9 2018 – Equinoxe Infinity 2019 – Snapshots from EōN 2020 – Radiophonie Vol. 10 2021 – Amazônia 2022 – Radiophonie Vol. 12 2022 – Oxymore Read the full article

#sheetmusicdownload #sheetmusicscoredownloadpartiturapartitionspartitinoten楽譜망할음악ноты

[mod-a-day]

Fabrice Gillet (Arpegiator) "level a miracle" Atari Karts (1995) Miracle Designs

#music #tracked music #module music #ProTracker #MOD #Fabrice Gillet #Arpegiator #level a #miracle #Miracle Man #Atari Karts #1995 #Miracle Designs #video game music

[koreandrita]

Bitwig studio manual

BITWIG STUDIO MANUAL SOFTWARE

BITWIG STUDIO MANUAL DOWNLOAD

The Input Device and Output Device settings specify which audio interface you will be using for bringing audio signals into and out of the system, respectively. If you are unsure of what to set, try the first option available (there may be only one option). The options available here vary based on your platform. To configure your audio hardware for the first time, begin by selecting the proper Audio System for your interface. To open a listed project: either click the respective Open button or double-click the project name.įinally, every page under the user tab shares three buttons on the middle left: This includes entries such as the last modification time and the file path to the project folder. When a project is selected (by single-clicking it), project information is display at the bottom of the window. A search bar is provided at the top of the project list for winnowing down the projects being shown. The My Projects page displays all projects found in the My Projects path (which is defined in the Settings tab within the Locations page), and the My Templates page shows any template projects that you have saved.Įach of these three pages shows content in the same way. The Recent Projects page shows the Bitwig Studio projects you have opened lately. The next three pages show local content and are similar in format. Clicking Open downloads the project along with any used packages (which requires an internet connection), and then opens the project. Each demo project provides a short write-up, a list of any Bundled packages that are required to run it, and an Open button. In conclusion, Bitwig Studio is a very powerful audio editor, because it allows users access to numerous editing tools.The Quick Start page shows both Template Projects (that work as starting points) and demo project made either by Bitwig (found under Bitwig Demo Projects) and our partners (under Partner Demo Projects). A great utility for anyone in the business of creating tracks Alternatively, grouping could be performed based on the used instruments. This allows spreading the work to more files.įor example, one could focus on just the bass in a file, while another track might handle high-pitched sounds. One of the nice touches is that the utility allows users to work on more than one project at a time. As users get accustomed to the GUI, they will find the “View” menu highly useful since it allows hiding panels. This is because each panel groups together similar functions. However, after a few sessions of practice, Bitwig Studio reveals itself as quite an accessible software. Having more than one working area on any one window can be a bit distracting, and newcomers will find their attention being grabbed all over the place. The main window is divided into several modules, which users can choose to hide or display, according to their particular needs. Not surprisingly, with so many functions dependent on a wide range of parameters, the interface is quite hard to grasp at first. Multiple panels, numerous projects and a few headaches

BITWIG STUDIO MANUAL SOFTWARE

Highly flexible software tools do little to hinder imagination and help users transpose their ideas to musical notes. This incredible variety of tools (each with its own customizable parameters) is a very nice feature since creating audio files is highly dependent on creativity. arpegiator, note pitch shifter and diatonic transposer). delay, reverb, rotary, flanger, compressor or blur) and nine devices (for example, drum machine, e-clap, sampler or polysynth).Īlso available are nine containers (XY effect, replacer or FX layer, among others) and 11 modulators, generators, note FX or routers (e.g. The application does little to limit one's imagination. A whole world of customization awaits users However, these packages are optional and user-recorded audio can also be inserted.

BITWIG STUDIO MANUAL DOWNLOAD

The tool provides download links to a set of predefined sound collections. Bitwig Studio is a detailed program meant to assist users in creating original tracks.

#Bitwig studio manual

[escafandrista-musical]

Jamie xx torna amb el senzill Let's Do It Again (2022)

Jamie xx torna amb el senzill Let’s Do It Again (2022)

Gènere: #electronic 3synthpop #songoftheday Després de dos anys col·laborant però sense treballs propis, Jamie xx torna amb el senzill Let’s Do It Again. Ens presenta una cançó magnètica des del primer moment i ens arrossega al ball. Arpegis de sintetitzadors que bateguen, loops que perforen, bombolles multicolors. Tot això i molt més deriven en un treball esperançador del tot el que està per…

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#Jamie xx #Let&039;s Do It Again

[banavalope]

while im FUCKING HERE if this information had been given to me six years ago heres how these fucks would’ve come out

the answer is not that different

mmmwinks

#fantrolls #audrit #arpegi #nechku and lechku #doddleys #hiveswap #homestuck #my fantrolls

[nanashiryou-blog]

- "your eyes they turn me why should I stay here? why should I stay? I'd be crazy not to follow follow where you lead your eyes they turn me..." #weirdfishes #arpegi #listeningto @radiohead #friday #night #runaway #cosmos #planets #in #herhead #vaporwave #deep #wave #aesthetic #tumblr (em São Paulo, Brazil)

#planets #weirdfishes #listeningto #night #aesthetic #cosmos #friday #tumblr #wave #runaway #in #herhead #deep #vaporwave #arpegi

[therealbanavalope-blog]

I did an art trade with @character-composer, a theme for my gorl Arpegi in exchange for drawing his trollsona Milvio! He wanted the two of them jammin out which i was like “hell yea”

theyre both so cute i love them q3q

#homestuck #hiveswap #bana's dumb art #arpegi trebol #bana's ocs #they're just playing the first five notes of megalovania bass boosted

[danieldiazmusic]

(Daniel Diaz)

#SoundCloud #music #Daniel Diaz #Guitar #telecaster #Synth #arpegiator